#julia's writing adventures

[luckylolabug]

Damn, rewriting old fics and posting TAZ stuff in 2024? More likely than you think. Anyways...if you want a dumb AU of everyone working in a museum and Taakitz figuring their shit out after an impromptu hook up session without realizing they work in the same building, along with side Blupjeans and Mags/Julia stuff, here you go. Reborn with better writing this time around and not years old.

[cabe0512]

While I know that most people don't like them...

Varney and the Adventurer Lady from Season 4 will make a return for The Curse of Darkness, albeit through numerous flashbacks that tries to make sense of their actions/appearances during Season 4. While Varney is already dead, he is quite connected (in this case, acquainted) with the main villain of CoD. Without spoiling anything, I would hint that Varney wasn't the only one orchestrating Dracula's resurrection.

As for the Adventurer Lady (whom I would give a name for later), her entire minute of screentime felt so wasted that I had to rewrite her here as a more villainous character (and if I have to be honest, it physically hurts just how much thought went in her design when she is basically a nameless nobody in the show). I will hint at her pivotal encounter with the Laforeze twins when they were younger, which will make you despise her a lot more other than being the sole reason for Saint Germain's unnecessary and embarassing heel turn in the last season.

[theadventurezoneoftruth]

7 years ago, I started a group chat fanfic. People seemed to like it! I sure liked writing it.

But then life happened, yada yada, and I never got around to finishing it. To be honest, I thought I never would.

But I reread it recently. While it definitely has the strong Stench of 2017 humor on it, I found that there was still a lot to like about it. And it kept receiving a lot of very nice comments.

So I finally decided to finish the damn thing. I hope y'all enjoy.

[popstart]

goddddd whenever i remember julias canon voice is Like That it has me cringe so bad. shes very very obviously supposed to be a valley girl vsco kinda girl but her accent drives me absolutely nuts because its such a poor imitation of the accent😭😭😭and her lingo is sooooo generic. i do not hear like any actual valley girl slang or even californian slang in general. and yeah ok its a show, and its a canadian show no less which has rules on who theyre allowed to hire for their voice actors, but it bugs me and i see zero other people point out how grating it is to listen to julia for 2 seconds. am i the only valley girl fan of total drama in the entire world. am i the only one upset by this

[noodyl-blasstal]

Uhuhuhhhh marine biologists au is this anything

Oh ho ho ho! Yeah it is! Thank you so much for this, I've had a great time playing with it.

[This is an ask game - give me an AU and I'll give you five things about it. Feel free to send your own!]

Marine biologist AU basic premise: the star blaster is a research vessel and the seven birds are crew. They're looking at an area where there has been a massive fish death. However, they're not supposed to - the area is privately owned by a big Definitely Above Board Corporation, so they have to be stealthy. Kravitz is a marine ecologist that works for the same research facility but there was a whole thing around Merle smashing his favourite mug and Magnus eating his lunch (accidentally) so they don't speak.

1) Kravitz is also investigating, he's on his own so has a much smaller boat and they don't notice him initially. He thinks they're polluters and it leads to a stand off.

2) They eventually decide to reluctantly team up. He and Taako do some water sampling, obviously it's fraught with sexual tension.

3) Barry needs a fish corpse (to dissect and assess in his lab) and he needs it asap. He's on a fission.

4) Merle assesses a tonne of algae/seaweed etc. and with the other results they realise it's related to pollutants

5) Dav and Lucretia use their ability to do bureaucratic nonsense to try and stop what's happening. The corporation tries to buy their way out and bury the story by buying off trash press and lawyering other press. Lup and Magnus use his weirdly popular (he does it topless and always features his bajillion dogs) woodworking [insert social media account of some description] to highlight what's going on and everyone knows the corporation is evil actually. (And it's my world, so something actually gets done)

[bourbon-ontherocks]

this is the depressing ask. beware. 😂 

first I want to thank the writers for so helpful reminding us of 305 with the line about naked suspects. clearly, morgane wasn’t there to witness adam’s frightful interrogation because she’d have eviscerated him then and there (that’s what I like to think, at least). 

bref. the ending. are we really doing this? I feel like this conversation’s been had a thousand times before yet the show doesn’t seem to have heard any of it. or doesn’t care. (I’ll let you list off the reasons why it’s an awful twist, if you feel up to it, because I’m frankly too tired for that) 

I hate the way they showed a sonogram as if to hammer home she’s carrying a child, not a fetus, when it's the other way round. I hate the mamma mia montage, as if figuring out whose genes are involved is the priority. I hate the 306 retcon, get this shit away from me, both their drinks were spiked. I hate that we’re supposed to believe none of these grown adults (the ones who weren’t drugged, at least) considered protection. especially morgane--she’s had DREAMS about this, ffs, there’s no way that wouldn’t cross her mind. I hate the ramifications of every single way this could go down (too long to expound but you get me). I hate that there’s even a shred of doubt about how this will go down. I hate that they served us some watered-down so-called feminist juice for a whole season and still decided to use morgane’s body as an open ground for drama. 

given the way they’ve addressed the question in the ep, I’m very pessimistic about s4. Idk about you but my only solace is knowing it’s out of our hands, anyway, so I don’t have to waste my energy trying to change anybody’s mind. 

thanks for sticking along on this ride. wouldn't have had it any other way. and good luck for the year ahead of us, everybody. the only way out is through! 🤞

Nodding along at everything you said because yeah, and also while I liked Adam's line about naked suspects, your point about Morgane finding out about it just gave me a fantastic idea to add to my WIP, so thank you for that!

Now for the ending.

