#it's sad that she didn't come back in s2

[borgialucrezia]

― What do I inspire, Juan Borgia? Lust.

[srslylini]

the way Arcane wasted character in season 2 is actually insane. They gave us good character design but no good character. Especially the new ones. Is there honestly ONE, one you genuinely cried over?

I cried over Mylo and Claggor. I cried over Vander in season 1. I cried over Powder screaming and sobbing after Vi in act 1 of season 1. I felt deep emotional pain over all of this because they gave me character and an understanding of the world we are in. And they did all of that in 3, THREE, episodes.

What did they do with Isha? Well I sure didn't cry when she died. Her character, while interesting just wasn't fleshed out at all. What I felt when they killed her was how idiotic the writers were for that because okay? like huh. They had 5 episodes with Isha and somehow managed to not make me care enough to cry. Not because Isha's potential wasn't there but because killing her was stupid and pointless, just to further another characters pain which could happen way more naturally without introducing a character to die.

What did they do with Loris? They tried to make him Vander (which okay weird why do that? especially if you want to bring Vander back anyway like uhm? what was the sense of introducing Loris as a Vander stand in and then bringing Vander back??). But he WASN'T Vander because they never showed him to be. They just told me he was. Which doesn't work. okay, he died. Did not care. The only thing I felt was rage again because it was so unnecessary and dumb, they could have made a lot with this character.

Maddie. Well Maddie is a whole other thing, isn't she? She was introduced in a way that already raised a lot of eyebrows. But in a "she is a cop" way and not she is on Ambessas side way. There is so much questions coming up with that. Had she been on Ambessa's side from the very start? Even when we first saw her on screen? Did she come with Ambessa? But how was she an enforcer then? Did she always live in Piltover but how did she then turn towards Ambessa? When she made that fist sign, was the plot between Ambessa and her already going, or did it happen after that? Why were we not shown any of this? this is NECESSARY to understand her character and why the end happened. We should have been able to feel betrayed as well but like? I did not feel betrayed I was just like "okay well, that happened off screen I guess."

Steb had not one talking line, like why was he here, was I meant to feel bad when he ran into The Grey, I can't even tell, help.

And then the side characters of Zaun, especially the Jinxers. The one woman who then died with Vi's hand in hers while wearing the uniforms of Piltover. Did not feel sad. Felt absolute huge amount of unfiltered rage. Her character should have MEANT something. I feel they tried to make her mean something but they failed there too.

Lest?? LIKE LEST COULD HAVE ALSO BEEN USED IN SUCH AN INTERESTING WAY. She just never came back. Okay. Great, at least she didn't die but like? Was I meant to get invested? Was I meant to care? Usually I should be able to tell if I should care about a character in a show or not but in Arcane s2 they tried to make me care and failed or if I cared well then they failed, too

anyways just the side characters especially were a huge disappointment this time around.

[thisapplepielife]

Written for @steddieholidaydrabbles.

Gossip Is Currency

Prompt Day 21: Formal | Word Count: 1000 | Rating: T | CW: Language, Canon Background Stancy | Tags: Missing Scene from S2's The Pollywog, Post-Halloween "Bullshit" Scene, Pre-Steddie, Platonic Hellcheer, School Sucks, Eddie Knows

This is cruel and unusual punishment. 

Eddie sits on the stupid folding chair, behind the stupid folding table, with a stack of tickets to sell to the winter formal. It was this or another suspension, and it was only because he was sure Wayne would not appreciate not having to talk to the principal again anytime soon, that Eddie chose this option.

They've got bubbly cheerleader Chrissy Cunningham sitting next to him controlling the money box that they definitely didn't trust him to be anywhere near, as they try to sell tickets to the kids still roaming around during extracurriculars.

Chrissy hasn't said anything to him after greeting him, and he hasn't said anything in return. They hung out once before, during a middle school talent show, but he doesn't expect that she remembers that.

Another shitty jock walks up.

"Two?" Chrissy asks.

"Yeah," the kid answers, and she takes the money, makes the change, and all Eddie has to do is hand over the two ticket stubs.

He resents it. 

It's stupid, it's–

"It's bullshit," he hears from down the hall.

Yeah, it's exactly that.

And hell's frozen over, if he agrees with King Steve.

Harrington's in some sort of heated debate with Wheeler as they stomp down the hallway, bickering back and forth. She's a fucking firebrand, that one. Everyone thinks she's a priss, but oh no, Eddie's studied this whole school long enough to know that's not even remotely true.

Harrington's gonna get knocked down a peg or two under her, and deservedly so.

Seeing them coming in his direction is at least interesting. Eddie tears off the two tickets and hands them over to Tweedle Dumb, and keeps watching the free show heading his way.

"Winter formal tickets?" Chrissy asks Harrington, and Jesus H. Christ, does she have no observation skills? Now is not the time. This is the time to blend into the wall so they can get the dirty fucking details on this fight. Gossip is currency.

Harrington turns to look at them, and shakes his head no. He looks more sad than mad, and that isn't near as fun. 

"Steve," Wheeler says, and she looks annoyed.

Harrington runs his hands through his hair, tugging at the ends, and then they're gone. 

Well, that was uneventful in the end. He didn't learn anything worth repeating.

Eddie had heard rumors of a Halloween night blow-up, but wasn't there to see it with his own eyes. Apparently they're still in a tiff today.

He can still hear the echo of them around the corner and down the hall, and well, he's nosey. It pays to know everything that's going on in this school.

"Be right back," Eddie says, and follows them down the hall, with the excuse that he's heading to the pop machine.

He digs four quarters out of his pocket, and pretends it's hard to make a decision, before hitting the Mellow Yellow button. The machine whirrs to life, and the can drops down. He feeds the other two quarters in, still trying to listen to Harrington and Wheeler fussing by the double-doors.

Eddie can't really decipher much besides hissing mumbles. Damn.

He presses another button without even really paying attention.

Welch's Grape Soda.

He might actually pick that over the Mellow Yellow he thought he originally wanted.

Harrington and Wheeler leave, so Eddie takes both cans back towards the table, holding them up, an offer, "You want?"

Chrissy smiles, "Really?"

Eddie nods, "You choose," he says, and she falters, just a bit, looking up at him like there might be a wrong answer.

There's no wrong answer here. No trick. He puts them both down on the table, "Totally fine either way."

She reaches for the grape, and is still looking his way. He nods, "Excellent choice," as he picks up the Mellow Yellow, and cracks open the can.

"Thanks, Eddie," she says, like he's given her something more than a can of pop. Carver's a bigger dick than he'd realized, apparently. 

They sit in silence, waiting for more kids to finish up with their stupid clubs and practices. 

The door clangs closed on the other end of the school, and they wait. It's Harrington again. He crosses the hall intersection in his little shorts, and Eddie can see that he's pinching his nose as he darts out of their line of sight as quickly as he entered.

Then it's just them, alone in the hallway again.

"She called him bullshit," Chrissy whispers.

Eddie turns and looks at her, waiting for her to elaborate.

She does.

"On Halloween. At Tina's party. She called him and his love bullshit. I heard it myself, waiting for the bathroom. She was drunk, not making sense about Barb Holland. It was pretty mean."

"No shit?" he asks, leaning closer. 

She nods, giving him a rundown of the whole party. She's got all the good gossip, not just about Harrington and Wheeler's dust up. Eddie feels a twinge of something. 

He's well acquainted with being shit on publicly.

Nobody's around this school, and Eddie gets up to go take a piss. He can't sit still. Hates it. And doing it for this is a special version of hell.

He walks down the hall, to the bathroom. He stands in front of the urinal, unzips and is pissing when he hears the stifled cough from behind him.

Eddie turns to look and sees familiar shoes under the stall door.

Tucking himself back in, re-zipping, he reaches over and flushes the urinal.

"Harrington," Eddie says. 

He waits and there's no response. 

"Harrington," he tries again.

"Go away, Munson," Harrington says, and then mumbles under his breath, "It's bullshit. I'm bullshit."

Eddie takes three steps towards the door, then impulsively turns back.

"She's wrong, you know? You're not bullshit."

And then Eddie waits a beat before adding, "You're just an asshole."

Steve chuckles, and Eddie smiles to himself as he turns and heads out the door.

Timing is everything. 

Mission accomplished.

If you want to write your own, or see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun!

