#it's not that good but i've watched it like 4 times

[siriuslysmoking]

Villian and Violent

SPOILER WARNING ! SPOILER WARNING ! SPOILER WARNING!

If you haven't watched Outer Banks season 4 part 2, DO NOT I REPEAT DO NOT READ THIS

AN: this fic is strictly for @jlovesjj, I DO NOT write for Rafe <3, she is just a very very sad girl, in light of the recent events, I am trying to provide her with any comfort so she can stop crying. Thank you and good day.

Pairing: Rafe x Reader, bsf!JJ x reader

Warnings: It's sad, angst, death, violence, not edited (She's impatient)

You all look up to the statue that the crown was hopefully in. All you you could barely see due to the sand storm enclosing you all.

"Hey! I'm gonna go up and scope it out!" Rafe shouts over the deafening wind in your ears.

"I'm not leaving it up to him!" JJ shouts back to the group, you can practically feel Rafe rolling his eyes as he grabs your hand. Like hell is he letting you leave his sight.

"No, I'm with you!" Kiara says, joining JJ. You look back and barely see Sarah and John B struggling, She doesn't look okay, so you hear JJ shout to them.

"Hey! John B, you two sit this one out, okay? We'll find the crown..." That's the last you heard as you and Rafe make your way up the hill. Once you make it to the top of the hill, you and Rafe both meet each other's eyes. Then he starts trying to climb up the statue, he doesn't get three feet up, before the wind knocks him back down, You look at him and realise once he stands back up that it wasn't just the wind it was also his hand still bothering him. He holds it close you his chest, looking at you as both Kiara and JJ come racing up the hill.

"Hey! I can't get up there, not with this hand!" He shouts at JJ and Kie. You see them both have a conversation that you can't hear, even with them a few feet away, it's hard to hear yourself think.

"Right now this is our chance! They've taken everything away from us. They're not gonna take this too!" He pulls down his mouth covering so Kiara can hear him better. "I gotta do this, I gotta do this for all of us. I mean, hey, it was my fault to begin with. So, I mean, I should be the one to fix it."

They hug each other and JJ moves over to you and Rafe, getting ready to climb. You step up to him and say, "Hey, you're my best friend, so don't do anything stupid."

He hugs you and speaks, "I'll try."

He lets you go and looks to Rafe, Rafe helps him step up onto the platform, "You got it!"

"Hey! You'll get your cut!" JJ yells, before beginning his climb up. Rafe and you both climb down to stand with Kie and watch JJ as he moves up the statue. You hold Kiara's hand as you watch some of the old loose rocks fall around him. Suddenly he's only hanging on by one hand. You gasp as Kiara shouts his name.

Once he finally gets himself to the large platform you feel as though you can finally take a breath. As you watch JJ you hear a voice. "They have to be up here!"

You all meet each others eyes, Rafe speaks first, "Shit, here they come."

Kie shouts to JJ, trying to get his attention, but he seems confident that he can get the crown in time. "Hey! You stay here. I'll go down and buy us some time."

Kiara nods as you step to go with Rafe, "What? Rafe, are you crazy? They'll kill you!"

"I'm a killer too, I've got nothing to lose." He shouts then looks at you, "You're staying here."

"You can't make me." You yells back firmly. He knows that there is no use in fighting and you're losing time. he makes his way down the hill with you trailing behind him.

Rafe makes you stay back as you approach the group of Mercenaries, he has the luck of the storm not his side, so that they don't see him coming. He goes and cuts the man from behind, as he works with that man you see one heading your way. You're by the man's side so while he looks through the scope of his gun you shove the barrel down and jam the butt of the gun into his jaw. It knocks him down for a second before you step back and he grabs your ankle, tripping you. You stumble as he gets up and he makes his way towards you. Without any weapon, you're out of luck, he's already grabbed his gun, so you make a run for it.

You head into the small village, trying to outrun the guy. You stumble into a deserted house and looks for anything that could be considered a weapon.

"Come out you little bitch!" he shouts, by the door frame of the house, she sees the barrel of the gun and jumps out for the behind the wall and slams a stone to his head. Blood starts flowing from the top of his head, but that only slowed him down and made him more angry. He did happen to drop his gun of the impact, you grab it and slam the butt of the gun to his forehead before you can even think about what you're doing. he falls to the ground with a heavy 'thump', and you finally take a breath. You hang onto the gun, just for safekeeping, as you set a mission to find Rafe. That's when you hear a soft gunshot in the distance, you immediately perk up and try to run to the source, but with this wind and all the walls that carried it, it could be from anywhere. You head down different passageways and alleys and houses.

