#it's just So correct

[secrettastemakerland]

something about how judy likes to dance but nick doesn't but he goes with her anyway!!!!!!!!!!!!!!!!!

[poorly-drawn-mdzs]

I love you Safety Wizard.

(Inspired by @keroascrazy)

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[birdmenmanga]

they are putting yaoi in the city art museum and censoring nsfw content with heat-responsive material so you have to put your hands on it to see dick

[bixels]

Rewatched this scene from Disney's Robin Hood and knew what I had to do.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[hinamie]

i'm exactly as normal about him as I thought I'd be

[zaahvi]

GLORY TO THE RISEN GODS

[hellenhighwater]

what breed(s) are vice malice and mayhem? i'm guessing himalayan or maybe part maine coon?

Nope! They are dumpster babies. They have no lineage or pedigree; the closest they've been to a breed was meeting Eleanor one time. Vice is part dryer lint and Malice is a meatball. Arguably The Meatball. They have no affiliation with any sort of Proper Cat and while Vice looks like a little lost lordling and Malice acts like undisputed queen of the universe, neither of them can claim to be anything but a completely standard Domestic Longhair Cat. They're not even related to each other.

Eleanor, for the record, is a Himalayan/Ragdoll cross. She's got papers and everything. She can't read them though, because there's nothing in her head but pretty pretty fluff.

[spirkbitch]

one more opinion about star trek fashion

it actually shouldn’t look like stuff you would wear (or at least a lot of it shouldn’t)

i’ve seen a lot of praise for modern trek fashion being better than classic trek because ‘people would actually wear that’

look at what people wore as everyday fashion 200-300 years ago, would you wear it? probably not, maybe for the novelty of it, but definitely not every day.

like, yeah this stuff looks crazy

it’s 300 years in the future. some of them are aliens, makes perfect sense to me that they would wear ridiculous extravagant clothes that look strange to my 21st century eye

similar to how if you showed modern fashion (especially alternative fashion/runway fashion) to someone dressed like this,

they would probably think we’re crazy.

yet for some reason modern trek wants us to believe that hundreds of years into the future people still just wear zip up hoodies?

(idk if the spock fit actually is a hoodie or not but come on man, the zipper? nothing more futuristic than a zipper?)

or this dress that looks like i could buy it in a 21st century target?

(not to hate on chapel, she’s just the only one i can find decent pictures of out of uniform)

also why is everything so grey now? when was it decided that people don’t wear colors in the future? i can not find out of uniform pictures where any of these people wear color, all black, white, grey, and maybe a bit of muted green.

tldr

clothing design in star trek should be just as important as clothing design in a period piece. i don’t think a screencap from any star trek should look like it could just as easily take place in the 21st century, i should see some crazy outfits. the clothes can do a lot of the heavy lifting to remind us that this is supposed to be far in the future.

[r-aindr0p]

Mini-rollo invasion : Pomefiore

Anypov :

Heartslabyul - Savanaclaw - Octavinelle - Scarabia - Ignihyde - Diasomnia

[wtfforged]

stretchies

[gunstellations]

encounter (1/?)

next page

cont. of unfamiliar side

[rynli]

every binary man does this

part 1 part 2

[bigfatbreak]

Birds of a Feather previous / next

[lil-vibes]

most normal conversation they have