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Another thing I don't like about Prison Break. Any time they do flashbacks of Lincoln and Michael, it's the same flashback. There's no variety. You'd think when they hired their child selves, they'd film more than one scene for them. Nope, it's the same one over and over again. "Bring her back."

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It's really the eyes. My brother is a hunter. He has to behead out in the field because if I see him chopping up an animal with its head still attached, I'm likely to go nuts.

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They revealed how Lincoln could mistake Sara's head in the box in season 3 when he exhumes Michael's grave in season 5.

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I suppose a quick Michael & Sara gif post is in order too.

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White Castle

I love the bank scene. You can see Michael's tics lol

That boy purposefully discharged his weapon for the sake of going to the state pen. And the woman... she's hilariously unafraid, as if she knows he won't kill her.

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I was talking about the Salvatores, how they're written parallel with each other, but in the opposite. These parallels are scattered everywhere, and they're the reason I believe Damon would be less dangerous with his humanity off.

A perfect instance is Stefan in 1x19. He refers of himself as the good brother while Damon refers of himself as the bad brother. Ultimately, you'll understand that these parallels are the reason Stefan talks shit about Damon, while Damon talks highly of Stefan. Damon is the better man. He's certainly the better brother.

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As soon as I finish this gif series on Michael Scofield, I'm gonna watch Yellowjackets. After that, I'm gonna return to my TVD re-watch posts. I'm determined to finish things I've long set out to do.

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This man fucks dirty

And this man

Fucks softly

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The power of Sara Tancredi

This is about Michael Scofield's potential for murder, and the reason I love Prison Break's third season. I'd gif this, but I'm having a lazy day. But here, have a soundtrack for the post... How I Could Just Kill a Man by Cypress Hill.

Michael's assumed inability to kill makes sense according to the scene Sara has with his doctor in the first season.

"He became very attuned to all the suffering around him. He couldn't shut it out. He became a rescuer, one of those people who are more concerned with other people's welfare than their own."

Mahone touches on the subject of Michael's inability to kill in the second season.

"There's one big difference between you and I, Michael. And you just proved it. You can't kill."

He touches on the subject again when he realizes Lincoln is no different than Michael.

"But, when it comes right down to it, he's just like you. He has a heart that won't kill a man."

Even T-Bag is aware of Michael's inability to kill.

"You ain't going to kill me, Mr. Michelangelo. You ain't got it in you."

Their Sona storyline changed everything. I personally consider all people capable of murder, it's just a matter of pushing the right button. For Michael Scofield, Sara is that button. A heart that loves a woman as much as he loves her would most certainly kill a man.

"And without rules, we are nothing but savages. Therefore, with proper respect for the rules, this fight is engaged with only one rule: No weapons."

What you're given, is a storyline that starts out with Mahone killing for Michael because he can't kill, and he uses the fight's golden rule as an excuse for taking Michael's role in the killing.

"No weapons. Rules are rules, remember? And if we don't have them, we're savages."

What you're then given, is the reason Mahone changes his tune at the end of the season... Sara's assumed death.

"She's dead, Michael. I lied to you. I'm sorry."

Michael's threat of revenge is 100% truth.

"And I'm gonna find out who's responsible for taking her life. And I'm taking theirs."

When Sammy steps in on his escape plan, he basically steps in on his revenge plan. A move that proves to be a huge mistake, as it results in Michael's first kill. This was the moment Mahone realized he was capable of murder despite feeling bad about it afterward.

"Never gets any easier."

Mahone not only knows Michael is capable of murder, he knows why. So... the season ends complete opposite the open.

"She'd better be able to handle a lot more than that. Because if she has done what you think she has... Sara. She's the weak link. And he will find her. And then Scofield will find you and me. And I'm not paying for your mess."

Sara realizes Michael's potential for murder when he kills someone right in front of her. The reason she's focused on the man's head wound.

"The general should know by now not to mess with us."

It's not really about Michael, it's about Sara. I'm 100% certain had she not stopped him, he would've killed T-Bag for assaulting her.