[honeyedclementine]

darling, come back to sleep

sevika x f!reader, fluff, post-s1/no s2 spoilers, established relationship (one shot, 1k words) ageless blogs, minors & men dni

reply to be added to my tag list ⋆ ˚｡⋆୨୧˚

sevika has slept less and less since taking over for silco. even when she did make it home to your shared apartment—usually long after your day had ended, she would pace around the living room, muttering to herself. on a rare night would she make it to bed, tossing and turning against your sleeping form.

you understood the stress of the job, you yourself had worked beneath the man, though your job for him was never as important as sevika's. you kept fairly normal hours, usually just manning the books until you had everything orderly enough to call it a day. sometimes, on an easier day, sevika would sit in your office while you pored over a ledger, reading glasses low on the tip of your nose. these days, though, she was more often than not locked up in silco's old office, lamenting the mess he left behind.

you even took it upon yourself to fix her arm for her—with a bit of jinx's input, of course. you figured it would be a small comfort for your girlfriend, another thing she didn't have to worry about.

this was a rare night she actually made it to bed. you were just on the verge of falling asleep when she sunk down into the soft sheets, a weary sigh passing through her lips as she laid down with her back to you. without hesitating, you rolled over and wrapped your arm around her waist, tugging her closer to you. you felt her tense for a brief moment—even though you'd been together for what seems like forever, she seems to have her moments where being on the receiving end of affection is a surprise. after a brief moment, though, she relaxes into your touch and you wonder if tonight will be easy.

however, something causes you to stir long before the rise of the sun. you reach over to the other side of the bed, finding it empty with the sheets still warm. well, at least she hasn't been up for long, you sigh to yourself, rubbing sleep from your eyes and sitting up. you listen for the sound of her meandering—sometimes she paces through the living room or pours herself a drink. when you hear nothing, though, you climb out of bed and head for her small office.

you were originally against the idea of her bringing work home with her, but after a few nights where she didn't come home at all, you decided this was a well enough compromise.

sure enough, as you stand in the doorway, wrapping your arms around your torso to combat the cool chill of the season, you find sevika poring over something on her desk. there's no light in the room except for a dim table lamp that casts a green glow among her face; expression contorted into one of confusion and frustration.

"darling, please come back to bed," you sigh, hating how desperate you sound. it's not that it makes you angry or sad to not have her at your disposal, you just hate watching her burn herself out. "if it's not getting solved now, it can wait until morning."

"everything is time sensitive these days," sevika grumbles. at the very least, she doesn't have a glass of whiskey in her hand. so, it is a better night than most. "smeech is on my ass, i need to figure this out."

you're almost about to give up—to return to your empty bed and pray she makes it back by dawn, but something in you is tired tonight and misses her warmth. you approach her desk, noting the way her soft gray eyes flick up to you, watching your every move. you place your hands against the wood, eyes flitting down to the papers she's looking at, but you're too tired to comprehend what she's working on. you can see her exhaustion in her eyes.

cautiously, you bring a gentle hand to her chin, rubbing your thumb lightly over her scarred cheek. "you know why you can't figure it out right now? because you haven't slept in weeks. get some rest, look at it with fresh eyes in the morning."

sevika looks up at you, expression weary, but you can tell she's close to giving in. she leans into your palm, tilting her head and kissing the soft flesh. you take the moment to brush your fingers through the nape of her neck—a spot you know will hit just right for her.

"come to bed, baby," you try again. "i'll kill smeech myself if i have to, i miss sleeping with my girlfriend."

"i'd believe you if you let me train you with anything other than a butter knife," she retorts, grabbing your wrist and pressing one more kiss to it before tugging your hand away. for a moment, you think she's going to keep working and you prepare yourself for the disappointment.

"it's not a butter knife, thank you very much, we can't all have big scary metal arms as a default weapon," you tease. she surprises you by rising to her feet, towering slightly over you, and reaching for the lamp. the room goes dark and you reach for her flesh hand, thumb going over her pulse the way you always do—you like to feel it beneath your fingers, a reminder that through it all, you're both still here.

"come on," she nods towards the door, letting you tug her along back to your bedroom.

you continue forward with a satisfied smile on your face, dragging her back under the sheets. this time, she reaches for you and lets you settle against her chest, your face in the crook of her neck. with your weight on her, you can hear the steady beat of her heart and feel the pace of her breathing.

determined not to let her get up again, you wait for her breathing to even out, tracing out soft patterns on her skin as you do so. as soon as she's asleep, you let your eyes flutter closed.

sevika gets a little bit better at coming to bed after that.

[cringefailvox]

Sometimes it makes me so sad nobody went looking for Alastor after the battle. Sure, maybe they knew he was still alive from Husk, and that he likes his privacy , but your hotelier goes MIA after fighting an angel only the devil from the Bible can beat? And you don’t follow up on that?

“So long as I have all of you with me!” 🎶 she sings, notably NOT having everyone with her.

I really hope they bring this up in season 2. Does it get to Alastor that he is not considered part of the group? That nobody was thinking of him after all he did to get the hotel started?

Can Vox use this point to discredit the Hotel? “ The Hazbin Hotel, where everyone is welcome and everyone deserves a shot at redemption! Unless, of course, we deem you too far gone, in which case, you can go f*** yourself while we eat pancakes” ( side by side videos of Al beaten up and the crew recovering with Lucifer’s promised pancakes)

i ALSO think about this all the time. on a practical level it makes sense that we'd have to trim the finale down to something manageable, and really all they had time for at the very end was a resounding musical finish, which necessarily glosses over some loose ends like this, BUT. on a personal level i would've killed to see whether the hotel actually thought alastor was dead or not. because as soon as adam joins the fight, charlie says "alastor was supposed to handle him! oh, no, he must be—" MUST BE WHAT??? and then we simply never mention him again. they're all clearly delighted to see him (except lucifer and husk, of course) when he comes back, which makes me think they at least knew he was alive, but might be unaware he was seriously injured—it seems possible that they wouldn't really consider alastor could be genuinely harmed, after all the time he's spent building himself up as the terrifying guardian of the hotel that can't be fazed by anything. think blitzo's "he can get hurt?" moment in western energy: the radio demon can't be dead. he can't be hurt. he's alastor.

now, would alastor himself be bothered that they didn't look for him? one hundred percent. perhaps he tells himself good riddance, he didn't want to form genuine bonds with these people anyway, friendship makes you vulnerable, friendship invites intrusions on your life and privacy that you never asked for, etc. but the night before the battle he basically confessed to niffty that he's grown accustomed to the hotel gang and enjoys being around them. he's not antisocial, he's just maladjusted and values his independence, and it visibly stings when he learns that not a single overlord cares to investigate his disappearance at the meeting in ep 3. whether or not he would have told the truth or welcomed any line of questioning is irrelevant. it's the principle of the thing—he wants people to be curious about him, he likes to cultivate a mystery, he wants to be chased. and then... no one does.

so ohhh yes i think it gets under his skin, and he absolutely resents that it does. i'd also love for this to get brought up in s2, i think it could make for a scene where charlie pulls him aside, thanks him for helping them during the battle, and that they were worried about him in the aftermath, because i'd LOVE to see alastor 1) immediately brush this off and redirect her energy somewhere else, and 2) have a Moment of conflicted emotion about how that open statement of affection makes him feel before visibly crushing it to dust. repressed king

i'm very intrigued by the vox thing too. that'd be such an interesting tack for him to take, to discredit the hotel by trying to form a wedge between alastor and the hotel through a kind of warped sympathy. like "i'm not a fan of the guy either, but yeesh! sure does paint a picture, doesn't it?" which alastor would fucking hate, but can he really bring himself to disagree? SO delicious.

[runningfrom2am]

cold nights // part six

summary: all the stars aligned, and it was you.

pairing: coriolanus snow x fem!reader

wc: 2.7k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, r is very smart (as she should), district twelve!reader.

a/n: i just finished writing s1, and we're halfway through! so in case anyone was wondering, s1 will have 12 parts :) i haven't started s2 yet but i am so excited to!!

series masterlist // playlist

Days passed, no sign of Coryo. The only reason you know he isn't dead is because Sejanus came and told you he would be alright. That didn't do much to quell your worries.

Selfishly, you were scared you wouldn't get to see him again. You knew you wouldn't, actually. Now you were truly alone. Just you and his blanket, the book he gave you, and the dress your mother made. And Sejanus Plinth, you supposed. None of the surviving tributes would even talk to you- not that you really felt like talking. Just reading. You've read and re-read Romeo and Juliet no less than three times since Coriolanus passed the book through the bars to you the night before you went into the arena.

"I know you asked for this, and it's a little early, but happy birthday." Coryo whispers, smiling as the dark of night encases the two of you into your own little world.

He hands you a small box, wrapped in parcel paper and complete with a ribbon made of some kind of knitting thread. You grin, taking it from his hand and carefully untying the bow, delicately pulling the paper apart where it's taped together so as not to rip it. A copy of Romeo and Juliet. Old, tattered, falling apart; well-loved.

"Oh, Coryo, you didn't have to give me anything. That's too sweet." You grin, immediately flipping through the pages despite the dark preventing you from seeing a single word. "Thank you."

"Of course." He says, watching only you as your eyes flick over the pages. What little light falls from the moon is reflected in your eyes, and he wouldn't dare look away.

"My bounty is as boundless as the sea, my love as deep; the more I give to thee, the more I have, for both are infinite." You say softly, and at first, he thinks you're talking to yourself until you look up at him. A small, almost shy smile fit perfectly onto your lips.

"You like it?" He asks, the answer obvious even to him.

"I love it."

You were his tribute. Not a friend, certainly not more, but as he reaches through the bars to let his fingers brush over your cheek all rational thought means nothing. He doesn't realize he's staring at your lips until you comment on it.

