#its the only true case of so bad its good

[raven-at-the-writing-desk]

Do you think that the Great Seven are actually just better people in the TWST universe, or a big case of historical revisionism?

Been wondering since in the dream sequences "Yuu" gets, I'm pretty sure the story plays out as they were in their original stories? I originally thought this might just serve as a gameplay purpose rather than a narrative one, in case the player doesn’t know the original story or needs a refresher. But doesn't "Yuu" acknowledge their dreams in the story?

From their dialogue I'm pretty sure they don't recognize any of the Disney characters, or their stories, so from a narrative perspective I wonder if these are dreams they’re getting of the past.

Both concepts are fun to explore, but I gotta wonder which one is closer to twst canon.

Based on what I have seen so far, I think Twst is trying to hint at its history being revised. The latest two books (6 and 7) have strong themes of lingering on the past/a strong desire to maintain a happy lie rather than accept a harsh truth or change from that status quo. Additionally, Lilia drops this suspicious line in book 6: “[…] different cultures and species pass down lore in different ways—not every truth is written down. There is no shortage of historical narratives that have been twisted to suit someone's agenda.”

Yuu then has two dialogue options. The latter of these seems to imply the disconnect between the reality of their Disney dreams and the reality of Twisted Wonderland:

“Twisting historical narratives, huh...”

(For some reason, I've got butterflies in my stomach.)

Yuu doesn’t seem to indicate familiarity with the true Disney versions, but this could be for a variety of reasons such as serving more as a narrative device for the players, Disney not existing in Yuu’s Earth (since they don’t recognize the icon that is Mickey Mouse either), or maybe convenient amnesia. They do have small moments of confusion when faced with Twisted Wonderland parallels of elements from their dreams but only start making the direct connection between their dreams and irl events starting late in book 5. This is why they anticipated “something bad happening” and feel compelled to follow Vil (who, at the time, was intending to poison Neige). Yuu also suffers from several headaches and visions of their Disney dreams while conscious in books 6 and 7, They appear to consistently treat the dreams as premonitions and not as material they are familiar with or see as the truth.

There are cases where the non-villains appear as important historical figures. This includes the original heroes of the Disney films, who are still largely portrayed positively—it’s just that the roles of the villains have changed into positive ones as well. There are also cases of the same story diverging to create multiple variations, which implies that stories do warp and change over time. For example, we are told that the Sorcerer of the Sands exposed a fake prince for lying about his status to win the princess’s hand. At the same time, there’s another story about how a street rat happily married a princess.

I do want to point out that altering history isn’t always done intentionally or with malice. Some stories just naturally change over time or get forgotten if they aren’t recorded properly. Oral retellings tend to get altered as they spread or get painted with bias due to who is sharing it, and variations of the same story can emerge from different cultures. Sometimes it is the case where people want to hide information or are acting out of ill intent, it just isn’t true of all cases.

Maybe this will be something they address in the main story ^^ Personally, I really do hope it’s the revisionist history explanation, as it would be really interesting to see explored. If the truth is that the Disney villains are just good people in Twisted Wonderland 💦 it’s convenient for sticking to the status quo, but ultimately far less nuanced.

[milliesfishes]

౨ৎ꣑ৎNobody's Son, Nobody's Daughter౨ৎ꣑ৎ

౨ৎThere's many different ways that you can kill the one you love (The slowest way is never loving them enough)꣑ৎ

[fem reader] contains: pregnancy, angst, mentions of sexual activity, miscarriage, struggles with eating, weight loss pairing: coriolanus snow x fem reader summary: coriolanus has always resisted the unexpected. you surprised him author’s note: some coryo angst for you my loves Pinterest Board Spotify Playlist

Regret is a disease, in Coriolanus' opinion. It starts small, a thought in the back of one's mind, something that couldn't possibly be true. But time waters the roots until it towers over you, until you are unable to live anywhere but in its shadow.

There were things he wished he didn't do. Or, more accurately, things he wished he didn't have to do. But every movement was careful, every notion considered. He wouldn't be where he was today if it weren't for all he'd done. Both good and bad. It wasn't easy being the man of the house, a title he'd worn for more time than not.

His family was taken care of. Tigris was seeing a flourishing career in fashion, her designs paid for by the highest bidders. The Grandma'am had long passed, but her funeral was as regal and fine as any could be, true to the way she had lived. Coriolanus saw that fresh roses made their way to her grave regularly.

So really, it had all been worth it. He himself was doing more than fine, one of the youngest politicians in Capitol history. The pay gave him an extremely comfortable lifestyle, enough to provide for his cousin too, if she ever needed it.

Quickly though, he learned it didn't matter how much money he had now. Spending his formative years starving in every way possible had cut its mark, leaving a scar he wished he could cover up. The most frequent content of his nightmares consisted of being back in that dreary old penthouse, squeezing his feet into too-small shoes and gulping down a mouthful of watery cabbage before running off to school to maintain an image that had long died. He woke up in cold sweats, fisting his silk sheets, heart pounding. He'd look to the open closet door, where there was an entire row of shoes just in his size, and then ring for tea that was more than just boiled water.

These inner demons caused him to feel reckless. He kept it within for the most part, terrified at the prospect of lost control. Even though there was very little to hide anymore, he was well aware of how quickly good fortune could turn sour. The state of his savings was an indication of that, packed to the brim just in case something went awry.

It wasn't just money or lost investments to worry about. Coriolanus' entire career was dependent on the public eye, his perfect image. Of course, it was easier to maintain now that he wasn't lying about finances, giving him an up from when he was at the Academy. Other less than pretty facets of his past were well hidden, where only one who knew what to look for would find.

He was the only thing he couldn't control.

Being both the only person he trusted and the person he trusted the least was conflicting to say the least. On one hand, he knew himself. On the other, he knew himself. Knew that no matter how much he had, he would always crave what he wouldn't allow himself to have. The list wasn't long, but the contents took up a great deal of space.

Coriolanus had known he'd have to take a wife at some point. Politics were a family man's game. Being head of a household boded well for those wanting to lead the country, apparently. If that were the only requirement, he would have been president years ago. He held off as long as he could. It clearly wasn't that important if he'd been able to get this far.

Still, the higher he climbed, the more of an issue it became. At dinners with his colleagues, he was the only single man attending. During parties, he discovered there was only so much he could do without a partner at his side. A wife would help him make connections, soften his image. He was aware of how he came off because he'd gardened himself to be that way. Getting married was the only way to fix it without changing himself.

The requirements were more than generous. Someone young, pretty, who could hold her own. Beyond that, he couldn't care less. The dreaded L word was so far out of bounds that it was the opposite of a necessity. He observed debutantes with a critical eye, approaching the few he found to be acceptable. Going as far as calling on one or two, he resigned himself to mediocrity, even looked forward to it. This would open doors he'd long wanted to get behind.

Coriolanus met you at a dinner hosted in your father's home. You were seated next to him, beautiful posture and face not unnoticed by him. When you spoke, he heard music, and he didn't even like music. But there must have been a siren in your mouth, because he found himself hanging onto every word that fell from your lips. And then when you turned to him, asked his name with eyes that reminded him of the stars, he knew he was gone.

He'd sworn off love long ago, resisted the strongest of temptations in every facet of his life in order to stay perfect. But you were an aphrodisiac tuned to his senses; a poison hidden behind a flower. You'd smiled at him so sweetly, asking him questions about himself that he hardly heard through the beat of his own heart. At the end of the night, he was forced to accept the truth- that he was wholly enchanted by you.

This was the opposite of what he wanted. Coriolanus told himself to distance himself now that he'd identified the problem, to turn to one of the other girl's he'd picked out and make himself content. The last thing he'd expected was to be swept up in a single girl, to have her face in his mind during waking and sleeping hours. His nightmares turned to dreams of you sitting beside him at the fireplace, lips ever so close but never touching.

This was worse than the nightmares. He could reassure himself that those weren't real. Sleeping pills weren't something he'd touched before. Too addictive, too risky. He started taking two with his nightly tea.

Dreamless sleep didn't fix his waking hours. He couldn't help inquiring about you, learning every tidbit anyone could tell him. You were an accomplished student, raised to perfection for society's prying eyes. Various accounts detailed your charm, your beauty, your genuine sweetness. The vice within him only bloomed with every new detail, until he found himself on the front steps of your dwelling, telling himself he was only going to call. Nothing more. It would satiate his curiosity.

Of course, you were lovelier on your own somehow. A diamond in the rhinestone pool he'd dived into in search of a companion. His calls increased in frequency, the other options forgotten. In what felt like no time at all, the ring he'd carefully selected was on your finger, sitting there like it was always meant to be. Like he'd fixed in the one piece that made you short of the whole puzzle.

He was deep in the whirlwind that was you, under your spell. When he kissed you for the first time, it was dizzying, your touch shutting off his mind. In this way, he claimed you, put his mark where everyone could see it.

All his life, he'd had to guard his possessions, from food to pride to image. He lived at less than half full for the sake of holding onto these things. One sip of posca. Only a few more bites so he could eat tomorrow. Keep yourself alert or they will take everything from you.

You were the one indulgence he allowed himself. He told himself he deserved it, just this one time. Something good on purpose. Something good that was unplanned. Maybe...just maybe. He sobered up quickly on his wedding day.

Seeing you standing across from him, eyes soft, looking a vision in white, it hit him what this meant. He had you. And now he was in danger.

Love had consequences. Love made him blind. Love had almost cost him everything in the past. He'd broken his own rule, made himself a target for tragedy. Worse somehow, he risked you.

Marriage meant sex. Sex meant babies. He'd known that before, of course, but it as staring him in the eyes now, a knife to his throat. Memories of his mother's screaming and her pale, lifeless face were ghosts before his eyes as he recited his vows. His one indulgence couldn't have been a worse one. Your smile suddenly felt haunting, not sweet.

All through the reception, he was making a new list in his head. Now that he'd done the one thing he'd vowed not to, he'd have to deal with the aftermath the only way he knew. Love was a wildfire, and he was prepared to fight it, contain it as best he could. Coriolanus Snow could control the uncontrollable, steer himself away from the wreckage he'd caused.

He had what he'd wanted, even if followed by a worse issue. Till death do us part.

As far as regrets went, you were his biggest one.

Your nightdress tonight was red. A last-ditch attempt. Coriolanus seemed fond of the color, the same as his precious roses, his favorite suit, the Snow family crest. Even his leather briefcase had a maroon tint to it.

When he entered the bedroom, stone faced as usual, he made quick work of unbuttoning his shirt and removing his shoes, barely nodding at you. Sitting up straight, you smiled hopefully, waiting for him to say something about your appearance.

He was quiet as he approached you, getting on the bed and holding out a hand, which you took, heart beating optimistically. His hair was a little messy, eyes unreadable as he took you in. When he pulled you closer, you almost sighed at the feel of his skin on yours, the warmth of it making you want to curl up against him forever. Coriolanus leaned in, and you tilted your head up, hoping for a kiss.

Instead, your husband exhaled, looking at you in a way you didn't understand. Patting the mattress, he slid his hand to your back, nudging it a little. "Come on."

Your heart sank, thudding in your belly. Trying not to let your face show it, you rolled onto your belly, his arm sliding around your waist. Another night of this, and he still refused to look at you.

It'd been the same since your wedding night. He'd come into your room, push up your nightdress, and take you the exact same way, not a hint of emotion in the act. You couldn't have predicted this in your courtship, or else you wouldn't have agreed to be his forever.

A friend had detailed the act, describing it as something painful, a task to be done. But she'd smiled at you after describing her experience. "I don't think it will be like that for you. He really cares about you. Anyone can see it."

You'd believed her. Why wouldn't you? He'd been perfectly doting, telling you everything you wanted to hear and bringing the sweetest gifts. The men you'd been called on by before were generic in their efforts. Coriolanus had remembered things about you, spoken like he understood. It was easy to fall for him.

