#it just shows in different ways and is for different reasons in my opinion

[greenknighteitm]

Edited: to @holycrapitis i'm going into this with the Idea that Trump is guilty. I am interested in this evidence you say that exists of him not doing these crimes and the evidence of democrat crimes. I will be honest to you, I will fact check it, because of the rampant propaganda everywhere, rMost(I don't think any but I could be wrong. Im being lazy and not reading to make sure) of it directed at you isn't about the charges.

It seems like it's a confusing mess of policies... It seems a felon would need a waiver, not sure how one would get one. But it seems likely a waiver wouldn't work with how many felonies he has, tho I can't say I'm terribly informed on the exact charges to say that with certainty since this was just a quick google.

I would tend to agree with this person but as far as I know people used maruijana could be felons and I don't think those people should be disqualified depending on their other qualites.

Like I think this blank kind of statement does a lot of harm to minorites, which isn't that the kind of thing leftists, even democrats, are trying to avoid?

But it's possible that Trump is legally not allowed for different reasons, I wish it said what ones.

So onto the person I reblogged from.

The majority of people who voted probably aren't Communists, like the cold war propaganda is still very much in effect. And kamala definitely isn't, especially economically, and generally I don't think politicians Democrats are communist and are probably mostly still running on the ideas of the cold war. Theres definitely some outliers who are closer but definitely no elected.

And as the past shows, communists aren't necessarily going to be socially leftist (equality for all, in everything, raise people and lower people to become equal, etc . Because a lot of people who are rich become rich of the exploitation of others. We should give the value back to those who are exploited.) And I'm sure there's people on the social left who think kamala still isnt far enough, which might be.

Hmm there's got to be some words to define socially left other then being equal...

Anyways people know Trump was legally elected, but legal doesnt mean good. As far as I know, which to be fair isn't much, in the echo chambers who want trump to be president the idea was that trump was elected but was illegally changed. But I'm not in those circles so it's possible another narrative was that he would've if Democrats didnt make the votes turn their way, in legal ways.

AFAIK which honestly isn't much again since scrolling down theories on why we lost is psychlogically damaging no matter what side it is or even what it is I think

The theories I have heard say that Republicans gerry mandered the hell out of counties to get the results we got. But idk if that's an actual theory because then leftists are just being hypocrites(which I feel can be a good reaction if you feel like your in danger) about the electoral college since in the situation where its just Gerrymander at fault Trump would have still have the popular vote. So I think a more reasonable theory would be it had an effect, but not to the point where kamala won. The biggest effect was propaganda, in all of its forms. Even from people who don't know they are. If it's content showing a specific opinion, it's propaganda to someone. To educate you need good faith back to back conversation and research between people. At least in my opinion. With that definition intent definitely matters IMO since like an ad is explicit propaganda while a lot of content is implicit propaganda.

TBH I'm not liking this narrative that people who voted for Trump understand the consequences and believe the same things Trump does. Especially if they were like me and tuned out politics when he was elected like I did with biden, which I'm ashamed about. There's too many variables for me to believe that they all hold the same beliefs as trump.

Hold some of them? Believe lies about about both? Both? All the above? Yeah, sure. But I think it's crucial to not stereotype people who think different. It allows for dehumanization I feel which won't help us to grow this nation and have its citizens mature. Not to say the country is immature, in the traditional sense, where I think thats viewed as a bad thing, more that there's more progress to be made and when we think more globally, we realize there's so much more room to grow.

Want to say thanks to @holycrapitis for catching my attention and getting some of my thoughts together. I think when something like this happens, where the candidate you wanted to win doesn't, it activates the same emotions as grief does. So I've kinda been avoiding the topic. I'm sorry to those who were on the other side and got hurt even more by those who won while you were grieving four years ago no matter how much I disagree with you and how much I think these beliefs will hurt this country and my friends and family.

Its a shame I don't see this kind of empathy more. We should always start with this kindness. But it's what tribalism does. It dehumanizes the "them" and says its for the good of all, that it is justified, etc. Its never justified. It only hurts everyone.

[chanafehs]

My Veilguard review:

Note - I will be honest in saying this is very long and very negative. If you enjoy this game please don't let me be the one to ruin that for you and skip on this post. I will be discussing spoilers. This is just my opinion so please don't crucify me for it.

I think my thoughts about this game were shaky to begin with as I had been exposed to different spoilers and information before the launch. I wasn’t actually expecting this game to be amazing but as someone whose favorite Dragon Age game is Dragon Age 2, which is arguably the weakest in the series (until now), I still went in with the impression I would have a good time regardless. I did not have that at all, in fact towards the end of Act 2 and the beginning of Act 3 all I wanted was for the game to be over. 