"Is this why you asked if I have a boyfriend?" You whisper, your natural smile returns, and he's quickly looking anywhere else. Your eyes, your hair, the spot where his fingertips meet your cheekbone just below your hairline. Anywhere else. "Because I know it wasn't on that list of questions."

He's quickly backtracking, dropping his hand. This was wrong and he knew it. "I, uh, Tigris made you some cake. It's not good, but it's the best we could do." He says, redirecting his attention to his bag as he pulls out the small paper bag.

You sit back, blushing furiously. "I'm sure it's delicious." You smile, and it comes across more nervously than you intended.

"Here." He hands it to you, and you gently place the book next to you on the ground so you don't get any crumbs on it. "I have to go. I'll see you tomorrow."

And just like that, he's gone.

You're grateful when you see Sejanus coming back with his bag of food and water. It had become some form of a routine, at this point. The citizens of the Capitol weren't allowed to bring you food anymore, he was the only one who did for you now that Coryo was gone, and now that his tribute had escaped as well.

"Sejanus." You smile, standing up as he gets closer.

"Y/N. Holding up okay?" He asks, a sad look behind his tired eyes. He looked almost as tired as you, you were sure, but you hadn't seen a mirror since you left your house before the reaping.

You sigh. "I'm holding up." You answer simply. Sejanus is the only person you feel comfortable being totally honest with, but at the same time, you don't want to because you know he already feels bad for what you're going through. He's the only one outside this cage who kind of understands. "How about you?"

"I'm alright." He shrugs, reaching into his bag and pulling out a sandwich for you. You could never get sick of these. "I also have salt, if it needs more of that." He hands you a small bag of table salt alongside it.

"Thank you." You grin, tucking the bag into your pocket incase you needed it. "Any news about Coryo?" You ask hopefully, taking a bite. You already feel your starvation-induced nausea fading away.

"Not really. He's recovering, though." Sejanus answers. "Are you ready for the interview tonight?"

"As ready as I'll ever be." You grin. "I was right, I didn't need the book. I already had the whole thing memorized, but it's been so lovely to get to read it again."

"It must be." He nods. "Gives you something to do."

You hum in agreement, looking around at the other tributes. No one is even moving much anymore. "Can I ask you something?"

"Anything."

You look down at your sandwich while you think about how you want to word this. "Is Coryo..." No, that's not it. "I got the feeling that he actually cared for me. Is that true?"

"Coryo has never been one to tell anyone what he's thinking." Sejanus says, entirely unhelpfully. That's not his fault, though. "But if I had to guess, I would say yes."

"I'm just wondering because it's nice to have friends now. Here. At the end." You smile sadly before taking another bite. "And I was worried I had upset him."

"You? No." Sejanus shakes his head. "I don't think you could if you tried."

"Why's that?"

"Well... It's hard to explain. He's always been super focused on school, on the prize, but now, when it matters most, I feel like he's more focused on you and making sure you actually win." He tells you. "But, like I said, he wouldn't talk about it even if I asked him outright."

You nod. "Thank you, Sejanus. For always being honest with me."

"Of course. It's the very least I can do, all things considered."

"Can I ask you for one more favour?" You ask hopefully. "If not I understand, you must be quite busy."

"I have the rest of my life to be busy." He shakes his head. "What do you need?"

"Will you tell Coryo thank you, for me?"

"Yes. Of course." He agrees without hesitation.

"And do you have a pencil and paper?"

Sejanus headed home for a while and then back to the hospital after his visit with you, armed with your note in his pocket to pass on to Coryo. He was hoping he would be awake right now, he had been so on and off the last few days. More grumpy than normal, and Sejanus could tell it was driving him up the wall that he couldn't go see you. But the interviews had already started, so he would get to see you soon- even if it's just through the screen.

"Tigris." He whispers, pulling back the curtain as he sees the familiar girl sitting at his friend's side. She hadn't left her cousin most of the time he'd been bedridden, she was there every time Sejanus checked in.

"Oh, hello." She whispers, smiling at him. "He's still resting, but he's feeling a bit better today I think."

"That's good. I'm glad to hear it." Sejanus agrees, taking the seat next to her. "I went to see Y/N. She's eaten. She doesn't look good, though."

Tigris nods, returning her gaze to her sleeping cousin and pushing his hair away from his eyes. It's not like he needs to see, but she would do it anyway. Just to make sure he wouldn't be annoyed when he woke up. "He's been worrying about her. I can tell."

"She asked me if she did something to upset him. Has he said anything to you?"

"No, nothing." She shakes her head, lip jutting out at the confusing statement. Nothing at all would indicate to her that he was upset with you, but it's entirely possible that stuck in that cage day in and day out you could quickly become paranoid about who you could trust.

"Okay, good. That's what I told her anyway." He tries to be quiet as he speaks, but the whispering wakes his friend anyway.

Coryo's eyes fly open and he gasps, eyes landing on the two of them sitting in front of him.

"Coryo," Tigris says softly, a small, worried smile on her face.

"Y/N?" He asks, his voice husky from sleep. "Is she-"

"She's alive," Tigris promises, gently rubbing his arm, landing her hand on his and squeezing it gently.

"Is she hurt?"

"Not badly." Sejanus shakes his head. "A few decent cuts and bruises, but she'll be okay. I brought her some antibiotics the other day so nothing will get infected." You won't be okay, they both know that, but you certainly wouldn't be dying from the minor injuries you sustained in the rebel bombing.

He nods, slightly, trying to sit up. "How long was I sleeping? What did I miss?"

"Another tribute died from injuries," Sejanus replies. "Everyone is still scared. No one will go see them anymore, I haven't seen any of the other mentors there either. But I've been feeding her. She's okay."

Coryo nods, wincing at the pain in his back as he moves. The burn was bad, but apparently, it was healing well.

"Marcus is still missing. I haven't heard anything about him. They're hunting him but I still think he has a better chance out there than he would tomorrow."

"Tomorrow?" Coryo asks, rubbing his head with his free hand, Tigris still holding his other one. "They're still going ahead with the games?"

Sejanus just slightly shakes his head, looking away. Coryo knows that that is a yes.

"Oh no... Y/N.... She could've run," He mumbles. "But she saved me."

"I tried to convince her to. I did." Sejanus reminds him. "She wouldn't budge."

All heads turn as Lucky's voice on the TV catches their attention. "And now, our final tribute. I first met this young lady in the zoo not too long ago. From District Twelve, Y/N Y/L/N. Come on out here!"

Lucretius motions for you to step out onto the stage and you do, gently placing the book and the blanket you had brought with you on the floor in a neat pile before joining him.

"Lucretius." You smile. "It's good to see you." You're nervous in front of so many people, the audience in front of you is much larger than the small one you spoke in front of at the reaping, and being in front of a camera without Coryo by your side made you antsy.

"You as well, Darling. Now, I was told you had something you wanted to do for us so I'll just leave you to that. Charm us! Remember, the world is watching." He smiles, gently patting your shoulder before walking just out of view of the cameras. His statement was far from reassuring.

"Uhm..." You stare out at the audience, and suddenly you're scared you've forgotten the entire thing. You had to do well. For Coryo and his prize. He needed this. "I've become aware that not many people know this play." You chuckle, trying to hide your nervousness behind it. "But Romeo and Juliet has always held a special place in my heart and I want to share that with the world, before I go."

You take a deep breath, closing your eyes. You wonder if Coryo is watching. He's not here, you're sure of that, but you do hope he gets to see. And he does.

He stands up as soon as your face first appears on the screen, declining help from both Tigris and Sejanus as he limps over to the TV, cranking up the volume. Your fate depends on this, he knows it, but he can't look past the blue tint under your eyes and the bruises that litter almost every part of your exposed skin. The cuts are what get him the most. Your knuckles are cleaned up, mostly, but red and irritated as you twist your hands together nervously in front of you. Same with the crude black stitches on your upper arm. Irritated, neglected by professionals, but at least it wasn't serious.

"Come on... You can do it." He mumbles mostly to himself, and Tigris reaches up to place a reassuring hand on his shoulder as the three of them watch.

"O Romeo, Romeo, wherefore art thou Romeo?" Immediately, he is confused. He expected to be, of course, but he could also tell as soon as you started reciting it, after the first line, your confidence was coming back to you. This play was your safe space.

"Deny thy father and refuse thy name. Or if thou wilt not, be but sworn my love; and I'll no longer be a Capulet." You look out at the silent audience as you speak, a smile forming on your lips. They're listening. "'Tis but thy name that is my enemy: Thou art thyself, though not a Montague."

Coryo is wishing you had explained more to him about what this play is about. "What's Montague? It is nor hand nor foot, nor arm nor face nor any other part belonging to a man. Oh, be some other name." He should have asked. Why didn't he ask? You told him yourself that you could talk about it for hours. Why didn't he take advantage of that when he had the chance?

"What's in a name? That which we call a rose by any other name would smell as sweet; so Romeo would, were he not Romeo call'd, retain that dear perfection which he owes without that title." A rose. Of course a rose, was this for him? He longed to understand it better as he watched the donations tracker tick up and up toward the thousands.

