#it have better resolution in the link i posted

[hyohaehyuk]

Going tongue first for basically a blurry background kiss you can see for like 5 seconds is diabolical, stage kissing is afraid of them.

Oh, we know this one was for funsy 👀 which could mean nothing....

via pookiedpdl and wolfstartoowell

[shredsandpatches]

I realize that Google did this by just recognizing a famous literary quote and pulling from a full translation (apparently the David Luke one) but it still kinda creeps me out. After all, you can translate the line nearly word for word into English, with the same syntax, and get a comprehensible and accurate result, so getting a machine translation that appears aware of the context is pretty jarring!

[reiderwriter]

✍️Introduction and Masterlist✍️

About me: Hi! I'm Kacie, I'm 21, and I use she/her/any pronouns. I'm from the UK but I'm currently an English Teacher in South Korea (if you want to know more I'm totally open to conversations about it!) and this is my side blog, so I follow and respond to comments from @studykac

Writing: At this point in time. I only write for Spencer Reid. I will pass on any requests that focus on other characters because I don't currently write for them. A lot of my work is also NSFW. If you are under the age of 18, do NOT interact with any of my posts that are tagged #maturereiding - please block this tag!! When my requests are open you can request through the Ask box, or through DMs, but please keep in mind I do have a full time job, so I will do my best to get things out quickly. You can find my recommendations in the tag #reiderrecommends!

Other interests: kpop, especially Seventeen, SHINee, NCT and BTS, Criminal Minds (obv), NCIS, reading any genre of books (here's a link for my GoodReads page), Percy Jackson, languages (learning Korean currently!), English Literature, Jane Austen etc.

Requests are: CLOSED - find my request guidelines here!

Writing:

Spencer Reid x Reader NSFW

Everyone Looks Better in a Sundress // 3.8k

Summary: The AC at the BAU decides to take a holiday during a summer heatwave, and when you decide the FBI’s dress code is merely a suggestion, you unwittingly catch Spencer’s eye.

Warnings: Dom!Spencer, sub!reader, semi-public sex, fingering, car sex, degradation, name-calling, edging, praise-kink, dumbification

Everyone Looks Better in a Sundress pt. 2 // 2.4K

Summary: After a hot encounter in your car, Spencer pulls you inside your apartment hoping to give you some more relief from the heat.

Warnings: Dom!Spencer, sub!Reader, soft Dom, oral (M receiving), pet names, degradation, face fucking, messy sex, creampie, breeding kink

Margaritas and Mistakes // Part 1 // Part 2

Summary: On a group night out, you get a little more drunk than you want to, and when Spencer shows up looking like the love of your life and not just your coworker, you realise that the margarita’s are having more of an effect than they should be.

Warnings: Suggestive language, dirty talk, heavy petting, hickeys, making out, mentions of arousal etc. (part one)

Show You What Devotion Is ❤️‍🔥

Summary: After a lustful encounter on the jet, you and Spencer decide to try out a friends-with-benefits relationship. What you didn't expect was for his sex drive to be so high, and your need for him to overpower your ability to function properly.

Warnings: So many, check the post for details.

More Than Words 🫶 // 8k

Summary: After telling a white lie to your family about your relationship status, you're forced to ask your coworker Spencer to pretend to be your boyfriend for a weekend wedding.

Warnings: Mostly fluff, penetrative sex, creampie, mentions of Spencer's childhood.

The Us That Could've Been 💔 // 5.7k

Summary: They say to get over a man, you have to get under another. Spencer isn't sure why the idea of you doing just that makes him feel so bad.

Warnings: angst, unprotected sex, creampie, spoilers for season 8, mentions of Maeve, Spencer is emotionally illiterate etc.

Unhappy Holidays 👻🦃🎄🎆// 5k

Summary: You're unlucky enough to run into Spencer Reid at holiday celebrations four years in a row. In the New Year, you're resolving to rid him from your mind forever, but you never were one to stick to resolutions 👻🦃🎄🎆

Warnings: Enemies to lovers, low-key work rivals, semi-public sex, car sex, hate sex, fingering, thigh riding, creampie, unprotected sex (no condoms but contraceptive mentioned), slight spoilers for s4 of Criminal Minds (but not really).

Flirting with the FBI // 7.1k

Summary: To catch a killer, you have to first out him on the FBI's radar. By hacking their systems and flirting with Spencer Reid, of course.

Warnings: Rough sex, Dom Spencer, bimbofication, dacryphilia, unprotected sex, creampie, fingering, use of slut and good girl, more in the fic warnings.

Spencer Reid x Reader SFW

The Lightbulb Moment // 4.8k

Summary: You want Spencer all to yourself for the first few months of your relationship and he's only too happy to comply. Unfortunately, you're two dumbasses who can't keep their hands off one another.

Just Hanging Out // 3k

Summary: To kick off your vacation, you find yourself at Rossi's mansion with your team for a big summer barbeque. A hammock in the garden catches your eye, and you enlist Reid to help you have some fun in the sun.

