#its like no yeah im good genuinely

[lovrboyx]

im like. im doin alright!! 👍 i am however the loneliest ive ever been

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[b4kuch1n]

polymer broadcast signal hijack

[dukeofthomas]

I hate the insistence in pushing Jason into the batfamily.

If he doesn't wanna go to dinner, he doesn't have to. If he doesn't wanna hang out with them, he doesn't have to. If he doesn't want to see them, he doesn't have to. If he doesn't even want to contact them, he doesn't have to.

It's so annoying to read fic and always see it presented as his Family Knows Better. Jason is just being silly by not realizing how much they love him and he just needs to let them break into his home and comms and life because they want him there.

[moeblob]

A lil guy !

[beastlyidiocy]

I

^ i care about this scribble deeply . He he ehehe hehe

[kagoutiss]

green beetle black beetle

[aldebarangel]

the charm of the first two class of 09 games were the balance of satire and realism (which are enhanced by the voice acting) that redeem the 'anti-visual novel' intention too well. class of 09 was fun because we get moments that feel real. there's nicole's arguements with her mom and the conversations between any of the teenagers are time-period accurate despite the cartoonishness

the comedy works because the dialogue flows well. the dark humor and shock value are carefully executed. the edginess works because of the writing knowing its limits

it knows when to be funny (mr lorre meeting up with nicole) and when to take itself seriously (nicole talking about her experience as a myspace escort)

i really think that nicole being a bad person without bigotry (most of the time) is what makes its comedy work.

flipside fails miserably and feels like a disconnection from the other two games. when jecka suffers it's just for the sake of suffering. it isnt like in the other two games where nicole suffers as consequence. honestly, flipside just looks like what class of 09 would be without the proper care it was given. it focused too much on trying to be edgy and funny that it doesnt execute the realism. nicole's mom was written in a way that feels real. her multiple divorces are comedically cartoonish but when she's on screen and voice acted she actually behaves like a real life mother. jecka's dad has none of that. he just says things and yells when he wants to.

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[heavens-aesthetic-kitchen]

Hello, someone call 911 because we got ROBBED

[sprolden]

like the thing is the last time i was a massive fall out boy fan i was 14 and i was still trying to figure out what Good Music was and truth be told most of what i considered Good Music at age 14 is absolute dogshit. so imagine my surprise when i returned to from under the cork tree 8 years later and it wasn't just Not Dogshit, it was from under the cork tree

[deoidesign]

Idk who needs to hear this but time and time again isn't over!!!

Webtoon removed the "time and time again will return!!!" Banner and I don't know why, but it's not over!!! There's still another 1/3 of the comic to go! There's a lot more stuff that I'm working on and it'll be coming back soon!

Please be patient with me, I know it's been a long time... But the stuff I'm making is really good and there's a lot of reasons it's taken this long. I promise I want it back more than anyone.

I'm trying to come back around the end of October. I'm doing my best to get everything ready in time, so no promises, but I'm on track to do so! I'm just one person writing and drawing everything, and my editor was fired so I'm not even getting any notes anymore. It's literally just me. I'm doing my best I promise!

[b4kuch1n]

siren

[aroaceleovaldez]

finally finished my project of collecting voiceclaims that are as close as i can find for my hcs of the main HoO cast - just for funsies so it's not as perfect as I'd like but whatever, it was a neat exploration and exercise of me trying to think of literally any franchise for voice actors.

Leo got two cause I had trouble of finding good clips for the voiceclaim that's closers to my hcs for him (the second half of his section). Also got to play the fun game of digging through my art for decent doodles of each character.

Also fun fact, I am almost completely unfamiliar with 3 franchises in this video and was just digging for voice clips on youtube. Try to guess which ones.

[foxx-queen]

so datv retconned a lot of lore which is. a whole separate issue. but there are two things in the lore that's been established in this game that don't make a lot of sense to me

obviously big spoilers below

firstly, the archdemons are apparently the 'weapons' of the evanuris, rather than the evanuris themselves. they were high dragons that the evanuris bound their life force to, essentially making them immortal. a big part of the plot is that we have to kill the gods' archdemons to make them mortal, and then kill them.

all the other evanuris are dead. but if the archdemons were their weapons/anchor of immortality, why/how are they dead? according to what this game is telling us, when the archdemons were killed to end the blights, that would have made the god it was bound to mortal, but it wouldn't have actually killed them. these gods were still extremely powerful and capable of living for a long time even without their archdemons, so i don't think it was the passage of time. that doesn't make sense either when we look at solas, who like them was 'sleeping', and who was never bound to a dragon to keep him alive.

secondly, apparently the full horror of the blight is contained within the veil. when the magisters pierced the veil, they released part of it into the world, which became the blight. ghilan'nain and elgar'nan want to pierce/destroy the veil to flood the world with the blight.

solas wants to stop them flooding the world with the blight. but he's also planning on destroying the veil to make the world what it used to be. but if the veil is all thats containing the blight, how was his plan any different to what ghilan'nain and elgar'nan are doing? he says he was planning to move them to a different prison, but he says nothing about how he was going to deal with the blight. and even though at a certain stage in the game, where rook knows about the veil being the only thing holding the blight back, we can ask him how his plan is different, it's all in the context of how he's going to unleash demons on the world. nothing about the blight.

like sure we could say its because he's a hypocrite but its a fundamental part of the plot that does not make sense to me

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true