#its time has finally come

[mizgnomer]

David Tennant as the Fourteenth Doctor (and his Sonic Screwdriver)

for Tennant Tuesday (or whatever day this post finds you)

[eydilily]

would you bite the hand that feeds you?

[crumbpigeon]

what else ought there be?

[asteraws]

my clown college grad project from december last year 🎪

[teenagenutant]

a bit more weird, wild, and less structurally stable than the 2-turtle fusions, here's bosch (raph+mikey+donnie) and machiavelli (leo+mikey+donnie)!

pure impulsive destructive excitement and 'what if your annoying little sibling was also the world's most acrobatic awful cat'

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[mimimar]

page 7 of my ivy comic ✿

<previous page completed full comic> first page (prints)

[myoonmii]

I keep thinking about Merlin’s love for Arthur and how it’s so clearly portrayed in the show to the point that it practically drives the plot of the show. However when it comes to Arthur’s love for Merlin it’s more subtle and sometimes difficult to even grasp, and I started thinking why that was, aside from the obvious fact that Arthur has a lot of trouble expressing his emotions affection or otherwise. I think it also lies in the fact that Merlin knows Arthur intrinsically throughout the show; he is one of the closest people to Arthur, and sees him for who he really is. Arthur admits as much.

Sure, Arthur knows Merlin but the main part of the plot is that he really doesn't know Merlin. Merlin wants him to desperately understand him and “see me for who I am” but he can't yet. And I think this subconsciously creates a barrier in the way in which Arthur can care for Merlin, and how Merlin can let himself be seen by Arthur.

Which is why I think he was also so hurt when the magic reveal happens because more than the betrayal of Merlin having magic, it was the betrayal of Merlin not letting Arthur see him for who he really is and for hiding a main part of himself. Arthur says it himself “why did you never tell me” that’s what hurt him the most.

I think the most damning piece of evidence for this is the fact that while we see snippets of Arthur’s feelings for Merlin thought the show, the biggest signs are in the last episode after the magic reveal; in which he finally gets to understand Merlin, and this time REALLY know Merlin, and as the barriers of what held them back from understanding each other truly fall away, Arthur evidently “falls in love with Merlin all over again”. We see him actually express himself to Merlin.

This is another reason why I think if anyone was ever to create another season of Merlin after Arthur’s return, it’s physically impossible not to make it about Merlin and Arthur acknowledging their feelings for each other. Because there is no way forward without them acknowledging how deeply they care for each other, obviously anyone is free to argue what kind of love that is, but its impossible not to see the deep love there either way.

They always knew they loved each other, just maybe never realising how much and what that means, because its almost second nature to everything that they do.

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[nandermoenthusiast]

The coffin lands with a crash, Nandor already out of it gracefully as his vampiric nature grants him.

“Have you survived the fall Guillermo, are you allright?” he asks haughtily and with a barely concealed predatory grin at the yelping heap of limbs and clothes that is Guillermo right now. Of course he was never truly worried for his well being, Guillermo might be human, but he is no regular human, if his van Helsing blood has anything to say about that. Nandor just likes to tease.

“Yes master, im fine, i just wasnt prepa-“

Nandor offers him a hand out of the coffin, the way Guillermo has done so many times before for him. Nandor looks at him curiously, Guillermo looks all flustered right now, hes cute. Hes always cute of course, but damn. He hasn’t even realised the obvious parallel yet, just took his hand absent-mindedly as he was rambling about something. His hair is all mussed up too. Cute.

Probably the moment registers into Guillermo’s mind as Nandor hears his muttering protests suddenly cut short. He’s looking at their gingerly intertwined hands and kinda looks like hes about to swallow a frog, or maybe like he’s about to start crying again. This fucking guy. Always a theatrics with him. But Nandor has learned to lean into his little guy’s moods. He leaves him to his maybe horny maybe emotional thoughts and finishes helping him out of the coffin.

The air is thick between them now. He can sort of hear Guillermo’s heartbeat from this distance, the little guy probably has a concert thumping in his ears right now. Nandor enjoys playing with his food, always has, and today is no different. He takes a step closer. Guillermo takes an infinitesimal step back. There is a wall very close to his back. Right where Nandor wanted him.

“You know as i was saying about the cameras, Guillermo…” he starts feign-casual as he very not casually hovers over him, black eyes boring into him with the fire that only very rarely comes out in front of the crew. Guillermo looks like he’s a mixture between disbelieving and like he’s gonna pass out from hyperventilation at a moments notice. It’s an endearing mix.

“Y-yes, you -were saying something about your hair…” Guillermo couldn’t physically look away from Nandor if his life depended on it right now.

“And other reasons”, very seriously.

“- Yeah”, an exhale.

Just look at his eager little eyes. Should he put the guy out of his misery? Well come to think of it, should he put himself out of his own misery? He’s been in love with the guy for the better part of a decade now. Of course he’s not about to say that now. Let him play the part of suave vampire for his Guillermo, let him fullfill any fantasy he’s ever had, at the very least this very first time they do this dance. There will be time for the mushy stuff later. Come to think of it, what is Nandor doing?? Acting on years of pent up sexual and romantic tension, of course, but what is he setting himself up to? Heartbreak.

Violent, earth shattering heartbreak. Maybe not today, maybe not in 10 years, but soon. Soon to a vampire anyway. No- you don’t know that. If Guillermo loves me, he might find a way to not leave me like he always does. He always does leave. But then he also always comes back. Doesn’t he? Nandor loses himself in these thoughts for a moment, and Guillermo seems to notice his mind is suddenly somewhere else.

