#it's a long post so i'm putting it under a read more

[saynomorefic]

2024 fandom review

Ty for tagging me @willesredlights @phneltwrites @grounded-parasocial <3

This is going to be a mishmash of formats I've seen, so thanks everyone for giving me ideas

Fics written

I started watching and writing YR this year, so 2024 has really been huge for me in returning to fandom and fic writing. I wrote 27 works (plus tumblr ficlets) and 117k words, by far the most I've written!

First fic posted in 2024: You Kill Me (WIP) 2024-02-06

My love letter to Young Royals. Anyone who has read this, thank you and sorry, it's deeply personal and my raw initial reaction to watching the show.

Last fic posted in 2024: Ghosts of Simons Past 2024-12-23

Silly little christmas fic!

Fav fic I've written: Let's take this overboard (WIP) 2024-06-25

My Mediterranean yacht AU! Ah my beloved. Thank you to everyone for showing this story love. It's still going, I'm just putting the pieces together. How do you pick a direction when you have so many?

It's been a big year of writing :) I haven't written creatively for about 9 years, so it's safe to say Young Royals and this community have ignited a creative spark I didn't know I had in me. When I was a kid my dream was to be a writer. Getting emotional here, but it's hitting me that in a way, that dream has come true in a way! I know fanfic is not technically professional writing, but in a way it's cooler - we don't get to just message our favorite "real" authors whenever we want, nor do bigger authors get to experience being in a club of writers like this! (actually I wouldn't know, but w/3).

Thank you to every single person who has sat down and read my little stories, you guys truly don't know what you have given me and how much it means.

Fics read under the cut <3

Fics read

I can't give a number, but I have bookmarked 117 fics since 2024-02-11, and it's safe to say I've read at least 4x that.. so uh.. it's a lot :''))

This is a list of favs after going through my bookmarks, and definitely not an exhaustive list of all the fics I've read and loved from this past year. Thank you to ALL writers out there for your amazing work <3

First fic I bookmarked/ read: objects in motion by Capiche

Last fic I read: Under the Mistletoe by @vvachillessongvv (so cute!)

Some favorites I've read this year:

Stairway to Heaven by @unfortunate17

the person responsible for finding young royals, and this was one of the very first fics I read! Heartbreaking and wonderful.

Something Real as Pain by @crownedwille

I love how this story directly engages with power differences between Wilhelm and Simon, and I'm so proud of these two <3

be the place you call your home by @phneltwrites

I love them so much. No one does post-canon like you! such a unique writing voice and characterizations to match <3

Faroe Gone by @groenendaelfic

Pining Simon. Pining Wilhelm. Remote island-farm-cottage sex. What more could you want?

We Left Footprints When We Passed By by @in-amor-veritas

One of the first long fics I read, and these two will never leave me.

darling, lost in the darkling woods by Ripki on ao3

honorable mention to Align, but this noir gripped me like no other.

Fright Fest! by @enjoythesilentworld

I adore everything about this, horrorific, whumpy and visceral <33

sleep, dream, you, repeat (live, die next to me) by @espejonight28738

This little gem! The Midsommar AU. So so good, so well written.

bittersweet ecstasy (I pick my poison and it's you) by wthbaby (ao3)

An amazing ABO fic that's more werewolf /fantasy than anything!

The initiation - sorry if we got a bit rough by @silvagrey

A really interesting look at the aftermath of Wilhelm's initiation ritual, and a type of canon divergence I've never seen!

A Glimpse of Us by @simons-purplehoodie

An early love, read this in April and was swept away.

Look at us by @willesredlights

So hot, so sweet, and bonus that it was a gift for me! <33

to color with two by @wildcalendula

I love the way they communicate about sex here. So tender and loving and lovely. Just this whole series!

The Way We Were by queerofthemonth (ao3)

Damaged popstar Simon. Sad Kronprins Wilhelm. Fuck.

Cock by @stretchoutfics

Just so much to say about pining and sexuality crisis Wilhelm. It feels so realistic, and I love their communication here.

One, two, three (Not only you and me) by @skibasyndrome

So much communication, so much trust, so much honesty. And the LAPDANCING? Also, thank you so much for every kinktober contribution, promise we are all very grateful <3

Where We Left Off by @gulliblelemon

So tender, they will literally be in my heart forever. It's time to re-read!

come closer and see into the dark (WIP) by @bigalockwood

I can't decide what's better, unique magical ghosts or juicy slow burn interpersonal relationships at the YR ghost agency. Love <3

losing a friend is the hardest part by psyanky on ao3

God do a love break ups and second chances. And everything psyanky writes.

We're Going to Be Friends (Lilac Grove) by wilmonlibrarian on ao3

I'm so in love. Borrower Simon is adorable, and it blows my mind how this author created this whole world.

I am awaiting you (WIP) by @toffeelemon and thatgayprince (pls help me tag on tumblr!)

I am so in love with Princess Simon and Wille here. Uadhakjsdha

i've got power in my hands (and it's yours for the taking) by @starvalisedham

The library fight from August's POV. There are LAYERS here, and I love how much is up to interpretation reg. his perception of Wilmon.

maybe now maybe here tonight by @dreamyelectronicmusic

I love a getting back together fic, and the writing! I'm in awe.

My Home for All Time by @hergrandplan

Amazing contributions for Wille's month! Every ficlet and morsel.

words written down by @caramelpenguin

Every single one. how do I pick? Thank you for always sharing these beautiful snapshots with us <3

this is the golden age of something good and right and real (Painter AU) series by @alltoowille

I couldn't choose bc the first part was INSANE. and then I read it and realized there was 50k+ after? Think I ascended. Thank you <3

and last but not least obviously by @grapehyasynth

Changed me. Changed how I write, and then changed me again.

Final reflections

I wanted to say I loved helping celebrate Wilmonhits5k on ao3, and big thanks to everyone who participated through fic recs and commenting.

I have to mention the people that keep this fic world turning through fic recs, making gifs, fandom engagement, and more! @simonsapelsin @youngroyals-events @kruemel8 @sillyunicorn @grounded-parasocial @books-books-smolderinglooks @impossibleknots @sillylittleflower and too many more to list. You guys are truly the best <3

If we have never chit chatted, feel free to come say hi! <3 Happy new year to you all, and here's to more YR magic in 2025.

[blueraith]

What does fanfiction mean to you?

I'm asking this question because today I came across some ugly, mean-spirited, catty behavior towards a fic author that I haven't seen in a very, very long time, and I think it's important we discuss it as a community.

Y'all know how long I've been doing this? Fanfiction, that is.

Eighteen years.

I've posted across different platforms, on different handles, in different ways for a long, long time. More than half of my life at this point, from fourteen years old.

Fanfiction is how I personally engage with fandom the most. It's THE most important thing to me, frankly, because it is the common thread between each and every single fandom I have ever participated in.

It's self-expression to me. Folk art. Collaborative and fun. I truly hope that most people who engage in fanfiction learn what it is to beta for someone even if you don't write yourself. It can be a fantastic experience in and of itself. Being the backboard to someone else's ideas, watching as they take genuine joy out of spinning a story together to put onto the page, seeing it come to life before anyone else and feeling almost as proud as the author themselves after they finally post it.

It's ultimately why I decided to make this post far more positive and productive than the angry, grumpy, blood boiling rant that I initially was churning over in my mind after the horrible posts I saw earlier.

I'll detail them here purely for context because I think it's important to recognize toxic fandom behavior when we see it. And speak out when we stumble across it.

The first post lauded itself as an 'honest review' of a popular fanfiction in a community I am a part of. That honest review was nothing more than a pop-critique filled with a sort of catty, snarky write up that is so popular nowadays online purely to gain clout more than to act as actual, constructive criticism. It was unnecessary and acted as though the fanfiction author was a professional, New York Times Bestseller rather than someone devoting hours of their free time and effort into a hobby that is ultimately meant to be fun and pleasant.

The second post by the same person claimed that their friend had challenged them to write their own version of the premise of this fanfiction under a read more cut. It spent some time applying a thin veneer of so-called respect to the original author, but was merely nothing more than contempt really. I simply fail to see the need to ever do this while publicly attaching an author's name and work title and arrogantly parade your own work as superior to their own. Why tear down someone else?

I pushed back against them directly on this post, they took it down, but not before childishly trying to excuse their actions and claiming that 'if someone is publicly posting, then they should be able to handle vocal criticism.'

But you know what? One, what that person was doing was not constructive criticism. I think back to the beta session I had with a friend right after this incident and I think to myself, how sad must it be that this is what this person thinks is valuable criticism. That this is the way they chose to engage with the fanfiction community and thought they were in the right to do so.

Two, and perhaps even more importantly, people are accountable for the things that they post. The things that they say. It would have cost this person nothing to never make those posts in the first place. To never risk an author coming across a mean-spirited and malicious teardown of the work they put hours into and risk harming their self-esteem, mental health, or confidence in their own writing.

Because we do not know who these people are behind their handles. We do not know if they're new to writing. If they are experienced but going through a tough time. There are real people who write the content you choose to consume.

Fanfiction is a collaborative process. Writers provide the free content, and it is the reader's responsibility to know when their input would be valuable.

Is what you have to say helpful? Is it kind? Is it necessary?

If the feedback you want to provide does not hit at least two of those things, what you have to say does not matter. Period.

