#it’s getting meta

[incorrect-bridgerton-family]

Benedict: You’re kind of a slut.

Anthony: I did sleep with Siena a lot during season 1.

[ladyshinga]

[poorly-drawn-mdzs]

Expertise can't help you here.

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[ladyantiheroine]

I’m thinking about Wicked tonight, specifically why Elphaba ends up with Fiyero instead of Glinda in the musical despite Elphaba and Glinda having the more well-rounded relationship.

You could chalk it up to the writers wanting a heteronormative ending (and I’m certain that’s part of it) or the fact that Elphaba and Fiyero had a love affair in the book. But I think there’s a bit more nuance to it.

The whole point of Glinda’s character is that she upholds the status quo of Oz. No matter how much she loves Elphaba or sympathizes with the plight of the Animals, she will always align herself with the current system and those in power. And as long as that remains the case, a relationship between her and Elphaba is futile because Elphaba will not give up her cause.

Elphaba and Glinda represent to different ends of a spectrum. Elphaba resists the oppressive forces in Oz, while Glinda upholds them. But Fiyero is somewhere in the middle. He starts out privileged and carefree like Glinda, but quickly turns to Elphaba’s side. He does become Captain of the Guard, but only to find Elphaba and help her evade arrest.

And therein lies the difference between Glinda and Fiyero as love interests to Elphaba. Glinda would never sacrifice her title as “the Good Witch” and all her power granted from the Wizard, even if it meant helping Elphaba. Fiyero, on the other hand, does give up his privilege, his title, and even his human form for Elphaba. Glinda clings to what the status quo gives her, while Fiyero ultimately rejects it.

Yes, the writing around Elphaba and Fiyero’s romance is a bit rushed and doesn’t have the same gradual development that Elphaba and Glinda have. And yes, I have no doubt heteronormativity played a role in giving Elphaba a male love interest in the end. But I see a lot of people write off Fiyero and his relationship with Elphaba and I just don’t agree.

Why does Elphaba end up with Fiyero instead of Glinda? Because Fiyero makes the sacrifices that Glinda wasn’t willing to.

[aficionadoenthusiast]

jason's 13 years at the super disciplined camp and several years as a leader of said camp mean it is very unlikely that he is any shade of feral, except for maybe a few minor idiosyncracies that all camp jupiter kids have because they all spent time at the wolf house, but since they all have these traits, they might be considered cultural rather than feral. however, annabeth chase, who was famously left alone until she was seven and was raised by an ancient greek horse man that used to live alone on a mountain, a barely sober god of mental illness, several other mythical beings based on animals, and approximately 37 different traumatized, exhausted, and desperate teenagers at an unregulated summer camp where she learned how to be scary by studying greek monsters, would definitely be somewhere near feral.

[rainingriversofyou]

Isha & Jinx - Arcane: League Of Legends

Artist: greenbreen_art

[corkinavoid]

DPxDC Danny the Guy Who Won't Die

He lives in Gotham, and he is just A Guy. Nothing weird about him, he's just there to study/work/help Lady Gotham to lift her curse/on vacation with Sam. Point is, he is not there to cause trouble and there's no GIW on his tail. Just a dude living his (after)life.

And Gotham, being Gotham, still finds a way to be annoying. There are mugging attempts, robbery, Rogues running around. Only Danny really doesn't want to deal with any of it.

Now there's a dilemma. If he uses his powers to fight, it will sooner or later come to Bats' attention. And if he fights as a human, it will also alert some of the Bats since he doesn't really do a great job at keeping his power levels low. Not to mention the fact he is really not enthusiastic about accidentally punching someone hard enough he sends them to a hospital.

What does he do instead? He pulls the 'I guess I'll die' act.

So every time he is attacked, he just plays dead. The mugger shot him in the chest? He falls down and stops breathing. Caught up in the middle of a Poison Ivy attack? Skewers himself on the vine and goes lax. Scarecrow's Fear Gas? Very dramatically chokes himself and plays a corpse. He makes sure to disappear before any ambulances arrive later, and it all goes well for a few months - he is just a casualty, who cares, really - until one day, he runs into that same mugger who shot him in the chest a while ago.

The man does a double take. Danny doesn't notice - he's been mugged so many times, who has the brain capacity to remember all of those fuckers. But the rumor goes out anyway.

A guy-who-won't-die. It's more of a city legend, really, and the Bats don't give it much thought since, well, it sounds stupid and not very important. A rumor of some man who was shot dead and then showed up like nothing happened? Yeah, it's probably because the mugger didn't check if he was actually dead. That happens. Maybe it wasn't even the same man, Gotham is a big city. If anything, hey, at least that was one less casualty? That's a good thing.