Once you travel far enough and the storm starts slowing down, you can finally hear something. You think it's Rafe, your worst fear is him being hurt or worse but what you come upon is much worse than anything you can imagine. You can now recognize that the sounds you heard was not in fact Rafe, it was Kie, she was leaning onto JJ's legs, crying, then you realise the small movements of JJ's chest is gone, that he sits there lifeless. You drop the heavy gun and start to tear up, Kiara doesn't even look your way, you don't think she even cares about anything other than JJ in this moment.

You start to feel your knees buckle before strong arms wrap around your middle, You'd try to get them off but you realise you have no more fight left in your body, after the days of being on the run with lack of food and water, it's finally caught up to you, and all it took was seeing your best friends body lifeless on the ground. You move a little, mumbling something about getting off of you and then you hear a whisper, "It's me, It's me."

At the sound of you boyfriends soft you, you finally let yourself fall, letting out a horrendous sound out of the back of your mouth. Rafe lets his back fall down the wall with you in his arms. You both sit the on the stone in each others arms as he rocks you back and forth.

You can't even think, a life without your best friend in it's not a life worth living.

Rafe shushes you, saying soft words into your ears. You don't even notice when the rest of the group stumbles upon you guys, you don't think you even care.

You feel pathetic as Rafe carries you back, he has to set you down to go up a large sand dune, but he doesn't let go of your hand at any point. You sit next to him as he buries a grave for JJ's body, you watch him as he lowers it into the sand, you shake as he slowly covers it back up with sand.

You sit with your back to his front as you sit before the fire. You have cried all your tears, your eyes feel dry and body feels weak, as Rafe supports your body. Your eyes get heavy as Rafe whispers to you, "you'll be alright, I promise."

You don't believe him, you think he's lying, but it was nice to hear anyways.

Likes and Reblogs are appreciated

[mewtwoandme]

So since ur using ur phone for ur art and stories, what app are u using to make them? And does it cost anything? I would like to know. And does TC-96 use the same thing ur using?

I use Ibispaint X while TC uses Clip Studio Paint. I personally think CSP is better recommended, but it can be a bit overwhelming. I tried out the app and you get an hour or so each day to play around with it for free and oof...it was a lot. Get the one-time purchase and you get all the good quality tools, brushes and assets available.

If you want something free and more beginner friendly, Ibispaint is a good second choice for people just starting out with digital art (specifically for Samsung users, or else I'd suggest Procreate, but thats for Apple). Watch an add and you get all the tools and brushes for 4 hours (it used to be 18 HOURS! :/ I'm still salty they changed that, but once the 4 hours are up you can watch an add again to gain another 4 hours, theres no limit). There are paywals and it's optional to pay the subscription fee for certain tools and filters, however I've personally never had to use them and they aren't really necessary anyway. If you pay it does get rid of the adds though...

But I'm a cheap fuck lol. I don't spend money if I don't have to, I've gotten away with it this far and still make good art without the top notch stuff

[halcome]

Oh gods I didn't even realize it was Saturday, new Wild Life ep let's go!!! Wooo!!!

(reacting as I watch below)

Gonna do my heart a favor and just edit this post as I watch, seems to be a calm session but with the speed mechanics its only a matter of time before I see someone run off a cliff. Still recovering from the snails, small morsels of content are a must.

Grian's Wild Life Ep. 4

Grian and Mumbo doing their best to help Skizz murder is a delight as always, but I feel like their plans always seem to benefit them in the end and not Skizz.

Already terrified of the minecart cannon Grian made and I dont think theyre fast enough yet to launch it far.

Made some breakfast, some scrambled eggs with peppers and a side of, OMG SCAR

I probs should've guessed he'd immediately put a tnt minecart down to test it but everyone was so close by, gave me a lil scare. Also does Mumbo not have self preservation instincts? Cause everyone backed up but he kept staring at it, barely inching away. Guessing his redstone and curiosity instincts were stronger than his need to stay yellow.

Grian: Mumbo, is the moon fast?

Omg he said the line!

If I remember correctly speed + tnt minecart = more power, Grian holding up a shield was a good effort but dear lord that was quite the death.