And I daresay that in the vast majority of cases, kindness should be considered mandatory out of the three.

In return, writers will often throw in ideas they've read out of reviews, they'll reach out to their most ardent followers for things like beta-ing or joining a discord server nowadays. There's always been a give and take in this community.

Fanfiction is a cornerstone of fandom for a reason. And it is particularly important in the queer community, going all the way back to actual physical magazines in which people mailed in their KirkxSpock fic decades ago. Over time we've experimented on the process, moved to countless different platforms, survived collapses of all sorts of communities, only to rally over and over again around each other to be able to tell the tales we wanted to see but were not getting as queer folk amongst mainstream media.

And in that time, it's been long agreed on in this space that you do not tear down another writer to build yourself up. Ever. Period. This has long been the only thing in fanfiction that has been aggressively policed, called out, and nipped in the bud when experienced members of this community come across it.

It will not be tolerated.

I shouldn't have to make this post, but I suppose this is the changing of the guard, so to speak. We have a new generation of fic writers and readers coming into the space daily and while so many of you are wonderful, creative, and welcomed members of this space that has been here long before me or anyone of my age, there are some who do not know how to act in the fanfiction community.

And it is up to us to make it clear in no uncertain terms that they will need to either get with program or be pushed out.

To become the best version of yourself as a writer requires hours of work, of posting again and again, of experimentation, of putting hints of your own life and experiences onto the page. The vast majority of us will never be published, and that's just fine for most of us. We engage in this hobby because of how joyful it can be to write something dear to our hearts, share it with the world, and be validated that others enjoyed the work that we put in.

Frankly, readers will always owe it to us to respect that process and work. To be respectful and kind when interacting with authors. Constructive criticism can be welcomed but perhaps ask if the author is open to it and do not take it personally if they are not. And if they are, then learn how to give it with the writer's best interest in mind rather than your own ego.

I don't ordinarily request reblogs to my posts, I rant into the void and it doesn't matter to me if anyone really interacts on an ordinary day lol. But today, I want to ask that people share this message out in your fandoms, because I will be tagging it in the fandoms I interacted in, both past and present. Because fanfiction is a common thread that unites so many of us, and I think this is an important reminder on how we need to be respectful and kind to one another in this space.

If you feel comfortable, I would also love to hear how fanfiction is important to you. How you got into it. Why you love to either read, write, or beta it.

This is hobby that is meant to be fun, so let's have fun.

[glassladyoftheopera]

In Stars and Time as a Musical Follow Up: Costumes

Okay, a topic I may have enough thoughts on to make a full post about; costumes! (and a little bit stage craft in some places.)

This is mostly about what people would do if they wanted to actually put on a live version of this, versus treating it like a concept album. I am however going to mostly ignore cost restraints outside of like, truly ridiculous stuff.

So first, some general notes.

The color palette: we will still have all of the costumes and sets be in grayscale, with the red used in the 'say it's name' and Act 5 sequences probably mostly being done through lighting. We will not have the actors use skin paint though. I'm not that mean. The audience can buy the idea that the world is meant to be black and white just fine without it.

Materials: I would avoid overly synthetic looking fabrics to maintain the 'vaguely fantasy medieval' vibe, but I wouldn't worry about using actual natural fabric. Comfort and cleaning are higher priorities.

Ensemble: Not much to say about them! Just that the production would have to be careful to make sure everyone is in truly neutral grayscale and not let too warm / cool of grays slip in.

Okay, let's talk characters.

Siffrin is tricky basically every option for interpreting the cloak has it's own pros and cons. Having sleeves means better movement options for the actor, but they only show up in a handful of images in the game. Full poncho means we get Full Triangle Vibe, but it would hamper movement a lot. Cloak with a pinned closed front means we see more of the rest of the costume more often, which I wouldn't mind, but it does break up the classic triangle silhouette. It's honestly still my pick though. Then there's the eye patch. I know some shows just give characters eye patches, and as long as you're careful staging the dances it will probably be fine? But I assume semi-mesh eye patches for performers are a thing, so I'd try to find one of those. Lastly, hat. It probably couldn't be as absurdly big as in game without casting major shadows we don't want on Siffrin's face, so they'll need a slightly narrower brim and we'd keep the hat pinned in a more back position.

Mirabelle's outfit probably wouldn't need to change much, but her little fingerless gloves would need some reinforcement at the top to keep them from falling down her arms. There's also the matter of her needing to have her sword with her most of the show; it might need to be a little smaller than a true rapier, but Shakespeare shows have duels and such so we can make something work.

Odile wouldn't be particularly difficult to costume as long as you don't make her sweater / jacket too heavy and put some straps on her shoes. Fake glasses aren't hard too bad, but some rigging in the back to keep them on will be helpful.

Isabeau I'm sorry but your sleeves have to be a little less gigantic, it will get in the way of the audience being able to read your gestures / get caught on stuff. They can still be long and loose though. Also, in real life the stripes on his pants being that wide could be an issue in terms of reading where he is on stage with the set / looking kind of goofy, so I might make them just a bit thinner.

Bonnie... I do not know how to make your weird pillow hat work in real life. For most game accurate version you'd have to make it completely from scratch. Something like a beret in terms of construction but... big. And probably held up internally with stuffing and wire. The alternative would probably be a big sunhat, and if you want to include Bonnie getting a new hat just slightly redo that scene to find something else that's similar.

Heck yeah its time for Loop! Now, we're definitely not doing a full star head, that wouldn't let the actor do any of that good emoting. But! I think a lower face mask could still work. You might have to hide the actor's mic under there to make sure they could be heard, but it's definitely possible. They would definitely need a custom wig for spikiness, plus a star-like head piece to top it off. Now the rest of it... I mean, you could go full body suit. I'd probably do that as the first choice, though maybe adding a wispy loin cloth or tie around the middle for modesty depending on your performer / venue. But! Different productions could get really creative with it, as long as the base still has them black and covered with stars and there's the star in their chest. Add in some specific design quirks that are only elsewhere found in Sif and The King's costumes, but just tiny little detail type things? Chef's kiss.

Speaking of the King! He unfortunately does need to be Very Big, but thankfully Broadway shows can pull that off! Something similar to the Wizard head in Wicked could work here, where only some parts of the set piece move (mechanically or via puppetry) and the actor is a voice over. The hair could be a mix of practice and projections. The tears that show up in the fight would probably also need to be projected. The hard thing would be getting it to disappear quickly enough. Maybe the last bit before the loop resets is always in front of the curtain? Could be cool. A less well funded production would probably have to either use mostly projections or re-work to use less moving parts.

Last up Euphrasie! Since she has a long dress getting her some extra height wouldn't be too hard, and she doesn't have to dance or anything so that helps. But! She does need to do the Act 4 finale dramatic kneel down, which is harder to work around. If we cast a tall actor and just use lifts in her shoes, it could work. She wouldn't be as super tall as she would be if we used hidden stilts, but I like the image of her cupping Sif's face, it goes all the way back to the comics, I gotta keep it.

What about y'all? How would you dress everyone? Any little details you'd want to see? And tricks to deal with the problems I thought of? Have fun!

[ravenlexis]

gonna say something controversial...

i'm going to put this under the cut bcs it got long. read at your own risk? check the tags?

i just backed out of a fic, which is smth that i do often when i don't like an aspect of it or when there's smth i'm uncomfortable with in the fic. there not actually anything like that with this recent one really, i'm not uncomfortable with anything or dislike anything about it.

just that not even third way through it, i realised that it's aventio. and while i'm a firm ratiorine enjoyer, the fic was rated T, i figured that i'll read it to see if i enjoy it, y'know?

i got through half of it before finally backing out.

this is where it might get controversial.

some months ago in the big year of 2024, there was a widespread discussion on many platforms (not just tumblr) on ship names. how it's all so boring nowadays, just the name of the characters smushed together and how dumb it is to differentiate one for when character A is the top and one for when character B is the top.

i do generally agree that some ship names could be better. there are some ship names that don't sound great no matter how their names are combined. but i do think it's actually important to differentiate the "top".

