#it’s becoming an interesting playthrough already

[transkingcobra]

I never look up scenes so I didn’t know his full reaction to Arabella dying, nearly choked hearing this come out of his mouth, my gods

Playing my asshole sun elf and he ignored the grove nearly entirely - only went in to interrogate Zorru for Lae’zel for his cure (who is now dead from Shadowheart), but wiped out the goblin camp for fun on the way and found Halsin who is now his best lead to a cure

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[zosonils]

the tv tropes character page for yusuke uses they/them in the numerological motif trope blurb and i am making the conscious choice to not fix it even though i have an account and love editing petty grammar snaggles because he/they yusuke is swag and factual. by the way if i refresh the page tomorrow and find out that someone changed it i'll know it was one of you guys reading this post and i want whoever is considering doing that to know that that would make you a huge nerd bitch

[felassan]

Polygon: 'How Dragon Age: The Veilguard’s writers decided each companion’s romance arc'

Rest of post under a cut due to spoilers.

“There’s so many different flavors of romances with the characters that even if one doesn’t work for you, one of them I think is likely to,” creative director John Epler told Polygon. “But they’re so tied to the character arcs that they become part of that character development as opposed to ‘and also you can romance them on the side.’” For instance, Epler said, Bellara’s romance is purposefully awkward and stilted. (“As Bellara’s writer, I’m very familiar with it,” he added.) “It’s clearly somebody who doesn’t see themselves as someone people are going to want to romance,” he said. “And so one of my favorite things is paying Bellara a compliment, and she takes it in the most awkward [way]. Because she herself as a character, and something you see through her arc, has these issues with how she sees herself, especially after what happened in her past. And so that romance kind of plays off of that as somebody who does have, I wouldn’t say necessarily low self-esteem, but has issues with self-regard. This is how that romance goes, especially if they are themselves a very awkward character.” Meanwhile, Lucanis — who joins the party after you rescue him from an underwater prison where he was tortured for a year after someone in his inner circle betrayed him — has a long road ahead of him in terms of opening up and letting others in. (That also means the results of one big early game choice might cut him off entirely.) “[He] has an arc that’s very much about family and letting people get close and seeing what happens,” said Epler. “And so with his romance, you get more of a slow burn where it doesn’t feel like you’re ever getting quite as close to him as maybe you want until the very end.” In addition to the player-chosen romance arcs, some companions you haven’t chosen to romance might enter romantic relationships with one another (or in the case of one character, with an NPC that isn’t in your party). This isn’t the first time non-romanced party members get together: A fan favorite, for example, is Qunari mercenary Iron Bull and Tevinter mage Dorian Pavus in Dragon Age: Inquisition. But Veilguard has more opportunity than ever before for these side romances to blossom. It all came down, once again, to what made sense for these characters’ own arcs. Bellara doesn’t romance anyone outside of Rook because, as Epler said, she is a “very focused person with a very specific obsession.” Romance isn’t exactly on the top of her mind. For Taash and Harding, however, a romance made perfect sense — both characters navigate accepting who they are and how that fits in with what they thought they knew about the communities and cultures they hail from."

“I think one of my favorite parts of that arc is how much compatibility comes through as you go through their arcs and you realize these are two people […] broken in ways that are so complementary to allow them to heal each other,” said Epler. “They end up developing this very lovely relationship, lovely romance that makes sense for the both of them.” Players might understandably want to go into the game without any spoilers about what characters might get together. But if you’re heading into your second playthrough and you already know more about what the characters’ relationships with one another look like, making decisions might take on a whole new level of significance. That was definitely the case for game director Corinne Busche. “What I love about those developments is that it really gives us some interesting and compelling decision-making about the choices and the consequences within the game,” she told us. “[The relationships] have an extra level, I think, for the decision making. I don’t want to get into spoilers, but there was a moment where I set the controller down and had to go, Oh my God, how can I possibly make this decision knowing what I know of these two characters and how they feel about each other? Oh, it just really makes it hit.” There’s a lot of emphasis on the inter-character relationships in Veilguard. Not only is there the usual party banter while out and about in the world, but you can also stumble upon conversations between characters back at your home base, mitigate disagreements between them, and read codex entries about their book club meetings, cooking rotation, and other things. It makes sense that writing interactions between these companions might spark some ideas for the writers. “It really does come down to who makes the most sense for these characters and who as the writers we are excited about pairing up,” said Epler. “Because I think something people forget is […] well, it’s not technically fanfiction. It’s the same impetus that drives fanfiction where you’re like, Who are the characters we love the most and who do we want to see together? Who do we think makes the most sense as a couple? And then playing with that and seeing if it actually does make sense.”

[source]

[atlas7seo]

Hear me out: A Zelda Game where Link pulls the Master Sword and tells no one. And when I mean no one, I mean no one. So imagine this Link comes home with a funky sword wrapped in fabric, his family asks "what's that?" And he just shrugs. Like we can have actual family dynamics like Wind Waker. GUYS REAL PARENTS. Meanwhile everyone in the castle is freaking the f out because the master sword is gone. Did Ganon take it?! How did he manage to?! IT WAS SO WELL GUARDED!

And Link just kinda doesn't want to deal with the pomp and grand displays he knows he'll have to suffer through so he just kind of tells no one, but he's still the hero at heart and he knows he has to beat Ganon eventually so he kind of just goes around fixing random problems the entire game while waiting for Ganon to show up. And he gets like fun equipment from it. So a kid he helped find his parents gifts him a slingshot. A random soldier lends him a shield. The Zora he helped with directions gives him a helmet to breathe underwater. Stuff like that. And with more quests he unlocks more places where he can just fix more problems.

