#it seems fairly obvious to me tbh

[wuffgang-ameowdeus-moozart]

I think one of the reasons that kaladin can deal with actively killing as a soldier but not with accidentally (passively) letting someone die as a surgeon is the sense of failure (plus of course the obvious protection aspect and the whole me-vs-them mentality he only really starts to question when Shin joins bridge four, and he starts interacting fairly regularly with a light-eyes he can genuinely respect). dalinar himself said that he "love(s) taking responsibility for things", which is especially clear in the way he still can't quite blame amaram for tien's demise (because he feels like this is his failure, too).

like we can see in the first book that the deaths of the people he swore to protect weigh on him not only because of the dying people per se, but also (and I would argue: especially) because of his FAILURE to keep them alive. he always makes this connection to himself, thinks of their demise in relation to HIS own person and HIS role and HIS failure (cue the whole "stormfather cursed me specifically" thing). like, besides tien and the bridgemen (who we know because they are active current characters), can we truly say much of anything about the people he failed to protect in the past? the only thing we really know is how HE feels about it and how it messed HIM up. but the people themselves??

kaladin just has insane main character syndrome, and everything happening to him (first dark-eyed to have the rank of a light-eyed, one of the only surgebinders, guy able to survive multiple fights with actual shardbearers, etc etc) do the opposite of helping him dissuade the notion. I feel like I lost the plot of my own post. Kal is honorable and a good guy and everything but he is also pretty self-centered? which I actually find really cool because many times people who do objectively good actions are still kind of demonized if they don't do it for the "right" reasons (aka purely 1000% selflessness), but Kal explicitly starts helping the bridgemen not because he actually cares about them but because he needs a reason to not commit suicide. and when he loses bridgemen (especially in the beginning where he barely knows them) he always immediately thinks back to the other people he FAILED to save. he isn't devastated because that person in particular died, he is upset because he is very bad at dealing with his own failures and also terrified that the wretch will use this to lure him back onto the ledge. i mean, he loathes failure so much he was resigned to never see his parents again (who he clearly loves a lot and who he knows would welcome him back with open arms; it's his own shame that he can't confront)

he helps people primarily to try to make up for the failures of the past, an attempt to dissuade the guilt and shame eating him alive 24/7 (which of course never works because guilt is a very unreasonable emotion and as long as he doesn't change his mindset and confronts his own beliefs about himself and the world it will never go away.)

"do the fire sprin create the flames or are they attracted by them?" of course syl was compelled to follow kaladin around. dude keeps actively (even if semi-unconsciously) putting himself into the same role and situation over and over again in the hopes that if he can only succeed one time it will somehow redeem him for his past failures. literally every single thing Kal does and thinks and believes is rooted in the fact that he blames himself for tien's demise. he needs to somehow redeem himself in order to be able to live with himself but at the same time he can never be redeemed because letting tien die is an unforgivable crime and yet he needs to make it up somehow because the wretch is always in the back of his mind and he's actually terrified of it but he is equally scared of actually somehow managing to get over this sense of guilt and failure because wouldn't forgiving himself mean he thinks tien is less important than his own stupid (and, in his mind, deserved) feelings?

that guy is so not over his brother's death it actually isn't funny anymore 💀 please get that dude some fucking therapy 😭😭

[cielrouge]

tagged by @piyo-13 to make a poll of my top 5 characters and see who comes out on top and well....

Honorable Mentions: Mishil from Queen Seondeok (the OG baddie bitch antiheroine!!! Watching this sageuk as a kid literally alternated my brain chemistry hahaha), Emily Throne from Revenge (another OG antiheroine girlie I was frothing at the mouth over!!!) and Jem Carstairs from The Infernal Devices (the stranglehold this boi had on me during the heyday of the YA paranormal romance era LMAOOO)

Tagging @gyuseulogy, @selkiestars, @skadren, @whenquietthunders, @yukipri, and anyone else who wants to do this!

[galacticlamps]

actually ascension needs its own post since that's the one with the most details to speculate over and im starved for soho talk so i will talk to myself if need be

First the cover again, because I kinda can't get over it:

my only thing is that I had been hoping we might get Lizbeth on a cover again since she's never been on one of the boxsets before, despite being the 2nd person credited on all 4 of them (even if that's just alphabetical, still, she's the only one of the four main characters who never makes the cover)

But letting that go...

I know we already kinda knew the brief for this one but damn I didn't expect it to go quite this hard. Maybe that's just because the Parasite & Ashenden covers were (comparatively) similarish to each other and I was so pleased with Unbegotten's, and then got so used to it as the placeholder for Ascension while they kept postponing it, I wasn't expecting anything this colorful or detailed or with what I can't help but register as Fun New Outfits even though these are still like, pretty damn basic as far as costumes go. Still, it's a different vibe from everyone in suits and trenchcoats on every cover, technically. (Oh the woes of being an audio fan such that two characters owning sweaters actually does qualify as new information)

On top of just being visually delightful though, I know we knew religion was gonna be a fairly big part of this one, but I didn't actually expect to get quite this much of it - though I'm glad of it for a number of reasons. The BF twitter already made the ineffable joke so I don't have to, but also yeah I did very much spend all of season 2 episode 4 of good omens half convinced Samuel Barnett & Dervla Kirwan were about to pop up around any given corner (if you will go around being gay supernatural and horrible at your messy bureaucratic jobs in midcentury soho then I'm sorry, this is where my brain's gonna go) - so, fuel to that fire. But in terms of actual important things, at least one of my Soho wishes looks to be being granted because we have a Rev Edward Folgate on the cast list, which must mean we're finally meeting Norton's father, even if his mother & brother don't appear (which they could, technically, I've definitely seen BF not list all the doublings on their cast tabs before). Religion, domesticity, and the nuclear family are all things that absolutely fascinate me when it comes to Norton's character, so getting any amount of story involving his father & his church is something I've been actively hoping for for a long time now.

(I will say I'm a tiny bit bummed Saffron Coomber isn't on the cast list to play Mia again, but I kinda figured she wasn't going to be since Greg Austin's Armitage, who's making his first recurring appearance after originating in Unbegotten, was listed ever since the boxset was announced - presumably if she was also returning, that would've been handled in the same way. But since Unbegotten ended with Lizbeth and Mia going on a date, I still held out hope. Who knows though, maybe things did go well for them and Lizbeth just has a better work/life balance than Norton so she can date someone without them getting dragged into every scifi plot. I know that's not a very common accomplishment for any Torchwood agent, but a gal can hope)

At this point I know I'm completely in the realm of speculation & even wishful thinking, but I'm really really hoping we get some more clues as to Norton's overall timeline in this one, and I have a feeling that even if there's nothing as direct as dates given, the events of a plot like this one are going to heavily influence my personal interpretation of it.

To say that life & death are major themes for the soho crew feels wildly reductive, but even by Torchwood's standards and taking into account its origins as a piece of media with Jack Harkness & his newfound immortality at the heart of it, the living/dead status of this bunch has always been fantastically up in the air to me. Obviously Ghost Mission introduced Norton as kind of a ghost before revealing more obvious ghostly characters later on to which the title might have been referring, but his being from the past did beg the question of his survival into Torchwood's present era all the same, which Outbreak later alludes to much more directly, and his habit of showing up via hologram in multiple stories only further obfuscates any certainty we might have about where & when he definitely can be said to be alive and well. Then you've got Lizbeth and Gideon both being effectively 'brought back to life' via paradoxes that prevented them ever having died in the first place. Again, they are very very far from being the only Torcwhood characters this happens to (for a sprawling EU, it's really rather impressive how often & in how many different ways Torchwood as a whole manages to circle back to being about like. chaotic undead queers at the end of every day. though I suppose that consistency is part of why I keep falling in love with its different iterations again and again). That's without even getting into the question of Norton's dubious fate in God Among Us - and I say dubious because I know some people take that to be his ultimate death, but I personally think that reading something as vague as that as having any kind of finality rather goes against the spirit of this whole world/series, not just because I want him to live. (There are obviously other ways to make him survive/reappear, but I don't see this as a River Song scenario where we can safely assume one of his earlier-released adventures had to happen at the end of his personal timeline). But wherever God Among Us falls for him, he does very much meet God in it - or at least, a god, since the sentinel in Unbegotten is also described as a god of sorts, and even if he doesn't ultimately have the status of the god Jacqueline King is playing there, Unbegotten is still full to bursting with ghosts/undead/came back wrong/echo characters to continue underscoring that life/afterlife theme.

So all things considered, even allowing for the fact that we know Norton's twin hobbies are lying about himself and abusing time travel to suit his own ends/ever-shifting alliances, I find it difficult to believe we could get through a whole 6-part boxset about religion & death without something providing some kind of compelling evidence about where this adventure fits in among his other run-ins with apocalypses and gods and ghosts and dead-but-still-here characters/creatures, so I'm very much looking forward to any further exploration on that front.

And lastly, and least intellectually, I really want to know what the hell 20th-century Torchwood's obsession with Reginalds is. Reading through the cast list, I had to do two separate doubletakes over the character 'Sir Reginald Peebles' - firstly, because I had Reginald Rigsby on the brain, this being Soho (and the other Troughton brother being so active on BF's releases for this same month) - and secondly, because reading this in conjunction with the announcement for the July monthly adventure in which the new main Torchwood guy of the 20s is apparently called Sir Reginald Dellafield, there was a brief moment where I took that monthly release to be a tie-in with Ascension. I don't expect it to be, but damn. was it really so popular a name?

anyways, catch me thinking about those stained glass windows for the next couple months I guess (and knowing Torchwood Soho, for a long long time after it comes out as well lol)

[helslastangel]

Mars in 1H & 7H Synastry: From My Experiences 🔞

Minors, do not interact. This one's not for you.

I know this is widely known with 1H Mars synastry, but it bears repeating: this is such an electric and sexy aspect to have!

...IF you like each other. But if you don't?

Especially if the attraction is one-sided? It is SO cringe. One of you could end up hating the other easily.

In fact, let me tell you two stories that show just how differently things can go with this aspect.

Positive 1H Mars Synastry

Guy A: Leo Sun, Virgo Moon, Cancer Rising & Venus

I have my Mars in his 1H and his Venus is in my 1H.

This a VERY physical aspect, so if you're the type who loves long hugs, hugs from behind, poking, nibbling, cuddling, kissing and a LOT of sex, even after YEARS together, then keep an eye out for this aspect.

Guy A was my boyfriend of 4 years and we broke up right around the time we would have been talking engagement and such. He was also my best friend for 8 years (which would be 15 years now if we hadn't stopped talking a year after the break up).

I was wildly attracted to this guy from day one. And vice versa! And when we finally got together? Literally could not stop touching each other. It was so funny at times. You know those annoying couples trying to hold hands, steer the cart, and pick stuff up all at once in the grocery store? Yeah, we were that couple. Typically, if I wasn't literally on his lap, I'd be under his arm or pretty much pressed up beside him somehow-and vice versa. Watching TV? Someone's head would be in the other's lap, someone's hands would be in the other's hair, or rubbing their arm or belly.

I remember the first time Guy A and I went on a cute lunch date, before we officially got together. Everyone was pointing and giggling at us because it was sooooo obvious we both couldn't keep our hands off each other at all. 😂

To this day, neither his parents nor mine can believe we didn't get married. We probably should have, tbh. Lol.

Negative 1H Mars Synastry:

Guy B: Gemini Sun, Cancer Moon & Rising, Aries Venus.

I also have my Mars in his 1H. (His moon is in my 1H).

Mars in 1st synastry in one-sided connections is the absolute worst because one of you is madly (VERY madly) in lust confused for love, and the other is perpetually annoyed but attached to the adrenaline rush from all the static, especially if life isn't otherwise exciting at the time.

Guy B was long-term frenemy who I did NOT like romantically and barely liked platonically. We met on a dating site and the conversation was great but from the 1st date in person, I was instantly turned off. All his mannerisms annoyed me, I wasn't attracted to him, and I didn't want him to touch me at all. My reflex was to pull away when he tried. He was extremely attracted to me for some reason despite this, and never let it go. Not even years later. He begged to stay friends when I declined a 2nd date and I was too nice back then so I reluctantly agreed.

Every time he touched me, I wanted to backflip into a volcano. A simple hug made me irrationally angry if he tried to linger half a second too long. It didn't help that he'd always complain about me giving "church hugs."

And before the men start carrying on about how he must have been short, yada yada yada... no, lol he's 6' 5" and fairly good-looking. Just didn't like him then and still don't now.

Our dynamic was always very aggressive, especially from my end. Even our mutual friends noticed that I seemed like a different person specifically around him and not in a good way. I was verbally combative and physically tense around him, even my voice sounded less soft and I was extremely sarcastic. I don't know if he's into girls who are normally like that or if his Aries Venus just liked the challenge, but that annoyed me even more. My dad met him once and immediately acted like he wasn't even there and my mom was like "Yeah, no, don't ever date each other because one of you won't make it out of that alive, it's very obvious."

She's definitely not wrong, our entire "friendship" was a strange anomaly defined around me being perpetually annoyed that he existed but also finding entertainment in all the toxicity and him pretending not to notice that Id happily sell him to the devil for a bag of chips and continuously convincing himself that I secretly liked him.

I told him multiple times he was free to react like a normal human being and not talk to me and his response was, "Eh, I know but somehow even though I hate arguing, I don't really mind arguing with you. Like I hate it but at the same time, it's you. I'm used to it now."

Idk to say about that but yeah, there you have it folks. The moral of the story is: there are always two sides to a coin 😂

Synastry is something that can go two (if not more) ways. No placement or aspect is ever guaranteed to be positive or negative, though some skew one way or the other. If they were, we could all find our perfect matches just by picking birth charts out of a jar and studying them. Be mindful and listen to what your heart and gut tell you and then use your head.

All that being said though, can I talk about 7H Mars synastry for a sec? GOSH I LOVE when someone's Mars is in my 7H.