The problems for me really started right in the beginning with the Inquisitor character choices and their characterization. No choices for your Warden, no choices for your Hawke, and only three choices for your Inquisitor out of the dozens you made in Inquisition. The romance option just felt like a very polite way of asking if you romanced Solas or not, especially after completing the game where your non-solas romance will only get one letter for you to read, outside of that, the Inquisitor will not even mention them. Disbanding the Inquisition meant basically nothing and vowing to stop Solas felt like it had little bearing on what my Inquisitor said when she showed up. 

The time frame to make Dragon Age 2 was just over a year and somehow included more choices from Origins than Veilguard did with over ten years of production. That is the information that's been banging around in my head throughout this entire game. In Dragon Age 2, we get the consequences of our decisions with Alistair’s fate and we get extra dialogue concerning Isabela/Zevran/Leliana/Anders/Nathaniel + some sidequests. Veilguard couldn’t even give us so much of a mention of our Inquisitor’s friendships and the consequences of those friendships outside of Solas. The Inquisitors themselves are locked into one personality type as well, and regardless if you choose to stop Solas or not, they are very amicable toward him. 

During the second cut scene you get with the Inquisitor in Dock Town, they will go on to ask you about your progress and then go on about Solas. Mind you, my Inquisitor is extremely unsympathetic to Solas and I chose the option to stop him no matter what, so why is it that every time I speak to her, she keeps trying to ask me if Solas is being genuine and that he was her friend? That doesn’t sound like someone who has vowed to stop him. They will also try to draw parallels between you, Rook, and Solas. Even at the end of the game, they will still try to appeal to you to see reason with him. That is essentially all the Inquisitor is there for. Incredibly frustrating. 

Throughout the game you will get missives from the Inquisitor detailing the devastation that is being brought to southern Thedas and every letter feels like more and more of an insult. To keep it short: Southern Thedas as we know it has been essentially wiped out. I think that deserves more than a footnote in some missive most players aren’t even going to see.

So the setting we spent all three games in, that we saved countless times, had our companions and protagonists die for, gets demolished in the background where we cannot see it. Skyhold had to be taken back from demons and whoops, that's not actually something you can do anything about. Nothing the Warden, Hawke, or the Inquisitor ever did mattered at all and it renders everything from the previous games absolutely irrelevant. 

With that aside, the companions are also another issue for me. I found myself having trouble getting attached to any of them and every single time I recruited one I had the internal question “Why are you even here?” None of their companion quests really tie into the story at large, save maybe Harding and Davrin, and they are incredibly boring save for a few cool moments.

The main appeal of Dragon Age for me is the companions, it’s why Dragon Age 2 is my favorite of the series. Despite the overused environments and the rushed production I still had a great time with it because of the companions. I was actually eager to do the companion quests and learn more about them and how they all fit into the main narrative. Even characters I didn’t like, I still understood why they were important to the story. Like I can’t stand Anders but I know why he is there, he has a purpose.

Every companion is painfully amicable towards you even if you decide to be “stern” towards them. I found myself not caring what dialogue option I chose about them because it made absolutely no difference. There is nice, funny nice, and gentle parenting. That is really all you have to work with in terms of the dialogue wheel. It was more difficult to get disapproval than approval and I can probably count on my fingers every time in this game I actually got companion disapproval. There is only one companion in my playthrough that became hardened, Lucanis, and it had virtually no impact on his character other than the fact he leaves for a couple of saves and comes back to kissing your ass. 

Something I actually really liked about BG3 and the previous Dragon Age games was working for your companion approval - this meant actually learning about your companion and what made them tick. If you don't understand them well enough you get disapproval, when you actually listen to their ideas and thoughts you get approval - there is an active effort to get these things. In Veilguard this does not exist and you are essentially promised approval no matter what, meaning there is no encouragement to know who these people are if they're just going to support you regardless.

I have to agree with the Skillup review they made about this game saying that every dialogue option feels like it was made with HR in the room and I one hundred percent agree. This is not how real people talk to each other. This is how teachers talk to toddlers when they want to explain the virtues of sharing toys with their classmates.

It felt honestly insulting at times to be treated like I don’t understand the concept of bigotry, I still have no idea what they were trying to go for with this, like were they trying to appeal to a market of high school boys who hadn’t discovered what empathy was yet? There is zero trust in the player and every dialogue and decision you make in these moments feels handhold-y and preachy. Like Pixar levels of life lessons you learn.

