#its just some of the writing in these episodes man....
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fuckyeahisawthat · 3 days ago
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I'm gonna split the difference between your Watsonian and Doylist takes and say a little about each.
As someone who is ALWAYS down for a story about the oppressed rising up...I personally would have been disappointed if what seems like generations of inequality had been magically (ha) solved in 18 episodes. I don't think there's a way to do that without it feeling cheap and fake--even if any of the show's other plotlines were sacrificed to give the class struggle story elements more screentime. I also think that expecting that from a show called ARCANE is setting yourself up for disappointment. Magic was always going to be the main plotline. The inequality between the two cities is a backdrop for stories focused on the characters and their relationships, as @thetardigrape says. And given that (in my understanding) that inequality still exists in the world of the game, it seems unrealistic to expect it to be resolved in the show.
Sevika taking her one (1) token Council seat for the Undercity under the stink-eyed gaze of all the old money Pilties was a great moment, actually. That's fucking real, man. It's gonna suck so so much for her both politically and personally and I tend to think it will be nothing but ineffective and frustrating as a strategy for change, but that door toward more equality between the two cities has been shoved open a tiny bit and someone's gotta stick their foot in the gap. Within the world of the show, a tiny, imperfect and resentfully acknowledged crack in the status quo honestly feels way more real to me--and consistent with the tone of fragile hope that most of the storylines end on--than a more decisive political victory would.
And within the world of the show...I mean. Class struggle is never over. As long as there is inequality there will be new rounds of social upheaval, and there are many forms of struggle in between fighting the police and becoming a politician.
I do think that Silco's (and young Vander's) framing of the conflict in nationalist/separatist terms seems to be a very small minority position in their time, and that specific political project dies (for now) with Silco. I have a lot (like a LOT) more to say about this but it does not seem like most residents of the Undercity think of themselves as having a shared national identity. Maybe there is some vague sense of a shared class identity but there is certainly no sense of unified class power. (Again...a lot more to say about this that really deserves its own post.) In general, people's group loyalties seem to be to (1) their families (both bio and found) and informal networks of mutual support for basic survival, (2) gangs and networks of criminal enterprise, which can overlap with (1), and maybe in certain limited senses (miners, probably) to their fellow workers.
This doesn't mean that trying to cohere a national identity for Zaun is an objectively incorrect political strategy (my answer on that is a big fat "it depends!") just that it's not popular. The Undercity is not united at all during the timeline of the show. We're seeing it in a moment of division and defeat and I have a whole theory about exactly why but that's really getting into the other post I just need to sit down and write now.
(Arcane Meta) Zaun Died with Silco
I want to open this by saying I understand people who are upset that there isn't more Piltover/Zaun conflict and resolution in S2 of Arcane. However, I'm going to argue here that the reason it's not in S2 after 2.03 is because the conflict is over. Piltover won. There is no more Zaun anymore as a potential political player and, ultimately, this comes back to haunt Piltover in their hour of need.
Overall, while I am invested in the Piltover/Zaun conflict, especially in S1, I'm less focused on Caitlyn and Vi's story which is our main lens for the conflict, or rather the end of the conflict, in S2. Still, I hope to offer my more Arcane worldbuilding-focused perspective. And just to get it out of the way, here are a few things I had trouble with:
I too was puzzled that anyone from the Undercity would join Piltover in the defense of the city.
I also thought it was strange to have Jayce focus on the threat that Viktor posed with his robots while soliciting help from the undercity, instead of on Ambessa, the more clear and understandable threat that would have made a better rallying point and allowed for a final discussion about the Noxian occupation of the undercity and how Noxus turning on Piltover was just them reaping what they sowed.
I was certainly taken aback when everyone was given Enforcer uniforms for the final fight.
That said, I believe there are answers to all three of these. From there, I want to dive into what exactly happened in S2 with Piltover vs. Zaun, to my eyes. Short version: there is no more "Zaun" as a potential nation or political player by 2.03 when the Chem Barons are taken out by Cait's forces, but it really died before that with Silco, who was already in a precarious negotiating situation himself and he knew it.
