#its like he knows how his story ends

[s0fter-sin]

what i would give for a ghost based cod campaign. can you imagine if they pulled from the comics and had roba come back and want to get revenge against ghost for destroying his empire? the 141 slowly learning about simon riley and banding together to kill his ghost?

ghost being so certain he killed roba to set up an unreliable narrator; taking this unfathomable soldier, the nightmare of the 141, and realising he bleeds humanity. playing as ghost through flashbacks of mexico and his torture under roba but in the current time, little details break down; little inconsistencies of enemy numbers or base layout or what people look like, things that you can't be sure if you the player just missed something or if it’s really ghost seeing things that aren’t there

ghost starting to question how much of his memory is real, both what he went through with roba and what he’s currently experiencing; if it's his trauma bleeding through or if he's breaking for the last time. he doesn’t know if he can trust himself ("just make sure you can trust yourself. start there") and he has to reckon with completely trusting the 141 when he realises he can't

i need a sequence of him just losing his shit; hearing roba's voice in his head, his taunting “english” telling him he never left his compound, seeing the dead prostitute and his father laughing, always laughing, the tear of the meathook between his ribs and sting of the scorpions in his flesh, the coffin and the rotting stench of the dark and all of it culminating in ghost almost accidentally shooting soap when he tries to talk him down

whether it ends up being someone pretending to be roba or they just change it to roba still being alive, either way i need a ghost based campaign with personal stakes and character depth

[juniemunie]

"Why am I still doing this?"

"Don't you get it?"

"This is all just a show... and we're playing parts~"

[mohntilyet]

Personal headcanon about the "you picked the wrong dellamorte" line, I don't think illario actually likes rook outside the context of them being someone close to lucanis. Like rook on their own isn't much to him, but when they meet it's yet another person talking about his cousin (why isn't he good enough for whatever job they're hiring for?) and on top of that they somehow bring him back from the dead (another whole can of worms for illario). Now he starts turning on the charm, but whether he's actually interested or this is just one more thing his cousin has that he doesn't and it gets under his skin, who knows. Either way, rook ignores illario, the guy who lives off his charm, and is instead interested in the guy who's never even dated before and thinks giving someone a knife is how to flirt. Infuriating

NO THANK YOU !! i am genuinely sorry if i have ever implied illario is into rook like i see some takes about it and unless it like ties into your rook's personal backstory i don't seriously think he's romantically jealous. at all. my enjoyment of that line stems from illario's pathological need to make it about himself and not see his strengths but what lucanis has, and therefore what he doesn't. he's annoyed enough to try and goad you in the middle of a fight about the 'wrong' dellamorte and completely blind to the fact that the venatori are at best, a stupid fucking alliance, and at worst, a cult that will devour the crows from the inside out and illario would have been the one to give them the keys. he sees lucanis make allies, needs his own, and instead of charming the other talons/houses as he should, he (probably spitefully) picks the venatori. or maybe he just thought it would be easier. ugh he makes me want to telekenetically throw him around

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[pineappical]

in light of tedtrent becoming so real, im also jumping on the tedtrent epilogue 😊

there's just no way ted wouldn't keep in touch with the others (and have weekly zoom meetings just like in the christmas special) and I just love the thought of the whole team having reunions once in a while.

and going back to trent's arc in s3, the sunflowers conversation, "And your daughter?" "She's never been happier." I think it could go the same for ted.. we've never really properly saw how henry felt about his dad being in london, it's always other people that told ted his son misses him, who's to say henry would rather see his dad happy because that in turn would make him happy too? he was there to win the whole thing, right? I just know ted’s story isn’t done yet when he still hasn’t learned to let others take care of him in return and who else to pair him with than the man who blew up his career because a man was nice to him (and also because they were so. so cruel for the fakeout tedbecca scenes for that finale) 🥺

I'm no writer so just pretend these are snapshots of a slow burn fic where ted visits london for their team reunion and slowly realizes that trent has a crush on him and they kiss about it 💛

[puhpandas]

Bonnie

[fascinationstreetmp3]

putting this all under a readmore and not tagging i just wanted to put my thoughts down somewhere .. talking about marius and his fans & tw for mentioning csa / sa

personally. i understand that the marius/armand relationship has been a popular part of the book series for decades and it's fictional and yes i get it. but. i dont understand those fans who encounter people who find it purely horrifying or upsetting and then get mad at them for it. just because of how it's framed in the books as a beautiful gothic love story (filtered through both the author's intention & the skewed perspectives of the two characters involved in it) doesn't mean EVERYONE has to romanticise it and it's only babies or idiots or show only fans who "can't handle gothic fiction".

and then the people who try to convince everyone marius is armand's saviour who only ever treated him with love and kindness really confuse me. like, is it a wholesome relationship built on mutual love? or is it abusive and awful AND loving and caring at the same time? aren't the people who deny marius did anything wrong to armand really the ones who can't stomach enjoying gothic romances and have to twist it into something else?

it's a story of a fully grown man, a millenia old vampire, rescuing a teenager from sex slavery by purchasing him for himself, renaming him, showering him with affection, sexually abusing him, genuinely loving him, treating him like a child and an adult and student and son and lover all at the same time, making his entire world revolve around his master, punishing him emotionally and eventually physically whenever he gets too clingy or aggressive. and it's all done, not under just the 'guise' of love, but from a place of genuine love, and that's how both characters see it. it's entirely damaging and fucked up and the aftereffects of it on armand's mind and sense of self are present for centuries, compounded by everything else he went through. he still draws both comfort and pain from thinking about his past now and even tries to partially recreate the dynamic with someone else both in the book (with daniel, armand taking the role of the master; and keeping young 'mortal slaves' for a time) and in the show (with louis, armand taking the role of the slave)

it is a super fucked up relationship & i'm not one of those people who thinks you shouldn't be allowed to enjoy those in fiction. there's a lot of them that appeal to me obviously, and of course everyone has their own boundaries when it comes to that too. AND i know it's not all marius fans or even all marius/armand fans. i literally don't care what people like in fiction and i think we should all just mind our own business honestly

but it's the people who act like they're the only ones who get that it's just a tragic beautiful romance, that nobody else can read apparently, that 'marius haters' are just looking for things to be mad at that make me go ???????