In the moments where I had to settle arguments over coffee and companions not respecting each other's interests, I could not honestly believe this is the same universe with Loghain Mac Tir, Meredith Stannard, fuck even Corypheus. Humor has always existed in Dragon Age and I love the comedic banter between the characters but it was always humor that served as an escape from the oppressive and dark situation around you, here the dark and oppressive situations feel like an escape from the unrelenting friendliness and tone deafness of your companions. 

The companion I probably had the most issue with was Taash and the way they were handled. I’m not going to get too deep into the Bharv scene because even thinking about it makes me cringe but If someone messed up my pronouns and then immediately dropped to do pushups I am most definitely killing us both. Isabela’s explanation is extremely preachy and she proceeds to do the exact thing she says she hates about people messing up pronouns. Anyways. Moving on. 

Taash I think is a good example of how to not write a multiethnic character. I don’t expect a white person like Trick Weekes to understand the first thing that comes with being multiethnic or having strict parents that intersects with that identity but it is most definitely not whatever the hell this is. 

The only thing I can offer here is that as a multiethnic person (my father is Palestinian and my mother is mainly Irish and Seminole) is that there has never been a point in my life where I felt like I had to choose what culture I am let alone give that choice to someone else in my life I just met.

That’s not what being multiethnic is. I do not have to choose between anything - I am whole and I don't need to cut myself into halves and quarters to be accepted.

It also feels subconsciously like you are supposed to choose Rivain as the Qunari are depicted as bigoted and oppressive as they always have been in this game. Knowing all of this really tainted my experiences with them as a character and I understand a lot of other non-binary individuals love the representation they brought on that level but personally, I’m just tired of “queer representation” always coming with racist undertones. Again, this game feels like it always had white queer people in mind, not lgbt poc. 

These kinds of comments are really only made worse knowing what the Qunari take inspiration from - primarily Black and Brown SWANA Muslims. Why should Trick Weekes have any authority over a questline like that is beyond me. 

Also, this sucked. Especially because they said it to Neve too. I don’t really want my non-binary representation sprinkled with Misogyny as well, especially since we can’t really call Taash out on this comment unless you’re playing a woman (as far as I know).

Aside from Taash, I thought the writing around Harding was strange. Don’t me wrong, I love Harding, but I do not remember her being this friendly and people-pleasing in the Inquisition. If you play as a Dalish elf the first thing she says is she’s surprised that you would care about anyone else - there is absolutely no inclination of this kind of perspective in Veilguard. Additionally, despite knowing everything Solas has done and the consequences that had on her ancestors, she still tries to push you to reason with him?

All of her quests about learning about the Titans, experiencing and embracing their anger, and you still want to appeal to Solas? That was another thing I found so weird about this game, throughout the entire story you are being told again and again that Solas cannot be trusted, he is to blame for everything, and will stab you in the back and yet it seems like every companion tries to push back on you if you agree with this viewpoint? 

Also, something I didn't know at this point of the game but I do now is that Solas had killed Varric and she does know this so why is she acting like this knowing Solas had killed her friend who she spent years with?

Genuinely this whole game felt like: Devs: Solas is a villain

Rook: okay understood

Devs: actually nvm you don't understand him if you think he's a villain

The only companion quests I was actually genuinely interested in were Emmrich and his thoughts around death and becoming a lich. Lucanis' quests had the best boss fights for sure. Outside of that, it felt like “Go here with Bellara” or “Go here with Taash” and it got so grating I couldn’t wait for these quests to be over so I could progress with the main story. It felt like an annoying back-and-forth game to finish a main quest just to finish all the companion quests and then go back to the main quest. Like a list of chores to get through before you can have any fun. 

The inclusion of characters like Morrigan and Isabela in this universe was extremely hollow and they do not feel like the Morrigan and Isabela we know at all. With Morrigan there is a bit of an explanation to this with the essence of Mythal however she reiterates that it is still herself and it is only the memories of Mythal that remain inside of her.

In my canon playthroughs of Dragon Age, I romanced both Morrigan and Isabela, so I was curious to see how the developers would address their pasts with our Warden and Hawke. Unfortunately, the answer is that they don’t address it at all. Morrigan hardly mentions her past, leaving us to wonder if Kieran even exists. The game implies that the relationship between Morrigan and the Warden is insignificant; a codex entry oddly suggests, in a very slut-shamey way, that Morrigan had more lovers than there are trees in the forest. Isabela doesn't reference Hawke either, as she fondly remembers Kirkwall for found family and friendship. It seems that if you romanced Isabela or Morrigan, congratulations—your canon doesn’t exist.

