#it just happened and i was crying

[hinamie]

to moving forward

[shay-creates]

Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.

I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.

2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)

3. He sent the artwork to all his friends and people he knows because he was so excited

Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.

Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).

Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.

Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.

[kitamars]

doodles as i relive my spideyman phase from eighth grade

[spirk-trek]

I'M LOSING MY MIND what is the point of "dig in there mr. spock" ? why did they write that??? spock regularly gives jim massages? in public? on the bridge???WHAT? whY? why does he stop her when he realizes it's NOT spock???? it's somehow more professional that way?! was it for laughs?? IT'S NOT EVEN FUNNY!!!! WHY!!!!

[carnivalcarriondiscarded]

a couple scribbles i cleaned up. also i think i like drawing him in varying states of distress

[spam-extemporal]

Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.

Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.

So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.

This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".

The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.

Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.

It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒

And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T

[bunnieswithknives]

Thanks.

Prev

[almondpiglet]

serizawaweek day 1 hobby

hardcore gamer bf DESTROYS casual gamer bf (real)

[shellem15]

Thinking about how, out of all the betrayer gods, Asmodeus is perhaps the most incapable of changing. Of redemption. Of becoming better.

Because at least the others are honest. Honest about who they are. Honest about their love for their siblings. They know exactly what they are and what they are here to do, even if it is for ill. And that means they can be worked around. Can be changed.

Asmodeus, however, cannot do this. He is the god of lies. Even his truths are rotten. He cannot be honest. Not with others, not even with himself.

Do you think he knows what he even wants? He says he wants eternity to torment his siblings yet tries to kill them. He tries to kill them, yet (whether he realizes it or not) gives them just enough time to stop him. They are gods, after all. One round is all they need.

He says he hates his siblings yet told trist he loved her when in disguise. He didn't need to do that, she was already going to leave. It's the truth, but rotten.

You cannot change, you cannot become better, if you are not honest with yourself. And Asmodeus is the most dishonest of them all. It's no wonder he is always banished by the light of Pelor's truth. He cannot face it, so he runs and hides and lies.

Always burning, always lying, always turning away from the light. Never changing, never growing, never moving on from past hurts. Lashing out at those who try to help, a dagger in the side of his family.

It would be better to remove him. Kinder, for all of them. But he is their brother, eternal, and they cannot lose him. They will keep him, even if he kills them. And he will keep lying, stabbing, burning, because it is all he knows how to do.

[xxplastic-cubexx]

Marvel Meow (2021), Nao Fuji | Professor X and Magneto

Bonus:

[planetvries]

I ❤️ Balin 🥹

[hinamie]

itafushi nation how r we Feeling!!!!!!!!!!!

[the-meme-monarch]

loop my beloved

[mylifeingotham]

[tsudratscigam]

TCO and TSC having siblings moments cuz i love them so much you dont understand

headcanon time: before TSC, TDL was TCO's only true friend and brother but after the whole showdown thing TCO was pretty much left alone. For him TSC was just a random stickperson with godly hidden powers until he saw how TSC actually tried to save him during the "wanted" episode when TCO got shot by the merchenaries that left him injured. After that i like to imagine that he actually cares about TSC but doesn't show it (hopefully we get more TCO and TSC interactions in the next episode please alan im begging you please please please)

[monabee-draws]

Dorian confessing his intention to return to Tevinter for good is so heartbreaking in the Tresspasser DLC. Because of course he does! It doesn't come out of nowhere, he tells the inquisitor as much before they even defeat Corypheus - he loves his home country and knows that he personally needs to be the one to fix it. Not any foreign power (including you and the Inquisition) but through internal change. And he's so blasé about it when he tells you, keeping his tone light, excited for his future work with Maevaris and the Lucerni! Of course, he didn't want you to find out like that but this is a good thing. He's happy! He's practically jovial!

And then you think about how familiar that tone of voice is. And remember his romance scene, and the nonchalant way he asks you if this whole relationship is just a one-time thing. And how he jokes and jibes with you in the bad-end future during In Hushed Whispers, to the point where Leliana calls him out on the obvious attempt at levity. Barring your brushes with his family, who elicit a kind of knee-jerk anger that cracks his usual mask, Dorian is very good at maintaining that emotional wall. So you listen as your heart breaks, as you consider how to respond to the lightness of him in this devastating moment, and you realise-

Dorian is terrified. The kind of scared where you can't really voice it, not in public, not even in private spaces when you aren't 100% in control. It's scary losing a parent, even one you're not quite reconciled with. To have to take his place and fill a role you've never fit, and somehow finally actually push forward with all the ideals you've been imagining to be so far away for many years. And to do all that on the opposite side of the world from the people who all made you finally believe it could be possible in the first place?

Dorian is so very used to being the brave one, the optimistically realistic one, that he can't possibly burden you - whose heart is breaking, whose Inquisition is failing, whose body is slowly killing them - with all of his own ugly fear. That wouldn't be very charming and dependable and Dorian of him, would it? More to the point, leaning on you would be both more burdensome to you and chafe against his own stubborn pride - not accepting favours is well-established during his romance-specific quest to retrieve his birthright. So instead of taking you aside somewhere quiet, consulting you about his final decision on the matter, and giving both of you the space to grieve, he...

Well he tells Varric. And Sera, and Bull, and Cole. Part of it is practice - how might they react? Part of it is in hope for advice on how to break the news. Varric and Bull are adept speakers. Cole's whole job is compassion. Even Sera's bluntness might help when you're chronically incapable of not sugarcoating things. But all it really does it make things worse, because its a distancing tactic. Nothing can truly prepare him for the crack in your voice, the sharp sting of your flinch and the perceived betrayal.

It's almost ironic, that his romantic lock-in asks you to decide if you're in for the long haul, when Dorian's entire arc is one that will inevitably draw him back to Tevinter. And specifically in such a way as to leave you. Because he does not want you tagging along (at least not now, not as the Inquisitor.) Dorian's fear in this moment is not fully centered on you, the man he loves, but there is certainly a part of him that is back in the Inquisitor's chambers on the opposite side of that question of 'do you want me to stay.'

Dorian Pavus' greatest fear is temptation, emblazoned on his tombstone in the Fade for all to see. And there you are, with your political power, ready to jump in and save the day once again on his behalf. And he's tempted. There you are with your familiarity and a space for him in the South that accepts him for who he is. And he's tempted.

There you are. Loving him. And well...

So he doesn't lower his voice to whisper to you, or hold you too close. He confesses in public where the crowds prohibit hysterics, he sips on precious wine, and he gifts you his sending stone. It is both distance and closeness all tied with a bow. A temptation that he can just about handle. Fear under wraps. Because if he lets you, you will - without even knowing - stop his entire life in its tracks. You represent everything he can never afford to lose to. And it is wretched how desperately he doesn't want to lose you.