#it was really really hard wasn't it

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[batfamhastwitter]

Part 13! Happy birthday to Jay and Alf!

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[yeoldenews]

While we’re on the subject of names, is there an explanation for how traditional nicknames came about that are seemingly unrelated to, or have little in common with, the original name?

ie- John/Jack, Richard/Dick, Henry/Harry/Hank, Charles/Chuck, Margaret/Peggy/Daisy, Sarah/Sally, Mary/Molly, Anne/Nan, etc

I am actually over a week into researching a huge follow-up post (probably more than one if I’m being honest) about the history of nickname usage, so I will be going into this in much, much more detail at a hopefully not-so-later date - if I have not lost my mind. (Two days ago I spent three hours chasing down a source lead that turned out to be a typographical error from 1727 that was then quoted in source after source for the next 150 years.)

As a preview though, here’s some info about the names you mentioned:

The origins of a good portion of common English nicknames come down to the simple fact that people really, really like rhyming things. Will 🠞Bill, Rob🠞Bob, Rick🠞Dick, Meg🠞Peg.

It may seem like a weird reason, but how many of you have known an Anna/Hannah-Banana? I exclusively refer to my Mom’s cat as Toes even though her name is Moe (Moesie-Toesies 🠞 Toesies 🠞 Toes).

Jack likely evolved from the use of the Middle English diminutive suffix “-chen” - pronounced (and often spelled) “-kyn” or “kin”. The use of -chen as a diminutive suffix still endures in modern German - as in “liebchen” = sweetheart (lieb “love” + -chen).

John (Jan) 🠞 Jankin 🠞 Jackin 🠞 Jack.

Hank was also originally a nickname for John from the same source. I and J were not distinct letters in English until the 17th Century. “Iankin” would have been nearly indistinguishable in pronunciation from “Hankin” due to H-dropping. It’s believed to have switched over to being a nickname for Henry in early Colonial America due to the English being exposed to the Dutch nickname for Henrik - “Henk”.

Harry is thought to be a remnant of how Henry was pronounced up until the early modern era. The name was introduced to England during the Norman conquest as the French Henri (On-REE). The already muted nasal n was dropped in the English pronunciation. With a lack of standardized spelling, the two names were used interchangeably in records throughout the middle ages. So all the early English King Henrys would have written their name Henry and pronounced it Harry.

Sally and Molly likely developed simply because little kids can’t say R’s or L’s. Mary 🠞 Mawy 🠞 Molly. Sary 🠞 Sawy 🠞 Sally.

Daisy became a nickname for Margaret because in French garden daisies are called marguerites.

Nan for Anne is an example of a very cool linguistic process called rebracketing, where two words that are often said/written together transfer letters/morphemes over time. The English use of “an” instead of “a” before words beginning with vowels is a common cause of rebracketing. For example: the Middle English “an eute” became “a newt”, and “a napron” became “an apron”. In the case of nicknames the use of the archaic possessive “mine” is often the culprit. “Mine Anne” over time became “My Nan” as “mine” fell out of use. Ned and Nell have the same origin.

Oddly enough the word “nickname” is itself a result of rebracketing, from the Middle English “an eke (meaning additional) name”.

I realized earlier this week that my cat (Toe’s sister) also has a rebracketing nickname. Her name is Mina, but I call her Nom Nom - formed by me being very annoying and saying her name a bunch of time in a row - miNAMiNAMiNAM.

Chuck is a very modern (20th century) nickname which I’ll have to get back to you on as I started my research in the 16th century and am only up to the 1810s so far lol.

[rocketbirdie]

we got a lot in common...

[correct-hermitcraft-quotes]

Etho: Alright everybody, we are... gathered together here... to get married.

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[htub]

I really like that they made Jor-El speak Kryptonian and Clark unable to understand him. The whole "aliens speak English" thing that happens in every goddamn media has bothered me all my life. Ik sometimes Clark just gets zapped in the brain for insta-second language but that always felt like a cheap shortcut.

Jor-El had a lot on his mind when he set up that magic spaceship okay. The world was ending and he was trying to do as much as he could before time ran out so he could be there for his son. He was rushing. He likely didn't consider Kal would be raised with a whole different language and not know any Kryptonian nor have anyone to teach him.

[buttercupshands]

Fell asleep before I could post it here

Stressful week defeated with a result of me forgetting how to draw Siffrin before I sketched again

Too focused to keep a hold on it in a way

So there was this, which I prefer with a neutral-sad face instead

Like this but I thought it was a bit too... That

After that I've redrew an expression from that one scene. Just because Ost said "Here you go "Do You Remember? (Our Country)" time!"

Same thing is why Mal Du Pays are here

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

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[arugulaeater]

actually I'm kind of curious about this because it was a huge debate among my peers in my community

Clarifications under the cut:

The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.