Very few people from the Undercity joined Piltover's defense of the city. Maybe a half dozen. I felt that was our moment of "you reap what you sow" for Piltover. A few passionate idealists who could see the bigger picture that saving Piltover does mean saving the undercity joined, but there were no hordes of volunteers. Piltover had lost the right to them and was substantially weakened for it.
Jayce choosing to focus on Viktor as the threat makes sense for him, but it was a poor political move and probably lost him volunteers he would have otherwise gained. The robot army threat is too esoteric and fantastical. "The Noxians turned on us and plan to conquer the city," is a threat that would have been better for rallying the troops, Jayce is just too single-minded to think of it. He's a bad politician.
The Enforcer uniforms are an odd sour note, but they do make sense as protective gear. Piltover doesn't have an army. There are no uniforms to give people. All they have is Enforcer uniforms. It is an odd note symbolically, but practically speaking it shows how little time Piltover had to prepare. Piltover is a civilian city going up against a military force like Noxus. They are woefully underprepared and really only have their status as defender in urban fighting to give them a prayer of even stalling the Noxian forces. Ironically, Piltover's only hope against Noxus mirrors Zaun's only hope against Piltover if they had gone to war: the difficult nature of urban fighting against an entrenched, motivated opponent on their home turf.
Now, to get into, "What happened to the overall Piltover vs. Zaun fight?" I get why people think it's lacking in S2, and I get why people find it horrifying that there is no independent Zaun at the end, all we've got is Sevika with one seat on the Council, as far as we can tell but I would point out:
Zaun is dead at this point. It's been dead since 2.03. Arguably, it really died with Silco.
As Jinx said, she didn't just destroy her own family, she cursed an entire society when she launched that rocket into the Council Chamber.
Here's the thing, Jayce was actually right when he said Zaun wouldn't stand a chance in an outright war with Piltover.
Yes, Zaun has a lot of brawlers. They have Shimmer and the Shimmer berserkers.
But Zaun doesn't have any sort of organized fighting force beyond the guards of individual Chem Barons and their factories.
What Zaun has is the fissures. It has ugly, difficult urban fighting in dangerous spaces. But as a counter to that, we have the fact that their ventilation is controlled from Piltover. In a true all-out war, Piltover could in theory just flush out the entire undercity using the Gray. Having your infrastructure entirely dependent on an enemy oppressor is what I would call a "fatal flaw" in any defensive military strategy, particularly when what they can cut off is the air you breathe. That's easily game over right there unless Silco has a way to circumvent that.
In a guerilla war, Zaun could probably hold out for a long, grinding, ugly civil war made up of mostly guerrilla attacks, in which a great number of innocent civilians will die, even in an all-out conflict with Piltover. But it would suffer catastrophic losses and probably still lose in the end.
Now, Jayce is I think somewhat naive in his claim Zaun doesn't stand a chance. Maybe Zaun wouldn't stand a chance in the long run, but they'd make Piltover pay for every inch with blood. They'd grind Piltover down into a shadow of its former self, force them to sacrifice all of their principles. To some extent, I think Jayce gets that, he gets that he doesn't want more kids to die, but I think even he underestimates just how ugly that war would be and how long it would go and how unrecognizable his Piltover would be by then.
The moment that gives Silco pause in Jayce's assessment of how easily Zaun would be crushed isn't the fighting. Silco is pretty confident that they could make Piltover pay and he's arguably looking forward to the chance on some level.
What gives him pause is when Jayce says the Council doesn't care.
To some extent, Silco like any revolutionary against an oppressive "civilized" society (heavy, heavy emphasis on the air quotes there) is that a certain point, Piltover is so soft-hearted they will get tired of the bloodshed.
