The dissonance between era inspiration in ACoTaR is one of the more brushed over flaws in the book series. Looking at the Inner Circle's fashion alone, we jump between "literal scraps of fabric" (Under the Mountain, Court of Nightmares) to "orientalist painter's imaginings of the Ottoman Harem" (clothing described during Feyre's first few visits to the Night Court) to "modern 'corset' dress" (Feyre's Starfall dress, majority of Mor's clothing, most of the clothes drawn in fan art) to "modern -- almost sci-fi style -- skin-tight leather armor" to "sweater and leggings combo".
Then, between courts, we have Helion wearing Spirit Halloween's take on the ancient Grecian tunic; Feyre's Spring Court wedding dress looking like an 1830s fashion plate; and Dawn heavily implied to have traditional East Asain clothing (e.g. kimono, hanfu, hanbok).
On top of all of that, some of the Dawn Court's small cities ". . . specialized in tinkering and clockwork and clever things. . ." which -- combined with Lucien's metal eye and Nuan's mechanical hand -- implies a sort of post-industrial revolution time period. However, a decent chunk of the fandom says that ACoTaR is medieval; which, yeah, it's medieval themed in the first book -- sans the "dress" Rhysand forces Feyre to wear UTM.
The wild inconsistencies in ACoTaR's inspiration leads, not to a rich and diverse world, but a world that seems ramshackle and haphazard -- like it's creator simply threw together a board on Pinterest and called it a day. This is a major part of why the world building is so abysmal, it relies on convenience to the plot and whatever pleases the aesthetic whims of the author. Cultures deemed "pretty" or "badass" are thrown together, irregardless of how far apart they actually are. This is not only disrespectful to the narrative, but to the readers and the cultures used as inspiration.
All of this to say: Sarah J Maas is a bad author, not just because of the way she handles serious topics like power dynamics and abuse, but also because she cannot put together a world that is even the slightest bit cohesive.
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Au idea I'll probably never write:
Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.
So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.
B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk
The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.
Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.
He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.
He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.
Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.
Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.
Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).
Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.
But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.
Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."
Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)
"but we aren't. I am dating someone else?"
"still need the door open three inches, pal. When El is home, at least"(El is almost always home)
"we do! And you complain about the loud music!"
"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.
(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)
"yeah obviously. Eddie comes over all the time, though."
"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."
Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"
"Eddie laughs behind my back?"
"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."
Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."
"because he was right."
"he doesn't need to know that."
That's all I got lmao (also check the tag ramble I added lol)
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think it's time for a sneak peek of Beasts chapter seven… 👀
realised i never shared a sneak peek with last chapter’s author’s note! so while i’m finishing up with chapter seven thought i’d throw some vibes and a little glimpse of what to come your way (plus an august hinny song for the ages…) 🌲🌑🦌🧺🪶 💌
She keeps her wand raised, waiting, until last she hears the thick crack, the unmistakable sound of Apparition, a few feet away from her, further down the dark grassy verge. As her horse slowly climbs back towards the brow of the hill, shedding its cool light over the field, she sees a dark figure emerge - head, first, then body, swung loose from a cloak. He, too, raises his wand. And then there were two - the proud horse joined by the noble figure of the stag, tall, strong-bodied, long-legged and upright.
She stows her wand, face cracking into a bright smile. It’s only as the stag moves closer, coming into clearer view, that she realises something is terribly wrong.
Where the antlers once stood are two thick, blooded stumps. It's as if the stag's once mighty antlers have been cleaved from the creature’s head by force, the slice of a knife, blow of an axe.
She stiffens, raising her wand sharply. Behind her, Buckbeak starts to bristle.
...and, lastly, because today is august 1st i therefore am obligated to share this intensely hinny in deathly hallows coded classic (on the first day in august / i want to wake up by your side / after sleeping with you / on the last night in july)...
art credits: cinderella by viktor paul mohn | the depths of the forest by guiseppe camino | strange creatures from casell's book of knowledge | deer in the forest by eugen krüger | through the west wood by kaelycea
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YEAH........... YEAH..... LIKEWISE, NO NOTES AT ALL, THAT'S EXACTLY IT... Main antagonist deaths are often treated as "comeuppance," but that would be the ultimate comeuppance for Aoki. As it stands, the only people who actually suffer for it are Ichiban and Jo, and Ichi didn't even do anything wrong. Also please I'm positive there's more to wring out of Aoki and Jo for an essay 😭😭at the very least, I always love to hear your perspective!
"he'd made a social circle for himself where people predominantly liked him for the power and influence" <- incredibly Mine-core of Aoki btw (I also feel the rest applies a little in terms of Mine probably being very quick to write off people who Do care about him as not caring about him, as with Katase, but it's nowhere near the extent of the Arakawas)
Wait actually it's kind of funny... for both Mine and Aoki, I was so sure their endings would go a certain way. Mine and Kiryu'd fight Richardson off together and Ichi'd, I don't know, shield Aoki or hug him so Kume couldn't get to him in the first place, or after that INSANE direct parallel to Arakawa running to the hospital with Masato, he'd miraculously pull through like he did on New Year's. Tormented with visions of the better timeline... With Aoki in particular, it makes me want to tear my hair out because the moment of him choosing to put the gun in the locker was REVOLUTIONARY for the series, looking at the characters he was most heavily based on.
Anyway. Bottom line. These bitches need to hug it out. It was so evil Arakawa didn't hug Ichi at Omi HQ or on the waterfront like bro stop being """manly""" for five seconds you're ruining my life you're ruining your own lives
There'd genuinely be nothing more painful yet more satisfying for an antagonist than being confronted with the consequences of their actions and having to navigate life after having making those decisions, ESPECIALLY when it comes to mending the bonds that- for anyone else- would have shattered long ago. With Aoki being motivated by the want to be loved and appreciated for himself, it would've been nice to see him finally acknowledge that he did have that love and start to better himself as a result (however much he'd be able to while in prison anyway lmao).
The Mine and Aoki comparisons are so real though, I remember joking to myself about it days after beating the game but it just fuels my mental illness every time I think about it ☠️ I LEGALLY AM NOT ALLOWED TO GO OFF ABOUT THE Y7 ENDING I'VE DONE IT TOO MUCH it makes me so mad every time I think about it 😭 ESPECIALLY THE PARALLELS WITH ARAKAWA AND THE LOCKERS UGGGHHH IT COULD HAVE BEEN SUCH AN EPIC CONCLUSION WITH THAT... Arakawa running from the lockers at the start of Aoki's life compared to Ichiban running from the lockers and getting Aoki to the hospital so Aoki can restart life I'm Going To Kill Someone (myself) (in Minecraft)
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