#its just never been about people

[thatisnotamistakewellbemaking]

[Image Description: a tweet from Twitter user chaoticgaythey that reads “You know, I used to take 9/11 more seriously. And then covid hit and the US govt let 3000 people kick the bucket a day doing nothing because there wasn’t profit available for oil companies” /end ID]

no caption needed

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[im-totally-not-an-alien-2]

Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.

Naturally, this doesn't always result in the most stable of partners.

His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.

He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.

In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.

His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.

And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.

Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.

He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).

Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.

Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.

Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.

Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)

No wonder Tim was so okay with his parents being rouges.

Tim was a villain!

At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.

Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.

[chickenchirps27]

hello denizens of tumblr i come with humble offerings

they wish to romance you

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[justaz]

a spell is cast on camelot that thins the veil enough for ghosts to appear. the catch? the ghosts that appear are spirits of people that were killed by the person they’re haunting. the knights have a good amount of bandits/raiders/whatever that they took down in battle, maybe a few shady knights have genuinely innocent people that they murdered and got away with. the executioner’s killings are transferred to the king since he was simply acting out the king’s commands. arthur has quite a few. uther has hundreds of sorcerers in various states of gore and horror. those who were hanged have perpetually bent necks, those who were beheaded have either no head or just a head floating a bit above their body, and those who were burnt are more charred remains (the most grisly of them all). merlin has more than anyone expected (which was zero) and all of them keep calling out for arthur/uther’s death and camelot’s downfall while also turning to merlin and calling him a traitor.

[stil-lindigo]

a non-comprehensive guide to my favourite characters in claymore, the best manga you've never read (more under the cut)

don't know what I'm talking about? here's a crashcourse.

[sp0o0kylights]

I saw a video today that said, “It’s very uncomfortable as an adult when your friend starts to date somebody who sucks, and you’re all looking at each other going ‘Guys, if this is the person who makes them happy…I think collectively as a unit we can agree that we would rather see them sad. So what's the plan?’” 

And immediately went: modern Steddie AU were Steve dates his high school friend Tommy and everyone is tearing their hair out over how awful he’s being treated. 

Ft. the Party, led by Dustin, hounding Eddie “I could get a man in a SECOND, I just CHOOSE not to date” Munson for help

However:

Eddie is mostly thinking the entire thing is a joke (King Steve and Tommy Hagan? Gay? Together?? Nice try Henderson.) until he runs into Robin. She laments that yeah, they’re bi, but more importantly, Tommy is fucking awful and Steve refuses to see it. 

2. Eddie, maybe, kind of, still has a crush on Steve ("Stop laughing Gareth, everyone has--had! Had a crush on him!") and the guy was never THAT bad in high school---but Tommy Hagan definitely was and a little revenge would be fun.

and finally;

3. Instead of going with the kids' well intentioned but very misguided “Let’s get Eddie to Steal Steve” plan, Eddie meets up with the Robin/Nancy/Jonathan/Argyle/Chrissy dream team to figure out how to prove to Steve that Tommy is horrible. 

Bonus: Robin and Nancy come up with a full proof multi step plan that involves Eddie pissing off Tommy in ways that look completely innocent. The hope is that Steve will see how controlling and unreasonable Tommy is, and break it off.

This hurts no one and just highlights to Steve Tommy's behavior.

Of course, Eddie goes off the rails immediately upon meeting Steve.

Instead of following The Plan, he, with the kids permission and help, gets Tommy to get blow up about THEM.

This is far more successful.

Bonus x2: A large amount of shenanigan's with the kids vs Tommy are involved. As is a scene were Steve breaks down and admits he knows Tommy is terrible, but Tommy puts up with him and Steve "knows how he is."

Eddie goes home, prints out a picture of Tommy and throws cheap ren fair daggers at it for at least three solid hours while he tries to think up ways to prove to Steve Harrington that his parents are wrong, hes very lovable actually.

In fact Eddie would very much like a shot at trying it out, thanks!

(It is also, inevitably, successful.)

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[adhbabey]

Let's talk about some lesser known symptoms of autism! Maybe this will help some of you get a broader perspective on what this can be like. There is a whole grab bag of symptoms of autism, but here are some ones you may not know that you have.

Focus on truth

What does this mean? Well glad you asked. This is the focus on facts and logic rather than anything else. People have shown this as autistic people may refusing to lie because it goes against what they find as true. But that's not always the case.

Have you ever used logic to try and figure out your emotions?

Are you someone who doesn't understand why others may speculate when the current knowledge is right there? (such as subtext versus canon knowledge or theoretical arguments)

Do you find it frustrating when others avoid their problems as a way to avoid figuring out negative things? (such as avoiding conflict in a friend group)

Is it easy for you to talk about your strengths and flaws? Do you know your likes, dislikes and limits pretty well?

