#it's a very poorly formed concept for me

[crystalkitty1220]

Welcome back to tumblr! Hope you enjoyed your break

It was very stressful. Ended up failing the marking period for English, but not by as much as I was failing before. Could still pull up the overall grade by the end of the semester.

[triptychgardener]

i saw you mentioned that transfem!calliope was practically canon, could you maybe elaborate on that? (im not dissing your hcs btw im just confused on where its suggested in canon)

Hey so it took me a while to get to this just because I wanted to solidify some thoughts about it! Won't go into as much detail wrt my other posts, but we can at the very least start with her handle: uranianUmbra

Uranian is an old-fashioned term, generally used for gay men, though also used in different ways to describe other-gendered people or ways of being, occasionally used as a catch-all similar to how Queer is used today. Its history is complicated and occasionally uncomfortable, as a lot of queer history can be, but notably, one potential root of this idea came from Urning

Now obviously conceptions of gender and sexuality were a lot different then, and I don't want to simplify this, but in Homestuck, it's pretty undeniable that Calliope is a woman stuck in a man's body, and this is likely why Hussie used that very specific word in the first place: to foreshadow the eventual Cherubian Twist.

And not that framing: a woman trapped in a man's body. Cherubs (at least as we are told) have two equal halves who can predominate. But the framing of their entire dynamic makes it very clear that this is Caliborn's body, not Calliope.

Callie's ideal self, in Callie Ohpeee, her Trollsona, is positioned as something to be taken off to reveal her true self. She feels that she needs to conform her exterior to match her interior self, something Caliborn never has to do.

Hell, even as she goes to sleep for the last time, she removes her jacket to reveal Caliborn's shirt underneath. It's his body, not hers.

Not only that, but throughout the story, we see that Callie experiences something close to either dysphoria or body dysmorphia. She hates the way she looks, and affects an especially sweet demeanor in order to not scare people away. She sees herself as a monster because her body becomes the most hideous masculine monster the story has ever known! Literally Lord English.

And shockingly, even though it (in my opinion) handles it poorly, the Epilogues do give us a brief insight into cherub gender, where it basically illuminates that Aranea was kind of talking out of her ass about cherub reproduction, and that Cherubs have no actual biological sex or gender. Meaning that somewhere along the way, Caliborn and Calliope CHOSE their genders, likely influenced by the human and troll internet they were permitted. Callie perhaps forming her own gender in opposition to her brother. This also probably created the ouroboros through which gender became a thing in the first place but thats besides the point. Point is, Callie was likely not a woman until she chose to be a woman. I.e. transgender.

Now the epilogues took it in what I find to be a kind of boring direction, i.e. "well cherubs have no real biological sex so that means I have to be nonbinary now" which is just such a lukewarm take on the imposition of gender but whatever. Point is that Callie is transgender end of story goodnight!!!!!

[caldella]

Blitzø & Eye Trauma:

I think it's a very deliberate setup

Fan theory time for me again! Apologies in advance because looking up the screenshots/writing the text for this one was a massive shot of angst. A couple of these scenes are ones I still find hard to rewatch.

Some of you very observant folks here have pointed out that Blitzø seems to have trauma revolving around eyes. Specifically, that Martha's death seemed to trigger it, and not having someone to comfort him afterward (like M&M had) probably exacerbated how poorly he internalized it...

(Who TF here first pointed out him being upset and hugging himself back in the office because I found it from one of you and didn't see it myself omg)

Even though he pretended it didn't affect him, it did. Heavily. To an extent that Martha was the only one of I.M.P.'s hits that Blitzø was seen apologizing to in Apology Tour...

And the references to the eyeball loss and lack of comfort showed up as traumatic hallucinations/memories in Ghostfuckers. At least two of the "potential death" Millies included eye trauma. He tried to find comfort in the hallucination of his mother, only for her to catch fire where he touched her (a representation of his guilt for causing her death, and self-loathing at destroying people he loves). The eyeball imagery was blended in with her skull pendant and the general symbolism of her death, along with his inability to stop it or apologize for it.

Basically, he has a lot of trauma-related emotions that the eye loss seems to symbolize. It might partly reflect on his own face injury in the fire. But ultimately, it's tied to his own mother's death: the one person he most wishes he could apologize to and help but will never be able to.

I think the eye trauma concept isn't just a choice they made just to tie to the pendant and his mom - it's a deliberate choice to link things together in the future.

Because some of you very observant folks ALSO pointed out how the show subtly displayed his mother and Stolas as visually similar from his viewpoint:

And we know Blitzø really only processed that Stolas can get hurt in the last few episodes. It's only the last few episodes that he's come to terms with Stolas being someone he can't fathom losing and will fall apart without. The one person he actually wanted to apologize to in Apology Tour.

That's obviously already been tested/laid bare in Mastermind, when he thought Stolas was going to die. But there's another element here.

Part of the Stolitz Apology Tour argument included accidentally admitting that he knew about Striker's first assassination attempt and didn't say anything. Up until AT and the following episodes, part of his struggle to fully process that Stolas can get hurt was because of how terrifying that concept was for him. He was heavily in his "I hurt anyone who cares about me" mentality, and it was so much easier to convince himself that Stolas' status/immortality was above needing Blitzø or being impacted by anything he did. In his panic/denial, he claimed there was no way Stolas could've needed his help - he should've been fine handling Striker on his own. (Gawd Stolas' face in this forever breaks my heart: "holy shit he really doesn't care")

These situations are tied together because of how the conflict with Striker went in Western Energy.

Because during Striker's attack/torture, after Stolas' death was already called off, he aimed for a very specific form of mutilation that was only prevented by M&M intervening:

He literally planned to cut out Stolas' eyes.

Like HELLO?!!! HOLY SHIT?!!

The attack Blitzø convinced himself Stolas wouldn't need him for almost ended with a repeat of his biggest trauma trigger.

And I think this is going to come back at some point. While I think one of the next incidents with Striker is going to involve Via being in danger, and I still vote that I want Stolas to be the actual one who takes down Striker, I think this IS going to be a full circle situation. I think Striker is going to bring this up. Because if he puts Via and/or Stolas in danger, this isn't going to be a Western Energy situation where Blitzø isn't there. And Striker is going to be his egotistical self; he's possibly going to gloat about how close Stolas came to death and claim he's going to make good on taking the "trophy" he wanted before he was interrupted. Maybe he'll actually attempt it, too.

Blitzø is not going to take it well that someone wants to hurt the guy he calls his heart, in the exact manner he associates with his own mother's death, which he already blames himself for.