I think there are two main points to distinguish here because obviously, my personal distaste for pregnancy and baby storylines makes the idea of Morgane bearing a fourth child everything I don't want to see. BUT, had the circumstances been wildly different, I could have come to terms with it and accepted it, as in "Yeah I don't like this turn of events but I can get over it because it makes sense narratively and serves an interesting purpose". What actually makes this finale awful are the circumstances of this pregnancy, and now we're getting to the essay-ish part of this post where I'll try to explain

Why HPI finale is lazy, infuriating, and profoundly anti-feminist

Just like you point out, this mamma mia scenario was already explored in… well… mamma mia, plus countless other stories, zero originality here, I expected better from HPI tbh. And I read just yesterday an interview with the producer saying "Season 4 be like, we're looking for a baby daddy instead of a murderer lolilol", yea guess what, I DON'T CARE. For a while after watching the episode, I dared to hope that the montage in the end was purposefully misleading, that soon Morgane would come to her senses and remember that she did use protection with at least Timothée and David, because I 100% agree with you, it's ridiculous to make us believe that none of these people ever had a thought about contraception. Timothée even said "We're not trying yet", which means he kinda knows how not to try, no? And also I can accept the idea that Morgane isn't on any kind of birth control because it happens (some women react badly to pills and IUDs, etc), but she was with Ludo for half a season so they must have used condoms, she has to know and think about it (and like you said, she's DREAMED of it, and explicitly said that SHE DIDN'T WANT A FOURTH KID - I'll get to that later because it makes me fume). Besides, she's had three kids already, she knows how this all works. So yeah, it's lazy and implausible.

What I find particularly infuriating in this 3-baby-daddies plotline is also the deeply misogynistic trope of seeing a female character unable to enjoy an unapologetic sex life with multiple partners without getting punished by the script with an unwanted pregnancy. This is the literal definition of slut-shaming by the way. I was going to say that I didn't see where you found feminist vibes in the show, but then I remembered how much I loved the way Morgane expresses her feminity, her desire, and her sexuality, and…. yea, this is exactly the point I'm trying to make (also I loved seeing childfree, 40+ characters who were thriving but that's another discussion I guess). Seeing that we're still there in 2023 legitimately makes me sick.

Speaking of misogynistic tropes… I guess the ONE detail that really makes me want to throw spears at the writers is the sixteen weeks' mention. By purposefully making her too far in her pregnancy for abortion, they robbed her of having a choice. I mean, they could have got her two months pregnant, and then for some bad (imo) reasons she'd have decided to keep the baby, it would have made no difference for what's coming next. I wouldn't have loved it, sure, but it would have been fine by me because at least it'd have been her decision. Here she's just subjected to the plot, and like you said, her body is used as a narrative tool, and it feels like a slap in the face. Not to mention that even here they fucked up the timeline, because she fucked Timothée, David, and Adam in the span of like 4 days, right? Literally the day after the LSD adventures she and Adam decide to wait for three months, and the montage insists on how on the schedule they are. And I'd say that 307-308 happen within a week maximum because Redbone's not one to wait three weeks for his money lol. So 3 months is 12, 13 weeks at most, which means that in the end, Morgane is 14 weeks pregnant AT BEST (which makes her still eligible for abortion, mhhhh, see where I'm going with this? 🤔), and not 16. The only valid explanation would be that it's Timothée's baby and that she was already pregnant when she had her other encounters, but since the show seems to go in another direction, then it means that they purposefully fucked up the numbers so that she CANNOT consider abortion, which is the most dehumanizing, disempowering thing you can do to a female character.

They're literally forcing a pregnancy on her, and I want to throw up every time I think about it.

Speaking of which. Morgnane's already had three kids. Also, she told us in season 2 about her first-trimester symptoms. And she's supposed to be smart, hell that's the WHOLE point of the show. So there's no way she wouldn't have noticed that she was pregnant again, unless she denied her pregnancy (which would explain her total absence of symptoms, incredulity at the hospital, and possibly the fact that her brain erased her sexytimes with Adam). Now pregnancy denial is one of my greatest fears in life, so I can hear that this was particularly triggering for me specifically, but still, this is an incredibly traumatic experience to throw at her, and a source of huge emotional distress. SHE STATED SHE DIDN'T WANT A FOURTH KID FOR FUCK'S SAFE AND YOU ARE FORCING HER TO GET ONE WHEN SHE'S AT HER LOWEST, AND YOU'RE EXPECTING US TO FIND THIS FUNNY??????? I mean just go sell potatoes and stop writing shows because this is an insult to the art of writing.

😠🔪😭

Sorry I need a minute to have a good cry and yell at the abyss.

.

Okay, I'll just close the 16-week essay by saying that I entirely blame Audrey Fleurot for this, and this is what I base my theory on:

I mean, cool bro if it worked for you (except it didn't, do you want to talk again about your post-partum? Is that what you're planning for Morgane?) and I get that acting can be a therapy in some way, but this is getting way too close to the target, just get the fuck out of the writing room if that's what you're going to come up with, PLEASE.

I'm not sure where you see a 306 retcon though, for me it's pretty clear they were both under the influence, had sex, and blacked out about it (which as @earanie and @hemerae-ramblings pointed out, is highly unrealistic since memory losses are NOT a side-effect of LSD, but I can hear the argument of denial here). But speaking of 306, the finale completely doomed this episode for me, because in retrospect it feels like a giant set-up. The LSD scene is ONLY here to make it possible for Adam to have unprotected sex (side point here, I'm actually not mad they hooked up, even though it's kind of frustrating to see it happen this way, because I find the "offscreen banging reveal" a hilarious yet underused trope, and also I like the messiness), and while this last point is in a way funny, the worst part is the three months window at the end, which has in fact NOTHING to do with Adam sorting his feelings or whatever but is only here to forbid the possibility of abortion for Morgane, and this makes me want to stab people multiple times.

Also, one last thing that I find absolutely disgusting is the fact that Morgane and Adam (presumably) conceived a baby against their will (there's a whole other discussion to have about consent here but I won't go there for today) while solving a case about a BABY BORN FROM RAPE. I mean, can you make it more icky than that? Do the writers even acknowledge the irony of this? Do they even care? This baby is doomed by the narrative from the fertilization stage, and we're supposed to enjoy it as a comedy?