He was handsome and successful, yes, but there was something more to him that you managed to unlock. It was the way he touched you, the way he spoke to you. It felt as though he cared. You would have followed him to the ends of the earth if he'd asked, so smitten you'd grown wings. He kissed you and it made you weak at the knees, something inside you panting for more. If this was how he loved outside, the way he loved within the bounds of marriage was sure to be life changing.

As a child, you were left at the mercy of nannies and tutors to learn how to live. Your parents were distant, participants of an endless social calendar you had to pen yourself into. All through growing up, you longed for a hug, a kiss, a soft word. You'd gotten a taste now. Coriolanus left you starving.

It was rare now that he touched or even looked at you. A switch had flipped after the wedding, and now he was a version of himself you'd never known. Someone who no longer wanted to speak to you, who only called on you when he needed to be seen at your side.

Obviously, you'd done something wrong, but you couldn't decipher what. Had you said something at the reception? Had someone told him something about you? Either way, you had no idea, and he certainly wasn't going to tell you. So you tried to make up for it in any way you could.

The pretty nightdresses. The photographs at every event. You played the part as well as you could, making yourself completely perfect for him. All the while, silently begging: love me, love me, love me. Want me the way you did before.

You never spoke of it directly, but you knew the goal was to conceive as soon as possible. Why else would he partake in such an activity every night, one that he didn't seem to enjoy at all? Hope was your constant. If you were good for him, things would go back to the way they were before. He would be pleased with you and your sex would morph into lovemaking. And you would be happy again.

The week you missed your monthly, you immediately phoned for an appointment with the doctor, elated that you might finally be pregnant. You held off until after confirming to tell Coriolanus, practically bouncing in your seat on the couch by the door. Every second dragged until he finally entered, looking tired as usual from his time in the office. He was handsome as ever though, and you started daydreaming about what the celebration would be like after you revealed your happy news.

"Darling," he greeted, setting his briefcase on and loosening his tie. Since he would only do so if the door was locked, you leapt to your feet, feeling weightless with excitement.

Coriolanus looked at you curiously, removing his coat as well. "Is everything alright?"

Nodding, you reached up and straightened his collar, wanting to touch him more than ever. He hesitated before setting his hands on your hips, and a jolt of joy urged you forward. Palms flat on his chest, you looked into his eyes, the color of a summer day's sky. Unable to help your smile as you said it, you said, "I'm pregnant."

Silence. You held your breath, watching his face.

Then he leaned forward, kissing your forehead. You closed your eyes, smiling in relief. "Good," he said, brushing your cheek with his thumb. Leaning into his touch, you waited for it to turn to more, for him to pick you up and carry you to your bedroom and tell you how proud he was, how well you'd done for him.

His hand fell from your waist. You opened your eyes in confusion, watching him disappear from sight. Footsteps, the ones you laid awake and waited for every single night, sounded down the hallway until you heard the familiar click of his office door shutting.

The feeling didn't overwhelm you at first. It poked your shoulder, tilted its head at you and settled, curling into your feet before you could ask what it was. It carved a hole into your heart, the spot you'd saved for him. And then you realized that maybe it'd been hollow all along, this just smashed the wall that hid it from you.

You scrambled for something to cling to, coming up short. The new life growing inside you wasn't enough, and neither, it seemed, were you.

Dragging yourself to your room, you didn't bother to change into one of your nightdresses. In the closet, you'd laid out a special one, in deep red and edged with lace, when you were sure tonight would end in triumph. You didn't think you could bear to look at it right now.

Instead, you draped yourself over your side of the bed, facing the wall. Your hand automatically crept to your tummy, but you forced it away, clinging to the blanket under you instead.

There were his sharp footsteps again, getting closer this time. You perked up, but didn't move. Maybe he was coming with good intentions after all. After all, you knew the news of becoming a father must have been shocking. Maybe he'd only needed a moment to collect himself.

You closed your eyes, waiting for him to come around to your side of the bed so you could open them and smile up at him and have all be well. His belt clinked with his pants button when he unbuckled it. You knew every move just by the sound. Shoes off. Unbuttoning his shirt. Pants off. There was a dip in the mattress, and then the light clicked off.

The feeling found you again, coming on stronger this time, winding its fingers around your neck. Tears built up in your throat, and you couldn't suppress a sniffle, hoping he wouldn't hear. Coriolanus muttered your name, but you didn't move.

Perfectly still, you resigned to him.

The loss of you was a chasm Coriolanus tried to skirt. He failed miserably.

You were still present of course, your heart still beating, blood still running through your veins. But you couldn't have been further from alive if you'd tried. Gone was the fresh-faced girl he'd married. You were quiet now, paler and thinner.

He knew it was his fault. Coriolanus bore that burden every day, convinced now more than ever that it would be worse for you if he let himself be near. He'd hurt you enough in the process of conceiving a child. That was enough for a lifetime.

After you informed him of your pregnancy, he was finally able to distance himself from you altogether. There was no more touching, no more sex that left him dizzy and wanting you. You were his forever and that was bad enough for you.

There was a twinge in his heart each time he saw you. He tried to reason with himself. It was for the best. You didn't need the likes of him around while you were already dealing with something like your pregnancy. He could barely process that it was his child. Something he'd done to you.

The doctor's reports that darkened his desk each time you had a check in only grew more concerning in content. Losing too much weight...decreasing appetite...not safe for the baby...

Coriolanus pushed the evaluation to the side, despite the growing pit in his heart. You were seeing the best doctors in all of Panem. Surely, they'd find a way to help you before it was too late. He tried to focus back on his work, picking up his pen and staring at the words in front of him. It was dark, the only light in the room coming from the lamp on his desktop.

His mind wandered. The image of you the last time he'd seen you- gaunt and ghostlike, curled up on a chair and staring at the same page of a book for near twenty minutes- was burnt into his eyes. Even through his avoidance, you would always try to speak to him, ask about his day or chatter about yours. He'd found it painful at the time, when he was forced to brush you off. But now that it was gone, he missed it.

One night, he had decided to go downstairs for dinner, though he usually didn't take meals with you. Telling himself he only wanted to check on you, he entered the dining room and found it empty. Not even a light on. The staff were very consistent about mealtimes. He only grew more confused at the fact that everything in the room appeared untouched.

A single ask, and he learned that you weren't taking regular meals, simply ringing up for tea every now and then. "I send a sandwich or two up with her tray," one of the cooks told him shyly, wringing her hands. "I feel right awful for her, in her condition. And the plate always comes back empty."

It was on his mind as he stared at the doctor's report where he'd pushed it. Tapping the end of his pen on the desk, he tried to suppress the draw of you from your bedroom. It was as if there was a rope tied around his heart connecting it to yours.

He dropped his pen, watching it clatter atop the document he'd tried to study. Pushing back in his chair, Coriolanus stood up, wincing at the ache in his legs from sitting so long. Being holed up in his office for close to days at a time was beginning to take a toll.

There was no thought, his feet took him to your door in an instant. When he opened it, you were right where he'd seen you last, not even trying to pretend to read the book in your lap. Your hands were folded primly. He looked to the wall as if he'd see whatever you were.

Waiting a moment, he stood still in the doorframe. You didn't acknowledge him, not even a head turn.

Finally he broke, making his way over to kneel at your side. "Darling," Coriolanus offered softly. "How are you feeling?" His head was telling him to walk away, but the rope gave a tug, and he remained beside you.

"I'm fine," you whispered, voice raspy. Your hand migrated over your belly, and his eyes went with it. There wasn't much to see yet, but he could immediately tell the difference. The way your belly was rounding with something he'd sworn he imagined until now.

Looking back at you, he suppressed every protest that arose. "Have you eaten yet?"

You finally met his eyes. He found himself suddenly in need of more air. "No."

Coriolanus nodded once, keeping his expression neutral. Tearing his gaze away, he said, "I'll ring for something for you."

When he began to stand, your hand shot out, curling around his wrist. Fire. He was getting burned and he didn't want it to stop. "You're not staying?"

The disappointment in your voice nearly caused him to deny it. But he'd never lied to you, and he wasn't about to start now. "No."

"Oh." The word was a defeated, empty thing and he wanted to scrub it away immediately. Your eyes dropped, and you began to pick at the skirt of your dress.

"I still need to get work done," he explained keeping his tone even. "Eat something. It'll make you feel better."

"I'm sure." That got his attention. Your tone with him had never been anything but soft, but now it was flat, nearly sarcastic.

He stopped. "Is there anything else you need?"

"Nothing you want to give," you said, standing up and smoothing your dress down. "I don't need you to ring. I want tea."

"Darling-" You shook your head, and he felt like a scythe had been driven through his chest.

It was quiet for a moment. The look on your face crossed the bounds of language, and he felt his heart dip.

Every horror he'd endured paled at the hollow space in your eyes. You watched him, seeming to wait for something. When you spoke it was soft, but he was tuned into every word. "What did I do wrong?" It was the unsaid that threatened to bleed him dry. The tears he could hear gathering behind your eyes with five words.

Then he realized what you'd said. Brow furrowing, he shook his head before he could get his response out. "Nothing. You've never-"

"I must have," you interrupted, voice breathy with unborn crying, eyes wide as a baby deer's. Your hand found the sweater material of your dress over your collarbone as your breathing grew unsteady. He was too stunned to do anything but watch. Months of marriage and this was the first time he'd seen this side of you. "You won't touch me. Or even see me anymore." Blinking fast, you whispered, "I thought you would love me."

He spent nearly all his time loving you. "I'm doing what's best for us," he maintained, straightening and ignoring the way you seemed to sink further into yourself. "This is for the best."

"I did do something." You nodded, looking away and swallowing hard. Though he could see the tears in your eyes, you did not let a single one fall.

Then, your posture leveled, and you lifted your chin, and he found himself in the starlight of your eyes once more. "I want to fix it." You stepped forward, grasping his wrist in one soft hand. He forced himself to stay in control, hand limp as you held it with both of yours. "Let me."

Coriolanus nearly crumbled. Every weakness he possessed was urging him into your light. Your touch, your scent, your eyes, your voice. The sight of you with his ring on your finger and his child growing within you.

But he had to. Pulling his hand away, he exhaled, resisting the urge to take you into his arms. "I'll ring for your tea. Eat something."

All the way back to his office, his ears were ringing. He made sure to call for your meal before collapsing into his chair, chest nearly heaving. It had gotten to a point of no return. Everything within him was warring, fighting to be heard. And everything was right.

Never before had he been so wholly consumed by a single person, so much so that it hurt to be apart. Coriolanus pressed a hand to his chest, willing the ache to lessen. There was no point in denying the problem any longer.

You thought it was your fault. He'd never even considered that his distance would cause something like this. And your guilt was literally eating you alive.

It was his fault for being close to you. It was his fault for not being close enough. Both options fought until the image of you bloody and pale reemerged, silencing everything in his head. Even the sleeping pills couldn't prevent this nightmare.

When he went to bed, your tea tray was being retrieved by a maid who kept her head down as she passed him. Both halves of the sandwich were still on the plate.

Shadows. The tile was cool on your cheek, and you were too weary to open your eyes.

Blooming. Your body was burning, a fist tearing something from your lower belly that you would have fought if you weren't so weak. Something wet and sticky pooled at your thighs, but you couldn't move. Your dress was ruined, you knew without seeing it.

This was it. The end of your loveless years. Losing. Every hope you'd gained was shattered at your feet along with the one thing you'd thought could save you.

He crossed your mind, just once. Yet another thing you'd chased away. You'd tried so hard to be perfect that it had driven him from your side. You'd been tricked into life's truest bind, but now you were being released.

The ring on your finger was heavy in a comforting way. It reminded you how desired you once were, that old dream coming back like a fond memory. Oh, to be so naive again.

Someone was calling your name. An angel? You mumbled, waiting for the searing pain to fade into nothingness.

Instead, a pair of hands found your body. Your heart found relief, one desire fulfilled. The most impossible one, you knew, although you couldn't recall what it was.

Your mind cut out before you could remember.

