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angrykittybarbarian · 1 day ago

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A list of things that bother me about Dragon Age: The Veilguard Part 2

I already touched on a few things that caught my attention and personally irked me about the game. After getting through some more of it naturally a few more points have come up. Though I think they are not really new aspects but more concrete examples of what I had touched on last time.

Without further ado, let's get into it.

!Spoilers below the cut!

The dialogue is repetetive and at times contradictory

Like I already discussed last time the dialogue is bad, to express it in the simplest of terms. As I progressed through the game I stumbled upon a glaring example for what I mean.

In the questline where you infiltrate a Venatori meeting there is a part where Neve in disguise and in company of Rook and another companion gets a Venatori to admit that Elgar'nan was present but not Ghilan'nain. For some inexplicable reason Neve turns around and repeats this twice as if Rook wasn't present.

But moving on.

I stated in my last post that the game feels the need to state the obvious. This is what I mean. It makes the dialogue feel like a rough draft that was incorporated into the game without further polish.

As of its contradictory nature two examples come to mind.

In Harding's companion quest you meet this dwarf of Kal Sharok. His dialogue is stoic, no bullshit straight to the point and passionless. Which was fine. But after several minutes of him being that way they get to stone statue Valta who speaks in these misteryous riddles and suddenly he switches to this unserious tone of "Oh that weird statue, we never know what she's saying, ain't she funny." (I'm paraphrasing here). I was confused for half a minute because of his sudden change in attitude and left wondering what his characterization is supposed to be now: serious or quirky?

Same thing with Taash's whole story. This is especially upsetting because I feel like they could have done such great work with it.

Instead it suffers so much from several inconsistencies that I felt sorry for the VA because they actually did a great acting job.

Taash has a coming out scene with their mother where they reveal they're non-binary. Ignoring the usage of modern terms in a medieval-ish setting, the conflict about their gender makes no sense.

The writing wants you to believe Shathann is not okay with her child being non-binary but she never actually expresses such a thing. Actually Shathann sort of had an inkling that Taash was no ordinary woman ("Behaves more like a man...") and she never passed any negative judgement on it. When Taash told her this she even tried to understand by categorizing their identity into qunari vocabulary she knew (remember the term aqun-athlok?).

I get how hard it is to have an overly critical mother and the feeling of not being good enough but that was not what Shathann was about in that scene and it did Taash so dirty because they looked more like an entitled teenager than someone suffering from trauma and perfectionism.

Some old characters are mischaracterized

It's Scout Harding. I mean Harding.

I was really excited to have her as a companion in the new installment but they sort of butchered her character that I found myself annoyed everytime she opened her mouth.

And this is because they make her sound so immature. Really think about it. DATV somehow makes Scout Harding sound younger and more childish than she was in DAI despite the fact that she is supposed to be a whole decade older in DATV than in DAI.

I don't know what direction her VA recieved while recording but everything was pronounced so slowly and extra clear that it seemed at times that Harding was either talking to a confused elderly person or a child.

She herself uses expressions not fit for her age. The most jarring moment was when she called the Blight in D'meta's Crossing 'weird' and sounded like a teenager who has stumbled upon furry art for the first time on deviantArt. This pattern pretty much continues throughout the game. And it hurts so much.

Also Morrigan. She at least still uses her even for DA setting standards antiquated vocabulary but she is too happy and cheery and friendly.

Morrigan is not a nice person to those she does not know and like personally. But to Rook she was so nice despite having met them for the first time.

The Morrigan we have come to know love/hate should have been more snarky or at least more neutral in her demeanor.

The Venatori

I don't know why they are still a thing honestly. I was under the impression they have lost all footing after the death of Corypheus. Why would they follow the Gods of the people their country systemically abuses anyway?

Bonus: Why would the Antaam for that matter, as the qunari are so notoriously arcanophobic that they leash their mages, sew their mouths shut and literally call them "dangerous thing"?

Solas' spy network and agents

What happened to them? Where are they? Shouldn't he have a small army? Why weren't they used as the gods' agents instead of the Venatori? Surely, Elgar'nan and Ghilan'nain would have an easier time simply controlling Fen'Harels elven army after imprisoning him in the fade.

The Chantry

It is just not present. Sure there are some Chantry buildings but there is no discussion of faith. In all previous DA games the Chantry has had a constant influence that could be felt everywhere. Faith was discussed and explored from various angles and perspectives, ranging from ultra conservative to progressive. But in Veilguard it's not there.