I will echo the statement others have made about all the cameos feeling like mascots because that is really what they are. There is no substance to any of them, Isabela only feels like she is there to be a supportive voice for Taash, Morrigan will only really talk about Solas and Mythal-Dorian is the only one who actually gets a substantial quest related to him. I thought he was fine minus the "illegal slavery" bit because what is illegal slavery Dorian. Next up we will discuss legal murder.

Another thing that genuinely broke the immersion for me in this game is how awful the armor is. It is a Dragon Age game so I wasn't expecting Haute Couture but the design is all over the place and nothing looks right. Not to mention the extremely weird orientalist undertones that follow the Lords of Fortune everywhere. The outfit Isabela is wearing is even worse in person and I tried to give this game the benefit of the doubt by thinking we would be getting some underwater mission with her and that would be the explanation behind her bikini outfit - this did not happen.

The belly dancer-esque outfits with the coin-bedazzled turbans were pretty egregious and made me want to limit my time in Rivain as much as possible. For a game released in 2024, I am disappointed we are still dealing with the same Orientalist fantasy tropes. Even the Qunari are more naked in this game than I had ever seen previously. At least DA2 and DAI gave them pants. But hey the Antaam are all blighted and evil so who cares right.

Speaking of the Antaam, a lot of the antagonist motivations for this game genuinely did not make sense to me. The Antaam are suddenly giving up their fear of magic to pair up with...the Venatori? To fight for the elven gods? It honestly felt like they had no idea who to make fight for the Evanuris so they just pulled two of the baddies from the Inquisition and went "We can just use them and call it done". When you press for information on why this is the answer is always a mustache-twirling dialogue about power. Nothing much deeper from that than any of the villains besides Solas. All of the villains, especially Elgar'nan and Ghilan'nain, are extremely one-dimensional and have no motivations other than being evil and striving for power. At least Corypheus had cool lines.

I'm not going to get too deep into lore changes since I know a lot of things happened in the comics, books, and TV show (all of which I did not read or watch) but I honestly do think it's a bad idea to have a "soft reboot" while needing to read several books to understand everything. That's not being welcoming to new players that's homework. If you wanted a soft reboot probably don't start off with half your plot and characters coming from various comics and novels people need to catch up on.

The portrayal of the Dalish in this game is inconsistent. When we inform them that their gods are evil and planning to overthrow the world, they respond, "Okay, heard you." How can they accept this explanation so readily? In previous interactions, Solas shared that the Dalish did not listen to him and even threatened him when he revealed this truth. Yet, when we present the same information, they believe us almost immediately. Is there no pushback or skepticism? The Dalish accept everything about the evil elven gods meanwhile Andraste’s followers remain completely unaffected by these revelations.

I think what frustrated me even more was watching our elven companions express grief and regret over the actions of the elven gods like they had something to do with it, painting the Dalish as adjacent to oppressors when they themselves are oppressed in every way. The only thing that remains consistent is the sad boy Solas act about it.

At the end of the game, two of my companions - Harding and Emmrich- were killed. Emmrich's death was unfortunately overshadowed by a zoom-in on a rock and I had no idea he had died until I got the popup. Still, all I can think about is just going "Rock moment" when he died. I don't really have anything negative to say about Harding's death other than the way she went out was fitting for her narrative. Bellara got blighted and there were no consequences for this and she walked away from it - forgive me but I am still under the DAO impression that if you get blighted that's game over but all the rules about the Blight have been changed in this.

I decided to trick Solas, and honestly, I don’t have anything negative to say about it, except that Solas should have noticed me holding the fake dagger since it was clearly in his line of sight. I liked the idea of outsmarting the god of trickery. While it wasn’t extremely satisfying, but I’m okay with how it turned out.

Even as the credits began rolling I still have trouble believing rook's role in any of this. Just the persistent nagging idea that they really just have no place in this story at all. In the beginning I wanted to see how Rook is looped into all of this and how they become central to the fight against Solas but just like with most of the companions, I have no idea why they are here. This should've been the Inquisitor's story to finish.

I'm not going to pretend that everything about this game was irredeemable and terrible. There were genuinely parts I enjoyed and had a good time with. The romance ending scene with Neve was fantastic, even though it took a long time to get there. Davrin was an unexpected aspect of the game that I actually liked, as I never cared much for Grey Wardens before, but he changed my perspective. Harding's mention of the Inquisition was also very sweet. Although I wasn't particularly invested in Emmrich, I loved the conclusion to his quest when he became a lich lord.

