#joy of life is still going too

[simstoryu]

meet yaeka :: bro, jealous, self assured

she comes from a family of komorebi and tomarang natives and she’s aspiring to take over the tech world.

[clownsuu]

Small detour of what I usually post, but I absolutely wish (other) clown the best of luck during these confusing and almost hopeless times- nobody knows how to deal with such amount of attention in such short amount of time- a blessing and a curse to behold

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[youllneverseeonascreen]

Everything Everywhere All at Once!AU but Darry’s alternate versions are all from different Patrick Swayze movies.

Featuring surfer beatnik bank robber Darry, drag queen soc Darry, and bar cooler Darry who get to interact with greaser Darry.

[coollyinterferes]

The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…

They are getting closer… and closer… and closer…

…and closer…

……until..................

"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.

"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.

"...BUT! We're back!" And hopefully for good this time…

[bogkeep]

it was always a strange dichotomy. every middle school classmate i had told me i'd be a millionaire when i grew up, a Famouse Artisté. it's easy enough to imagine as a teen, i suppose: skill equals fame equals money. i was doubtful about this prophecy, not because i wasn't confident in my ability to draw, but because it was hard to imagine a world where i'd be paid for it.

it was an ice breaker game at summer camp. horrible one, really - everyone in a group were given a character profile. now we had to imagine that it was the zombie apocalypse, and the helicopter to safety was two seats short and we had argue why we deserved a spot. the character i got was an asshole doctor of some kind. i don't remember if i argued my way into the helicopter or not, but i do remember the feeling that's been hanging over me my entire life - if the apocalypse happens right now, i have nothing to contribute.

there's something really painful about it. i have cultivated a skill for my whole life, i can make art and tell stories that are entirely unique to me, there is no way to get someone else to create in the exact same way i can, and yet - i've contributed more to capitalist society by sitting in an empty hotel reception for eight hours a day.

which made me develop anxiety, to boot.

i illustrated two children's books. they're some of my best work. the contract i signed was industry standard and the indie author who had hired me was incredibly kind... but even after stock sold out i had earnt little more than some pocket change.

in high school we had an outing to dig our own snow caves that we would spend the night in. in teams, thankfully. i have so little physical strength to speak of, most i could do to help was clear away the snow rubble and toss it outside. i know, i know, my classmates reassured me it was an important job to do, i was an invaluable member of the group, sure - but it's that feeling, you know?

what would my task be in the communist solarpunk commune?

a person cannot be useless. it's a human being. they just exist, no ifs and buts about it. one can only be useless in the eyes of an ableist, capitalist society that sees no value in being alive beyond production and profit.

sometimes i receive messages from internet strangers to tell me something i said - often several years ago - was helpful to them. maybe it was a throwaway comment on a forum. maybe it was replying to a question they could've googled the answer to. maybe it was an encouraging reply to someone's artwork. turns out it mattered to someone. huh.

of course you can learn new skills. i have learnt plenty over the years! i have also learnt that there are limitations to what i can do. that some of the obstacles i face are not in fact obstacles everyone faces. it's not that i can't break tasks into smaller steps, it's more that half of those steps are going to be "rinse your hands because you Touched a Thing and now you're going to have to touch Another Thing." i wonder if that's adding to my cognitive load or something.

i was never raised to be a man, so by all accounts i do not understand why i'm so haunted by the spectre of toxic masculinity - what would i do if i was a medieval peasant and a war broke out? what if i was in a pre-historic hunter gatherer society and i was expected to hunt? what if i was a humble farm boy discovering the sword of the chosen one and the world depended on my non-existing courage to face certain death?

look, it's stupid. these are not scenarios i will find myself in. besides, pre-historic humans depended on community and taking care of each other. that's how we survive.

i'm not useless and i decided to make peace with being useless anyway.

we're surrounded by digital clocks. we can't really escape them. do we need watchmakers? would they save me a spot in the zombie apocalypse helicopter? no, don't answer that. i'm just happy i found something that requires a light touch and an observant eye.