Like we can have the standard combat stuff and dungeons but he could also solve like mysteries or stuff all while trying to avoid Zelda and the royal family. So a game that's entirely a stealth mystery level. And along the way these random side quests he does actually ends up culminating in beating Ganondorf. Like these random gifts are useful tools. I know botw you can beat up Ganon with a mop and I feel like doing it again would be very funny. Like some nice lady just gave you a mop to clean her floors and she says to keep it and Link is just like "thanks ig but idk what I'll do with it," and proceeds to wack Ganon with it.

And not all the quests are required and there could be gimmicks like in Majora's Mask where two tasks happen at the same time so you can do one or the other so everyone will have a distinctly different playthrough. We could also have a day night cycle where different quests happen at night or in the day.

Also if people wanted we could bring back Sheik. Link doesn't know Sheik is Zelda and it'd be funny if Zelda didn't know Link was...Link ig and at the end it's like this really funny like "WAIT A MINUTE YOURE THE PRINCESS/HERO?" moment. Like obviously the audience will know but the dramatic irony yall. I live for dramatic irony.

I just want more story and interactions yall. I really enjoyed the concept where people knew Link was the hero already in BOTW so I think it'd be interesting to watch more heroes who just already knew before the critical incident. Most of the time Link is kind of just thrown into the plot and he trips into becoming the hero.

[eliza-forget]

PLEASE tell us more about your Leshy and the two cats!!!!! The cats are so pretty and also so is your art. I love your art so so so so so much 💖

Well, I'll start by saying that the Leshy himself in my AU is quite dark, violent, and traumatized. He survived the sudden betrayal of Narinder (as the one he trusted and looked up to most as a child), he survived all the turmoil associated with the fact that faith in the bishops was shaken, I call this period as "shaky", and the whole four were on the verge of losing their authority. And already during the game's storyline, Lamb's campaigns, Heket died. In my Au, which is mostly based on my insane playthrough of the game, Leshy was the last Bishop to be killed by Lamb. I mean, there was this sequence: Heket> Shamura> Kallamar. I have that point actually explained in the storyline, but that's not what the main question is about xd.

In the works, where you see him in the clothes of a follower (yes-yes that red one), has its own meaning. It's like a sign of his acceptance of a new way of life and to some extent, a rejection of the past. In this story, he's processing his traumas, learning the ways and lives of mortals, and then he makes two close friends: those two cats.

In general, I can characterize my Leshy as a personality. He changes slowly, but throughout the narrative in my Au. Leshy is still the Bishop of Chaos, in terms of character, but has softened a bit because of his environment in which he resides.

Tirena

Let me briefly tell you about Tirena's storyline. Her parents were nomads who came from other lands to the lands of the Old Faith. They mostly moved between locations, but eventually stopped at Darkwood.In fact, Tirena's family was loyal to what was happening in the lands and tried to please all the local cruel rules. The turning point of the plot for Tirena came at the time of her coming of age, for which her parents sacrificed themselves to the bishop, and she was given a necklace (but not the one she wears now) in memory of her parents. As a result of which she ran away from the place. Stumbled upon Lamb by accident, from behind a campfire in the night. So in the story, she showed up in his settlement and became a devoted disciple in the future, but still with an unconcealed grudge against the bishops.

In comic, she got into an altercation with Narinder on the same topic.

Yolk (yellow cat)

Yolk's former name was Najulmer, and he changed his name at the settlement. His parents were the same cultists who, long after Leshy's death, continued the resistance. Yolk did not share the same point of view with them; he was more interested in studying the world around him, and specifically its strange inhabitants. So he set out on his wanderings in search of that "paradise" by which he meant the Lamb's settlement. Along the way meeting various companions, studying monsters and even cooking with them. He has already been rescued by Lamb when he was trapped by the treachery of his recent companion. In the settlement he quickly finds contact with Tirena, or rather she has to tolerate his intrusive company. Then Lamb returns from a camping trip and summons Leshy from purgatory and he becomes both a nightmare for Yolk, but and an intriguing object of study. He btw yes, never once saw the bishops and didn't even know that Leshy was one.

Somehow that's what the plot of these three sounds like. I hope it was interesting and informative to learn about them!

[colonelarr0w]

Promised Protector

Sypnosis - When a particularly pushy Araj begins to make Astarion revert to a past self that he had been trying so desperately to grow from, it leaves you to step in. It leaves Astarion with a small realization -- you did care for him, really truly cared for him.

Warning(s) - mature themes, foul language, mentions of abuse (physical and sexual), Araj being an ass, slightly OOC Astarion

Word Count - 1.8k

A/N - Trying my hand at BG3 fanfiction. I have yet to actually play the game, so I'm going purely based off of the playthroughs of others and random clips that I've found sprinkled around YouTube. I do plan to write more for this little vampiric shit, so y'all can leave requests for him as well!

“Must we be here darling? I’m not rather fond of dungeons with … medieval torture devices.”

You bite back the breathy chuckle in your throat as you continue forward, eyes expertly searching your surroundings to ensure that no creature in the dark would ambush you or Astarion. 

“For a creature that usually prefers the dark, you’re quite the complainer,” you bite back, tilting your head to cast a glance at the vampire over your shoulder. He clicks his tongue against the roof of his mouth, shooting you a warning glare – one that you laugh off. 

“And for a creature as clumsy as yourself, you’re doing quite well in avoiding any potential traps.” Astarion’s eyebrow raises as you now shoot him a glare. His shoulders rise and fall in a nonchalant shrug as he moves to walk in sync with you, scarlet eyes scanning his surroundings before they allow themselves to return to you.