"Romeo, doff thy name, And for that name, which is no part of thee," You take a deep breath for the first time since you started speaking. "Take all myself."

It was a beat or two before the audience clued in that you were done, and then the cheers started. A standing ovation, people wiping their eyes and clapping for you like you had changed their lives.

"Wow! Now wasn't that something, everyone!" Lucky laughs, coming back into the frame of Coryo's view from the camera. Tigris was in tears. The continual uptick of the donations counter was reassuring to him. As you smiled, cheeks flushing red. "The donations are just flooding in with a record high! That must feel good."

"Thank you, it does." You nod at Lucky, trying to place all your focus on him so you don't get too embarrassed in front of the crowd. At least you knew Coryo would be pleased. If you understood his prize situation as well as you thought you did, this was very good for him. "I just want to make my family and my mentor proud."

"You have a real talent. It's such a shame." The host says to you and you laugh awkwardly.

"Well, everyone loves something. I just loved books."

You continually referring to yourself in the past tense makes Coryo want to puke, looking away from the screen only briefly to take in the other nurses and patients watching too.

"We have just a few moments left, but I need to know, what is that about?"

"Oh! Well, Romeo and Juliet is a tragedy." You explain, back to yourself again. "It's about two star-crossed lovers from feuding families. So, what Juliet was talking about, to put it very simply because I could go on and on about this, was that she loved Romeo for who he was- not just his name or his family. It didn't matter to her that they came from different places. She loves him anyway, and if he couldn't let go of his family, she would give up her own life for him."

Coryo's eyes widen. So it was about him. He can't help the tug on his lips that threatens to form a smile.

"Alrighty then, that's very sweet." Lucky replies. "Now, you said it's a tragedy. What is so tragic about a love story?"

"Well," You chuckle nervously. "They both die at the end."

taglist: @soulessjourney, @keziahcore, @that-veela-girl, @motorsport, @dreamyysouls, @rockstarbfs, @Lanadelrey3, @rawrmameh, @3zae-zae3, @babyspice6, @pastel0rchid, @maysileeewrites, @articxari, @Urfavpouge, @Multivitaminfy, @baybieruth, @kitscutie, @annaelise, @serrendiipty, @fratboyharrysgf0201, @totallynotkaibiased, @stelleduarte, @klplynn, @secretsicanthideanymore, @bejeweledreverie, @fals3-g0d, @drewsandsebastianswife, @niicole-87, @queenofshinigamis, @innercreationflower, @nallasstuff, @spring-goddess1, @baybieruth, @lovelyxtom, @throughgoeshxmilton, @enwonie, @scorpiolystoned, @iovemoonyy, @kodzuvk, @soupasoup, @eedwardss, @thatmarvelchick19, @wearemadeofstardust0, @regulusblackcore, @kbakery , @qardasngan, @omgsuperstarg, @kuroosbby001, @puredreamagination, @fantasticchaosthing, @coolcatyarb, @yokolesbianism, @becauseseaotters, @KimmiB13

if your user has a strikethrough i wasn't able to tag you! i'm so sorry!

[wanna1be0]

part i - goodbye

synopsis: you and vi grew up together in the undercity. you've always admired her and didn't realize your true feelings until she left. when she comes back with an enforcer, sure you're hurt, but you work with her for the greater good. when cait leaves vi, you're there for her. cw: female reader, vi x reader, emotional hurt, mention of caitvi's relationship, alcohol mentioned, slow burn, spoilers s2

Vi is at her lowest. Being hit and reduced to a monster by the person she thought she could trust broke her. She resorted to the one thing she knew. Fighting.

Vi's vision has gone blurry. She's sweating from the alcohol in her system, and the black of her hair dye is running down her skin. She can tell by the smell of your perfume that you're there, and by the feeling of the big arm under hers, Loris is too.

"Can you just leave me alone?" Vi grumbles, pushing both you and Loris away as you were leading her towards the door. "No Vi, we are here to help you," you say as you put your hand back on her shoulder and continue leading her inside. Pushing you off her once again, this time even more aggressively, she starts to yell.

"Can't you see I don't need your help? I never needed your help. Not when we were younger and not now. And you Loris, I don't need your help either. Both of you should just leave."

Taken aback by her words, tears fill your eyes. When you were younger you did everything together. You were inseparable. When everything went down at the warehouse, you thought she had died and mourned her loss as if it were real.

You look to Loris for help, but he looks defeated. He shrugs his shoulders at you, while giving you a sort of knowing look. She won't change.

She is still hung up on Cait.

You consider Loris a close friend, and with that you opened up to him. About what life was like when Vi left. About what happened to Powder, to Jinx. You and Ekko kept in touch, but you weren't much of a fighter. Thinking Vi had died caused your eyes to open regarding how you really felt about her. Sure you admired her growing up, but you also grew to love her. She was strong willed, protective, someone you could count on. You were left to mourn the love of your life in solitude. And now, she was pushing you away after you had just gotten her back.

Loris and you have been doing this night after night. Sitting with Vi in the bar until she can no longer function without the two of you holding her up, walking her back to the small room she lives in, and slowly getting more and more hurt by her. "I don't know about you, [y/n], but I think I've had enough of her bullshit," Loris says pointing to Vi. And just like that, it is you and Vi. Vi and you. Alone in a dark alley.

"You don't mean that Vi, you're drunk," you say softely. Vi scoffs and begins stumbling to the door. You reach for her shoulder, but she shrugs you away, raising her voice once again, "Leave it [y/n], I don't need you." You blink the tears away, the hurt and sadness becoming searing anger.

"You know what Violet, I will leave. Lets see how long you last with this. Coming back drunk every night to a room you can barely call livable with no companion besides your fists. You know, I mourned you for years when you left. I thought you died. And then you come back, with an enforcer who you eye fuck every chance you get no less, and act as if everything is normal? Well it's not normal Vi. It never has been. And I thought maybe we could be... normal again without Cait. But I should have known better. Goodbye Violet. Have fun fighting your life away instead of facing your feelings."

The corner of Vi's vision begins to fade into black as you walk away. With tears streaming down your face, you mourn the loss of Vi all over again.

© wanna1be0 ★ do not copy, translate, repost or share this work as yours on other platforms ! consider leaving a comment, liking, or reblogging <3 also send me a request for what you want to see next! read part ii here

[dapperapple]

Mike's crush on El does not necessarily contradict him being gay rather than bi

I wanna start off by clarifying that if you see Mike Wheeler as bisexual rather than gay, THAT'S 1000% VALID don't let anyone take that from you babe

this is just my perspective as a lesbian who thought she was definitely straight until the end of 10th grade (age 16, a bit older than Mike and Will are in canon)

I was rewatching a lot of scenes from the show, mainly s2 and s3, to see if I thought that Mike's feelings for El came across as weird/forced or if their relationship felt off

and honestly it left me (a Byler shipper) pretty confused at first

because YES there are a lot of odd things about his feelings and their relationship

BUT ALSO

there are a few moments that are so cute and feel so genuine I didn't know what to do with them for a sec

mainly all the scenes where they're together at the Snowball dance

because that shit seems real to me, it's cute as fuck, that is a Mileven win right there if there ever was one

and honestly, the forehead touch when she and the Byers are about to leave, and again when they reunite in s4

dude that shit is so sweet okay

(Mileven shippers are valid even if I disagree with it for the narrative)

ANYWAYS here's where my personal experience comes in to help out with my confusion over this

Mike in s1 feels the most obviously comp-het to me

because I had a big crush on a boy in kindergarten, another in gr2/3

I didn't even know what gay people were, I knew girls liked boys, so if a boy was my friendly, and nice to me instead of mean, I probably would've liked him or thought I liked him

Mike in seasons 2-4 reminds me of myself in gr7/8

the most intense crush I had on a guy was in gr7/8

I was more used to being friendly with guys at this point but this guy was becoming a close friend of mine

a cute confident guy who was nice, funny, and taking an active interest in me as a person was like wooaahh

I really do believe that Mike unintenionally idolized El, putting her up on this pedestal, with his self esteem all wrapped up in her liking him back

but I also don't think that's his fault, when you're young you don't know any better

the pressure to date starts to increase a bit, and low self esteem is kicking your ass

I did the exact same thing with the guy I liked, I had this whole other version of him in my head and I started liking him less and less the more he didn't act like that ideal

(insert Mike's behavior towards El after she assaulted Angela)

even after I figured out that the kind of person and the kind of connection I wanted in a relationship was something I was far more likely to find with a girl, I still thought I was straight, so it just made me kind of sad

like- I had resigned myself to the fact that I would struggle to find a guy that I TRULY liked

maybe it was lingering internalized homophobia, idk, I had lots of gay friends, but I just hadn't felt that way about any girl at all before, I didn't think I was capable of being attracted to girls

and then there was her

we became very close friends, she was such a kind person, so fucking funny, an incredibly skilled artist, and absolutely gorgeous

and it finally clicked

finally my mind registered the fact that I COULD be attracted to girls

I still consider her my first love

and then there was no turning back

WHICH IS WHY

I wouldn't be surprised AT ALL if it takes Will coming out to Mike/the party in order for him to consider Will romantically

not because he isn't already in love with him subconsciously

but because I don't think he has registered it as a possibility for EITHER of them

moral of the story:

COMPULSIVE HETEROSEXUALITY IS REAL GUYS AND IT CAN FEEL MORE REAL THAN YOU'D EXPECT

especially since when you're young, the differences between boys and girls (both physically and how we're socialized) are much less apparent

MIKE WHEELER I KNOW WHAT YOU ARE (because me too!!)