What Jayce just told Silco is that the Council is more barbaric than even Silco maybe appreciated, for all their vaunted principles. There isn't necessarily a limit to how many Zaunite children will die before Piltover decides to cease hostilities. Knowing what Silco knows of Piltover's brutality, I think that is a sobering moment for Silco. That's when he decides this really is the best time to negotiate.
(Aside, this is by the way where Vi is wrong about Silco, driven by her emotions. Silco is willing to set aside the feud to get his nation of Zaun, he can be negotiated with. He's just not willing to give up his daughter (something Vi can't possibly understand at this point).)
Here's why it's the best time for Silco to negotiate and it ties into everything else:
Without Shimmer, which has been severely hampered by the raid on the factory, Zaun doesn't have anything to counter Hextech.
Jinx's wild attacks against Piltover has helped put the pressure on them that Silco capitalizes on. But it is a paper-thin threat. She is a lone albeit devastating terrorist. She makes Zaun appear more dangerous than it is but that can't last forever. Silco has leveraged her attacks into a pressure campaign against Piltover, but a serious response from Piltover (as seen in 2.03 with the strike team corners and very nearly captures her) could reveal just how fragile that threat is.
Basically, Zaun has some champions, arguably a league of legends lol, but it doesn't have an army. It doesn't even have Enforcers of its own. It doesn't have a concerted force of any kind.
The money is running out. As "Sucker" shows us in 2.02, each Chem Baron that gets taken out means less money on the table, and we're down 2 by the beginning of S2 with Silco and Finn, who arguably both fell to internal fighting.
As the Chem Barons say in 2.02, even if they got total unity in Zaun, they're outnumbered.
However, they don't have total unity in Zaun. They can't even get the Chem Barons to agree on what to do on one topic, with Jinx.
Silco basically has to accept the deal with Jayce when he does, while Zaun appears to be at its strongest. Because if he had waited any longer, the fact that they don't have the strength or money to back it up would have become apparent.
Furthermore, once Jayce resigns from the Council, which he was planning to do anyway regardless of Jinx's attack, would mean Zaun would lose its one champion with the political capital to give them independence. The window for Zaun independence is actually extremely narrow.
With Silco's death and Jinx's attack on the Council, then the subsequent eradication of the other Chem Barons, their resources, their money, including Shimmer which was the only thing Zaun really had to match them against Hextech in that arms race, there really isn't a Zaun anymore.
There's no one to negotiate with. No one to hand power to. No force that can govern itself. Zaun is completely fractured with the eradication of the Chem Barons. By taking them out, Cait removed the need for Piltover to negotiate with Zaun. And the reason Piltover chose not to was because of Jinx's rocket and then the attack on the memorial, which was orchestrated by Ambessa.
This is all according to Ambessa's design, by the way. She divides Piltover/Zaun against themselves by capitalizing on Jinx's attack. She leaves both severely weakened to make it easier for her to take over, and Piltover walks right into the trap. They would have fallen to Noxus if not for Mel's love of the city, even if you remove Viktor and Jayce's plotline entirely.
TL;DR Zaun is gone, guys. It's a distant dream. Sevika is the only person with an interest in making it happen anymore and she can't even get the Jinxers to listen to her. All the factions are easily arrested at the rally. Piltover has no reason to negotiate with any of these people. As the lone torchbearer for that cause, it makes sense for Sevika to be on the Council but beyond her, there is literally no one else to give a voice to (since Ekko doesn't appear to have an interest).
At least, until the Noxians turn on them, and then there's an interest in Piltover and the undercity joining forces, but as I referenced at the beginning of this, Piltover has now lost the right to the undercity's help AND lacks the undercity's resources too. Now Noxus has Shimmer instead of Piltover or Zaun, in addition to their sophisticated and expertly trained military force. As Jayce said, they were meant to lose this fight. Arguably, they never had a chance of winning if not for Mel claiming the loyalty of the Noxians in the wake of her mother's death and everything Jayce did to stop Viktor and the Hexcore.
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kabr0ztrousers · 2 days ago
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Kabr0z Writes Episode 8: Concerning Portals
Here's the list of stories! There's lots!