And now I assume we'll get to watch a forced coming together between Adam and Morgane due to the circumstances, which means that even if they end up together we'll never know if they actually wanted it? What a way to kill a ship, man, I've seen shows pretty efficient at ship-sinking but this has to be in the top three.

(somehow there's a wild irony in the fact that both the showrunners and the main cast have been saying on repeat from season 1 that they didn't want to make that disappointing season that ruins most shows, and yet they managed to spectacularly fuck-up and promise the worst season ever, and they're already paying for it audience-wise...)

See, all of this is the silver lining I'm holding onto for now, in the hope of a miscarriage (which would also be incredibly traumatic for Morgane, and still an objectified-by-the-plot scenario, but at this point our options are limited. Also for now the showrunners are only mentioning the pregnancy but not the baby so maybe there's a tiny chance she actually doesn't have it), because there's no way anyone could rejoice from this. And if she does have this baby, and if it's Adam's, then I'll officially change their shipname from Brosse Adam to Brosse & Rachel, and this will probably be my last contribution to this fandom. Hated this in Friends, will hate it in HPI.

I'm not pessimistic about season 4, anon, I just don't want to consider it at all. Obviously, I'm ready to withdraw everything I said here if they choose the only acceptable outcome (abortion) and actually make an extremely powerful narrative and political statement about it, but I know it's off the table. Having to endure such a plotline in 2023, at a time when women's right to dispose of their own bodies is threatened everywhere in the world, is a very painful punch in the face, and I sincerely hope they'll get a ton of backlash on social media for this. I just saw this morning that the airing of 308 had the lowest audience numbers ever in the show's history, and I can't say that it makes me unhappy.

(I was lowkey hoping for a cancellation at this point, even though I know the chances weren't great, but I found out today that the show was officially renewed so we won't even get the solace of knowing they can't do any further damage... Eh 🤷‍♀️)

Finally, the thing that saddens me the most isn't even what they did to Morgane and to the show, it's what they did to our community as a result. I have been alone in this fandom for almost a year, and it was incredibly frustrating. And then people joined, created content, interacted, had fun, and we had such an amazing time together, writing, giffing, vidding, sharing theories, jokes, and thoughts. I've met some incredible, witty people, some of them I dare to call friends. And now it feels like everything is falling apart. Friends are leaving, or considering to. Group chats have turned into support groups. The writers didn't only ruin the show, they took away the enjoyment we gathered from it, and it sickens me. Personally, I've had a very rough first semester of 2023, and this community is what has kept me afloat. It's made me smile and laugh in times of sadness, it's given me a shiny, quirky escape that I'll never be grateful enough for. And to witness it all collapsing really hurts. I do hope it's just a bump in the road, that we'll come back eventually, sticking together and collectively despising canon, ignoring it by ferociously writing AUs, and roasting the timeline, and making Daphné-centered vids, but I'm not even sure myself where I stand regarding my own involvement in this fandom. Nothing else to say, I just miss what we had, that's all 😢

Now that I'm thinking about it, "J'avais tellement envie que ça marche entre nous" is exactly how I feel about canon right now. You know when I said that getting into a new hyperfixation felt like falling in love? Well, this shitty ending feels like getting ugly dumped.

Thank you for coming to my Ted Talk, anon, and thank you for sticking with me too. It's too early to say if this is officially the end of Julia's adventures with the HPI anon or not, but please know that I've loved every second of the ride and that I will never forget it 🥲

😘🥃👻

[chiropteracupola]

thinkin about the imaginary timeline where antonia sharpe and fanny and charlotte aubrey are friends again...

[twodoorsnotone]

I know my childhood fav book series (set in Drury Lane) has its reconstruction being a whole plot point and I now really want to reread that bit to see if they make any foreshadow-y jokes about it lasting forever, ushering a new era etc, given it burnt down 15 years after it was built

[bigheartsmallworld]

i’ve been looking for a post like this, but i can’t seem to find one..so fine i’ll just do it myself..

here’s my fav squid game men headcannons but make it freaky ☺️. also songs that make me think of them/i listened to while writing these

(Gi-hun, In-ho, Thanos and a little nam-gyu, and just a bit of the recruiter..hehe)

(Warning: includes a little cnc…not alot but still just in case! also smut..obviously?)

kinda obvious but just so you know..this post is 18+.. and very freaky

Seong Gi-hun~

Spork postition, or doggy style

shoulder holder..hell yeah

doggy- one hand on the small of your back, the other by your head

praise kink, receiving and giving

hair pulling+getting his hair pulled

6.5 inches

lowkey a whimper kinda guy..

aftercare king!!

whispering NASTY stuff in your ear

but also stuttering ^

“y-you like that? yeah?”

i said it once and i’ll say it again.. SEONG GI-HUN IS A SOFT DOM DADDY

slow and tender

laying overtop you while fingering you, eye contact entire time

Your laying on your stomach, supporting your weight on your elbows. Gi-hun, bent over you, has one hand under your chest, groping you. His other hand, stimulating your clit as he thrusts, grunting and muttering filth into your ear, as your fingers helplessly grip at the sheets beneath you.

Issues by Julia Michaels..

(his is kinda lame cause i already posted one of these that was just for him..)

~In-ho

Tabletop, shower, and missionary…yeah

Degrading

spanking

light bdsm, restraing your wrists above your head kinda guy

dacryphilliac..might be controversial..who knows

wants to make you whimper, sob, and beg

STICKY..that’s all.

let’s just say, the room is very humid with him 🥰

kinda aggressive

he would definitely put his hand over your mouth during missionary

would overstim you severely

dominant king..what about it?

7 inches

he needs you to be verbal

He loved to use your body, while you're sleeping, while you're awake, while you were calling someone, whenever he felt like it. He ESPECIALLY LOVED the last one. Whenever your phone would ring during sex he would answer it, ESPECIALLY if it was a guy... What was another guy doing calling you for anyways?! 

He would make you call out his name in your desperate and needy voice so whoever heard on the other line knew how much you liked his cock. He'd chase his own pleasure first. Then MAYBE if you were good will he get you off. 