[turbolezgooo]

Bro this outrage about CaitVi relationship in S2 is baseless

Come on. They started their adventure when they met in jail. There was already tension and attraction the moment they met but it was all swept aside because of their individual agenda (Finding a lost sister, proving themselves, saving people, etc). Everything started with some things unspoken. Every time bad things happened they never blamed each other. When Vi stopped Cait from shooting Jinx, Cait never said it was the wrong choice or that it was Vi's fault that her mom died. Cait came to Vi's arms and they held each other. Cait's suggestion for Vi to join the enforcers wasn't a fully thought-out delivery as she admitted later on but it was her offer to allow Vi to make choices when they went after her sister. Cait understood the importance of Jinx to Vi even after Jinx killed her mother. The only problem they had was that Vi wasn't ready to let go of her sister, but she trusted Cait to do what "needed" to be done. To take the step she never could. It was a deep and personal problem that Cait never took offense to and how could anyone?

Cait was upset after Vi stopped her from taking the shot again, but that wasn't really because she wanted Jinx dead. It was because she had unresolved grief. Sadness, anger, rebound relationships, burying herself in work- all telltale signs. While it was messed up for Vi to say what she said in the pit, Cait did reflect on how she was "acting more like Jinx". When Cait spoke with Singed, she understood how an act of love can seem "unspeakable" to others (like why Vi kept protecting Jinx even though she had killed Cait's mother and her adoptive family). On the other side of the coin. Vi laments everything she decides relating to her sister and literally beats herself up over the consequences along with what she said in the pit to Cait. She felt she had lost everything again because of her choices and what she said. Then Jinx, Vander, and Isha came back along-- she had another shot to save her family. When Singed walks out of the commune, it's actually pretty symbolic that Vi walks a similar path and ends up seeing Cait again. At this point, Cait already has some time to think about what happened between her and Vi. You could see there's the spark of passion and trust first before even a hint of resentment. In the aftermath of the commune, Vi is upset at Cait that Jinx is in prison but there's a lot to back up her reaction. She didn't trust Cait fully with her sister and father on the line because she didn't know if grief and Ambessa still had a hold on Cait. And of course, Vi's own experience of losing her family and imprisonment is a trigger. When all the cards were down, they held space for each other. Even though Cait still hated Jinx, she saw how Jinx wanted her sister safe. She didn't make the decision to put Jinx in prison, she didn't punish her, or make decisions without Vi. Although Vi should have responded better to Cait saying Jinx still needed to take responsibility, Cait needed to hear the echo of who she was- grounded and someone who does believe in people. Cait's and Jinx's interaction shows where Cait was moving towards. An understanding. A clearer picture of who Jinx really was and how she saw herself. How she wasn't the villain she thought she was. Why Vi keeps trying to save her over and over. The similarities between the two sisters. Cait and Vi both just needed time & space to get back to a mutual understanding of themselves and each other. Cait affirms her understanding and acceptance of Vi and her family by staging the breakout. Vi affirms that she understands and accepts whatever Cait does due to grief or clouded judgment. Nothing changed their feelings for each other. The jail scene is a culmination of their journey as individuals and as a couple. They come back to the start but now everything else that came in the way is gone. No responsibilities. Nothing to prove. All that's left are two women who've been through hell and came away with more understanding and love for each other. It wasn't out of place IMO.

I feel that the relationship was NOT underdeveloped or 'badly' written. You just need to understand unwavering love. If you've ever consumed sapphic content, ya'll have to really read between the lines and dig deep lmao. Everything ended with some things unspoken. That's just how sapphic content traditionally has been. Watch a Portrait of a Lady on Fire and write an essay or something. Do better. Be gayer.

[melmedardasworld]

So I edited this post a few times since what I wanted to convey just couldn't come out, and then I stumbled across this explanation.

And all of this!

To continue with my own thoughts.

I'm not sure where the takes of Mel is more than Jayce's girlfriend or being reduced to just being at a man's side is coming from that is being spouted.... Meljay shippers know this?

People are annoyed and confused to see what was set up from S1 until S2 Act 1 and the sudden a disconnect of how we got to know the relationship was handled and their final conversation. Most of us would've been fine (I know I would) with the breakup if it wasn't so off and lackluster.

It didn't feel like Mel and Jayce, granted they went through the trenches both physically and mentally, but that understanding is only being applied to Jayce in how he behaves. Mel is just a bystander and has to take it, and she was never like that. Or did her time trapped by the BR just make her numb to everything because she feels so much and hasawakenied as a Mage and empath? If so, the writers did shit to make it clear, and we have to fill in gaps and explanations with headcanons.

Most importantly, Mel only gave and gave to others (professionally, non proffesional, platonical, familial, etc) but got nothing of the sort in return.... not even a hug, a hand squeeze, a how are you nada. That apology she got was, again, so offstandish. I didn't expect Jayce to cry out or be a lovey dovey anything, but he was more heated to scold her a beat. Mel barely got a word out there, too, to explain her side. She doesn't even fully understand her powers...

Also, in regards to interactions, why didn't we see a moment between her and Caitlin? When her mother died, Mel told Jayce to go to her, and had she seen how Ambessa did what she did, Mel would've shut things down, too. But we couldn't see the two of them bond over having lost their mothers?

No one in Piltover was concerned with their influential councilor who went missing for weeks/months? It would've been nice had we seen her and Shoola as the last ones standing or talk about the future of Piltover and the convo moving to Mel returning to Noxus and leaving it in the people's/their hands, but not a lick.

We just see her board a ship because she now has the weight of the Medarda line (who she needs to build from the ground up while the Black Rose is still out there and likely has to deal with more politics in Noxus that is more on the violent side) on her shoulders to a country she's been exiled for who knows how long.

Mel is getting to terms with her powers, her legacy, but even with her mother, Kino, Elora and now going back to a country she was exiled from, AND having to lead a faceless army. WHERE IS HER COMFORT!?!?! Who does she have to share all of this with above one minute.

It also doesn't help that people (yes, shippers mostly cause one scroll on your page they barely talk about Mel outside of ship. Not even about the popular 'she has a larger storyline' takes. Just invalidate why Meljay doesn't and never would work or was always doomed takes in response to OG shippers sharing their grievances.

There is weird and fake trolling in the meljay/mel tag when the same people never had something to say about her/ any of her relationship up until the finale and the last few Meljay scenes.

But now everyone can supposedly yap as some fake intellectual and shade others' people being annoyed, sad, and disappointed in the WAY it was written to THEM for their ship.

Meljay shippers literally had to create a niche tag because the main ones are being spammed with bad take after take and where Mel/Meljay is undermined while claiming it is all in balance in the end. Is that not insane?

Please, miss me with that. It is irritating and condescending.

Shippers in fandom love love and just a relationship in general. This is nothing new so why all these bad fate takes? They are allowed to vent their frustration on how the story for their ship is handled. Most of the same shippers also have an analysis of the characters' they ship and larger storyline that was set. Act 3 plot lines were squeezed in such a way with so many minutes left. I am still of the opinion that we should've gotten either 3 or 6 more episodes to tie all the stuff together properly since the writers themselves decided to introduce all these storylines. There was just a disconnect and OOC behavior in Meljay that wasn't expanded upon in a better way imo.

[meepmorp1232]

Mike Wheeler and Milkvan from an Aroace Perspective

Hi! So this is something I've been thinking about for a while now and I wanted to see if anyone else thought of this. This post will focus on Mike's queercoding and his relationship with El (and a little bit of byler). No, I do not think Mike is aroace (but he could be on the spectrums, it's hard to tell).

I'm aroace, and if you don't know what that means, it is short for aromantic (aro) and asexual (ace). Aros experience little to no romantic attraction. Aces experience little to no sexual attraction. Basically, I don't get crushes or have any desire for intimacy (but it's a little more complicated than that, so I encourage you to do your own research). I understand that asexuality and aromanticism are very diverse spectrums. This is my personal interpretation and you do not have to agree with me (but please be nice, for I am but a humble byler). I'd love to hear your opinions!

Starting with s1, there was always something off for me about milkvan. Sure, Mike and El had moments, but they didn't really seem like anything other than platonic. I felt like there wasn't that much build up to their first kiss and it seemed like they just added that at the last second (and they kinda did). It felt rushed and they were literally just talking about being siblings. Then Mike invited her to the Snow Ball. And he didn't seem to show any romantic interest in El until Lucas brought it up.

