If life is a never ending loop of dirty dishes and laundry then that means life is a never ending loop of home cooked meals and comfy clean clothes
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love the idea of the Batfamily getting stopped and searched in the family car on the way back to the Manor and everyone’s tense expecting Jason to be the one packing like twelve guns but it’s Alfred? Alfred is absolutely unbelievably strapped up to high heaven? And he somehow manages to talk to the cops out of arresting him or even giving him a ticket?
Bruce is just standing on the side of the road pinching the bridge of his nose. Jason is grinning so widely his face is about to rip. Alfred’s guns are all sitting on the hood of the car and there’s at least three there that Bruce remembers taking away and destroying. Dick is taking pictures on his phone to send to Barbara and trying not to laugh. Tim has Kon on speaker narrating it…
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GIRLY JUST FOUND OUT ABOUT CYERCE ELEGANS
If Cyerce nigricans is a butterfly, then this is a fairy... Cyerce nigricans for comparison:
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OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
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hey um queer desi people if you think you're alone, i promise you're not. i'm here, we're here, and we exist. i love you.
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Ghosts Tell Me
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Ghosts gather near the place where something bad is going to happen,
Danny with his ghost sense tends to notice before anyone else and tends to react outwardly before the danger even happens, gaining a reputation of seeing the future,
Ghosts also tell Danny things, causing Danny to know more about situations and the people around him, it comes of as suspicious.
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Danny pulling away a snack from his coworker: "Careful your allergic to these ingredients!"
Coworker: "How the hell...I've never mentioned that to anyone."
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Danny on a phone call with his friends while doing his nightly walks in Gotham: "Yeah so apparently the second Robin who is now Red Hood has very personal beef with the clown here cuz he got killed by him after being sold out by his bio mom, which really sucks for the poor guy."
Oracle who has been keeping an Eye on Danny cuz he's very suspicious from an outsiders pov: "Hey B, I think we have a problem."
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Danny notices that the ghost in Gotham tends to gather where something bad is going to happen, the more they are the worse the situation will be: *glowing smoke leaves from his mouth* "Yikes! Very bad vibes here, nope!"
Gothamites who at this point recognize him and know the drill and quickly pack up their things to leave:
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Just an Idea
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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