He does in fact want to watch you go crazy, like he wants to ruin your life and be the one to put it back together

male manipulator

Karma by Chappell Roan

~Thanos

Doggy style king

also shoulder holder 😚

adventurer position, eagle, and watering can

he’s a big valedictorian position kinda guy

you might need a mop after a night with him..i’m ngl

he’s rough..

whiney boy with an attitude

the rings stay on while he fingers you no questions asked

says things like “you fucking like that?” when eating you out 🥰

2man with him and nam-gyu hehe

forces your legs open

oral king (giving but mostly receiving)

Like your gonna need to SLOB on that KNOB

fast pace, won’t slow down so don’t ask

pulls your hair, slaps you

he could go for about 3 rounds

“showering? without me?”

He don’t make love, he FUCKS

sober sex isn’t even a thing to him…sorry

6 inches

idk why but he reminds me of douche from sausage party…ifkyk i guess

^in all the ways

you’d fuck like atleast once a week

yeah he hates condoms/pulling out

sometimes he’ll bring nam-gyu along, watching as he fucks your brains out, humiliating you in front of thanos, making you feel ashamed for enjoying another man’s cock..before he eventually takes over

nam-gyu holding your arms above your head, kissing you while thanos fucks you~

Thanos chokes you. He wraps his big hand around your throat while fucking, looking you in your eyes as he grunts.

Your laying on your back, tugging on Thanos’ hair, as his face is nested deep between your legs. Your legs tense, all your strength flowing to your feet, and you writhe beneath him, his chin dripping from your previous climax . “you like that, don’t you? you like when i suck on you, over and over.” he mutters, sloppily, his breathy words bringing you closer to the edge.

Why’d you only ever call me when your high? by Arctic Monkeys

HE IS SO PTPOM 2.0

The recruiter~ (CNC WARNING)

bent over the table, no other way

grunts in your ear

Gun kink.

like..he’d hold a gun to your head while you suck it..idk

Or he’d put it in your mouth or smth

also a dacryphilliac

gets off to seeing you scared and sobbing

a hitachi wand is his best friend.

would gag you and tie you up

like he loves BDSM

don’t even ask him to stop once you’ve started, because he won’t , so there’s no point hehe

massive cnc guy..hehe

massive sadist..like even more than in-ho

he would spit in your mouth and make you swallow it

he’s a ‘nut on your face’ kinda guy

bruises you and draws blood occasionally

he’s a very loud guy..

wants to watch you touch yourself

wrestling position, counter blow, cobra ❤️

Do i wanna know by Arctic Monkeys

[tynithia]

Ellandra with Gaius Dekarios and his son Griffin - circa 1390 DR (art by the fabulous @fedemexyart) I adore Gale Dekarios and thought it would be fun to write his family's origins and lore. Below is my growing collection of Dekarios Family stories. Here is my Dekarios Family Collection: The Promise - Gale only knew the Dekarios family’s history through old journals and family lore. But as a kid, his favorite journals were those written by his great-grandfather Gaius, a powerful war mage and member of the mysterious Arcane Brotherhood. Gale would stay up late, lost in his great-grandfather’s poetic words about the Weave, his epic battles, and adventures. But his favorite part of the journals were stories about the love of Gaius’s life, a beautiful sun elf named Ellandra. When he discovered that his former traveling companion was the same elf from his great-grandfather’s journal, he told her wanted to know everything. (Ongoing original fic! 18 chapters! - Starting Circa 1380 DR)

Krakens - Ellandra and Gaius Dekarios attempt to cure his five year old son’s fear of deep water. (One Shot - Circa 1381 DR)

Julia - Ellandra arrives at the Dekarios family’s summer estate for the annual vacation, but can barely get settled before getting interrogated by her granddaughter Morena. (One Shot - Post-Game - Circa 1497 DR) Sunday Brunch - It was Sunday summer afternoon in Waterdeep and Ellandra’s turn to host the Dekarios family brunch, but as usual Gale takes over the cooking duties. (One Shot - Post-Game - Circa 1497 DR) Until Today Ellandra notices Gale is lost in his own thoughts. She had seen this long stare before and knew it well. She decides instead of leaving him alone, she would help him through the dark, by listening and making him laugh. (One Shot - Act 1 - Circa 1492 DR)

[sammy-deserves-better]

Hey people who definitely didn’t follow me for my AUs here’s another AU I thought up on the spot!!!

Fantasy/Royalty AU bam lets get into it

Julia and Bowie are the princess and prince of the kingdom, as you do, it’s gay and lesbian hostility in that castle every day

Axel, Wayne, Raj and Emma are knights with Axel being the head of the knights, Emma is also secretly a florist because why not

Priya is the head of the guards while Caleb is the personal guard/advisor to the king

Chase is a travelling bard who loves to talk about his ‘amazing’ adventures of ‘helping’ people

Nichelle is still a famous actress but instead of movies she’s like, famous from plays and all that jazz

Ripper’s a barbarian that’s pretty good at his job, unfortunately he is not taken very seriously

Millie is a famous writer but she’s so damn difficult to find at times and only a few people know where she actually lives

Damien is a wizard’s apprentice, he’s still learning but he’s got some real talent within him

Zee is the court jester, he didn’t even like try out for the role he just started talking one time and the king thought he was hilarious

Scary Girl is a famous necromancer because she is, funnily enough, scarily good at her job

And MK, silly ol’ MK, is a master thief who is wanted all over the world, but can never be located, always managing to escape at the last moment

Alright here’s some more details yippee

Raj and Bowie are like, in love, obviously, knight x prince romance! Forbidden love that isn’t really forbidden but like it’s super cute and Raj is so smitten and Bowie just loves this handsome knight that would do anything for him

Wayne and Emma are friends here because I also think they’re silly, Wayne’s the only one who knows Emma’s secret florist job because she trusts him enough and also he accidentally found out but it’s fine!! But he also nearly gives away Emma’s secret so many damn times because he’s just a little bit stupid