There's no way Blitzø is going to be able to be level-headed. I think he's going to take it rather personally that this almost happened, and he tried to act like Stolas didn't need him? I don't think he's going to express it verbally to Stolas or anyone (not how he functions), but if he puts these two puzzle pieces together, he's going to flip his shit. He's over his denial, he's overcoming some of his self-loathing, and he's understanding that he can make his loved ones' lives better by being present and being himself. He is not going to actually have to repeat the fire trauma because he can help this time, and he sure as fuck isn't going to blow the situation off. And at the end of it, Stolas will still be there alive to hold on to.

Stolas' situation is partly a full reversal of the circus fire trauma. He's a person Blitzø couldn't bear to lose, lost, but actually got back. Blitzø has an opportunity to build something better with him, to make up for any hurt he's caused, and to say/do all the things he couldn't before. He's been doing that since the end of Mastermind. It isn't going to stop, and I think this is potentially going to be one more parallel along the way. One more "nobody around me is getting hurt like this again so long as I'm alive to try and stop it."

[weirdmarioenemies]

Name: Mad

Debut: Wario's Woods (NES)

Whoa! This mermaid is Pissed! Though I guess "Mad" could just be a shortening for something beautiful and elegant like "Madeline" or "Maddison" or perhaps "Madwoman". Either way, she is one of seven bosses that Toad can fight in Wario's Woods, a drop-down puzzle game for the NES (and SNES, but we'll get to that in a minute) most notable for being the last officially-licensed game released on the console, a whole four years into the lifespan of the SNES! We've already gone over most of the Wario's Woods denizens in a couple of posts, but with the exception of the NES bosses!

Original video credit: NintendoComplete on Youtube

The bosses in this game all play pretty much identically, summoning enemies and occasionally teleporting around. To damage them, you line up the thingies of the same color next to them, as you can see in the gif above. Yuppppp. She also appeared in Super Mario-Kun, where she is shown to be a shapeshifter!

I searched everywhere for more, but since Super Mario-Kun is apparently both very poorly archived and approximately three infinities long, here's some highlights courtesy of her Super Mario Wiki page! Wario has enthralled her by poisoning the lake she resides in, and after a fight, Mario and co. cure her by....... having Yoshi drink and subsequently urinate her out. Turns out this mermaid really was Pissed after all I guess.

Anyway, after that, her true form is revealed: a big fat anthropomorphic fish in a dress. If you don't think she's just as beautiful, get out of my sight. That's where I’d leave off the post normally, but as you may have noticed, we haven't yet touched on the SNES release of Wario's Woods. This brings us to the second half of the post...

Original video credit: World of Longplays on Youtube

Name: Aqualea

Debut: Wario's Woods (SNES)

Finally, someone calls Toad out on his trademark foolhardiness! Yes, Wario's Woods (SNES) includes a mermaid boss just like its NES counterpart. The odd thing here to me is not just that they went to the trouble of making a unique character that still sticks so close to Mad's design rather than outright cutting and pasting her into WW(SNES); but that of WW(SNES)'s seventeen non-Wario bosses, only one of them seems to bear any similarity to WW(NES)'s six.

Why go to the trouble of designing unique boss casts across both releases? Why not just distribute WW(NES)'s comparatively scanty lineup into WW(SNES)'s, which is almost three times as large? I mean, as a writer for a blog which hinges around novel and bizarre designs in the Mario franchise, I should really be thankful, but from a development standpoint it is just so odd! Especially considering both versions were designed and released concurrently! I think the most likely explanation here is poor coordination between design teams, though they did still have one member in common, so who's to say?

Anyway, all of that is to say that the circumstances surrounding Aqualea's conception are kind of infinitely more interesting than her design itself. Sorry, Aqualea! Although my sapphic sensibilities make it pretty hard to write you off completely, your cute-girl-ness can only get you so far, and novelty is unfortunately very much not on your side here.

Above, you can see how the boss gameplay differs from WW(NES). Instead of taking place on a single field, it now takes place across two, as is more traditional for competitive drop-down puzzle games. I really enjoy the unique SMB2(USA)-style sprite sets every boss has for this purpose. Seems like a good opportunity for a very niche ROM hack, if you ask me!

Every boss is also given a unique "lose" sprite for when you've defeated them. These are usually just a given boss's face in a distraught expression, but Aqualea is exceptional in that regard. I will now leave you with what is, in my opinion, the single most charming lose sprite of any boss in Wario's Woods (SNES):

[lets-try-some-writing]

I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.

The Prepared And Ready To Publish™:

Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.

Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).

Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.

Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.

They either use a high end writing program or wordpad. There is no in-between.

Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.

100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????

The Baby Writer:

All vibes and loosely strung plots.

It may not make the most sense, but good gracious the dedication is there.

Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.

They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.

Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.

The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).

8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)

The Smut For Your Soul:

Meticulously plans the smut with all the loving care of a sculptor.

Somehow plot got involved.

Miraculously, they managed to not include an iota of plot and it has somehow managed to work.

Headcanons abound and cuteness and or angst lurks merrily behind every corner.

The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.

Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.

The fandom thanks them for their service, although often that praise is late or hits like a freight train.

???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.

The Angst Lord:

Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.

The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.

Has dozens of WIPs or unwritten ideas that they claim they will return to.

They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.

Almost nothing is off limits.

Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.

Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.

'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.

The General Writer:

Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.

They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.

Devastatingly underrated and deserves far more praise for their contributions to the fandom.

Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.

Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.

Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.

INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.

The OC X Canon:

Has so many ships and headcanons that it's astounding.

The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.

The dedication is mind boggling.

They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.

Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.

Skilled in the extreme (or not) at integrating their ocs into canon.

Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.

6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.

There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D

[gb-patch]

Sorry to send another ask amongst the sea I'm sure you're receiving, but I find myself more concerned about Rose being a sensitivity reader as I find more information. One of Rose's friends continues to insist that the conversation about Tamarack and male MCs was part of a larger discussion about biphobia in the fandom. However, they claim that Rose's position is "people erase Tam's bi/pansexuality by refusing to portray [her] as being attracted to anything other than men." This explanation of Rose's belief is, in-and-of-itself, biphobic. It claims that portraying Tamarack as attracted to men erases her queerness. This is textbook biphobia and bi-erasure that I as a bisexual encounter every day. It is NOT a good-faith defense of a queer character. It reduces us down to our partners and makes the claim that if we end up in a relationship that's "straight-passing," we're erasing our queerness. Especially as a bi sapphic myself, it reduces my identity strictly to the perceived-man I'm dating, and not my inner or previous experiences, or those of my partner. It's very uncomfortable that Rose, a non-bisexual, was discussing this like they're defending Tamarack's queerness when they're doing the opposite.