Mars in 7H Synastry (Positive)

Guy C: Aries Sun, Scorpio Moon, Scorpio Rising, Aries Venus

He has Capricorn Mars in my 7H and my gawd. So intentional. This was eons ago. Technically my second boyfriend, but this was the first serious boyfriend who I had all my first times with. The moment my very own McSteamy decided he wanted to date me, there was no long drawn out "should I, shouldn't I, she loves me, she loves me not" - none of that wishy-washy shit. He strolled right up to me and said, "Look, you're allowed to say yes, no, or "get lost, fool" -whatever you want. And I know this may seem a bit soon, and to be honest when I first met you, I didn't know what to think, you kinda seemed like a miss-goody-two-shoes type. But getting to know you for a couple months? I realize you're actually quite a rebel and adventurous like me, but also smart and know how to lay low and play a character when you need to. Anyway, I'd really like to kiss you, but I'm gonna ask you to be my girlfriend first, so let me know."

Well, hell I said yes before he was even done talking and he picked me right up and kissed me against the wall. That was my first kiss too, and a great memory. I love direct people who know what they want, aren't scared to take a risk and are comfortable taking the lead, especially when it's a relationship. That's a Capricorn Mars right there. With Capricorn moon in my 7H that was literally like hitting the jackpot- except I was so young. He was 8 years older than me and ready to settle down. I was just about to fly the nest and see the world and he was kind enough to realize this and not hold me back when I decided to leave.

I will say this placement is excellent if you're sure about wanting a family, kids, and the whole white picket fence thing. I made the right choice as I'm still childfree by choice now and would rather live a semi-nomadic life, working and traveling the world with someone who is the same kind of crazy as me.

I'm not sure if I've experienced any negative Mars 7H house synastry. There are so people I've connected with whose birthdays I've either forgotten or didn't ask for, so I don't have their charts. Of the charts I do have, Guy C is the only one I have this aspect with. I haven't quite felt the same 100% confident, 'all-in' relationship energy from anyone else.

I am curious about how the negative side of this would go, so if any of you have had bad experiences with Mars 7H synastry and want to share, let's meet in the comments 😹

[angelthefandomobsessed]

What's the deal with Heartslabyul (A TWST theory)

I've been thinking about this for a while now, and it just occurred to me to write it all out because I think this is pretty interesting. This theory involves who some of the Heartslabyul members are twisted from, who Yuu represents, the potential inspiration for Grim (yes, Grim), and how this might affect Royal Sword Academy. Some of this is likely fairly obvious, and almost definitely has been pointed out before, but there are some aspects that I have never seen discussed.

I'll split this post into different points to keep everything somewhat together, hopefully, maybe?

Point 1: Who is Alice?

Okay, so this all started with Ace. This is all his fault. I was thinking to myself, "Who is he actually supposed to represent?", as he's one of the more dubious characters in terms of a direct inspiration (him and the rest of Heartslabyul tbh).

In Book 1, at a glance, he seems to be acting as Alice as he is the tart thief. It's not unusual to see characters doubling up on 'roles' (Azul stands in for the genie in Book 4, and Malleus stands in for Mufasa in Book 2, for example). But then I realised no, Ace can't be Alice, because Yuu is obviously Alice.

Yuu ends up in a different world (a world literally named 'Wonderland'), Yuu meets all of the strange characters this Wonderland has to offer, and Yuu points out that Riddle (the Queen of Hearts) is in the wrong (though it's worth mentioning that Ace and Deuce also do this). These parallels are obvious indicators that the player, the only outsider, is supposed to be Alice.

But for what I think is more definitive proof...

Point 2: GRIM IS DINAH, HAS ANYBODY ELSE NOTICED OR AM I LOSING IT???

Grim shares striking similarities with Dinah, Alice's cat.

Entirely blue eyes. A big bow. A patch of chest fur. I refuse to believe that in making an Alice in Wonderland inspired dorm, in a game named after Alice in Wonderland, that this is a coincidence. At one point in Alice in Wonderland, Alice wonders to herself if she'll be taking orders from Dinah next (I think when the White Rabbit mistakes her for the maid?). Taking orders... like a henchman might?

I rest my case. Grim is Dinah, which makes Yuu Alice.

(If this is somehow common knowledge I apologise, I just felt very clever when I spotted this)

Point 3: Okay... so who is Ace?

Ace is the Knave of Hearts. In the novel, it is the Knave of Hearts who is initially accused of stealing the tart, not Alice. The Knave isn't included in the Disney's animated Alice in Wonderland, but he plays a role in Tim Burton's live-action version... as a man with a heart eyepatch who serves the queen (but seems to hate her and want her dead for... reasons).

But like. Heart eyepatch. Tart thief. Do the math.

Point 4: Che'nya further evidences the influence of the live-action Alice in Wonderland/the original novel

In the animated Alice in Wonderland, the Cheshire Cat sucks. He is the worst. In the book, however, he is the chillest creature in Wonderland. At one point in a croquet match with the queen Alice is like "Bro, are you seeing this lady?" and he's like "Tell me all about it", and they have a gossip off to the side.

Similarly, in the live-action, the cat is portrayed in a positive light. He's a part of the revolution (down with the bloody big heid, and such). Che'nya is in RSA - the good guy school. If we were exclusively following the animated film, he would 100% be in NRC.

Che'nya is a good guy, which suggests that media surrounding Disney's original animated films was taken into consideration. I've seen it observed that Leona's overblot design seems to take inspiration from the musical adaptation of the Lion King, and that Diasomnia's Glorius Masquerade outfits resemble the live-action Maleficent when put together (wings on either side of Malleus).

If that's not enough to convince you that the live-action has been referenced in TWST, then I present you with this:

Riddle's hair is red, not black. The Queen of Heart's has black hair in the animated film... and bright red hair in the live action.

Point 5: What does this mean for Royal Sword Academy?

This is very up in the air as we don't know all that much about RSA. If they operate similarly to NRC (seven dorms, each with a leader, each dedicated to a Disney hero), more references to the live-action Alice in Wonderland might be on the horizon. We might see a representation of the White Queen, or the Mad Hatter (a character who was also a little bit terrible in the animated film, but played an instrumental hero role in the live-action).

Point 6: Deuce, Trey and Cater... Whomst are you?

Well... where does that leave the other card soldiers? That's certainly one of the great mysteries of TWST. Most of the characters have such clear inspiration - Jamil is obviously Jafar, Malleus is obviously Maleficient, Azul is obviously Ursula... And then you have a character like Trey, who makes cake and has a dental fixation. There aren't really any other characters like the Knave where you can point at them and say, "They share an obvious visual similarity."

The Mad Hatter is green, and the tea parties couldn't happen without Trey and he... wears a fedora, I guess?

Cater has orange hair and so does the King of Hearts.

Deuce gives dog boy energy, so...

Yeah, it's still anyone's guess.

In conclusion: I think the reason why Heartslabyul is such a source of mystery is because every member hides a part of themselves. Cater has a melancholic side, Deuce is an ex-delinquent, Riddle deeply wants to be normal but holds back because of the rules, Trey wants to be the most average man ever, and Ace can be all kinds of insincere.

I think in the next book 7 update (the Heartslabyul adventure) we might be getting a deeper insight into these characters, which I'm really looking forward to. Ace in particular.

While we're here, I predict that Riddle's dream will involve him being a normal, imperfect teen who eats sweets all day, Deuce will be an honour student (he probably doesn't have the best imagination so it could be silly o'clock with him), and Trey will wear a sparkly dress and become the tooth fairy (his true dream job).

Okay, but serious prediction for Trey - they'll go into his dream and be all "Omg he has such a strong imagination, how did we never notice?? He's actually so OP" because his unique magic is actually broken, I'm pretty sure if he woke up he could use Doodle Suit on Malleus and turn his sleep spell into pretzels or something, it wouldn't even surprise me.

[acerikus]

G o d. All gekkos' outertale posting makes me wanna talk more in depth about the characterisation and plot issues in this game and why they bother me...

(readmore bc holy fuck this got long, it's probably like 5k words. It's also pretty much all salt, categorised by character)

Toriel

Why. Why is she like this. Kinda feels like the creator of the game hates her and if they don't, they have a weird way of showing it. She's treated as overdramatic and unjustified in her anger at asgore despite the fact that he DID declare war on humanity and he DID willingly let the people believe he was killing human children to harvest their souls. Even if he didn't do it for real in this game, she has every right to be angry and to not trust him, and it CERTAINLY doesn't make her undeserving to be a mother or whatever. Idk about you, but I don't think wanting kids to stay away from a man yelling about wanting to kill every child that crosses him makes you a bad parent, even if it turns out he didn't really hurt anyone y'know?

They also REALLY zoned in on 'mother' with her in a way that doesn't really make sense here. I could maybe see her feeling guilty for making a snap judgement but how would that call her motherhood into question?

Sans saying isolation messed with her makes no sense too!!!! The outerlands or whatever they called the ruins isn't sealed off in this game, other monsters seem way less intimidated by her in this game than in undertale (she has friends! She knows sans by name and goes to napstablook's shows and even has their phone number!), and we outright get told she takes the taxi to get her groceries... Meaning she headed off to the rest of the outpost and probably does that often enough.

All things considered, Toriel seems fairly well adjusted in outertale, at least by outertale standards. Kinda then makes it feel like everyone's just trying to convince her she's hysterical and that... Sucks.

Also the fact that they added an ending where you stay with her and framed it as a bad ending that doomed everyone is... Really mean? It sucked ass I'm sorry :/

Sans

... Why is he like this. This take on Sans is absolutely infuriating tbh. The only positive I really have here is that his puns are kinda good, I've seen fangames that fuck up this element massively and it was kinda fun to see his interactions in starton.

Okay, back to salt. His whole 'i became a sentry to help humans' thing is trash. He didn't care about that in ut! He didn't care about that at all! The only reason he looks out for frisk is because he made a promise to toriel, and he hates breaking promises. He didn't want to let down his friend.

...Huh. realising this is yet another case of Toriel disrespect somehow. Yet another thing they took from her, that they then just... Handed over to sans instead. :/

His lack of backstory. Look, I get wanting something silly, but they took almost everything that makes sans interesting away. Not hyperfocusing on sans like certain aus do is nice, but it feels like in a lot of situations in this game they overcompensated by a long shot.

No mysterious past/origins. We know he worked with alphys I guess but???? Honestly I have a LOT to rant about for that part so I'll leave it for twinkly's section. And yet despite all this, Sans inexplicably bleeds in tpe when not even undertale has that happen? Make up your mind!

His role in non Asriel chaotic also... Sucks ass. I'm in a pretty awesome corner of the fandom in terms of the people I follow and the takes I see as a result, so if I'm honest, when I saw all those posts about 2024 fanon sans being indifferent to his brother's murder, I kinda just figured they were vaguing about this game. You're telling me that sans of all people just shrugs off you killing everyone and complains a little bit before letting you pass?! He should know alphys already ran off. He should know the only person left to stop you is asgore, and that it's obvious he won't. Part of this could be connected to how frisk is written perhaps, and much like the twinkly situation, I'll have much more to say on that further down.

I understand the creator didn't wanna have a sans fight in their game - however, if that's the case... Maybe come up with a reason for him to NOT show up in the last corridor, then? Have him busy helping with evacuations or something, or already dead like in the first chaotic ending... This was just sloppy.

Papyrus

Honestly he wasn't... Terrible. The phonecalls were fun even if most were cheap references (though they can be fun in fangames sometimes so I'm not mad at this lol). Him being extremely talented at making spaghetti is just one symptom of one of this game's biggest flaws, however. I really don't like how nobody's really allowed to be bad at anything or have any real struggles in this game - especially when spaghetti in undertale is used to demonstrate his relationship with undyne and the similar wavelength they're on when humans aren't involved. She's the one who started teaching him to cook it, it's deeply intertwined with his desire to be a royal guard, and it's something they suck at together. Him just inexplicably being good at it is... Weird, and feels really disconnected from their friendship and her reluctance to let him in the guard yknow?

Also: his boss final phase. Having the dog NOT take his special attack away this time was really funny admittedly but... Idk? Not only is the fight really unfair for pacifist/neutral and those who aren't as good at the game (ut never gets this hard outside of geno), it feels way too on the nose in terms of insisting he's strong and has powerful attacks. Undertale didn't need to overcompensate to get across that papyrus is strong and disciplined and the way you have to infer that in undertale is way cooler. I might just be nitpicking with this point tbh but it's whatever. Letting myself be a hater for once.

And don't get me started on him getting together with Mettaton. It seemed to come out of absolutely nowhere, the idea that they were already friends in this was glossed over really quickly and no time was really put into developing the relationship save for papyrus commenting on finding him attractive every few minutes.

Gotta be honest, I've never been a fan of this ship nor understood its popularity. Papyrus very briefly mentions thinking he's attractive in undertale, but it doesn't really go anywhere and I'm not even sure mettaton knows he exists. It feels like it was just kinda added because it's a popular ship and that's it, not sure it really contributes much to either of their arcs. It was a light-hearted celebrity crush in canon and never really tried to be more.

Oh, oops. Had more to say here than I thought.

Undyne

Not much to say here... I think she was okay, there's nothing super bad with her. I do think the way gerson kinda downplays her/lacks faith in her in the chaotic route kinda sucks and I think choosing to make her non-undying chaotic bossfight harder sure was A Choice, but it's whatever. Undying was weirdly easy in a way that didn't do her much justice. Honestly they didn't do enough with her for me to have a wall of complaints and I can't tell if that's a good thing or not. Her relationship with alphys didn't really amount to much and her lack of understanding of human culture doesn't really hit as hard when she's just talking about random sci-fi things that we have no way of knowing are real or not in this game's idea of the 2600s ourselves, y'know? Her love of anime (that she mistakenly thinks is human history) is pretty absent here except to validate her relationship with alphys in a very shallow way.

The Ghost Family

Hoo boy... Was gonna make this the mettaton section, but I wanted to talk about napstablook at the same time, so I'm just gonna lump them all together.

What. What the hell was this plotline.

It feels like they tried to go for 'smalltime farmer chases passion for stardom after feeling unfulfilled at home' and as I've seen someone else say, 'shy business owner struggles to talk to their cousin outside of work'. This would've been fine tbh, but... There's a lot of things in the execution of this that kinda grossed me out if I'm honest. I don't think they were intentional, but I think it could've been thought through a lot better to avoid some unfortunate implications - or even lean into them in a respectful way.