Genuinely, what on earth just happened?

Mumbo died the most Looney Toon death I've ever seen, running for water and turned to ash. Scar was an absolute menace too, shooting Grian off that ledge was a very Hot Guy move. I wonder if he'll make it to the very end? I know Grian's targeting Scar now but something tells me he's gonna survive by sheer dumb luck.

SmallishBeans' Wild Life Ep. 4

Cool guys don't look at explosions! Something, something, TNT takes 4 seconds to explode. Timings are demolished.

8:00 Joel on his ballerina arc.

Took a break to finish homework, came back to Jimmy trying to take a chunk out of Joel's "somewhere" ??? Usual shenanigans it seems.

Seen Skizz frolicking in the sunflowers twice now from 2 different viewpoints, he's really enjoying his time on a death game server, proud of em.

Absolutely loving how proud everyone is of Mumbo getting a kill, always nice to see the little reminders that even though this is a death game of bloodshed and betrayal they're still friends in the end. Though I have seen clips of Bdubs holding grudges, so while everyone is friend shaped, they are not forgive and forget shaped.

Joel giving so many diamonds to Lizzie is incredible. Man's forever smitten with his missus. Lizzie the absolute queen!

[xuzuul]

I've always thought that Fuu2 was a pretty lame Yokai design, especially for Nate Adams, the watch holder boy that saved the world like 3 or 4 times. So I decided to give him a quick new Yokai design, as a humanoid Yokai in the enma tribe (because he deserves it tbh)

This was a collab with my good friend PurePea on Reddit, his design is coming soon. :]

[scorndotexe]

Out of curiosity, why do you dislike Midnight Mass? It's really like hear your opinions.

it's just so fucking BORING!! the concept is interesting i do find the concept interesting (vampire priest who believes his vampirism is a gift from god) but somehow it was done in the least interesting way possible. sometimes there's like a minute where i thought "holy shit is it finally gonna get better" and then i watched the next episode and it continued to be exactly the same.

all the characters are basically exactly the same. i know it's by monologue flanagan but can they at least monologue in DIFFERENT ways??? dear god. he edited it himself and you can REALLY tell. the fucking ten minute scene that's just "what do you think happens after we die? vcnvncmrnwbvnjef vdmnnc cmnennwneetnewnnwbefnbrtnbemrbermnbmrbtrtbwnrebeb" is crazy who thought that was a good idea. god every character was so forgettable i think i remember like 4 names. genuinely i see people talking about a character and i have to look them up and i STILL don't remember them. don't get me started on the fucking therapy speak. also riley flynn is the most boring protagonist i've ever seen i can't think of a single personality trait he has. i can barely think of ANY personality traits ANY characters have.

i know we shit on his adaptations a lot (as we should) and at the very fucking least he didn't ruin another excellent work of horror with midnight mass but he is NOT a good writer with his own stuff either!! it's so BLAND. even when it's not boring it's bland and uninteresting. i know i'm biased i know i watch extreme horror to find artistic value in underlooked pieces of media so i'm used to "that freak shit" but he did nothing!!! he did nothing with his vampire priest! he was literally irrelevant by the end because he gave that antagonist role to some other character and he was never really the protagonist either. he was just there for a really dumb late-game romance plot/plot twist.

it's such an unbearable show and the ending isn't even good!!! its tone is so fucking weird like everyone dies and yet there's still a weirdly hopeful tone to it. i feel like that's a moment to REALLY lean into the tragedy. it doesn't have a happy ending but it also doesn't let you feel sad enough for it to be truly tragic.

also there's like three different types of vampire in the show and it makes NO sense why they're so different from each other. i'm not asking for extensive lore i'm just asking for consistency.

it's like 8 hours long and i know i've probably spent way more than that complaining about this fucking show but still a waste of my time. it just sucks so much. it could have been an okay movie but as a whole show it's so dragged out and doesn't DO anything with those eight hours. i don't mind a slow burn i really don't but a) the build up has to be worth something and b) it has to have something really really good at the end of the build up.

honestly it looks SO good in gifs and screenshots and fanart that it makes me wish the show was better because you could have a much better experience just looking at those and imagining a good show than actually watching it.

on the plus side if you DO watch the actual show riley's death scene is the funniest shit in the whole thing.