That is, until one day, they show up to Joker's hostage situation and witness the clown screaming at one of the hostages. He is so enraged he is shaking, spit flying out of his mouth, and, contrary to the usual Joker's evil sneers and maniacal laughter, he seems just... furious. But, like, the normal-human-level furious. The 'I just lost the last ounce of patience with you' furious.

"Don't you look away from me, you think I don't remember you?! Na-ah, I do. You were the one I drowned in the shark tank last week! And you were the one run through the chainsaw trap two weeks before that! And you were in the guillotine!!! I saw your fucking head get deattached from your body, how the fuck are you here again?!"

And the guy he is screaming at just looks at him, confused and incomprehensive.

"Um, I'm pretty sure I'd remember getting my head cut off, you know? So, err, wrong guy."

"Wrong guy my fucking ass-"

Joker is so distracted by his screaming match that it makes it almost too easy for the Bats to fight him down and drag to Arkham. Yet, a few of them get just a bit suspicious.

Now, imagine all the shenanigans when they try keeping a watch on Danny the Won't Die Guy.

[consultingfujoshi]

inconsolable over irving in this episode. no nuance here, irving is straight up suicidal in this episode. essentially placing him in the same circumstances in which mark chose to become severed - suffering unimaginable heartbreak and seeing switching his brain off as the only viable option for coping with it - and giving him that same choice at surface level to be relieved of it - except it's NOT the same at all, because innies don't get to compartmentalise, they ARE the compartmentalisation, if they choose to switch themselves off, they DIE. the illusion of choice here. irving can either suffer mindless torture of monotony every day with the knowledge that the man he loves is dead and never coming back, or he can fucking DIE. and he genuinely sees that as a viable option. as his only way out of this pain. because even if he did make it out, if he somehow against all odds gained his freedom in the outside world, he'd still have nothing. burt would not be waiting for him.

"I should be happy he's happy" and the way he doesn't even feel entitled to his grief?? like he has no right to be feeling the pain he's feeling right now? innie indoctrination goes so hard he's incapable of seeing that the very fact he's grieving innie burt, a hypothetical life they could have had together, is proof that he's just as real as his outie counterpart! he has just as much right to that life as anyone! like, NO, irv! you have been wronged, you have been so deeply wronged, they made you capable of feeling these things and forming this relationship and falling in love and then systematically removed every tool you could have had to pursue it, and then effectively handed you a length of rope and made you feel like the only empowerment you can find is in the act of hanging yourself with it.

"if he's gone and I'm gone, then somehow, we'll be together" broke me because he really has been so beaten down by this point at the hopelessness of it all, realising that there is no scenario in which he can be with the man he loves, that his only hope at finding any triumph or meaning in this is to die along with burt. at least in chasing him into oblivion, he will have made the one choice he could have to follow his heart. and that as a queer-centric narrative specifically is actually devastating.

SUCH an insane and heavy thing to come straight out of the gate with in the season premier. immediately cementing irving as one of the most masterfully complex characters I've ever seen - i can only hope his arc this season is in finding strength in the act of defiance at last and making good on his promise to burn lumon to the ground for what they've put him through. to carry that grief and channel it into bringing the system that has wronged you down. I believe in the power of queer rage and vengeance!!!!

[nualaofthefaerie]

Normal about the way Viktor touches the two objects he associates with the two people who love him unconditionally.

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[lgbtlunaverse]

Fanon likes to portray Jiang Cheng and Lan Wangji as being jealous of each other because they fear wei wuxian will choose one of them over the other. Which is ignoring the fact that at least in novel canon Jiang Cheng did not even fucking know wangxian ever got along let alone that lwj was in love with wwx until at the very end of the story (in cql canon he does go through a wangxian phase early on and gets very confused by their "breakup" during wwx's sunshot era) and that Lan Wangji is mostly filled with loathing towards both himself and Jiang Cheng for 'abandoning' Wei Wuxian and not being able to save him.

It also ignores the much bigger point that both Lan Wangji and Jiang Cheng are actually jealous of Wen Ning. And why wouldn't they be? That is who Wei Wuxian chose in his first life. He left the Jiang, told Lan Wangji to fuck off no he is not coming to gusu with you, and spent his days with his little-brother-shaped corpse bestie on his mountain in yiling. And then when he came back he immediately called him up the second he could string together more than two notes on a flute. Wen Ning is the real competition. (And he's winning)

[callmeizukunotdeku]

I was a kid with a Hunger Games hyperfixation and, from time to time, I'll get reminded of the books. With Trump's inauguration and the TikTok ban and unban, I can't stop thinking about a political tactic called panem et circenses, or bread and circuses.

In Mockingjay, Collins writes "'It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,' he explains. 'Panem et Circenses translates into "Bread and Circuses." The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.'"

In Collins' world, the Hunger Games was the entertainment. In ours, it's social media. Twitter, Meta, TikTok, are all controlled by political powers. Musk, Zuckerberg. TikTok is owned by Yiming and Rubo, but with the ban and unban, the content it shows in America is filtered to fit Trump's political agenda.