His visions had come true. Coriolanus had been convinced he'd imagined it to life as he'd collapsed at your side and bellowed for help. you barely stirred as he pulled you into him, every wall he'd built shattered into nothingness.

Whispering your name over and over like it was a cure, he'd held you to him until help arrived, leaving him alone on his knees in your blood on the bathroom floor.

The doctor worked quick, apologizing in hushed tones for his loss when he was finished. Coriolanus barely felt it. All he heard was that you were alive, that you would open your eyes once more. He went through the motions of cleaning himself up rigidly, returning to your side as soon as he was able.

His heart was numb. The unthinkable had happened. But you were still here. This upset the balance in his head, leaving him reeling for answers. All his life had been a game of the worst cause and effect. Goodness triggered loss of it. But you were still here. You were still here.

Coriolanus found himself kneeling by your bed as if in prayer. Your breathing was steady, and you looked more at peace than in months. His tight grip on control began to loosen as he watched you sleep, let himself linger on the smooth surface of your skin, the curve of your lips. Every detail he'd pretended not to notice in his destructing act of protection.

He didn't need it spelled out, but the doctor told him anyways. Stress. Of course, the man couldn't possibly know the cause of it. The guilt cloaked him until he sank to the bare truth. He'd be atoning for the rest of his life. Beyond, if he was lucky.

Everything he thought he knew was in ashes. He wanted to retreat into himself, hide away in his office and bury himself in a shallow grave of paperwork. Ignoring everything as if he were a concept and not alive was his usual style. But the lesson stood tall above the wreckage. The only thing worse than having you was losing you.

Succumbing to the wildfire, his eyes didn't leave you when you began to stir. Your eyelids lifted, and he saw stars again.

He wanted to shoulder the weight he'd added to you. With his ring, he'd ruined the perfect girl he'd sworn to love and protect. With one of those notions, he destroyed the other.

Locked in your eyes, Coriolanus hesitated, sentences fading between his tongue and teeth. Everything he wanted to say was beyond words, instances that took more time than he had. There was only this moment to begin. And so, for the first time, he let his heart guide the way.

Reaching out, he almost expected you to withdraw. But when he settled his palm on your cheek, you merely shut your eyes again, tilting your head up into his touch. He had a foot in the door.

When he removed his hand, you didn't react. But when he crossed around your bed to sit beside you, stretching his arm out so you would rest on his chest, you snuggled close, blinking sleepily. His touch was careful, almost sure you would shatter under it.

Your ear covered his heart, listening to it beat for you. His hand smoothed your hair. The warmth of your body distilled the ache for now. Reaching down, he kissed the top of your head, holding his nose there to breathe you in.

The disease had switched courses. Regret now laid in the past, not the future.

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[broke-on-books]

Days since last cried in class: 0

[wheelercore]

Constantly thinking abour karen wheeler btw but in a way that makes everyone here super madsies

[ourceliumnetwork]

hey just cause i'm thinking about it: if you're struggling with feeling like you don't art so good, watch other, better artists do their art and take note of what they're doing. my whole Technique has been altered by doing this more consistently over the past like year or so. also talk to your art friends i bet they know how to do the thing you've been struggling with and if they don't they might know where to look that you haven't already. anyway thanks for coming to my ted talk.

[hyperlexichypatia]

This is a semi spinoff of this post, but really its own thought.

When a job pays less than a living wage, it generally attracts one of two types of employees:

Desperate people (usually poor and/or otherwise marginalized or with barriers to employment), who will take any job, no matter how bad, because they need the money, or

Independently wealthy people (usually well-off retirees, students being supported by their families, or women with well-off husbands*), who don't care about the pay scale because they don't need the money anyway.**

And sometimes, organizations will intentionally keep a job low-paying or non-paying with the deliberate intent of narrowing their pool to that second category.

People sometimes bring this up when discussing the salaries of elected officials -- yes, most politicians are paid more than most "regular people," but they're not paid enough to sustain the expensive lifestyle politicians have to maintain, and that's on purpose. It's not an oversight, and it's not primarily about cost-cutting. It's a deliberate barrier to ensure that only rich people can run for office.

The same is true, albeit to less severe effect, of unpaid internships -- the benefit of "hiring" an unpaid intern isn't (just) that you don't have to pay them; it's also that you can ensure that all your workers are rich, or at least middle-class.

When nonprofits brag about how little of their budget goes to "overhead" and "salaries", as if those terms were synonymous with "waste," what they're really saying is "All our employees are financially comfortable enough that they don't worry about being underpaid. Our staff has no socioeconomic diversity, and probably very little ethnic or cultural diversity." ***

This isn't a secret. I'm not blowing anything wide open here. People very openly admit that they think underpaid workers are better, because they're "not in it for the money." This is frequently cited as a reason, for example, that private school teachers are "better" than public school teachers -- they're paid less, so they're not "in it for the money," so they must be working out of the goodness of their hearts. I keep seeing these cursed ads for a pet-sitting service where the petsitters aren't paid, which is a selling point, because they're "not in it for the money."

"In it for the money" is the worst thing a worker could be, of course. Heaven forbid they be so greedy and entitled and selfish as to expect their full-time labor to enable them to pay for basic living expenses. I get this all the time as a public library worker, when I point out how underfunded and underpaid we are. "But... you're not doing it for the money, right?" And I'm supposed to laugh and say "No, no, I'd do it for free, of course!"

Except, see, I have these pesky little human needs, like food. And I can't get a cart full of groceries and explain to the cashier that I don't have any money, but I have just so much job satisfaction!

And it's gendered, of course it's gendered. The subtext of "But you're not doing it for the money, of course" is "But how much pin money do you really need, little lady? Doesn't your husband give you a proper allowance?"

Conceptually, it's just an extension of the upper-class cultural norm that "polite" (rich) people "don't talk about money" (because if you have to think about how much money you have or how much you need, you're insufficiently rich).

*Gendered language very much intentional.

**Disabled people are more likely to be in the first category (most disabled people are poor, and being disabled is expensive), but are usually talked about as if they're in the second category. We're told that disabled people sorting clothing for $1.03 an hour are "So happy to be here" and "Just want to be included," and it's not like they need the money, since, as we all know, disability benefits are ample and generous [heavy sarcasm].

***Unless, of course, they're a nonprofit whose "mission" involves "job placement," in which case what they're saying is "We exploit the poor and desperate people we're purporting to help." Either way, "We pay our employees like crap" is nothing to brag about.

[rafey-baby]

forbidden fruit 2

Once upon a time there was a princess and a hunter...

snow white!reader x hunter!rafe

c/w: mentions of violence & murder, one bed (my fav cliche ever!), slightly suggestive, also if it’s not obvious this is *loosely* based on the story of snow white, 18+ mdni!

wc: 2.4k

is he warming up to her? #it’s hard to tell

series masterlist

- - - - - - - - - - - - - - - - - - - - - 

“Have you ever considered a less...um, violent job?” she asks, nausea coiling in her guts at the mere thought of harming— let alone killing an innocent animal.  

The inky sky has turned into an even gloomier hue, and if it wasn’t for the luster of the moonlight illuminating their journey, they wouldn’t be able to see a thing. However, it’s still a challenge for them (her) to evade the thick roots hiding underneath the spongy moss and brittle lichen— she thinks her fingers aren’t enough to count the times Rafe has had to prevent her from toppling over onto the soil with a steadying grip on her arm.  

At this point, she can’t comprehend how he even knows where they’re going. She thinks that every rock and tree trunk they pass resembles the last but apparently, he’s using them to track the route to his cabin— something he tried to teach her about two hours ago, but gave up the moment her attention was captured by a tiny squirrel hurriedly scampering off into its hiding spot.   

“If I’m bein’ honest, I think killin’ is the only thing m’good for at this point,” he murmurs while inspecting a fallen spruce in the middle of their path. 

“I’m sure that’s not true,” she argues, rounding the obstacle while he simply steps over it.   

“Tha’s cause you don’t know me. Listen, m’not…m’not a good person, I’ve done some, uh, real shitty things, alright?” he looks over to her, gemstone eyes sullen.   

She wonders if the real shitty things include other people’s blood on his hands. After all, the queen wouldn’t have asked him to end her life if he’d never done it before. A shiver creeps up her spine when a vivid image of him doing something so remorseless flashes in her mind.  

However, it’s soon replaced by him dropping the knife and sparing her life, even if it meant complicating his own.   

“I think…a bad person wouldn’t be helping me right now,” her words are honest but he doesn’t offer her a reply, merely flits his eyes over her frame with a furrow in his brow.   

They fall into a serene silence, wordlessly treading further and further into the somber forest while she keeps getting distracted by the glittering stars above them; mesmerized by the beauty of something so far away from all the cruelty on this planet.   

However, when she goes on to take her next step, the ground (or what she thought was the ground) suddenly cracks underneath her, the partly frozen lid of the pond shattering with a loud crackle— only a surprised squeal leaving her throat when she loses her footing and tumbles right into the frigid water with a splash.   

Turns out, it’s not just some small little puddle that’s partly covered by fallen leaves and branches, but a rather deep one; saturating her all the way up to her neck as she gasps for breath when the coldness surrounds her helpless limbs.  

“Shit.”   

She hears Rafe hiss before humored laughter bubbles from his chest.  

“Rafe, this is not funny,” she complains with her teeth chattering when the icy liquid soaks through the fabric of her dress in an instant.   

“M’sorry, you jus’ look like a wet kitten right now,” he shakes his head, chuckling as he extends an arm towards her— pulling her up and steadying her with a firm grip on her waist.  

“Ow,” she cries out when she leans her weight on her left foot.   

“What’s wrong?” he seems almost concerned as he scans her for any visible injuries.   

“Think I sprained my ankle, it hurts,” she frowns, reaching for his forearm for balance.   

“Of course you did, told you to be careful,” he clicks his tongue, slightly annoyed at the fact that she really is a helpless case. “Can you walk?”   

“I don’t know…” she mumbles; face crumpling up when she tries to take a step forward.   

“Right, uh, c’mere then,” he huffs out before his hands are on her waist once more and he’s lifting her into his arms like a bag of flour.   

“Oh, you don’t have to—”   

“There’s no way you’re walkin’ right now,” he scoffs as he shifts her into a better position before he’s continuing their trek. “What would you even do without me, hm?”   

“Probably freeze to death like you said,” she pouts, eyes despondent when she leans into his supportive hold.  

“Yeah.”   

“M’sorry,” she sniffles, the ache in her foot combined with him being mad at her causing her eyes to burn.  

“Shouldn’t be that long ’till we’re there, princess. Think you can manage not to cry before we get there?” 

“I don’t know…it hurts and m’cold,” she sulks, feeling miserable, even if she knows she should be grateful she’s not dead or alone in the woods right now.   

“You’re a big girl, know you can take it. You’ll feel better soon, yeah?” he attempts to provide her some sort of comfort with his limited knowledge of handling something so fragile.   

She hums out something incoherent in response, weak arms wrapping around his neck as she takes in a shaky inhale— damp skin prickling under the chilly air that’s making the leafy trees sway back and forth, reminding her of shadowy ghosts.  

- - - - - - - - - - - - - -   

“Uh, think there should be a dry shirt for you here somewhere…” he trails off as he goes through his closet. “This is probably a little too big but should be fine, yeah?”   

The cabin is small and secluded; the darkened walls blending in with the rest of the forest and concealing them from the outside, making her feel strangely secure. However, his taste in decor makes her rather uneasy as she tries to desperately focus on the crackling fireplace beginning to warm up her trembling limbs and not the assortment of dead animals and their fur or other body parts on display.   

“Oh, it’s perfect, thank you,” she tears her eyes from the elk antlers presented on the wall, offering him a tense smile when she takes the cottony shirt from him; the material surprisingly soft between her fingertips. 

However, before he has the chance to leave the bedroom in order to give her some privacy, she timidly speaks up again, words clumsy and hurried. “Could you— um, could you help me undress? This corset is quite impossible to take off by myself…especially now that it’s wet.”  