Firstly, the ghost family intervention was pretty long, awkward, and didn't feel like it really added much - especially when most people playing would already know mettaton's backstory anyway (and his house is still accessible like in undertale!!!!! What was the point?)

Mettaton airing out his family issues on live TV feels very ooc - he keeps that stuff very close to his chest and I doubt he'd like it getting out. Him entertaining any of that out in the open seems... Weird.

Speaking of the intervention, his cousins' treatment of him was horrifying! Part of it seems intentional and it's nice that there's at least one part in the game where characters are allowed to have flaws and do bad things but... There's also elements that feel like you're meant to agree with them? Their insistence that mettaton just come home and everything they did in the past with constantly badgering him to come and help out on the farm were rightfully treated as something that hurt mettaton's feelings and that gave napstablook and the others pause. That's (mostly, we'll come back to it later) fine. He called them out for it and they reflected on it, cool. The way his ghost form was utilised makes me extremely uncomfortable, however.

Napstablook talks about hearing 'the real [mettaton]' in the recording, right to his face, 'the real mettaton' in this scenario alluding to his ghost form. Considering mettaton is a trans allegory, this feels... Kinda gross? In a similar vein, when passing mettaton's quiz barriers, one of the questions is 'what is mettaton's true identity' and you have the option to deadname him (using a name papyrus literally just made up in undertale rather than having any kind of creativity ofc) Alphys' reaction is simply to ask how you know that which... Doesn't feel great. The correct answer is 'mettaton' ofc thankfully, but everything around this particular plot point feels weird. Maybe don't do that w the most prevalent trans allegory character..?

And ofc, they keep insisting he just come home, go back to working on the farm, go back to his family... Idk, gives me vibes of someone abandoning their shitty transphobic family and then insisting they want to see 'the real [deadname] again' and for them to abandon their new life and just go back to the way things were before. Not good.

All of this would still be okay for the most part since the ghost family are painted as being unfair to mettaton... But in true pacifist, he goes back to helping out with the farm anyway and talks about how he thinks he was probably just being dramatic after all, and how 'blooky didn't do anything that bad'

... What?

It takes me right back to Toriel's treatment. Napstablook, Maddie and lurksalot gave no real thought to mettaton's feelings, made it all about them and showed pretty much no support for his transition nor his career! Fuck those guys! It's funny - mettaton is pretty consistently a pompous asshole (affectionate) in undertale but here, I think all his feelings towards his family were COMPLETELY valid. Mettaton outertale didn't do anything wrong.

Lurksalot didn't feel like they contributed much to the story either, save to be yet another character treating mettaton like shit with zero consequences nor narrative judgement. They just made every ghost family event even more drawn out.

And then ofc!!!! Mettaton and Alphys' friendship is so bland in this game! They're two people who kinda know each other and she says some nice things about him in a letter in chaotic but that's about it. Their friendship and the subsequent conflict frisk's arrival brings to it in undertale is the heart of hotland and the core, but here it's just replaced with unnecessary, hard to watch, boring family drama. The two of them have no issues to work out. She doesn't ask too much of him. There's no funny quips and barely any chemistry at all. God forbid either of them have any real flaws.

One last thing: I'm glad maddie gets her mew mew body, it's nice. Wish it was an on-screen moment or something alluded to more though. Some of that time dragging out the family drama could've been used on that instead, y'know? Especially with napstablook getting the mew mew doll... Genuinely thought they were gonna show it to her when they first got hold of it, rather than dragging Frisk into their intervention. She should've gotten to be more mad, too. Kinda a big part of her identity.

Oh, and mettaton's no-asriel chaotic fight was bullshit. It was a nice spamton reference and the first phase was cool, but the second was utter bullshit and dragged out the fight way too long. Attacking him after snapping all the wires should've killed him im sorry. It's even more of a shame bc I genuinely really liked this game's mettaton neo fight - it was fun and creative and felt possible.

Holding myself back from adding any more to this bc I could go on and on, ugh.

Alphys

Alphys. For a game that tries to make her the star of it, it's actually kinda impressive how much they managed to take away from her and just how uninteresting she is in this game.

At the surface level she's awesome, powerful, and the star of the show. In my first playthrough I was actually pretty happy to see her thriving like this! The more routes I played and the more I thought about it though they just kinda... Declawed her. Took away all her flaws. Made her 'perfect' in a way that I don't think works at all.

The amalgamates never happened. None of her experiments went wrong. She never hid away from her mistakes, or lied to anyone (save for keeping Asgore's secret, which she has no negative feelings about), nor did she over engineer any situations to make herself seem cooler. She doesn't argue with Mettaton! She's confident and assertive! She's Asgore's right hand woman and next in line for the throne! And ofc, the badass final boss! What's not to love?

...But none of this is Alphys, is it?

Her anxiety isnt just because of the determination experiments, it's pretty clear she's always been a pretty shy and nervous person. In fact, based on her entries they were one of the things she was more confident in before it all went wrong. People are hard, but she knows science, y'know?

She doesn't get to be flawed or interesting - despite her presence, she's just a generic cool scientist who's suave with the ladies, I guess..?

She isn't particularly dorky, shes overly confident, she has zero issues to work through. Her relationship with undyne is perfect (derogatory) and her infodumping about anime just before the archive feels very forced, like they remembered last minute that she does that and thought it should be included somehow.

Depicting what she'd be like in a scenario where the determination experiments never happened is a fun and interesting idea! But deltarune demonstrates how to do that well, and I think they completely missed the mark. The way she talks, her body language, the way she acts around others in general... These things are universal constants and yet in outertale, she's basically a different person entirely.

Outertale alphys isn't allowed to lie (save to cover for asgore Secretly Being A Good Person), she isn't allowed to miscalculate, she isn't allowed to mis-speak or make mistakes or do anything she'd regret. She feels like an alphys written by someone who hates her in canon and thinks all her flaws make her terrible and unlikable. I doubt this is the case since I don't think a person like that would've given her such prevalence, but that's the level of love and attention I feel was given to her writing here. It makes me sad.

And, of course... The DT experiments and her fight.

... Why did she have vials of determination if all the humans are alive? Did she take it from them? If so, was this before or after they went into stasis? We know she's not been the royal scientist for long in relation to how long humans have been falling, so did ROMAN take the determination? How much of this did she even DO?

Why did she and sans even DO anything with determination? It... Doesn't really make sense.

Speaking of determination, why did she melt at the end of her fight? I'd assume she's injected herself with determination as one of the vials in her lab is mentioned to be partially used, but I'm pretty sure it's also like this on pacifist. Was that overlooked? Are we just meant to assume it's MORE depleted? Does she just have natural determination now because She's So Cool And Badass? This isn't even really a complaint about the fight, more just how poorly that part of her lab is handled lmao

But getting into her fight... Idk, it didn't really feel like her. A lot of it was just random bullshit that was hard for the sake of being hard, that didn't really seem to be tied to her identity very well at all. People complain a lot about the Zenith Martlet fight in undertale yellow but that's done far better than this, imo. It clearly reflects martlet's character, personality and canonical bullet patterns (we see Alphys' in ut tpe!), there's a genuine feeling of progression in the fight and the act you're given to help with the fight feels more effective - you can still damage her on her turn, so taking a turn to heal act doesn't feel like a waste. The Asriel acts though... They just don't last long enough to feel that worth it? Sure they're okay, but in general, you get a lot less time to breathe. Martlet's fight lets you retry from phase 2 if you die. Sans' in undertale gives you as many turns as you need to heal while he's sparing you. Alphys' fight just feels like it's made to feel un-fun and painful throughout in a way that just isn't worth it, and doesn't really feel like it fits her personality either, y'know? The fight was just a slog and like many others, I had zero motivation to finish it legit. I don't think it helps that the undyne and mettaton fights in this route are fairly easy and simple in comparison.

Tldr: they took away everything that makes alphys endearing, fun and interesting. This isn't alphys at all.

Asgore

A huge chunk of this essay accidentally got deleted, including my first attempt at writing this section. In it, I mentioned that the Asgore apologism went way too far.

This time though, I don't think I'd even call it that. Reflecting on it, it feels less like an attempt to defend him and more like a way to hate on and spite Toriel.

Seriously. So much of his character basically just feels like someone going 'fuck you toriel. I'm giving EVERYTHING to asgore.'

It's... Really weird?

Asgore having a way out of killing humans is an interesting concept! Outertale takes place 500 years in the future compared to undertale, so the idea that they have the resources and technology to do that is kinda cool and in theory, exploring this idea sounds really fun. In practice though, it feels like it was mostly done to make Toriel out to be an asshole for no reason and to laugh at her for ever assuming he would've really killed anyone (despite... Y'know. Telling everyone that's what he was doing.)

He just. Completely moved on from Toriel without a second thought seemingly, and doesn't even look that affected by seeing her turn up again - meanwhile SHE'S got crumpled up tea recipes in the trash and all the Sad Divorced Energy - it doesn't really fit either of them! Toriel wasn't really given a reason to miss him like that, and I think even if he DID fully move on, he'd be way happier to see her than that.

All his leading statements on how she must feel in LV1 pacifist sucked ass also, especially with the way she kinda just agreed that yeah, she feels like shit for not trusting that he'd suddenly do a 180 and not hurt anyone (AGAIN. AFTER HE CONTINUED TO LET EVERYONE BELIEVE THIS) and that she must feel unworthy of being a mother. She hadn't even said half of this in front of him yet! He put words in her mouth! That in itself would be fine (social blunders are pretty normal for asgore after all) but it... Wasn't treated like that. It was handled as if this was a sweet and compassionate thing for him to say which... Yikes.

And ofc he gets to adopt frisk, and monster kid, and get to have Asriel live with him! His fatherhood is never called to question in undertale, but ofc Toriel's motherhood has to be here. Hell, despite their divorced status, if you talk to gerson in tpe it's highly implied frisk asks if asgore would start aging again if he became their dad! Idk, all of this part just reeked of Toriel hate and nothing more. Asgore is just yet another character to get sanded down and de-clawed and it sucks. So much of what makes him interesting is his mistakes and flaws and how they impact him, y'know?

Twinkly

I wanna start this by saying I don't think his writing is too bad. It's not amazing by any means but by outertale standards, he's one of the better written characters. That being said, Flowey is my favourite character of all time so I'm still gonna be critical.

So they did save the goat. Save the goat aus really aren't my thing nowadays - I feel like so often people act like he's a separate person to Flowey entirely and act like the alarm clock app dialogue doesn't exist. Asriel didn't end the story as a doomed tragedy fated to fade away! Flowey ended the story as someone who finally got closure on the loss of his best friend, and can finally learn to move on, even if it takes him a while to adjust. I don't think he needs to be a goat again for that.

That being said, I know these kinda aus are a big wish fulfilment thing for a lot of the fandom that aren't even necessarily something people want to be canon as much as they just wanna explore the idea and see him truly happy, so I won't judge that element too harshly. People are allowed to have fun, and I think save the goat can be fine if it respects him as flowey rather than separating them.

I really like that they allow Asriel to be fucked up and an asshole rather than him soft rebooting into some Sweet Perfect Little Prince once he returns to his old form, like so many other save the goat takes. Even in lv0's ending he struggles to bite back insults and mean comments aimed at Monster Kid which is... Admittedly kinda refreshing! There's definitely some flowey (or I guess in this case, twinkly) behaviour that still comes through here and I'm glad. This carried over to chaotic, too. While his characterisation wasn't perfect, this at least felt like twinkly obtaining a few form and continuing to play with the world, rather than your standard Asriel take. I also really liked that he remembers and acknowledges chaotic if done before pacifist, that was neat and adds to his character (as far as this game goes) I think.

However, onto the biggest, glaring issue I have with him.

Why. Why does he exist.

No, seriously.

In its attempt to make the world perfect, a world that blatantly only exists so the creator could make a save the goat ending, mind, there's no reason for the goat to need to be saved at all. Nor for him to exist after dying back when Chara lived with the dreemurrs.

Asgore isn't killing humans, so the souls don't need to be absorbed by anyone. Frisk can just enter the archive and lend their power to destroy the forcefield themselves, so there's no ultimatum like there is in undertale - there's no implied tradeoff of Frisk's life for the freedom of monsters without twinkly's intervention. In undertale, flowey's messing around opened up an ending that would've otherwise been impossible, something that worked for everyone.

Without him existing at all here, frisk could've broken the barrier just fine. All it really added to pacifist was a couple extra boss fights and asgore being dead for two minutes. And him being saved I guess but again, there's no real story justification for him being here EXCEPT to pat yourself on the back for saving him.

Why was he created? In undertale it's pretty clear - they wanted a vessel to hold all the souls in for now during the true lab experiments. He exists because Alphys selected the first flower to ever grow in the garden and injected it with determination that she extracted from the human souls.

... But all the humans are... Alive and well in outertale? They don't need a vessel to contain their souls. They don't need to extract any determination from anyone. Again, why do they HAVE vials of determination? And why did she inject one into a flower?

AND THAT'S THE OTHER BIG THING. It's established she and sans injected a starling flower for... Whatever reason. SO WHY THE HELL IS TWINKLY A CARTOON STAR?!

This point makes absolutely no sense at all. He looks absolutely nothing like a starling flower nor does he behave like a flower at all, which is confusing if that's what he started as. Honestly, I think it would've made more sense to just keep him as Flowey if they were gonna include him at all, and just have his appearance reflect a starling flower instead of a golden flower.

This applies to his fight too. Mechanically I think it's AWESOME, but the visuals are... Just very very boring. A huge part of why his fight in the original is so good it's the bizarre and chaotic nature of it, the horror elements, and the way so much of flowey's trauma in terms of how he was created and the things he finds scary was put on blast for all to see. The combination of mechanical and organic elements, all the plants and insects... Idk, just going 'hmm he's a star. Let's have him go through a star life cycle' is boring, there's no visual appeal.

