#it really does explain a lot

[quinn-fucks-shit-up]

so I decided (like a foolish fool) to take a little break from Ace Attorney: Apollo Justice to play a some Persona 5 Royal (a great game in every way)

but I was taken quite aback halfway through as there was a bit of dialogue while doing (spoiler) Sae Nijima(a prosecutor i would love to argue with)s palace that claims in Japan 99.9% of all trails end with a guilty conviction (100% true btw, look it up)

now this is just my opinion, but I feel that info should be more known to AA fans because that explains SO MUCH

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[unknownspecies]

if i had a ship name with gojo it would be goya which honestly explains our dynamic

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[the-magpie-collective]

Wyll seems to be the only companion who intentionally and repeatedly uses the mindflayer tadpole to communicate. I did a quick search through the dialogue files and the only other instance I found was at the beginning of Act I, when Lae'zel is captured by the tieflings, she'll use the tadpole to demand you free her.

And yet, Wyll is one of the companions most against using the tadpole's powers. Arguably, I'd say he's more against it than anyone save for Lae'zel. Which is why I find it so interesting that out of all of companions, Wyll is the one to latch onto and make use of this facet of the tadpole's powers.

The first time Wyll can use the tadpole is when Mizora bids him to rescue Zariel's asset. If the Player succeeds on their perception check, they can bargain with Mizora to free Wyll from his pact. Wyll link his mind with the Player's Character in panic, demanding to know "What are you doing?"

Then again when Wyll is finally reunited with his father, he uses the tadpole to show his father why he pacted with Mizora. Instead of explaining in his own words, he shows him the cultists as they attempt to summon Tiamat into Baldur's Gate. He'll do the same for the Player Character if his father isn't saved, even when he is freed from his pact and could say it in his own words. If the PC refuses to let Wyll show them, he will explain it, but clearly prefers to use the tadpole.

Finally, Wyll will also use the tadpole to bid farewell if he has a falling out with the player character, telling the player "Godspeed, and may your journey be true."

For Wyll, who had spent the last seven years under a devil's thumb, this narrative choice to use the tadpoles to communicate is telling. One thing all of these scenes have in common is that they all emotionally charged moments. They are also moments in which, in my opinion, it is very important for Wyll to convey his sincerity. Wyll has spent the last seven years always dancing around the truth and now here comes along a power where not only can he tell the truth, he can show the truth as he sees it, so that there is much less risk of being misunderstood. A power like that has to be irresistible.

Just another thing I wish was explored more in depth in game.

Edit: Thank you to everyone who pointed out instances when other characters also use the tadpoles to communicate <3

Turns out Wyll/Lae'zel's writer is the only one who bothered to use proper tagging in the dialogue system ('MINDMELD' if you're curious). This is why I can never find what I'm looking for in the dialogue files smh

[egophiliac]

Waittt, what did you mean with your last post?? I don't want to spoil myself so I'm waiting for the nightmare before christmas event to arrive on the eng server before diving deep into the wiki. But I HAVE to know; were there hints of Lilia joining in for a rerun or a sequel ??? Your big "OR IS IT???" filled me with way too much hope !! please tell me it wasn't a bit : (

there was a little teaser at the end that implied there'll be a sequel event, though we don't really know anything beyond that! I do think it's likely we'll get the other half of the cast in it, even if it's just wishful thinking on my part. 🤞🤞 NIGHTMARE SUITS FOR EVERYONE!!!!

as far as I know there's been no confirmation on whether it's going to be next year's Halloween event or a separate thing (the snow makes me think it'll be more Christmas-themed, or otherwise more related to the plot of the original movie) so. we're probably going to have to wait quite a while before we find out anything solid. :') they really do love just dropping these things on us and then watching us go absolutely wild with speculation while they watch like

[imagoodone-iswear]

and now for the people in the back:

NARCISSISTIC ABUSE DOESN'T EXIST!

WHAT YOU MEAN TO SAY IS EMOTIONAL ABUSE!

STOP DEMONIZING AN ENTIRE GROUP OF PEOPLE (thats a TON of ppl btw) WHO HAVE NO FAULT OF THEIR OWN IN DEVELOPING A DISORDER CAUSED BY ABUSE AND TRAUMA IN AND OF ITSELF!

YOU ARE ONLY DOWNPLAYING AND DISBELIEVING EMOTIONAL ABUSE WHEN ITS JUST AS TRAUMATIZING AS ANYTHING ELSE!

if you use 'narcissistic abuse' as a legitimate category then you also have to acknowledge 'autistic abuse'! you cant use one but then discard everything else because suddenly "that doesnt exist"!

you want to be the good guys? then maybe stop demonizing people who also just have a disorder. im not excusing harmful behaviour or trauma, we all make mistakes, even egotypicals. what i want is for you to stop grouping in every bad experience or interaction with us!

try to understand and help, not demonize. mocking, triggering and putting down narcissists for their symptoms or disorder will never move anyone to get help!

[horreurscopes]

my guy pretty like a girl & he got fight stories to tell; i see both sides like chanel

[r0semultiverse]

FINN HAS A KID?!

4?!

Jake?! 👀

5?!

Finn's kid on the right looks a lot like the more human version of Huntress Wizard shown in the series trailer. 👀

[phan-meme-trash]

I think part of what makes heartstopper so good is because it’s written as a backstory.