In s2, Mike kinda forgot about El until she showed up in the end. I mean, he "called" her for, like, a year (and that was more survivor's guilt than anything), but he never went after her, even when he literally saw her. And as soon as Will was in trouble, he stopped calling. Then she comes back, and they have this whole reunion thing and Mike and El almost kiss. After that, we see Mike pining for Will at the Snow Ball. The milkvan kiss looked really genuine, though, definitely fooled me.

In s3, Mike focused all his energy on his relationship by making out with El constantly and ditching his friends. Then El dumps him and he had no idea what he did wrong. He doesn't seem very sad about it, though. Skipping the entire middle of the season, that last milkvan kiss. What the actual fuck was that?

"Oh shit, I'm gay." Like, there is a literal lightbulb above his head. I cannot make this shit up (this is honestly one of my favorite scenes just because of how fucking gay it is).

In s4, Mike's in a long-distance relationship with El, and he can't say "I love you" for some reason, can't even write it. When he gets to Cali, he's kinda off (and gay panicking about Will looking like a grown-ass man). He and El fight and basically break up. Then they reunite after El explodes a helicopter, and it's all very platonic. Then there's Mike's monologue. I'm not even gonna start with that, El deserves so much better than that bullshit.

Now onto the analysis. I've always related to Mike, and I had no idea why (maybe because of his various mental health issues and general obliviousness towards peoples' emotions). Then I found out that byler exists and was like, "oh! That explains so much!" I started looking at him and milkvan from a new perspective and it all made sense: most of the things Mike has done are things that I would have done before I found out that I was aroace (and if I didn't have anxiety), and that's one of the reasons i relate to him.

In s1, Mike didn't show any romantic interest in El because he didn't have any. When Lucas brought it up, Mike saw this as an opportunity to prove that he's straight, that he's normal. The kiss and Snow Ball invitation seemed rushed because they were rushed. But if I was in Mike's position, I would have pursued El romantically. If I was alone with her, I would have kissed her and invited her to the Snow Ball.

In s2, Mike treated her like a friend, because that's what he saw her as. I would have treated her like a friend because I would have seen her as a friend. He called her because he missed her as a friend (and also survivor's guilt), which is what I would do too. But he never made an effort to find her and assumed she was dead, which is what I would do. Then El comes back and Mike forces himself into a relationship with her by dancing with and kissing her at the Snow Ball, which is, again, what I would do.

In s3, Mike tries and fails to appear straight. He pours all his energy into his relationship. He makes out with El non-stop and ditches his friends for her, 'cause that's what straight people do, right? Then El dumps him, and he's like, "what the fuck? I was just being straight!" He doesn't seem very sad about losing El, just moping and blaming Max for sabotaging his heterosexuality. These are all things that I would do since I have no idea how alloromantic/allosexual (opposite of aromantic/asexual) relationships work. I would probably treat them like friendships, but with kissing. Skipping to the end, that kiss. Mike's internal monologue: "oh shit, I'm gay." I did that (minus the awkward kiss) when I figured out that I was aroace.

In s4, Mike's back to his s2 vibe, but now he know that he's gay. He's in a long-distance relationship, so it's easier to just pretend it doesn't exist. He can't say or write "I love you," because friends don't lie (further proving that he sees El as a friend). I would do these things too. When he gets to Cali, he's kinda off because he knows now that he can't make himself be straight (also gay panic, because the difference between s3 ad s4 Will is crazy). This is how I would act in his situation (minus the gay panic). They fight and basically break up, and reunite fairly platonically. Again, exactly what I would do. I do not want to talk about Mike's bullshit monologue, but I would say those things too.

In conclusion, on the miniscule chance that byler isn't endgame, I am almost 100% sure that Mike is queer and milkvan will break up. This relationship is not good for either of them. Just the facts!

This is the first analysis I've ever done, so tell me your thoughts on my interpretation and please be nice. Thanks for reading!

[yannaryartside]

Sydney has never antagonized Carmy

I keep coming back to that scene between Cicero and Sydney where he tells her basically how insufferable Carmy is, but she just says “I don't know what you want me to say to that. There is a layer to this about Carmy being her superior, but it is definitely more than that, the bear operates like a family joint and Syd is part of it, she is expected to take part in the drama.

There has always been a tendency between the people that surround Carmy to criticize him, both when he is doing good or doing bad.

Now, this season Carmy really continued the circle of violence he was once trapped in. He did it because he thought it was the only way he could be the best, because evil chef taught him so. The show made a point to show us Carmys kind nature until s2 so we could understand that the abuse he inflicts on others doesn't come from a place of actual malice.

But his family doesn't know about evil chef. Knowing it will not make Carmy’s behavior okay either. The way most violent people were abused as well.

Sydney has never acted like Carmys behavior is okay, even when his family ignored the other shitty things he has done because it didnt affect them directly until now.

All that being said, it was amazing to see Sydney never talking bad about Carmy behind him. The scene with her and Cicero was a stellar example of it.

Now, why doesn't she takes sides? Why not talk about Carmy behind his back?

Because that won't resolve anything, it would not be helpful to anybody. She doesn't take sides (this is not a you vs us thing) she doesn't judge. She even comforts Cicero about his regrets in his lack of involvement with the bear kids, when she grew up with a very present father herself, she could have judge, she didn't.

Edit: idk if I was sucesfull on making a point here:

Sydney doesn't like to condemn or limit the potential of people to what she knows is the worst of them. Her whole relationship with Richie is a good example of it. Once he started to show up for her and she saw that he cares for the restaurant she started trusting him. She has endured Carmys antics in part because she knows how much he can encourage and support the ones surrounding him, her included. Even faith has its limits of course.

I just wanted to highlight that judging/condemning others is easy, especially behind their backs. She never assumed she knew the whole story. She never took any high ground. She just called it shitty behavior as she saw it, and even did it with patience and love for everyone involved.

There is a sad undertone to all this, wich is as a black woman she may feel she needs to put her own needs aside for the things she wants to achieve. I think she took a role of a protector this season. She may have felt she was responsible for helping the crew under her survive this, even when she constantly called on Carmys bullshit.

She was a good friend, she has been a good person all around even how much she has been push. I don't want to advocate for women to be limited to the moral compass for the tragic hero. Still, I am sure that if she were a male or white, you would see all corners of the Bear fandom treat this character like the equivalent of Captain America or Superman. She will be the hero and Carmen will be the villain. Because she is indeed the moral compass, she is an example to the viewer on how to react with maturity, holistic view, and compassion to all the messed up situations the story throws her in.

[alea-jottun]

On dissonance : saying you story did something vs making your story say something

A problem I have noticed with people defending s2 is that they take at face value what the dialogues say (or what the writers have said in interviews), as if it were a complete justification of what happens in s2. But a story cannot simply say it is something, it has to be this thing. Dialogue that is not backed up by the actual content of a story is worthless.

A few examples for instance :

S2 wants to pretend that it has something to say about forgiveness. But what does it do ? Have alternate Silco say that "the greatest thing we can do in life is find the power to forgive" (one of the worst lines of s2 considering the context. I'm not even going to delve into why he was the worst possible character you could choose to prone forgiveness, but let's put aside his character assassination for now) yet never follow through.

That's just a line, said by a character. For it to have value, it has to be backed by the story. But s2 doesn't do that.

The problem is not that s2 wants to prone forgiveness (that was going to come up anyway, because you have to discuss forgiveness in order to put an end to a cycle of violence). The problem is that there is no well-written arc demonstrating the value of forgiveness in s2 : simply characters who suddenly feel bad for what they have done, and other characters who forgive them just like that. The justifications given for their changes of heart are either incredibly superficial (considering the gravity of the Arcane themes. We're talking about forgiving murder, attacks, etc), or absolute crap. The reason being of course that the writers did not bother writing organic, developped character arcs.

No, Caitlyn saying "I know" or fighting Noxus is not her taking responsibility or atoning for her crimes. No, her seeing Vi or being called Cupcake should not be enough to cause a change of heart this radical (and don't say that Caitlyn was feeling bad and was waiting for an opportunity to betray Ambessa, because that's simply not true. She absolutely supported Ambessa through s2. She just suddenly changed her opinion on Ambessa because the writers decided it).

Same goes for instance for the Timebomb subplot (which I have unfortunately seen heralded as another example of how s2 preaches forgiveness) : Ekko goes to an alternate reality and falls in love with an alternate version of a girl who murdered his friends and cursed Zaun, but in his reality Jinx is suddenly sad about what she did to the Council, so boom ! Forgiven with no proper redemption arc, and now Ekko tries to convince her that she can better herself. Even though throughout Arcane Jinx didn't give a damn about Ekko or the Firelights she killed. And no, fighting for Piltover and a fake sacrifice at the end do not count as redemption.

At this point, the writers really feel like a character being sad is equivalent to an entire redemption arc. But forgiveness has to be earned, and it never is in s2.

Another example of constant dissonance which I have evoked in another post, but also fits here :

Caitlyn saying to Jinx "no amount of good deeds can undo our crimes...." .... while the entirety of s2 does just that for several characters, including her and Jinx, ironically.