“Uh, right, yeah,” he clears his throat, gesturing for her to turn around before he’s pulling her closer by a grip on her hips, the wooden floorboards creaking underneath their feet making up for the sudden silence.  

She doesn’t know why the gesture feels almost intimate or why it makes her hold her breath when he begins to unfasten the strings holding the corset top together, but a strange shade of suspense colors the air around them nonetheless. 

“A tight little thing, huh?” he rasps as his fingers deftly work on the satiny ribbons— a process that feels eternal while she tries not to pay any mind to the way her heart keeps thumping louder and louder by each passing second. 

When she finally feels the silky material loosening around her middle, she has to will her erratic breathing to slow down as he unhooks the rest of the dress— the fabric forming a pearly white puddle on the floor.  

Then, he’s wordlessly slipping his shirt over her head; the sleeves far too long and the hem fitting her more like a short nightgown.  

“Thanks,” she swallows before she’s gingerly turning around, lacking the courage of looking him in the eye for any longer than a glance.       

“Right, uh, we should get some sleep. You can take the bed ’n I’ll sleep on the floor, yeah?”  

And she’s already nodding before the words register in her disconcerted brain. “Wait, no, it’s your bed. I can sleep on the floor,” she argues immediately, momentarily forgetting why she was so shy in the first place when the weight of being an inconvenience builds up on her shoulders.   

“Nah, m’not gonna let a fuckin’ princess sleep on the floor. S’fine, jus’ take the bed, I don’t want it. Need to make sure we weren’t followed anyway,” he grumbles, attempting to leave the room once more.  

“Rafe, you need sleep just as much as I do. It’s the middle of the night, my stepmother doesn’t even know what you did yet. She’s expecting you to return tomorrow, right?” she tries to reason, not willing to give in because letting him sleep comfortably is the least she can do to even begin returning the favor.  

He lets out a weary sigh before shrugging off his jacket, far too worn out to argue. “Yeah, alright, guess you have a point.”   

- - - - - - - - - - - - -   

They end up sharing the bed.    

And once they’ve both settled into the opposite sides, she’s far too intimidated by Rafe’s disgruntled aura to utter out anything other than a whispered goodnight before it’s quiet once more.    

However, as the night stretches on, she begins to grow restless; tossing and turning on the creaky mattress and driving Rafe mad in the process.

She doesn’t mean to, the last thing she wants is to disturb his rest but her thoughts are racing and she can’t seem to close her eyes for more than a few seconds because truthfully, she feels terrible— everything familiar has been turned upside down in the span of a day and the only life she knows has practically ceased to exist. All she wants is to go home but that’s not an option anymore and it’s scary. 

“Hey, uh, you good?” Rafe’s sudden drawl makes her flinch.    

“Sorry, can’t sleep,” she peeps out, expression apologetic when she twists to face him, causing the sheets to rustle around them.    

“Yeah, me neither since you keep movin’ around like a lunatic,” he grumbles, irritation clear in his tone.   

“M’sorry. Just can’t stop thinking about everything and I just…I’ve never understood why she hates me so much,” she breathes out, features contorting into something heavy-hearted as she chews on her bottom lip. 

He blinks tiredly; movements lethargic when he runs a hand through his hair.   

“The queen? Well, in case you haven’t noticed, she’s, uh, not that alright in the head. M’sure you’ve done nothin’ wrong, okay?” he attempts to reassure her, albeit to no avail.   

“I just— just feel like...this is all my fault, you know? And now you’re in danger too because of me,” she rambles, not able to let the thought go.    

“You don’t need to worry ’bout me, princess. There’s enough people that want me dead already, what’s one more?” he lets out a dry chuckle that makes her frown.    

“What do you mean?”    

“Nothin’ just, uh, listen…the worst thing that’s gonna happen is that she’s gonna have me killed when I don’t return, ’n once she finds out you’re still alive, she’s gonna send her soldiers to bring her your—”   

“Rafe, that’s not helping. Why would say that?” she interrupts him and apparently, he finds her scowling face to be the most hilarious thing in the world because next thing she knows he’s laughing, sleepy features scrunching up as he shakes his head. 

It’s safe to say she does not understand his humor, whatsoever.    

“All m’sayin’ is that we’re gonna have to find someplace good to hide.”    

“We have to leave the kingdom?” she asks, worried.    

“Yeah, think so,” he says, sounding far too impassive for her liking.    

“But I can’t just leave, this is my home.”   

“I know, but s’gonna be okay,” he murmurs, mouth stretching around a yawn.   

“But what if— what if something happens?” she sounds panicked, all the worst-case scenarios bouncing around her skull because she’s never even been this far from the palace. How on earth is she meant to survive in the real world? 

“I’ll keep you safe, yeah? Now can you let me sleep?” he lets out a drowsy exhale, seemingly fed up with the conversation already.   

“But what if—”   

“Shh, c’mere,” he hushes her before he’s tucking her flush against his chest— a heavy palm resting on her thigh to keep her from moving because he’s exhausted and more than aware that tomorrow is going to be a long day, especially with this overthinking princess who he wishes would just shut up.   

It’s something he’d tell her outright if he wasn’t certain that she’d start crying all over again in response— the rest of the hike here with her sobs and hiccups thrumming in his ears more than enough for one day.   

And the sudden proximity seems to work because instantly, she stops shifting around; nearly stops breathing altogether when she swallows. “What are you…”   

“Just, uh, need you to calm down, yeah?” he pats at her hip before she’s clumsily humming out another apology.  

And despite the slight trace of the muddy water, her hair still smells of forest berries and wildflowers, making exasperation worm its way into his veins. He doesn’t understand why she’s trusting her life in his hands so thoughtlessly; it’s like she has no sense of self-preservation with the way she’s blindly following him anywhere, when not even a day ago he attempted to murder her.   

He wonders if she’s always been like this; naive and dumb, always seeing the good in people, even when there isn’t any. All it took was a few remotely sweet words and she’s already allowing him to hold her this close— a foolish deer resting peacefully next to a starving wolf and expecting not to get hurt.    

Momentarily, he gets the urge to just finish the job right now, wrap his arm around her throat until the flame burns out, leaving her eyes dull, lifeless. After all, it would make his life considerably easier. He can almost feel it— the moment her heart comes to a halt in her ribcage as she turns into nothing more than flesh and bones, freeing him from this burden.  

And at the end of the day, it’s part of his nature to kill for his own benefit, muscles nearly stinging with the self-serving temptation because that’s what he’s always been; selfish.    

“Rafe, that hurts,” her voice is small, nervous, nonetheless forcing him to resurface to the current; his rough fingertips mindlessly sinking into the bare surface of her thigh, harsh enough to leave a bruise. 

Her entire form is tense, breathing shallow and limbs unmoving, resembling a rabbit rigid with fear, only amplifying this ever-growing itch under his skin.  

He clears his throat.  

“Sorry,” a mutter through his teeth before she can finally feel the pressure dissipating— his thumb smoothing over the sore patch while he tries to decide what the fuck he should do with her.    

[snekdood]

If you believe the shit my abuser says about me and use that as your reason to not listen to trans men who are vocal about our issues then you dont care about trans rights. you make all of your moves based off of drama and a desire to keep the clique pristine.

[visionsofmagic]

◜ mk1 men showing their kinks to you ◞

▸ characters: liu kang, kuai liang, bi han, tomas, johnny cage, kung lao, raiden, syzoth ◂ ▸ wc: 4k+ [wow, once again]

▸ tags: nsfw, soo spicy, lord kink, various kinks, power play, master kink, inappropriate usage of abilities, begging, licking, nudness, humiliation, praising kink, dom/sub dynamic, sub!mk1 characters, dom!mk1 characters, pet names, filming, spanking, ropes, fingering, cum, eating out, kneeling, brat!reader, f!reader, use of yn, personal assistant!syzoth, and more in the work! first time writing kung lao, hope it fits him well. ^^ enjoy! ◂ ▸ m.

THE TITLE • LIU KANG doesn’t have a god complex, not at all, he’s a humble creator – demi god, even though he has great power of fire, martial arts, and more. he expects all of his friends to see him as an ally, not a mighty god, and kneel before him because he wants to be accepted as one of you, staying beside you and protecting the realms at any cost.

well, it is like that for any other – including you, for most of the time anyway. however, he has a thing for a certain title whenever it leaves your pretty shining lips, making him go dizzy even though he is steady, not leaving any of his emotions getting away so easily – but around you, he loses focus a little bit, desiring to have you – wanting you to call him ‘lord’ again and again until he makes you cum, creating a mess on him – your lord.

it’s your idea – to call him by his ‘lord’ title as if it’s blessing coming out of your parted lips, additional teasing by your fingers, hands, and gazes don’t help at all – they just make him lose his control of being an ally, the rising heat causes him to give you more so that you can scream his name within the title.

it has both an affection tone, showing how much you love and trust him – using his title out of respect you have for him, for what he does for the sake of all realms – and a seductive tone which drives him crazy, and having you under him the moment he has a chance to do such thing. he makes you cum again and again as he listens to all the pretty noises you’re making because of him and how his warm cock enters your clenching pussy.

“ohhh – my lord!” you scream, “l-lord liu kang! it’s so good – sooo good.”

“oh, is it my love?” he will sound innocent even though his actions prove otherwise, cock slapping into your warm walls rapidly, “then cum, make a mess for your lord.”

his white eyes shining brighter than before as you hug his arms, forehead to forehead, nose to nose, lips to lips, you cum on his cock, making sheets go dirty within it as you moan his name so loud that he smirks down at you – cock side of him showing, “ohh, my pretty love is so good for her lord. let your lord give you more, will you?” you nod and it turns out that he hasn’t enough of you calling him by the title – he wants more.

ROPES • KUAI LIANG only used his weapons as defense and attack tools – well, it was the case until he met you, got to know you better, fell hard, loved you with his soul and heart, and finally got intimate with you.

it takes some time until you both bring the things you like to the bed – both afraid that the other will not approve. when you tell him first, the thing you want to do to him, he makes it come true because he is there to satisfy his lover, you, in the most pleasurable way – you deserve the whole world after all.

then, he brings his desires into bad as the sessions become more intense with each one – he learns how to give you pleasure and how to receive – yet, there is a certain one he likes to have – the one which includes one of his weapon, kusarigama without its kama, only cold metal chains he likes to see on your body – using it as a rope whenever he has you in front of him – ass up, face on the pillow, moaning mindlessly, body jolting forward whenever he spank your ass since you move so much, try to get your hands release – however, it’s impossible to do it even though you want to touch him.

the cold metal around your body, ending on your wrist, and being held by the warm hands of kuai liang sends chills down your spine because of how cold it feels compared to his body and cock buried deep inside you. he has a tight hold on the chain, using it as a rope to help you arching your back, ass getting higher as he fucks you from behind. “is it too much love?” he will ask, a bit teasing, looking at the beautiful sight in front of his eyes – red marks on ass cheeks, pussy soaking, breasts bouncing – the chains around them make them look delicious, face full of heat.

“you have no idea how beautiful you look right now my lady, as always, magical,” he says, increasing his warmness to make you moan his name louder, “will have you like this, wrapped with these chains, until you cum again and again. will make its marks appear on your whole body.”