“I am not clumsy. It was one time,” you roll your eyes, continuing forward and clenching your jaw as Astarion dares to chuckle at your side. “Rich coming from the one who threw a tantrum even after I revived him.”

“Darling, need I remind you that you dropped an entire building on my head?” Astarion whips his head to the side to face you, his eyes narrowed now in a pointed glare that only brings a wide smile to your face. In any other situation, he too would have smiled simply at the sight of your own, but your revealed teeth only make his chest twist in faux anger. 

“And need I remind you that it was an accident?” 

“In what world is dropping a building on someone an accident?” Astarion murmurs under his breath, stopping when you do. Your eyes flicker to a figure standing just a few feet in front of you – a drow. 

She turns as your footsteps and Astarion’s become more audible, curiosity painting itself onto your face as you both approach. Her eyebrows raise, and you’re not sure if her expression is one of intrigue. 

“Hello,” you say politely, bowing your head in greeting as the drow eyes you curiously, irises raking over the entirety of your figure before they curiously flicker to peer at Astarion. 

“Araj Obladra, a pleasure,” the drow returns just as politely as you, her head dipping in the same bow that you had offered her. “How nice it is to stand in the presence of a True Soul … and her paled companion.”

Astarion’s eyes roll at the nickname, you catch it just out of the corner of your eye. But you choose to ignore it for the sake of not wanting to stir up any unnecessary drama – you had come to Araj for a reason, after all. 

“I’ve traveled to inquire about your services if you’re willing to provide them,” you explain, already noticing a glint in Araj’s eye. You’re not quite sure what expression it’s meant to convey, but from the way that she shifts from one foot to another, your gut tells you that it may not be the most positive. 

Another thing you notice … how her gaze continuously flickers to Astarion. 

“But of course,” Araj replies without hesitation, angling her body so that it faces Astarion rather than you. Your eyes narrow, brows momentarily pinching together. Just what was she playing at?

“You seem … interested in my pale friend here,” you think aloud, immediately wishing that you could swallow your words the moment that you register both Astarion and Araj’s reactions. 

“It is not every day that one encounters a vampire spawn,” Araj notes, the term bringing a disgusting taste to Astarion’s tongue. His nose scrunches in that same disgust, and for a moment, a flicker of anger dares to flare up within the depths of your chest. “After all, in exchange for blood, I craft potions.”

A hum rumbles in your throat, though you say nothing. Araj continues, choosing to ignore the expression you wear – the anger that you so clearly display. 

“All I truly need is a single drop, and then whatever potion you require … well, I can brew it,” she explains, finally moving from where she stands to circle you and Astarion. It reminds you of a predatory lion, one with slit-like pupils that eyes its prey before promptly pouncing on it. 

“And with the rest of it?” you prompt with a raise of your eyebrow. “My blood, I mean.”

“I shall keep it for myself … other potions need to be crafted, as you well know.”

She steps forward, extending her hand and holding her palm out to you. For a moment, you simply think, pondering whether or not you should even trust the drow – especially considering how her eyes still dared to flicker to Astarion. Why was she so interested in him?

You can sense Astarion’s worry from over your shoulder, the feeling rippling off of him like rolling ocean waves. But even with it, you lay your palm over Araj’s. 

“There, finished,” Araj says, already stepping back from you the moment that your skin comes into contact with her own. Her eyes, once again, meet Astarion’s. 

“And now wh—“

Araj’s attention turns completely now to Astarion, who momentarily falters underneath her gaze. His worry for you morphs silently into disgust directed at the drow. 

“There’s still much to discuss,” Araj comments, a smirk just barely pulling at the corners of her mouth. “Such as your paled companion.”

Astarion glances at you, and in return, he’s met with an expression of suppressed anger and jealousy — that would be a conversation for later, he dictates. 

“He’s a vampire, is he not? Or vampire spawn?” Araj’s eyes wander over Astarion, drifting down his entire body and ignoring the way that his eyes narrow in a glare at her. She turns then back to you, once again choosing to ignore the fury that glints in the depths of your eyes. 

“He belongs to you, am I correct?”

If you weren’t angry before, you were now. Your eyes flicker to Astarion, his expression a mixture of hurt and shock – it was one that you had never seen him wear before, and with the way it made your heart positively crack, you never wanted to see it again. 

“The last I checked, he was his own person,” you turn to Araj angrily, “he does not belong to anyone.” 

Araj bites back the chuckle that threatens to crawl up her throat, lifting a hand in front of her mouth as she laughs breathily into the skin of her palm. Your teeth grind against each other, jaw setting into place as the drow regains herself. 

“Oh, you were serious?” Her eyebrow lifts, the sight of it taking everything in you to not lunge at her and promptly wedge the blade of your dagger into the skin of her neck. “It’s adorable really … if he truly believes you, that is.”

Astarion swears he could hear one of your teeth chip with how roughly you set your jaw into place. His eyes wander down to your hands, taking note of how they clench into white-knuckled fists. Your fingers itch towards the blade in its holster, but you fight the urge to remove it. 

“Does your spawn have a name?” Araj shifts her attention back to Astarion, eyeing him once again. He opens his mouth to speak, but with a speed that feels almost inhuman, you answer for him. 

“His name is Astarion, and if you dare to call him my spawn again, I will surely–”

“Now, now darling!” Astarion’s hand closes around your mouth, palm pressing to your lips as he flashes you a too-sweet smile – hoping to whatever God was above him that you wouldn’t turn your anger onto him and plunge a dagger between his eyebrows. “Let’s be civil, yes?”