This is a doubly strange position when Our Life is a game about the acceptance of love in all its forms. The conversation could be different, MAYBE, if Our Life was a TV show or a book or a comic. But this is a game where people are meant to play as characters of their own design. I do not feel confident about Rose being a sensitivity reader for a game with bi/pansexual love interests if these are their beliefs about bi/pansexuality, particularly if they're unable to adapt their opinions to be relevant to different formats of media; this shows they're lacking in skill in the areas of media literacy and critical thinking.

I’ve been trying to make a post that presents the concerns people have about this, but your ask touches on the points I was going to, and I’d say it’s better to have it said by a player than me deciding what people are thinking. So, this is something that I want to make clear- that I see this and other asks/comments about it. What you’ve said is something a lot of people are unsure and upset about. I am sorry that you feel so out of place in this community now. And I am also sorry to players of any sexuality who use a male MC. That comment dismissed players and Tamarack’s identity.

It did come from a longer discussion about bi-phobia issues. The overall feelings were “if people did only want Tamarack to be interested in men, I really wouldn’t like that and wouldn’t it be a funny concept if Tamarack then left them for a woman?”. The comment itself didn’t encompass that idea at all. It does not give a good impression about where they’re coming from. It was unkind.

The viewpoint Rose is trying to have isn’t that “Tamarack can never express an interest in men” which would be wrong, it’s “I stand by the fact that Tamarack is someone who wouldn’t only be interested in men and no one else”. If it’s true that Rose likes Tamarack being interested in all genders and doesn’t want her bi-ness to be forgotten, I’d say that’s an acceptable view. If the point actually is that Tamarack should only be with women and if she’s not than Tamarack is no longer bi or she’s a bad character, then you're right- that isn't acceptable and that is going to get someone removed from the project. I do believe Rose agrees with what you’re saying and means it when they say they want to stop bi-erasure, not participate in it for real. But they had a very harsh way of talking about it.

I understand that people don’t know Rose and this situation has made them believe they do seriously hold that first view. But from working with them, there’s never been any feedback that shows an opinion of the sort.

Right now, I think that comment was being edgy and making a quick, very poorly-worded quip to people they’d been chatting with about that topic already. Rose has left the GB Patch discord servers, they used to be a mod, and may or may not ever be back in there. Rose won’t make blog posts responding to players going forward. They’re going to take a break from this and then try to give helpful feedback. We’re going to see if things can be okay from here.

And with this coming up, we’re all really aware that it’s something to consider about the game. I’m going to be as conscious as I can for any advice that seems to go against the character’s identities and I’m going to question my own knee-jerk choices for how I handle things. Other sensitivity readers will be able to give their viewpoints as well, so will the players. If the game’s content isn’t welcoming or is biased people will notice, and I’ll be here to accept what I’ve done. I don’t want that to be the result of this, of course. I hope the game will be thoughtful and considerate, but I can’t fire Rose at this point to try doing that.

No one has to keep following the game, though. I’m sympathetic to anyone who is too uncomfortable with all this to stay around.

[neil-gaiman]

Hi Mr. Gaiman,

As an accomplished author with several books under his belt, how do you know that a story is a dud for lack of a better word? I have a million ideas bouncing around inside my head at all times, and while I consider them good ideas worth pursuing, how am I sure they will make a good story?

I ask this because I have been dwelling on something one of my professors said last semester. He held a seminar on poetry and got to the topic of fiction writing, where he stated that he had just recently finished a story he had rewritten several times over the course of multiple years. Now I myself write as a hobby with a faint imagining that someone might see it in the future, and I have written a dud or two, where the plot was poorly formed and the ideas behind it just had a flaw somewhere in the base concept. Perhaps this is my youth and amateurity speaking, but I was under the impression that given enough time and care, any story could recover from that stage so long as it had not been completed yet. Ideas would need to be reworked, concepts retooled, characters redrawn, but the very basic idea could still survive in a different format.

My professor disagreed, stating that he has destroyed 400-500 page novels that he has written before upon realizing said fatal flaw. He stated that the story was in a state that it could not recover from, and that many authors encounter ideas that seem good at the time, but stink later on to such a degree that the basic premise must be thrown out. This seems like a tremendous loss of work to me. As writing is an art form, it feels somewhat similar to destroying practice sketches and 'meh' oil paintings that showcase the artist's progress. An idea that stinks today might be able to work from a different angle later on in my opinion.

I suppose after rambling my question is now this: are some ideas and concepts just not worth pursuing? Are some story concepts flawed from the get-go and impossible to save, and is there a way to tell that before writing the whole thing? Is it even possible to waste that time as you're getting in practice for the next tale?This isn't something I ever really thought about before being told in sure tones that this is how things work by someone with a degree is this, so I figured I'd ask the professional author for a second opinion. Apologies for the length of the message, especially if this is one you've received before.

I have things that have stalled and a few stories that, when they were done, went to the box in the attic rather than to anyone who could publish them (there's a whole novel there I wrote when I was 21). But mostly because I was writing serial comics, failure was not an option, and if something did fail it had done it in public for everyone to see. And I learned that some things I thought were failures had actually worked really well.

Some people are afraid of failure. Some people are afraid of success, which can also be a good reason for junking books and never showing them to anyone. As long as you pronounce them irretrievably flawed and show them to nobody, you will never be judged for them or have to deal with either success or failure.

[carmendeiact2whenplz]

I think that one of the worst feelings out there as a creative is having the perfect, *exact* idea of something in your mind’s eye while simultaneously being fully aware that you don’t have nearly enough skills/time/knowledge/motivation/resources etc etc to do it. Having every single detail of a drawing in your head while having it look wonky and lopsided on (physical or metaphorical) paper. Having every word of a fic in your head while being barely able to string a coherent sentence together. Having the most beautiful musical composition unable to be created because you only know the very basics of the required instrument(s). And even if you do understand the required skills and tasks, all your thoughts are too vague and nebulous to solidly form concepts and all mental images keep shifting and changing like those poorly made AI animations. Please tell me I’m not the only one like this

[stagefoureddiediaz]

I’m away from home without full internet access so I can’t go into a full spiral about this latest buck outfit, but I have thoughts and I have parallels pinging around in my brain like the cards used to do at the end of a game of solitaire on the computer 😂

So here is a very brief meta that I will come back to when I am able! @bewitchedbewilderedbisexual I hope this ties in nicely with my post on buck in navy for you 😎

I’m still super fascinated by the choice of loose fit for Buck, because this outfit is ill fitting as well -the trousers especially, and not in an ‘intentional loose fit’ way - the jeans are too long by about an inch (which is why we see the odd bunch in at the ankle) and they are too loose around the hip and thigh (the section below the waist band). The jacket also doesn’t fit quite right - it’s a little too long in the sleeve and across the shoulder. It’s all very reminiscent of the fit we saw on buck in season 1 and that is super interesting to me considering the number of parallels we have been seeing between Abby and Tommy. This idea that Buck is searching for something - a way to fit in his own skin - something Buck was closest to doing in 2b-the end of s3 - when his clothes fit him the best. We saw the shrinking come into play in s4 and continue through s5 and 6 and then we saw a brief period of well fitting clothes post 7x04 - when he has realised he’s bi - only for them to start to fit poorly again from 7x05 onwards - suggesting that Buck is once more not fully comfortable in his skin and that we’re getting a parallel of his journey through s1 rather than s5/6.