MASTER • BI HAN is the grandmaster of lin kuei – it gives him power and authority. he likes to have it since he’s crazy for power for his clan, being stronger, better, and more determined with each passing day, doesn’t stop until he’s satisfied –he knows he has great strength but he seeks more and more – so, he doesn’t get satisfied even a bit – however, he can’t hide the truth that he likes to be master only for power, yes, it was the case for him but it changed a little bit when he saw the power he has on you while fucking you.

he doesn’t think of it as a kink, he’s too careless to think about what a kink is – he just enjoys it, it amazes him how he turns on immediately in the moments you call him your master, showing him respect, giving yourself fully to him both as a warrior and his lover.

he prefers being delicate with you but his true instincts make him go crazy around you, losing the control of creating a balance between a gentle lover and a rough fucker for you – he doesn’t think about it that much yet he knows he does two of them at the same time – love you so delicately, protecting you at all costs, telling all pretty names whenever you’re alone while fucking you rough, making you turn into a mess for him and his cock, earning lots of moans and rapid breaths from your agape lips.

he tries to stay calm yet when you use his title in a way no one dares to say it, affection and greed can be heard through it as he fucks you – every hole you have from pussy to ass and his favorite, your shining lips.

eyes rolling, salvia appears, tears wash your pretty face – what a magnificent sight to have in front of him as you stay on your knees, hands gripping his thick thighs, soaking onto the floor under you, and moaning how good he tastes while he has a grip inside your hair, pulling and pushing you, fucking your mouth as he pleases. he feels his empowerment inside your eyes – the look you give him scream how you are pleased to give your master pleasure at the highest level, letting him use you as his personal fucktoy – he smiles at the idea, the free hand caresses your chin full of wetness, creating two opposite sense and sending it to your core.

“how pretty,” he says lowly, “master’s favorite fucktoy,” adding, he smirks at his own statement when he earns a loud moan from you which is shut down by his thick cock inside your warm mouth. “yeah, like that? sure you do my personal toy – offering every hole of her to me – to his grandmaster,” he leaves your mouth, holding his dick and slapping your face with it, “say it,” he orders, “say who’s your owner.”

waiting for a response, he laughs when you give an answer, “master -! my grandmaster bi han!”

“that’s right pretty. let your master fuck your remaining holes as well after I fill your pretty mouth with my cum.”

PRAISING • TOMAS is so shy that he can’t tell his kink aloud even when you encourage him to say it after you explain yours one by one, feeling shy too yet wanting him to know what makes you turn on right away, wanting him to have you in the exact same moment.

he doesn’t judge you, not for a single time, contrary to that, he gets turned on as well, smiling widely, scratching his neck hair, and telling you how he will make them turn into reality the moment he has a chance to. he tries to get better in every one of them as well, wanting you to reach the highest pleasure, not leaving them only as statements.

so, it’s not surprising to discover his kink while having an intimate session with him, not paying attention to it fully but after it ends, you spend alone time, thinking about it with a logical and peaceful mind, you realize what turns him on in sex – putting attention to them and discovering which one is the most effective one on him.

can’t wait until you get together, alone, in the room you share, you just use your theory after a mission ends. you watch him closely yet do not alert him that you do it on purpose, calling him ‘good boy’ after he does his best in the mission, and completes it effortlessly. the word you use shows its effects immediately – he freezes for a moment, eyes shining as he looks at you with them widening, furrows raising, and chest going up and down rapidly for a moment before he gets himself together, saying thanks but sounding so delicate.

you know it’s not just the word – it’s the thing you do – praising him, his efforts, his support – all of it.

the next thing you know he literally moans loudly when you praise him as he eats you out, kneeling before you, the head between your inner thighs, fingers playing with your breasts as you hold him by his grey hair, pulling it and moaning shamelessly, “ohhh, such a good boy for me – baby, doing soo good!”

he freezes once again – yet, rather than turning into an innocent one he prefers to let it go, understanding what you’re doing and finding great lust in it as he moans again and again, eating you further, wanting to get more praise – even his fingers find your pussy, entering it, doubling the feeling up.

it makes you go crazy when you see his hardened cock inside his boxers, “pretty boy!” you scream, head throwing back, eyes going white as he fucks you with his tongue and fingers. soaking wet, you add, “be a good boy and make me cum tomas!”

“yes, yes, yes – ohhh, my goddess, will be a good boy – your good boy, will earn lots of cum from this pretty pussy – ohhhh, so delicious.”

FILMING • JOHNNY CAGE would never thought he would have a certain kink like this one – yes, he has lots of them – and having them with you, well, the ones you’re comfortable with as well as doing the things you want him to do. he pleases his woman as best as he can – giving you pleasure boosts his ego, wanting to please you further until your mind is only full with him – nothing else.

when he has you under him, below him, in front of him – in every position, he watches how your pretty face lightens up with the lust, desire to have more – listens to the lewd voices your pussy creates, mixing the sweet voice you make, especially moaning his name – smiles and looks down at your pussy as he clenches around his length, sending a jolt that flows through his entire body, making his mind go dizzy.

it’s perfect – from the beginning to the end, it’s just the description of perfection – you are the perfection for him. and being a great actor, addicted to his camera – his phone, he realizes something he wants ultimately, the reason why he pictures you even after he has you – he daydreams about you all day, waiting for it to end and finally getting together with you again.

he misses you so much that he can’t stand it, and he understands what he needs to do.

the first thing he excepts from you is to laugh, can’t take it seriously, then, not agree – but, you don’t utter a word when he says it, only looking at his face with heat on your body because of hearing how he thinks you look so beautiful – out of this world, dreamy, while you have his cock inside your holes – he expresses his desire to capture it, watch it later, and seeing you in every aspect as possible as he can.

then, you agree, don’t judge, just accept it and realize how you want him to film you whenever you have mind-blowing sex – it becomes a habit of yours now – he films when he fucks you from behind, the camera captures your pretty face so close that he cums the moment he watches it. he puts his camera on the table beside him when he has you on his lap, riding his cock as he drinks his favorite alcohol, watching you fuck yourself on his dick. he even takes a video of you while you suck his cock – his favorite so far because how obedient and cock slut you’re for him.

he smirks, taking you by the chin, making you look up, and winking at the camera of his phone as you suck his cock as if it’s the most delicious thing your tongue taste of – salvia leaves your mouth, eyes shining, nose has a little redness, cheeks burn, and tears flowing down to your face since his thick cock fills your entire mouth. “oh baby –“ he says, chuckling, “you’re my favorite sight to see in a movie! in our personal fucking movies – ohh, how much I like to watch ‘em only to see the expressions you make – so innocent yet lustful. my pretty lady will make you watch it too!” he laughs, caressing your face, “taking my cock so well – maybe will publish it so that everyone can see what a slut you’re for me! would’ve been my biggest hit!”

HUMILIATION • KUNG LAO is full of ego – thanks to his wins strength, and attractiveness, he has great self-love and he acts as such, telling his best qualities again and again – he does it around others just because he has a habit of doing it but with you? oh, the reason is different for doing it when it comes to you.

he remarks them to show off – to make you fall for him even though you’re literally his lover who fell hard for him, getting excited to see him – to watch him as he fights, and listening to all the bubbles he says including his ego. you leave chuckles, bright eyes shine with enjoyment, letting him show himself off because it entertains him that his favorite girl loves him as a whole – for who he is!

he can swear even he can’t think one of his desires would include an opposite kink compared to his general self. he can’t say it aloud either – he’s too shy to do that, to allow himself to get the knowledge of his deep desires – turning on by you humiliating him in bed out of all places – not to joke, not to tease – to take out his secrets into the surface.

it happens when he utters a few words about him being the greatest in bed, and you tease him about it by mocking, “oh, really? is magnificent kung lao the best fuck? maybe if you try enough you cute boy, being my personal fucker, it can be. what do you think?”

he can’t think about anything at that moment – his mind freezes – he even can’t think!

it takes some time for him to get back, hearing your worried questions about whether he is okay or not – you say sorry if it makes him uncomfortable – then, both you and he look down at his hardened cock, the tip is pink, dripping precum as he exhales the air rapidly than ever, words being cut as they reach to his dry throat.

“y/n –“ he nearly moans your name lowly, looking so fragile with the way his hands on your thighs shake as he holds them – you try to move your hips, caging him between your legs, getting closer, you chuckle, hands find his shoulders as you sit down on the table still, letting his exposed hardened cock press to your bare pussy.

you clench around nothing, and his cock twitches with your husky voice, mocking him more, “oh, will all mighty kung lao cry? will make a mess because of me? hm, is it the case you got a boner now, pretty boy?”

he moans this time, hands gripping the flesh inside his palms tightly, trying to earn a kiss from you as he leans closer but you put your forefinger on his lips, smirking and pointing the ground under his feet. “to earn it, you have to please me, my personal fucker,” you lick the side of his lip, winking as he begins to blush – redness appearing on his shocked face, the tip of his dripping cock hitting your pussy, wanting to get inside. your finger enters his mouth, pulling his warm tongue out as he whimpers, getting harder as if it’s possible, “on your knees, my good boy. show your owner how good this tongue is.”

BEGGING • RAIDEN is a humble man who knows his worth. he’s well aware of who he is, what his worth is, what he wants, and in which cases he will lose it all – only for you, his significant other, the owner his heart and soul.

he’s a gentle lover indeed, you can give him that – bringing gifts to you, kissing you fondly, showing great affection and love, especially when you’re both alone and comfortable – the peace runs in the air as you show the love you have for one to another openly, no fear of getting rejected – the knowledge of your worth in each other’s eyes is visible through the gazes, words, and actions.

it feels like a miracle when he finds both love and friendship in one person – and he thinks he is the luckiest person in whole realms when the tension you share completes each other perfectly – getting closer to you, he discovers his self – his kinks as you tell him about, he still has questions about them though yet he tries his best to please you while he gets you better, further – no one else, only him.

the help he receives from you about these all kink situations deserves a big thanks and he tries to give it to you by fucking you with his cock, his tongue, his fingers – which one you would like to have.

he puts more focus on you than himself, yet, you have other plans – you want him to understand the importance of being aware of knowing his deepest desires to take the best feelings from your body as well as his.

so, you tell him how words have a different and effective role in intimate sessions mixed with actions – you try to make him see its effects on him firstly because it’s the most remarkable and permanent way to learn about it – so, you study him, trying to see what makes him turn on and what turns him off. among others, one thing catches your attention – begging.

raiden never begs – not to others, or for other things. however, he is ready to beg for you even though he’s yet not know it fully – it takes time for him to get there, and being a helpful lover, you take your role gladly, using your knowledge in one night when you begin to make out. raiden appears behind you, hands wrap around your belly, pulling you closer to him, his cock slowly getting hard as it touches the lower part of your back – the thin fabric you have makes the sense breathtaking.

you chuckle, looking at his face as he rests his chin on your shoulder, “needy?” you tease and he blushes. nodding, he does his little tricks and before knowing it, you find yourself on top of him, cock is buried deep inside your walls – it twitches, wanting you to move and ride him.

“y/n –“ he whimpers, eyes getting brighter, tears ready to leave them.

“yes, my pretty boy?” you ask, head tilting to the side as you rise up and sit down on his length suddenly, making his head thrown back onto the pillow, moaning. “need something?”

“need you – to move – y/n, move already!” you chuckle, hands on his exposed well-built chest.

“then beg for it! we both know you can do better than that farm boy.”

and he listens, starting to beg loudly, hands positioned on your waist, holding tightly, tears washing his pretty face as he begs for you to move – then, he begs for more – he begs so beautifully that you ride him so well and he even begs as he cums into your pussy, making a mess. “yes, yes, please – oh my love, please! ohh – s’ much! s’ good!”

PERSONAL PLEASER • SYZOTH chose to be your personal assistant and lover at the same time – the idea of being by your side all the time, giving you the support you need, being the one you call first is always amazes him, causing him to accept your offer and take the title of right-hand man, giving aid and help in every way he is capable of.

he doesn’t feel any humiliation because you’re there to show your love for him, how you think of him as an equal, not below you, no – he’s your lover before being your personal assistant and protector. you are at the same level, and you don’t stay back by showing it to him and all the others – you have him beside you every time you attend meetings, parties, festivals, and business works. he’s always there – he lets you introduce himself as your lover first, then says how he’s also your right-hand man who is best at everything – your own luck.

yes, it makes him feel shy but not as shy as he feels when you have him alone – in your office, in your bedroom, in your garden – it doesn’t matter, the shyness he has is exactly the same in every place. it’s the way of help that makes him go all red, or warm, or crazy even.

you say besides being his right-hand man, he’s also your personal pleaser – you let him fuck you rough, showing the beast he has under his pretty face, “agghhh – fuck – syzoth!”, you let him get undressed and jerking himself off as you watch him – his eyes don’t leave yours, watching every expression you have on that pretty face of yours he likes to see as he jerks himself, cum into his fist and earning the same one from you, “syzoth – so – so good to watch!”, you let him go invisible and eating you out in public as you sit down under a table, trying to suppress your moans when he’s tongue swifts into his natural form, entering deep inside, “syzoth!”, you let him kneel before you, on his knees, watching you approaching him slowly, and then, taking him into the bed as he begs for it. “ohhh – syzoth!”

his answer will always be the same, “yes, my goddess? need me?” he mocks you as if he isn’t the reason why you’re like that – weak on the knees, shaking, soaking wet, wanting nothing but him.

the way he enjoys being your personal pleaser besides assistant drives you crazy – the intensity of having him both as a lover and pleaser rising up. you can’t even blame him for using his power inappropriately – it feels too good to utter the words that warn him. he doesn’t care – he does what he needs to do – what you deserve – his full attention and effort.