‘Man I wish I could get Bowie a nice bouquet…’

‘Oh well Emma is actually a fl-‘

And then Wayne gets elbowed so hard he can’t breath for 2 minutes

Emma also definitely has a thing for the cute court jester but she has no idea on how to actually approach Zee so she just sends him flowers anonymously and sighs while looking at him lovingly

Julia and MK meet because MK climbs up the damn castle walls at 2am and sneaks into Julia’s room just to rob her, gets absolutely slammed by the princess, wakes up and is tied to a damn chair with Julia right up in her face about to rip her to shreds and all MK can say is ‘you are REALLY attractive oh my gods’

This throws Julia off, they start talking, Julia realises that despite the fact she is holding one of the most wanted criminals hostage in her room, she wants to keep seeing MK because she’s entertaining and mean and just slightly pathetic, so she lets MK go on the promise that the thief will come back every night and so she does and yadda yadda lesbians toxic yuri wins

Millie’s stories actually come to life because shocker she’s actually a wizard in disguise and she needs to be really careful about what she writes so that’s why she hides herself away and is so hard to track down because if the wrong people knew about her magic capabilities oh no that’s a lot of blood and injury and angst and 10k words every chapter

Millie’s parents also had this ability to create anything from mere writing, they shared this ability with the kingdom, and so if an important figure asked them to say…make a protector of the kingdom, they would do so, and they did, and that’s where our villain/antagonist comes in but that’s a story for another day

The older gens are also involved in this one way or another as well, most are just backgrounders but some hold important to the story

Damien is the wizard apprentice to Leonard and Tammy, two great and powerful sages who spend their time helping the world

DJ is the one who taught Emma how to be a florist, he’s kind and understanding and always helps Emma choose the right flowers to give to Zee

Eva trains Ripper under her watchful eye, she’s proud of how far he’s come, but feels he can do just a bit more

Aleheather are the king and queen of the kingdom, Bowie and Julia are their adopted children

And that’s all I got for now uhhhh add whatever you want to this it’s just a silly time

[daydreamer-in-reverie]

I think one of my biggest gripes about S3 of Bridgerton is that I am utterly unconvinced that Colin and Penelope started as friends.

Now hear me out. I believe that Eloise and Penelope are friends. I believe that they grew up together, having lived across each other. I believe that Eloise loved Pen so much, Penelope was always welcomed to the Bridgerton home. I believe that by virtue of Eloise loving Pen and having her as a best friend, the Bridgerton family loved Pen as an extension.

But I’m unconvinced that Colin ever saw Pen or loved her as more than his sister’s best friend.

They tried so hard to convince us that it was Colin and Penelope who met first and that theirs is a stronger bond than what Eloise and Pen have by virtue of this but I just remain skeptical. In S1 and S2, we never really see them interact without the intervention of a ball or a social gathering. Eloise and Penelope actively seek the other person out while it was only Pen who looked for Colin and never the other way around. Colin only ever stumbled upon Penelope. He never scanned the room the find her, never tried to pull her away from Eloise so they could have their own conversation. I always felt like Penelope was such an afterthought to Colin while Penelope always made space for Colin in his life. Even while Colin was writing letters to Pen, and it was only Pen who consistently read and replied to his missives, it felt so one-sided. Penelope was eager to know of Colin’s adventures but Colin never asks Penelope about her own life and hobbies.

In all honesty, I think this could have easily been remedied by a good flashback. In Bridgerton S1, S2 and even in Queen Charlotte, flashbacks were the mediums used to fill in the gaps of the story. To inform the readers of a character’s history, and why the choose to do the things they do.

In a single episode, we saw how horribly Simon was mistreated by his father. In a single episode, we saw how deeply Edmund’s death wrecked Anthony’s boyhood and broke his mother’s heart. These flashbacks told us why Simon refused to procreate or why Anthony didn’t want to marry for love. We saw how deeply these core memories hooked themselves into these characters psyches, forcing them to become the people we know today. Without these integral flashbacks, we’re left with words said in passing to convince us of the story they’re trying to sell.

And don’t tell me flashbacks in the Bridgerton-verse are unimportant. Flashbacks have always been Julia Quinn’s method of choice when trying to inform readers of a character’s decisions. In Book 1 and 2, we got the same flashbacks as S1 and S2. In Benedict’s book, we got Sophie’s flashbacks. How her father treated her and how much her life changed after he died. In Book 4, which is Polin’s book, we still got flashbacks on Pen and Colin’s relationship and how much their friendship actually meant to the other. Book 5 showed us Philip’s backstory while 6 showed Michael’s and Francesca’s and John’s friendship, and 7 showed Garett’s and 8 showed Lucy.. While these flashbacks maybe used to showcase the love-interest’s past, they were still utilized by Julia Quinn to give us insights on the characterizations that make up their respective relationships.

I feel like this season, while having its moments, wasn’t what I was hoping it would be. There were so many changes that I feel the original plot of the story got lost. Polin didn’t feel like the main couple, just a couple with a story to be told. There were so many plots told in such extended ways that the main event was sidelined. The Mondriches, Benedict (who by the way is my favorite character), Francesca were all put on spotlight more than Polin was. In the books Francesca barely gets a passing mention of her marriage until her actual book (an act I believe to be intentional on Quinn’s part. It fits that the black sheep of the family who prefers the quiet didn’t have all of the fanfare that came with marrying an earl) yet her time at the marriage mart was put as a spotlight. In fact, when Francesca and John marry, it doesn’t happen with the series and happens much in the same way as Prudence’s marriage is (by this I mean it happens off screen). Don’t even get me started on her character assassination and deviation from the books (I can write a whole essay on this without even mentioning Michael/Michaela). All of these plot points, were put as main focuses when they shouldn’t have been. A waste of Polin’s amazing love story, if you ask me.

[hms-no-fun]

(Appearently I sent this as a post instead of a ask, so I’m doing this proper, albeit updated)

Hi Sarah! Hope you're doing well, weird question if I may?