CWs: noncon; dubcon; public exposure; implied interspecies; creampie; implied cumwalk; portal panties; portal sex; more fem!reader having a very bad time
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You weren't sure where the package came from. It arrived at your door, no signature, no courier. Just a knock and a parcel on the floor, addressed to you.
Curiosity got the better of you, you opened it and revealed a set of lingerie. You shrugged and put it on. Whoever bought it for you knew you intimately, it was the best fitting set of underwear you owned, not to mention the most comfortable.
You got into the habit of wearing them. Whenever you were doing something important or just felt like you didn't want your pants to bother you.
So it could have been worse, if you're honest.
You were just going to the shops, get some veg for dinner, maybe some eggs, and come home. You dread to think how it would've ended had you been at work.
You were on the bus into town when it started. All of a sudden you felt a strange warmth between your legs. You didn't think anything of it, until you realised it wasn't just warm, you could sworn someone was breathing on your pussy.
You closed your legs tighter, hoping to stop the sensations.
Then you felt it. Something just licked you, despite your closed legs. Long and slow, starting from your asshole and going all the way to your clit. You shuddered with the feel of the tongue gliding over you.
A finger was next, gently tracing your lips. You crossed your legs, not wanting to help whatever was happening, but the fingers weren't dissuaded. The first one crept inside you. You could feel it probing you, feeling your warmth and slowly moving inside. It curled up and pushed against your g-spot. You nearly gasped, setting your jaw to avoid the attention of the people around you, but you could still feel your breath catch and quicken.
Another finger joined the first, rubbing your spot and making it harder to keep control. You could feel yourself getting red and you were starting to make noises. Small ones now, but you could feel your release building in you. Another finger entered, then another, stretching you.
Then the rest of the hand. You couldn't hold back this gasp. The sharp intake of air turned heads, and a man in the row in front looked at you quizzically.
You looked away, hoping he wouldn't figure out what was happening, but you could feel the fist pushing deeper into you.
As quickly as it went in, it pulled out. You felt suddenly empty as your pussy was suddenly open, with nothing inside.
Then something took its place. Long and thick, but flatter on top. You'd cared for enough horses as a teen to guess the shape, similar to the shape you'd seen dangling from the underside of the prize stallion. It must be some sort of dildo, though you're still not sure how this is happening.
The shape rested in you for a second, then rammed forwards. The sudden length and the sheer force of it drove your breath out of you in a yelp.
It didn't stop.
The flared *thing* inside you was pushing forward again, slamming against your cervix again and again, each time making you yip and yelp.
Now the whole bus was watching you. You couldn't help the noises you were making, or how each thrust made you jump up. You couldn't help sweating so hard. You couldn't help it when you cried out your orgasm right as the thick rod inside you started pumping hot fluids past your bruised and battered cervix into your womb. You could smell cum as it leaked out of the you. You knew the people watching could too.
It pulled out, you were empty again. The strange heat faded from your underwear and you were left sat in a growing wet patch as the cum came oozing out of you and through your jeans.
The bus stopped. You wasted no time getting up, disregarding the strands of sticky slime that pulled away as you did, and ran off the bus before anyone could say anything.
You're miles away from home here, and the bus only goes one way on this stretch.
Legs shaking and bowed, you haven't got any choice but to walk the rest of the way.
You set off, each movement allowing more of the stinking seed to flow out of you, further soaking through the seat of your jeans and down your legs.
You managed to make it about a hundred yards. You felt that heat again.
This is going to be a long walk
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windwenn · 11 months ago
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Obsessed with how good wtnv is at manipulating you. They'll tell you that you feel as though youre staring into the void at the end of an episode and you will truly be feeling as though you have gazed into the dark abyss and seen no distant light at all. And you WILL NOT realise until the last minute.
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vaguely-concerned · 2 months ago
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thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:
the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)
it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.
"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)
as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.
that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.