[scattered-winter]

there's something sooooooo heartbreaking about quests as a narrative piece. you set out on this journey to rescue someone or defeat a great evil and along the way you face hardship and horror and you grieve and fight and love and lose and then when it's all over you come home. everything is the same as when you left, but you're so irrevocably different that you no longer fit in the one place you used to be truly at peace. you're tired from your journey but you find no rest or recovery, only ghosts. and you almost wish for another quest, another dangerous mission, because at least then you know your purpose.

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[mira-likes]

Fan Xian wanted Lin Gong to pay for Teng Zijing's death. To prove that lives like Teng Zijing's weren't meaningless and didn't cost less because he was just a guard. Fan Xian went so far as to tell Ruoruo that he was doing it for all ordinary people whose lives shouldn't be trampled by the rich and powerful.

And then Wu Zhu murdered a courtyard's worth of guards just like Teng Zijing in order to get at Lin Gong. And Wu Zhu never would've done it if not for Fan Xian, even if Fan Xian didn't order him to do it.

And then Wan'er heard that Qing would start a war with Northern Qi ostensibly in revenge for Lin Gong's death, and worried that a lot of innocents would die. And Fan Xian asked: don't you want revenge for your brother? And Wan'er said: I don't want a lot of innocents to die.

Just. Something for Fan Xian to think about

[byanyan]

can i just be emotional on main for a sec & thank y'all again for sticking with me & supporting my weird little brand here these last few months while i've been like. worse than ever about getting any writing done? just like. hhh. all of u putting up with my shitposts & liking the hcs and whatever else i shove out onto the dash while i'm struggling with energy for replies, and everyone who still wants to plot & develop our dynamics despite me being the WORST at keeping up with dms (& being somehow even worse at being the one to actually initiate dms), and!!!! those of you who continue to indulge me by sending me asks despite the fact that you've been waiting 5 years for me to reply to our thread!!! i appreciate u guys sm, like i don't think u actually understand just how much. i mean this so sincerely: thank you

[doctormaxbankman]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[thewatercolours]

Podfic: "Captive Crown" by GerbilofTriumph

A shabby narration of GerbilofTriumph's excellent King's Quest fanfiction, "Captive Crown," complete with outrageous attempts at accents and enough bloopers to start a drinking game (with um, raisin juice. There are too many goofs for the real stuff.) This wonderful fiction, full of courage, nightmares, and healing, is gratefully recorded and shared with permission of the author, @gerbiloftriumph. Go check out her awesome creative blog.

All seven chapters are available at the link above, but if you just feel like listening to the first chapter while you scroll, voila:

Original text here:

[guinevereslancelot]

i'm so sick of cynicism!!! i'm so sick of everyone being too edgy to care or feel or believe in anything earnestly!!!! i'm so sick of it!!!! it's not cool to pretend to be so jaded and unaffected by everything that you risk nothing!!!! stop trying to be too cool for happiness and hope and love and living!!!! your reward is bitterness and misery!!! it's spring and we're healing!!!!!

[oh-archivist]

(rattling cage noise)

[clarabowmp3]

like I’ve been generally fine in my teenage years (no more unhappier than from the average dose of teen angst) but man do I miss the excitement I’d get from those fantasy Geronimo Stilton books

[bumblingbabooshka]

-Remembers how T’Pring looked as she watched Spock & Chapel vanish into the bathroom together after seeing them kiss on the bridge (which she knew was for a mission and didn’t hold against them but perhaps she could sense something there since they do have feelings for one another), maybe attempting to calm herself and her suspicions as she’s left alone again (and later finds she’s been left out entirely this whole time) and how she doesn’t know that Spock almost told Chapel he loved her then and there, with T’Pring in the other room waiting, and how Amanda and Sevet both think she could have more confidence in herself and how T’Pring thought that she and Spock were in this together (her holding his hand, subtly letting him know to pour slower so the tea flowers would bloom correctly, a whispered ‘well done’, the ritual is over mother) and how mere hours after she expresses to Spock how she feels: Like he doesn’t trust her, like he doesn’t care to include her in his life, how she’s trying her best to show him that she will accept him wholly, how she wants to be his partner instead of an adversary or an obstacle, after all this he’s found Chapel within the hour and is kissing her.-