If his creation is so vague and wishy washy, this would've been a great opportunity to flesh it out more. How was he created? What kinds of technology and machinery did alphys use to put all this together? How did she (or roman????? unclear) get the determination? What does twinkly remember?

That leads me onto a tangentially related topic - his trauma. I... Don't think this was shown very well. He talks a bit about BEING traumatised from the lab, but telling isn't the same as showing and canon flowey is terrible at hiding it, whereas I'd just as easily believe outertale Asriel made it up for sympathy points. He never really projects, he doesn't force anyone else to experience anything like he did, nothing like that. He's just a cocky asshole who likes killing, and who eventually decides to start being nice.

This game constantly seemed to be speedrunning ways to get him from being twinkly to being Asriel as quickly as possible in almost every single route which... Huh???? It's weird. Would've been nice to let him be a star more rather than just Asriel...

(final amendment bc I lost a huge chunk of this essay originally and had to rewrite it, and I'm realising I didn't manage to fit this in this time... How does a single monster soul let him get his Asriel form again? Sure he's still treated as if soulless and it doesn't make him a good person, but if he was 'so tired of being a star', why hadn't he tried doing this sooner? It makes no sense...)

For a game that exists to give him a good ending, it's so ironic how little he needs to exist at all in this world. Just goes to show what it looks like when you go too far with 'fixing' things or removing stuff you seem 'too problematic' for the sake of being wholesome or whatever.

Chara

Speaking of which... Look I'm just gonna say it. This version of Chara sucks so bad.

Chara is one of my favourite characters - they're really interesting, morally grey, and a fascinating way for undertale as a game to interface with us as players.

They're a child who likely saw the worst of humanity, then found themselves in a home with family who genuinely loved them once they fell down and met the monsters. Their intense saviour complex made them feel like the best way to help their family was to sacrifice their own life to get enough souls to break them free (and once they realised they had control, get payback against the humans while they were at it). They could be mean-spirited and a prankster. They valued efficiency HIGHLY. Their favourite number was nine because it's the limit, the absolute, a way to stop hurting and to stop others hurting.

And by doing geno, you can push this fixation on stats further. Max out all your stats. Gain power. Get stronger. Become invincible. Nobody can hurt any more if the world is gone. And ofc, they stand as the final arbiter of consequences for the player. Your punishment for killing everyone and for pushing them into believing it needs to be completed. Chara both IS is and is separate from us in a way that can't really be fully disentangled and it's really, really cool.

Anyway, enough gushing about undertale Chara. What's outertale Chara in comparison?

... Nothing.

They're nothing.

Outertale Chara narrates occasionally. They're a ghost that follows frisk around, but aren't confined to that, and have been actively wandering the underground since their death. They also still have a SOUL for some reason? This part doesn't really make sense at all.

Other than sacrificing themself and maybe wanting to take out a few humans after Asriel absorbs them, they don't do anything that could be considered bad ever. The most devious thing they ever do is snatch Asriel's diary to leave a silly comment in there when they first arrive at the outpost (sans does this with Toriel's phone in undertale tpe for comparison lmao). Despite what Asriel seems to believe, Chara is completely absent from the chaotic route - never getting corrupted, never caring about our stats, never wanting to hurt anyone, never even trying to make us face any consequences. They're just... Not here. For a character so prevalent in the murder based route of undertale this is fucking wild.

They all but vanish if you so much as say something slightly mean to someone, too! It's strange, makes no sense, and just like with sans, it feels like they overcompensated waaaaaaay too much for the people who insist they're evil. On top of that, if you do chaotic before lv0, they don't even remember chaotic happening! They'd may as well have just been a member of the ghost family who likes following Frisk around when they're especially nice. Like Asgore and alphys, they've been sanded down and de-clawed to be 'wholesome' and 'perfect', and it just results in a bland, boring character who loses anything that made them interesting, nuanced and fun.

'Chara wasn't the greatest person'... Why, though? They don't have enough substance in this game for that line to really have as much impact.

Frisk

I'm gonna be honest - I actually ADORED their frisk at first, and I think that's because I started with a neutral run and ended up drawing them a lot. They felt silly and mischievous and interesting, and this continued into chaotic. They seem pretty chill with what's going on but then take that even further by being hilariously affectionate with Asriel and still doing silly things like being up for picking up the electrodampening fluid or drinking directly out of the fountain. They felt like a funny little mini-kris (save for being okay with all the murder ofc).

Then uhhhhhhh... That's when I experienced the second chaotic ending, the one without Asriel, as well as lv0. I feel like they definitely DID try to lean on the Kris angle on purpose in terms of their feelings on being controlled and stuff but it???? Just doesn't work very well? There's no ambiguity to this version of frisk once you've seen all the routes. Just like EVERYONE ELSE, they're just a perfect little angel who would never do anything wrong and anything past lv0 is just the eeeeeevil player influence or whatever. Come on, we have deltarune for that kinda approach to control 😭 (though even then, Kris is a layered and interesting character who isn't goodness and innocence personalised, and that's why they're cool)

In undertale, we have no idea what frisk is like as a person. WOULD they spare everyone without our influence? Would they kill? Would they be a scared child lashing out in self defense? Would they run from everything, then give up and let themselves die permanently somewhere? We just don't know! We're not supposed to know! It feels like it went back to the very early fandom interpretation where frisk is Good And Sweet and Innocent while Chara is evil incarnate - except this time they're BOTH the former.

It's a contradiction too! Why in the Asriel chaotic route are they so down to follow him, and pet him, and hug him every chance they get if they don't like all the stuff we're making them so? The player has no influence over Twinkly. Every single thing he did, he chose to do, and yet even if the only time frisk has seen him was him destroying their mercy button and forcing them to kill for him, they seem to love him to pieces and go along with whatever he says happily. What.

I feel like they didn't know what to do with Frisk here at all and it shows.

Other characters

This has been ridiculously long, but to quickly go over non-major characters... They did very few things to make Roman seem interesting, the amount of stuff hes implied to have helped Asgore with just reduces even further any influence or impact alphys had, and (a smaller nitpick)... Why didn't he use times new roman as a font when we DID see him speak in the archive/on the signal stars? It's such a missed opportunity...

Burgerpants was fun... Kinda. Developing him like this feels like something that should've happened DURING the actual game rather than before it though because it made him feel like a whole other person entirely? The poisoned food was very funny though.

Why is Snowy now Stardrake when his dad hasn't changed at all and Crystal looks like any other snowdrake? That was bizarre.

I actually really liked the humans! Establishing them as actual characters was really fun, and I especially like justice. Justice, at least in my opinion, is probably the most interesting character in this whole game tbh - someone who tried to do good but ultimately caused more harm than good, while NOT downplaying it, showing the consequences directly, and showing them work to try to make things better. The way we don't grab their item like the others in the twinkly fight nor go through an area for them in the archive (and just talk to them instead) really adds to their intrigue - what are they like? Who did they know? Is there something they don't want us to see? How are they strong enough to not need us to grab their weapon at all to lend their help? I think it's get funny that the only character I'm fully praising is the clover-adjacent one. Justice outertale they could never make me hate you

(that being said... seeing the way this game is clearly just supposed to be a 'fix' for undertale does sour my thoughts on the humans a little. did they only do this bc they thought them NOT being full characters in ut was bad/a problem with it? 🥴 This applies to the additional monster kid story focus too).

Speaking of monster kid... Them being an orphan was clearly just a plot device to give asgore more kids and therefore feel like he won more than Toriel. Monster kid in undertale seems like they probably did have real and loving parents, and they have a sister too!!!! Would've been nice if they'd at least done something with their sister :(

This got... Way longer than I expected, so I'll stop here. But outertale definitely gave me an even bigger appreciation for other ut fangames. My gripes with deltatraveler section 3 feel much smaller in comparison now, if tsus misses the mark on Flowey later down the line they've at least already done most characters so much more justice, and it really puts into perspective all the heart and soul that went into kissy cutie, as well as its genuine love got the source material and characters.

Sorry outertale, you weren't for me. That being said, if anyone disagrees with any of this then that's fine! These are all just my opinions and feelings on it after going through all the routes and talking about it with friends. Media is always gonna resonate with different people in different ways and that's a good thing! If your perspective on any of this is different and if you had way more fun with it, I'm glad you did and I genuinely wish I could've felt the same. I feel like at the very least, making it has probably been a great learning experience for the devs and I really hope they carry on making games and improving their skills. Hope y'all are thriving and having fun regardless 💙

[charlidos]

Now's the time make an essay-ishly long post about the whole business with Stuart Townsend and his brief time as Aragorn.

There's probably really no great mystery here, just a casting gone wrong. But I'm still intrigued by how this happened and how it affected the rest of the cast both by the loss of Stuart and the addition of Viggo. And how this became just another in the long line of the lore of the rings.

In the summer of 1999, Viggo Mortensen and his son Henry set out on a 15,000-mile road trip to visit family and friends across the United States. At the same time, Irish actor Stuart Townsend was just auditioning for the role of Aragorn in The Lord of the Rings. But, after the film went into production and filming began in New Zealand, Peter Jackson discovered that the 26-year-old actor was not working. “Every time I told Peter about it, he said, ‘Well, make him a little older,’” says Lord of the Rings makeup artist José Perez. Each time he added more and more gray hair. into Townsend's beard, but to no avail. “We tried to create a resemblance artificially. But both of us, Stuart and I, knew very well that someone older was needed for this role . On the morning of the third day after filming began, it was announced that Townsend had to leave the set. “Some of us were very upset ,” recalls Elijah Wood. “ Just imagine that you spent two months with someone and thought that you would be together for at least another year and a half. We managed to become fast friends. Right or wrong, for In any case, this decision was traumatic for us . "

Orlando had time to become quite close with Stuart. It makes me wonder how he felt when Stuart was suddenly cast out. It was Orlando's first big project, so I imagine it might have made him nervous about being chucked out himself.

Also makes me wonder how he felt when Viggo arrived instead. Someone so different, older, seasoned. And maybe not immediately a good friend. Of course, that changed quite drastically! I just don't know how long it took before Viggo became the light of his life.

Viggo says he only met Stuart the once:

I wrote to him when I arrived in New Zealand to start work on the trilogy, but I never met him. I did finally come across him one night in Los Angeles in late 2001. Driving on Santa Monica Boulevard - with Orlando Bloom as my passenger, as fate would have it - I pulled up to a red light. It turned out Stuart was stopped next to us. Orlando, who knows Stuart fairly well, spotted him. We rolled down our windows and greeted each other. He seems a very good person and is obviously a serious artist.

First, I just love the image of Viggo and Orlando driving around in LA, just hanging out. Secondly, Viggo is being terribly diplomatic here; I imagine he never got any answer to that letter for one. And you know he would never have spoken a word to Stuart had not Orlando, exhuberant, friendly and full of joy, greeted him. I so wonder what went through Stuart's mind at that time. Seeing he wasn't happy about what happened. And here was Orlando, his former co-star, having the time of his life with his replacement. It must have been an awkward moment for everyone - except perhaps Orlando (who was enjoying his ride too much to notice). :)

Viggo:

Over the last few years, Stuart has met up with Elijah, Billy, everyone really. It was something that we all felt incredibly bad about, and it was something I certainly had to struggle with before accepting the role. It was just one of those things, where Peter felt he'd made the wrong choice – he became convinced Stuart was too young for the role – and he had to make a tough decision. It's the nature of the business, you know, and I would hope Stuart doesn't feel it was anything personal. I have nothing but admiration for him.

And it's quite obvious Stuart was NOT happy about how it went down. Even in 2005, he sounded rather bitter, tbh.

Two weeks ago I finally read an article where the filmmakers said, ''We were totally wrong about Stuart and we accept that it was our fault,'' which was so nice because I did get shafted up the a--. I was there rehearsing and training for two months, then was fired the day before filming began. I have no good feelings for those people in charge, I really don't. [Peter Jackson] wanted me and then apparently thought better of it because he really wanted someone 20 years older than me and completely different. There's always some good to be found in a bad experience. The guys who played the Hobbits are great people, and Orlando Bloom became a good friend.

And lastly, some only marginally interesting bits from Sean Astin's book:

And when [Stuart] was gone, he was simply gone. Vanished. There were no long good-byes. By the time we found out, he’d already left the country. I left a message for Stuart on his cell phone, but never heard back. Everyone was really worried about him for a while. There are certain elements of his persona that would have been interesting in Aragorn. There is a brooding romanticism to Stuart, a genuine pathos you see in his eyes; your heart wrenches when you see him on screen. Viggo is a much more austere actor, and that is reflected in the way he portrays Aragorn. His strength and beauty and sex appeal derive from some other place, so it’s pretty hard to compare the two of them.

I think almost everyone thinks it was one of the very best decisions of the production to bring in Viggo. I'm quite sure the films would not have been the same without him as Aragorn.

Just look at him.

(I stole this gif from somewhere, but now I don't know from where.)

And what's more, the fellowship wouldn't have been the same without Viggo as their captain. And you know I'm absolutely sure his arrival changed Orlando's life.

[ladyluscinia]

Izzy Hands Is Manipulative, But Not That Way

...or I finally finish that long ass meta post about why I love the fucking Navy Plot lol

The Izzy manipulation debate has been really interesting to me pretty much since it started, because I'd see a post arguing he's manipulating Edward and go "No, and he couldn't if he tried" and then the next post would say he sucks at manipulation because he's a blunt fucking instrument and I'd go "Yea- wait. Hmm. No, he can be targeted and tricky as fuck." Which does, on its surface, seem like a contradictory stance, but I swear it works.

Because the thing with Izzy - and this is such a fun thing imo - is there are two core types of manipulation that characters engage in, and Izzy fucking sucks at the one you expect his style of antagonist to focus on. But he's scarily good at the other.

Long meta under the cut, so get comfy.

...

From his role under Edward to the protagonist vs antagonist dynamic setup to his introduction scenes, Izzy is very much invoking the conniving second in command. We know this character from other media. He doesn't have the full power he wants so he's constantly scheming to get it. He can't or won't challenge his boss for some reason, so he settles for being the devil on their shoulder or working behind their back. He's the voice constantly ready to inflame insecurities and turn relationship cracks into chasms, and usually he's lying constantly to do so. His fingerprints are all over his boss's problems up to the moment they show some weakness, and then their loyal second goes right for the backstab. He is THE ambitious manipulator. The shady advisor. The snake.