NOT just for PWP reasons, tho obviously that's one of the reasons why people have different ship names depending on which character tops. denying this particular reason is redundant.

mostly tho, from many (and i do mean, many) experience of reading fics, rated E, M, G, or T otherwise, people do write (and draw) differently depending on who tops.

this particular fic that i mentioned is one of them. aventio (and i'm using this bcs that's how the fic author intended it) were on a mission gone wrong (standard premise). ratio was escaping from the enemy, got cornered, got saved by avent, and off they went, improvising their escape route. during this whole thing, ratio was freaking out bcs avent was holding his hand (very cute author, plus ten points. we need more shy ratio in the fandom).

they got cornered into hiding and just when they were about to be able to escape unnoticed, ratio hit something in the dark and it crashed to the floor, loudly.

then they were both panicking, bcs clearly the enemy was investigating the noise. in a flash of brilliant problem solving, avent asked for ratio's agreement to fake make out with him (nothing fake about it tho, they both made the most of the situation and enjoyed themselves). the enemy was flustered (not recognising who they were), tried (and failed) to sternly warned them to evacuate (bcs after getting an eyeful of the smooching sesh, it's awkward for them lmao).

and i stopped reading there bcs i cracked up so hard i was late to work (and i'm not even joking).

bcs the author specifically typed smth along the lines of "Aventurine stayed where he was, covering Ratio with his body in the hopes to keep the guards from recognising him."

i was not prepared for that mental image, honestly.

i'm not making fun of the author in any way. it was refreshing to read up until that point. bcs in this fic, ratio is the one fumbling like a schoolgirl with a crush while avent was very assured in their partnership. but i just can't handle thinking that avent, who can stand behind ratio and hide without actually trying to, can actually hide ratio with his body.

and ngl, this fic writes ratio in an almost traditionally romance heroine way. he was blushy and giddy, even during the escape. freezing when the enemy cornered him and needed to be saved by avent.

i'm not saying ratiorine fics don't do this btw, there are fics that made avent a bit more traditionally feminine. (a damsel type of character, which just, no. he's very much capable, he had survived a lot canonically. i also backed out of those type of fics.)

what i am saying, and the whole point of this long post (which i thought was gonna be short), is that there's a necessity for the distinction of ship names. aventio and ratiorine both featured ratio and aventurine but they are depicted in vastly different ways. sometimes, the distinct ship name helps us find the art (be it fics or fanarts) that align with our characterisation of these characters.

every fan has different headcanons and characterisations for the characters they like, and while it may seem "confining" or "dumb" to care about who tops or bottoms, it actually impacts how someone writes (or draws) the characters.

i see so many artists that tagged their art as both ratiorine and aventio that clearly only needed to tag it as aventio and vice versa. there's a reason people use this system to begin with and it works for the longest time. those who don't care about who tops or just enjoy reading them switch dynamics usually use a third ship name.

honestly, if you reach this part, i appreciate you. be it bcs of curiosity or if you actually agree or reading just to disagree.

all that i ask is you actually pay attention and see if you can differentiate the distinction, how much the dynamics impact how the author or the artist portray them as individual characters. not just ratiorine in particular, but any ships you enjoy.

anyway, thanks for reading till the end. have a great time, be it early morning or late night or anything in between wherever you are. and if you do want to disagree, pls do so kindly.

[scariusaquarius]

rehab. 2.

Avenger! Bucky Barnes x Winter Soldier! Fem! Reader

Summary: While on a mission to find any more possible super soldiers that were a part of the Winter Soldier program, Steve and Bucky make a discovery in an abandoned HYDRA base that was cleared out a few years prior to their mission. They discover the Reader, a long-forgotten soldier that was still asleep within a functioning cryostasis pod; still awaiting orders. While Bucky isn't happy about it, he is put up to the challenge of helping to rehabilitate the soldier in Wakanda where she may be able to become a person again.

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A/n: The first chapter was a bit short cause it was a test-run honestly, but I am planning on doing an outline for this story as well. I'm definitely neglecting my previous wips, but i don't have a lot of motivation for them right now. Hopefully, however, I will get to them soon!

This is an au where Bucky joined the avengers but still rehabilitated in Wakanda (sometime before Infinity War [canon divergent cause NOPE]). I am NOT fluent in Russian, so I did use google translate cause I couldn't find a good translator that I trusted. If anything is wrong, PLEASE let me know!! Also, I tried to list as many warnings as possible so you know what the story will contain as chapters are posted. Stay safe!

The characters may be ooc, but I did do my best. Please let me know how I did!

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Genre: Slowburn, Enemies to Lovers/Friends to Lovers, Angst, Hurt/Comfort, Fluff, Humor, Drama, Dark Content Rated: Explicit Warning: Angst, Dark Content: Graphic Depictions of Sexual Assault, Blood and Gore, Mentions of Manipulation, Kidnapping, Canon-Typical Violence, Body Horror, Nonconsensual Body Modification/Scarring, Emotional and Physical Abuse, Mentions of Murder, Mentions of Suicidal Thoughts/Ideation, Graphic Depictions of Human Remains, Mentions of Sexual Coercion/Manipulation, Death, Misuse of Drugs/Forced Drugging, Self-Harm (Graphic Depictions and Mentions), Nightmares

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Author: ScariusAquarius

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chapter 1.

The ride to Wakanda had been slow and uneventful and tense so far. While Steve had attempted to read the black book that had been beside the soldier's cryostasis pod, his attempts proved unsuccessful.

The whole book was written in Russian, which Steve wasn't versed in at all. So, it had been up to Bucky to look through the book despite his apprehension.

Just like with the red book that came with him, the book within his hands doubled as an instruction manual as well as a history of the soldier that was still sitting rigid behind him; unblinking and unmoving. The book didn't give her a name, which frustrated both Bucky and Steve, but wasn't surprising at all.

HYDRA didn't care for who the person was before they became a tool. All that mattered was who you were to them in the moment, what you could offer, what you did, and if you were valuable enough to keep under their watchful eyes.

To them, the woman was Winter Soldier #08, Subject #2018, which was a peculiar number that stood out to Bucky. Her activation words were different than his as well, as was expected, and he frowned at the words that seemed to take root within his mind and piqued his interest at what the possible connections between them and the soldier were.

Holiday. Cross. Shatter. Stimulation. Integrity. Sport. Axis. Assumption. North. Aurora Borealis.

They were so seemingly random that Bucky's mind was starting to hurt trying to tie together some type of story. While his activation words had an inkling of a connection to his life, these seemed almost benign.

Within the activation section, there were a couple of hastily-scribbled notes that detailed about the soldier's history of resistance and the methods that worked best for such occasions, preferred mission-types, experimentation documentation, and some key accounts of the soldier's missions that were note-worthy to HYDRA.

There was one note that stood out to Bucky, however, that had him on the edge of his seat and growing further uncomfortable as he read.

'NOTE: WS #08 is known to be hostile even after activation. Be prepared to meet resistance with severe punishment (Flagellation, Cattle Prod, and High Frequencies favored). Further reprogramming required to fix flaws.'

It wasn't too entirely unknown for a subject to be resistant. Bucky could recall times where he had resisted in moments where he remembered bits and pieces of his life before HYDRA stripped him of his humanity.

Despite what he had told his therapist and Steve, he still had nightmares about the punishments he received while he was the Winter Soldier.

No amount of time within the Mind Chair could ever erase the recollection of the sick things HYDRA did to him to make him listen and be obedient.

Bucky could still feel the hands on him in the moments his mind forced him to remember: the painful intrusions, the feeling of a whip against his back, fingers digging into his scalp and yanking his hair, voices yelling profanities and insults and sexual degradations as he was beaten, tortured, assaulted; whatever HYDRA wanted in those moments.

Taking a shaky breath, Bucky closed his eyes for a moment before Steve's voice had the arms on his hairs standing; forcing Bucky to jump out of his mind and back into the present as the Captain addressed him.

"Shouldn't be too long now before we arrive. Any luck on our guest?"

Bucky shook his head, murmuring softly as he glanced down at the book again.

"So far, nothing. There's a couple notes that say she's hostile before and after activation and some methods that prove successful in making her obedient, but that's mainly it. She's been involved in a lot of assassinations, espionage, a couple data breaches: the whole nine yards."

Steve pursed his lips, shaking his head as he sat back in his chair, staring down at the ground as he became lost in thought.

"If she's a highly-valued asset, then why did they leave her in the facility? Seems like she was pretty high on the ladder just to be left where she was."

Bucky and Steve slowly shared a look with each other before alarm bells began to go off in Bucky's head, and he spun around in time to catch the Soldier's wrist, a large knife within her hands. Steve looked shocked, grunting as he jumped back, and Bucky gripped their wrist hard.

The soldier glared at him before bringing her knee up, slamming into his stomach and forcing him to fall back into the control panel of the quinjet. Steve jumped into action then, calling desperately as he dodged a kick to the face.

"Please, we don't wish to hurt you-"

"-but we will if we have to."

Bucky seethed, Steve giving him an exasperated look. The woman didn't hesitate, throwing the knife at Steve as hard as they could. Steve ducked, his blue eyes widened as the knife embedded into the glass of the windshield; cracks webbing throughout the ruined blade.

During this moment, the Soldier turned her attention back to Bucky as he charged, throwing punches that she expertly dodged and ducked from, her fists punching hard into his ribs and face as he missed. The hits hurt like hell, his face contorting into pain before he swung with his left arm, hitting her in the side and throwing her into the wall.

The woman let out a grunt as she smacked into the side of the quinjet, and Bucky cursed loudly when she grabbed the strap of a supply crate and hurled it at him. As he flew back into the seat, Steve came rushing at her, throwing his shield and hitting her in the side of her knee once it ricocheted off of the wall.

The soldier yelled out in pain, crumpling slightly, and Steve immediately tackled her to the ground. The two of them smacked hard onto the metal flooring, and she punched Steve as hard as she could, the man letting out a hiss as pain bloomed within his cheek.

In that split second, she bucked her hips, her legs coming up to wrap around Steve's neck and forcefully slammed him onto the ground, his head smacking against the edge of a seat and disorienting him. The soldier was quick to scramble to her feet despite her wounded knee, and Bucky met her with a punch to her gut, making her double over and audibly retch.

He then grabbed her by the back of her neck, swinging her back and then forward into a seat a couple of times, her mask breaking off in the process, and she jumped up, using the wall for leverage as she swung herself onto Bucky's back, wrapping her arm around his neck to begin choking him.