While I'm not the biggest Solas fan, I actually really enjoyed the cutscenes between him and Rook because one of my aims with this game was the ability to be mean to Solas and kick him while he was down. They definitely delivered there even though everyone else kept disagreeing with me.

The worlds are beautiful and the CC is definitely the best we've gotten in any Dragon Age game, I spent probably a solid hour in there. The hairstyles are great and the four unibrow choices? Bioware you shouldn't have <3.

Overall I definitely didn't have the best time with this game and towards the end of act 2 I was incredibly bored and the combat became repetitive and stagnant enough that I turned down the difficulty to get through it faster. I can't see myself replaying this any time soon and I am unsure what my stance on Dragon Age is now, do I Ignore this game ever existed or do I carve out everything I liked and pretend this is the Dragon Age I love? I have no idea, I am disappointed at how this game leaves us off and I really wanted to sit here and say It's good but I can't.

I think this game will reach out to and resonate with a different group of Dragon Age fans than me, I just wish I could enjoy it as much as I see other people doing. I was originally going to give this game a 3/10 but knowing you can pet the cats I will give it a very generous 3.5/10.

[straightontllmorning]

can i say (as a bi woman) that it genuinely bothers me that like... so many ppl are like 'its not biphobic for a bisexual to have casual sex' when i don't think anyone has ever said THAT is the issue? i don't care what bisexuals do in real life. if they wanna have safe and consensual casual sex, go right ahead, idc! it's not for me but as long as i'm also being respected in my decision, idc what other people do. it just baffles me because buck in season one was talking about how he was a sex addict and how he didn't want to ruin things with abby by rushing into sex too fast because he genuinely liked her and that was like... kind of a huge part of his character? is that he DIDN'T really like the casual sex so much but actually wanted a real relationship? so why is oliver begging to have buck sleep around again when his character like... wanted more than just sex??? i don't mind character regression but it just feels like bad writing to retread that plot again.

also idc what other people say about thinking OS wasn't biphobic in his remarks. the guy dropped the ball hardcore. he could have easily said "i think buck can continue to casually explore his sexuality with other men and women now, he's still bisexual even if he's single" and it wouldn't have felt so... idk. fetishize-y to me. i'm just tired of bisexuality in fiction always being linked to promiscuity. real bisexuals can do whatever they want. but bisexuals in fiction are held to a different standard for a reason. what else should i expect from a ryan murphy show tho considering brittany on glee never called herself bisexual (bi-lingual, bi-corn) and she was portrayed the 'stupid slutty cheerleader' stereotype. i was just hoping for something different ig :(

it just makes me mad because... they didn't have to break up buck and tommy Like That. tommy could have easily had to move away and he and buck could have broken things off mutually as a result. idk sorry for ranting a bit in ur asks im just so miffed over this and over people speaking over bisexuals expressing their thoughts and concerns toward the biphobia that's going on rn :(

Sorry it took me so long to answer you, but please rant away! Honestly I agree with everything you've said. And unfortunately this really does prove that yeah, this is a Ryan Murphy show and it's par for the fucking course. I was gleek and that always bothered me too that Britney would never say it (and most of her characterization in general was just awful)

I wish Oliver had said something different, I wish he hadn't worded it that way. And again, people can have their opinions but it just feels so gross given how the show decided to do this.

They could've had bucktommy break up in any other way for any other reason. They brought up the Abby plot, they could've used that as the hurdle. They could have had them talk about wanting different things in a relationship. Literally anything that wasn't Tommy basically telling Buck it's over because he's not enough of a stereotype. Because bisexuals don't know what they want. Clearly.

It's very infuriating and I'm so sorry that yet another piece of media treated bisexual people like fucking shit.

And it's really fucking infuriating that people who aren't bisexual are defending Oliver over his comment. Again, have your different opinions but don't speak over people that are bi and already have to deal with biphobia in our shitty society

This show went about it all in an awful way, and I'm really sad that we were all tricked into believing they'd handle it better

[wanderusprince]

I swear this is about Severus Snape and his face

Did y'all know Sabrina Carpenter's boyfriend?

His name is Barry Keoghan, an actor from Eternal.

They showed off together, and her fans went wild... bcs they think: "Sab, bby, you can do so much better. Why him?"

There were other reasons, such as the fact that he's a divorcee, but lots of pop fans aren't on to that.

They were on to the fact that they found him ugly or at least uglier than Sabrina is pretty, and that's the problem.