And then you actually look at Izzy and he is not that guy. In fact, it's a testament to the strength of Edward's character arc how much his evil little henchman is not causing his problems.

So - Izzy and manipulation:

Izzy Can't Convince People To Do Things

Like. He really can't.

This interpersonal struggle is fairly fundamental to his character. And moreover, it's a skill that Izzy is intensely aware that he lacks, so usually he doesn't even try.

In his first episode he walks right up to Buttons and just straight up asks him for the information on his party. He doesn't even resolve to steal the hostages until he realizes that Stede has lost them in the bush already, and Izzy obtains them by buying them. When Stede confronts him they end up splitting the pair in a very above-board negotiation and he pretty much just goes with what Stede suggests.

Then in 1x03, people make a big deal of Izzy "manipulating" Edward by not clarifying that Stede didn't know who he was when he turned down the invite, but kind of importantly he repeats the damning line of the conversation faithfully. If he was going to lie, then why not lie? Why even go see Stede at all? And, if he didn't want Stede dead until after the conversation (understandable, tbh, since "Iggy" was stab-worthy), surely he could invent a better insult to rile Edward up. It makes his omission hit more like being bitchy about Stede not recognizing the obvious - namely that Izzy Hands works for Blackbeard and literally everyone knows this - than a slander campaign to get him killed. And once we properly meet Izzy and Edward in 1x04, Izzy's inability to manipulate becomes his main struggle.

Izzy's a blunt and direct person. He leans on authority bestowed by Blackbeard to take control of situations, playing the role he's supposed to play, and without it he lacks a Plan B. In 1x04 he doesn't have any authority over Edward, so his efforts to get him to take the danger of the Spanish seriously amount to "Well as bored as you might be, if you don't make a decision soon we're gonna fucking die." And this is true! There might be a very subconscious attempt at manipulation in his resignation speech before the "That's Blackbeard. I'm Stede, remember?" line - of the piss him off to get him to get his shit together variety - but Edward literally makes a joke out of it so not exactly effective.

And once Edward stops giving Izzy authority in general, his plan to make Lucius do stuff is still just... brute force. Which works at first when Lucius doesn't realize that Izzy's on his own now, and stops working as soon as Fang breaks ranks. His last ditch blackmail attempt isn't manipulative either - he just plans to tell the truth to Pete and assumes he'll be pissed about it. My guy loses a fight over the pirate equivalent of making an uppity employee clean the coffee maker while the boss is out. Not only does he fail to manipulate the crew in a conniving antagonist way... he doesn't even try.

I mean, the only time he (somewhat) succeeds in talking someone into things is 1x06. Getting Edward to agree to killing Stede isn't really manipulation - Izzy gets Fang and Ivan to back him in a very straightforward way because they all actually do have a stake in this - but he's passably able to push Stede to go through with the fuckery via fake compliments. It's not exactly high level work, though. Stede being vulnerable to ego-stroking / dares is pretty obvious.

So what is Izzy good at?

Well, if you can't make people do anything other than what they were going to do in the first place, you might as well lean into that.

...

Izzy Manipulates Situations, Not People

Situational manipulation is one of those fictional tropes that rarely can happen in real life, but there's not much resemblance because real life rarely gives you all the building blocks for a proper gambit and lets you loose. Too many factors. In narratives, though? It becomes one of my favorite ways of having a character be clever.

And before I get into this too much, a really fun sidenote - I think Izzy does situational manipulation more like the way protagonists do it. See, antagonists are usually emotionally and situationally manipulative (ex: provoking the hero to lash out and using it to frame them for a bigger crime), but it's not a good look when your hero drives the target to do something bad and then punishes them for it. So heroes lean on stuff like Batman Gambits - where the lynchpin of the scheme is the target fucking themselves over by behaving completely in character. They've written Izzy so ineffective at emotional manipulation that he pretty much has to rely on other characters' flaws or histories to cause problems, which has a very similar result. And it's wild.

...

Going back to the 1x03 confrontation in Jackie's bar, Izzy doesn't really do anything abnormal in how he conducts himself, but people are picking up on an agenda for a reason. Namely, the whole damn conversation quickly turns into a trap, and Izzy fully sits back and watches Stede spring it from sheer idiocy.

There's no indication that when Izzy walked up he wasn't going to carry out his task with all the bitchy professionalism expected of him, while probably hoping that Stede would eventually stick his foot in his mouth without Izzy's help (assuming he's the kind of idiot Izzy thinks he is). His first section of this conversation is nearly polite:

Izzy (about the Nose Jar): "I have a few colleagues in there." Stede: "Ugh. You again." Geraldo: "Mr. Hands, welcome. It's been a while." Izzy: "(To Geraldo) Yeah, because I hate this fucking place. (To Stede) But for some inexplicable reason, my boss would like a word with you. Bonnet."

It's not until Stede starts talking that I think Izzy clues in that Stede doesn't actually know who his boss is. He didn't introduce himself until the literal last second of their 1x02 interaction, so it wasn't obvious Stede wasn't literally bolting into the forest in horrified realization.

And Stede? He goes hard on being a bitch right out the gate. Brushes Izzy off, tells him to "get in line", calls him the wrong name, says he doesn't care who Izzy is...

Izzy so far has met Stede in a public place, in front of people who clearly treat Izzy with respect and fear. He doesn't bring up their previous interaction, Stede does. He doesn't even goad Stede beyond existing. He corrects him on his name, and watches it not register in the slightest. The next line is the clincher:

Izzy (slightly incredulous): "So I'll tell my Captain that you're declining then, yeah?"

As Izzy is speaking the conversation becomes a trap - he chooses a reasonable way to refer to Edward that isn't "Blackbeard" and waits to see if Stede will make this worse. The jump from "no I'm busy" to "tell him he has terrible taste in flunkies and he can go suck eggs in Hell" is all Stede, completely ignoring context clues as Geraldo stares on in horror. Hell, Jackie only refrains from later de-nosing Stede on the spot because Geraldo knows what's up, and Stede still doesn't pick up on the fact he should maybe be asking some questions (though I'll give him the knife was distracting).

Izzy returns to the ship, quotes Stede directly for his damning line, and waits to see what Edward will do with it. It's not good behavior on his part (and if he could have seen the future he might have tried worse), but switching mid-conversation to offering Stede an opportunity to fuck himself over is a very different mindset than simply lying to / provoking Stede or Edward to get what he wants. He's mostly being petty.

Stede did insult Edward of his own volition, after all, and just because Izzy fudges the truth to hide he didn't know he was insulting Blackbeard instead of just Izzy and a random stranger doesn't change that. All Izzy did to "escalate" that conversation was give Stede a second opening to do so himself.

But there is a far better example of Izzy masterfully manipulating a situation than this in-the-moment bit of pettiness, so let's move onto my favorite bit... explaining in extensive and slightly awestruck detail why the Navy plot. Fucking. Rules. Because it does. Ready?

...

How to Mastermind the Decisive Removal of One Stupid Fucking Stede Bonnet Over Drinks

Ahem. The Navy plot. Masterclass in intimate betrayal. Izzy's biggest escalation in the total collapse of Edward and Izzy's relationship, but also a completely fucking fascinating glimpse into whatever tangled web of codependency they've got going on, because Edward isn't even mad after 1x09. This wordcount is going to be insane enough without me getting into the Blackhands relationship connotations, so I will... attempt... to stick to breaking down the actual scheme.

And what a scheme it was.

Let's start at the beginning. Jack showing up to lure them into the trap at the start of 1x08? Nope, earlier. Izzy getting kicked off the ship and going to Jackie at the end of 1x06? Further back. Edward proposing the "kill Stede" plan at the end of 1x04, which is the domino that starts all this, right? Closer, but still no.

Izzy's first appearance on screen is in episode 1x02, and that episode is where the seeds of the Navy plot are first planted. See, during Stede's confrontation with Izzy, both of the hostages chime in:

Hostage 1 (Wellington): "Believe him, he's quite insane." Hostage 2 (Hornberry): "He does have the eyes of a madman. Sorry, you do."

Wellington says his line in a tone of voice that clearly indicates a story to tell, and it should also be noted that he is the same one who earlier jumped at the chance to tell the tribe chief about Stede murdering their captain - Nigel. And he's the one that Izzy leaves with, in a sour mood and wanting information about this "Stede Bonnet" character.

When Izzy later reaches out to the Navy, it's no coincidence that he finds Chauncey. He's known since right after their first meeting that Stede was directly responsible for the murder of an Admiral's brother and that the English Navy would know soon enough, since he was literally about to ransom a hostage back to them who would tell the story. And he filed that information away until it was useful or relevant like a clever pirate should.

Moving on to Jackie's bar in 1x03, Izzy gets more potentially useful observations / inspiration. Jackie is actually the first person in the series to make a deal with a naval power. Izzy and crew track the Revenge to the Spanish warship, which means they must see Geraldo sold out Stede to them. Izzy isn't stupid. He knows Geraldo and Spanish Jackie, knows that she's the brains and brawn behind this deal, and has seen enough of Stede that he'd absolutely believe that he did something to get Jackie pissed enough to plot his murder. File away Jackie wants Stede dead and details of how she nearly succeeded in offing him for later.

Izzy spends 1x05 up to the fuckery demonstration observing Stede's crew while waiting for Edward to pull the trigger. I definitely want to note the scene where they interrogate the Frenchman at the beginning of 1x05, because Izzy is staring directly at Stede as he leans away from Edward threatening violence (we know this will later be in his love montage so not actually a turn off, lol, but like... it looked like one). His opinion of the crew is that they like to fuck around without structure (1x05 during the party), probably that they enjoy more standard pirate levels of violence (not shown directly since they are kept out of the 1x05 raid, but fairly obvious), and that they are really easily awestruck by the chance to hear "real pirates" tell charismatic stories (1x06 ghost story).

Any of that sounding like someone we know?

And now to go back to Izzy in 1x06, when he gets sick of Edward being cagey about the plan to kill Stede and decides to "make" him stop stalling, he's straightforward again. Getting Ivan and Fang to back him isn't emotionally manipulative, but it does give him weight in the conversation. They are the ones who bring up the whole "love of a pet makes a man weak" thing, and they do it in the context of calling out hypocrisy. Izzy knows the standards Edward holds his crew to. He lets them convince Edward it's time.

Taking the chance to suggest Stede try a fuckery is a strong blend of situational and emotional manipulation, and later challenging him to a formal duel knowing he'd be overconfident enough to accept is more situational again. Even the terms of the duel are designed to take advantage of the situation. And then Izzy loses in the most comedy way possible, Edward lets him get banished, and Izzy decides that if he was ok with just sending Stede Bonnet on his way to fuck-off before... he's fucking gonna kill him now.

My guy is not a creative thinker, but he's definitely a logistical one. And as he rows away from that ship, all the pieces fall into place.

First, Spanish Jackie. Who listens to him bemoan his relationship woes because she likes him (Izzy gets Jackie in the divorce). Who wants Stede dead and has the clout to summon and deal with a distasteful ally - Chauncey. Together, they concoct an arrangement where a trap will be set and Chauncey gets Stede and only Stede. This isn't a tip-off or a free-for-all. Stede comes from Chauncey's world and they are sending him back. Permanently.

Then it's time for the trap itself, which needs to do two things: get the Revenge somewhere that Chauncey can corner it, and get Edward out of there. And Izzy? Izzy knows Edward. Knows there's one particular person in his past that will have no trouble integrating with the crew, getting Edward to act more like a pirate than a gentleman, and who happens to have a great ambush location on hand.

I've said this before but I'm gonna say it again - I don't think outside characters realize how hard and fast Edward is falling for Stede. The BlackBonnet bonding moments happen almost exclusively when they are alone. The place Izzy dramatically fails to manipulate the situation is not having the evidence he would need to predict Edward going back for Stede. He (and Jack) both think that a precise wedge between BlackBonnet - one that Jack delivers near flawlessly by playing into real issues - will be enough to remind Edward that Stede isn't his people. This isn't a plan to murder the love of Edward's life while his back is turned. It's a plan to get rid of Stede, and remind Edward why he was on board with doing that in the first place. "That's fair," Izzy says about a punch to the face.

Instead, Izzy's plot accidentally backs Edward into a corner and forces him to publicly pull a grand-gesture relationship level-up that he was not emotionally ready for, and the fallout from that explosion is way worse than any of our conspirators were counting on.

Still... you gotta admit. It was a really good plan.

[melrosing]

Do you have any thoughts on the Azor Ahai prophecy?

sorry this took a while, I haven't really written much about this in the past so I don't have the relevant shit to hand in the same way. but my thoughts under the cut; conscious this is a contentious issue, so whilst I'm happy to chat about it, pls be normal if engaging.

I think it’s Jon. That doesn’t really get me excited or make me feel anything tbh, I guess because Jon is my least favourite major POV and the Azor Ahai prophecy isn’t one that interests me a whole lot. But I think the only real candidates for Azor Ahai are Jon and Dany, and based on both narrative structure and evidence within the story, I feel fairly confident it’s Jon.

Ofc, the argument for Dany being AA is strong and I think that’s the point. She ticks all the boxes, indeed more than Jon currently does, and the birth of her dragons is pretty much the most fantastic event in the story. She’ll surely have a huge role in ending the Long Night too, so Dany really does fit the bill.

But imo the structure of the story, and of their own personal arcs, favours Jon. I’ll quickly go through why I don’t think it favours Dany.

First off, rules of three: I think it was GRRM’s editor who told us that he likes rules of three in his writing. He makes you think one thing is true, then appears to provide the true solution, before the real answer emerges later on and completely throws you. There are lots of examples of GRRM using this technique in ASOIAF, but let’s go for another example that directly concerns Jon himself: the question of who his mother is.