(Not smut but highly suggestive, read at your own discretion).

Isn't She Pretty, Daddy? // 2k

Summary: You're a teacher, and you have to call in one of your students' parents to talk about their recent troubling behaviour. It's more embarrassing than you thought when Spencer Reid shows up.

Series

That's What You Get // complete 💕

Summary: After three weeks on a case in Vegas and a particularly draining phone call from your mother, you decide to take Reid up on his offer to show you the sights of Las Vegas. When you wake up the next morning, you realise that one of the sights was a 24hour Wedding Parlor, and that you're now Mrs Reid.

Genres: Fluff, smut in later chapters, angst in later chapters, happy ending.

Playlist: Me and You in 2024

Summary: One song fic a week throughout 2024!

Genres: Various, check individual chapters for specific warnings!♡

Answered Requests

(NSFW) Request inspired by Taylor Swift's False God 🙏// 2.2k

(NSFW) Request for a soft!Dom Spencer with cockwarming and breeding kink 💕 // 2k words

(NSFW) Request for Reader introducing vanilla!Spencer to a BDSM lifestyle ✨// 0.7k words

(SFW) Request for Reader kidnapped by unsub and saved by Spencer 💕 // 2.2k

(SFW) Request for pregnant Reader and Spencer who is an absolute fool for her 🌸 // 1.2k

(SFW) Request for shamelessly flirting with an oblivious Spencer 😊// 2k

(NSFW) Request for post-Maeve Spencer who uses sex as a coping mechanism 🫡//4.6k

(NSFW) Request for alt!sub!Reader meeting the team for the first time (and they totally think she's the Dom) 🤭// 1.5k

(NSFW) Request for CNC office sex with Spencer 🚫// 1k

(SFW) Request for Spencer finding out you knew Emily was alive 😿// 0.7k

(SFW) Request for training session with Spencer 🤼‍♀️// 1.8k

(SFW) Request for I Can See You inspired angst 🥺// 1.7k

(NSFW) Request for Spencer making the reader beg for it ❤️‍🔥// 1.6k

(NSFW) Request for CNC with soft!Dom Spencer - shower sex 💦// 1.3k

(NSFW) PROMPT REQUEST - Professor Reid doesn't know he's distracting the class 👓// 3k

(NSFW) Request for Sub!Spencer begging reader to dominate him 🫣// 1.7k

(NSFW) Request for Genophobic virgin!Reader ❤️‍🩹// 5k

(NSFW) Request for Professor Spencer with a jealous gf 🐺//2k

(SFW) Request for reader helping Spencer through recovery 🤕// 1k

(NSFW) Request for possessive Spencer reacting to your little black dress 💃// 2.5k

(NSFW) PROMPT REQUEST - Undercover with an "excited" Spencer 🕵‍♂️// 3.6k

(SFW) Request for playing video games with Spencer 🎮// 1k

(NSFW) PROMPT REQUEST - munch! Spencer is obsessed with you 👅// 2k

(SFW) Request for Spencer babying an oblivious reader 👶// 2k

(NSFW) PROMPT REQUEST - sharing a cold bed with Frenemy Spencer 🛌// 3.5k

(NSFW) Request for reader being distracted while Spencer is reading 📚// 1k

(NSFW) Request for Pillow fort sex with Spencer ⛺️// 2k

(NSFW) Request for car confession and oral with Spencer 🚗// 1.7k

(NSFW) Request for dancing the night away with Spencer 💃// 2.5k

(NSFW) Request for the morning after Spencer loses his V-Card 😶// 0.7k

(NSFW) Request for reader confessing to Spencer when he's in his anthrax shower 🚿// 0.7k

(NSFW) Request for Spencer finding readers unusual sensitive area 🤝// 3.5k

(NSFW) Request for Spencer and Hotch!Reader secret relationship 🤐// 6k

(SFW) Request for reader being jealous of Spencer and Lila 🤽‍♀️// 2.1k

(NSFW) Request for gun kink 🔫//3k

(SFW) Request for Shy! Spencer and Flirty!Reader 🫣 // 2.3k

[kamehamehamlet]

The Tumblr reblog sensation is returning. But like the Sayians or Shakespeare’s folios, it has the potential to develop in many forms.

Visit kamehamehamlet.com to be notified when we have more details.

Follow this blog for a peak behind the curtain.

And read on to learn more about the show, how we got here, and where we’re going.

Thank you for waiting just a little bit longer.

Revival Project FAQ

Who are you?

Hi! I’m Daniel Cole Mauleón (@writepictures), the writer of Kamehamehamlet. In 2015 I co-founded the theatre company Play-Dot Productions with KHH’s director Shalee Mae Cole Mauleón.

What is Kamehamehamlet?