Again, that's just one line, said by a character at the end of a 9 episodes series. But that's not what s2 says in practice. The reality of s2 is that it keeps trying to downplay Jinx's past actions, it keeps trying to undo her crimes : she does whatever she wants and is seen as a symbol in Zaun, even though she literally prevented the Council from declaring Zaun independant. There is no problem to her presence in Viktor's commune, despite that fact that she killed him, and his dream, and again, cursed Zaun when it was about to be freed. She can literally talk to Viktor without the topic ever being properly adressed.  And then the writers remember that she is a bit more than a troublemaker, so in the last episodes you get half-baked excuses and a tentative to end herself to cause drama (which is incredibly insensitive, but that's not the point of this post).

Same for Caitlyn : despite being the one saying "no amount of good deeds can undo our crimes....", she has one of the happiest ending of s2, without ever taking responsibility for her actions, or going through redemption. She ends up with an even better social position, a girlfriend she mistreated, a victory for Piltover, and never any real punishment or coherent negative consequences of her actions. So yes, her crimes are pretty much undo-ed... and she didn't even do any real good deed.

The dialogue says something, but the whole series contradicts it.

And finally, you have lines that are absolute crap (in the context of s2) and that pretend that s2 was a completely different show : see the "trying to get rid of your imperfections" line (Viktor's so-called quest for perfection doesn't exist apart from a few lines of dialogues, it is never a proper plot point in the show itself). See the "If he had found the letter it would all have been different" line (not even going to go into details with this one because there is so much wrong with it, it's impressive at this point). Or Jayce's "All I want is my partner back" when Jayce is not shown caring about Viktor after he goes back to Zaun (and no, hallucinating him once in the fire does not count. Also it does not help that neither Jayce nor Viktor have much screen time) and then tries to kill him. So what does s2 do ? Have a cheap thirty second explanation in the last episode, introduce the worst "plot twist" of the series, and pretend it did the job.

Add that to the terrible interview of the writer who said that they made the story as "economical" as possible (they genuinely thought that if they implied something once, then they never had to mention it again) when a good story is supposed to be the complete opposite : efficient (say as much as you possibly can).

S2 is all filler no substance. I know we're joking about the people defending it with the "micro-expressions" argument, but that's understandable : that's all there is in s2 : micro-potentials of what could have been a great series, drowned in an ocean of incompetence. 

[dragon-ashes1485]

TROP s2 ep8

Wow. OK I...am mostly not coherent at the moment so I will be doing character breakdowns because SHIT A BRICK there is so much to unpack.

Durin:

I want to start by saying how fantastic that opening was?! Durin bidding goodbye to Disa as he went to confront his father was so good. Owain portrayed the look of a son in this episode, someone who truly admires his father and wants the best for him, but he also portrayed a king, a dwarf that desires the best for his people with all his heart. I am disappointed we didn't get an Elrond & Durin reunion but his dad had just died so...fair I guess.

I really enjoyed the dwarf storyline, especially watching them descend into greed, especially Durin III, who let me say had an absolutely metal exit. The story of them arm-wrestling when Durin was a child really shows that he feels put under by his Father, only for Durin III to admit in his final minutes that Durin was always strong, and that he would need to be strong. I loved that part, the dialogue made me very sad.

A moment to appreciate this scene please!

The end of the story in season 2 for the dwarves feels like we might see more of them in possible season 3? I really hope so. I liked that Durin was ready to offer aid to the Elves, it's clear how awful he felt that Eregion fell in part because he could not send his army until it was too late.

Aside: DISA LIVES SO I LIVE ALSO.

Also: baby Balrog, anyone? I love how that firey bastard looked. They made it look like it had been plucked straight from the depths of hell itself.

I really hope the Dwarven storyline is a key focus in season 3, especially if it means getting the three amigos (or the two amigos and their tag-along elf) back together.

The Stranger:

It has been revealed! He has his beautiful staff! I love that it was taken from the ruins of the Stoor tree, kind of continuing the storyline of beauty coming from peril that seems to follow Gandalf around in the finales of the last two seasons. I very much enjoyed the little scene with Tom Bombadil. I'd heard them singing in the soundtrack and was very pleased to see it.

I'm including the Harfoots in this section, too, as they weren't in it much. Poppy's story of what Saddoc told her after she lost her family was so heartfelt and very Tolkein, I think that was my favourite bit of the Harfoot storyline this episode. For Nori...is it cruel for me to say that her ending of the journey with the Stranger felt a bit...sudden? I enjoyed her storyline and then she simply walks away from him. While I appreciate that she's doing her own thing, it feels like we were given such a character who was kind of swept away a little? I don't know, I liked parts of it but some felt like an untouched cup of tea, lukewarm and slightly disappointing. I might be alone in this but who knows! I only hope her story isn't left there.

Elendil: (and others)

Oh Elendil, thank you for acknowledging the existence of your other son, Anarion! Also he has Narsil now!! *happy noises* oh Miriel letting him go, sacrificing herself for him once more. This poor woman, please treat her and Elendil nicely next season? Pretty please? Eärien redeemed herself very slightly, I'm glad Kemem wasn't in Numenor when she snuck her father from the chaos. That scene reminds me of all the religious toil that took place during the Tudors, with the Reformation of the church, it all felt very alike. Anyway, I really enjoyed the little we saw of Numenor and hope there's more shown next season. It felt a little disappointing screen-time wise, so maybe s3 can give us a little more!

Alright then. Celebrimbor:

The amount of pain he endures to protect the rings was horrifying to see. I honestly thought they wouldn't show his torture at the hands of Sauron, nor the famous Celebrimbanner. But honestly? Good for you, not shying away from his tragedy of a death, giving him the honour he deserves. Also Charles Edwards? Brilliant work with Charlie Vickers. The writers really went for likening his time spent with Annatar to domestic violence. "Look what you have done to yourself" and all the talk in ep7 about how it was actually Celebrimbor's fault. The torture was horrifying, please feel for me as I had to watch it twice to find the screenshots. I will miss Celebrimbor's character but I am glad the writers gave him the true ending, evidenced the true tragedy of his death.

The shot of the forge is so upsetting. It was once a place of craft and happiness for Celebrimbor, all of Eregion was, but then it was the place of his torture and death.

Isildur:

Not much to say about him to be honest as it felt rather overshadowed by the Estrid romance that, if I'm honest, hasn't really interested me. Like, at all. The moment with Theo was sweet though, as was his acknowledgement of what he had become since his mother's death. I hope we find put what happens to Theo at some point, and that he might reunite with Arondir.

People who can get fucked:

Kemen. Little shit wanting to harm the trees, starve the settlers and this bitch threatened to kill Berek so he deserves nothing more than death. I'm getting angry just typing this so I will say no more.

Adar:

For a sec I was like, why is he so smooth. Then it all went to shit. I still want to know who he is! He was such a good villain but his death was inevitable. He had become too enamoured with killing Sauron, and his children suffered for it. I liked that his death mirrored when he killed Sauron, even the angle was spot on. It saddened me that Glûg was the one who did it, but not wholly unsurprising. His last words were awful and made me feel terribly sorry for him.As a side note, Glûg's death was sad, he had killed his father, found a new master and suffered a cruel death as a result. Also well done effects/makeup team for the transition back into Adar's scars.

Galadriel:

Flipping heck, the whole fight sequence with Sauron made me kick my feet. The part where he shapeshifted was so cool to watch! Also the fight was so dance-like, it was mesmerising. I am enjoying her character becoming wiser in this season, not even tempted this time by Sauron's offers. But she's still the warrior determined to vanquish him, literally crawling across the ground to defeat him. Oh the way I squirmed when Morgoth's stupid crown stabbed her so deeply.

SHE DID AN ELROND. SHE JUMPED. FORESHADOWING *CHEFS KISS*

Just saying, she looked fabulous in the cottage-core dress she wore in Imladris. I really hope the writers continue to make her the wise Galadriel we know in the third age, and also that she gets to fight in battle, of course.

I have so many hopes for her character in s3. Very proud of her not going back to Sauron, that bitch is abusive.

Sauron: dickhead. He killed Celebrimbor. Absolute kettle.

Gil-Galad:

He was great, I liked his joke about Galadriel. They might have redeemed his character a bit, in the last two episodes so I hope we see some more of that!

I love him fully about to rip off an orcs head because it made Elrond sad an dishonoured Celebrimbors work.

Elrond:

Best til last? I just have more to say about his character and also the parallels making my heart sing, so expect many crappy quality snapshots.

Firstly, I'd like to point out how much I loved that he was the one to save Galadriel. He has rejected the Elven rings (with rightful caution) but not enough to leave his friend to perish. He jumped off of a cliff to save his friends from the ring, and then when Galadriel mirrors his actions to stop Sauron getting them, he saves her. He is constantly looking after those he loves, rings or no rings.

This moment here made me sad. Elrond, fresh from the blood on the battlefield, trying to preserve the purity of Celebrimbor's legacy. He even addresses the orcs as they prefer, trying desperately to preserve anything of his friend, who he knows has fallen with Eregion. And they make him watch the burning, as though he was watching the last memory of Celebrimbor dwindle.

I swear, if he and Durin do not reunite in s3 and fix this look on Elrond's face, I will be disappointed. I need the comedy of those two again, help me recover from this season.

