#it would have been so compelling

[arcanemadman]

The biggest mistake netflixvania made was giving Dracula a happy ending.

Yes, it's nice and satisfying for the immediate audience but it completely fucks up everything else. You can't give the main, ultimate villain an ending where they give up evil and then go and keep telling the story where they were supposed to be the root of everything. It'd be like giving Ganondorf a nice happy ending in an Ocarina adaptation and then go on to tell Wind Waker.

Dracula is supposed to be an ever looming evil. His character in the first two seasons was excellent! The confrontation between him and the heroes is how he should be, powerful and driven by understandable emotions but ultimately a festering wound of hatred and grief that needs to be stopped. But he's also supposed to be the embodiment of evil in the sense evil is his lifeblood, unable to truly die as long as humans continue to be evil, but there will always be Belmonts to stop him. And when there are no Belmonts, heroes like Shanoa, the Morris', Hector, Maria, and Alucard will be there.

But without him, it robs these character of a major part of their story. What makes Julius special if Dracula is already killed off permanently? What personal element does Alucard have to the conflict any more? They have to dance around it and it weakens the overall story.

They want to keep adapting the series called Akumajō Dracula, but without Dracula.

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[stuckinsquahamish]

I’m sorry Jon M Chu, what do you MEAN your first idea was to have Idina Menzel and Kristen Chenoweth play Galinda’s parents. WHAT

[taxinealkaloids]

horrible children who are. so so mean to each other

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[thatswhatsushesaid]

psa that the day there are no jgy stans left on tumblr dot com is the day i am dead

but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open

[flowersandfashion]

sorry let me rant about downton abbey 10 years later

Thomas's conversion therapy plot pisses me off so much. firstly, it's incredibly out of character. he never wanted to change to conform to society, he wanted the world to change to accomodate him. the man who said "it's not against the law to hope is it" and "I'm not foul, Mr Carson, I'm not like you, but I'm not foul" would NEVER

secondly, from a storytelling perspective, the only 'problem' is that he used infected needles. did we forget that Thomas was a sergeant in the RAMC? he knows how to sterilise needles and how to recognise and treat infection. this also shifts the blame to Thomas himself for getting sick and implies that the conversion therapy itself is harmless (Dr Clarkson says it's just saline solution)

thirdly, it's not historically accurate. I'm not an expert but conversion therapy was not at all common in the 1920s, even Sigmund Freud was against it. hormone therapy and chemical castration were barely developing let alone available to the public (I can't imagine what else the 'treatment' was supposed to be). the only practices that I can find evidence of were psychoanalysis and electric shock therapy

Thomas also mentions that he did electric shock treatment - if you really want to make a point about homophobia in the 1920s (and make Thomas suffer as much as possible), show that instead. watching him be literally tortured for his sexuality would have been far more impactful than him just... looking sweaty for a few episodes

[domokunrainbowkinz]

not arguing w a dude that has big brown eyes. whatever u say beautiful

(I’m only on ch 29 no spoilers pls!!!!) go wild with spoilers I am now done the book and am extremely mentally unwell

[grandcovenant]

who's pulling the strings of the puppet king?

[laurenttheninth]

i have been a tommy-is-abby’s-tommy truther from the start idc about “ooh well why wouldn’t she know anyone at the 118” or “oooh why wouldn’t she have mentioned her ex was also a firefighter” idgaf it would be so fucking funny and im manifesting that this is one of the bucktommy hurdles let us all join hands in prayer 🙏🏻

[mc-tummy-blur]

I’ve been so busy with other stuff but I really want to get back to drawing WHF art so I went and cleaned up a wip. Not sure how I feel with some of the angles but I just needed to get this out of my system

Based off of this clip

Click for better quality

Check my pinned post to see links on how you can help the people in Palestine

[youngpettyqueen]

I need to talk about Julian's whole thing with Sloan in Extreme Measures cause it does actually make me feel a certain kind of rabid

Extreme Measures is a great episode for the Julian/Miles dynamic and has a lot of great moments with them but I think an underrated element of the episode is how it very plainly shows just how much the Dominion War has changed Julian, and how his morals have shifted into a much greyer area

Julian in this episode is very callous towards Sloan even as he's literally dying. he has no issues violating Sloan's mind, and when Sloan dies, the only reason he actually cares is because the answers and secrets Sloan has will die with him. truly cannot emphasize enough just how deeply Julian fucking hates Sloan, and sheer hatred isnt something we really see all that much from Julian, especially not to the degree he was with Sloan

even with that, though, Julian has never been like that with another patient. Julian doesnt let his personal feelings get in the way of being a doctor, and always treats his patients with the utmost care and his best work. Julian was willing to find a cure for the Jem'Hadar's addiction, simply because they asked for help, even if it meant potentially making them into a much bigger threat than they already were. Julian treated Tain in Camp 371. and, sure, Julian does treat Sloan, but he does so explicitly because Sloan has information they need, not because he has any care for Sloan's life

and I think that- his willingness to violate Sloan's mind to get what they need, and how he didn't particularly care that Sloan died- is a really bleak look at just how much the war has changed Julian and how much it's shifted his moral compass. throughout the war, Julian has been ordered time and time again to compromise his morals. add to that several traumatic events- multiple of which are orchestrated by Sloan- and a slide into deep depression, and it's no wonder he gets to a point where he can do the things he does in this episode

and I dont think it hits him until much later. I think one day, long after the war has ended and theyre still rebuilding everything that was broken, Julian lays awake at night and remembers how bad it got and what he became willing to do, and it makes him sick to his stomach

[radioactive-mouse]

god i do still think it’s so interesting that most wizards (and even gale itself at times) talk about magic as though it’s an exact science, like, fantasy equivalent of being a STEM major, but during the weave scene gale explicitly compares it more to music and art and poetry, like!!

i know he has a thing for the dramatics but this is fascinating!!!

[casualavocados]

We agreed that I'm in charge of the bars. But you come here all the time to watch me. How am I supposed to lead my people? Use your head, okay? Suit yourself.

KISEKI: DEAR TO ME Ep. 04

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[lbhslefttiddie]

suddenly seized with the desire to write/draw a few short little scenes from the world after the events of You Can (Not) Redo (the uh. the yqy timeloop fanfiction. not the evangelion movie which i named it for) because it is, generally speaking, a happy ending, but also yqy is left deeply, deeply broken in ways that would be both fascinating and hilarious to explore