[yekokataa]

holy shit that rogue fbi agent came back and shot mulder's dad in the head right before he was going to disclose government secrets to mulder

[pidgydraws]

🩹 let him rest 🩹

[nebulaeyedfish]

My Mother said I never should / play with faeries in the wood

Watched Gem's s9 the other day. Etho is washed up pass it on.

Tags: @imflyingfish @raise-me-up-take-me-up @swanofstorie

See pinned for commissions

[onesnoopyaday]

Snoopy #4

5/10/2024

[ducktracy]

reminder that if you're not watching Crayon Shin-chan then you are living a hollow and empty life. this is not edited. this ripped straight from the movie (Movie 8: Jungle That Invites the Storm, highly recommend for fellow Masaaki Yuasa lovers)

if you need further convincing: these monkeys run an animation sweatshop

[necrotic-nephilim]

Hey there, are you ok?

hey! thank you for checking up on me, this was really sweet!

i SWEAR i did not die. i just got a bit busy doing SladeRobin Week (which i will finish so help me god-) as well as things in my real life. i'm still trying to find the balance of like. fandom creation and working. i am very lucky to have the living situation that i do rn, but it is the sort of schedule where i do have to be ready to watch a baby at really any given point so. it's a tricky balance right now, but i'm going to be active here again! maybe not as many asks answered a day as before, but i want to try to answer like, a few a day and whatnot.

i also think i got briefly overwhelmed, in that i got more asks faster than i answered them. which is the opposite of a problem and something i'm very lucky for! but it did make it difficult for me to keep up and know what to answer next. (this is *not* a discouragement to sending asks! i love them all and pls send as many as you want! i just am a little slow sometimes so i appreciate the patience! <3)

so! i'm back and i'm good, ty for asking! we are back to the regularly scheduled programming <3

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[gwydionae]

"That old witch caught Graham 'toad-ally' off guard."

[zenjestrr]

a One Piece restaurant opened up relatively close to where I live so I think that was the final push to get me to finally consume OP so I can go there and experience childlike wonder

[sskk-manifesto]

:)

[flare-dragon]

Ron's Gone Wrong: An Analysis

I recently rewatched (most of) Ron's Gone Wrong and remembered a few reviews I'd read of it, describing how its message seemed muddied and not very clear...which, ultimately, is true.

But, with that said, there's something I realise about it that it almost gets right (literally, all the way up to its second-last climax is so perfect, and even its ascent to its final climax is still consistent with this realisation). The realisation is that there's one thing it describes really well:

Artificial/Algorithmic "Friendship" vs Organic Relationships

It seems almost simple or obvious that this is the message the movie tried to portray, but the way that it ultimately ended tells me that they either missed the point they were making or someone else forced them to have a different ending (sadly, I think it's the former). I cannot call it a bad movie for missing that point (it's still one my most watched recent movies), but it makes me wonder what it could've been had it brought this point home.

So, without waffling on for too much longer, here's a quick analysis on how it goes about this message, and why it's a good message that doesn't inherently contradict the pervasiveness of social media (even if it also didn't do much about that point)

Barney vs Friendship

The beginning of the movie shows us a "revolutionary invention", designed for making friends: The Bubble Bot (B-Bot for short). From the get-go, we're given a presentation of what the modern friend-making dynamic intends to be: Interact with interests and media, share them online, and the algorithm uses that to help connect with others who shares those interests and enjoyment of media. It's an intentional reflection of modern social media, albeit a somewhat simplified version.

It quickly shifts to a large number of kids connecting to their B-Bots for the first time in a short montage, cut at the end with a hand touching a similarly-coloured door. An assumedly unintentional, but well-placed, contrast and summary of the story. Here we meet Barney.

Without rehashing too much of the beginning of the movie, we learn that everyone else at his school (supposedly?) has a B-Bot and he's the only one without it. Similarly, he doesn't have any friends he talks to during school (or outside of it apart from family). He himself states that he "kinda, actually" needs a B-Bot to make friends these days. One could call this a simple set up to the idea of "You won't make real friends using computers" by starting us off with a B-Bot-less Barney...if it weren't for the fact that he gets one the next day.

This is when we really start to see what I mean by "Barney vs Friendship": His attitude towards what his new B-Bot should be is pretty consistent with how everyone else has been using them: "You are meant to be my friend, and know everything about me." It's hammered in later on during the friendship montage, with Barney making a board on "How to be my friend" (underline by me).