High context communication

This is preference on details and the full context of any situation. Often going into great detail and backstory to anything.

Do you feel as though you need to overexplain to give the person everything they need to know?

Have you ever apologized to someone by explaining the deep and meaningful reasons of why you did it, before you said you were sorry? And maybe even felt upset or confused why they reacted badly?

Have you ever felt stressed out because you wanted to give others full detail but they either interrupted you or cut you off?

Are you stressed out by people who tell you what to do and not why they want you to do it?

Are you ever told that you talk back a lot?

Do you prefer recipes versus verbal/vague instructions? (All the things that you need such as ingredients, measurements, prep time, etc.)

Do you really like watching deep dives and knowing about the whole history of something you're even vaguely interested in?

Identity diffusion

This is not everyone's experience, and it is common in a variety of other disorders such as DID and BPD. However, it is when you do not know who you are in regards to others. This is also known as identity disturbance.

Have you ever felt like an outsider without knowing why?

Are you deeply interested on what other people think of you? Especially if it's all the time?

Do you really like taking personality tests and quizzes? Are you interested in horoscopes?

Do you feel like you don't fit in any one specific group? Either being a loner, or hopping in between many different groups?

Do you ever feel weirder than the "weird kids" group? Do you not really get along or feel like you belong with them?

Do you have low self esteem when it comes to comparing yourself to your friends? Do you feel like they're better or more capable than you?

Do you feel drastically unimportant and not as interesting or cool as everyone else?

Have you ever related to narratives surrounding a character that is the last of their kind?

Do you feel like your identity is a vast and gaping void, that even if you learn a little bit, that you'll never know everything?

Internalized repetition

This is one of those traits that not every autistic person experiences, but that some might. You could say that for all autistic traits, but hey, good to know regardless. Because of internalized repetition, you may not do many external stims, besides vocal.

Do you listen to a song over and over again? Perhaps having a playlist on repeat?

When stressed out, do you type the same word or phrase over and over again?

Do you like looking at the same things, such as the same color or the same artist's works?

Do you really like certain patterns, crystals or aesthetics?

Do you enjoy games with recognizable fighting patterns? (Such as character rotation, boss battle rotation, etc.)

Struggling to connect to others *

This is something that's been characterized by struggling to connect to others through their emotions, but the opposite is actually true for many autistic people. *I will be talking about those who struggle to connect to others who are emotionally distant or unavailable. Being emotionally distant or not showing emotions externally is a trait that many autistic people share, but for those without alexithymia, they may struggle to understand why anyone wouldn't like to talk about their emotions. I don't know the specific symptom term for this, so please bare with me. If anyone would like to inform me about what this is called, please tell me.

Do you struggle to talk with dry texters, or tend to over-examine people's tone through text?

Do you have anxious attachment?

Do you feel disconnected with many other autistic people and struggle to make friends or talk to them?

Do you feel embarrassment or shame with being emotionally sensitive?

Have you fallen down the rabbit hole of things like starseeds, star children or empaths?

Do you want to talk about serious emotions a lot, even when its not appropriate?

Do you trauma dump or wish people would become more emotionally intimate with you? Do you enjoy it when people share their deep traumas with you, even if it's triggering?

Are you constantly reassurance seeking?

There is plenty more symptoms out there, and these are just a few that stood out to me, because I think I may be autistic. I've always related somewhat, but never connected the dots. But there are reasons for that, such as identity diffusion and thinking I'm different from everyone else no matter what. I struggled because I didn't seem to have a lot of the outward and visible symptoms that were often talked about. I thought every autistic person had alexithymia, when that's just not true. My best friend, who has similar symptoms to me, along with another close friend of mine, have a similar presentation of autism. And it's taken quite a bit for me to accept or process. I feel like I'm faking my experiences just because I've self diagnosed before. And I'm angry that ADHD isn't given enough significance.

But I think I might be autistic, and this article that I based this post off of, confirmed it. So here's my post informing and coming out on that. You can be autistic and highly masking without actually knowing what's going on is masking. You can be autistic and have a spectrum of verbality, you can be autistic and struggle to connect to anyone who isn't immediately emotionally intimate with you. You can be autistic and not relate at all to other autistic people.

You're not alone.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[siriusly-the-best-bi]

wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.

Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.

Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.

This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.

Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.

Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.

When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.

this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.

[cacaocheri]

we both deserve to be happy

in case anyone is wondering, it gets easier. it gets so so much easier and i hope you find the love you're looking for

[shirecorn]

Gay horse man looks like a princess

Gay horse man learns to respect trans butch lesbians and various other people who won't date him