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dennisboobs · 1 month ago
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:) i certainly have no issue dressing in drag :)
^guy who has no issue dressing in drag btw
glenn said that dennis' drag name is victoria von hemen btw
(Source)
#glenn howerton#guy who should get to dress in drag#im just. ill never be over the fact that glenn wrote Two episodes in season 3 that involve dennis doing drag#i know he doesn't really want to write for the show but there's something so special abt how early sunny was an actor's sandbox#esp hearing glenn talk abt how den is like. an outlet for him and a way to play around with shit he would never do for one reason or anothe#my point being that i think its been a while since he was able to utilize dennis again in that way#but 16 was a definite change. especially with dtamhd it feels like dennis is becoming more glenn again. like he was in the early days#theres a pretty good stretch of the show once it got into the double digits that feels like den was. co-opted.#but like i wonder how it feels to explore sexuality and gender via your character#it must be similar to doing that through fandom and OCs but there's a whole other layer to it here#esp when its not Just being presented as comedic as it was in past seasons. like dennis is Actually queer and this is a normal plot point#its not the punchline like den's femininity often is its literally just part of what makes him able to help mac and dee#id argue we've gotten this in the form of. dennis doing dee's makeup and shit. but#anyway. glenn. now that you have two of your former writing assistants in that writers room i hope you get to do drag again 💀#its been 16 years. show us the new and improved victoria.#i honestly can't imagine pitching something like that to a room of people Without some sort of comedic twist but#man.#ada speaks#iasip#it's always sunny in philadelphia#rcg#i won't ever forget the way he lit up talking abt queer dennis jhksvfjhksvdfgjhkds#love u king...... i hope you get something in s17 that you Certainly Don't Mind
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laniidae-passerine · 7 months ago
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catch me laughing in the club awkwardly because this season has a 19 year old blonde female companion from London, a space travelling left of law brunette queer boy who flirts heavily with the doctor, absolutely zero writers of colour and no mention of sensitivity readers…….and next season the new companion is a woman of colour. uh oh!
#he’s not stupid enough to do Martha again but be REAL with me. do you think this man can handle writing for a brown woman and a black man#and make it in any way genuinely tasteful. the one race he’s punched down and the other he’s basically ignored during his tenure :/#rtd seems to think because he has the lived experience of the great struggles of being queer in the 80s and onwards#which was a serious struggle and came with its issues#that he understands being a person of colour? like he wrote an episode about racism and then laughed about not needing a sensitivity reader#before he handed it off to ncuti. but it needed one because it was a stupid episode because he’s white and moreover#seems to think he understands WITHOUT actually getting any of the nuance. which makes it worse.#im just concerned to put it lightly#like chibnall’s bad habit was ‘good episode followed by a bad episode so bad you forget the good episode even existed’#but at least he got writers of colour in to make some of those episodes! he actually cared! and also fumbled real bad (nazi uniform… ://)#still. he actually gave it a pretty good shot and opened some doors behind the scenes. like the writer’s room which is just as important#and also in the scenes tbf like yaz and ryan sharing scenes as poc companions during the same run was groundbreaking#and rtd just closed them again going actually no im doctor who’s most specialist boy and we should do my run all over again#stop this man. get someone new in. he is not much better than chibnall rn like he is not batting hits#stop letting the world’s most charismatic doctor (ncuti i will get rid of regeneration to keep you. i love you. wish you had better writing)#distract you from the fact RTD is doing a ‘biggest hits’ tour rn. stop him!!!!!!! please can we have a showrunner of colour! a woman! please#rtd critical#doctor who#dw
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long-song-a · 8 months ago
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the eleventh doctor's arc truly comes so full circle! it’s the story of a mad gods hard, angry conflict between responsibility and fantasy. from the moment he crashes into amelia’s backyard, he’s like something of a fairy tale; a phantom, a wise man, a hero. a mad man who can disappear just as quickly whence he came. and when he returns, has the ability to turn one’s entire world around— without a single thought for any damage he may have caused along the way. he didn’t just forget his part in the time war: he’s quick to forget a lot, to go too far, to never look back. to never question himself. he hurries on to the next place, becomes a legacy within a few hours on some planet, in some time, and calls it a day. until he begins again. he is the dreamer of improbable dreams, because he requires that divide from reality.
