#it's far from one-sided

[hetagrammy]

The pope and his mistress circa 1492, shortly after his ascension.

Messy bonus sketch under the cut

[platoapproved]

iwtv ships + book quotes

[keferon]

The tac net crash chapter is one of my favorites so far~

Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍

[poorly-drawn-mdzs]

Good Morning, World.

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[puppetmaster13u]

Prompt in Memes 4

Another prompt, but in memes because trying to gather my thoughts is hard sometimes lol.

[biggest-gaudiest-patronuses]

there's just... there is no reason to make yet another cop show in this day and age. copaganda is not only bullshit, it is a failure of imagination.

you want to watch brooding characters with dark pasts investigate crimes in an official capacity? just use private detectives (cops have a miserable solve rate anyway). want eccentric geniuses & their sidekicks solving mysteries? i present you with armchair detectives & neighborhood busybodies. oh, you're craving a workplace comedy-drama starring overworked protagonists doing their heartfelt best to resolve community conflicts? social worker office sitcom! bitch this is ACHIEVABLE

[luguangs]

If you're not here, then how are you always with me? If I'm not here, then how am I not there with you? — One of Us, Paruyr Sevak (tr. metamorphesque)

happy belated birthday, tay ♡ @misakarose [insp.]

[sysig]

can i ask for larry and kabu.... is it allowed......... if not i can ask for something else lol

Day 2 - Warm feelings

[redcallisto]

Danstelle week 2023 Day 4 - Secret Relationship | Jealousy

(R-L)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[aflamboyanceofflamingos]

In order to turn a very embarrassing moment of my life into something funny have this stupid Timbern au:

The Drakes are alive so Tim is still on track for being the heir of D.I. but is interning at W.E. for the summer because Bruce offered a position

Bernard has been interning at W.E. as well, for volunteering hours

The both work in a small, newer branch of W.E. that focuses on cultivating more information about Gotham’s history

Bernard’s there because it's the most teen focused thing and Tim’s there because he wants to figure where exactly the Lazarus pit is under Gotham so he can mess with Ra’s

They are currently stationed at an old house that was made into a museum which is managed by Wayne Enterprises, but since most of it is a museum there are only a few rooms to actually work, however it being a teen thing it’s very much choose your own hours so that prevents too many people from being there at once

Tim, who doesn’t want someone to come in a see the fact that he’s already finished cataloging all of the 2023 Donations to the museum and is instead using the time to further research the numerous curses in Gotham and/or watch Demon Slayer, is very happy about this fact and only comes at either the earliest or latest times so he gets a room to himself and only has to pretend to be going through boxes when someone checks on him

Bernard immediately messes up Tim’s plan

He’s always there- morning, night, even when Tim changes up his schedule

And no matter how many how many empty rooms there might be he always finds Tim and sits with him, even the time Tim tried to hide in the attic under the guise of organizing a couple boxes up there

Being the paranoid idiot that he is Tim assume that Bernard is a from the League of Assassins and enacts a 46-step plan to figure out what he’s planning (read: stalks him) and in the course of it ends up falling in love

Meanwhile on Bernard’s side, the first week of the internship he walked into the room Tim was in and wanted to be friends with the cute boy

The reason that he kept finding Tim was that he was talking to Dick Grayson, his gymnastics instructor, and Dick had realized that the boy in question was his honorary little brother and told Bernard that “Timmy’s shy, you just have to break down his walls to get to know him” and tells him when Tim’s going to the museum

Dick is well aware of what Tim thinks the situation is because he’s the one Tim rants to, but he thinks it’s funny and will make for a great story to tell at their wedding

[queenlucythevaliant]

Just to clarify my thoughts (since I've had a number of people ask me about it) re: Job and cursing God. There's a big difference between cursing God as used in Scripture and how we generally would think of cursing at God today.

Cursing someone, in the Bible, has a lot of depth to it. It's not just saying "screw you " in anger, it's got a sense of forsakenness to it. It's the opposite of a blessing, a removal of blessing. If the blessing is presence, your face shining on the person you're blessing, then a curse is absence. In some translations, Job's wife tells him to "renounce God and die," which I honestly think makes a lot more sense to modern ears.

Job says a lot of unpleasant things to and about God in his anger and grief. So do the Psalmists. A number of the Prophets. So can we. God can take it if we come to him with honest expressions of our emotion, including those not-so-nice ones directed at him. I don't think there's anything wrong with getting mad at God and saying, "How dare you, you bastard" when you suffer unjustly. You can say much worse, I think, without sinning, though I don't feel particularly inclined to give examples. But as long as it's an honest expression of your heart, I think you're doing exactly what prayer is for. You're presenting him your heart with an open hand. He can use that. Opposite of love is not hate but indifference, etc.

Job doesn't renounce God. Neither should we. But I think when you're truly suffering, you're gonna have those feelings toward God either way. He'd rather you address them with him directly than try to avoid them. Cursing at God in the modern sense is actually a great way to keep the relationship strong and not end up cursing/renouncing him in the Biblical sense.

[tj-crochets]

Started cleaning my room and the scrap pile is once again getting ridiculous so it’s braided scrap time again! This time it’s a five strand braid (to make it go faster) and I’m going to try to make a basket, I think

[baeshijima]

some sprites from the new tot event bc ourgh....

rosa my prettiest gf ever in yet another banger event hell yea 🙏

[notachair]

thinking about how Sypha described Alucard like a "cold spot in a room" in S2, and Alucard showing up at the end of Nocturne S1 looking all desaturated, though yes ethereal, but also in a sense cold and ghostly, all buttoned up at the front. Sypha saying his sadness being like an icy well. And here he'd been so soft and happy by the S4 finale 😭 I'm nervous- but excited. And I fear the new groupie got some walls to tear down

[creature-once-removed]

every time I re read GtN I am caught off guard by how serious it is

Like, Gideon spends the first few pages checking everywhere for possibilities for Harrow's skeletons to ambush her. And then she nonchalantly tells Aiglamene that Harrow would do literally anything to hurt her.

You don't really notice it the first time around because of the lighthearted way it's written, but when you know the context for all of it, it becomes uncomfortably clear how intense and dangerous the situation is that Gideon tries so thoroughly to avoid here.