Alice already had nick and Charlie as an established loving supportive couple written as background characters in tori spring’s story (solitaire)

This isn’t a story of will they won’t they or even a dramatic story of getting together. We already know they end up together. And we know they stay together happily. Instead, Heartstopper is an exploration of how this couple built their strong and beautiful relationship starting from when they met. Alice has said that the “getting together” part of relationship stories is the least interesting part in their opinion.

And I think that mentality is what makes the story so rich and meaningful. It’s the story of how a healthy long term relationship is built over time and how it grows.

I love Nick and Charlie’s story. And I hope it can model a healthy relationship to young people out there who-like I did- subconsciously learn a lot by watching tv and movies.

[sea-jello]

hong kong miku,,,

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[rain-on-wax-feathers]

nonhuman burr, washington, and eliza!!!

[korkorali]

I think the worst bit for me about all Those Sorts (you know the type) of fics is that they always take Della extremely out of character in order to make her the 'antagonist.'

And that sucks because it's just not necessary! It's the worst because you can have Della & Louie angst where Della's the 'antagonist,' and it's in-character.

You just have to have Louie be wrong in the end (kind of).

The reason why Della and Louie clash in Timephoon and Glomtales! isn't because Della 'disapproves of scheming in entirety' or something, it's because she's done the same goddamn thing as him.

(And side note- Timephoon is honestly an amazing piece of storytelling, because it allows us to see Della's thought process for taking the Spear of Selene by showing us Louie doing pretty much the same thing.)

She's been through it all before, and she knows how it ends.

And that fucking terrifies her! The idea that one of her kids is making the same mistakes as her, could go through the same thing as she did, and she's the only one who can see it, is terrifying.

The way to start out a story like this is simple; have an adventure go wrong. Not in a deadly way, not in a way that's caused by Louie (at least, not that anyone but him notices), not in a way that costs anyone their life- but in a way that causes them to lose the treasure. The adventure is a failure, and they have to come back empty handed, like New Gods on the Block.

Maybe some people get hurt, maybe it's vaguely Louie's fault (and even then- it'd be better if it wasn't even his fault, it's just his brain connecting patterns where there aren't any), but the most important part is that they don't get the treasure, and it's like- one of those ones that can only be found once every hundred years or something.

Louie feels responsible (I mean all of the kids do, but as it'd be a Louie story he'd be the one focused on) and upset that they want to all that trouble and don't have anything to show for it, so he tries to figure out some way to go on the adventure again.

Turns out, after a bit of research, there is a way to get to the treasure again! Louie brings it to Scrooge's attention excitedly- but Scrooge turns it down. Says it's too dangerous, that they're not doing it, end of story.

...Not end of story- everyone's still obviously miserable. So Louie decides that 'okay, if it's 'too dangerous,' then I'll just go in secret. It'll be fine, Scrooge is just overreacting.'

So he starts trying to put a plan into place to get the treasure in secret- but Della, somehow, seems to know what he's doing (hint: it's because she knows what she'd do if she was in Louie's shoes). And is consistently getting in his way.

And there you go- a perfect setup to have Della consistently and purposefully stepping on Louie's toes, getting in his way, trying to stop him from doing things, and it's even in-character! It'd probably start out with the two acting like everything's perfectly hunky-dory, even though both of them know that the other knows that they know that the other knows why they did this one thing.

As plans get deeper, it'd escalate to Della trying to actively call Louie out, but he always manages to just barely weasel his way out of it, and eventually commence his plan.

It obviously goes wrong. But Della's there to help. And finally she'd actually explain why the fuck she's been something of a thorn in his side for the past few weeks, why it seems like she knows what he's thinking: because she does.

Because she's been through the same thing.

Because she fucked up, and left her stranded on the moon for ten years, and she does not want that for her kid. (And of course everything could've been solved if she'd just sat down and talked to Louie about that at the onset, but it's Della- she only likes to bring up the moon when it's funny. She would've thought 'nah it's fine, I can handle this, I don't need to bare my soul, I shouldn't burden anyone with that' without realizing that oh yeah, no, that's the exact same thought process she doesn't want Louie to think)

And of course they'd argue, because it'd be a high-stress situation and neither of them would have the composure to pretend that everything's alright and they haven't been sniping at each other for the past week or so, and eventually it'd finally come up; eventually, they'd finally bring up that they thought the exact same thing when Louie did this, when Louie took the Timetub, when Della took the Spear.

'...And if anything goes wrong, at least I'm the only one who'll get hurt.' (Because you cannot tell me that that was not the last thought running through both of their heads when they took the timetub/Spear of Selene, you cannot convince me that they didn't think they were doing right by their families in that moment, that they hadn't done their due diligence and minimized risk down to one person.)

And Louie wouldn't understand, because he did the right thing. He minimized risk, he made sure nobody else would get hurt. But that's wrong- because if he got hurt, then Della (Donald, Scrooge, their family, her kids) would get hurt too. That they could fly into a vacuum all they wanted, but at the end of the day, they still didn't exist in one.

Eventually, they'd get out of there and abandon the mission again. Maybe they'd succeed, but probably not. But that's not important- what'd be important is that they were both safe and alive and okay.

There- a Della & Louie thing, extremely angsty, well Della as the 'antagonist,' and it's all in-character. Easy.

[faunandfloraas]

Seungmin saying they changed song by so it would be easier for people to watch and listen and then me seeing people going "Yes! It's good it's on tiktok and shorts now" and I'm like. Oh. You're all so fucking stupid <3