After binging up on the two recent chapters of death hands, I’ve been having godfeels thoughts, and I wanted to ask it here, you mentioned back in godfeels 2 part 3 that you gave the blessing to anyone to make fanfics about Jade's adventures as silverbark, and now I'm curious: do we have your blessing to make....essentially godfeels OCs? folks that liter the alien worlds you've introduced off-screen or unnamed. EWL members not referenced in canon for one reason or another. Hell, if it's not too indulgently cringe to suggest the idea, former colleagues of the newer cast like Dana or Silverbark that fell outta contact due to one way (simply fell outta touch) or another (drifted apart after the incident ™).

Apologizes if any of this is cringe, the recent chapter reminded me of how much I just, love godfeels and it just gave me lot of thoughts about the idea of one and i wanted to ask.

absolutely!!!!! there's literally nothing cringe about this, i am only delighted at the possibility of you (or anyone) making up some guys in my setting. part of the appeal of the EWL is that it's an engine for wild OCs! my collaborator julia even made a TTRPG called Legions for exactly this purpose. if nothing else, it's an excellent guide for building a character out into this world-- although i will say Legions is set during a much earlier period of EWL history than godfeels double album takes place in, when the Legion as a whole was more corrupt. this was before major reforms occurred, right around the time Silverbark was recruited.

my only disclaimer would be that we will fill out big chunks of backstory with Dana and the Upsilons eventually, so anything that intersects with them directly has a high probability of becoming canon-noncompliant over time. that said, if you adhere to the general timeline laid out in the narrative for the Upsilons' lives (EWL training age 12 to 16, disappeared without a trace from age 16 to 23, returned as hero celebrities age 23 to 26, banished and redacted age 26 to 29, which is the present as of A1/B1), you'll probably be safe.

basically, the only thing i request people not do is try to tell the story we're already telling. beyond that, i encourage you to go absolutely buck wild. also, don't call your desire to create something inspired by something else "cringe." it's not cringe. godfeels started because i wanted to write egbertcore existential angst. you exist in the milieu you've found yourself in, you like what you like, and your creative impulses are not something you can control or should be particularly judgmental of. the only lasting impact i ever want from any of my own creative work is that it inspires other people to make shit for themselves. that is the most respectful and honorable thing you could do in my opinion and i would never in my life dream of calling such an activity "cringe," and neither should you!!!

[brickcentral]

🤩 ARTIST SPOTLIGHT: @lady-brick Hello everyone! It's time to direct the spotlight toward our community members, and today we will get to know better @lady-brick!

"Hi everyone! My name is Julia, known as Lady Brick on Instagram and I’m from Spain.

My adventure with toy photography started in 2011 when a small Wall·E arrived at home. The toys are good for practicing photography techniques, and help me to relax my mind and are a way to escape from my daily routine.

The minifigures, sets, and accessories are a source of inspiration and also an addiction. So, for this reason, now I only shoot LEGO photos.

I like making people believe that a small toy made of plastic is alive. In fact I enjoy recreating comic situations to make people smile.

I find inspiration in everyday life, watching movies and from LEGO communities on Instagram and Flickr. My favorite subjects are the minifigures, but my works includes various themes like medieval, pirates, astronauts, movies...for example, I enjoy put the stormtroopers in unusual situations.

I currently use Olympus OMD E-M10 Mark III with 30mm macro lens with a LED panel for lighting. In my workflow, I’ll draw a sketch or write some lines just to remember the idea.

I think that details are important and for this reason, I try to collect all the things that will I need to prepare the scene.

I think about the composition and the lighting. I like to move the camera lens to the eye level of the minifigures – it helps to dive into the scene and makes it more credible."

Thank you for accepting our invitation and let the community knows you better!

If you want some insights on the exclusive picture and for a better view of the others, head to our blog at https://brickentral.net/.

- @theaphol, Community Outreach Manager

[cupcakefoggy]

Ok, this drives me nuts.

I love Bridgerton. And I don't love all things Regency, so before you write me off as a romance-loving Austenite (which is ALSO a perfectly valid thing to be, thankyouverymuch) just hear me out on why this take is so damn annoying.

Ok. Cool. Now, you're entitled to your opinion that Bridgerton is too fluffy, too girly, and needs more "texture" (which, according to the article, should come in the form of labor, hardship, threatened financial ruin, the usual good stuff) but I want to impress upon you, firmly but politely, that if you're in the market for something gritty, you probably should turn off Bridgerton.

She compares Bridgerton to every prominent period show in this article, and consistently complains that it doesn't measure up. "Well it's not Downton Abbey!" No, no it isn't, and that's what we like about it. We aren't watching it to Learn Something. We're watching it because, for an hour or three at a time, it's really nice to forget that there's so much awful crap going on in the world, and just focus in on Penelope's up-and-down courtship with Colin or how damn cute Kate and Anthony are together.

But that isn't even the thing that bothers me the most about this article.

Why, in the year of our lord 2024, are we still perpetuating this "fluffy girly things are BRAIN CANDY" nonsense? Has Jane Austen truly taught us nothing? At the age of 12, back in the early aughts, my dad gave me a hard time for reading the Sweet Valley Twins books. He wanted me to read Pride and Prejudice, and aggressively shoved it under my nose until I finally agreed to take a look at it. I found it incomprehensible, looked it up online, and found to my immense pleasure that Jane Austen's literature was considered "popular" and "feminine" in its day -- not at all serious literature. I took my findings to my dad, who just about exploded and told me "that's not the point, it's a classic NOW, so shut up and read it."

Guys, I don't care if it was written in the 1600s or last week, pop culture is pop culture. It reflects its time. And more importantly, it shapes its time.

In the 1990s, Seinfeld aired the now-famous episode wherein the boys and Julia Louis-Dreyfus' character, Elaine, have a contest to see how long they can all go without masturbating. One of the men is out before the contest begins; of the remaining contestants, Elaine cracks first. This is now considered a bold statement, because in the 90s, women actually ENJOYING orgasms was taboo -- a concept they make sure to acknowledge within the episode itself, as the men insist women don't masturbate.