We have buck in a white tee - and we all know what that means - danger ahead for Buck!

We also have the new white trainers - so the scenes this outfit is for will be about Buck and his journey - his new journey as he has new trainers (the old ones were connected to his bi journey - now he’s figured that out, we’re onto the next journey!)

Then we have a navy blue jacket - Buck tends to wear navy in connection with his relationships, most notibly his romantic relationships, but by no means exclusively (he wears navy shorts in connection with key moments in his relationship with Eddie - the fox house dinner in 5x11 and when Chris leaves in 7x10 most notably). All the moments he’s wearing navy blue connect into the breakdown of those relationships - we saw him wearing it a lot with Taylor, especially in scenes where their relationship was in not great places - when nails were being added to the coffin as it were- but we also see him wear navy when his relationship with Eddie falters, and with his parents,even his relationship with Bobby is connected to navy blue (law suit anyone!)

Then there are the khaki trousers - we just don’t see Buck in khaki very often - it’s just not a colour he wears - especially not in trouser form - he is nearly always in black, navy or grey trousers. So this is significant - he wore khaki trousers twice in season 1 - both scenes very much connected with Abby and Buck and Abby’s relationship. The first is imo the most significant - in 1x05 - when he helps Abby look for her mom - the first time they meet in person and Buck essentially commits to trying to date her - to pursuing a ‘grown up’ longer term relationship. That a parental issue is central to this is and the outfit most closely resembles this new one is what I’m most fascinated by. It connects the concept of this new outfit having something related to a parental issue and the fact Buck has th website trainers on means it’s a parental relationship of his not someone else’s that’s the centre of it - the scenes will be about Buck not someone else.

The second scene in s1 is from episode 7 - it’s when Buck and Abby have sex for the first time, but he wears a black tee rather than a white one and this ties it in with the next time we see him in khaki trousers in 2x06 - when he, Chim and Eddie are helping Maddie move into her new appartment - the ‘he’s cute’ ‘you should meet his kid’ scene.

The scene from 2x06 is interesting because it lays the foundation work for Chim and Maddie’s future relationship, at the same time as paralleling Chim and Eddie and Maddie and Buck. Maddie is still technically in a relationship at this point as she is still married to Doug, yet the foundation stones of madney are being laid. In the same vein - Buck is still technically in a relationship with Abby (well he believes he is!) and we see further foundation stones being laid for Buck and Eddie’s relationship. That the show is fairly loudly doing this in parallel is telling!

The only other time we’ve seen buck not wearing blue black or grey trousers is in his coma dream when we had the tan corduroy trousers. And while I think we might have a slight connection there - in that they play into the idea of some kind of internal struggle for buck - I don’t think it’s necessarily relevant here!

I know that the parallel with this outfit of Eddie’s hs already been floated

And it’s totally relevant in my opinion. Eddie setting off for Texas and setting up dealing with/confronting his daddy issues - whilst Eddie has no intention of addressing his issues in Texas he does end up dealing with at least a portion of them - specifically the ones around his dad. We see the outcome of that in season 6 when we are shown the improving relationship between them.

This feels especially relevant after the date night daddy issues scene between Buck and Tommy last season - one that very much felt like a set up for season 8 and buck addressing his parental relationships - something I think may well have been explored in season 7 if Annalise had been available for season 7 - as we would very likely have had Eddie with his queer arc and buck exploring his issues around abandonment and death (more in this in a minute).

There are actually two other Buck costumes which I think are far far more relevant when it comes to the meaning of this new outfit - this one from a flashback in Buck Begins

And this one from outside looking in

Both are white tee/hoodie with a navy jacket! The first is essentially Buck ‘breaking up’ with his parents and the second essentially marks the end of his relationship with Taylor (even if it’s a very long and drawn out end!) - the moment that his unhappiness (even if he’s burying it and not actually able to recognise that he’s unhappy in it) with the reltionship becomes truly apparent to us the audience. (The fact that LAFD bomber along with a hoodie is also worn in the scene when he goes to see Tommy is also key - it parallels the two scenes - placing Tommy in a sort of parallel with Lucy - as a disruptor of the status quo (in not even going to get into the fact that Eddie is key in both of these scenes - that while Lucy is a disruptor of BuckTaylor, she is much more a disruptor of Buck and Eddie!))

Both of these play into an overarching theme with Buck - especially in light of this outfit we’ve also seen for this season

Because this one also matches with an outfit from Buck begins - the one where he is planning to leave with Maddie but she hides and he ends up leaving without her. (I don’t have access to my stills from that episode at the moment but I’ll add it in later on when I do!) the greyish khaki parallelspeaks of Bucks issues around abandonment - the feeling of being abandoned by both his parents and Maddie (remember this is Bucks feelings in that moment - he is a flawed narrator and didn’t have all the facts- it is not the reality that Maddie abandoned him - she was protecting him and herself so we are not hiding her in any way) and him setting out on his adventure that ends up in L.A. and at the 118.

So this new outfit is very likely going to play into that concept - and the two new outfits taken together suggests to me that we are very likely going to see that aspect of Bucks journey explored this season - it’s an aspect of his character that lead to him clinging to first Abby and then Taylor - it’s no mistake that Taylor’s return to the show comes so soon after we see Buck begins - Bucks abandonment issues have been brought back into the spotlight and are raw when she reappears and becomes his girlfriend.

So I’m expecting to be seeing Buck doing a fair chunk of figuring himself out and dealing with his issues around abandonment in this season and in whatever both of these scenes end up looking like/ being about. This will very likely tie into his romantic relationship as much as his parental/familial ones and while I don’t think either outfit marks a BuckTommy break up, I very much expect them to play into that relationship failing - like the ones we saw leading to the ultimate destruction and end of Bucks relationship with Taylor (the dinner at the diaz house scene and then the Buck Lucy kiss scene) specifically.

I’m excited to see how this all plays out!

[boxturret]

The "Mystery" of the Sleeping Mata Nui

Bionicle is, by volume, pretty bad¹. I think this is indisputable at this point. There are some cool base concepts that were completely ignored by the final story in favour of kidnapped expat americans, and toothy gangsters lounging on couches, I've done a post previously about some of the earlier ideas behind the so called "ignition arc" that, shockingly, makes sense of one of the most nonsensical sequences of events ever put to paper.