Oh, to be known so completely. Oh, to have a worthy partner, a partner who knows everything about you, a Lazlo to your Nadja, a Charmaine to your Sean, a Sire to your Baron. And to have to lose it in a matter of years. Just his luck. But also like Colin Robinson said, dont be sad cause its over, smile cause it happened.

Nandor’s eyes keep searching Guillermo’s as he draws closer and closer, eyes intensely registering every microexpression on his beloved’s face, the little crinkle between his brows and the small nervous smile that’s forming around his lips. His hands land seamlessly and delicately on either side of Guillermo’s face, and he feels his breath hitch. He really doesn’t give a flying fuck if he’s gonna suffer for a thousand years, Guillermo is here right now and he looks like he’s gonna break under his touch. One hand goes to cradle his head, thumb delicately swiping over Guillermo’s ear and pulse point, as Nandor brings their noses together and they breathe the same air for a moment. The other hand is held gently across his cheek, just there, a reassuring weight. “I’m going to kiss you now”.

And Nandor kisses him.

[gildui]

JONATHAN PRICE » BRAVO SIX cr: John Price

GAZ ✖︎ GHOST ✖︎ SOAP ✖︎ BRAVO SIX

[kingkatsuki]

We’re just being fed so well this season I’m😫

[crustyfloor]

FUCK THEM UPPPPPPP TILL OH MY GODDDDDDDDDDD

The visuals of Till's splash art (in my humble opinion, the best one so far) is STUNNING. AND very interesting.

For Till specifically to cover All-In is an interesting message to give off, All-In is a song about freedom. A type of freedom that allows you to live confidently and freely, creating whatever type of world you want, the stage is yours, so make what you want of it. living confidently in YOUR OWN SKIN. And living freely "cause you only got one life to live"

Freedom is something Till fights for relentlessly, and confidence is a bravado, as by far the most uncontrolled and tested person in the cast, he still fights for his boundaries and self-expression even when he's punished, molded into something he's not, or beaten into obedience, tested far past the limit; he never loses his bite. A wild dog can never be tamed.

This is the cover that follows what becomes of Till after round 6, and still, in Till's all-in, he sounds so raw, pained, energized, and passionate desperation is evident. It's a contrast from HyunA's celebratory cheers and upbeat mood because Till isn't celebrating the idea of freedom; he's angrily proving to everyone, especially the aliens, that he isn't backing down yet and he'll still keep fighting and that he can fight for his own freedom.

Till's cover of All-in is truly the most powerful depiction of Till's fighting spirit, after everything he's gone through, the pain, the grief. It's all in his voice and the way he sings he's pained the entire time he sings and he's aggressive because the fire of his spirit is lit once again. He's going "all-in" so to speak and expressing himself.

The tape around his neck--

It's a contrast to HyunA who doesn't mind showing her brand, even proudly showing it off as a form of reclaiming her individualism.

Till is different. Because being reminded that he is and was once a pet is not something he would want to remember about himself, he will always bitterly try to distance himself from that fact in any way he can, HyunA feels free from the system when she can own it, but when Till sees his branding, he'll still always feel that collar. It's a testament to his self-deprecation, as long as the evidence of his past is present, and he still feels all the pain the aliens inflicted on him, It'd be presumptuous to think he'd ever feel like he can relate and fit in with the other "fools" who are so free.

It'd be presumptuous to think he'd ever feel free. That's what the aliens wanted, right?

Another interesting part of this is that the name 'All-in" is actually a real-life poker reference, to go "all-in" in poker is to voluntarily bet all of your remaining chips, there is nothing else you can do but hope for the best after that point (and hope you win).

When HyunA sings All-in, she deceives you into thinking she has the upper hand or good hand, and that she will win. When Till sings it, he's giving it all away recklessly, he's showing all he has. Basically, him saying fuck it. he doesn't know if he'll win or not but says, "Let's go all-in and risk it all anyways" Even if internally he knows that this is stupid and risky, this is his foolish rebellion.

At this point he has nothing to lose and nothing to gain, it's his final stand as he lets his heart out not for the crowd, but for the family he lost, himself, a form of self-expression. He will be so nervous, so aggrieved but it's the freest he will ever feel on that stage.

The color symbolism also drives me CRAZY.

For his other two splash art, he's been represented with a color close enough to teal. In both songs, he's open when he sings and fully serene. Teal is a generally calming color, and it's not too evocative. It's more emotional (and has it's own reservations)

And then, we have green, which is a general symbol of growth, new beginnings, and freshness. After all, Till has been through all-in is a sign of his growth. And a new era of his life, or in other words a sudden tonal shift from his depressive state in round 6.

And for my favorite (it's not.) part! the head shot, (interesting how his has nearly the biggest impact out of them all.)

A bit of a theory.

It's a bit similar to one particular art of him, he has a little shape that's almost akin to impact from a gunshot near the same area.

So, I think this is tell-tale symbolism for a future injury, but the gun portrayed is a bubble gun. I believe it is symbolism for the wound being non-fatal, so even if Till loses and gets shot, he'll survive, fundamentally changed. and will probably join the rebellion, too.

/side note

The heartbeats in Till's version of all-in are faster and louder than HyunA's version, similar to CURE.

[mythtiide]

fishy love 🐟🩵🦈based off of BbK224's fic A Union of Sea and Sky

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.