Bucky grit his teeth, snarling as he reached behind him with his left arm, curling his metal fingers around her broken knee and squeezing as hard as he could.

Throughout her cries of pain, he could hear the sickly sound of bones shattering; could feel the way her skin and bones crushed beneath his grip, and Bucky was able to breathe again as her grip became loose.

He swung himself backwards into a wall, smacking her against it over and over until she finally let go of him, falling down onto the floor. Grabbing her wrists, Bucky called over his shoulder as he restrained her.

"You alright, Steve?"

"I'm just peachy."

He dropped down next to Bucky, wrapping electromagnetic cuffs onto her wrists before forcing her up and into a seat. The soldier's head was bowed, the cuffs smacking into the wall and jerking her body slightly, and Steve made sure to secure her legs as well.

Once she was properly restrained, Steve glanced at Bucky, noting the anger that was on his face; his jaw clenched and blood running down his temple. He was panting, his whole entire body tensed, and Steve took a few deep breaths as well before he turned back to the soldier.

"Seems like your bad feeling turned out to be right."

"We never should have done this."

Bucky's words were harsh, his blue eyes glaring at Steve as the man hissed out.

"I told you that there was going to be a problem, and there was. There's no hope for these people. They are programmed to kill and serve HYDRA and that is it."

"Even if there is no hope, we still need to try. We saved you, and we can save others."

Bucky sighed, shaking his head. There wasn't really any use in trying to fight Steve on this. Bucky understood that Steve came from a good place and had good intentions, but Bucky couldn't keep the anxiety and fear from filling him.

What if something happened? What if HYDRA had found him again and this was their plan all along? Bucky turned back to the woman as her head lifted, and both of the men seemed surprised at being able to see her face clearly.

There were horrific scars on the bottom half of her face that had been concealed by the mask; some of them raised and seemingly new while others were faded and old. Her bottom lip was cut, blood trickling down her chin, and her nose seemed to be broken as well.

Her (e/c) eyes were glaring at the two of them, a cut above her brow from Bucky slamming her into the wall, and Bucky looked taken back. Steve walked forward slightly, frowning.

"What is your mission?"

Her eyes flicked to Steve, her lips pursed, and she simply hissed out as menacingly as she could.

"Heil Hydra."

She sat back, and Bucky hissed out, a fire raging within his eyes as he snarled.

"Ответь на вопрос, солдат. Какова ваша миссия?"

There was no response. Instead, the soldier seemed to begin staring in front of them; becoming vacant and frozen again. Bucky huffed in frustration before he turned to Steve, shaking his head.

"If you still want to go through with this, you need to let Shuri and T'Challa know that she's hostile and active."

"I'll let them know. We're only a few minutes out."

Bucky nodded before he sat opposite of the soldier, muttering.

"I'll keep an eye on her."

Steve gave Bucky a weary look, an expression of apprehension and concern on his face, and he wiped away some blood that had trickled out of his nose.

"Alright. Are you okay?"

"Peachy."

Steve pursed his lips slightly before he walked to the front of the quinjet, immediately opening a communications line with T'Challa, and Bucky stared right at the soldier.

Despite the fact that she was looking at him, it seemed that she was mentally somewhere else. Blood was still running down her nose and chin, dripping onto the floor, and Bucky couldn't help but to clench his jaw as the sound of the dripping ripped into his memories.

Cloth over his face, a bright light from above, boiling hot water slowly burning his skin with every drop, he couldn't breathe. he can't breathe.

Breathe. Breathe. Let me breathe. Please. Let me breathe! LET ME BREATHE!

Bucky shook his head furiously, and he only felt bitter and disgusted by the amused look that seemed to flash within the woman's eyes. Clenching his fists, the man simply huffed as he listened to Steve talk with the King, the kingdom of Wakanda coming to view.

-TIMESKIP-

"What on earth would possess you to come to the notion that bringing an active Winter Soldier into my kingdom would be a good idea?"

T'Challa was not happy. As Steve and Bucky stood in front of the king, the Dora Milaje surrounding them with a tight grip on their spears at the information Steve had given T'Challa, the king was frowning deeply while Shuri stood next to him with a curious gaze. Steve looked apologetic while Bucky kept his arms crossed, biting his cheek as Steve spoke, the king glancing at Bucky all-the-while.

"I know this isn't really conventional-"

"-it is unacceptable! What you are asking for is not negotiable!"

Okoye was understandably angry as well, her eyes wide with fury as she took a step forward, and T'Challa hummed to her gently.

"Okoye."

The woman did not relent, simply squinting her gaze as Steve bowed his head in shame. Bucky clenched his jaw slightly, and T'Challa glanced at Steve.

"Your vision is noble, and I respect what you are trying to accomplish...but you are asking me to put my people at risk. It was different for Sergeant Barnes...but this...woman...is still under the complete control of HYDRA's programming."

Steve sighed slightly before he pleaded gently.

"I can watch over her...keep her from hurting anybody if something goes wrong. Stark wasn't willing because he doesn't have the technology to reverse the programming like you do, and Wanda is currently MIA."

T'Challa laughed slightly, shaking his head.

"The world will question where Captain America has gone. You cannot ignore your duties to promise something you cannot be sure that you can keep."

Shuri then piped up, suggesting with a shrug.

"Why not have Sergeant Barnes look after her? He has the most experience, after all."

"Absolutely not."

Bucky frowned deeply, shaking his head.

"I have to agree that this is a bad idea. I know that it was different for me, Steve, but that's the issue: I knew you. I had something to cling to...a name, memories and dreams...this woman is completely unknown."

Steve was beginning to look defeated, and Shuri's voice made everyone turn to her.

"If it makes a difference: I would be interested in working on restoring the woman's previous identity, but only if Sergeant Barnes will stay to watch over the process. My brother is right: The Avengers may be a team, but they need their Captain Colonizer to help in times of need."

"Shuri."

T'Challa's voice was stern, but Shuri and Okoye shared a look of amusement with each other before she hummed at the sight of Bucky's apprehensive expression.

"Your expertise on this matter will be beneficial, Sergeant Barnes. I'm afraid that Mr. Rogers will be of no help except for physical."

T'Challa rubbed his temples slightly, and Shuri offered, glancing at the king.

"If it brings you comfort, then I shall have Okoye and select members of the Dora Milaje to accompany as well. The soldier shall be put into cryostasis at all times except for observations and testing."

Steve looked hopeful, and he pleaded softly, T'Challa staring him down with apprehension.

"You have my full cooperation that if something goes wrong, then I will answer for it. I know that what I am asking for is dangerous, but she was a person too. This woman probably had a whole life before HYDRA took it away...just like they did with Bucky and your father."

Okoye bared her teeth slightly at the mention of the late king, and T'Challa shook his head, humming.

"There is no need to appeal to my sympathy. Shuri has made up her mind, and I have learned long ago that even if I do not agree, she will do what she pleases."

Shuri smirked slightly, joking as she patted his shoulder.

"I'm so glad you understand me."

All the while, Bucky was clenching his fists, hidden beneath his crossed arms. There was no way that this was going to go well, and though there was a part of Bucky that did understand and did agree with what Steve wanted to do, there was another part that understood how incredibly risky this was.

Take it from him: this woman was dangerous, especially since she seemed to still be active on pre-existing orders. It was even riskier given the fact that nobody knew what her orders actually were. Steve glanced over at Bucky as he stared at the ground, and he placed a careful hand on his shoulder.

"Buck, I know I'm asking a lot...but she needs somebody."

"She tried to put a knife through our heads, and you're saying that we owe her?"

Steve frowned, and Bucky couldn't stand to look at him in fear of seeing the disappointment. Feeling under pressure and on-the-spot, Bucky sighed and his shoulders sagged.

"Fine, I'll stay and help, but Steve, if something happens...this one is on you."

Steve looked relieved, and he thanked him quietly, saying as Shuri grinned while Okoye and T'Challa shared a stern look together before Okoye began to whisper to T'Challa quietly.

"I know, and I'm ready to accept that responsibility should it come to that. I just...someone's gotta be looking for her, Bucky."

Bucky just shook his head, muttering.

"We don't know how long HYDRA has had her, so there might not even be anybody to miss her."

"But she deserves a chance to be her own person just like you."

Bucky shared a look with Steve, staring at him for a moment before he groaned.

"I hate it when you do that shit. I already said I would help, I'm just...there's a lot that could go wrong."

Steve countered, nodding his head slightly as he rocked slightly on his heels.

"There's a lot that could go right too."

"Yeah, say that to the killer headache you're gonna have tomorrow."

Steve chuckled slightly, joking.

"Already there, but thanks for the concern."

"Whatever."

Shuri clapped her hands together, saying.

"Well, now that we've got this settled, shall we bring our honored guest into the lab?"

T'Challa hummed, his Black Panther suit appearing as the Dora Milaje immediately stood at the ready as Shuri stood a bit behind T'Challa.

"Be cautious. We don't know know what is going to happen once those doors open."

"No need. She's been completely restrained, there's no way she's gotten out."

Sure enough, when the door to the quinjet opened, the woman was still sitting rigid; staring at the opposite wall. Steve hummed, walking up the steps, and Bucky followed reluctantly.

"Welcome to Wakanda."

Steve said before picking her up by one of her arms, Bucky grabbed a firm hold of the other with his metal arm. With her feet dragging on the ground, it was apparent that she was not going to fight back.