The first answer we get is a basic one: Ned got Jon on a sex worker, and that’s that. We already know that’s near certainly not the case, because consciously or subconsciously we know that’s not how stories work. Second answer, Jon was born of an affair between Ned and Ashara. This idea is more interesting, has more supporting evidence, and we come across other characters who claim it’s true, like Edric. But still, I think a lot of people (even if they didn’t know R+L=J) would think that still doesn’t feel like the end of it. The closure has come too soon, and it doesn’t have the surprise factor that we know it’s supposed to have. It’s just clean.

Then of course the true answer is one that we still haven’t learnt yet: Ned isn’t even Jon’s father, and his mother is Lyanna, and Jon is the ‘true heir to the 7K’ etc etc etc. I think we’re all extremely used to this information now, but apart from the overwhelming evidence, we accept it because narratively it makes sense. This is the secret third thing, where everything clicks into place in a surprising way and has massive implications for the rest of the story. Rule of three. 

I think the same applies to Azor Ahai. First, we’re told it’s Stannis. He ticks most of the boxes, albeit in a really haphazard way, but we know it’s not Stannis because we know how stories work. Then we’re presented with Dany as the answer. This seems to add up really well: she ticks the boxes far more literally - smoke, salt, bleeding star - and characters like Aemon are convinced it’s Dany.

But I think we run into the same problem here as we do with Ashara. The closure’s come too soon, everything fits too neatly, and honestly it lacks the surprise factor. Dany may be a surprise Azor Ahai to the rest of her world, but she isn’t to the reader: we’ve seen what she’s capable of, and if we were told that Dany is going to save the world, most good faith readers would be like ‘well yeah if anyone’s gonna do it’. And so ironically, that’s how you start to get the feeling it isn’t Dany. It sounds painfully self-contradictory, yeah, but it’s the same as it works with Ashara. Consciously or subconsciously, we know how stories work.

So Jon is the third answer. Jon is intended as the surprise, where he didn’t even seem like a contender, is really just some guy. Except he isn’t. To make sense of this, you really have to forget how obvious R+L=J seems to all of us now, bc time and again GRRM has said he didn’t intend it as obvious, and actually seems a bit frustrated how many people had worked it out - even before the show got to make the reveal. 

Pasting at this juncture the key details of the prophecy:

When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone. DAVOS III, ASOS

So Jon is descended from Jaehaerys II and Shaera, as the Ghost of High Heart said TPTWP would be. He is indeed a prince, even if he doesn’t know it. When Melisandre looked for Stannis as TPTWP in the flames, she saw ‘snow’. Jon’s story is the one that most directly concerns the fight against TLN; Dany currently has the potential for the most impact, yes, but at the moment she has absolutely no idea what’s going on beyond the wall, and it’s Jon trying to unite the 7K against the Others. This makes him the strongest thematic fit for the hero who will ultimately end TLN.

Then we have the fact that there are two major things about Jon’s story that have to mean something. 1: Jon is the ‘true heir’ to the 7K, the one no one saw coming, that everyone thought was a nobody. Jon was born of the union between Rhaegar and Lyanna that only a dead man and Howland fucking Reed (likely a man with his own knowledge about the TLN, the Children and the Others) know about. Jon was the child Rhaegar somehow knew he had to have (the ethics of that aside…), that made him realise the prophecy wasn’t about him but someone else. Within the story of ASOIAF, this is seismic. It’s no good to say that Jon’s true heritage is nothing more than a political subplot, that’s not how stories work and it’s certainly not how GRRM writes.

And 2: Jon is going to be fucking resurrected. No, he’s not the first character to come back - Beric and Catelyn both got there before him. But if there’s one thing we can be sure of, Jon is coming back for a reason. We saw how ridiculous it is in the show for Jon to just come back to life and get on with everything like normal. Everyone was asking well why the fuck did he need to die in the first place then. To give him an excuse to leave the Night’s Watch? lol. Nah Jon is going to be reborn for a specific reason. Cannot emphasise enough that it is not GRRM’s style to kill Jon for nothing more than dramatic effect.

And who is going to rebirth him? Melisandre. What is the significance of Melisandre? Fucking everything. Melisandre has not been placed at the Wall to get the prophecy wrong AGAIN. She has been placed at the Wall because that is where the answer is. If Jon is the POV most focused on the TLN and the Others, Melisandre is the POV most focused on the AA prophecy. She is the one trying desperately to solve it, and whose revelation we are awaiting because once again, that’s how stories work: we know that Melisandre is wrong right now, so we anticipate the moment she will be right.

So Melisandre seeing ‘snow’ in her flames means something. Melisandre’s weird connection to Jon means something. Melisandre being the one who, seemingly without knowing it, has been preparing Jon for rebirth since about halfway through ADWD - means something also. R’hllorism and its weird connection to the AA prophecy means something. Melisandre and Ghost both having red eyes, with all the rest in mind, also seems to mean something.

Her eyes were two red stars, shining in the dark. At her throat, her ruby gleamed, a third eye glowing brighter than the others. Jon had seen Ghost's eyes blazing red the same way, when they caught the light just right. JON VI, ADWD

And right there’s the fact that Melisandre is the ‘red star of the prophecy’. Everyone thinks it’s the red comet, which we see identified in the ACOK prologue as the ‘bleeding star’ named in the AA prophecy. You know who’s also introduced in that chapter. Fuckin Melisandre. Melisandre and the ruby she wears are alternately described as ‘red’ and ‘star’ - sometimes both together:

Melisandre's ruby glowed like a red star at her throat. DAVOS VI, ASOS

So here’s Melisandre, red as hell, explaining the prophecy. Notice how much she herself seems to embody the imagery of the prophecy - red, flames, blood, burning, etc.

Melisandre was robed all in scarlet satin and blood velvet, her eyes as red as the great ruby that glistened at her throat as if it too were afire. "In ancient books of Asshai it is written that there will come a day after a long summer when the stars bleed and the cold breath of darkness falls heavy on the world. In this dread hour a warrior shall draw from the fire a burning sword. And that sword shall be Lightbringer, the Red Sword of Heroes, and he who clasps it shall be Azor Ahai come again, and the darkness shall flee before him." DAVOS I, ACOK

So we come to the ‘bleeding/red star’ aspect of the prophecy. Smoke and salt are easy enough to come by, but a star is a more specific requirement. As is a birth (or rebirth). Dany seemed to tick these boxes with the smoke of the pyre, the great salt sea, the birth of her dragons/her figurative rebirth, and the red comet. 

But I think the bleeding/red star is more likely Melisandre and/or her rubies. How either end up bleeding I can’t say, but it’s not hard to imagine. Does Melisandre destroy her ruby to revive Jon, or use her own blood? Maybe she has to die to do it, leaving Jon none the fucking wiser when he awakens what her reason for reviving him even was. That would be fitting: I think Jon won't understand his own significance for some time yet.

Either way, we have our star: Melisandre has been looking everywhere for one, never knowing it was she herself. This is actually a great beat for Mel’s story - for all the times she’s appeared all knowing, she was missing the woods for the trees, and her own significance in it all. It’s tragic, too, because that revelation is perhaps also one of her own demise.

(sidenote: I also think it's more fitting [and more likely] that the decision to burn Shireen and indeed the idea to do it is Stannis' own. in desperation, he attempts to fulfil what he recalls of Melisandre's methods, but butchers everything in doing so.)

Next we need smoke and salt, and as mentioned, those are straightforward. We’ve been told the Wall has plenty of salt lol, and light a few candles and you’ve got smoke - not to mention Melisandre loves a bit of fire, so figures there will be smoke involved in Jon’s rebirth either way. So salt and smoke both sound like pretty standard ingredients for a resurrection, I don’t think it’s much worth elaborating.

Then what’s left? ‘A birth/rebirth a day after a long summer’, check, we’re told again and again through ADWD that we’re on the brink of winter. ‘When the cold breath of darkness falls heavy on the world’, check again - Jon is right there on the scene. 

The flaming sword comes after the rebirth, but it’s a given that Jon will wield one - it’s right there in his dreams:

Jon was armored in black ice, but his blade burned red in his fist. ADWD, JON XII

(another sidenote: look, a song of ice and fire. I’m aware that GRRM has previously stated that Dany’s fire and the battle against the others are the titular ice and fire, because he’s sure not going to say ‘by the way it’s also Jon’ when he hasn’t revealed anything about Jon yet. But we know that Rhaegar anticipates a child who embodies ‘the song of ice and fire’, and you cannot associate Dany with ice. Dany IS fire.)

I think Jon probably already has Lightbringer, and it’s Longclaw - we see that Ghost is tied in with the red of it all, and who is atop the sword but Ghost. Valyrian steel obviously also has some fantastical role still to play, and it’s notable that Jaime envisions he and Brienne also wielding flaming Valyrian swords (their flames are blue, of course, and Jaime doesn’t know in the dream that the blades are Valyrian, but the point stands that there’s some connection between flaming swords and Valyrian steel going on, and that that all ties to TLN).

So all that’s really left is to wake dragons from stone. This is one where I can’t really guess what it’ll mean - my best guess is that Jon will find dragonsteel at Dragonstone, because even if he did somehow hatch further dragons they’d be damn babies for the duration of the Long Night, but really this part could point to something we can’t yet guess at, so whatever.

And finally, there’s Jon’s heritage. The Targaryens are tied to the wielding of fire, to Valyrian steel, and to dragons. The Starks are tied to winter, to the Wall, to the old gods and the North. Jon’s heritage is representative of the two forces that need to unite to overcome the Others. 

I don’t want to get into how exactly Jon ties into the mythos of the Night King and what undead Jon might look like, because whilst there’s plenty in there that no doubt ALSO supports the prophecy, I freely admit I just haven’t looked into it all that much bc it’s not a passion point for me, so I'm not going to seriously try. But we do have this part from Benerro's prophecy:

death itself will bend its knee, and all those who die fighting in her [referring to Dany as TPTWP] cause shall be reborn... ADWD, TYRION VI

You can make this really figurative to get it to work for Dany, but it would make a lot more sense for Jon. He'll rise from the dead (death itself will bend the knee) and 'all those who die fighting in [TPTWP's] cause shall be reborn' - hey just like the Others are. Is Jon somehow going to have his own army of the undead? Possibly.

So, cumulatively:

Jon will unite ice and fire, armoured in ice and wielding a flaming sword

Jon’s Stark and Targaryen heritage are figuratively significant

Rhaegar foresaw the significance of Jon. Rhaegar has been wrong in a lot in all senses of the word, but I think he’s going to be right on this point - on ONE fucking point

Jon will be reborn a day after winter comes

Jon will be reborn beneath a bleeding red star

Plenty of scope for salt and smoke to be involved

Jon will wield a flaming red sword

Jon will be on the ground as darkness approaches and lead the charge against it

Jon will make death bend the knee

Jon may lead an army of the 'reborn'

Melisandre is the POV with the greatest fixation on the Azor Ahai prophecy, and Melisandre is beginning to realise the significance of Jon + will be responsible for bringing him back

Jon is the Secret Third Thing

etc etc 

And finally, bc I’ve seen many, many heated arguments over this, I want to establish some things myself before signing off:

I am engaging in good faith here. I have come to these conclusions through reading the books and considering all sides, and think this is a very legitimate reading of the text

This resolution to the prophecy is not something I am invested in. Jon hardly makes my top 20 characters in ASOIAF, and Azor Ahai is not a prophecy I crave an answer for. I’m a lot more interested the southern storylines (in case you couldn't tell)

Dany, meanwhile, is a character I like about five times as much as I like Jon. I’ve not reached the conclusion I have because I think she’s not capable of being AA (currently, I think she’s a whole lot more capable than Jon). I’m only judging based on where I think the story and evidence gestures

I agree that there’s potentially problematic subtext in introducing Dany, a young girl who subverts the typical ‘chosen boy’ narrative by fighting every adversity to be a hero for the ages, [edit - forgot the other half of the sentence orz] only to say actually nah it was special boy Jon all along. It’s difficult to say exactly how egregious I’m going to find it when that comes to be because I don’t have the material to judge, but I fully understand why people find the idea of Jon Snow as AA such a deeply frustrating idea, and I may well share in that frustration when it comes to it

Again: I’m engaging in good faith, so if you want to discuss, please afford me the same. We are discussing a fantasy series

[menelaiad]

Hi! I know your favorite character is Menelaus (mine too) and I wanted to ask you, what is your opinion about him in Euripides’ Oresteia? And in Euripides’ Helen? Because as I see, the Homeric Menelaus is a little different, and Euripides didn’t despict him as a nice character.

Thank you for your answer in advance! :)

hi, there!

heck yea! fellow menelaus stans unite, let's make jackets or smth.

UHHHHH i spoke about this a lot in my recent MA thesis and it's the foundation for my phd (or at least a big chunk of it) and yes i'm sorry this bitch is going off about her academics again.

so. euripides was athenian and it's fairly safe to say that the athenians altered menelaus characterisation on a HUGE scale and it was mainly euripides as he wrote the most works featuring him. and it's also fairly safe to say that euripides didn't like menelaus OR helen OR hermione simply because they were spartan and given the context of his time, he couldn't really be pro-sparta. so, he used menelaus' family in a myriad of ways to just mock ALL spartans and spartan culture. i won't go into that too much now and i'll focus specifically on the plays you asked about! :)

ORESTES (i assume you meant orestes? aeschylus did the oresteia but euripides just did this one?): so here we see .... menelaus being not very great with his family. but not in a mean way he's just .... useless .. coward like almost? he's a big fence sitter tbh. he doesn't wanna get involved in orestes' shit and that is painfully obvious. again. that's meant to make menelaus look shitty that he doesn't care about his family and his brothers death and his nephew literally having visions of hell BUT. personally? i dont blame him ASDFGHJK. man just got his wife back. got home. dealing with grief and loss and survivors guilt and maybe ptsd and shit .................... and then orestes turns up like 'help me fix my problems' BRO HE GOT HIS OWN DAMN PROBLEMS. and THEN they're like 'ok uncle that's cool. we're gonna kill ur wife and daughter though' LIKE LEAVE THE OLD MAN ALONE. i LOVE menelaus and agamemnon's dynamic. so i'm not saying menelaus didn't care about aga and aga's family. im NOT saying that. but (and i KNOW its my modern perspective) i can see why menelaus couldn't be arsed. and he wasn't even mean about it? he was just nonplussed. AGAIN the ancients would have HATED that, but my modern ass can relate tbh. and lets not forget. he's caught between a rock and a hard place. if he helps orestes, he risks greek wrath. which (in this play anyway) is already strong enough against him cause of helen and troy. so like. euripides has kinda put him in this impossible situation and then makes him the 'stupid funny lazy ass not helpful uncle' guy when he just backs out. which i think is unfair. AND TO TOP IT OFF. APOLLO COMES AND THEN TAKES HIS WIFE. AFTER EVERYTHING HE DID TO GET HER BACK. justice for this old man i s2g.