Now, I'm quite a big fan of the GSR, despite it being firmly outside of the roughly 18 months² of Bionicle I think matters. I've made a 3D model of it³, I've painted a legoes version of it, I love it. Now, outside of Mata Nui Rising being a legitimately great piece of animation, and the design of the robot itself being amazing, what really draws me to the GSR as a concept is that is is very core to the series itself. Right from the start it was always planned to reveal that the island the series was set on had formed⁴ over the face of a massive robot.

It predates the line even being called Bionicle.

Recently I saw this map again. Its a terrible map, I think most will agree. Its just utter nonsense, even the story penned by Greggory T Farstey seems to not pay any heed to this map.

But this time I noticed something. This is a map of the GSR, the islands on the sides are supposed to be in its arms. They're at its sides. They didn't do the pose...

Right from the start, the idea was that the GSR would by lying on the ocean floor with his arms and legs spread out.

Seemingly aping the Vitruvian Man image, a famous anatomical study by da Vinci⁵. An early internal image makes this clear.

And this pose was quite key to the series as a whole, being depicted on the face of the Mask of Life, a mask that eats people.

So I, and probably many people, had just assumed that the GSR was lying on the sea bed in this pose, it just fits too well. I think its just one of those things that the community had come to accept.

But this map threw it all in to doubt, because...I don't think anything actually depicting that pose was ever officially released.

Now, I'm not going to go in to some big "Oh that pose isn't CANON!!!" thing, because I don't care about canon⁶ one bit. I just find it funny how they just failed to show one of the key images of the series.

The closest we get is this image from somewhere of the GSR floating in space scanning things I guess. Idk I don't care.

For the record, we know the GSR was lying in that pose. This is a fact.

Concept art from that time makes it clear, and there's even a blocking animation found in a puddle of goo⁷ that shows the animation from a fixed angle, showing that yes he was in that pose.

I'm not saying this is a failure of the Mata Nui rising animation. Its one of the best things to come out of later Bionicle. Its well filmed and really shows the sheer scale of the robot. I wouldn't have had it any other way.

I think what this comes down to is them trying way too hard to hide the final reveal, that this was all taking place in and around a massive robot.

If you look at the sketch posted earlier you can see that part of the hand is sticking out of the water, forming what are known as the three finger islands. These islands have been seen in other art predating the Bionicle name.

And there was attempts to bring them back, having them appear after the Toa defeat Makuta.

But unfortunately they never made it in to any final material.

So I guess, to try and bring this to some sort of conclusion, I think this is just an example of how poorly managed Bionicle was in the later years. There were good ideas there, a lot of them made sense and worked both from a micro scale as conflict for the Toa, and from a macro scale of them repairing the GSR, its just unfortunate that so many of these ideas were ignored entirely.

They just kinda....forgot to ever depict the GSR on the ocean floor, to make it tie in to the Life Mask imagery.

Its funny but also tragic.

~

I remember once I was treated like an alien for not just liking Bionicle wholesale. I was weird for having opinions about it, having parts I liked and parts I didn't⁸. Nowadays it doesn't seem quite as bad, I don't know if its just the groups I associate with, or if the fandom has gotten a bit more reflective in recent years.

But I think, at the end of the day, love it or hate it, all Bionicle fans can agree on one thing: The Mata Nui GSR was B4, one of 6 large robots that travelled through space with their mothership in this configuration:

Its not even worth mentioning at this point. Its just common sense.

¹-By weight though its merely mediocre. ²-Bionicle ended the instant the Toa went in to the Bohrok Hive. ³-Its now known to be horribly inaccurate because of🦆 ⁴-Camouflage system believers, just leave. Block me. You are not welcome here and I don't want you reading my posts. Your existence disgusts me. ⁵-That posting here would get my account banned. ⁶-Technically, if you are a supporter of the one true canon of Greg, you have to reject the GSR lying in this pose, and accept that map as the only canon representation of the GSR on the sea floor. ⁷-🦆goo ⁸-AKA having standards.

anything.

[utilitycaster]

Wait. So CR3 ended with Liliana, Ludanis, technically Predathos (within Imogen or something?), and all the gods all still alive (though technically in mortal form)?

I understand that sometimes it's journey before destination and the story is more important than the finale of the story but....W-what was the point??? If the BBEG Cult Leader who kicked this whole thing off to kill the gods and the gods are both still alive what was the point??

So Liliana was alive, Ludinus was alive (having used Clone or similar), and Predathos ran away because the gods assumed mortal form and there was nothing to eat on Exandria.

Really, while again I have my many critiques, the actual only part of this end state I think is a genuine mistake is Ludinus.

I think that Imogen deciding to join with the Volition and assassinate Liliana would have been a compelling character moment for Imogen; when she didn't do that I felt that Liliana dying when she chose to defy Ludinus would have been a compelling character moment for Imogen. When that also did not happen, my general feeling was "I don't really care about her fate, but it doesn't matter at this point," so her ending is one of the many "yeah, that's fine I guess" ones this campaign delivered. I don't think she's a good person, but I also think that now that she's just a regular-ass sorcerer and her cult leader tried to horribly murder her and then disappeared she has no motivation to continue committing crimes so yeah wandering around figuring out who she is now makes sense. It's still not interesting; most of my criticism in the end is "this wasn't very interesting."

The gods becoming mortal was genuinely interesting and any critique I have is how poorly it was signaled, how irrelevant it made any of the excruciatingly dull circular discussions throughout the campaign (and how hypocritical and stupid it made the characters as a result, not that that wasn't a problem from the start), and how malformed the logic of what this means mechanically for clerics was. But that is an interesting change, to me, especially since the Divine Gate is now down. Idk I think it's possible for the cycle to genuinely begin again; I mean, wizards figured out the rites of ascension before. Will one of the gods-become-mortal undo their own bindings, or will some wizard studying this phenomenon hit on the formula? The party (and fandom) discussion of Who Gets Power was rendered completely pointless but like, the actual concept is great.