It's entertainment at the cost of information.

[bruciemilf]

“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.

“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.

“Jason has hypocritical tendencies” yeah it’s a character flaw.

“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.

“Damian is rude and bratty” yeah, it’s a character flaw.

Also, some people may not even regard everything listed above as flaws.

Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.

[500-moths-in-a-trenchcoat]

i'm expecting a tiktok exodus since this seems to be the bomb shelter of the internet. have another update/repost. NOW WITH HIGHLIGHTED MAJOR HOLIDAYS!

IT JUST HAPPENS

DAY 15 GIVE IT UP FOR DAY 15

Thursday the 20th

The Fifth of Wednesday

Second Week of May: Eurovision

Sometime in June: That One Halloween Post Starts Circulating

Sometime in July: Dancing Pumpkin Man Video/Gif

First Monday In September: Todaybor Day Is Labor Day

WEEKLY EVENTS (at least the ones i celebrate)

Every Monday: Garfield Hates Mondays

Every Tuesday: Tuck Him In Tuesday

Every Wednesday: It Is Wednesday My Dudes

Every Thursday: Out of Touch Thursday

Every Friday: Thank Gnome It's Friday

Every Saturday: Caturday

Every Sunday: Energy Sword Sunday

YEARLY EVENTS

January 1: Copyright Expiration Day

January 2: New Years, New Tears

January 8: Spiders Georg Day

January 16: Appreciate a Dragon Day

January 18: Bug Race

January 29: Threshold Day

All of February: Funguary

ALSO All of February: Femslash February

February 3: WOE, VANILLA EXTRACT BE UPON YE

February 8: King Taejong Fell Off His Horse

February 13: Galentines Day

February 14: Aromantic/Asexual Day

February 15: Annoy Squidward Day

February 18: Perserverance Rover's Birthday

March 9: Miku Day

March 10: Mario Day

March 14: Pi Day

March 15: Ides of March

March 23: Ever Given Got Stuck Today

April 1: Mishapocalypse

ALSO April 1: Staff Does Something Fun On The Dashboard

April 2: Dashcon Announcement Anniversary

April 3: Dannypocalypse

April 5: First Contact Day

April 8: Rex Manning Day

ALSO April 8: MARGARET THATCHER IS DEAD

April 13: Neil Banging Out The Tunes

ALSO April 13: Homestuck Day

April 19: Some Roman Made Bread Today

April 20: haha 420 blaze it

April 24: Josh Fight

April 25: The Perfect Date

April 28: Ed Balls Day

April 29: 94 Meetings Day

April 30: It's Gonna Be May

All of May: Mermay

May 3: Beginning of Dracula Daily

May 4: May the 4th Be With You

May 5: Revenge of the Fifth

May 6: Revenge Of The Sixth

May 7: World Language Day

May 25: The Glorious 25th of May

ALSO May 25: Towel Day

All of June: Pride Month

ALSO All of June: IT'S HALLOWEEN TIME TO GET SPOOKY

June 5: Barricade Day

ALSO June 5: RONALD REAGAN IS DEAD

June 12: Another Homestuck Day

June 16: Let Papyrus Say Fuck

June 22: Summerween

June 23: FUCK This Post And Happy Birthday Sonic

All of July: Disability Pride Month

July 11-13: Dashcon Anniversary

July 20: Moon Landing

August 5: Curiosity Rover's Birthday

August 30: Frankenstein Day

September 8: The Queen Is Dead and Sans Undertale Killed Her

September 11: Mole Interest Monday

September 19: Talk Like A Pirate Day

September 21: DO YOU REMEMBER-

All of October: SKELETON WAR

ALSO All of October: People Draw A Lot Month? (so many names)

October 3: Mean Girls Day

ALSO October 3: Fullmetal Alchemist Day

October 13: Treat Yo' Self

October 18: None Pizza Left Beef

October 20: Unnecessary Feelings Day

October 25: Homestuck Day The Third??

October 31: HALLOWEEN

November 5: Destiel Nevada Putin Elec'tion Covid Way

ALSO November 5: Doc Brown Invents Time Travel

November 19: Goncharov

November 29: HENRY KISSINGER IS DEAD

All of December: Will the Gävle Goat Get Destroyed Again?

ALSO All of December: WHY WEREN'T YOU AT ELF PRACTICE

ALSO All of December: Season's Greason's

December 4: Deny Defend Depose Day

December 10: Please, It's Christmas

December 12: Hawaii Part 2

December 23: Christmas Adam

ALSO December 23: Festivus

December 24: ALMOST CHRISTMAS MEANS IT WASN'T CHRISTMAS

ALSO December 24: Cabinet Man Day

December 25: happy chrismum

December 27: Porn Ban Effective Today