PARALELL OF S2 EP1 WHEN GALADRIEL PICKS UP THE RING. Oh I love me a cheeky parallel.

Please praise the cinematographers. They seem to give all the fancy shots to Elrond which is quite funny.

"We barely had the strength to flee" oh my heart fucking broke. Why do they do this to this guy? Let the poor elf retire in Imladris in peace. (Also, imladris?! Yay!) Thank you to the writers and Elrond for finally acknowledging the physical and mental toll of war. It's literally the reason Imladris becomes what it will be, because Elrond saw war and lived it, lived WITH it all his life. Let him retire please.

THIS IS WHAT I MEAN. PRAISE THE CINEMATOGRAPHERS. The look into the camera, the decision he has to make, chefs kiss.

I don't know what to expect to happen with his character next season, but I very much hope it involves Durin. His character arcs over the last 2 seasons have been insane, that's why he's so easy to ramble about, the characterisation and acting of him is phenomenal. Please be kind with them all, Amazon.

Lastly: ARONDIR AND VOROHIL LIVE. Please let Camnir be in Lindon, untouched, making maps and drinking tea.

Overall I really enjoyed the episode. Some of the Harfoots bits as I've said were a little odd but overall a great episode. Loved the parallels in this, the gorgeous shots, representing the mental toll from torture and war and also having the bravery to show that kind of thing on screen! I hope dearly that season 3 will only be better and continue to flesh out these character we love so much.

[wingedshadowfan]

⚠️arcane s2 act iii spoilers // criticism ⚠️

in caitlyn's post-war speech, she talks ambiguously of history and of ups and downs and of a story not yet over, but there's no promise for the future, no motivation to keep going, no bigger picture, no lesson learned. we're not shown much work being done either and i'm about to examine why it felt that way to me, leaving me a bit confused, somewhat unsatisfied, and deeply, profoundly sad

of course, jayce and viktor are dead. heimerdinger is gone, potentially also dead but unlike the latter two, we don't quite know what happened to him, he just kind of disappeared. i was left under the impression the were two ekkos - one for each universe, and our ekko's consciousness just changed bodies briefly due to the hexcore before heimerdinger managed to send him back to his own body in the right universe. but it seemed there was only one heimerdinger (body and soul) who'd traveled to the alternative universe as a package and lived there for a thousand years until our ekko came around in the alternative one's body, and instead of traveling back with him, heimerdinger's body and subsequently his consciousness ceased to exist. so... who's inventing things now? who's rebuilding piltover?

jinx and warwick (because there's no vander left there anymore, we made sure of that) are also presumably dead. we see how this is affecting ekko and vi, but not necessarily the undercity, for which jinx was a symbol of freedom, of unity - the perfect person who could've broken a cycle of violence, poverty and oppression. zaun doesn't get its sovereignty and seemingly loses its beacom of hope.

we see sevika as part of the council in piltover instead, but it's not like she's making merry with the other new counselors, in fact they throw her some nasty looks. and of course, i didn't expect it to be easy and it's admirable she's even there at all but unless i missed anyone, she's the only zaunite there out of 9 counselors (w/ zaun being 1/4 of piltover's population in canon afaik). i guess there's work to be done there but there was no indication of it even being able to go in a good direction, since she seems to have no backing from anyone now and again, we don't even know the extent to which the undercity managed to unify under her.

mel, a character always depicted in white and gold, an image of purity and mercy, defiant of her mother's brutality since childhood, now dons her red eyeshadow and sits on her throne on a ship for noxus. in an attempt to save her city, the city she was exhiled in to "learn" this brutality, to be hidden from the black rose from, and that's she's instead given her everything to care for (after barely getting the time to grapple with her own identity crisis and the predetermination of her fate) she's left no choice but to surrender her mother to the black rose, and watch her die in her arms. perhaps it is by virtue of noxian law she assumes her place and has to return to noxus. she leaves her beloved city in such a perilous and war-torn state, riddled with guilt and confusion. is she a wolf now? has she always been one?

ekko presumably grieves jinx by burning a piece of paper for her (my first thought was it was for heimerdinger, his "mentor" whose contributions and potential sacrifice made ekko coming back home possible, and with the time reversal device at that - but i interpreted it as being for jinx because it was in the place he kissed her alternate self in the alternative universe). what of ekko's future, of his commune? what happened to the tree getting corrupted? heimerdinger had plans to fix it with jayce's help or at least find the sickness' origin (the hexcore, yes, but we don't know if what happened to the tree got reversed), instead they found out the undercity was completely reliant on piltover's mercy for their water and air, and this knowledge seems to have died with them (bcuz i doubt ekko has the power to do anything about it).

caitlyn's looking at the kiramman house files, including city plans, potentially to rebuild things after the war but how? first of all, what are they gonna do with the hextech, the weapons, the gates, the magic in general? would they even want to try that again, and what implications would this have for piltover and zaun individually but for their precarious newly founded relationship? and secondly, she's a policewoman/detective turned anti-civil-war-commander turned just war commander, she's not an engineer or a scientist. all those ones? gone. all the people we know of who could rebuild the city in its previous progressive state are gone - jayce, viktor, heimerdinger, even jinx as a technological wildcar in vi's words. caitlyn seems to be telling the story or archiving files and plans for any future kirammans but she doesn't seem to have any work of her own to do anymore.

vi is the saddest case here, which says a lot. she's lost everything and is completely devoid of purpose. it's okay not to be okay, but what she says to caitlyn completely destroys me (and i'll do a separate, more detailed post but this shall do for now). she's depressed. easily. she's grieving jinx, humming a song her mother used to sing to them, the same one jinx was humming when we first saw her this season. when she says, "I'll always be dirt under your fingernails, cupcake." she isn't being cute, flirty, or romantic. she's being self-deprecating, indicating she deems her presence a nuisance to caitlyn, she deems herself unworthy and unwelcome in her house, but it's not like she's going anywhere. where else could she even go? caitlyn is all she has left. that's what she means when she says, "nothing's ever gonna clean me out", but perhaps even more so, she implies she's beyond repair, that she'll never be whole, never be truly okay again after this.

(the only person who got a "happy" ending, and the reason why this pisses me off is because he was truly vile and wicked and idc abt his motivations i will not be convinced otherwise, was fucking singed, who somehow got to have his immortalized robot daughter despite everything)

[funnyscienceman]

look s2 was ass and i hate ori in a pod and dictator cait shouldve been explored more and so much and so much theres so much wrong with it, the writers were ass, i fucking hate riot, never trust that company for anything ever, AND ALSO jayvik makes me fucking cry man. i was so deadfaced for most of act 3 (aside from bursting into laughter when it got so absurd i felt like i was losing my sanity) but then they started throwing the fucking flashbacks to s1 at you and there was viktor being himself again, happy and funny and him and jayce nerding out over science magic whateverthefuck, and jayce said "all i want is my partner back," and externally i was like slack-jawed, blinking, shocked. like wait really? we're getting a fucking she-ra ending? this couldve been built up to so much better this is coming from fucking nowhere but really?? jayvik is back it's fucking back it's real??!?!??

and it was so overwhelming. internally i couldve been bursting into fucking tears. im still reeling over it more than a week later, like. is this what it felt like when tfgraves finally got to have their thing in pride 2022? people are saying jayce and viktor died in that explosion and maybe, maybe not, but that didn't feel sad to me. i guess it could be, it's impossible for me to take s2 seriously from a storytelling standpoint, but this isn't about that. like. two guys choosing each other over everything and everyone else. the sheer fucking devotion between them that toed the line of text and subtext since season fucking one. it's right there, on full display, center stage, and this is the actual culmination of the story i guess. wasnt set up at all this cast was way too bloated for its own good, but the fact that it exists. the fact that it's been brought to the forefront, they are FORCING YOU to talk about it. that one showrunner fucking lost his marbles on twitter because it was so hard to ignore, because the love there was just so unabashed and shameless and visible

I'm. I dunno. This is dredging up a lot of old feelings of loneliness being a trans gay man feeling like an outsider looking in to the queer community. It's a lot. And it's like conflicting so much with how ass arcane handled both its queers and poc, like as much as i love jayvik i also haaaate how mel and sky got fucking shafted, like did you have to do it like that??? and idk how much of the jayvik ending itself is queerbaiting or crumbs or whatever — if it is at all, idk, im not a philosopher or analyst in that regard — but. i just dont know if i've ever felt so seen. is that even the word for it??? maybe my feelings are just all over the place because it's so fresh? my feelings could change, i dunno. i still dont feel like rewatching s2 in full, all the way through, because it was such a slog and it disrespected 99% of the characters so hard, viktor included (singed got out mostly unscathed and i still consider that a christmas miracle) the most i can handle are individual clips and thinking about jayce and viktor doing like a reverse Weathering With You in that magic space stuff was… what the fuck man. i'm breaking. i'm falling apart.

(throwback to this one thing i doodled aaages and ages ago hdmdhdndnc)

idk. i dunno if any of this made any sense. im like rambling into the void rn. um. sorry this is a mess 👍