However, that did not stop the Dora Milaje from pointing their spears at her as Steve and Bucky took her inside. As Shuri, T'Challa, and Okoye followed, Shuri voiced to T'Challa gently.

"I will take care in monitoring her behaviors and will let you know the second that I am given any indication that rehabilitation will be unsuccessful."

T'Challa hummed, a slight frown upon his face as he stared at the woman in front of him.

"No need to worry. Should something happen, I am ready to take the necessary steps to ensure the safety of Wakanda."

-

STORY NOTES: While on the way to Wakanda, Bucky and Steve have attempted to identify the woman by reading through the book that was accompanying her cryostasis pod. However, Bucky's efforts are fruitless. Instead, Bucky discovers the activation words associated with the Winter Soldier and other important details about the history of the soldier.

Reflecting on his time as a Winter Soldier, Bucky begins to become increasingly agitated and worried about the situation. Steve makes an observation on the peculiarity of HYDRA leaving behind a highly-regarded asset when the woman begins to engage the two super soldiers in combat.

Despite Bucky and Steve sustaining significant injuries, they are eventually able to subdue the Winter Soldier by Steve breaking her kneecap with his shield and Bucky further crushing it. Although they question the winter soldier, she becomes withdrawn and silent; refusing to answer any questions.

When they arrive to Wakanda, T'Challa, Shuri, and the Dora Milaje are waiting for them. T'Challa is upset by Steve bringing the seemingly-active Winter Soldier to Wakanda, voicing his concerns on her presence while Steve pleads his case.

Shuri makes a suggestion that Bucky should stay to watch over her because Steve has prior obligations to the Avengers. Bucky adamantly refuses, but Steve manages to convince Bucky to stay in Wakanda to not only protect the people, but to be there for the woman should Shuri's methods be successful.

Shuri then suggests to bring the Winter Soldier to her lab, and the two Avengers begin to escort her inside, T'Challa and the Dora Milaje ready to engage should the Winter Soldier try to fight. Shuri reassures T'Challa that she will alert him as soon as she possibly can if something goes wrong, and T'Challa reassures Shuri that if the Winter Soldier escapes and causes harm that he is willing to kill her to ensure the safety of Wakanda. End Scene.

TRANSLATIONS:

Ответь на вопрос, солдат. Какова ваша миссия? - Answer the question, soldier. What is your mission?

TAGLIST: @vicmc624 @tilldeathripsusapart

[secriden]

Ohhh, I love this explanation! This makes a lot of sense because Kant is such a practical character (vs Style's almost naivety in clinging to hope, as you pointed out), that it just makes sense that he'd rather Bison (and himself and Babe and Style) be safe apart from the men they have fallen in love with, then attempt to cling onto the tenuous happiness of being together. This also makes sense in light of Kant losing his parents presumably fairly young and, of all the characters(*), being subsequently introduced to the harsh realities of a life very much outside of his own control. Life has taught Kant the practicality of accepting when you can't change something, so its not worth trying.

(*) I'm not intending to downplaying the trauma of Fadel and Bison witnessing their own parents' murders, but they at least were groomed coerced indoctrinated trained into a life that gave them the semblance of control (see: Bison's expression of ecstasy in episode 1 when he knew he was going to murder the man he's currently hugging to his chest) while Kant got into a life of crime out of necessity and then very quickly seems to have fallen into a life under the manipulative thumb of a corrupt police captain.

I think the idea that his past crimes will always hang around his neck, threatening to pull him back in, to sully all of of his relationships (romantic entanglements, his friendship with Style, Babe's respect and trust, etc) is simply a little too much to bear.

Looooove this point. It puts into words something about the air of resentment that Kant has steadily been gaining as the series progresses. At the start of the series, he appears to be almost wilfully ignoring the severity of his situation; the way he searches out casual flings and feeds into Style's playful antics and pretends he has things under control. Even as he protests the Captain's continued manipulation, there's a sense that he was almost resigned to his lot, but in a way that feels like avoidance rather than acceptance -- like he knew he couldn't do anything and he didn't want to allow himself to acknowledge it because then he'd have to FEEL just how unfair it all was. But now that things are coming to a climax, and especially because his affection for Bison have been growing and becoming more and more entangled with his guilt over the manipulation and his worry for Babe and the complication of trying to keep Style from falling in love with a murderer (oops! too late!), its like it's all reaching a boiling point.

I think establishing the tone from the begining was a great call, and i've been trying to make a post about it but it's not coming along

But yes, I am quite happy to agree that this show isn't meant to be taken seriously in these aspects. You're right about them striking the balance very well from the get go, and I was one of the people most intrigued and excited by the intentionality of the cast explicitly being all please don't set up unreasonable expectations! this is a comedy! A COMEDY!!! before the series dropped. I liked how it made me feel like the cast and Jojo and the production team knew exactly the story they wanted to tell and moreover were intentionally setting it in the style and medium and genre they wanted.

But yeah, I'm a-okay with certain things not being fully explained because I'd far rather they take the time and space and funding to nail down the things they actually WANT to nail down (like the complexity of the emotional entanglements that all the characters were grappling with in Ep 6. That slow zoom and linger on Kant's eyes as they turn molten with dismay-longing-happiness-despair when Bison comes back. *clasps hands* Thank you, Jojo and First TwT <3)

Also, no pressure, but I'd love to read your further thoughts on this if you decide to make that post after all! <3 >w<

Ok, genuinely asking cuz I think I missed something??

So the captain is using Kant (and Style) to get evidence, not on Fadel and Bison, but specifically because they want whoever is behind them, right? That's the whole reason for this ruse to begin with.

So, like, okay he's still the police and they're pretty sure there's going to be an attempted murder, so they have to be there to try to prevent it. But if they actually arrested Fadel and Bison, their boss would probably go to ground and be impossible to find.

(Especially if the captain/police don't know about the dysfunctional psudo family relationship that Fadel and Bison have with Lilly.)

So, did Bison and Fadel only get away in episode 6 because they captain intentionally let them go? Is he still hoping to use Fadel and Bison to get to their boss? (Was the motherfucker just a hilariously dramatic act for show?)

If so, why does Kant think he's done? At first I thought it was because he thinks the brothers have been caught, but he tells Style, "You have to get over it. You can't ever get together with him. Move on." which suggests that Kant thinks Style has the opportunity to try (ie. he knows Fadel hasn't been arrested yet).

Clearly, Kant understands that Fadel and Bison's arrest is an inevitability, that it's only been delayed because they're not interested in taking out only the people on the field. So he should know that Fadel and Bison not being arrested means the ruse is very far from being done.

Maybe Kant means it like: I'm done, I can't do it anymore, my heart won't let me lie to Bison again. ;A;

But even so, at this point (the day after the botched shooting), Kant hasn't discovered anything more than what he gave to the captain when the captain refused to agree that Kant was done the previous day, so like... why does he think he's done???!?

I'm just feeling very confused as to what, exactly, the captain's plan is now... Cuz surely the police know that Fadel and Bison are going to be suspicious about the undercover police presence at the charity event. Which therefore puts their moles (Kant/Style) at risk of not only being discovered, but being fed false information. Is the captain so confident in Kant (and Style's) seduction that they think Bison and Fadel will come back with NO caution?

Or am I just taking it all too seriously and this is one of those "accept the suspension of disbelief" moments? Should I just assume the police people aren't actually that smart? This is, after all, a comedy.

[moongothic]

This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit

Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".

Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.

But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?

Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.

But that does bring up an important thing to considder.

If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?

Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.

So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?

Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.

Regardless, let's be real.

It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.

Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.

(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)

All of this to say, again.

The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)

Whatever the case, I'm sure Oda knows the truth.

And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.

[tazmiilly]

feeling sad rn so I'm thinking abt things ford does to stim...

-I think he waves his hands sometimes for like short bursts of time when he gets excited abt something or talking about something

-if he's sitting down he'll wiggle his feet a little instead of his hands for the same reason as the prior thing

-so many broken pens

-he messed with the adjustable straps on his backpack when he was in school methinks..

-he likes spinning things in his hands... like the thing he did with his gun lol

-ohh he does those little sounds like the "beep boop" he does in weirdmageddon...

-so many more....endless possibilities....

