#it’s nice to bring them back

[synthetic-rust]

I spent far longer on this than 5 minutes, but that’s neither here nor there lol

(was inspired to partake in the meme by @/dokupine)

Blank ver:

[lgbtlunaverse]

Fanon likes to portray Jiang Cheng and Lan Wangji as being jealous of each other because they fear wei wuxian will choose one of them over the other. Which is ignoring the fact that at least in novel canon Jiang Cheng did not even fucking know wangxian ever got along let alone that lwj was in love with wwx until at the very end of the story (in cql canon he does go through a wangxian phase early on and gets very confused by their "breakup" during wwx's sunshot era) and that Lan Wangji is mostly filled with loathing towards both himself and Jiang Cheng for 'abandoning' Wei Wuxian and not being able to save him.

It also ignores the much bigger point that both Lan Wangji and Jiang Cheng are actually jealous of Wen Ning. And why wouldn't they be? That is who Wei Wuxian chose in his first life. He left the Jiang, told Lan Wangji to fuck off no he is not coming to gusu with you, and spent his days with his little-brother-shaped corpse bestie on his mountain in yiling. And then when he came back he immediately called him up the second he could string together more than two notes on a flute. Wen Ning is the real competition. (And he's winning)

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[mellohiizz]

parrot and his allay. ^_^

small bonus for the soul

[ohnoitsjetster]

Herbert west being a cutie patootie

[ligh5hog]

They're comforting him <3

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[profoundmakerdreamerss-blog]

Tomarry AU time travel but with a twist

— where Tom and Harry are best friends but Harry ends up falling for Tom — and Tom? He rejects him. Because Tom isn't ready. Because he thinks relationships are a waste of time — and believes what he and Harry has is better. And, Harry? Though hurt, accepts his answer. Though there is some residual awkwardness — they go back to being friends.

But— now, Tom is more aware of Harry. Now, that he knows Harry is okay with having a romantic relationship with him, he starts noticing things that he hasn't before. He starts thinking about Harry more than he did before (which basically means he thought about him every second now, back then it was one thought per ten seconds but anyways—) and having realizations about himself that he has been ignoring before due to always thinking about the future. After all he is a busy man with a grand plan — he was just too busy to have time for something mundane like introspection, am I right?

Unfortunately, though before Tom could do something about his emotions derailing his plans — Harry dies. For him. To save him

Tom being Tom, through his all consuming grief and regrets — breaks time conventions to save Harry and ends up travelling back on the day Harry came to Hogwarts. And as Tom tries to make amends for his mistakes by trying to befriend Harry, who is the new transfer student earlier than before, he realizes how strange Harry used to be.

How he would act skittish around Tom or glare at him with so much hatred that would make him stumble. Because Harry never did that, or did he? That didn't matter though, because Tom would win him over anyways — because he is the one whom Harry loves loved. So, he is one who would end up winning him anyways — not Black or Longbottom for that matter.

So this au is basically time travelling harry and time travelling tom but both of them from different points of time, trying to do their best — trying to save the world (for Tom, it's Harry and is that my way of implying Harry was his world? Yes.)

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[herefortheships]

Look who I spotted today! Lydia and Beej, side by side as they should be 😌

[verysmallcyborg]

butch on a bike

[symeona]

My itty bitty kitty ;v;

[I.D: it's a photo of my cat sleeping on my chest. The top of her head and ears is mostly visible, her face is mushed down. End of I.d.]

[talia-kane]

Alfred starts secretly dosing the manor with antidepressants and they stop wanting to fight crime

[fearandhatred]

need a tab for mutuals-only original posts. i would sell my soul to tumblr for this

[victorie552]

Kind of a weird AU but hear me out:

Finwe marries Indis, right? Most controversial thing Finwe ever done and that includes leading elves from their ancestral home to a new continent to live with gods. Silmarillion says that it happened because he fell in love and I believe it BUT what Silmarillion doesn't tell you is WHEN Finwe marries Indis. I saw posts that say the canon is inconclusive and Tolkien probably changed his mind a lot, and half of what of what Tolkien wrote is thrown from the window by fandom, so.

Anyway, one of the versions said Feanor was at least a teenager when Finwe/Indis happens (I think). What Silmarillion states is that Feanor married VERY young by elven standards, and that Nerdanel was below his station (classism? in elven society? apparently!).

Last thing before I get to the main point: Fingolfin marries Anaire, a Noldo lady, who I saw often enough written as a noble or a court lady, perfectly fine that, no idea if that's canon. And Finarfin very much marries Teleri princess.

...I don't know guys, it feels very convienient. For princes to fall in love with exactly the kind of women who would be approved by royal court and strenghten political ties with other elven factions. If it was anything else than silm, I would call political marriages.

Time for crack: based on what I wrote above I propose an AU where it was FEANOR who was supposed to marry Indis. For politics! Vanyar are the most important faction in Aman! Let's marry into that!

But the MOMENT Feanor became an adult and they could process with courting without making it creppier than it already is, Feanor runs off to elope with his coworker and there's nothing they can do. Well, that's what Finwe tells Ingwe when Ingwe rages about it to him.

Finwe loves Feanor, he wants him to marry for love, and that's exactly what happens. But, uh, all Vanyar are pissed that there's no political marriage when they were promised one (they mad cause they look stupid now), and, well. Finwe decides to bite the bullet. For his son.

It's not true of course. But imagine family dinners after that.

[kacievvbbbb]

I feel like I need to know more about Todo and Yuki’s relationship as mentor and mentee. Like they seem the same flavor of person which is very different from what gojo and megumi have going on.

But also Yuki is very adoptive “dad” coded in the way geto’s relationship to the twins is very adoptive “mom” coded.

In that Geto seems to take on primarily a caretaker role than a mentor while Yuki is more a trainer and life coach than she is a caretaker. Which is something you don’t really see given to female characters in anime.

Like Todo lives by her words and fights by her example. Everything he knows about jujutsu she taught him and Todo’s a very skilled and violent fighter and that reflects back perfectly on Yuki’s own fighting style. It’s so very anime mentor it’s insane she is just introduced to us as Todo (this absolute menace’s) teacher before anything else. I’ve never actually seen a female anime character be introduced this way.

in contrast to Geto who serves as the caring parent who was tragically taken from the girls violently and too soon and the girls wish to honor him and live how he would have wanted them too despite the ungodly situation they find themselves in. Which is such a stereotypical anime mom trope it’s almost funny. He even fits in with the still very much in love with and still speaks highly of the father that abandoned the family in hopes that the kid will one day understand and forgive them. He is essentially the mom from Full Metal Alchemist.

Gege that fucking deranged cat actually flipped the script on us and it’s so interesting which is why it’s so frustrating how little we actually end up getting off yuki when all her little scenes point to such an interestnn in character.

She is introduced as one half of a crazy dynamic that we never actually get to see put to screen and that’s such a shame. Because Yuki is such a welcome addition to the tropes of female characters we need more female “dads”