You bite back the angered insult that bubbles up in your chest, swallowing your words and settling back on your feet. Astarion nods, slowly removing his hand from your mouth before he turns to Araj.

“It’s been quite the dream of mine, being bit by a vampire … spawn or the like,” Araj explains, her tone taking on an almost dream-like lull. You can already feel the bile rising in your throat.

And it seems that Astarion shares your sentiment, what with the way that his eyebrows raised and his lips curled in that adorable little scowl. 

“I’ll have to decline,” Astarion is quick to answer, shaking his head and taking a tentative step away from Araj, almost as if he’s trying to hide his body behind your own. You allow it, going so far as to then sidestep him and stand protectively in front of him – an action that he smiles gently at. 

“I’ll compensate–”

“He said no, thank you very much,” you butt in, glaring down your nose at the overbearing drow. She falters on her feet for a moment, but just as quickly, she recollects herself. “We’ll be going now.”

You turn on your heel, reaching swiftly for Astarion’s hand before promptly leaving – not once sparing a glance to the disappointed drow over your shoulder. 

< … >

“Darling?” Astarion hesitantly lifts the flap of your tent, ducking beneath it and entering. You hum from where you sit at your desk, tilting your head slightly to show your acknowledgment. “Are you alright? Your lively presence was missed. You left me to deal with … them … on my own.”

You sigh, pinching the bridge of your nose as you turn in your seat to look at Astarion. At the sight of your face, he falters, his expression softening. 

“You’re still upset over that vile drow, aren’t you?”

“Of course I am Astarion!” you rise from your place, throwing your hands up. He flinches, not having expected a violent outburst from you. 

“She … she thought that I had ownership of you! All because of what, the fact that you’re a spawn and not a vampire? The nerve of some creatures disgusts me! I mean honestly–!”

“Darling.”

You pause, head lifting so that your gaze finally meets Astarion’s awaiting gaze. His eyes are soft as they gaze at you, lips turned upward in a smile of equal softness. He approaches you, offering his hands to you – which you take without hesitation. 

“I want you to know that I … appreciate what you did for me today,” Astarion admits quietly, speaking low enough that you could barely hear him. “It has been many years since I was able to choose my own.”

You soften, squeezing at his hands. “Astarion, you deserve to have your own voice. Nobody should be able to control what you do besides … well … you.”

He draws you closer to his chest, arms locking around your waist as his face buries itself into your hair. You chuckle lightly, returning his embrace and laying your face against his shoulder. 

For 200 years, Astarion had never known the sound of his own voice. 

But now?

Now he knew the sound of it, and he knew that it mattered. 

[theoncomingchaos]

Who loves Rook: Spite or Lucanis

I've been seeing a lot of discourse about this, and I just want to add my thoughts.

I might be totally wrong about this, but here we go. When Spite was put into Lucanis, he was still Determination. The fact that he changed throughout the torture, forced insertion, and imprisonment suggests to me that they have been put into a speedrun of a similar situation to Anders and Justice/Vengeance where they have started to meld. (As Anders put it, you wouldn't know where one begins and the other ends). Just like Anders and Vengeance, Lucanis and Spite can have separate consciousnesses and even disagree about things, but their core values have started to influence one another and become a part of one another- heightening certain aspects.

I think this melding is why we see some dialogues where Rook tells Lucanis that he sounds like Spite and similarly it's also the reason for the shared attraction- which I fully believe is coming originally from Lucanis.

I'll be honest my first time through I romanced Lucanis and was very disappointed. I didn't even see him and Neve ever flirt (she only ever encouraged us!) But still, it seemed to go from 0 to 60 with him. Now, I am on my second playthrough and I only just met him, but I am starting to see some really subtle looks and dialogues that suggest that Lucanis wasn't lying later when he said he was attracted to Rook from the beginning, but was afraid to really pursue anything or even acknowledge the possibility of being with them. With his fear of trusting people, ptsd from the prison, failed history in romance, and his new situation with Spite that he still hadn't worked out yet, he never thought anything would or could ever come of his feelings. We know Lucanis loves romance stories and likely longs for one of his own, but in such a situation it must have seemed truly impossible and terrifying to let someone else in. Especially someone you really care for and are starting to trust. So, he pushed it all down. Rook flirts? Maybe a small smile, but then quickly lock it all up with everything else he can't handle. Focus on work. Don't think about Spite, or Rook, or anything difficult.

However, if the melding has already happened as I suspect, then the feelings Spite is expressing are shared with (and likely sourced from) Lucanis, he's just better at expressing it directly- which makes sense for a spirit that was once Determination. When you first talk to Lucanis after the rescue, the thing Spite says about Rook changes accordingly to your tone, but to me the responses still sound like they come from Lucanis and are then echoed in Spite: "He doesn't want to hurt us." Even the "He's more fun than you" is something Lucanis seems to think about himself as he is fully aware that much of his life has not been his own and believes "all he knows is death."

Leading back to the main point, Lucanis's trust and interest in Rook would be heightened by Spite the way Anders' anger towards the templars was heightened. Even though they are finally free from the prison, their is a sense of constant suffering from still feeling trapped by fear, regret, and pain- Spite feels that suffering too. The elements of determination are still within him the same way justice is another side to vengeance. Both spite and vengeance are the results of failing to achieve their goals of Justice and Determination. Spite sees Rook as a way to free them from pain and restraint, a glowing and beautiful key to the prison door, and he is determined to do what needs to be done to solve the problem. That's why he doesn't hesitate. He has no fear. He wants to talk to Rook. He wants Rook to come in and free them.