The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.

The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.

You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.

The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)

The poster is part of a campaign; it's not unique. There are many postings of it across the community.

This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.

Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.

Please reblog for sample size!

[nerdgirlnarrates]

Even though it's been months since I switched from neurosurgery to internal medicine, I still have a hard time not being angry about the training culture and particularly the sexism of neurosurgery. It wasn't the whole reason I switched, but truthfully it was a significant part of my decision.

I quickly got worn out by constantly being questioned over my family plans. Within minutes of meeting me, attendings and residents felt comfortable lecturing me on the difficulties of having children as a neurosurgeon. One attending even suggested I should ask my co-residents' permission before getting pregnant so as not to inconvenience them. I do not have children and have never indicated if I plan to have any. Truthfully, I do want children, but I would absolutely have foregone that to be a neurosurgeon. I wanted to be a neurosurgeon more than anything. But I was never asked: it was simply assumed that I would want to be a mother first. Purely because I'm a woman, my ambitions were constantly undermined, assumed to be lesser than those of my male peers. Women must want families, therefore women must be less committed. It was inconceivable that I might put my career first. It was impossible to disprove this assumption: what could I have done to demonstrate my commitment more than what I had already done by leading the interest group, taking a research year, doing a sub-I? My interest in neurosurgery would never be viewed the same way my male peers' was, no matter what I did. I would never be viewed as a neurosurgeon in the same way my male peers would be, because I, first and foremost, would be a mother. It turns out women don't even need to have children to be a mother: it is what you essentially are. You can't be allowed to pursue things that might interfere with your potential motherhood.

Furthermore, you are not trusted to know your own ambitions or what might interfere with your motherhood. I am an adult woman who has gone to medical school: I am well aware of what is required in reproduction, pregnancy, and residency, as much as one can be without experiencing it firsthand. And yet, it was always assumed that I had somehow shown up to a neurosurgery sub-I totally ignorant of the demands of the career and of pregnancy. I needed to be enlightened: always by men, often by childless men. Apparently, it was implausible that I could evaluate the situation on my own and come to a decision. I also couldn't be trusted to know what I wanted: if I said I wanted to be a neurosurgeon more than a mother, I was immediately reassured I could still have a family (an interesting flip from the dire warnings issued not five minutes earlier in the conversation). People could not understand my point, which was that I didn't care. I couldn't mean that, because women are fundamentally mothers. I needed to be guided back to my true role.

Because everyone was so confident in their sexist assumptions that I was less committed, I was not offered the same training, guidance, or opportunities as the men. I didn't have projects thrown my way, I didn't get check-ins or advice on my application process, I didn't get opportunities in the OR that my male peers got, I didn't get taught. I once went two whole days on my sub-I without anyone saying a word to me. I would come to work, avoid the senior resident I was warned hated trainees, figure out which OR to go to on my own, scrub in, watch a surgery in complete silence without even the opportunity to cut a knot, then move to the next surgery. How could I possibly become a surgeon in that environment? And this is all to say nothing of the rape jokes, the advice that the best way for a woman to match is to be as hot as possible, listening to my attending advise the male med students on how to get laid, etc.

At a certain point, it became clear it would be incredibly difficult for me to become a neurosurgeon. I wouldn't get research or leadership opportunities, I wouldn't get teaching or feedback, I wouldn't get mentorship, and I wouldn't get respect. I would have to fight tooth and nail for every single piece of my training, and the prospect was just exhausting. Especially when I also really enjoyed internal medicine, where absolutely none of this was happening and I even had attendings telling me I would be good at it (something that didn't happen in neurosurgery until I quit).

I've been told I should get over this, but I don't know how to. I don't know how to stop being mad about how thoroughly sidelined I was for being female. I don't know how to stop being bitter that my intelligence, commitment, and work ethic meant so much less because I'm a woman. I know I made the right decision to switch to internal medicine, and it probably would have been the right decision even if there weren't all these issues with the culture of neurosurgery, but I'm still so angry about how it happened.

[karmathenightowl]

Various sketches of THAT scene with Godwin (and a bit of Igor) from episode 1 of Taz Vs Dracula

[gummi-ships]

Kingdom Hearts 3 - Kingdom of Corona

[rosalie-starfall]

Saturday Night - 2024

October 11th 1975

Gilda: "You get to be the hot one." Laraine: "Jane's the hot one." Jane: "I'm the mom... The still fuckable mom."

[bizarrelittlemew]

isn't it interesting how the episode we know went through extensive rewrites was not the episode with the most violence but the one that was supposed to have high sexual tension between the leads (two middle-aged gay men), a gay wedding, and outright confirmation of the polycule

[twilights-stuff]

Ya'll ever think how funny it would be if Worst Wolverine and Butch Wolverine are the only ones in the entire multiverse of Wolverines to date a Deadpool?