[kakusu-shipping]

A bunch of Mario Family headcanons:

Because I think a very normal amount about the larger Mario family and very very very much want The Super Mario Brothers Super Show Reboot all about them

G-Poppy and his wife moved to American from Italy in their 20′s, making Mario and Luigi third generation immigrants

G-Poppy’s dream was to own and run an authentic Italian a Restaurant in America, but after the birth of his oldest son, Pio, the need for quick cash to pay rent was more pressing, thus why he got into Boxing

Papa Mario’s full name is Pio Mario Jr, he’s named after G-Poppy

Pio is a good 5-6 years older than his younger brothers, Arthur and Tony, who are only a year apart at most

Sense bills were tight, Pio spent a lot of his childhood being another income to the house hold, working hard labor work like construction to keep the family afloat while his brothers were young

Eventually G-Poppy got too old for wrestling and finally realized his dream of opening a Restaurant; Punch-Out Pizza. This put the family in more financial struggle, forcing Pio to take up more work while Arthur and Tony helped in the Restaurant

Now that G-Poppy is retired Arthur and Tony run the business together. Arthur’s the finance guy, where Tony runs deliveries and hands on manages other employees

It was actually their Grandmother who made Mario and Luigi’s caps for them, she’s also made G-Poppy’s. She passed before Louisiana was born, thus why she couldn’t make her a cap as well

Tony’s a huge horror movie buff, he loves old classics and has a huge VHS collection. Part of the reason Luigi is so scared of the paranormal is from catching glimpses or watching whole movies with Uncle Tony growing up

Another big part of Luigi’s fear though may just come from Uncle Tony loving to scare him. A big pass time for Tony was waiting around corners in Halloween masks to jump scare Luigi, or telling him ghost stories any change he got

Mario also got a bad fear from Uncle Tony’s movies; Pianos. He’d just happened to catch a pretty nasty scene of the lid of a Grand Piano crushing someone when he was younger and it stuck with him pretty hard

Louisiana is about 11-12 years younger than Mario and Luigi, so despite being cousins the three have a hard time relating to one another from the large age gap

Louisiana prefers to go by Louise, though only Mario and Luigi call her that. She was also the first one in the family to use the “Lou” nickname for Luigi, which Mario quickly also picked up

Arthur loves baseball, the Mets especially, but really he’ll watch any team play. He regrets not being on his school’s baseball team when he was younger, due to having to help at the restaurant, thus why he signed his daughter Louisiana up as soon as she was old enough. She’s stuck with it to keep her dad happy

Mia makes 90% of the meals in the Mario household, with the occasional help from Arthur. She learned most her dishes from her own mom, and a good deal more from Pio’s mother after marrying into the family

Marie is absolute rubbish in the kitchen. Mia’s given her multiple lessons and had her help with dinner many times around when she was expecting Louisiana, but she rarely made anything edible. The only one who ate her meals was Arthur, who just wanted to support his wife with all he had, even if it made him ill (which it did. Many times. Tony made fun of him for it)

Tony loves to work on machinery, mostly motorcycles, and has bounced around working part time as a mechanic here and there before his duties at the restaurant drag him back

Pio, Tony, and Mario are the only ones in the Mario family with a drivers license, though Tony was the only one who drove regularly until Mario bought the van

The Mario family owns 4 gaming devices; The Brother’s NES that they bought with their saved up chore money in Middle School, a Wii Marie and Mia do Wii Fit on in the living room, Uncle Tony’s PS2 that’s mostly collecting dust, and the Home Computer that Louise plays Roblox and Minecraft on

The Mario family apartment has 3 bedrooms; Pio and Mia’s, Arthur Marie and Louise’s, and Mario and Luigi’s. G-Poppy sleeps on a chair in the living room, and Tony sleeps on the couch

Louise has already called dibs on Mario and Luigi’s room when they move out, Tony says he prefers the couch anyway so he doesn’t mind

Pio pushes a lot of his own raising onto Mario, as the oldest he thinks Mario should be responsible, a support for the family, not chasing his own crazy dream that could crash down onto them into debt

On the flip side, Arthur puts a lot of what he wanted for himself onto Louisiana, pushing her to do new things and plays sports and do after school activities like he never got to do having to work in the Restaurant growing up

Tony’s the only one he sees this happening, and thus has stayed the fun uncle who’ll get you out of that thing you don’t want to do if asked. He’s listened to a lot of vents from the kids as he drives them from one activity to the next, and tries to remind them their parents are doing their best, and love them a lot. For everyone but Luigi that reminder fell on deaf ears

[britneyshakespeare]

i have been working with kids for four years and i had to write my first ever note just now about a seventh grade boy being inappropriate towards me. i don't know what the hell this could possibly lead to or what. he was trying to feel my legs repeatedly to the point where i had to stop sitting next to him (and i was subbing for his one-to-one para!!!). he's got high support needs. in that kind of job, you're supposed to sit next to them all day and look over their work.

the teacher whose classroom this was happening in could also tell something was wrong. the whole class was acting kinda crazy because it was the day before school vacation week and there was another class coming in to share projects. so like, he was swamped with keeping order already. but we were sitting two feet away from his podium at the front of the room. the kid was giving him and me a hard time when he wouldn't take out his chromebook as he was instructed. and then when he did take out his chromebook, he immediately, for some reason, places it on my lap. he had been ogling my legs the whole time. he puts his computer ON MY LAP. and i'm just like, stunned, because what the hell? can you not keep it on your own lap, for some reason? i don't even know what to say, i just hold it a little above my lap while i'm thinking why on earth would this be happening? he would NOT do this to his regular para if she were here, would he? this can't be normal.

and the teacher sees this and within a minute places a stool in front of the kid for him to put his laptop on. and i'm like. oh ok. yeah. he notices exactly what's happening and that that's not appropriate. and then when the other class comes in to share projects he tells me "miss b——, you don't actually have to sit next to c—— this whole period if you don't want to." and he grabs me a chair for me to go sit with the other paras in the back opposite corner of the room. like he KNEW. and thank you mr. d—— for recognizing that because i was just kind of shocked and didn't know if i was overreacting in my head to all of this.

when there's a point in the class where the kids are discussing stuff, i privately mention what's happened to the para who's sitting closest to me. and she says that the thing about him calling me pretty is something he's been known to do, but the fact that he kept trying to touch my legs is new behavior. and that's a completely different class of behavior. i was telling him NO, don't do that, and he kept doing it. and the fact that he was calling me pretty repeatedly, even when i was giving him instructions that he wasn't taking. and this is the second to last class before the end of the day, so she says she'll take a walk with him before learning center and talk to him about it, and i'm grateful for that. she does. the kid apologizes to me as soon as i come into learning center. but like. WHAT the hell.

i'm STILL like what the hell. this is unfathomable to me. the other adults who i told about this or who witnessed it were supportive of me. but. what to do??? i wrote a long note to his regular para about this, because i knew she was going to hear about it at least from the first para i told. the second para i told about it after school had a kind of... i'm not gonna say enabling reaction, but i suppose since it had already been "taken care of" (or at least, he had been spoken to and apologized) she didn't really have much to add in the way of discipline. i told her what happened after school and she was just like... a little bit, laughing? like oh, yup, that dog. she at the very least confirmed he KNEW what he was doing, that that was not an accident. she said to me "i had a feeling he was going to develop a crush on you" (me and these other paras were together for most of the beginning of the day too). but it's like. it's not about that.

i have worked with children for FOUR years. children have had crushes on me before; i'm quite unfazed by it. boys from the ages of 5-to-15 have told me i'm so pretty before and asked me to marry them. i've never had them feeling up my legs before. i've never had them making me physically uncomfortable. it's NOT about this seventh grader having a crush on the pretty substitute. he is NOT unusual for that, at all. but i've never had a boy of any age or education level repeatedly touching my knees and thighs. THAT is problem behavior!!!

because what if i wasn't assertive enough with him to tell him to stop? what if i was a girl his age? worse, what if i was an adult who encouraged this behavior? i don't come to the middle school to be a seductress. i had no intention in putting on a pair of tights and a skirt this morning of being viewed as an attractive object, especially not by a pubescent boy. what if i did though? what if his interpretation of me wasn't so incorrect and offensive? what if i let him keep touching me inappropriately and saying flirtatious things to me? me, an adult in my mid-twenties, towards a middle school boy?

in no world would that be ok. if i had been feeling up and overly-complimenting a CHILD at my place of work, holy shit would there be reports about me. so a child acting that way could never be ok either. if it'd be firable for me to be reciprocating that action, then that action should not be happening to me. ever. and that child should never repeat that action again to any other adult again.

like i am simply not there to be treated as an attractive young woman. i put on a skirt that shows too much knee and get paired with a boy, though, and that's apparently just a natural consequence. hooo-ly shit. like i don't know what to do. first of all, the more time passes since this has happened, the more i am just unable to stop thinking about it. i wasn't "hurt" or too emotional in the moment but i'm just still processing it and it gets worse. i'm just more and more disgusted.

i don't know what i expect to come out of this, or the email i sent to his regular para. like, am i gonna have to attend a fucking meeting? what is the precedent that this sets for him? WHY do i feel BAD for him about this? well, because he's a child, of course. a child who has done wrong he may not be able to understand. but he knows WHAT he did. he just doesn't know WHY it was wrong.

and i couldn't even say something to him that was like, "well, how would you like it if i was touching you like this?" because young boys do not understand how inappropriate it'd be. i'm sure this kid thought he was gonna get away with what he was doing at the very least. but probably not unlikely he (being a child with no concept of how wrong it'd be) thought he could get some sort of "positive" attention for treating me like this. either way he was simply doing what he wanted to do, with no perspective of how it would make me feel or that it could be classified as harassment. teenage boys think it'd be awesome if the older attractive woman would reciprocate their affections. they're wrong. i, as the older attractive woman of his affection, cannot be the one to convince him of that, though.

i don't know. i don't know. like it's just so not ok. but if i didn't tell another adult about this, he would've gotten away with it. he would probably do it again. and him being in trouble for it is not the same as him understanding that it was wrong. unless someone has a REAL talk with him about inappropriate attention and consent, it's not unlikely that he'll just repeat the behavior in a setting where he thinks he won't be caught or told on. THAT'S the problem. me, i could just never have to be this boy's para again. in my email, i didn't say that i would never be ok working with or around him ever again. he already knows i didn't like it and i'm not afraid to tell on him; as far as that lesson applies to me, individually, i think he's become too ashamed to repeat that.