HELEN: OH HERE WE GO! SO helen is often referred to as a tragi-comedy which i think is very accurate. and euripides is using it to condemn war as a whole (athens had recently suffered a big loss) like if helen wasn't even in troy what was the point of the war? he makes menelaus very .... pathetic, for lack of a better word. and helen seems to take the reigns in their relationship, which would have been a huge no-no to the athenian audience. it would have made helen look domineering and unmanageable and menelaus weak and foolish. he also has menelaus cry a lot. cry and lament his losses as a king. again, the athenians would have hated a man crying. a GREEK HERO crying. but we have our 21st century vision and tbh ................ menelaus is fantastic in this play. he is so. real. he is so human. he is a man who is tired. who is lonely. who is heartbroken. a man who meets his wife who isn't his wife but actually is his wife ... and we're supposed to laugh at him because he's confused? he gets lambasted by so many characters and it's supposed to be funny and i think it is! i do think menelaus in helen is just .... an incredible character. he's so funny. he's so NORMAL. he reacts how you would expect a man to react. you see so many menelaus' in this play. menelaus defeated. menelaus in love. you see a menelaus in action when he comes up with the plan against proteus but also a man who respects his wife and knows when to shut up. i, much like the athenians back then, do have a giggle at menelaus in this play. but i don't hate him. it makes him all the more endearing to me and i love him.

these two menelaus' are (shockingly) two menelaus' that i like! i love helen's menelaus and i'm indifferent to orestes' menelaus tbh. but i think they're fine as portrayals and they make sense to me!

overall, me and euripides have a complicated relationship. some of his menelaus' i cannot tolerate. and some i adore. and i can actually connect his helen menelaus and his iphigenia in aulis menelaus to homeric menelaus. they're not identical by any means, but the way he behaves and his choices and stuff. you can see homeric menelaus in there somewhere, which is why i love them so much.

[oodlyenough]

apollo justice: ace attorney thoughts

over the weekend I finished playing AA4 so I wanted to try to put my thoughts in order. much to think about etc

spoilers for the whole game obv, but i haven't played AA5 or AA6 yet so any mention of those are speculation lol

I had heard some pretty mixed reactions to AA4 and I had a lot of reservations going in. It's also probably the AA game I've played that I've been the most spoiled for, which is a shame but probably an unavoidable consequence of waiting for the port while engaging with the fandom. I don't usually like being spoiled but I think knowing the broad strokes of what to expect actually helped here. I can imagine an AU where I blitzed through the first trilogy and onto 4 with no idea of what was coming and being... very upset and disappointed by the direction it took. Having several months to brace for things like Phoenix's disbarment, the 7 year gap, Trucy, etc definitely softened those blows and made me more amenable to them than I would've been otherwise.

Cases

For the most part I thought the puzzle solving was good and the pacing was solid. The puzzles were mostly challenging enough to be satisfying to solve but not so challenging as to be infuriating, and I don't think I needed a walkthrough at all. 4-1 is one of the best tutorial cases in the franchise so far (though I'd give the edge to 3-1) and 4-4 was a really cool finale. The middle two cases tbh I also found fairly charming, and there's usually a least one case in the middle that seems to drag forever, so that was a pleasant surprise. I played Investigations 1 right before this, and I thought both the puzzles and pacing in that game were frankly horrible, so AA4 won a lot of points just with that.

I did think Turnabout Corner and Serenade would be more relevant in the grand scheme of things. The half-spoilers I knew had me expecting a much bigger web of conspriacy than we ended up with -- I expected it to be more than coincidence that Phoenix got hit by a car, more than coincidence that the Borginian egg coccoons are related to poison etc ... like... I fully assumed this was going to tie into the atroquinine plot. But I guess not ... ? Lol

Characters

The new main cast are all very likable, despite my initial reluctance to have a new main cast to begin with. Klavier was an interesting change of pace as prosecutor, in that he wasn't particularly antagonistic outside of the court, nor was he particularly preoccupied with winning, but he was still fun and challenging enough to face off against. Trucy was fun and delightfully bonkers as all assistants should be. Apollo's longsuffering exasperation was hilarious. Ema is the BEST I loved having her as the detective I wish she was there all the time.

I loved Beanix, for the most part. I can see why he rubs some people the wrong way, and tbh I'm glad his last canon outing isn't ... this. But I didn't find him wildly out of character, or at least, when he was feeling "out of character" vs the trilogy it made sense given the intervening events. I also thought it was fun to see him from the outside and see what a galaxybrain 5d chess master he is. I do wish we'd gotten to see more genuine moments of him with Trucy.

Kristoph was fun as a villain, though I have to say fandom led me to believe he was much more of a mastermind puppeteer than he seemed to be in reality. I was expecting a whole decade worth of conspiracies! Instead he fucked up once and struggled to fix it for seven years, lol. I also found the Kristoph/Phoenix relationship a) very fascinating, b) not really what I'd been led to believe by fandom (shocker). I like the canon more though -- I like that instead of being a retread of the Dollie betrayal-from-someone-you-love it was two guys who hate each other being forced to play nice as part of their own schemes.

Criticism

I think it's fairly obvious AA4 was meant to be a soft reboot of the series, to pivot away from the trilogy cast and set up our new heroes in Apollo, Trucy, and I guess Klavier. I think this is probably the entire explanation behind Maya and Edgeworth (and others but lbr those are the big two)'s conspicuous absence... but that doesn't make their absence any less conspicuous. I can squint and forgive neither of them being there when Phoenix is accused of murder, even though I find that insane. I can squint around Maya maybe being off in Kurain during the Enigmar trial, even though I think they could've used a line of dialogue to explain it. But then we started playing past-Phoenix for huge portions of investigation and that started to fall apart for me. Sure, maybe he's pushing his friends away because he's depressed, or maybe he wants to keep Maya out of things because he thinks it's dangerous, or whatever -- you could at least throw in a line or two saying as much. Not mentioning them at all and setting AA4 so closely after AA3, where Phoenix fell through a bridge to save Maya and Edgeworth chartered a private jet, just feels ridiculous.

I also think, at the end of the day, the story here was focused on and pivoting around Phoenix. The core question of the game is "what the hell happened to/is up with Phoenix Wright?" I love Phoenix, so that alone isn't a negative -- except that I think it meant Apollo, Klavier and even Trucy felt underwritten. Trucy and Klavier have such personal stakes in the unfolding events with the Gramaryes and Kristoph, but we only spend a little time and hints on how that might influence Trucy, who mostly falls into the AA weird girl pattern of brushing off major trauma instantly. (Maya got this a lot too in the original trilogy.)

Klavier ... I like Klavier, but they did not do much with him. How did he feel about Kristoph going to jail? He doesn't seem to hold it against Apollo, which is uh, noble, but perhaps not believable. He says he values honesty and truth but do we know why?

Apollo, likable as he was, felt like a passenger in his "own" game, rather than a major character. He doesn't even solve much of the stuff happening in the big overarching mystery -- he is Phoenix's avatar in court, presenting evidence and clues Phoenix left for him. Unlike Trucy and Klavier, who I am pretty sure take a back seat from now on, I guess Apollo still has two more games to try and flesh himself out ... lol but I also know fan reception of those two is not great, so my expectations there are minimal.

Overall

A really solid game that I enjoyed playing, though I can see why it's controversial and not some people's favourite, if they really loved the trilogy. I think it's debatable whether this was the best/only way to continue the series after AA3. And I am excited to read and write a billion 7 year gap fics now.

[crguang]

Okay sat, I might’ve forgotten to my anon mark at the end of my last message aand I’ve reread part 4 like 5 times, but still, 

what the fuck, literally was thinking abt it in all my classes. And I will be yapping, as I guessed.

First of all, fuck Kafka really wish I was tbh she is so annoying, like just assuming r isn’t that upset, like they’re just having a little argument when r is grappling w the fact that they fell for a criminal, and literally killed their coworkers and a ton of other people, she is pissing me off. Also the stuff abt Kafka and her nihilism…giving me some thoughts. Btw have himeko and Kafka encountered each other in this, or has Himeko just heard abt her? And shes so nice, calling r everyday and being so understanding…

I can’t imagine what Kafka did when she found out she got blocked. Her going to text u and then realizing she’s blocked…kafka pausing when she sees that r blocked her. Kafka waiting to get unblocked as she orders gifts for u, who keeps checking her phone for messages from u as she sends more gifts, reminiscing abt when your first met in the store, silver wolf and blade noticing how Kafka seems to be waiting for smth, Kafka who decides to text you on an encrypted number to see how you’re doing, Kafka who sees that she isn’t forgiven and orders so many fucking flowers bc she didn’t know ur favorite. Ugh I can imagine her bringing all of them into r’s house, god she’s pathetic, I need to kiss her so bad so she shuts the fuck up.

anyway I may or may not have started writing a Kafka fic 👀 tbh I don’t rlly read romance novels so idk how the typical academic rivals thing usually works, trope wise. For some reason I keep fixating on her fucking nails. Like to me, she has them manicured all fancy, but Im fairly certain shorter not manicured nails are better for fingering. On her violin ofc, obviously. I played cello middle and high school, and I kept them long, bc I liked scratching people don’t ask I was a strange kid, but I feel like she’d keep them short bc she’s rlly serious abt it. Also Kafka is so dislikable, her ego is so big, and she’s always calm, like if she didn’t look like she was trying and still top of the class it’d piss me off too 😭

Also in the wardence event rn, I haven’t played it bc I’ve been sleeping or smth like that, but silver wolf shows up 😭 like ik it makes the most sense, since she has holograms but Kafka showed up as a hologram once ok 😭 but what silver said is like “i heard u we’re joining the wardence, and two whose names I won’t mention insisted I go check on you. Why couldn’t they do it themselves.” Ugh Kafka is so obvious it’s actually gonna kill me. And yes wtf couldn’t Kafka have showed up, she’s worth like 11 billion, so ik she can’t show up all the but cmon. 

-🌠

hehfjfjgjfjfj posting a new chapter and having ppl go “man fuck kafka” is funny as hell because honestly, yeah, fuck her😭 i think it was important for me to portray how her personality can be irritating in certain contexts and how being with her really wouldn’t be bliss all the time cause she doesn’t deal with emotions much, and that includes others’. she’s not totally detached from them which is why she does try but it’s very clumsy. it’ll be elaborated on in the next part but in her mind she really has picked the best outcome here and even if she was acting in her own interest, she was protecting R, she’s just an information hoarder. being on the opposite side means you dont know wtf is going on in her head and cant explain her behavior as anything else but “she doesn’t give a shit about me”. it’s an interesting situation to write that’s for sure but im glad that her efforts, though genuine, make yall feel irritated bc thats the point hehe

what i wrote about kafka’s nihilism was not entirely true, and i did it on purpose because R doesn’t know her. i do think that nihilism/finality creates a certain distance between her and accountability. when you tell yourself that this outcome was always a possibility, that it could have happened anyway, the choice you make is no longer fully yours which means that the consequences aren’t fully on your shoulders as well. i think that makes it easier for the stellaron hunters to do what they do, that and the goal they’re working towards that is supposedly the best outcome for humanity. but kafka is anything but passive. she is not “subjected” to things, she has an active role in her future and the ones of the millions of people that it touches within the constraints of destiny. i think with nihilism it’s easy to fall into a state of learned helplessness, where you suffer through the things happening to you because “nothing matters” and “it was going to happen anyway”, but kafka is not like that at all. “if destiny doesn’t propel me forward, i’ll be the one to push destiny”— this is what she does, so describing her as a drop in the ocean isnt entirely accurate because she’s making waves. R will learn that

himeko and kafka have crossed paths canonically before the trailblazer so it’s the same in this. i like that himeko has an opinion of kafka that has been cemented through their brief meetings over the time. in that one “keeping up with star rail” where kafka’s kit is presented, hime has a lot of shit to say about her 😭 all bad. she’s also aware that kafka plays mind games in it so really for her to hear “kafka manipulated me” was like “fork found in kitchen” there’s no surprise there. one of my favorite qualities in hime is her understanding and ability to understand multiple perspectives at once, it develops her already deep empathy and its just very admirable. shes a very soft character, i love her

AND YESSSSS SHE DEFINITELY REACTED LIKE THAT TO BEING BLOCKED HDJFJFKKG she stared at her phone like “oh. they’re really mad” and decided to give them a few days to cool off which is why she sent the first gift and after that she’d be wondering whether to text you or not for like a week; would open her phone, type in your number, pause for ten seconds then go “they’re probably still upset” and send another gift. silver wolf would be like “damn youre on your phone as often as i am. whats wrong with you” and firefly’s eventually the one telling her to go there herself to apologize and not wtv tf shes doing which is why kafka finally texts 😭 shes funny asf. the sheer ridiculousness of ordering hundreds of flowers and taking over half an hour to place them inside your apartment (that she technically broke into) to surprise you is so patheticcccc i would have swooned a bit im sorry. like omg youre pathetic get out of my house but also kiss me before you go… “forget it i’ll just get all of them” can she die 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

aaaaa im glad you have time to write the academic rivals au!! typically people have the rivals work together in some sort of assigned group project to force them to interact together but you can go about it differently, like one of them’s practicing for a big piece and the other gets to the practice room too late but but the others are taken and they have to practice the same thing anyway so might as well. or the mc is struggling and kafka happens to pass by and give her some (snarky) pointers which turns into her showing her how its done and the mc actually learning from her (which would make me homicidal). they could also just happen to meet outside of the school context and start developing a new relationship that way. do what feels right!! and yeah, kafka’s nonchalance makes it seem like shes effortlessly good when in reality she takes that shit seriously and practices often😭 it’d still piss me off tho idc

silver wolf showed up in the other event and its just so ridiculous how they always have her everywhere man😭 like fine she’s always keeping up with new games coming out and shit but would it kill them to show kafka once im gonna tear my hair out, we even got to text firefly during the wardance like im gonna screammmm. but kafka and her sending SW to check ip on the tb is so stupid they care so bad😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 typical of kafka not to show or text herself i need to strangle her. the lufou hates her tho so it’s WHATEVER.