Honestly, the first time I saw his pictures with Sabrina, I kind of understood why they said that. His bone structures are awkward.

His texture are too soft to be rugged, but his features are too strong to look sweet.

He just looked.. strange.

BUT THEN, Sabrina puts him in her music video, and we see him moving, acting, instead of just static poses.

And suddenly everybody understood what she was putting down.

AND MY POINT IS

My current opinion (that I remind you changes every 2 business days), Snape doesn't look much like Barry Keoghan, but he's considered ugly in the same way Barry was.

He looked strange and awkward and lanky in static. His features overwhelm him when he just stood there and talked or in posed photos.

But to look at him in motion, though? That's a different story. When he suddenly acts to evanesco a bubbling cauldron, when he duel against Lockhart, fuck, when he was fighting marauders, even. No one thinks he's ugly in those moments.

But also, like, he was a bookworm and a teacher who mostly lectures in place, so not a lot of people sees it until they SEE it.

The vision.

[centrally-unplanned]

I'm curious, how do you feel about harem tropes in anime and vns as a straight (for now, we will get you one day!!!) poly dude? Does the "genre" hold any appeal to you, and are there any standouts you would point to to say "yeah they really nailed what I like here"?

Look someone has to be a straight guy on here, affirmative action to ensure we get a diverse community! Overall I think they are fine as a concept - essentially harem is too "basic" to have like any one opinion on it, right? It can take on a million different forms, some will work and some don't.

For me most of the time they don't work, primarily because the typical deployment is in some weird asexual abeyance state where the protagonist has a dozen girls who are into him but they never cross the threshold. It is essentially a piece of media with no progression that substitutes in lateral quantity of girls for interesting narrative. Even this can work though, if the work is a sufficiently silly or weird sex comedy - those don't need any progression, right, the fun is in the jokes. The key for me is to make the lack of progression actually part of the humor. Few land this honestly, but while I am cheating because here the MC *does* date all the girls, The 100 Girlfriends Who Really Really Love You is a good example - he has to date all the girls or THEY DIE because God fucked up their destinies. Totally stupid, great premise for a comedy. Or My Next Life as a Villainess, where the heroine is isekai'd into an otome is obsessed with not being murdered like in the game, so fails to realize that she has dodged that bullet so successfully everyone wants to bone her (that show isn't good for its own reasons alas).

The other path is the "ancillary" harem, where the story has some other primary plot going on, fantasy wizard war or w/e, but the main character also has 4 hotties in the crew who are in various degrees of thirst over him. Normally still dumb ofc but this is less offensive because it isn't the main story, so it can have more logic. Additionally, you can use their role in the main story to make them cool/attractive, such that you have more investment with them. "I want to date you" is not a great pitch for why someone would want to date you, after all. Still, it is all better if you get like Mushoku Tensei and actually date them, since then you can have very interesting multiple-relationship arcs that intersect the main story. At the rare peaks this is authentically great, and never seen in TV outside of anime.

Visual Novels, funnily enough, are not that commonly harem! Because of split-routes you set up the harem "premise" at the beginning, but then you "choose a route" and the other girls fade away and it becomes a mono romance. Obviously they do exist, but VNs just typically have other genre conventions - and the ones that do exist I just tend to have not played. Maybe some out there do cool harem stuff! I am open to recs.

Being poly honestly effects this very little, because most harem anime just isn't poly. It is too far divorced from any level of "poly rep" for my own life experiences or w/e to come up beyond the occasional joke. Which makes sense - the audience isn't poly! Very similar to how the average yaoi is made for women, not gay men. And just like gay men enjoying yaoi, I can still enjoy a good harem even if it isn't For Me in that way.

[tennessoui]

like. one thing that is Essential to any Obi-Wan dynamic To Me is that Obi-Wan is Not a kid person, nor does he particularly like or understand kids much(an exception is made for Anakin’s kids however, bc they’re anakins, and anakin probably had baby fever from the age of Baby), and i feel like u are particularly good at translating that vibe? like Obi-Wan with any partner he has: no i’d prefer to be childfree/any children will be an accident, something i do to fulfill expectations meanwhile Obi-Wan with anakin: how can I get more skywalkers? kidnapping?