i don't know. i don't know. i very much expressed that i, i guess, "forgave" him in the email that i wrote. i clarified that i was writing it for the sake of having it on the record. i think that could potentially be very important for the purposes of preventing further similar or escalating behavior from him in the future. i don't want him to be in trouble. i don't think i will be blamed for this, especially not with how promptly i acted, although i don't know to what extent this will be framed as me thinking i'm a "victim." i'm not... i don't feel victimized. i feel disgusted. i feel afraid for the sake of what could happen to or with him in the future, if he thinks behavior like his towards me today is ok.

i feel like if i end up having to further respond to this, this will be made about me. in a way it kind of was. is? in the moment it was happening, it was certainly about me. because i was the one this boy was giving all this unwanted attention to. but to make the consequences of this about me and to involve me any further, i also don't want. because i said what i said already, i don't care if a student has a crush on me. this isn't about me being the pretty substitute. i'm the pretty substitute all the time, to tons of people. that's not really something i've been concerned about up until now.

but do i have to reexplain my personal embarrassment? that i was wearing a skirt? that he was ogling my legs? really? what more do i have to gain from sharing that, other than having the adults at my place of work confirm or deny me in their heads as the pretty substitute? i don't know. perhaps that's REALLY overthinking it. but i don't want to be the substitute that caused a problem for this special ed kid. i don't wanna be the reason that he can't be around me anymore, the person people think of when they're monitoring how he's acting around girls and young women. i DON'T want to be the one people think of when they think of his past misbehavior. i'm NOT here for that.

that's just fucking humiliating. and in this being a thing that could follow him, i have to be ogled and touched over and over again in people's minds for this to be taken seriously. but for this to be swept under the rug would be even worse, no? i don't know. i hate this. the principal is a nice guy; i wouldn't be surprised if he and/or people from the special ed department reached out to me sympathetically about this. but i don't wanna be reached out to. i don't wanna have ppl i work with tell me "sorry that kid was just so attracted to you he couldn't help himself" like come on. if the kid himself doesn't change then i don't really care to remember this incident. and no one reaching out to me and saying they've talked to this kid will actually prove to me he understands. this is the kind of inappropriate behavior it takes years for people to understand why it was wrong, especially a child who has no idea. i mean come on.

[bam-monsterhospital]

hang on gotta ramble about the strawhat interpretations in this show and how wonderful they are in the live action. also y'know, put any worries to rest?

zorp

i was so worried at first that they'd only focus on making him a stoic badass and all the wonderful bits about zoro that makes him zoro would be lost

i didn't need to worry

zoro THINKS he's a badass. and yeah sometimes he's right. but it becomes very clear very quickly that this man is a fucking disaster. an absolute mess.

he's KIND.

a dork. sees a lil girl with her tray of horrible riceballs and is like 'omg a child. plz nooooooooo', and then instantly like 180s and is all 'brb cheering up this lil goober, nothing can stop me.'

he PAYS ATTENTION. he notices shit! y'know, that thing that zoro does? that characteristic? yeah! Also nice to see where his mind goes when him and nami try to guess each others' backstories; like her, he assumes the worst in people.

he emotes. he mopes over lack of alcohol like a fuckin idiot, he laughs open and freely often, he smiles, he gets startled, he has a thousand yard stare when he realizes just what kind of bullshit he's involved himself in when it comes to luffy.

hIS DEVOTION TO LUFFY. aaaaaaaaaaa. this is the big thing right? zoro's big turning point and it did not disappoint. He's genuine and raw with his delcaration to luffy, knowing the support luffy needs at that moment (aaaaaah, see? he notices things!) and reassuring/encouraging him. ffffffffuck. Then later on he fuckin checks up on luffy to see if he needs to talk. Will follow him to th ends of the earth into hell and right back out again vibes. it's perfect.

he's entertainingly petty. quick lil word jabs at sanji, unprompted. beautiful.

Loofs

what is there to say? if you don't already know, just watch. This is luffy. this is the best luffy. this is a precious bab personified sunshine. Everything you ever liked about luffy? Here, accounted for, amplified.

Namnams the boss

reminded me why i initially adored nami in the first place.

she's herding cats 24/7

assumes the worst in people, very cynical, is all 'nuuu fuck you y'all are garbage', but then when you blink she's exposing her bleeding heart gooey center, regretting everything about everything.

trying not to care, but cares so fuckin much omg, she's kind. she's so kind.

Usoppppppppppp

oh Ussop. Ussopp. Fantastic.

all of usopp's best traits, TAKEN UP TO 11

KIND

full of life and energy and joy like luffy, backs down and regrets life choices on a daily basis, cARES SO MUCH AAAAAAAAA

can we get a collection of his stories? he's really entertaining. like VERY entertaining, also if you're not paying attention to what he's saying you could easily initially buy what he's selling... until he brings his lies into ridiculous territories xD

excellent at quick thinking. thinks on his feet, fly by the seat of his pants, he'S USOPP.

also. ahem. he's very pretty.

does not want to be in the fight scenes but runs in anyways.

snergle

he's not gross. he's not creepy. he's not a raving misogynist. omg.

it feels like his main reaction to pretty womenz is being completely enamored. like he's just mesmerized by his own idea of women as a fantasy fey being glittering in front of him.

actually charming? WHAT? he knows how to actually be charismatic/charming? TO A WIMMENZ? WHAT IS THIS NOW? WHERE HAS THIS BEEN, ODA? HEY. TAKE. NOTE.

sooooooooo full of smiles and laughs.

wears his heart on his sleeve, ALL emotions out front nothing hidden, nothing held back.

KIND. hmmm, i'm noticing a trend here.

very obviously cares about people.

still an idiot, like, this was a given. i want to make it clear he's not some suave fucker, no, this boy a dorkus who rolled high in luck and smiles and it's been helping a lot.

so emotional. and unlike most media where 'emotional' on a dude looks like rage grump murder hobo badass, here instead it's like a fuckin breath of fresh air. it's not toxic. it's just... genuine? is that the word i'm looking for? hmmm.

it's obvious he cares deeply for luffy. and fuck man, i really miss that for sanji.

i'm sure i had more to say, but i've rambled enough for now.

[heloflor]

Something random I find interesting about Bowser is how his “modern” personality was actually there very early on, but it took forever for it to become a thing in the games.

(Tl;Dr is basically the last paragraph)

Like, when the first Super Mario Bros came out, Bowser was shown as a conqueror, destroying the Mushroom Kingdom and turning its inhabitant into blocks just because he could, only kidnapping Peach because she had magic that could counter his. All in all, he was nothing more than a monster.

But then one year later came the 1986 anime movie “The Great Mission to Rescue Princess Peach”, and for this movie, Bowser was completely revamped. Suddenly he became a hopeless romantic who kidnaps Peach to marry her, tries to comfort her at two instances which shows some level of being genuine in his feelings, and is a bit of a dumbass at times. It’s actually pretty funny to see the contrast between Bowser in this movie having done terrible actions (which we see through Mario and Luigi’s quest) but then when the focus is on him, he’s kind of adorable actually. Also there’s that post credit scene with him working where the brothers used to early on that shows him as nice.

And the funny thing is, that new side of Bowser that this anime brought actually stuck around…in everything except the games. In the following games (Mario Bros 2 Lost Levels, 3 and Mario World), Bowser is still the same monster who’s destroying things and kidnapping Peach for the heck of it. But outside of the games, we see that softer/goofier side of him shine. Or at the very least, in instances where he’s still pretty horrible/doesn't show that softer side, his motivation remains to marry Peach instead of going back to him wanting power first and foremost. And even then his defeats have some comedy to it.

It’s especially visible with Mario World and how, while the game doesn’t expand on him, there’s an interactive anime where he mentions wanting to marry Peach, and the Manga Super Mario Kun version of this game shows him to be a lot like in the 1986 movie, at least in his first appearance (I only found the first few chapters of this comic translated in english so I don’t know how he acts past that scene where he gives Peach an oversized ring; wouldn’t recommend those mangas btw, unless you like absurd humor with a plot that goes nowhere and wastes your time on stupid stuff). Same for the “Super Mario Adventures” comic where’s he’s yet again both a softie and a moron.

And outside of Mario World, there’s also a commercial for the very first Super Mario Bros with Bowser giving Mario flowers with no evil intention to it, or those three very badly made retelling of stories with Mario characters, two of which have Bowser wanting to marry Peach (for those wondering how the hell did I know about this compilation, I found a reaction to the 86 anime and the channel also had a reaction to those, so it was through sheer luck ¯\_(ツ)_/¯).

So overall, Bowser being more comedic and endearing through being an idiot + having romantic feelings had been a thing since pretty much the beginning, Nintendo just took a while to put it into the games. And even then, from my understanding, the first show of Bowser’s softer side was in the RPGs, with Super Mario RPG having him as part of the team and Paper Mario 64 apparently being the first time his crush on Peach was put into a game (for context I know very little of both of these games so I don’t know exactly how they portray Bowser, I just know RPG has a crying sprite + he’s a team member and Paper has him crushing on Peach). So it basically took a good decade for it to become his game personality.