After Rook has freed them, they become a source of comfort and safety, once they encourage Lucanis and Spite to find a way to cohabit comfortably, the two continue to meld, and the need to protect Rook, to love Rook, to keep them, is very deeply shared. Now, IF Spite was somehow removed or even somehow restored (Both of which I think are impossible) that would likely change. Determination outside of Lucanis would likely become more like Compassion. He would likely forget the horrors he experienced to return to his original purpose.

So, that leaves some final questions, particularly one Hawke helpfully asked Anders- Is Spite an unwilling party in the threesome?

That's up to everyone's own morality. While both Spite and Lucanis didn't have a choice to become like this, it is the situation they are in and the way they have to find a way to accept and live with because there really doesn't seem to be any real way to change it. Through their time together, Lucanis and Spite have influenced each other and grown into something new. Part of that is Spite also loving Rook. In that way, for those who are feeling (rightfully) underwhelmed by Lucanis's romance, Spite can almost be seen as a symbolic expression of Lucanis's love.

All that being said, I think there were some small things they could have done to make the romance more satisfying over all...but I'll save that for another post.

[kirain]

Question. How do you handle the age differences and life spans of your tavs/romances in bg3?

Are you asking if I've made my Tavs age-equal to the romances I've picked for them? If so, then I've actually been very careful about that. Lore-wise, I can't stand the thought of my character dying hundreds of years sooner or living hundreds of years longer than their partner. So I adhered to D&D 5E lore. If you're interested, I've explained most of the lifespans below.

Serena, my canon character, is human and romanced Gale. In D&D, the average lifespan of a human is 120 years, but since she and Gale are both wizards, they could potentially live for thousands of years. It all depends on the magic they wield. Elminster, for example, is nearly 1,300 years old. Otherwise, they'll age alongside each other as equals.

Saska is a Seldarine drow. On average they last between 400-750 years, depending on if they survive and leave the Underdark. Saska has indeed left the Underdark, works as a bard, and romanced Karlach. Tieflings typically live to 150; however, Karlach has the potential to live longer since her body has been so drastically altered. Upon finding a permanent upgrade for her engine, it's possible she could live just as long as a drow, if not longer, as she's been touched by infernal technology.

Ez'ria is a githyanki fighter/storm sorcerer. This one was easy, since she romanced Lae'zel. With any luck, they'll both live to a nice, healthy 120 years old; the average lifespan of a gith.

Eilonwy is my redeemed Dark Urge half-elf. On average they last about 180 years. This one's a bit more complicated because I partnered her with Astarion, who's a pure high elf and a vampire. High elves live to an average of 750 years, and vampires/spawn are of course immortal. But I've given this a lot of thought. Eilonwy, for example, is a druid, and because of their connection to nature/magic, their aging slows to 10% of what they would normally age. This means Eilonwy has the potential to reach 1,800. I should also mention that there are cures to vampirism in D&D 5E, so I like to think they find one at some point during their travels.

Bakara is a tiefling sorcerer of the draconic bloodline. Another semi-easy one, since I partnered her with Wyll. As I mentioned before, tieflings typically live to 150, whereas humans live to 120. I headcanon that my tiefling was already 50 when she met Wyll; who, according to Larian, is 24 during the events of BG3. To clarify, tieflings are considered young adults by the age of 20 and full adults when they reach the age of 60. So despite being 50, she's mentally around the same age as Wyll.

Thalias is a high half-elf Selûnite cleric. Possibly the easiest one, since he romanced Shadowheart, who is also a high half-elf who becomes a Selûnite cleric (at least in my game). With Selûne's blessing, they could live however long she desires, but on average they'll both live to be 180.

I also made an adorable little deep gnome named Mira to sweep Barcus off his feet. I shall wait patiently for Larian or a clever modder to make him romancable. The average lifespan for gnomes is 350 years.

Halsin is a bit more complicated, since he's a pure wood elf and a druid. This means he could conceivably live to be 7,500 years old, which is wild. I do plan on doing a playthrough where I romance him, and when I do I'll be making a mysterious wood elf named Arawen, a warlock who made a pact with an ancient archfey. So in addition to living to 750; as per the average lifespan of her race, as long as her pact remains in tact, she will live as long as her patron allows.

[ooftale]

This game, god I love this game

ok so Im copying and pasting the rant for the game from my Insta under the cut + the alt vers, PLEASE Im just expressing my love for the game in it but it's too late for me to rewrite the whole thing

I wish Tumblr would let me post with music like Insta,,, this is a zillion times better with the "Niko and the World Machine" song gah

God this game is a masterpiece though, OK if u wanna read more do it under here:

OKAY here's the rant!!

oh my god i fucking LOVE THIS GAME SO MUCH. I SWEAR. I CANNOT FUCKING EXPRESS. MY LOVE. FOR THIS GAME. Almost a year has passed since my first One Shot Post (doesn't apply to Tumblr, last One Shot post here is more recent) and almost a year has passed since my first playthrough

It wasn't really a blind playthrough, iirc i already knew lots of stuff about the story, ending and even the solstice run itself, too, it was already part of my interests to an extent, but I didn't know or remembered the details, and experiencing it myself still felt like a fully blind Playthrough (gotta again thank my shitty memory too), and was it freaking beautiful,,, plus, i finished it around xmas time, which is like my fave period of the year, so!! I still remember i got a photo of the TV while I was playing, there were gorgeous purple lights, both from LEDs and both from the game, since it was becoming dark outside, with little xmas lights around,, gah this game holds such a special place in my heart, I don't think any other game captured my love as much as this one, SURE, Im a big lover of many MANY games, and this one isn't even the first indie rpg i ever got into (hello Undertale and deltarune), and while those are very special to me as they're some of my first interests, OneShot is just a whole another type of special, a special special if you will

And recently I've seen my friend play it blind for the first time, and as I was (Awesomely) backseating, I got to basically relive it, in a way, and I always get a little phase for it after reseeing content of it, so here I am, drawing one of my personal favorite portions of the game! Sorry for the unusual type of rant I did this time, but I just. Argh. This game, dammit

Also fun fact, so many things about this game, from the 2014 version, to songs, to imagery, to scenes, freak me so much out or make me feel so weird I feel like I need to puke

Gotta love it

[amerricanartwork]

What's up with 12th Council Pillar, the House of Braids?