Ludinus, however; honestly it makes no sense either way because not only did he do nothing to narratively earn any kind of redemptive ending [if I say "earn" know it's narratively because he is a pretend guy and the people who act like fictional characters are real and should get capital punishment are Calvinist freaks]; I don't see why he'd just hang out making tea unless he somehow thinks the gods are genuinely gone, having missed out on the happenings after his form was killed. Like, look. I do not believe that you have to kill the bad guy to have a satisfying ending, but you do need to follow through with the implications and this doesn't seem to have done so. The only possible ways this fits with his character are either that he's biding his time to do some other bullshit (possible, and if he pops up in a one-shot or miniseries to do villainy and get murdered I'll grant this), if he somehow hasn't found out and thinks the gods are dead (less likely but admittedly pretty funny, and if he lives out the remainder of his life in an isolated cottage, blissfully ignorant, thinking he got his revenge when he never did, that is a boring option but see above, this campaign usually went with the boring option for character development so what else is new), or if we somehow managed to get an ending that is more unwilling to give someone any kind of follow-through in the end than Ted Lasso, which is embarrassing, and I liked Ted Lasso for what it was.

[cosmic-nebula356]

Ok I'm tired of sitting on this and not sharing this 😩

So hear me out again! 👀

Very poorly photoshopped and oddly made yes i’m aware- but like what if Stirling in a pirate AU was secretly a siren! Who prays upon any pirate crew to then target, drown and then eat- I may need to do my research on sirens so that I know a better gist on if they’re carnivores or not. But I am in love with this red Siren form/concept of his that I'm desperate to share it 😭

[toiletdestroyer3415]

horse race testing rant from a new fan 🐴

okay so I've watched all of the first season, but i have yet to watch the official tournament by lumpy touch. here's some basic info that I've gathered/come up with for my general idea on hrt

-everything in hrt from some otherworldly place, but the episodes are broadcastings that appear in our world. the winner screens show our perception of a normal horse, just so we can recognize that it's most comparable to real horse races from our world (they're fundamentally the same concept, just with major differences yet similar goals with betting, winning, competition, ect.)

-the horses are not horses (to me at least). let me explain! at first i assumed the two legs were a side profile view, but i prefer the idea of the 'horses' being these two-legged creatures that function the same as real horses, just appearing wildly different. i drew Downtown Skybox as an example of what i mean by that

as you can clearly see. That is Not a Horse

you know? like i totally understand if you disagree, i just thought the idea of otherworldly horses was interesting rather than them just being very poorly drawn. anyways

-the horses talk. i don't think they're the #1 sentient species from wherever they come from, but i heavily believe that they have some form of language and complex thoughts behind those little eyeballs. they have facial expressions, so they have a way to show how they feel on the inside among other body language cues (changing speed during the races, repetitive bouncing, where their eyes are pointing, all that jazz). a lot of people including me like to think they have specific relationships with one another, where some are rivals and some are friends, and possibly even lovers?!?! but yeah it just seems fitting that they'd have their own personalities and stuff

-i imagine that the 'races' are actually large, complex mazes of some sort that the horses navigate in order to reach the vegetable at the end (which serves as their winning condition). outside of the races, they most likely have some sort of stable that they live in altogether, perhaps even with other horses that haven't been shown in the races (yet 😛) and there's probably a big field they get to graze and mingle in too.

so far that's all i really have to say in terms of how i visualize hrt as. im probably gonna write headcanons about each of the horses later on when i get the chance

[fruitless-vain]

Honestly don’t have much of an update for today just feel like it’s my solemn duty to keep yall updated on this insane series that is My Life

MIL returned from the visit with BIL and was majorly overcompensating, doing that thing where they give excessive details and really over explain what they were doing + talking about so that you won’t question it. She claims they were talking about Japan? Of all things? Never once been a topic of discussion before

BIL on the other hand openly admitted the entire visit was talking shit about us so…. Pretty clear the lying sack of crap MIL is if it wasn’t already

BIL once again decided to start shit at work (for a guy who preaches keeping life and work separated he sure struggles with that concept). Except things actually took a microscopic turn for idk some form of resolution? He doubled down on making me be the centre of all the problems, but went off about feeling hurt about things that happened well over 3 years ago now.

Yknow what would have resolved that? TALKING ABOUT IT THREE YEARS AGO

Idk the way he went off was very “oh shit I need to backtrack hard or else I will lose my sister forever oh fuck uh let’s try to make her feel guilty? And pretend like I didn’t mean it/// make it her fault again without accepting fault for me blowing up”

He decided to claim that he was the one feeling hurt about everything and went off about how she doesn’t make any effort to be with him anymore? Which is LAUGHABLE because she’s the only one making an effort. Every time we stop by for a visit he is snarky and rude, he usually leaves, goes to his room or outright asks us to leave. He’s never welcoming, he never wants to engage with jacks conversation aside from demanding she do chores and renovations for his house. Meanwhile if we send an invite to come over for a bbq at our house or offer to drive him home, or come for a dog walk he declines every single offer, the two times he agreed to be at our house he stayed for like 30 minutes complained the entire time and then shit talked about our home afterwards. But yes, jacks the one not being open to maintaining their friendship.

It sounded like he was being pretty planned out and manipulative to me for the rest of the conversation. Just saying what was needed, not because it meant anything to him.

Jack took that opportunity to inform him that she’s taking space from all of them. She said at least for a little while so who knows, she’s leaving a window open for repair (do I think they deserve that and she deserves to keep being treated so poorly by them, no. But if that’s what she wants then that’s what she wants) immediately BIL started going off about how /i/ am making her do this, she cut him off and emphasized this is /her/ choice /she/ wants space /she/ needs time, this is /her/ decision.

According to her he did not appear to accept that answer but shut up for the time being.

Idk man they do this every time there’s a minor inconvenience to them. Scream and shout, throw temper tantrums, say some pretty horrific and unforgivable things, then just turn around and pretend nothing happened expecting Jack to just sit there and take it hit after hit year after year. To me this is no different than what they always do. But Jack is taking it as promising, which I get, that’s a hard relationship to commit to releasing.

We’ll see what happens long term.

For now we have a bank appt next week to sort out the loan, and pretty solidly Jack is recognizing how egregious MIL is

Stay tuned for tomorrows episode, three days in a row of MIL not working, me running out of food in the basement, what daunting antics will our protagonist get in to tomorrow

[iscdisc]

Hi!!

What are your favorite ships besides Jonatello(Caseytello)?

P.S. I love your artistic style!! Donny is a cutie(~˘▾˘)~

Hello ! 👋✨

Thank you so much for the compliment !! I'm glad you enjoy my art ! 🥺

Some of my favorite TMNT pairings that aren't 2012 Jonatello are:

2003:

• April O'Neil and Casey Jones (Capril) ! They're a classic, I love them so much- 😭🫶

2012:

• Raphael and Y'gthba / "Mona Lisa" (RaMona) !

They're the only canonical relationship with one of the main Turtles that I actually enjoyed and thought wasn't as poorly written- 💀👍 Lmao

• Karai and Shinigami (ShiniRai) !