“my goddess, let me show my gratitude to you – as your right-hand man, it’s my duty to make sure you get what you want.”

[mikashisus]

MAY THE WIND PROTECT YOU

SYNOPSIS: kinich recalls each time he heard you speak mondstadtian, each memory making him miss you more than the last. meanwhile, you return home to mondstadt.

PAIRING: kinich x gn!reader

TAGLIST ! @aphrodict @wystiix @tragedy-of-commons @pixelcafe-network @papiliotao

contains: poorly translated german, ajaw, intense pining (on both sides), down bad kinich, last part is not edited

word count: 4.4k

notes: THIS IS A PART 2!! writing this was sm fun guys, i had a field day with each scene. i wanted to post this yesterday on his bday, but gwen told me it'd be such a power move if i posted it today bc today is MY bday, so that's what i'm doing >:) crazy that his bday is a day before mine.

i was listening to this ost the entire time i was writing the mond scenes. when the mc mentioned the lullaby, that song is what i was referring to! anyw enjoy! TY ZIRA FOR PROOFREADING!!

part one!

The first time Kinich heard you speak in Mondstadt’s native tongue was two weeks after you arrived in Natlan. 

A merchant from Mondstadt had set up shop at the Stadium of the Sacred Flame. By pure chance, Kinich had been showing you around the Stadium that day. 

(Somehow, it slipped his mind that you were from Mondstadt— despite the fact that you unintentionally made it abundantly clear you were a foreigner by the way you dressed and your poor attempt to speak the language of Natlan.) 

As soon as you set your sights on the merchant’s wares, you were sprinting over to his stall, eagerly shouting in what sounded like an aggressive tone to the people around you. Kinich followed, worry pooling in his gut at the sudden commotion you just made. 

All your worries about wanting to set a good first impression had been thrown out the window the moment you saw a familiar face. With the way you and the merchant were animatedly speaking, anyone passing by would’ve assumed you were lifelong friends. However, that was not the case. 

Mondstadters were well known for being extremely welcoming and hospitable, especially within their own nation. Anyone who ever traveled there always put in a good word about their stay, claiming that although the nation’s ways of greeting foreigners was a bit odd, the entire populace had this unique charm that made everyone instantly feel at home there. Paired with the ever-flowing wind and the ideals of freedom and peace, Mondstadt seemed to be a true paradise. 

The few merchants Kinich had run into in the past were fairly kind people, though there was always this edge to them that made them feel a bit aggressive. Maybe it was their way of speaking… or their blunt honesty. 

Joining your side, Kinich realized you weren’t speaking the universal language of Teyvat anymore, and that now, you were speaking a language that sounded rough and throaty.

This must’ve been the language of Mondstadt. He only ever heard a few words here and there in passing through merchants he met in the past. 

He couldn’t understand a word you were saying, but he liked hearing your voice in its primitive state. 

The merchant made a gesture towards you, and you threw your head back in raucous laughter. Kinich wondered what you were talking about. A few moments later, he heard the words ‘Dornman Port’ fall from your lips, and he assumed that the topic shifted to where you were from. 

“It’s not everyday you see a Mondstadter down here in the South! Where are you from?” 

“Dornman Port!“ You answered eagerly, ”my family’s been living there for generations, but recently my grandparents moved to the city to get better access to healthcare.” 

“Ah, I see. No wonder your accent sounded familiar! My family’s a bit North of Dornman, more inland towards—“ 

From the excited way you two were speaking, Kinich guessed based on context clues that you and this merchant were from the same hometown.

Finally, you seemed to turn your attention back to the merchant’s wares, and your eyes practically sparkled once you set your sights on his entire alcohol supply. 

(You weren’t a true child of Mondstadt if you didn’t cherish your booze.) 

Pointing to a vintage bottle of something that was labeled in Mondstadt’s native tongue, you fished some mora out of your satchel.

“I haven’t seen many Mondstadters down here,” you said, resuming your earlier conversation, “not that we can’t travel to other nations, I just mean—“ 

“It’s strange?” The merchant finished your sentence. “I get that a lot from the locals. Usually, Fontainians visit Natlan the most, though I suppose that’s not too surprising. The hot springs are great!” 

“Speaking of Fontaine, I was suspected of being Fontainian my first year here. The looks on the locals’ faces after hearing I’m from the Crown of the North were priceless!”  

You took the bottle of Dandelion Wine and smiled. “I bet! I got questioned a bit too on my arrival a few weeks back.” 

He eyed the journal in your hands. “Akademiya student?” 

“Yes, sir! Vahumana Darshan!” You nodded. “I’ll be here in Natlan for six months to work on my thesis.” 

Glancing at Kinich, you suddenly felt a pang of guilt rush through you. Unintentionally, you had been making him wait this whole time. You quickly wrapped up your conversation with the merchant, explaining that Kinich was your ‘tour guide’ and you had to leave. 

“Good luck with your studies!” The merchant shook your hand, his grip firm. It reminded you of your father’s handshakes. “Let the Wind lead, youngster.” 

“Danke! May the Anemo Archon bless you! Tschüss!” 

The second time Kinich heard you speak in Mondstadt’s native tongue was when a yumkasaur had stolen your journal and decided not to give it back. 

(He didn’t think he’d ever heard someone curse so much in his life— aside from Ajaw.)

Although he couldn’t understand what you were saying, he just knew you were cursing that yumkasaur to the high heavens. And as soon as he helped you get your journal back, you cursed the yumkasaur out again as it hissed at you and flew away. 

It took a heavy amount of restraint for Kinich not to burst out laughing. You could’ve sworn a small snort had escaped from his lips as he raised a hand to cover his mouth, but that was the least of your priorities. 

Your main focus was on the big chunk taken out of your journal. 

A few pages of your journal were missing, meaning you had to rewrite three pages (front and back) of all the research you found in some Dahri ruins nearby the Scions of the Canopy. 

To say you had been angry was an understatement. You hadn’t stopped rambling in Mondstadtian for the rest of the week, and Kinich was more than a little worried you were going to throw yourself off the balcony outside your villa. 

(You didn’t, but other people from his tribe did say you spent the remainder of the week in those ruins — which, to be frank, was concerning considering you always outright refused to go exploring during the day. 

When he found you, you were mumbling to yourself and teetering on the edge of becoming someone’s sleep paralysis demon. Long story short, he had to drag you back to your villa.)

Needless to say, that was a fond memory of his, despite your imminent despair that entire week. 

It had been five months since you returned to Sumeru. Five grueling months of convincing himself he didn’t miss you as much as he truly did. 

There was a significant decline in his mood since then. 

Ever since he walked you to the borders between the Children of Echoes’ settlement and the Sumeru desert— where an escort from the Eremites was waiting (he remembered you addressing her as ‘Dehya’) —he’d been all down in the dumps. 

At first, Ajaw had a field day teasing him, until eventually, the mini pixelated dragon got tired of his sour attitude and stopped mentioning you altogether. 

One mention of you and Kinich became snappy and pissy. If he saw something that reminded him of you, he began sulking like a kicked puppy. It was amusing to Ajaw… at first. But as time dragged on, it just made him more and more annoyed. 

(“Are they all you think about!?” Ajaw screamed once after Kinich bought a bottle of Dandelion Wine from that merchant you would always talk to. 

Kinich didn’t answer, but the pout on his lips was enough to make it clear to anyone that yes… you were all he thought about.) 

He found himself back at the same merchant’s stall, immediately putting Ajaw in timeout before he could even utter a word. 

The Mondstadt merchant greeted Kinich with a firm, friendly handshake. “Welcome back! Did you enjoy the Dandelion Wine?” 

Kinich nodded curtly. “Yes. It was quite good. My tribe enjoyed it, as well.” He paused. “Where was it made?” 

The merchant’s eyes widened slightly in surprise. He probably wasn’t expecting that question. He stroked his chin. “Well, you’ve probably heard of it if you’re a wine lover, but most alcoholic beverages from Mondstadt are brewed by the famous Dawn Winery.” 

Kinich had heard of it, though only in passing from merchants. 

“The Dawn Winery’s the reason Mondstadt’s even known as the wine capital of Teyvat. Without the winery, Master Diluc, Mondstadt’s fertile soil, and the wine brewing methods taught to us by Lord Barbatos, we wouldn’t be where we are today.” 

“The Anemo Archon taught you how to brew wine?” Kinich raised a brow. 

The merchant nodded. “Why, of course! Back when the people of Mondstadt migrated to Cider Lake, Lord Barbatos taught our ancestors the intricacies of wine making, and over time, his original technique had been refined into what it is today!” 

Interesting. So that was how Mondstadt’s wine business began. 

“We even have wine festivals to honor Lord Barbatos,” the merchant continued, piquing Kinich’s curiosity, “Weinlesefest is the most common. Every harvest, families come together to brew wine and offer it up to Lord Barbatos as a sort of ‘welcome home’ gift for the western wind. If he’s satisfied with the wine, he blesses us with a refreshing breeze.” 

Weinlesefest. He heard you talk about it once in passing with a different merchant. He couldn’t understand what you were saying, as you had been speaking Mondstadtian, but he knew it had to do with a festival; seeing as it was one of the first things the merchant had brought up in conversation. 

“I see.” Kinich nodded curtly, making a mental note to ask you about the Weinlesefest in his next letter. “So… does the whole nation celebrate?” 

The merchant nodded. “Yep! It’s a time of gathering together with family and friends. Mondstadters living away from home usually come back for Weinlesefest.” He let out a heavy sigh. “In fact, it’s happening right now. But work is work, so I can’t visit my wife and kids. I can only hope Lord Barbatos will keep them safe in my absence.” 

Kinich was slowly learning how Mondstadt worked the more and more he talked with Mondstadters. He sent a small smile to the merchant and bought three bottles of wine this time, even going as far as to pay extra. 

“I hope you can return home soon and see your family.” A small pang of something bitter settled in his chest. 

Family. 

“Tschüss.” He muttered, the word feeling odd and unusual on his tongue. 

The merchant’s face lit up with pure, unbridled joy. He shook Kinich’s hand once more, firmer and more enthusiastically than the other times. It was obvious Kinich had just made this man’s day, even if it was something so simple as saying ‘goodbye’ in his language. 

“Tschüss!” 

That night, he sat on his bed, writing out another letter. He occasionally glanced at the last one you had sent him, his fingers gently tracing your elegant handwriting. 

(Name), 

I visited the Stadium today to receive a commission. The merchant you always talk to, Klaus?? was there again. He told me the history behind wine making in Mondstadt. 

It’s interesting that your Archon taught you that. He also mentioned that Weinlesefest is happening right now. I remember you mentioning that festival a few times before. Did you go home for the festival? What does your family do to celebrate? Speaking of… how is your family? And your grandparents?

Everything is going well in the Scions of the Canopy. We’re recovering from the losses of the war, along with the nation as a whole, but there is still a large scar. The toll will be great for a while, but all we can do is move forward and honor the fallen. 

You don’t need to worry about us, by the way. Mavuika is strong. Speaking of Mavuika, she’ll be heading off for the final fight in a few weeks’ time. Everyone’s antsy, but we know she’ll pull through. She isn’t the Archon for nothing. 