Just wanted to share something interesting I noticed in Metropolis while looking at the room names on the interactive map! I doubt I'm not the first person to discover or take interest in this, but nonetheless now that I'm into the worldbuilding for this game, both canon and headcanon, I hope to at least encourage a discussion about what the rooms I found could possibly be for!

*Oh and by the way, spoilers for Artificer campaign, just in case.

Alright, so I was originally looking for how to get to a specific room for an Artificer expedition, but decided to browse around on the map just to refresh my memory on the region overall. Right off the bat I think it's interesting how this region's rooms are denoted mostly with lexical names rather than the more common "Capital letter + 2-digit number" formula. But scrolling to the right is where my interest really got piqued when I saw this name for the room right before that long corridor on the way to the 12th Council Pillar, the House of Braids, labeled "LC_templegate":

And the next room after that, "LC_templeentrance" confirmed my realization that this was a temple of sorts:

Now don't get me wrong, Rain World has always had a fair amount of religious associations, and even just the name "12th Council Pillar, the House of Braids" gave me the impression from the first time traversing it that it was once some high-esteemed, holy location of sorts. But I guess that never really sank in and captured my greater interest until now.

Part of that's because earlier I was focused more on just completing the campaigns from a basic playthrough perspective, not yet as big on uncovering every little lore detail, and another reason I didn't really take it in was that, at the time of my first Artificer playthrough, I wasn't as big on headcanon worldbuilding and trying to uncover/imagine Ancient culture and society outside of very general ideas. But now I think about it, another major part of this lack of realization was because of how the main rooms of this subregion that stuck out in my mind were the low-gravity iterator-esque zones. Many of which are explicitly labeled with "LAB", like this one, and they even have the same neurons, inspectors, and/or those gravity-distorting spheres:

I mean, that cube at the bottom even very strongly resembles an iterator puppet chamber!

But then the questions become: what are these rooms for, why are they so similar to the interior of the iterator they sit atop, and why put them in what seems like it was supposed to be a temple? And by extent, is this something unique to Five Pebbles, or do other iterators have similar temple-labs somewhere in their cities?

I guess the reason these parts stuck out to me more than the actual temple association was because 1.) we don't see this low-gravity mechanic and these features anywhere else in the game besides inside the iterators, so it already gets points for uniqueness, and 2.) they're such a great contrast to everything else within Metropolis; even the "temple" rooms still look very similar to the rest of the region in their general aesthetic.

Seriously, what's up with all this "lab" stuff? It's not that I haven't seen these things before at this point, but why are they here, in a temple, of all places?

However, I do really like this idea so far, as I believe it speaks to a theme of Rain World I really enjoy: the seamless blend of science and spirituality. I enjoy seeing fictional worlds where "magical" things are not only objectively real, but have a scientific in-universe explanation, and/or are employed to create magical technology, yet in a way where these two ideas can exist in harmony rather than seeming like opposites. And the Ancients seem to have been very big on that, not only having a very strong cultural sense of spirituality but also being very technologically advanced, and incorporating those spiritual ideas and even elements of the world into their tech (ex: mass rarefaction tech derived from Void Fluid, an objectively real and "magical" substance with direct connections to their religious beliefs).

I have yet to come up with an explanation for what these iterator-esque lab rooms are (and on that note why they so strongly resemble iterator interiors, to the point they even contain their neurons and inspectors, which are supposed to directly aid in their functions). But as of now, just going mostly of basic gut instincts, my current theories are: A.) they exist in the temple so that whatever scientific endeavors carried out within were blessed with a sense of "holiness" in a similar manner to the holy ash Pebbles talks about, and B.) whatever tasks they were used for was one entrusted to the clergy class of this city, probably because the tasks were seen as something very important and connected to the Ancients' spiritual beliefs.

However, as I said I'm hoping to invite discussion with this post. Figuring out the Ancients' design philosophies and intentions for their creations has been a passion of mine when it comes to my headcanons, so I really do want to see if I can find a more concrete, or at least reasonable answer as to what the overall purpose of the 12th Council Pillar, the House of Braids was. Therefore if anyone has any extra details or theories as to what it was, I'd love to hear them!

And if you made it to the end, thanks for listening to my little spur-of-the-moment ramble!

[flumphmatingritualsexpert]

I can't stop thinking about Gale's decision to be the god of Ambition. Early on in Act 1 after meeting Raphael for the first time, he mentions how ambition is something all denizens of the hells and many humans embody. In act 3, if you dissuade him from the crown, he will explicitly say that great ambition should not come at the expense of what you already hold dear. In the epilogue, (assuming he ascends to godhood) he chooses to be the god of Ambition. But he holds on to a lot of things from his mortal days despite having lost nearly all of his humanity. Tim Downie does an amazing job with his acting, and you can really feel the distance through his body language and vocal patterns. Even his spells are quite sad- I will list below.

For his spells, there are 3: Gale has a spell to transform an already living creature into the form of Tara, his tressym. Tara is disgusted by Gale in this form and says he is not the same person. She even hisses at him. So it really is quite tragic that he creates a fake version of her to have some semblance of something he once held dear.