Julia Louis-Dreyfus later said of her time on Seinfeld, "We weren't trying to change the world, we were just trying to make something really funny. And that's really hard to do. And if you can do it, you CAN change the world a little bit."

Now, I don't watch Seinfeld. I hate it. I tried to watch a bit of it for Julia, bc I loved her so much in New Adventures of Old Christine, but I just couldn't get into it. but I saw the episode she's talking about, and it IS funny. Because they aren't up on a soapbox, they're just having fun, and she's a damn good comedic actress. So why am I bringing up Seinfeld in a conversation about Bridgerton? Because they're both fluff. No one is watching Seinfeld in an effort to solve the mysteries of the human condition or reflect on the nature of good and evil. It's just for fun. And so is Bridgerton.

And even if there was absolutely no value to Bridgerton besides being fun, it would still be "okay" to watch it. Because sometimes we just need fluff. But I don't think we really spend enough time thinking about just how much impact that "fluff" has on our culture.

I've seen people argue that Bridgerton DOES tackle occasional "serious" topics, and that's why it has value. I disagree. Bridgerton's value comes from the fact that it is FUN. It's easy to get into, it's easy to watch, no one is FORCING it on you, like my dad tried to do with P&P. And because it's fun, people -- YOUNG people -- are willingly watching it…

And they're seeing elderly women, women of color, and plus-size women being depicted as beautiful and desirable.

They're seeing a young, newly-married woman force herself on her husband and realizing that women also need to be taught about consent, and that a lack of sex education leads to damaged relationships.

They're seeing depictions of mental illness in the Queen Charlotte spinoff. They're seeing a man with a mental illness bare his soul to a woman he loves, and hearing her say, in no uncertain terms, that as damaged as he thinks he is, she loves him too. Unconditionally.

They're seeing queer representation in the Queen Charlotte spinoff, too. They're seeing racism and politics and medical abuse. They're seeing storylines that they'd never seek out on their own, and intentionally or not, they're learning from those stories.

Maybe it's optimistic to a fault, but I just can't stop wondering, how many young girls talked to each other about Daphne and Simon? How many plus-size women saw Penelope and Colin's sex scene and felt beautiful, felt seen, for the first time? How many people with mental illness saw Charlotte love King George and realized that they too are worthy of love? How many people heard Violet shyly tell Agatha that she misses having sex with her husband, and felt validated that, no, you don't turn 40 and stop being horny?

I sobbed my eyes out watching S3 the other night, because they captured the feeling of being unpopular and overweight so damn well. I saw my high school years reflected in Penelope's story and it broke my heart and gave me hope all at the same time. I love that they dress Violet and Agatha and Charlotte as richly as they do the younger, "hotter" leads. I love that Anthony Bridgerton goes down on Kate every fucking chance he gets. I love Bridgerton's message, however unintentional, that you don't have to be the classic Pretty Skinny Caucasian Starlet - you can be fat, old, BIPOC, disabled, outcast, anything, and still deserve and GET your happily-ever-after.

Shondaland is not trying to change the world. They're just trying to be fluffy and horny. And if they can do it, they can change the world just a little bit.

[chronotopes]

2024 creative/personal writing wrapped

and yes i'm proud enough of my escaprils that i'm going to list a lot of them individually. sorry.

(2023) (2022) (2021) (2020) (2019)

FICTION

Aivide the Prequel. You know her you love her I FINISHED HER THIS YEAR!!!!! It's my only completed public facing version all-OC story even if it's not 100% original fiction, and I'm still so proud and fond of it and excited to continue the story one day in whatever form that takes. This year I finished chapters 5 and 6 for a total of 73,000 words.

Vital Light. You know her, you don't know that much about her, Aivide the Prequel's more embarrassing and earnest younger/older sister. For those new: a revision of a novel from 2016 which is in itself a revision of a collaborative story from (shudders) 2012. Yes I'm insane for attempting it but also yes I feel like I've learned a lot and working on it tends to tangibly improve my life. The mess of excessively wordy first draft writing I did this year totals at just over 90,000 words.

NONFICTION

A lot of my essays this year were escapril prompts, which is a challenge meant for poetry that I cheerfully reinterpreted to be about creative nonfiction instead. Wild success!! Really excited to do it next year!! Ok let's list some essays, with the ones I think are strongest/most editable bolded. They are not going to have word counts because I Don't Feel Like It.

"Change of State," an essay about moving to Maryland.

"The Internet," a kind of underdeveloped use of paleontology as metaphor for growing up.

"Eye contact," an essay about my dynamics with my mother and my girlfriend as well as the concept of 'attention.'

"Trip," revisiting a formative camping adventure with my childhood best friends, who perhaps predictably emerged as a reocurring theme in this project.

"Spiral," an essay about my nichely significant great-grandfather and his war stories of dubious veracity.

"A childhood memory (catholic school gymnasiums)," which is the first essay of mine that mentions Jenny's siblings by name! About going to Easter Mass with her family and, relatedly, visiting your loved ones' childhood spaces.

"Portrait," about augustine and i being in gay love with each other in seventh grade art class.

"What's the truth?", about my own renegotiations of my senior year of college social fallouts.

"Bad Habit," about reading strangers' wedding websites.

"Fog," about New Year's Eve 2022 with Jenny.

"Posture," which is me in senior year of high school and the act of posturing, as I had already covered the Reprimands From My Mother in "eye contact" and had nothing to say about the concept of standing up straight.

"Oh, the light!", which I would never title an essay independently but is functionally just a longer expression of that one jesse pinkman image captioned 'how it feels to be in a transitional state'.

"Purr," about one of my friends' cats as metonym for grief.

"A recurring dream," honestly one of the weakest ones, but it's once again about my fall 2022-spring 2023 experience and the weirdness of it all.

"Beach," about visiting Esther in Florida for the first time and about my larger-scale relationship with the ocean.