You honestly cannot convince me that there's not something going on between them canonically- Plus, I don't have the image anymore and I don't know where to find it again, but somebody on Twitter a while back who (I'm assuming??) did the concept art for Shinigami referred to her as, "Karai's girlfriend" in the caption of that post- So Like- 😭✨

• Leonardo and Casey Jones (Caseynardo / "Hockeyblades") !

I think they had a lot of potential if Leo was allowed to interact with Casey more (And honestly April as well, because he didn't get a lot of interactions with her either imo-),, It felt like the writers were allergic to having Leo form significant bonds with any character that wasn't his Brothers / Splinter. Lmao || I also feel like they could've bonded over having younger siblings, since Casey is the eldest compared to his younger Sister (Who we never got to see-), which could have been a great way to start that bond between them since Leo would feel like he has somebody who can relate to his problems or struggles with being the eldest child ! I've also said this many times in the past, but is Casey not just the male version of Karai (As well as the less problematic version of her since he's not related to Leo- 💀)?? Leo found Karai interesting because she was rebellious and impulsive and challenged authority and was very charismatic / flirty (Which in Karai's case was purely just a form of manipulation, but I digress-), and radiated confidence in herself, and was a, "Lone Wolf" that never stuck around long, etc. All things that Casey is / does-?? Like, dude- How does this not make sense? 😭

• Michelangelo and Casey Jones (Caseangelo / "PepperoniPucks") !

This pairing is very fun in my opinion ! But I find it challenging to make any content with them in a romantic sense, because everything that I try to come up with for them that's meant to be a ship thing just comes off very platonic and "dude bro" because of their personalities- 😭 Lmao || But I honestly can see them because they had one of the most organic friendships within the series in my opinion ! Not that I'm trying to say that Raph and Casey weren't friends in 2012, because of course they were, but I feel like their friendship was very poorly handled by the writers in comparison to Casey and Mikey whose friendship felt so effortless / not as challenging on screen-? If that makes sense?

• Raphael and April O'Neil (Raphril) !

This one is purely fanon and based on my own interpretation of what April could've been like as a character if she was written better- Lmao || I know a lot of people find it kind of circumstantial and not as damning as it could be, but I feel like April and Raph had a lot of similarities within the series that go kind of unnoticed? Mostly referring to the fact that April had a lot of anger behind her that I feel gets overlooked with her character- She's always making the same facial expressions that Raph makes during situations in my opinion (Some examples below-), she's constantly shown to have a fiery attitude and (usually) has no problem talking back to people or making her opinion very clear when nobody asked for it which is something Raph does as well. Episodes like, "The Kraang Conspiracy" or "City at War" really showcase her anger or her angrier side as well. When she grows incredibly frustrated during her sparring match with Shinigami, that mirrored Raph a lot in my opinion, since we've seen him react similarly during episodes like, "The Good, the Bad, and Casey Jones" and "Mutant Gangland" with Leo.

They're also other things, not to harp on the anger that they both share too much- Like their clear love of and connection with animals, the way they're not the most physically affectionate people (Both have been shown to be kind of uncomfortable with hugging sometimes-), they both seemingly have their walls up to be honest, they both struggle with friendships (Despite these being writing issues, Raph's friendship with Casey was handled very poorly and April's friendships with pretty much all the characters felt very non-existent or not given enough attention-?), they both constantly complain about the others not taking things seriously enough, they both can be very competitive, they're both incredibly skeptical of other people, they both act on their own sense of justice (Meaning they'll do what they want even if Leo tells them no- Lmao), they both have high pitch screams (LMAO), etc. There's also narrative things such as both of them unintentionally starting the alien invasions of Season 2 and Season 3- 💀 LMAO

I just think that, if given the opportunity, Raph and April could've been really cool on screen ! Like April developing the same sense of humor that Raph does through constantly being around him (That sarcastic / snarky kind of humor-), those two building an animal shelter of some kind after seeing all the unhoused uncared for animals roaming around NYC, April being allowed to be unapologetically angry / frustrated around Raph and him not making her feel bad for that or like she needs to be this "composed / lady like" individual all the time, Raph recognizing April as a person and valuing her individualism and autonomy (Something I feel Donnie didn't do canonically- Raph's a girl's girl in my eyes. Hands down. Lmao), having those two play competitive ping pong since April enjoys ping pong (According to, "Target: April O'Neil"-), Raph 100% being the reason why April's combat skills improve since he wouldn't treat her like some "fragile thing" and I think it would be interesting for him to kind of see himself in her which is why he wants to see her rise above it?? You know??

I just think they could have been really special, I don't know- 😭👍 (They can also be the "smart + not as smart" trope like 2012 Jonatello is for me, since April technically would be the smarter out of the two of them- ❤️💛)

• Master Splinter / Hamato Yoshi and Tang Shen !

I know this one is a canonical established relationship / marriage, so it's not really like a, "ship" per se? I guess?? But I've always loved Splinter and Tang Shen ! I thought they were a cute couple ! Obviously their relationship needed some improvements from Splinter's end, but I don't think Splinter was ever incapable of fixing that, and I feel like if he had their relationship would've been THE relationship of 2012. Period. 😔🫶✨

Some honorable mentions??

• Leonardo and Timothy (Leothy) !

I'm putting this one in honorable mentions because it's more of a one-sided thing in my head-! I just can't help but think of how adorable and sweet it would have been if Timothy had this sort of crush / strong admiration for Leo as the Leader of the group, you know? Not that that crush would be super obvious though-? Since it mostly would just come across as Timothy fanboying all the time- LMAO || Something about their personalities just makes this "pairing" really cute to me !

• Karai and April O'Neil (AprilRai) !

This one is an honorable mention because I'm still 50/50 on it. I really like the art that people make about it, and that is what influences the positive 50 the most ! But then I remember their dynamic within the series and how (in my opinion) Karai was torn down by the writers whereas April was lifted up by them, despite both of them struggling in their own ways / being victims of things they genuinely weren't in control over. Not to mention April's just overall behavior and treatment of Karai even during Karai's redemption Arc during Season 4. Like, it boils my blood- Lmao || So I'm a little torn tbh,, !

Rise!:

• April O'Neil and Casey Jones (Capril) !

This is another instance where the art of these two really sold me on the pairing and I now think that they're very cute ! 😭🫶 || It also makes rewatching episodes like the one about the Girl Scouts cookies feel very different as far as April and Casey goes- LMAO

• Master Splinter / Lou Jitsu and Baron Draxum (BaronJitsu) !

Their interactions in the series were not helping their case at all- LMAO || I also totally get / respect Splinter and Big Mama as well !

• April O'Neil and Sunita (I'm unsure what their ship name is-??)

Again, it's mostly just the art that I see of these two that really sells me on it ! But their friendship within the series was one of my favorite things as well ! ✨

Mutant Mayhem / TOTTMNT:

• Leonardo and April O'Neil (Aprilnardo) !