"Michael, please."

Even though it's a misfire, he pulled the trigger on his mother. This is attempted murder.

"Oh, dear. Misfire. I guess that's what they call a Pyrrhic victory."

It's the same with Poseidon. Michael basically hires T-Bag to kill for him, and he allows T-Bag the continued belief that he's incapable of killing.

"Scofield ain't gonna do it. He don't got the killing gene."

It's not about an inability to kill, it's about the future Michael wants with his family. Poseidon's kill is 100% premeditated, and he's a CIA agent. Michael knows the risk of getting caught, plan or no plan.

"It won't be the work of a cold-blooded man. And it won't be for sin or for hate. f there's blood on my hands, know this, world… it'll be for love."

Michael is capable of murder, but he's still the same man that can't handle watching someone suffer. It's because of this, he wouldn't be able to kill as his father did.

"How could you do that to another human being? With your own hands?"

His kills would be quick and painless... like a bullet to the head.

"This is for Sara."

It's entertaining to watch Michael and Mahone work together.

But mostly, the power of Sara Tancredi. Because when you love someone, you have no control. That lack of control makes killing possible for Michael. That's what made season three worth watching. Sara was gone, but her absence could be felt through Michael's character.

Seriously though. Watch his escape from Sona, how he sets it up so three of them could get shot. Don't screw with his revenge plan... it's for Sara. Mahone knew better.

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Fans think Mahone is showing up Michael when they go after the 6 key cards. Uhm... no. Michael will always be smarter than Mahone. The only reason Mahone is showing up Michael is because Michael is suffering from brain tumors. Expect those tumors to affect his brain function. He may need Mahone's help at that time in the show, but don't mistake Michael's need for Mahone being smarter.

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I do love the 80s though. I'm a sucker for monster ballads.

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Axl Rose has the greatest vocal range. You'd be wrong if you thought it was Freddie Mercury. Even though Mariah Carey can hit extremely high notes, her range is slightly smaller. Axl has a five-octave vocal range. Hitting both high and low notes set him apart in the music world. You'd have to look outside the US for someone with a larger vocal range. Last time I checked, Vitas has it. He's a Russian-Ukrainian artist with a seven-octave range.

Welcome to the Jungle and Sweet Child O' Mine showcase Axl's vocal range, but they're not my favorite GNR tracks. I'm more Estranged and November Rain. I love the piano in November Rain.

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Hell, if Elena didn't look like Katherine, she would've died because Stefan saving her on the bridge relied solely on Markos' doppelganger spell. This negates the fact that Damon would've ate her had she not looked like Katherine... because she would've died anyway.

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I don't know how many of you like Prison Break, but when I do this gif series for Michael Scofield, you're likely to see parallels.

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What's your opinion on this meta written before 3x22 about Damon's crow before hitting the windshield foreshadoing endgame?

https://www.tumblr.com/periodedits/22716993283/endgame-theory?source=share

There was a lot of foretelling with Delena. I consider their cemetery soundtrack foretelling... Say (All I Need) by OneRepublic.

Elena trying to shake Damon, just as she shook him off by choosing Stefanon on the second drowning.

♪ Do you know what your fate is? And are you trying to shake it? ♪

Damon trying to shake Elena, just as he shook her off by compelling himself out of her life on the first drowning.

♪ Do you know what your fate is? And are you trying to shake it? ♪

"The obstacle standing between two fates.”

Stefan is both the obstacle and the bridge. He needed to act as the bridge because Damon compelled himself out of her life. Elena's second drowning solidiifed the union of their two fates.

Because fans like to talk "ifs"... IF Elena didn't look like Katherine, Damon would've ate her when they first met. IF Elena didn't look like Katherine, Stefan would've left town after they first met.

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"It's him."

I love this scene cut in Prison Break. The living dies, the dying comes to life to take his place.

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T-Bag has these... repetitive behaviors that I really like. Tongue-rolling is one of them.

It's too bad that he's a rapist and a pedophile.