Why are we not exploring the Tevinter Chantry more? Why doesn't Emmrich discuss the nevarran Chantry, who follows the Sunburst Throne in Orlais, in regards to the Mournwatch, their necromancy practices and magic? Why was he not affected by the mage uprising that started in Kirkwall? How does he deal with faith and the Chantry? It is simply never mentioned.

By all accounts, this game avoids delving into the world like the plague.

#long post #bioware critical #dragon age critical #dragon age #dragon age inquisition #dragon age 2 #dragon age origins #dragon age the veilguard #da:tv #da:tv spoilers #emmrich volkarin #scout harding #morrigan #solas #elgar'nan #ghilan'nain #taash #shathann #neve gallus

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antebunny · 2 days ago

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There’s something wrong with Jason.

Early autumn of Cass’s first full year as Bruce Wayne’s daughter. Trees droop, browned and unbearably brittle, onto the cracked sidewalks. Children skip and slouch and trudge their way back into classrooms for another dull year of learning. The exception is Cass, happily at home with Barbara and Bruce, Tim and Steph and Dick and all the new members of her new family. None of them know quite how old Cass is, and resolutely refuse to have anything to do with Lady Shiva or David Cain, the only people who could tell them. But Barbara went to bat for Cass, arguing that the American education system was not beneficial for all American children, much less Cass, who was still adjusting, as Barbara put it. Learning to come out of her shell. So there’ll be no school for Cass this autumn or any autumn. Only apple cider and hot cocoa, safely tucked away by the fifth fake fireplace of Wayne Manor, curling up in window frames just to listen to the psithurism before the rain, and a flood of scarves and mittens and boots as every member of her family tries to prepare her for the incoming Gotham winter.

Personally, Cass doesn’t get why introverts are always encouraged to become more extroverted. She thinks extroverts should be told to shut the hell up more often. Perhaps it is an American thing, she muses, but then, she loves her new family for their relentless positivity and inability to shut the hell up. From Steph, who drags her on girl’s night after girl’s night with Barbara, Harley, and all the other crazy girls of Gotham who want to paint their toenails neon purple with little stars and crack skulls open just to feel something. (Whenever Harley robs a department store she always sends Cass a dress she thinks she’ll like in the mail. Bruce always gives her a look, sends it back, then buys ten variations of the same dress). To Tim, who is hard at work learning ASL so they can communicate better and shares all of his embarrassing interests with her. Niche anime, questionable manga, decrepit video games, card games, board games, and a stash of Batman and Robin photos he swears her to secrecy over. To Dick, who remains upbeat and cheerful in the face of all her silences and stony stares. He always makes time to take her (and usually some of his other little siblings) to a pizza parlor, or an ice cream parlor, or an abandoned parking lot perfect for doing donuts. Dick Grayson is a busy man who gained most of his current family after turning eighteen and losing most of them beforehand. Yet his heart opens, bottomless and sincere, for every new orphan that shows up on Bruce’s doorstep. When he drops by Cass’s ballet studio, exhaustion crinkling in every forehead line and eye wrinkle, how can she not love him back?

So she takes it personally when Jason continues to avoid them. Perhaps she could ignore it if it was clear that he wanted nothing to do with them, no matter how much the others missed him. But everytime they run into Jason it is clear to Cass that he misses them fiercely. She may not be an expert on the standard personality and behavioral ticks of Jason Todd, but she is an expert on body language, and everything about Jason screams bad, wrong, liar, liar, LIAR–

Cass goes to Barbara.

These days Barbara spend the vast majority of her time in the Clocktower. Ever since the Joker, Cass has been told, and hung up the Batgirl cape. She rotates between the library and the tower, retreating from regular life while her law degree collects dust. And even though Dick gets sad whenever he see her, and Barbara feels guilty and helplessly furious, he never says anything. The two of them dance around in silent conversations–I love you, I know, I’m sorry–that start all over again the next time they see each other. As if Cass can’t tell.

“Cass! So good to see you.” Barbara smiles and wheels herself over to the window when Cass drops in unannounced. She’s in pain.

Cass is not a vigilante but she was trained to kill them. When she takes to the rooftops of Gotham, she wears a nondescript black mask. She shucks this mask off now so that Barbara can see her face and plods over to her dearest friend and surrogate mother. Steph tells her the term is “mom friend” and not to get weird about it, but Cass believes she’s well beyond the point of being considered weird.

“Jason,” Cass announces.

She leans down awkwardly to hug Barbara, so she misses everything that is said in response. By the time she straightens, Barbara’s face worries, deep emotional lines of someone whose loved ones spend 80% of their time in mortal peril, and her body twitches backwards, itching for the long row of computers and tech equipment on the far wall. Barbara is concerned about Jason, but she believes the trouble lies in whatever Jason’s doing right now. That she’ll know what to do with just a little cyberstalking. But Cass’s concern is more long-term than that.