(Note that him becoming a playable character as early as the first Mario Kart and remaining playable in most sport games could also be a sign of Nintendo wanting him to be seen as less threatening, but those games don’t exactly have a story to truly showcase it so I wouldn’t exactly take them into account)

As for the mainline games, we had to wait even longer to see that side of him, up until Super Mario Sunshine in the early 2000s. And funnily enough, Nintendo has ever since been much more open about taking Bowser a lot less seriously in mainline games (Mario Galaxy ends with the group waking up at Peach’s castle and Bowser seems rather chill in that moment, New Bros Wii and U have funny cutscenes at the end, same for 3D Land, New Bros 2, his losing animation on his car + him in the credits in 3D World, and Mario Odyssey also ends on a comedic note for him).

And since I’m talking Sunshine which showcases his softer side through his kid, that’s also a good show of how long it took for him to be like that in the games. Bowser had been a father since Super Mario Bros 3 with the introduction of the Koopalings, yet neither this game nor Mario World show the kids interacting with their dad. We had to wait until New Bros Wii for that to happen in a mainline game (the ending cutscene). And while I wasn’t born back in the 90s so I can’t fully back up this claim, from what I’ve seen Bowser in general mainly interacted with the Koopalings outside of the games, like with the Adventures comic (tho even then it’s minimal) and the US cartoons which focus on him as a dad.

So yeah, all-in-all, I find it interesting how Nintendo had clearly always seen Bowser as more of a comedic character, mostly through being a hopeless romantic and a dumbass with a soft edge despite his horrible actions, but for the longest time they put this wish to the side. It wasn’t until the RPGs that this side of Bowser came out, and it took even longer for it to become a thing in the mainline games. And while of course this makes sense given Nintendo is known for not having stories in Mario games, meaning there’s no point in making Bowser anything more than the bad guy, it’s still funny how, the second they gave Bowser that comedic edge in one mainline game, it was the push they needed to run with it and never look back. As a result, nowadays, even in the instances where Bowser is at his most dangerous/intimidating like Galaxy, Bowser’s Fury or the 2023 Movie, there’s always still at least one moment where he’s not taken that seriously.

(Last second addition : I guess it is worth pointing out how Bowser being less threatening started with his romantic feelings, with his role as a father not being that important; but nowadays it's sort of the opposite with him being a parent first and foremost while his feelings for Peach, though still very much core to his character, take a bit of a backseat at times, or at least him having Junior and parenting him is brought up more often than his desire to be with Peach)

[ozzgin]

Just read your arranged marriage kidnapped by a most post and the humor in the servants always thinking reader is in peril. The same going for monster hubby (He just thinks they're submissive and breedable)

Like none of them realize they are a moster fucker cause they hide it so well. Like just imagining reader be like "oh be gentle with me I'm a dainty maiden" and then giving him the night of his life is hilarious. Or them having dinner and the servants feel bad for them cause monster hubby is eating human meat but their just thinking about other things he can use his tongue on.

Or maybe someone comes to rescue them from the terrible monster finally. But they don't wanna leave and instead fight the knight off. The knight thinks they've been brainwashed or something. Meanwhile the servants think the knight just wasn't good enough to rescue them.

Content: gender neutral reader, monster romance, NSFW! [Part 1] | [More Monsters]

The servants are not blind by any means: they can tell, quite plainly, that their monstrous Lord has a soft spot for you. Not only that, but the beast nearly worships you! They've come up with many theories, the latest one involving witchcraft. Surely you must have some sort of magical trickery under your sleeve in order to subdue their Master. There's no other way around it. All previous humans have been devoured, or have died in a pitiful attempt to escape, terrified to the bone upon gazing at his blasphemous Majesty.

You can't blame them. It's probably better for everyone involved if you omit the fact that your source of witchcraft lies in your...genitals. Well, not just that, of course. Your husband had started to lose hope. His appreciation of humans never came to fruition before your arrival. He was expecting you to cower in fear, not throw yourself at him.

He wondered if you wanted something from him in return, but no one could possibly pretend so flawlessly: the way you clung to him unprompted. The way you hungrily took him in, tears welling in your eyes, refusing to let go until you could feel his load avalanching down your throat. The way you'd trap his hips with your legs, despite being weak and feverish, asking that he doesn't stop yet. If that wasn't proof enough, your whines and moans were loud and clear. To think he could have his own little human, one who isn't repulsed by his monstrous form. He would've been content with mere tolerance, yet someone who begged to be fucked by him? He's been delirious ever since.

He loves everything about you, naturally, but he can't deny the shameless addiction he's now developed towards your body. He'd pound you anywhere and anytime if he could. If he needs to leave for official matters, know that the return will burn in the back of his mind.

"An important date, Sir?" one traveling servant will ask, glancing at all the scribbles in the calendar.

"Indeed", he answers solemnly. It's the times when he can finally fuck you dumb.

While the servants worry about their devilish Master being put under leash, for the other fellow humans the opposite seems to be true. You recall your last "rescuing" attempt distinctly. During one of your evening walks, burly, foreign arms swept you off in an instant. Before you knew it, you were holding onto the armored shoulders of an unknown man, as he made his way out of the traditional garden.

"I'll get you out of here", he promised between heaving breaths.

You stared in confusion. What was he saving you from? A good dicking? No matter how much you explained that you do actually like your newly appointed husband, the hero wouldn't budge.

You ended up just walking back home when the man fell asleep.

"That was quite the long walk", your monster partner remarked, polishing his weapons.

"Oh no, I was kidnapped", you state casually. "Got us some fruits on the way back."

Would it have been better to lie about it? On one hand, you do feel terrible for whoever attempted to retrieve you from the claws of the tyrant. Your husband is very possessive, and you know he'll scorch the Earth until that treacherous pest is gutted and fed to the pigs.

On the other hand...he becomes particularly savage after such incidents. You won't be able to sit properly for the next few weeks, but it's worth it.

Tough luck, you tell yourself, lounging in bed with a satisfied smirk and torn apart hole.

[getvalentined]

An open letter to @staff

I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.

The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.

Claim 1: Algorithms help small creators.

This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.

This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.

Claim 2: Only a small portion of users utilize the chronological feed.

You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.

Claim 3: Tumblr is not easy to use.

This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.

You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.

The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.

You can do so much better than this.

Response to the Update

Under the cut for readability, because everything said above still applies.

I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.

Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.

People read it that way because that is what you said.

*The final results of the poll, after 24 hours:

136,635 votes breaks down thusly:

An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)

Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)

This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)

[yamujiburo]

HANAMUSA (JESSIExDELIA) MASTER POST

I probably should have started doing this forever ago but I wasn’t sure how long I was gonna stick with drawing these comics. But I guess we’re in it now! This will be continually updated~ EVERYTHING UNDER THE CUT

BEFORE YOU START:

This post is required reading about Team Rocket’s ages since that’s usually a question that comes up a lot LOL. As for Delia’s age, she is said to be 29 in Takeshi Shudo’s (original writer on Pokémon) novel that built out the world and characters of the anime.

Next, I feel like this chart helps give the vibe of what these characters relationship is (all just headcanons except for their names and ages)!

WHERE TO START:

Here’s a post I made detailing how Jessie, James and Meowth initially start living with Delia. It also goes into what each character does in this AU. Before going into the post, you might enjoy this fanfic my girlfriend commissioned! It’s based off of said post and is a more enjoyable read.

Here’s also a list of headcanons!

COMICS:

Here’s all the comics I’ve done! The order of most of them are pretty ambiguous and up in the air but I put them in the order I kinda see in my head! There are some that do take place before Jessie and Delia start dating though! Also a few comics that have several parts but the “next” and “prev” links will be in each comic. So I’ll only link the first part of those ones in this masterpost.

Pre-Relationship

Fast Food

Ophidiophobia

Boss 🌟NEW🌟

Whipped

Making Eyes

Hairbrush

Inquiries

Separated

First Kiss

Dating

Big Bed

Tattoo

Crumbs

Pet Clown

I’d Like To

Jessica

Lipstick (not a comic but some fun extra dialogue for this)

Glow

Sleeptalking

Official

Early Relationship

Stare Down

Shovel Talk

Invisible Walls

Date Help

Date Night

Face Blind

One Motto Away

Babygirl

Snowgasboard

Delia’s Got a Cold

Mr. Jessie Ketchum

Peek-At-Chu

Hands Off Pikachu!

Wine Nights with James

Beauty and the Beach

Turning Point Arc

Sunscreen

Where Do Babies Come From

Head Scritches

Love Life

Ugly

Ace Trainers

Pikasitting

During Relationship

Mother’s Day

Father’s Day

Gift for Delia

Gift for Jessie

Jessilina Fan

Crossdressing

Type

Hickeys

Journey Arc

Tone

Cooking Twerp

Son

Cooking Advice

Serperior Facts

Cassidy’s Cabin Arc

Father/Son Bonding

Worry 🌟NEW🌟

Later in Relationship

Uniform

Paparazzi

One Upping 🌟NEW🌟

Hand-Me-Downs

Glasses

Study Help

Happy Valentine’s Day

Wrapped

Daddy Daughter Double Battle

Splinter

Married Life

Wedding

Arbok/Weezing Reunion

Snake Eyes

FAQ:

There's a hanamusa section in my FAQ!

[nightzskii]

dont mind this post

looking at old tags the best i can