THIS IS HOW YOU DO ONE OF THE BROTHERS HAVING A CRUSH ON APRIL IN MY OPINION, OKAY- 🗣️ (Looking DIRECTLY at 2012-) || Nothing on this Earth could ever convince me that these two are not the cutest thing imaginable. I'm totally fine if nothing comes of it in either the TOTTMNT series or the upcoming Sequel film ! I just think how Leo is when he talks about April and what not it's just super adorable and what I feel should be expected of a teen having a crush on somebody?? Like, it's so innocent and harmless- 😭🫶✨

(However, if Casey gets introduced anytime soon and I enjoy the dynamic between Casey and April more, I feel like I honestly wouldn't hesitate pushing Leo to the side and being like, "Yeah, sorry-" LMAO / But that depends on what the writers decided to do with Casey and how Casey interacts with April, etc. !)

Honorable mention:

Any MM / TOTTMNT Jonatello interpretations, cause I love those sm- 🫶✨ Lmao

IDW Comics:

• Jennika and Sheena !

I just love their relationship and how it was executed in the comics ! 🫶

• Donatello and Mona Lisa !

I don't really have much to say here, I just think that they're cute to look at / their personalities seem to mesh well with each other in my opinion !

Honorable mention:

• Raphael and Alopex !

I guess I was a little indifferent about them for a while, but I don't think they're a bad pairing ! They definitely felt a lot stronger when they were first introduced to each other in my opinion !

• April O'Neil and Casey Jones (Capril) !

Another situation where I enjoyed them a lot more at the beginning of the story, but then we got to the comics centering around the road trip to Cali and it made me start disliking the relationship personally,, 💀

I didn't put them under a specific category, but LeoSagi pairings for any version are also cool (As long as it's appropriate / not problematic as far as ages and whatnot- For example, I have a version of Usagi that I made that's completely separate from the Usagi that we see during S5 of 2012 to pair with 2012 Leo ! I like him a lot, he's a hare instead of a rabbit ! I need to draw them again sometime- 😔👍) ! Lmao

[gamerbearmira]

My Take On Wish

I liked it. Now, it’s not the best. But it’s still pretty good in hindsight. They had a good idea, but they executed it poorly.

I think a big reason is the movie had such high expectations. It was the movie for the 100th anniversary, which is huge. But they had no time and no money. The movie feels rushed, there's so much that happens too fast in such a short amount of time. That brings me to my next point.

Time. This movie should have been longer. Of the most recent movies, like Turning Red, Encanto, Luca and Elemental, they run for about 1 hr and 35-49 minutes. But they don't feel rushed. Everything us spaced out and works, at least for the most part. Every movie has it flaws in run time. Wish runs for the same amount of time as Encanto; but it feels so much more rush. The movie should have been longer, and I feel like people wouldn't have been too made at an extra 20 to 30 minutes. It would've given a lot more to world and established things, and answer questions that were left unanswered.

Characters. They weren't bad! They had some good characters, and the designs were...good. I like them, and I can see what they were doing. Like Magnifico and Amaya, I really like their designs! Same with the teens (save for a few things, mostly color, but I digress). Valentino is cute, but I don't like how they gave him a deep voice. Asha and Star? They're ok, at best. Looking at the concept art in the book, there was SO much potential that they didn't use.

Asha looks a lot like Isabela. It's a running joke. But the closer I look, she looks too much like her. Literally, if you look in the book, you can see that she actually had a floral dress that seemed a little too similar to Isabela's. The thing is, she had a lot of other really good designs, which I used in the redesign below, among other things. Star, he's cute but...it's sad. He was so obviously going to be a love interest. AND YES DISNEY. IT'S OK TO HAVE A HEROINE FALL IN LOVE. I took one of his designs that nearly stuck and tweaked it a little. He still has a star form, for other purposes.

The songs. They were ok, but I'm sort of understanding the joke if "They were written by ChatGPT". They sound so empty? But when you listen to the demos they sound better. That brings me to "At All Costs". I heard it in the movie. It's sung by Magnifico and Asha, when it was so obviously meant to be sung by Asha and her love interest, which would have been Starboy. And the demo is actually really good.

For my redesigns? I changed quite a but on Asha. Her friends are supposed to be like the seven dwarves. So why in the world didn't they utilize Snow White for Asha? I'm not saying she had to be a carbon copy, but jeez, it would've been nice. In my design, I gave her a mix of other dresses she had in the book, changing it a bit to look like snow white's but still being original. I changed the colors, toning them to be more similar to Wish's colors.

Valentino stayed entirely the same. I saw that he was originally he was going to be much larger, pretty much grown. So, I took that and gave him a sister. They aren't really "siblings, Valentina was born way before Valentino, but he's always following behind her, so Asha deemed them "honorary siblings". And I mostly wanted Asha to have more animals around her, like Snow White.

Star is still Star, but he also has a human form. In my opinion, it wouldn't be very present until later in the story. The more tine he spends around Asha, the more he feels more comfortable using it to help Asha. And also, he wants to be like Asha. He loves humans, and watches them from the sky all the time. He may or may not be the North Star. I'm still debating.

Maybe I'll do more with other characters.

Story. I want to try a rewrite. Not now, cause I still have a bunch of Encanto that I'd want to finish, but definitely in the future. I may do more Wish posts on my designs and what I'd worldbuild with some ideas were:

Asha is already Magnifico's apprentice.

Magnifico used the book before he founded Rosa, and built Rosa to take people's wishes for his power under the guise of what he does in the movie currently. He keeps some wishes alive to grant them. No one knows, not even Amaya. Asha finds out. This means he's evil from the start and stays evil. No redemption. No return.

Wishes affect a person not just emotionally, but slightly mentally and sometimes physically. When ita given away, the person feel not just an emptiness, but also heaviness in their body physically.

Amaya is a bit more morally gray, being in Magnifico's side, and even helping him, but slowly shifting to Asha after seeing what he's doing.

Star plays a bigger role much earlier on. The Teens do as well. I feel like they had no character in the movie. Not even Dahila, who I do I love.

It's closer to Asha's birthday. So when she finds out about Magnifico, she's scared of losing her wish, and being unable to restore everyone else's that was already lost, like her Saba's.

Asha may or may not have a staff like Magnifico's. But like?? A training staff??

Magnifico may or may nit being trying to corrupt Asha with the book. She is subject to hus magic still, and sometimes it seeps into her mind, but Star is there to counter it.

Star is much stronger in terms of magic, enough to be on par, or almost on par with Magnifico.

TL;DR: I like Wish. But it has flaws. I wanna try my hand at a rewrite one if these days.