Barney's perception of friendship, then, is revealed as "You are my friend. You are on my side. You like the things I like." A very selfish and self-centred perception. This might seem to set up Barney to be a selfish person...but isn't that how the algorithm is supposed to work? Finding people with the same interesting ("the things I like") and rejecting those who don't share it (which we see at the school, two B-Bots rejecting each other, and thus the two kids, Savannah and Ava, simply walk away from each other). It isn't Barney's fault his understanding of friendship is like this. He's been inundated and surrounded by it.

Barney vs Ron

Up to this point (after the school "riot"), we see Ron as trying so hard to be Barney's friend, to the point of taking Savannah's words to heart and going outside to find people to be friends with Barney (since Ron wants to not be pointless and is connected to Barney). It isn't until now that Ron asks the question: "Barney, are you my friend?"

Barney's response is typical and expected: "What do you mean? My dad bought you for me." After all, Ron is just a robot, right? It does make the idea of the message "Artificial Friendship vs Organic Relationship" difficult to apply since Barney literally doesn't see Ron as a person. He's just a self-moving machine designed to be a friend.

But, interestingly enough, that makes Ron a perfect vehicle for the message. A machine that was intended to just follow the algorithm, instead forced to (and willing to) create their own way through life by whatever limited tools it has access to. Even in the moments Barney sees Ron as just a machine, he's also treated him as an important person in his life.

When they meet up again in Barney's shed, it all finally shifts into what it always should've been: A two-way street. They'd already spent so much time bonding, regardless of the way they'd perceived each other before then (Barney seeing Ron as just a friend machine, Ron seeing Barney as the one person he needed to be a friend to), that the change to actually being a friend to each other and allowing each other's individuality to shine but never be the only priority allows them both to be better friends, differences and all.

To contrast, we also follow in pieces the journeys of Savannah, Rich, Noah, and Ava's own experiences with their functioning-as-intended B-Bots. We see Savannah and Ava miss an opportunity to be friends (and Ava's loneliness from very few B-Bot owners showing an interest in science). We see Noah's constant struggle to be at the top of the leaderboard. We see Rich attention-starved and making as much "content" as he can just to get some. Instead of exploring the possibilities of relationships with people who may not share the same interests, they're steadfast focused on what they're used to, never really getting a chance to evolve it into something more joyful (more on that later)

Barney & Ron vs The World

...a dramatic subtitle, but this is when the two of them run off, away from Bubble's attempt to capture Ron to stem the damage they've seen from him. Barney still doesn't have any friends aside from Ron, and Ron doesn't have any friends aside from Barney. Barney refuses to lose his one and only friend, so they run off, separated from the rest of the world, and just...enjoy each other's company.

In the montage and subsequent scenes, we see more bonding from both of them. Ron is still trying to be a good friend, but Barney gives him a chance to say things for himself and to do things for himself, even if Barney doesn't like it. Even when they argue later from the stress of living outdoors in the woods, they stick together and try to keep warm.

There's not a lot to say about these scenes, except that we see a very stark differences from when they'd first met. It's almost as if this is where we get to see how far they've come as friends. We've seen the relationship grow over time, shifting from seeing each other as a particular purpose into treating each other as individuals. A shift that would've been impossible if Ron simply followed the same algorithm the others did.

Would Barney have found friends if Ron functioned as intended? Would Ron have shown the personality he does if he had ever been connected to the Bubble Network? Would there have ever been a discussion on how to actually make friends? It isn't until later that we find a likely answer to all of these: No. Barney would have fallen into the same trap every other B-Bot user did: A constant hunger for validation that only resulted in disconnection and loneliness.

It al comes to a head when they both find themselves in danger from being caught by Bubble (by remote-controlled B-Bots being controlled without user consent or knowledge. Makes one wonder~). Barney does everything he can to hide and protect Ron (which only succeeds due to Andrew's complete disregard to human life), even risk death from asthma. Ron then does everything he can to ensure Barney doesn't die in the woods, even if it meant being taken away and destroyed.

It's a beautiful relationship, given a chance due to them having to discover who each other were over time and in an organic matter. Ron had to learn Barney's interests manually and even began to observe new things about him over time. Barney shifted the way he looked at Ron to seeing him as his own person, and spent the time to learn his own likes and desires.