"So embarrassing..., or (BEING NOTES TO MYSELF AS 2014 TURNED TO 2015)", or exactly what it sounds like.

"Truth," a sequel to "What's the truth?" that is also about Esther and Julia's wedding.

"Suspended in Air," about going to Harper's Ferry and loving my wife so much it's unreal.

"A reminder:", a total nothingburger of an essay. Essay that could have been a diary entry.

"Moth," a vivid little image of summer in Southeast Virginia as written by someone who's about to move out of there for good.

"The problem of death." Escapril prompts are really on the nose sometimes, huh? I like the central metaphor in this essay that is, in fact, about death, which involves Star Trek Two The Wrath of Khan of all things.

"Desire," about seeing myself in the end of Twelfth Night.

"Simulation," about roleplayed love confessions with Augustine.

"Unexpected Transmission," about the night I found out my boss died.

"Dark Secret," about my relationship to romantic love, especially the unrequited kind.

"Modernity," about fall 2020, taking Women and Modernism while developing my own writing fascinations with the contemporary literary micro-movements of beautiful women and theys on the internet

"The absolute limit," double essay about Reconciliation Dreams Involving The Ex-Bestie.

"Surgery," vaguely hermit-crab style set of annotated recent google searches. About budgeting and planning for the future jinxing and to a certain extent literal surgery. By far one of the strongest concepts here.

"How to exist," another Essay That Could Have Been A Diary Entry maybe but has some good prose. These last two are kind of a culmination of Personal Processes i was going through in this set of thirty essays, in which i took an artistic spin to things that had been too fucked up to write about artistically in years past.

"Tomorrow," about the month of May and my history of planning for it / of grand turnarounds occurring at the end of spring.

There were some non-escapril ones too (okay actually most of them were inspired by past escapril prompts but pretty loosely)

"Visions of the Future," about imagining my future self.

"Myopia in seventh-grade notebooks," which takes a classic trick in adapting a poem from the past into an essay.

"Eavesdropping," the product of my biannual process of rereading all of my past messages with my dead friend and wanting to kick my own ass about it all.

"Attention," about the complicated metaphysics of returning to your hometown.

POETRY

"Tampa," which engages with and somewhat ties up the Ancient Katia Tradition of writing poetry on planes titled after the destination.

An uninterestingly titled anniversary poem for jenny :)

"Pine Pollen," about how (elizabeth stokes voice) i can close the door on us but the room still exists and i know you're in it

FINAL THOUGHTS

I usually do goofy superlatives for these, but instead here are some coherent thoughts about what I think I accomplished as a writer this year and what I think I'd like to work on in the coming year. First, some strengths of this year:

I still have a lot of work to continue, but writing from prompts was wildly helpful in my efforts to formulate interesting and stylistically mature shortform creative nonfiction. Writing event-first is horrible for me and writing Spontaneous Connection-first is great when it can happen but can't be forced. Being forced to contemplate how 'so embarrassing' or whatever could most interestingly be applied to cnf kind of helped me break that barrier, which I am very grateful for. I covered a lot of new ground and revisited some old ground in an interesting way, and though the above essay list is a collection of first drafts and experiments, I'm very happy with what I gained from it.

It was wildly satisfying to finish revising Aivide and bring it to a satisfying conclusion. I still have to go back and do some smaller-scale line editing on it, and it would be a much better overall product if it was plotted and rewritten in 2023-2024 from start to finish, but Aivide the prequel also wouldn't exist without me-from-2021, so it would be very dumb to not give them significant credit. In 2024 I wrote some of the parts of this novel that are the most special to me and reflect the things I love about writing fiction most closely. It's not without its flaws, but I'm still wildly proud of it and think you (yes, you!) should read it if you like loosely-homestuck-connected science fiction or toxic homoerotic girl best friends.

It was also very rewarding to return to Vital Light, which was kind of my Shrek last year in the Prince of Egypt/Shrek analogy that I love applying to my own writing, and find that I was capable of writing Characters And Plots That Interest And Compel Me with stories other than Aivide. Vital Light is still categorized as 'the silly one' in my head, but there are at least invididual parts of it that register to me as meaningful and interesting and I think pursuing the whole project is Teaching Me New Things About Being A Writer, which is the key part.

I think for a lot of college I would make resolutions along the lines of 'this is the year I finally get published!' and would scrutinize all my non-fanfiction out-of-class writing as A Journey To Getting Published while doing nothing on the get published front because litmag submissions are the job applications of writing and we all know how much I hate doing either of those things until actively forced to. Both 'somewhat goofy prompts' and 'deep structural revision of The Novel That Owned My Soul In High School' are good exposure therapy for writing to learn, to tell myself a story, to try something and see if it works, rather than to publish.

In this coming year some of the main things I would really like to do are – 

To gather up the strength for confident and well-considered worldbuilding and get comfortable with reading lots of nonfiction to get a comfortable knowledge base in areas relevant to my subject

To write or conceptualize at least one story (it can be shortform, though shortform is its own uphill battle for me lol) starring a character or universe that did not exist before 2025,

To progress my shortform nonfiction into workable longform nonfiction,

To take at least one local writing class, not so much because I think Classes are really missing from my life but because meeting people who write and are local to you is an interesting and productive part of writing and living in a place, even if they are not interested in the same things you are and do not necessarily share an artistic ethos with you

I am not going to resolve to Submit To More Litmags because I know the kind of doomspiral that instills in me and it is also not terribly important to me right now. But I think I do want to critically examine Types Of Making Your Writing Public and explore the ones I'm comfortable with, as well as observing the mechanisms behind that comfort. Pivotally I also want to read more widely and consistently, including shortform stuff (collective BOO from the crowd!) (i'm the crowd.). First and foremost, I want to continue reading and writing from a place of pleasure and curiosity and exploration – with the obvious disclaimer that 'pleasure' does not mean Reading The Easiest Or Most Feel Good Thing, there is pleasure to be found in new and challenging things and good prose and meeting challenges – because I think that is the best way to do interesting things and never kill yourself.