[huellitaa]

bee's record player: march edition. 🎀𓂃 ࣪˖

──★ ˙ ̟🎀 !! notice !! ♡

surpriseee <3 wanted to try and add a little of my personal influence to my girlblog since music is literally my entire life & thought it might be funny to show u all what makes up the chaotic glittery mess that is my brain (and because there are almost 1000 of you beautiful people following me whatt?? thank you😭). i've allllways wanted to do smth like this too so, here u go !! 🩷💗

(+ this is a way for me to rant about my interests without being annoying to my friends / moots 😭. to anybody who has listened to me rant or cry or scream or whatever over music ily guys mwa)

──★ ˙ ̟🎀 NEW ARRIVALS

goddess, laufey

♡ released march 6th, 2024

♡ single

♡ running time: 4 minutes 28 seconds

eternal sunshine, ariana grande

♡ released march 8th, 2024

♡ full album / LP

♡ best songs: supernatural, the boy is mine, we can't be friends (wait for your love), intro (end of the world)

♡ running time: 35 minutes 33 seconds

unheard, hozier

♡ released march 22nd, 2024

♡ extended play / EP

♡ best songs: too sweet (i adore this song.)

♡ running time: 13 minutes 59 seconds

super real me, illit

♡ released march 25th, 2024

♡ extended play / EP, debut! ♡

♡ best songs: magnetic, midnight fiction

♡ running time: 9 minutes 36 seconds

──★ ˙ ̟🎀 BEE'S TRACKS: TOP 10

♡ 10. my world, illit

girly girl song!! i've been obsessed with illit's whole super real me album, their debut is soo good oh my gosh. its criminally short but i seem to have listened to it a lot !! 😭

♡ 9. we can't be friends (wait for your love), ariana grande

i have SO MUCH to say about this song but it resonates with me so much in so many different ways and i just. oh my god. ariana i love u so much

♡ 8. we got so much, le sserafim

k so i initially didn't really like this song but... it's grown on me. a lot. since it first came out. um. it's pretty simple honestly and it's just really girly girl it makes me feel like a school girl i love it

♡ 7. this is what makes us girls, lana del rey

girlblogger anthem!! okay confession i did not get into this song until LAST MONTH. i know. it's terrible and i am ashamed i am so sorry. but i have formed such a strong emotional attachment to this song its crazy i adore it

♡ 6. imperfect for you, ariana grande

exposing myself pt.3 i was in a really big depressive slump for like one half or more of this month actually and this song helped me so much i can't 😭 i love you ari

♡ 5. the boy is mine, ariana grande

(are you noticing a pattern here yet) um another ariana grande song no lol um idk what ur talking about haha 🥰 this song is so twerkable im sorry i wasnt a fan at first but im obsessed i need to stop

♡ 4. smart, le sserafim

no words. once again wasn't a huge fan originally but oh my god im obsessed w it now. afrobeat type of songs are, will, and always be top tier and i will die on this hill. (i've been SO OBSESSED with le sserafim lately but i think thats fairly obvious here😭)

♡ 3. eternal sunshine, ariana grande

i adore this song oh my god. its become one of my favs of all time since it came out. this was on loop for HOURS when i first heard it and its such a comfort song for me. it shows her growth so beautifully and there's so much about it i just absolutely adore like i could write a whole essay on this song and still wouldnt be able to express how much i love it

♡ 2. magnetic, illit

illit was bound to pop up here again this month tbh ok so me and my bsf were listening to this on loop the entire time at school a little after it came out like we were sitting in the front row of our class and were still watching the magnetic mv under the desk on her phone. so in love with this song it makes me so happy n feel so cute i ahh <3

♡ 1. supernatural, ariana grande

SUPERNATURAL IS THE SONG EVER. first day it came out i listened to the album and this was on loop constantly for the next week or more. it's made it up to my top 10 fav songs of all time ever and i listen to A LOT of music. this song is my life<333

──★ ˙ ̟🎀 ALBUMS

♡ 1. eternal sunshine, ariana grande

fairly self explanatory. i love u ari. there was soo much ari this month bc ive been a diehard ari stan since i was 8 and have never looked back. since yes and released in january i have been ecstatic about ag7 releasing in march after 4 YEARS of no ari so this was MONUMENTAL for me 😭😭 THE DROUGHT IS OVER ARIANATORS RISE 🩷🩷🩷

♡ 2. super real me, illit

so basically the day this album came out my best friend was spamming me about them and i only listened to them like 2 days after cuz she was annoying me about it and OH MY GOD. i listened to them and then proceeded to loop the whole album for the next 72 hours 💗 and for a debut as well is amazing ily illit girlies

♡ 3. with you-th, twice

so i wasn't much of a fan at first bc they just sounded really similar and bland to me but its grown on me a lot since it came out and i've been listening to it so much throughout the entirety of march. its just so oddly comforting in a way and feels like a hug in music form (+ rush and bloom are the best songs argue with the wall)

♡ 4. easy, le sserafim

self explanatory. i'm obsessed with le sserafim at the moment and this album is everything to me. ass shaking album 10/10

♡ 5. k-12, melanie martinez

i have been revisiting one of my fav albums of all time this month and its as amazing as always. this has been my favourite album of all time since it came out and i will never ever get over k12 🩷 10000/10!!!! <3

──★ ˙ ̟🎀 ARTISTS

♡ TOMORROW X TOGETHER

♡ TWICE

♡ LANA DEL REY

♡ LE SSERAFIM

♡ ARIANA GRANDE

──★ ˙ ̟🎀 SPECIAL MENTIONS

♡ happy 1 year to portals by melanie martinez! oh my god this album helped me through all of 2023 and i went to see her on tour in london for my birthday last november and it was surreal. she's amazing. i adore her and this album (i have it on vinyl hehe) and love it SOO MUCH 💖

♡ expect ordinary things by ariana grande to be high high on my top 10 next month its been on loop for days now im obsessed

♡ there's going to be a LOT in next month's issue seeing as 2 of my all time favs are coming back next month, so prepare for that! so excited ahh <3 (one has already released at the time of writing this. prepare urselves.)

──★ ˙ ̟🎀 EDITOR'S NOTE

this was SO FUN oh my gosh. i am 100% making this a regular thing~ lmk if it was entertaining, improvements needed, artists / albums you'd like me to keep up with etc, or just general comments, ideas, reviews and so on. thank you so much for reading, this was so fun! look forward to next month 💗🫶💖

lots of love 💘

[susansontag]

for people who have read the neapolitan/my brilliant friend quartet, I have a question: how do you interpret the moment in book 3 where professor galiani humiliates elena in favour of lila?

I was reading about people interpreting this moment in the show on reddit, and was struck by all the differing viewpoints. the two most prominent ones focus on lila and her two opposing reactions to elena's dismissal by the professor, publicly trying to make it seem like elena looks down on her by saying to galiani that she didn't invite her to her wedding, whereas outside afterwards badmouthing the galiani family and telling elena she noticed how awfully they treated her. iirc, lila also uses this moment where she seems to be on elena's side to chastise her for placing so much merit on what the educated galianis think and do, further complicating the issue of exactly what lila is thinking at this moment and whether she's trying to play both sides.

one viewpoint is that lila isn't fooled by the professor and thinks she's merely complimenting her as a means of humiliating lenù, and is sincerely on elena's side. the other viewpoint is that she sincerely liked being complimented and focused on, and even partly enjoyed her more educated friend being put down and dismissed by someone she cared about, whilst also simultaneously realising she should feel bad about this, hence the cold comfort she gives lenù afterwards. I think there's merit to both of these viewpoints and will say that, whatever is correct, I do think lila sincerely dislikes professor galiani but also, like most people, loves being complimented.

but what really gets me is: for what purpose does professor galiani treat elena this way? so much focus on lila, the enigma, but not enough people asking why galiani is being such a dick lmao.

I myself wonder if we're supposed to view this moment where elena's mentor (professor galiani) puts her down as parallel to the one in their teenage years where lila's mentor (maestra oliviero), puts lila down. in both cases, we have an educated mentor showing disapproval towards one of them for various reasons. with oliviero it's obvious as she clarifies to elena later—she thinks lila's intellectual talents have been wasted and is disgusted/disappointed at her having become a housewife with, in her opinion, nothing going on in her head. with galiani it's much less clear, but I wonder if we're supposed to use the earlier instance to help us interpret it—when galiani snidely remarks about how elena has 'married well', are we supposed to interpret this as judgement of her, who held promise, effectively resigning herself to the role of a wife and mother (ironically, exactly the same judgement that lila received)? are we supposed to interpret her favouritism towards lila sincerely, so perhaps we could say she views lila as dynamic, involved in the class struggle, whereas elena has chosen the stasis that comes with the role of being a housewife? (interestingly, later on mariarosa similarly says she can't believe elena stayed with her brother and had children with him, a fairly similar view of elena's choices). this once again opposes oliviero's earlier assessment that lila 'chose' stasis and to remain inside the world of the neighbourhood, whereas elena was able to escape it through education and thus was in motion. so they change places, mirror each other, etc, during various moments in the story.

someone else on this reddit thread said that, to them, galiani's comment about marrying well was actually her being jealous her own daughter (nadia) had not done so, but tbh I think that's a misinterpretation of galiani's cutting intent with that remark. I think she's genuinely expressing disappointment and dissatisfaction with elena in some way.

we obviously can't take lenù's assessment of lila's intentions too seriously without understanding that she is prone to reading competition and jealousy into their relationship due to her longstanding feelings of inferiority in that dynamic. but how do you guys interpret both lila's and galiani's viewpoints and intentions during these moments? was lila sincere? was galiani sincere in her praise of lila or did she only want to hurt elena? really curious to know what people thought of this. also note I haven't finished book 3 but I'm close to doing so.

[glimblshanks]

It's actually kind of odd to me that even in lower decks, where the main characters being low-level workers is literally the point, we never see enlisted starfleet members.

The warp core four are all ensigns. They're still officers, even if they're junior officers (and tbh, a lot of the work they do is actually work that should be done by noncommissioned petty officers, not ensigns).

This makes some sense for who the characters are. The daughter of a captain and an admiral is obviously going to attend the academy and start out as an officer. Similarly, the heiress of the 5th largest orion syndicate family simply isn't going to be enlisted, I don't care how egalitarian and post-scarcity your utopia is. And someone like boimler who's main goal is to become captain would need to be an officer to achieve that. These choices make sense for the characters in question.

But it does feel weird to me that we never see enlisted members in a show that is literally called lower decks. I mean it's confirmed in multiple episodes of TNG and DS9 that starfleet has enlisted members (which of course they do, starfleet is literally just U.S. Navy In Space) so that seems like an obvious thing to include in the show.

I think the actual reason for this is probably just that mike mcmahan didn't grow up in a military family, learned everything he knows about military rank from star trek, and then when he was first storyboarding and googled navy ranks it was officer ranks that came up first.

Like I'm fairly certain, based on every interview I've seen with mcmahan, and also some of the plots in lower decks, that he just isn't a guy who knows a lot about the military. But honestly, I think that's kind of a bummer because you could milk a lot of comedy out of there being an even lower lower decks that the main four interact with.

[alt-wannabe]

MCSR D&D

Couriway time!

Order of Scribes Wizard 15

I'm havin a little trouble with fulham's sheet so if anyone has any thoughts or suggestions about that lmk! Either way ill try to have his character sheet posted tomorrow!

More under the cut like always :) thanks for showing interest yall!!!

Wizard is lowk my favorite class in the game so I was super excited to make one! I ended up making couri an aarakocra in order to give him a fly speed but in my mind he's just a human lookin guy w/ wings and not like a full bird-person.

Here's his spell list! I was a lot less focused on picking minecraft related spells here and focused a lot more on general versatility (IE making a wizard without shield or mage armor would be very bizarre, especially once you clock that couri's AC is ELEVEN). Some of the things I did specifically pick out with couri in mind include scrying/locate creature (scrying is sorta like finding the stronghold and locate creature acts as finding spawners) and tiny hut (this was just me thinking about his house on HBGSMP).

Here are the items I gave him! The spell focus I picked was an orb cause it reminded me of an eye of ender. He also has 16 pearls and 5 rods (even though they're definitely not created with the minecraft counterparts in mind lmao). I'm gonna be real I gave him the eyes of charming almost entirely because they look like a pair of big round glasses. Similar logic behind the circlet of blasting- it's a crown. The boots are pretty much just a speedrunning reference and I hope staff of WITHERing is also fairly obvious lol. The robe of eyes is a little more interesting. It's basically what it says on the tin- a robe covered in eyes that allows you to see in every direction at all times. This seemed fitting for couri based on just the sheet number of seeds he runs, being aware of your environment at all times holds extra importance when you run than many different worlds.

This book is why I ended up going with order of scribes as his subclass. You cannot tell me that this thing isn't his chat. It's a little sentient book that follows him around!

Finally these are his feats! TBH basically the entirety of my reasoning behind picking telepathic is I needed a +1 boost to intelligence to get him to 20 for that stat lmao. Skill expert also seemed fitting in like a "practice makes perfect" type of manner again because of the sheer amount of no reset speedrunning he does.

This character sheet had a lot more of choices based on vibes alone than either fruit or fein's did, but I hope yall still see the vision lol. Fulham's sheet coming sometime tomorrow! (if I remember to post it)