Barney vs "Ron's Gone Wrong"

I figure it's also important to include where - in my opinion - the movie loses the message and the storytellers mess up. In the last segment of the movie, we have Ron having been connected to the Bubble Network and losing everything that made him unique, each interaction with Barney being a shallow facsimile of what made Barney become best friends with him (right down to Ron's individuality being erased).

I'm sure there was a way to make this work, but it instead has Barney try to rescue Ron's personality (a backup Marc created somehow) and then, after getting it back, Ron sharing his personality with every other B-Bot (due to seeing how the original algorithm just lead to sad kids disconnected from each other) at the cost of his own life (although that's technically ambiguous, especially with the ending).

I'm...not sure what the intent is, but it misses something big. What made Ron special to Barney was not simply that he existed outside of the mould that every other B-Bot was forced to fit into. It was that Barney got to know him and his eccentricities, and Ron got to grow and evolve alongside Barney. They both grew organically alongside each other, and demonstrated the need for a more natural approach to friendship making compared to the rigidity of the algorithmic connections that occurred through the B-Bots (and not questioning this algorithm or given much chance to examine the issues).

By simply sharing Ron's personality to every other B-Bot, it only really achieves one thing right in relation to the message: It forces each person to operate on their B-Bots level and develop their own connection to their now-chaotic buddy (I suppose not focusing on "online vs offline" as far as friendships go was also a good point for it, as it didn't really feel like a strong enough point for the movie and there's better ways to go about such a message.)

Had there been a greater focus on how it was that Barney's friendship had developed - or at least some kind of portrayal that the updated B-Bots weren't just copies of Ron but had actually become wide and varied individuals for their owners(?) to get to know - the ending might've been able to work better. Ron's sacrifice was a tragedy, but it displayed Ron's sheer selflessness and self-developed kindness and generosity.

If there's one scene that at least supports the message of "Artificial/Algorithmic Friendship vs Organic Relationships", it's the moment Barney sees how unhappy his former-now-again friends as they stare at their B-Bots screens and try to make some semblance of happiness, however shallow it is. Having a contrast of their artificially-built connection compared to Barney and Ron's hard-earnt friendship felt like a good way to help demonstrate the point. I just wish it could've lead to a more satisfying ending.

Barney and Friends

This is just a short little bit, but I wanted to at least point out one other good thing that happens in the last segment and ending. Barney may have started out friendless, but his friendship with Ron and Ron's selfless sacrifice (to get him medical attention) allowed Barney to reconnect with his former friends. It was a moment of realisation for Savannah, Ava, Noah, and Rich: After all this time, they let their friendship decay and be lost.

Seeing them, then, be together and hanging out alongside Barney? It showed another element of an organic relationship: Organic connections. Algorithms can give you other connection points, but it may leave you limited to other perspectives too similar to your own. Organic connections, though, force you to figure out if this thing that you never really thought about before is something you like or not, and if this person's appreciation and interest in it is something you like. It's one of those things that can just grow on its own and become something beautiful.

Just to note: I do not believe online friendships are worse than offline relationships, nor more shallow. Rather, it's algorithmic friendships that fall flat. The power of the internet is that it lets you get in touch with so many people you normally wouldn't have the chance to. Leaving it entirely in the hands of an algorithm (and not thinking critically about it) has you miss out on the beauty of the mish-mash nature of the internet. It's why Tumblr's such a fun place to be~ ^^

Conclusion

So yeah. The thing that always disappointed me most about the movie isn't that it didn't stick the landing. It's that it has such a beautiful message and the story it tells is so heart-warming and charming, but the message isn't carried to the end so you wonder if it was ever intended (I believe it was, but it's hard to say).

Seeing the way Barney and Ron's friendship evolves - and the way they each grow as individuals - contrasted with everyone else using B-Bots as they were originally designed/programmed makes for a pretty compelling portrayal of the differences between a friendship formed and informed by entirely through an algorithm, and a relationship that grew from organic interactions that, even when influenced by expectations from and of each other, created something much more different and complex and much more fulfilling for the two of them.

It's a beautiful friendship, and it's still worth watching to the end~

Bonus

It's more a funny coincidence I noticed, but the way that Andrew kicks Marc out when Ron loses his individuality, and then how Andrew was removed and Marc taking charge again when Ron's personality was distributed to every other B-Bot? Almost feels like its own reference to that message (Algorithmic Friendships may be ubiquitous and everywhere, but ultimately Organic Relationships will last the test of time)

A funny comparison honestly~