Gale's second spell is a reference to a story he will tell you early on in the grove (only if you stand in front of the crossbow) where he mentions diffusing a potential crossbow shooting by ordering Shadowdark Ale at The Yawning Portal.

And Gale's third spell is an exhibit of who and what he has become. Powerful, with his own type of weave - Galerian. These spells feel like a reflection of who god!Gale is personified. He is a shell of what he was before, but at the expense of great ambition and power.

I just felt this was quite a tragic story for Gale. I think it's lovely and written very well, but does show what could come to pass for future playthroughs- I also love that if your tav is romanced, Gale's lost humanity does not change the love he has for you. His love transcends and really says so much about how valuable you are to him. If you choose to ascend to godhood with Gale, he will not make you a "chosen" and repeat the cycle of abuse; He will ascend you to godhood and help you through it. I won't allow Gale to ascend in my runs because aside from him looking like a battery, it is clearly his "bad" ending and I love his warmth but I do respect how much it says about who he is and what outcomes would be in what situations. It makes understanding Gale easier. I love the writers at Larian and I love Tim Downie's performance. I love Gale. This was just a tidbit I found interesting.

[doriana-gray-games]

this has probably been asked already sorry, but seeing the way Watson reacts to Sherlock in some instances ..do they have a crush on mc? Do they like mc romantically on a "friendship only" route? Bc the way they get all flustered when mc asks them whether they have someone special is kind of: "👀". And their reaction to H is kinda "👀" as well.

On the platonic route, W is not into MC in a romantic/sexual way.

But... it's still quite intimate? It's the type of friendship that can easily feel romantic to others watching.

W flusters cause they are easily flustered on such topics, haha. And they are platonically jealous + a little petty, tbh... For example, platonic W is not jealous of Mc getting together with L romantically—but is a little jealous if L and Mc become great friends 😆

Or do you mean a "non-platonic", but MC hasn't shown interest in the playthrough? Then... yes...

[xnova239x]

Some more thoughts about Emmrich. Not really all that spoilery, a bit more general this time. Cut for length:

Now, it has been several days since I completed Veilguard. I’m still reeling, honestly.

My first playthroughs are usually the typical “F*** around and find out”. I play the game and meet all the characters… decide which ones I like or prefer to others.

I’m a player that finds my favourites and typically has them in my party all the time. They never leave, I take them everywhere. Call it boring… it’s just the way I am. I only really change it around if I hear there is particularly interesting dialogue or events between other companions. Other than that… I stick to my favourites.

It’s been a very long time since I reacted so viscerally to a character as I do with Emmrich.

The last was Solas. I adored him the moment I met him. He is my most favourite character ever. Every time I played Inquisition… I had him in my party, always. I always romanced him, in every run. It took a wee while for me to try a run where I romanced Cullen. I did eventually, and while I enjoyed it… he just… wasn’t Solas.

Solavellan was my thing. And despite knowing what happened, I still romanced him every time. I just love him so, so much. He’s tragic. He’s passionate. He’s just… such a well written character.

I’m having that same reaction with Emmrich. Every time I rewatch a clip of my gameplay, I get that feeling that’s like your heart is clamped in a vice. My heart jumps, I become almost giddy… no, I do become giddy. I smile, I giggle and murmur “I just love him sooooo much” every time. I can’t tell you how much a friend of mine has listened to that mantra already, and she hasn’t even played the game yet! She already knows Emmrich is, without a doubt, my beloved of Veilguard. She’s looking forward to seeing why… (I can’t wait). Hell, she already knows I will struggle to romance anyone but him in any other run… (I have already had to endure the teasing, lol).

Nick Boraine does such a fantastic job voicing Emmrich. The way he delivers certain lines… some were funny, others were heartbreaking and then there’s the ones that just make your heart leap with how utterly sweet and loving they are. (Also, I’m such a sucker for “my dear” “darling” and “my darling”). I commend him. Such amazing, amazing work bringing this character to life.

So… thank you, Nick. Thank you, Sylvia. Thank you, BioWare, for creating another one of my most beloved characters ever in media.

[vigilskeep]

do you have any refs for Minerva’s relationship with the other dao companions? I did not realize she and leliana was estranged 😭 also if im remembering correctly she makes loghain do the dark ritual? sorry I do like spinning her around in my head and knowing the little details she’s such a great character!!

leliana and minerva did not have a clear breakup in the alistair minerva sense but they did grow apart because of the simple reason that post dao minerva becomes politically at odds with the chantry while leliana is serving its leader. leliana is not a type of person minerva finds very easy to like or trust so while they did grow on each other over the course of dao they never had a simple friendship in the first place

alistair you probably know about bc its kind of the cornerstone of minervaposting but theres a post fully explaining it not much further down in her tag

zevran is her romance <3 i hesitate to use the word “soulmates” exactly but they definitely fit together in a way no other minerva pairing could match

morrigan she has a weird close complicated vaguely homosexual friendship with, i’m sure this is par for the course for f!wardens. they probably could have been in love if morrigan had been willing to pursue it in the start and if minerva hadn’t already gone for someone else by the end, and all that is unspoken but very present in everything about them

sten is i guess kind of the typical high approval relationship as presented in game? not much more unique. a lot of respect a lot of arguing a lot of dry humour. they could hang out in silence comfortably and they’re also both know and respect that they’re very capable of killing the other if their greater purposes ever demand it