-Kinich 

P.S. - Mualani insisted on taking you to visit the People of the Springs the next time you’re here… but knowing you, I don’t think you’ll like the hot springs :P 

P.P.S. U BETER RETURN IN 1 PEACE LOWKY HOOMAN OR I W1LL  KILL U  >:( -AJAW

The day your vacation was confirmed, you jumped for joy right in the middle of the House of Daena. It earned you a halfhearted glare from Alhaitham, the Akademiya’s scribe, but you didn’t care in the slightest. You were just happy you finally got your much needed vacation. 

You weren’t close with the scribe. Your relationship was far from anything like that, but you saw him enough on a daily basis to consider him an acquaintance. He often occupied a table in the House of Daena, either reading a book or writing furiously in a notebook. 

There were a few times you visited his office to drop off parts of your thesis for peer review, though he was never there when you did. His office hours were listed right next to the door in bold letters, yet he was never present for them. It made you raise a brow and wonder how he was even still employed if he never even showed up for his required office hours. 

Though, he did give you the proper feedback you needed for your thesis, so you couldn’t really complain. 

“I didn’t know you oversaw vacation notices,” you said, glancing up at your senior as he stood next to you. “I thought your only job was to record things for the Akademiya. Oh! That reminds me, when is my thesis presentation?” 

He sighed. “Being the scribe is more complicated than that. And yes, all proposals for vacations go straight to my office from the drop box.” 

You hummed. “So like, how does that work? Do you just check a box that says ‘yes’ or ‘no’?” 

“If the proposal was sent in during a break period, then it gets approved. Any proposals sent in after the break period are denied. The presentation for your thesis is scheduled for three months from now in the Vahumana Lecture Hall at two o’clock sharp. The Dendro Archon will be present alongside the Vahumana Sage and the Grand Sage. Be prepared to answer any and all questions from all of them.” 

“Yeah yeah yeah,” you waved him off dismissively, “I already received that info in my mailbox.” 

Three months from now… Did you have anything planned for that day? You thought it over. 

“Shit.” You muttered.

“Something wrong?” Alhaitham questioned, his arms crossing over his chest. 

“My hometown has its annual food festival that week… Ah, well, there’s always next year.” It still stung, though. It would be the first time you missed it. “Besides, I’ll be home for Weinlesefest, so that should be enough.” 

Your parents would be upset, but they’d understand. Your thesis was a big deal, after all. As long as you were home for Weinlesefest, you knew they wouldn’t mind you missing out on Dornman Port’s annual food fest. 

You stood up and grabbed your bag. “Well, I should pack. And mail my letter before I leave.” 

“I’ll be stopping off at Port Ormos later. I can mail it for you.” Alhaitham offered. 

Although he didn’t show it, Alhaitham was kind. This was something you had to learn the hard way after a few misunderstandings. He had his own way of showing kindness, and it was often through his actions rather than his words. 

“Really? That’d be awesome! I have so much to do before I leave, I was beginning to think I wouldn’t be able to make it to the mailing office.” You dug through your bag and pulled out a letter, handing it to him. 

His eyes scanned the envelope, his brow raising slightly in surprise. He shot you a knowing look, but he didn’t pry. 

“Thanks, Scribe!” 

“Alhaitham.” He corrected, nodding curtly before taking his leave. 

You smiled as you watched him go. Friendship with the scribe: secured! 

The boat ride home to Dornman Port was long and grueling, but the crew was friendly and had a good sense of humor. You found yourself making a few new friends in unexpected places. 

The soft breeze of eternal Spring shifted to a biting chill in the air as the boat neared your beloved hometown. The wind whipped violently, howling like the infamous Wolf King of Wolvendom. 

Up North, the winds were harsher and colder. There was a legend in your hometown— that a god ruling over this section of land during the Archon War had died with many regrets, and therefore, cursed the land with a wintry wind that would never cease. 

Whether or not that had been true was a mystery. The god’s name was long forgotten from Mondstadt, and so too was their legacy. The only person who could possibly provide evidence to those events would be the Anemo Archon himself. 

The boat docked and the sailors let out heavy sighs of relief. One clapped you on the back cheerfully. 

“How’s it feel to be home?” He questioned, a big smile on his face as he kicked a wooden plank onto the docks. 

You smiled, inhaling the cold air you missed oh so much. The same air that you had been longing to feel on your skin for months. 

“Good… great, actually!” you answered, thanking him as he helped you off the boat. 

You looked around, taking in the sight of the familiar bustling port with navy rooftops and tightly packed houses. Lanterns were strung between lampposts, ornate garland hung from the sides of houses and wrapped around streetlights. Market stalls occupied every corner, accompanied by the occasional yell of a merchant trying to sell their wares. 

Dandelions were blown up into the air as children roamed the streets, waving around wooden swords and weaving between adults’ legs. A stray dog followed behind the group, barking happily. 

The sweet tune of a lyre and a flute rang in your ears from a distance, and you quickly realized it was that same familiar Dornman lullaby that all Mondstadtians knew by heart— specifically those of you born in the far North. The song was soothing and nostalgic to your ears, opening the floodgates to a whole range of memories from your childhood. 

You inhaled the biting air again, this time with your eyes closed. “Yeah… it’s more than great to be home.” 

The sailors bid you farewell, claiming they’d see you again once you returned to Sumeru. Enthusiastically giving them your goodbyes, you watched as they loaded trade goods onto their ship before taking your leave. 

Dornman was exactly how you left it: serene yet lively. 

You stopped to chat with a few of the elders, greeting them excitedly. They asked about your studies, how your thesis was coming along, and wished you luck in your future endeavors. 

Passing by a group of kids you swore were only a few apples tall the last time you saw them, they called out to you and asked if you brought any souvenirs back for them. Showing them your empty hands, they began to pout and call you old as you playfully threatened to kick their asses. 

They ran away giggling, pretending to scream at the ‘scary monster they provoked.’ 

Shaking your head with a smile, you continued on your walk home, greeting other familiar faces as you did so.

Tucked away behind a few hills and farther from the main streets of the port, was your parents’ house. Seeing the same, old rickety wooden gate still standing tall was a surprise. You could’ve sworn that thing had fallen by now, but it was still here, on its last leg. 

The eager barking of two dogs could be heard as you unlocked the gate and walked up the stone path. Spotting the beds of flowers outside the windows, you smiled. It seemed as though your father had been participating in his yearly flower competition again with the old ladies that lived just down the road. 

You leaned down to take in the smell of the fresh cecilias, your favorite. 

The old door of your home hadn’t changed, and the decorative basket of flowers hanging from the front hadn’t either. You picked up the handle of the dove doorknocker and waited, listening as the sounds of barking got louder and louder. 

A series of locks clicked before the door swung open and two black and brown dogs came tumbling out, knocking you onto the stone path. You laughed as they licked your face, excited for your return. 

“Millie! Hashbrown!” You hugged each of them, placing kisses on their heads before you stood back up. 

Your father embraced you, hugging you tightly. You returned the hug, smiling as you pulled away. He took your bags from you and ushered you inside, claiming your mother had baked a few pies to celebrate your return home. 

The rest of the afternoon was spent catching up with your family, telling them all about your studies in the Akademiya and your long trip in Natlan. You told them about Kinich, a man from the Scions of the Canopy. 

That’s when your mother sent you a knowing look. Nothing ever escaped her know, especially when it had to do with crushes. You assumed it was because of that rumored sixth sense that all mothers possessed. Or maybe the smile on your face as you talked about Kinich was just too obvious. 

You told them how you and Kinich wrote letters to each other as much as you could, though it was getting harder for you to keep that up when exams had rolled around. 

“Speaking of mail,” your father interrupted, standing up, “we received a letter a few hours ago from a ‘Kinich.’” 

He handed you the envelope and you snatched it from his hands, ignoring the way he snickered at you as you did so. He took another sip of his beer and sighed. 

“Oh, and there was a package too!” He rummaged around on the kitchen table before handing you a tightly wrapped package. 

Confused, you took it. You had no idea what could even be inside it, but assuming it had arrived at the same time as Kinich’s letter, you guessed it was from him. Your mother stood up. 

“Let’s give them some privacy, dear.” She patted your father’s chest and ushered your siblings out of the room before sending you a wink. 

You rolled your eyes and opened the envelope, smiling absentmindedly at Kinich’s somewhat messy handwriting and the complete scribbles at the bottom of the page that were nearly indecipherable. Judging by the chicken scratch, you deduced the last message had been from Ajaw. 

You ripped open the package and set aside the note. Inside was a handmade blanket with a small note that claimed it was made by the Flower Feather Clan. 

You admired the swirling designs and hugged it to your chest. So he had remembered how much you loved blankets. Receiving such a high quality gift meant the world to you, as did the thought of him going to such lengths to have it handmade just for you. 

Digging through to the bottom of the box, you found a neatly wrapped vintage bottle of Dandelion Wine, silently cheering. You’d enjoy this with your family during the rest of the festival.

One last item sat at the bottom, so small you almost overlooked it. Pulling it out, you slipped it out of the velvet bag it was in and your jaw dropped. A gold necklace with purple and blue crystals fell into your palm, cold to the touch. 

Based on the fine craftsmanship, you could tell it had been crafted by a blacksmith from the Children of Echoes, and the crystals had been from the Masters of the Night Wind. 

Kinich really didn’t have to get you all this. Was there some sort of special occasion, or had he just wanted to send you gifts? You weren’t sure, but you were already thinking of some Mondstadt specialties you could send him in return. 

Heading up to your bedroom, you placed the gifts on your bed and grabbed a piece of paper from your desk. You sat down near the windowsill and unclasped the latch, pushing your window open. A cold breeze wafted inside, the scent of dandelions invading your room. The wind chimes hanging from your window sang in the wind, their sound comforting to your ears. 

You began to write. 

Dear Kinich, 

Thank you for all your thoughtful gifts!! Based on the fact you mentioned Klaus in your letter, I’m guessing you bought the Dandelion Wine off him, didn’t you? 

Pass on my regards to him! Möge der Wind dich beschützen! 

Weinlesefest has officially kicked off! Unfortunately, I missed the opening ceremony in the city, but tomorrow we’ll be opening the wines in my hometown! At least I haven’t missed that! The opening of the wines is the most important part of Weinlesefest, as it honors Lord Barbatos. 

My family is doing great as ever! Same old, same old, honestly. I’ll be seeing my grandparents in a few days, as my family will be taking a trip to the city to celebrate the festival with them! Unfortunately, I have to go back to the Akademiya in a week to continue my studies and refine my thesis per the Scribe’s suggestions. I wish I could be home longer, but school is school :( 

I’m glad to hear everything has blown over somewhat smoothly and all of you are safe. I can’t imagine everything you’ve had to witness, but I’ll offer up prayers of my own for the fallen (is that okay? That isn’t insensitive right…? Please tell me if it is). 

I hope the healing and rebuilding is going smoothly. If I was there, I would help in a heartbeat. Oh! I have an architect acquaintance in Sumeru! Maybe he and his team could help…? Say the word, and I’ll request his help! 

NO, I think I would melt into a puddle if I ever even stepped FOOT into those hot springs… Sorry Mualani, but I’m good… I’d rather stay in the brisk trees of the Scions of the Canopy.

Thank you once again for the gifts. I’ll cherish them. 

Mögen die Feuer von Natlan immer brennen. 

Sincerely, 

(Name) 

P.S. I’ll return back safely to you, Ajaw. Don’t worry! :)

notes: including all the german words were sm fun to do bc i'm german (not too familiar with the language but i'm in the process of learning!) and i am a firm believer that teyvat has their own languages, and dialects within those languages. some translations: danke = thank you, tschüss = goodbye, Möge der Wind dich beschützen = may the wind protect you, Mögen die Feuer von Natlan immer brennen = may the fires of natlan stay ever burning

© 2024 mikashisus. do not plagiarize, copy, repost, feed to ai, or translate my works to any other platforms.