he is “the man who forgets” because he needs to seperate himself from who he was, he needs this new perspective, he needs the worship, someone relying on him, and only him. “i took you with me because i was vain. because i needed to be adored.” eleven began his life as a goofy, kind soul who would happily spend his first moments eating fish fingers and custard with a child, and promise her adventure. the fantasy. yet he’s also a man who would disappear for fifteen years and never provide a legitimate apology. the avoidance of responsibility. (until the god complex, of course.) he calls the atraxi back to earth because it allows him to fulfil the role of a hero in some fantasy, to show off in front of amy, to be that whimsical, magical figure she saw him as when she was a child. to uphold that image. he wants to be a story, he doesn’t want commitments. not to mention the fact that amy literally dreams him back into existence, that her belief in him made him whole again.
the doctor hates endings. he rips the final page out of his books because he can’t stand the thought, the concept. he doesn’t want the adventure to conclude, he doesn’t want the reality to seep through. he doesn’t want the stories to ever end, because in his mind, he is the greatest story of them all. (i’m not even going to go into his arc in season six because i need a whole separate post for that. season six is the consequences of all these actions. and hoo boy. it is brilliant.)
the day of the doctor, i believe, is really the turning point for eleven. the man who forgets arc forcing him to face the consequences of his actions, to step down from the mad man in a box pedestal he’s reigned on for this entire incarnation. he finally takes full responsibility on trenzalore, by sending the TARDIS, and clara away so he can stand and fight for the remaining centuries of his life. he wants to run, to flee, the idea of staying in one place so very terrible (but he takes responsibility, sees the reality, sees he can't just help out for a bit, then saunter back into his box) and he stays. he sends away the TARDIS because he knows he’ll take the easy way out, and step safely inside her doors.
not to mention the hard, in your face symbolism of the christmas town in trenzalore quite literally looking like it came right out of a fairy tale. visually, this is how the doctor wants to live, he wants the whimsical, to live like a storybook. he wants only the middle of the book, before the conflict, before the hero has to make a hard choice. but when he does achieve it, when he arrives in that fairy tale-esque town, it becomes the reality he’s chosen to live, with more responsibility, more bravery than this incarnation has ever shown. he’s rewarded for his nine centuries of responsibility because he’s no longer running towards the fantasy. he can separate the difference, and can find happiness in staying put. he ultimately becomes the heroic raggedy man amy idolised far too long, he’s earned the title, he’s become the doctor.
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rapidhighway · 1 year ago
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hey i might be controversial but im not really feeling the 12th doctor so far
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foccaccia · 9 months ago
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does anyone have recommendations for fictional media that has like. actual lesbians in it. not like supergirl Two White Skinny Girls, One Blonde and One Brunette Kiss media, or "its implied lesbianism!!!" but just regular fucking lesbians
#i say lesbians but i guess i mean sapphic#im just like. tired of gnawing#and of men also. sorry men in my life i love you but on god if i have to pretend one more man is butch just to get#content that isnt m/m or m/f im going to turn into a horse and run into the wilderness until im saved from the glue factory by a plucky#young woman except instead of letting her have her formative summer where she trains me and bonds w me and wins a competition w me#im going to commit horse suicide in front of her & change her life forever. just because im so tired of bland CW-marketable women kissing &#digging for scraps in a refuse bin while brushing aside 7002993829292929939292929399394 gay and het romances#m text#i will also take nonfictional lesbians if its like a story#not to be whiny on main but one of the hardest hurdles i had to jump wasnt realizing i was a lesbian. i came out to myself and to friends a#lesbian multiple times. but i would always walk it back when a friend would express doubt or a male friend would ask me out#bc i dont and especially then didnt know very many lesbians in person. and so i had to turn to examples#and all i fucking had were fictional women who liked men. or fictional lesbians who were so cleaned and sanitized and prettified#(you all know what i mean right. the 2 skinny white girls one blonde one brunette. im not crazy right)#and i would be like. i dont feel things when i look at these fictional lesbians so i guess i belong back here#(this is also bc my gender ended up being fuckier than i realized but shhhhh)#I WAS GOING SOMEWHERE WITH THESE TAGS but theyre too long and im lost.