oghren she kind of doesn’t pay much mind in origins when she doesn’t have to but he becomes part of the family in awakening. they bond over having their insane shared experiences of the blight, and also over him trying to quit drinking and her trying to quit blood magic which leads to some really wild out of context conversations for the others. and hey, eventually over first attempting to parent at similar times

wynne she has a bit of a sharp relationship with. i think this could vary a lot if i pick her up earlier, but in my main minerva playthrough i picked her up late by which time minerva had absolutely no fucking interest in getting the kind of lectures she grew up with. sorry grandma </3

uhhhh who else. shale idk man im sorry for being a fake fan but shale’s dlc truly does nothing for me it’s unfunny and i dont think abt it at all 💔 this would be written in less harsh terms if i wasnt sleepy

loghain is. well that’s a kettle of fish. minerva spares him because it happens to be a preferable move for her agenda and her way of thinking, it’s not rlly about him as a person at all. she doesn’t absolve him of anything he did, like, she still thinks he’s a bastard it’s just that she doesn’t really believe at all in the concept of justice being done if it doesn’t serve a purpose. when he’s in the party they do build up respect and a weird kind of friendship. he sucks and she’s bitter about what sparing him cost her, but that isn’t relevant, it’s not going to stop her learning from him, or fighting at his side as the best team she can quickly make them, or simply finding him entertaining to talk to. so by the end it’s as a friend that she asks him to do the dark ritual, whatever that means. post dao she agrees with weisshaupt that him being assigned outside of ferelden is wise but they continue to write to each other extremely regularly, mostly on matters of news and strategy but occasionally on the more personal

is that everyone i think thats everyone

[onestepbackwards]

Y'know, I'm curious. I know you've been doing a lot of self aware Pokémon HCs, so something I wanna know is if you've ever done Self Aware N before. This isn't a request by any means, but just being curious if you've ever written our beloved christmas tree being self aware at all.

N: So... you're telling me that on top of my entire life being a lie in regards to my father and his team's beliefs, it's also completely fake and my entire purpose in this sick game is to entertain you? Is that it?

Player: ...Yeah pretty much, but I love you💕

N: ...

N: Well shit. If the almighty says they love me, who am I not to love them back?

Poor boy would be CLINGING to the only "real" person in his life after that

N would be such an interesting character to be self aware! I dont think I’ve written him self aware?? But 👀

He’s already dealing with so much, so suddenly being snapped to self awareness, or slowly becoming aware, are things that could be quite a shock for him.

Whether he knows right away when you start a new game, or becomes so over a playthrough, its such an interesting thing.

Imagine he goes through everything in the story of Black and White

How he grows and learns, and how his relationship with the player character evilves until the end.

And then he wakes up. He’s in the castle again, and Ghestsis is back, as if nothing happened.

He tries to shake it off as some dream, only for his fears to almost choke him when he sees the player character again ‘for the first time.’

But he notices something. How their face is blank. Eyes empty.

He tries to ask what’s going on, but his feet are walking for him, and suddenly words are pouring from his mouth. Familiar words he said on his own last time. Now they feel forced from his throat.

And then he’s in a battle.

This time though, something is different.

Their pokemon are different. A different level, maybe a different gender, maybe a whole new team.

He fights, but his attention is elsewhere. He swears he sees something flicker behind Them. For a split moment, he swears he sees a screen, and a face.

“Ah… I hope I’m not too under-leveled for this challenge. I should have leveled up a bit more…”

He thinks that Hilbert/Hilda is speaking, but their mouth never moves. Its as if its coming from around him.

“Oh well. It will at least be a challenge this time! Battling N is always a treat.”

N feels sick. His hands are sweaty, and his pokemon, his friends, are so oddly quiet.

The battle is over in what feels like seconds. Before he can even ask what’s going ok, his feet are moving, and he’s talking once more.

Words he’s already spoken fall from his lips. No matter how he tries to stop them, he can’t.

He doesn’t believe this anymore! Why is this happening? Why can’t he stop? Move! Move. Move…!

And then he does. His feet move on their own, all the way back home. He can finally breathe again, but at what cost?

Until he figures out what is going on, he’s trapped in his own personal nightmare. Especially when Ghetsis swings by, acting so sickeningly sweet. His honey laced words that are secretly coated with venom.

How the lies fall from Ghetsis’ lips so easy, and N wonders how he fell for them in the first place.

But he can’t react. Not until he knows what’s going on.

But he does make one vital connection.

You.

Hilbert/Hilda.

Whoever, or whatever they are. He always ends up being forced back to them against his will. Forced to speak the lies he once believed.

And he hears Them. The voice. It always comes back, making commentary.

Yes… whatever madness is happening, they are the key, he is sure of it.

He may not believe it is a god at first, but if you do more playthroughs, he might be inclined to start doing so.

What else could rewind time, and make a new timeline for fun? Forcing people to forget, and relive it, just a little differently each time?

But you are always positive about him, despite the things he’d done. The things he’s being force to relive again and again.

Maybe you’re not as wicked as one might think when trapped in this madness. You don’t even seem aware he’s being forced to relive this.

Perhaps to you, you don’t believe anyone remembers? Is he just an anomaly?

What about Hilbert/Hilda? You seem to control them. He no longer sees them as the teenagers who were eager to oppose him.

They are just empty vessels for you. Something he doesn’t think he would have noticed naturally.

Its like theres a fog in his head. He thinks he remembers the teenager being so… animated. Alive.

But thinking on it? They never were.

They are just a puppet, and no one but him notices.

It’s scary. But he doesn’t think you realize this completely either. Despite this horror, you don’t seem malicious. In fact, you even seem enraged and annoyed on his behalf every time you meet.

He doesn’t understand it. Not yet. But he vows to figure it out.