[iicaru2]

“He was a dreamer with fantastical ideas for all of creation...”

“...but he was seen as a troublemaker by the elders of heaven, for they felt his way of thinking was dangerous to the order of their world.”

“Drawn in by her fierce independence, Lucifer found her, and the two rebellious dreamers fell deeply in love.”

“As punishment for their reckless act, Heaven cast Lucifer and his love into the dark pit he had created...”

--

parallels.

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[lucabyte]

🐮

[mettywiththenotes]

I think everything about Dabi and his story is amazing and his ending does not do justice to a character that great

[s0fter-sin]

metalhead ghost who’s been in moshpits since he was a kid and is now a veteran of the scene and the self appointed look out. he keeps an eye out for anyone falling or passing out, kicks the shit out of anyone crowd killing or putting their hands where they shouldn’t

and he’s been keeping an eye on the punk in the kilt since he saw him throw himself headfirst into the wall of death

he looks like the type to start shit - loud and aggressive as anyone else here but a punk doesn't end up at a metal show for no reason - but there's also something niggling at him that he's gonna end up getting himself hurt. and ghost can’t tell if he’s going to do it on purpose

if he does, ghost needs to know. he uses these places as an escape - the music, the violence, the community - always has and he knows all to well how easily an escape can curdle and become destructive. he’s seen too many people lost to the darker parts of the scene, almost lost himself to it; he doesn’t want it to happen to anyone else if he can help it

so when he sees the punk sweating his mohawk off, his movements becoming looser and uncoordinated, he has no issues with yanking him out of the pit and pulling him away from the crowd; pushing him up against the venue wall and ordering him to open his mouth

the glaze that falls over his eyes concerns him even as he obediently lets his mouth fall open. he was right; the punk’s severely dehydrated, tongue and gums far to pale and along with the look in his eyes, he half-thinks he’s about to drop

he reflexively tightens his hold on his jaw to keep him up and the punk shivers, a flush creeping up his neck. an almost confused arousal joins the haze in his eyes and ghost smirks beneath his mask

looks like metal shows aren’t the only thing the punk is new to

[ratatatastic]

"guys are joking about me and luosty being twins or brothers" "is mikks the big brother in that situation?" "mikksy is the big brother, you know?" confirmed finns are fambily and mikksy lords over as big brother to luosty and lundy and their squabbling sibling ways 😭😭😭

and lundy who NEVER has any qualms about teasing mikksy any chance he gets gives us the biggest lore drop

"[mikksy] is not a morning person so i always make sure to— you probably won't see him smile that much in the morning, you know? but when he gets his coffee he's funny." LUNDY MAKES SURE MIKKSY GETS HIS COFFEE??? HE TAMES THE DREADFUL MORNING BEAST???

BMW Teammate of the Month | 11.30.24 (x)

"but it seems like you're also really close with niko mikkola eetu luostarinen" ROLL THE TAPE. AGAIN.

jameson has also asked a similar question to the "what's a night out with mikksy and luosty?" question before on tt last season!!

"Who would you say, like, calls the shots in that group? So say like you, Eetu, and Niko are going to dinner on the road somewhere. Like, who's making the plans typically?" "Oh, it's probably me or Niko. Luosty doesn't do anything, he just—he just enjoys and..." "He just gets the text and—" "Yeah, he just comes whenever he's supposed to come, and he's happy about it."

Territory Talk | 4.12.24 (x)

and there's something deeply funny about poor suffering lundy who has to toddle after BOTH HIS OLDER TEAMMATES. MAKE MIKKSY TAKE HIS COFFEE IN THE MORNING. AND PLAN OUT THINGS BECAUSE LUOSTY DOESNT WANT TO.

[transmasc-rose]

RULES: make a poll with 5 of your all-time favorite characters and then tag 5 people to do the same. See which character is everyone's favorite! (tagged by @seaweedstarshine)

Tagging (don't worry if you don't want to/have done it already!): @transgenderdoctorwhomst @27-27-gruff-triplets @quietwingsinthesky @lost-tardis-room @a-shard-of-quartz-lol

[sukibenders]

I'll never forget when Arcane was airing and Mel fans were pointing out the symbolism between her and Viktor, only for that side of the fandom to be so hateful towards her and her fans like it was bad. But now that their fave is gone and has nothing to do with the Noxus story like Mel does, that side of the fandom wants to talk about the symbolism all of a sudden but, here's the kicker, with only in regards to Viktor. Oh, they aren't even trying.

[brionysea]

in act i piltover doesn't care that the people they're threatening war over to get arrested are a group of four children and in act iii piltover doesn't care that jinx is a mentally compromised teenager who sometimes acts even younger than she is due to The Trauma and who needs help not to be locked up in a cell like vi was. i am so on vi's side about piltover's prison system being awful because what the hell is wrong with them