#anyway the point is if people werent so fucking weird abt fictional or onscreen lesbians maybe thered be a lot more people comfortable bein#out as lesbian#like sorry but this awful ouroboros of 'all lesbians onscreen have to be cute and sanitized' meaning that people write and believe wlw has#to be cute and pure and sanitized (OR a 'badge of honor' bc good for u u doodled two women together or had it as a background in ur fic)#meaning that therefore all portrayals of lesbianism continue to be like this. is just#and im also gonna be honest theres probably a lot of good sapphic media im just in the wrong circles to have stumbled into lol. so#yknow. personal viewer bias here#but i still like swing wildly between overly brandishing my dykeness as a badge to feel like im proving im lesbian#and like. backing up under a blanket bc i dont wanna be weird or annoying or freak people out#but if people just Saw Normal Ass Lesbians. aough.#im going to watch revolutionary girl utena one of these days even if i struggled w the writing style the first few episodes#I JUST WANNA SEE AN OLD BUTCH ONSCREEN GET SOME PUSSY.#like it also doesnt help im mostly femme4butch so seeing 2 femmes on screen is like. okay cool so what. but only femmes are 'marketable'
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thetimelordbatgirl · 10 months ago
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Live Action Last Airbender really said in order to get rid of the sexism, some other sexism had to take its place but unlike Sokka learning sexism was bad, the new sexism is never addressed and treated like its okay.
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swan2swan · 5 months ago
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I know this may seem like bullying, but this is just a general thing, and it might be because this show is ABSOLUTELY SICK, but...
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Big name franchises don't hold an ounce of sauce compared to this.
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spideypoolsupremacy · 2 years ago
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Since I feel like there needs to be more Peter B./Wade fics (it's never enough) I decided to start writing my own. It has the time loop trope and is like any other Peter B./Wade fic with Peter's sulking mood after the divorce and Wade being a good bro. So, uh, enjoy?
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acaciapines · 10 months ago
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back in my owl house era but its specifically and only about my daemon au jdfgdfg I MISSED THEM........adding some new scenes to better set up things down the line + just general rewrites and my GOD i forgot how much i!! loved!! working on this!! woag.....
the sillies :)
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wall-eye · 10 months ago
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Falling back into the leverage pit 👍
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brokenhardies · 11 months ago
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tbh as a six fan i feel so bad for thirteen fans
bc there are a lot of thirteen fans who are willing to defend shitty writing and poor decisions bc thirteen's their favourite doctor and there's no other way to say she's their favourite bc thirteen has only been off the air for 2 years at this point. thirteen also has the bonus problem of being the first female doctor which means a lot of her criticism is clouded by misogyny and other icky incel alt right shit
meanwhile with six, a lot of his problems had the benefit of the wilderness years, big finish, the expanded universe, and even people looking back at his doctor and realising that there was some good in his episodes. a lot of his fans didnt become his fans until recently and even most of his haters are quite clear that they hate the writing decisions and not the actor himself
like until jodie gets some good material - maybe big finish? theyre doing fugitive doctor and dhawan master stuff that might improve the problems with those - a lot of thirteen fans are going to be clutching at straws and trying to figure out why they like her and how to say so in a way that won't upset the predominantly male fandom, as well as won't disagree with common and very bloody obvious criticisms of chibnalls era
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goatmilksoda · 1 year ago
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Man, it would be so cool if I could get PAID to write shit. If I stopped writing for a newspaper "for exposure", for school assignments, and strange age regression fanfiction for myself it would he all over for you people.
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