“Is there something wrong with Jason?” Barbara’s cadence indicates that this is not the first time she’s spoken. Oops. Cass missed her out-loud words because she was so busy paying attention to what Barbara was actually saying.

Cass points at the computers. She doesn’t know how to explain it with words.

Barbara takes the hint and wheels back over to her computer lab, where she pulls up all the surveillance footage she can of Jason’s usual haunts until she finds him disappearing up the fire escape of an old brick apartment building in the very edge of Burnley. Any further south and he’ll be in Gotham’s Upper East Side, and Jason can’t stand that neighborhood.

As Robin, Jason had to be bullied into the Diamond District and the Upper West Side, but Bruce dragged him into Chinatown to practice his Cantonese and Jason went to Old Gotham willingly for the vibe. A lot of gargoyles, Cass has been told. Worn bricks, gothic spires, flying buttresses, and properly intimidating gargoyles for brooding. There is so much that Cass knows about Jason from other people. The reverse cannot be said, because Jason doesn’t really talk to them anymore.

Barbara boots up a drone from the Bat-hideout closest to Jason’s apartment and flies it over. It’s a lovely little three-room apartment on the third floor of an old brick apartment building. One bedroom and one bathroom, which Barbara does not attempt to enter, and a kitchen/living room area. All the furniture in the living room looks new. A comfy armchair, two bookcases overflowing with newly-purchased novels, shiny new wood cabinets and a marble finish to the kitchen island. Three wooden stools, two of them as sturdy as the day they were bought.

Remotely, she and Cass peer through the window as Jason makes his guns disappear before he reaches his kitchen island. Stripped down to a form-fitting black shirt and brown pants, Jason washes his hands, preheats the oven, and sets about making lemon and herb salmon.

“This looks pretty normal to me,” says Barbara.

Jason slides into one of the wooden stools around his marble kitchen island counter. He drums his fingers on the marble. He checks the time on his phone. The salmon, now covered in garlic, thyme, and rosemary and such, is still baking in the oven.

“He’s just making himself dinner,” Barbara observes. She won’t call Cass a liar, but this isn’t worthy of the label “trouble.”

She doesn’t see it. Cass is at a loss. If Barbara cannot see what is in front of her eyes, how can Cass possibly explain it?

“Look,” Cass insists.

After checking the time on his phone again, Jason gets up and paces. At over six feet tall, he makes his cozy apartment seems small. He picks a book out of his shelf, seemingly at random. He examines the cover. Frankenstein by Mary Shelley. He puts the book back and resumes pacing the perimeter of his small home.

Barbara sighs. “I don’t understand.”

She wants Cass to be able to just spit it out, but won’t say so because she knows Cass cannot. They’ve reached a stalemate.

Here is what Cass cannot articulate: Jason Todd is lonely. Loneliness is built into Jason’s bones. It gathers in his bed at night like a soldier returning from war. It lashes at the confines of his self-imposed cage. When the loneliness threatens to break him, it explodes in the form of rage at anyone who dares to be near him. Ah, but what a liar that rage makes of him. Claiming he loves nothing and no one when all Jason has ever done is love. Raging against the state of his beloved city, fury at the father he will not forgive, and hate–blackened love–for those he once called family. A cruel, self-perpetuated cycle. The lonely drives him to rage which in self-delusion to hide his shame he lies about until everyone learns to stay away. Thus creating more loneliness for Jason to feast in until he inevitably withers away from eating nothing but emptiness.

And Cass fears she is the only one who sees it. But Jason is a fool for thinking no one else understands. Is Cass not the unwanted daughter of a world-class assassin and the wanted weapon of a monster? Her first months in Gotham she did nothing but drive people away because she didn’t know any better. The only reason she has good people around her now is because there is something so irrefutably good about the Bats. Barbara never withdrew her hand even when Cass bit her literally and metaphorically. Bruce took her in without a second thought for her background. Tim tries his hardest to be a good brother to her even when he’s hurting. Steph and Dick didn’t blink twice at the half-feral, non-verbal, former assassin addition to their family. They bring their good cheer out for Cass even when she can tell it’s fake, and she can always tell.

So why does Jason, who is hurting and so lonely that it hurts Cass to look at him, insist on pushing them away?

#cassandra cain #barbara gordon #jason todd #my fanfiction #drabble #antebunny's ficlets #my writing #batfam

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