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[etheries1015]

How TWST characters react to finding out your real name

They hadn't realized you were using a fake name or a nickname, and when they find out you hadn't told them your real name, they each reacted in their own way.

Featuring : Idia, Lilia, Crowley, Ace/deuce/grim (together) , Azul/jade/Floyd (together), Malleus, Epel, Rook, Vil, Kalim, Jamil

Idia - Fair. Its like using a fake in game name only in real life, who needs to know your real name? It's not that important, it doesn't change that you're still you. But he is glad that you trusted him with your real name, but now he's a little possessive, and doesn't like it when other people use your real name. Its HIS privilege to know the you behind the character! (He wants his y/n moment and he gets some sort of fulfillment knowing he was the first to learn your true name. Like he's in some sort of otome game)

Lilia- he raises an eyebrow and has an amused smile on his face. He wasn't expecting you to feel the need to hide your identity, were you some sort of refugee? Hiding from something? You then explain to him you simply didnt feel comfortable sharing your real name with a bunch of strangers since coming to twisted wonderland, and he was easily able to accept that answer. He calls you by whatever name you prefer, it makes no difference to him, and he quickly gets over it. (If he wants to get your attention and tease you, he will use your real name)

Malleus- A little bit...hurt, in a way? You couldn't trust him with your real name? He knew others thought he was scary and didnt trust him for his lineage, however he had to remind himself that you were different than them. You were kind and understanding, and he had to push back his childish thinking. He did the same thing in fact, hiding his name from you until learning far after your meeting. Perhaps you had your reasons as well, and he respects that, and warms his heart slightly coming to terms that you had entrusted him with that information. He uses whatever name you feel the most at ease of hearing, but there will be times in which you two are alone and he gets in his feelings. Hearing your name sound so sincere and loving coming from his lips makes it sound sweeter than you remember.

Azul + the Leech brothers- Shocked. Flabbergasted. You did it in such a cool way too, you signed his contract using a name he wasn't familiar with. "You are aware that using a fake name won't do you any good, Right?" He had pointed out. You gave him a smirk and crossed your arms, "Who says its fake? In fact, the name I signed is indeed my REAL name. I thought I might as well use my real name, to show how confident I am that your little tricks will not fool me." Jade simply smiled and nodded in approval, whilst Floyd began laughing hysterically at Azuls reaction (his mouth hung open. He just convinced himself you had an inflated ego.) Needless to say, they will not forget that moment in a while.

Crowley- Blames you and says "Well of course I couldn't find your records anywhere or continue with my investigation on your case, you didnt even give me an accurate name to go by!" (In reality he wasn't doing anything to help you, he just thought this gave him an out and more time to think of something. You knew this.) The gaslighting king, and good at making you feel bad for not enrolling into the school by providing your full real name. You rolled your eyes and kept doing what you were doing (slay)

Kalim- he gets super excited, and fully respects you by any name you go by. He showers you in compliments and says its such a nice and fitting name for a person such as yourself. He smiles brightly and locks arms with you; "(fake name) or (real name), they both suit you well! You're still the prefect I love, regardless of what name you use!" .... But then he starts to ask you why, and it turns into an hour long conversation about names. (Probably tries to suggest names that would suit you)

Jamil- A little surprised at first, however he never made a big deal out of it and didnt care much. He shrugged and continued using the name you had given him, its what you chose to go by, is it not? So he will continue to do so. (Inwardly he understands why you hid your true identity, but also thinks its silly in a way. Why would you go so long without sharing something as small as a name? But it was a one time thought, and never dwelled on those questions.)

Vil- Also doesn't make a big deal out of it. Your name suits you well, he will ask what you prefer to go by, however. If you aren't comfortable using your real name, who is he to judge? He asks you once about why you chose to use a fake name, and he respected it. "Or I can just call you prefect, if you prefer? Your title precedes your name, and it's a form of respect. How does that sound?" You chuckle and say that you trust him enough to be on a first name base, and he responds with a slight blush. You really know how to see past his professionalism.

Rook- Add it to his list of things he knows about people and probably knows too much about people. He stores it in his mind along side with your weight, your height, your frequented places in the school, your gym scores, the height you can jump, how fast you finish your lunch, how big your hand is, your shoe size, how many hairs are on your head... "magnifique! I just love learning new things about you, it never ceases to amaze the mysteries you hold! Please, tell me more!"

Epel- A little bit disappointed you hadn't told him sooner. He gets over it quickly, but he was still a little upset to hear that he was one of the last people to find out what your real name is! Not that it truly matters, but a persons name is a persons treasure, and he wanted a part of the great reveal! (It wasn't THAT great. It came up casually, he's just a little sentimental and dramatic sometimes.) He ends up carving your name out of an apple, he says he made it cause' he was bored and no other reason, but in reality he really likes your name more than he leads on.

Ace/deuce/Grim- What do you MEAN that the past year they have been calling you by a FAKE/NICKNAME This entire time?? Do you have that little faith in them???? When you explained to them you had simply rolled with it when you first arrived to twisted wonderland and became accustomed to it, the name flowed off your tongue as natural as breathing. It had nothing to do with trust as time went on. They were all so dramatic about it though. "Our Prefect LIED to us!" They cried out, prostrating themselves on the floor and demanding you buy them food in to compensate 'the emotional damages' they claimed you inflicted upon them. You rolled your eyes and laughed playfully as the three of them whined about your "distrust" in them.

You loved them nonetheless, those morons 💜

---

A link to my master list!

[nevadancitizen]

HEAD OF FALSE SECURITY MASTERLIST

synopsis: The Soviet Union has been producing robots for a long time based on a miracle compound: polymer. But that was invented in 1941. The current year is 2038, and, due to rising tensions in the Arctic, Americans aren't as kind to Soviets as they once were. It's too bad you're a russki, and it's really too bad that you work in cybersecurity. And honestly, with the case Fowler has put you on, you're at risk of losing your job. It doesn't help that you're stuck with Lieutenant Hank Anderson and some new android apparently called Connor.

A Detroit: Become Human AU with elements from Atomic Heart (2023), in which the international political climate is a bit different and more prominent within the story. The Soviet Union still exists, and she's threatening America by proxy of her invasion of the Arctic.

ships: Connor/Reader, Hank Anderson & Reader

tags: Robot/Human Relationships, Action/Adventure, Action & Romance, Slow Burn, Fluff, Canon-Typical Violence, Gender-neutral Reader, Mutual Pining, Minor Character Death

small note: this fic has russian in it (i mean, obviously). i'll be posting the translations in the comments of the fics, so if you're confused, be sure to check them :)

note, continued: also, the reader in this fic is gender neutral. please do not refer to them with feminine or masculine pronouns. instead, please address them by they/them pronouns. this fic is all-inclusive and not meant to alienate anyone -- it's meant to be written so that everyone can read, no matter their personal pronouns!

CH. 1: A Silent Dog & Still Waters

CH. 2: Like a Mouse in a House Full of Cats

CH. 3: Android Autopsy (Or is it Necropsy?)

CH. 4: Without Torture, There is no Camaraderie

CH. 5: Live For a Century, Learn For a Century

CH. 6: Some Sort of Sick, Self-Inflicted Schadenfreude

CH. 7: Does Every Rabid Dog Get its Tail Docked up to the Ears?

CH. 8: Mind Palaces & Other Shattered Crystalline Dreams

CH. 9: If You Chop From the Shoulder, the Ax Will Find Your Hip

CH. 10: Either Fickle or a Friend (Or a Really Fucking Fickle Friend)

CH. 11: Only Philosophy From the Poor Rings True

CH. 12: Friends & Tobacco are Separate Things (& so are Revolutions)

CH. 13: The Joys of Soviet Technologies (or, Good, Honest Snake Oil – if There is Such a Thing!) (or, Let's Talk Homecoming (the Military Operation, not Prom)) (or, The Smallest Church in Saint-Saëns) (or, Wake up & Smell the Ashes)

CH. 14: No Misfortune is Without Blessing

CH. 15: These are the Moments

EPILOGUE: <currently being written...>

[stardustizuku]

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

[mrs-monaghan]

Tbh I'm a jikooker, but I find it incredibly difficult to fit a healthy long-term relationship into the same timeline as all of jimin's solo work. It's not the pronouns or taking one lyric very literally, its the entire thing, plus comments from him and his producers. To me, you'd have to do some serious olympic level mental gymnastics to make that make sense. I don't doubt that jikook have a special bond, I've definitely seen things between them that definitely look like sexual attraction to me and things that surpass friendship boundaries, but I can't in good faith say that they're together in some official long-term way if I actually listen to jimin and his work.

I've seen some jikookers think they broke up for a while, but I have to question if those people have ever been through a breakup because the little bit of distance/separation/awkwardness we did see from them during chapter 2 is nothing compared to the type of tension that would be there if a relationship that intimate and intertwined had separated, especially considering the dark feelings jimin was feeling. He wouldn't have been cutely commenting on jungkook's lives and jungkook wouldn't have been asking to hang-out or getting excited to see jimin in his comments.

Idk, I'm sure someone could twist everything a certain way and only take certain things at face-value and then make everything else abstract, etc. to make the case that they are together, but I don't really see it. You look at face-off, alone, and just his general dark feelings during Face, then look at the creation of Muse and how him and his producers said he couldn't relate to the love-dovey beginning songs, which is how they ended up making Who (despite the fact that jikookers try to distance him from the song since he doesn't have writing credits even though he sat in the recording room telling them what he wanted and saying it felt like reading his diary). I think jimin could have very well gone through a pretty awful breakup along with the inner turmoil he was going through post-covid, but I don't think it was with jungkook if he did. I still enjoy jikook's bond either way at the end of the day, but yeah I don't really get how anyone can take an honest look at jimin's work and his words and think he was in a long-term healthy love-of-his-life relationship during that time or into chapter 2.

Not trying to change your opinion or anything, honestly I don't really see it discussed much in jikooker spaces (besides bad-faith stuff like tkkers stirring up shit over pronouns in lyrics which is just dumb) and when it is, some jikookers are pretty pick-and-choose about what they deem to be true to jimin's feelings and what isn't. Which I get being nuanced, but sometimes it does feel like a "well this fits my beliefs so clearly this is true to jimin and this doesn't so it means nothing because he didn't write it" or whatever. I honestly get annoyed with the bad-faith arguers because it prevents being able to have actual discussions about some of this stuff in our little jikooker corner of tumblr. Like "he said her, he's clearly straight! he danced with a girl, straight!" stfu.

I don't have much to say to you anon. Not really. Not anything that hasn't been said anyway. Which you've seen and decided its jkkrs doing mental gymnastics. "I'm a Jikooker but..." its never a great way to start a sentence. It just gives major insecure jkkr vibes which i just 😬😬😬😬😬😬😬 you either believe in them or you don't. There is no if, and or buts.

I will leave you with this; over the years, antis and (insecure) jkkrs alike have always found a way to conclude Jkk aren't as close anymore or they broke up or some other bullshit. But what happens everytime Jikook resurface and we see them together again?

NOTHING HAS CHANGED!!!

Nothing ever changes with these 2! They come back closer, more in sync, happier, more in love and their relationship more established than ever. This happens every👏🏽damn👏🏽time👏🏽 Everytime!

Then the insecure jkkrs will be like "jkk is real" again.

And then we will go without content for a while and once again we are back here with the jkk aren't as close argument. Once again. It is an exhausting cycle that I refuse to be a part of.

You can try and nit pick various reasons as to why Jikook aren't in an established rlship, but I will chose to focus on reasons why they are definitely 130000000% in a relationship. Like the fact that they are enlisted together rn, the fact that they could have done AYS with other members but chose eo. Or the fact that Jimin wrote his name on JK's chest with sunscreen and I dont even want to imagine how he did that. What position they were in that would justify people calling them brothers 😂

You do you anon. I'mma just be over here enjoying Jimin promote the hell out of his favourite JK song.

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Look at him so proud of his man 🥺🥺