#it was an honor. truly

[artist-rat]

my sister finished her first bg3 run, here's evil gang reunion photo <333 (withers invented polaroid for the occasion idc)

[bluepandadraws-log]

The Amazing Digital COMIC #18-RaGAYtha

[❤PREV] | [🧡START🧡] | [NEXT💙]

[vampirehayfever]

k2 after farting, saying blimey and rolling a nat 20:

[sparkles-rule-4eva]

Ah yes, Sonic "I don't like physical affection much but when it comes to my brother I have no concept of personal space" the Hedgehog

[smile-files]

even if we each are nothing, i can still feel your hand holding mine... and isn't that worth everything?

[mondo994]

"We were both silent for a little, and then he looked at me with a direct, gentle gaze. His face in the reddish light was as soft, as vulnerable, as remote as the face of a woman who looks at you out of her thoughts and does not speak.

And I saw then again, and for good, what I had always been afraid to see, and had pretended not to see in him: that he was a woman as well as a man. Any need to explain the sources of that fear vanished with the fear; what I was left with was, at last, acceptance of him as he was.

-The Left Hand of Darkness by Ursula K. Le Guin

[theplatypusblue]

highschool au or smthn. i do not miss chemistry class lol

and then everyone got some extra points back since wyldfyre complained ✨

[shouyuus]

Do you think vi was a virgin before The Scene

nah. my girl was in prison for 7 yrs. did u see how quick she DROPPED to her knees like that shit comes from experience yall. she knows what the fuck shes doing sdlkfjsodiaghadlf

[loneleeghost]

“true that love in withdrawal was the weeping of me”

[paper-mario-wiki]

Loved ur little mousey so much I drew her

LOOK AT THAT FACE!

she thought the torment was for one lifetime only, she's mad as hell!!

[archer973]

One of the things I realized when I watched Fury Road directly after Furiosa:

Furiosa doesn't treat Max like she treated Jack. She treats Max like Jack treated her.

There are so many parallels - the way they meet, their conflict with each other that quickly turns to partnership, their journey to The Green Place (and how it fails)...

But where before it was Jack reaching out to her, now it's Furiosa who is asking Max his name, teaching him the kill sequence for the rig, trusting him to have her back in a fight, giving him everything he needs to leave (even when she wants him to stay).

Furiosa doesn't see Jack in Max, she sees herself. Everything from the muzzle to the nightmares to the fact that he barely speaks is a direct parallel to what she was like when she met Jack, and Furiosa knows it. And so as someone reached out to her, she reaches out to him, this feral, half-mad Wastelander. She reaches out and offers him hope, just like Jack did to her when he came back for her on the Fury Road.

And together, they find some kind of redemption

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[lotus-queer]

Based on all the dramas I've seen, the most dangerous place to be in the jianghu, perhaps in the whole three realms and four continents, is at a wedding.

[softkostyk]

okay but we don’t talk enough about the interview episode. rupert saying he’s only free on valentine’s day but won’t be for long as he glances at where taggie went. him going to the hunt uninvited just because taggie said she’d be there. him helping her stand up for her beliefs—something something making each other better—and their giggling right after. helping her out, calling her angel. the note for gertrude which he signed with his full name and minister for sport so there’s no doubt it’s from him (also, I’m imagining him strolling into the shop and selecting the cutest card for this specifically and I want to scream). taggie trying to find out what declan has planned for the interview and even going to rupert’s ex wife to try and convince him since he wouldn’t listen to her. taggie going to the studio to once again try and save him from humiliation, his surprise and delight that’s she’s there. him being completely honest about something that is very painful for him, and taggie’s expression as she learns this new side of rupert. declan’s question about being in love, and rupert hesitating— because he knows he’s halfway there—and realizing he’s truly never felt that before her. him saying he can count the most on his dogs (though he knows he can count on taggie and can’t say it), and taggie being a little disappointed, but also smiling at his sweetness. rupert staring at her at the bar, quietly enamored, and the way his face falls when declan tells him to stay away from taggie—not just because he doesn’t want to stay away, but mostly because some part of him knows he should (he doesn’t feel worthy of her). her asking him to dance, him watching declan go and think “I can’t do this to him.” and leaving, even though he really doesn’t want to.”I’m sorry, angel” ♡

[the-strangest-heart]

happy 248th birthday to america or whatever, but more importantly happy 5th birthday to this scene

[hmtaxidermy]

Big guy comin’ through!