ooo this is fun, I think my own ideas of obi-wan with children lean more towards ambivalence and bewilderment. he’s not a natural caregiver, but he has read all the parenting books within two days of getting settled with a child. He would not seek them out and doesn’t particularly want them or knows how to translate the care he feels towards them into something they’d understand, but he’s not so bad with children that they’re afraid or discomforted around him. He’s read the books. He’s studied for this 🫡

meanwhile anakin also does not strike me as a natural caregiver either but he’s stressed about it. He hasn’t read the books because he has a confidence thing going on about being good with children but that doesn’t make him actually good with children and the gulf between expectation and reality when he’s around kids stresses him out

when it comes to skywalker’s kids, has obi-wan ever had to once ask for a Skywalker to enter his life?? I imagine his thoughts are less along the lines of “how do I get more of these little guys? should I kidnap them?” and more along the lines of “I will just stand out in the universe with my arms open palms up and a Skywalker will be deposited within 2-5 business days”

[risingsunresistance]

twitter is entering their "rts > likes" phase now that likes are private after they spent years calling us ungrateful for being demotivated by ratios lmao

[gen-is-gone]

I can't go five minutes in DW fandom without people being just atrociously mean about things that I love with the blissful unawareness of majority mainstream opinion holders that the people they're being mean about are like. In the space with them. And this in a space full of ardent fans of arguably some of the most esoteric obscure side stuff that everyone else disdains or doesn't even know. And I'm having fun for the most part but also like. It's just exhausting, constantly goddamn exhausting.

[13eyond13]

.

[teamfortresstwo]

RA shippers are so annoying about Vox man . Like not only would he not fucking say that, neither of the characters you’re shipping would say that either . And I wouldn’t be bothered by it if they PROPERLY TAGGED THEIR SHIT but some people are just fucking incapable of it I guess .

Also! I get the want for your faves to be ooc sometimes but like . You can’t MAKE them ooc and then claim this version to be better than a canon ship because ohhhhh they love eachother so much more when in canon it is literally less intimate than the ship you’re bashing!!!!!! It literally has no basis so you have no leg to stand on!!!!! Stop claiming you’re somehow better for shipping it oh my god!!!!

[brightsout]

sometimes i hate fandom twitter sm like

[doctorwhoisadhd]

i didnt used to understand what was so appealing about tragedy but im finally in a real situation where i'm like, what if it could have been different, and i think i get it now

[danger-xylophones]

I am going feral over the costumes in this show

There's a lot of good things going on and for every criticism I have, I can find something good happening elsewhere

Rings of Power’s elven clothing & armour - design appreciation

Requested by @klngfili thank you I hope you like these!! ♥

My favorites are easily Elrond’s blue and gold outfit, Arondir’s chestplate and Galadriel’s armour.

rop design team very good job thank you

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[corkinavoid]

DPxDC When You Are Suddenly Dating a Princess (pt. 2)

[<- part 1]

"What do you mean-" Jason starts, but the girl is already tapping her ear briefly - and only now does he notice a tiny comm there. Fuck, he should have known.

"Oscar? I changed my mind, I want to claim something," Jazz says easily, and, after a short pause, "A Tecpatl, the one with the owl. No, it's for personal reasons- You don't have to, but alright." She taps her ear again, and Jason can't help but ask:

"Who's Oscar?" He is not jealous. He is just insanely curious and very confused.

"My bodyguard," Jazz rolls her eyes, "At least he thinks he is. I'd say he is more of a secretary."

That doesn't really explain anything. It actually just adds even more questions - what kind of a magic user needs a bodyguard? or a secretary, for that matter? - but Jason keeps them to himself for now. He is... kind of intrigued now. Jazz said 'claim', not 'buy'. Which might be just a weird word choice, but somehow, Jason thinks it was deliberate.

A bald, black-skinned guy in a black suit and sunglasses - which, seriously, how does he even see a thing in here with those on - makes his way through the crowd and stops in front of Jazz, nodding slightly to her.

"Lady Phantom, I understand you want to make an impression, but using your status for personal matters-"

"Did I ask for your opinion, Oscar?" Jazz's voice doesn't change. It's still pleasant and sweet, and she is still smiling, if just a bit, but there's an unmistakable steel edge to her tone now. Jason feels a light shiver run down his spine. He's seen Jazz in a lot of different situations and circumstances; he's seen her get mad at a librarian who banned some controversial books in the public library, and he's seen her skillfully take down an armed robbery in a shop all by herself, and he's even seen her successfully stare down Killer Croc on one occasion.

Yet, he's never seen her like this, with her chin raised up high and radiating authority like she is the most powerful person in the room.

Also, Lady Phantom?..

"No," Oscar admits after a pause and presses his lips together, "But the Council of Ancients will not be pleased."

"Council of Ancients couldn't care less even if I declared war," Jazz brushes the comment off, and Jason's levels of confusion are growing higher and higher with every word they exchange. Oscar sighs and finally complies:

"Very well, then," he breathes out with a sense of surrender, and then turns his head to Jason just slightly, "Is this an urgent matter, or should I go talk to the auctioneer and the sellers?"

Jazz looks to Jason, raising her eyebrows in question. And, technically, it's not that much of a time crunch now since Jason doesn't have to try and sneak through the security or wait for the auction to start officially. But he feels a bit petty. Also, this man was questioning his girlfriend, which is offensive on many levels in Jason's opinion.

So, he nods, "Urgent."

Oscar's face doesn't change one bit, but Jason has plenty of experience with emotionally inept men who look like they are eternally constipated. He can see the traces of exasperation in Oscar's shoulders.

"Follow me, then," he tells them both, and turns around, headed to the back of the auction rooms. There's security there, but Oscar only shows them some kind of a badge, and they step aside, letting the three of them through. As far as Jason knows, no FBI or CIA agents should have that kind of clearance.

Which finally prompts him to ask the most important question as soon as the doors behind them close and it's only them three going through an empty hallway.

"Who are you?" He asks Jazz, who is still keeping her hand on his elbow. The girl hums, not looking at him, and keeps walking after Oscar.

"Jasmine Fenton," she answers, and, yes, he knows that much. He's seen the files Bruce has on her, but at this point, he is not even sure how much of the info in there was actually true.

"You are in the presence of Jasmine Fenton, Lady of the House Phantom, Princess of Infinite Realms and sister to a King," Oscar supplies, and his voice is... a bit petty. Like he knows Jazz didn't want him to say anything, but he still did just because he could.

Jazz huffs and rolls her eyes, "Yes, that, too."

Jason blinks.

He's heard about Infinite Realms. Mostly rumors through the grapevine of Leaguers, but also from Diana personally - he remembers her saying she is glad about having a truce with them. He didn't listen much since she explained it as the Underworld, the Land of the Dead, so he thought she was talking about some mythology shit. Turns out it wasn't.

But there's a more important thing.

"I'm dating a princess," he says to no one in particular as they come to a stop in front of one of the doors.

"Technically, you'll be treated as my consort if you ever decide to visit," Jazz admits, and Jason is officially out of surprised responses. There's only a limited amount of bafflement he can feel in a day, and he has exhausted the resources.

He is a royal consort of the Underworld princess. Sure, why not.

The room they step into after Oscar puts in some code into the lock is filled with boxes, packages, and crates. Jason looks around - sure, he knew all the prettily displayed artifacts back in the auction room were only replicas, but he didn't expect the originals to be literally just stacked in piles in the back room. Yet, here they are.

Oscar looks around the room and confidently makes his way to one of the shelves on the side, quickly going through the labels on the containers.

"Do you have, like, a crown?" Jason asks because he sucks at small talk. Also because he doesn't know what else he is supposed to ask in this kind of situation. Jazz snorts and leans to him, resting her head on his shoulder.

"Not really. Danny has one, and it looks absolutely badass, with flames on top of it, like the ones you would see in cartoons. I have some tiaras and stuff, but they are just jewelry," she explains, and Jason nods sagely. Just jewelry, alright. Seems like he is simply destined to be surrounded by rich people from all sides.

"How about a castle?"

This gets a sigh out of Jazz, "We used Pariah's - that's the previous King - old one for the coronation ceremony, but mostly, it's just for storage. Both Danny and I live on Earth, and Dani, our little sister, travels a lot. So, I do, and I don't at the same time."

"What about-" Jason starts, but he is cut off by Oscar all but shoving a small box in his hands, "Oh. Do I-" he turns to his girlfriend awkwardly, "Do I have to pay you for it or..."

"No, it's from a dead civilization," she raises her head back and shakes it slightly, but after seeing Jason's frown, she elaborates, "I'm the Princess of the Dead. I can officially claim anything that belongs to the dead as mine."

"It's a law that is supposed to resolve any possible conflicts between the denizens of Infinite Realms and the living," Oscar supplies, his voice disapproving. Alright, makes sense why he said it was not for personal matters, then. Not that it's going to stop Jason, though.

"Like, anything?" He punctuates, and Jazz tilts her head, a sly smile on her lips.

"Sure."

"Lady Phantom," Oscar sighs, tired and chastising, but Jason doesn't plan on robbing the auction. At least not robbing it any more than they already did.

He has a different idea.

"Can you ask Batman for the Robin's suit he has in his cave?"

Jazz blinks, and then her smile turns into a full-on grin.

"Of course."

------------

@akuworld777