Kamehamehamlet: Good Night Saiyan Prince, was an hour-long one act play, performed during the 2015 Minnesota Fringe Festival. It’s a staged retelling of Vegeta and Freeza’s battle on the planet Namek. Marketed as a Dragon Ball Z and Hamlet mash-up, the parody quickly shuffled off its weighted gi, revealing it was actually a Waiting for Godot spoof. After five performances, Vegeta hung up his helmet of spiky hair. Seven years later, K (@amokslime) wrote this incredibly gracious post on Tumblr, which inspired two people to reach out to me via Reddit to ask if I had a script or a recording of the performance.

I want to pause the semi-marketing voice and say a heartfelt thanks to K. Kamehamehamlet was brought to life by an incredible team of artists during a summer I’ll never forget. We got laughs at jokes, gasps at fight choreography, and we broke even on the budget (a Fringe miracle TBH). K’s post gave me the chance to revisit that show through someone else’s eyes. The mix of pride and humility it stirs up is truly indescribable.

If there is art which has changed you, and especially if the artist is still alive I encourage you to non-intrusively share that with the artist.

Is there a copy of the script?

Yes, I’ll speak more about that at below.

Is there a recording of the performance?

There was, but I genuinely lost the files. And that’s for the best, honestly. It was a last-second attempt, filmed from two cheap cameras (with different qualities and resolutions!), both at bad angles and with truly awful audio. Trust me. It’s better this way.

That said, I do have other archival footage from rehearsal's, tech, etc. that I look forward to sharing for those curious.

What’s next?

This is the question I’ve been asking myself over the past year and the reason it took so long to post anything. Especially since one thing I want to do differently this time is make sure that any artists involved are meaningfully compensated for their time and skill. However, I can’t plan without a better estimate of what kind of support we would have, and I didn’t want to share our intentions without concrete details. Right now, the best way you can support this project is by signing up for the announcement on kamehamehamlet.com and following us on Tumblr and YouTube!

The second best thing you can do is to share with others about this project, if I’ve learned anything reading through the comments on K’s post, it is that there’s a much bigger audience for KHH than I could have ever imagined, and you likely know at least one more person who would be interested.

And while I don’t want to promise anything I can’t deliver on, I will share that I’m planning on making the script available this year and I’ll be writing a separate post about that in near future.

Update 5/21/24: We've announced a staged reading for later this year! (Click to learn more) Update 6/11/24: We're going live on YouTube every Saturday through June to rally fans and talk about the project. This link will always take you to the upcoming stream. And this link will take you past recordings.

If you’ve read this far thank you so much.

Photography by Ann B. Erickson. Vegeta is played by McKenzie Shappell. Freeza is played by Cayla Marie Wolpers. Costumes by Sarah Noel Simon.

[silcoitus]

As Long As It Takes

Masterlist

AO3 link

Rating: Mature 

Tags: Silco x gn!reader, soft Silco, depression, grief, hurt/comfort, emotional hurt/comfort

Word count: 705

Beta Readers: none. we die like my will to do anything

Silco notices that you've been off. He comes to quietly reassure you as you rest.

A/N: Sorry for the absence. Let's just say the reader in this one-shot is semi-autobiographical. This one's short enough that I'm just going to post the whole thing here.

You've been sleeping a lot more.

You tell yourself it's just from overworking. That it's natural for you to sleep more when you're this drained. You're working longer, harder hours.

But you know that isn't it.

You nap more frequently, for longer periods of time.

You go to bed sooner.

Wake up later.

It's becoming a pattern.

And despite your best efforts to hide it, Silco—your partner—has noticed.

You're in his room, on his bed. The bed you've shared together since you started seeing each other. You still have your own apartment, but you stay at The Last Drop more often than not. 

This is where he finds you, laying on your side, your back to the door.

You hear the soft creak of the door’s hinges before a gentle, booted footstep. Then, another step before the door closes.

Silco says your name, voice barely above a whisper, not wanting to wake you if you're still asleep.

Your fingers cling to the pillow as you close your eyes, pretending to sleep. 

There's more footsteps as your partner makes his way around the bed, followed by the mattress groaning as he sits. You feel his weight sinking the bed next to you and keep your eyes closed.

Gently, he places his palm on your hip before letting out a deep exhale. 

“I won't pretend to know exactly what's going on,” he starts, “Nor that I have all the answers.”

You keep your eyes closed, focusing on his voice.

“But I know something is wrong,” he continues. “Don't think I haven't noticed—the way you retreat here immediately after your shift. The way you've stopped going out.”

He lets out another sigh. When he speaks, his voice seems a little further away, like he's turned his face away from you to look at the wall.

“I could lie to you: tell you it'll get better. But the truth is… sometimes it doesn't.”

Your lips pinch into a line as you feel a familiar sting growing behind your eyes. 

“It never really goes away. Grief. Depression. We don't… conquer it, so much as learn to live with it.”

You hear him shift and feel his gaze on your face without seeing it. 

“But just know—you don't have to go through this alone. I'll be here to listen when you're ready.”

The both of you stay like this for a moment. You, laying on your side, eyes resolutely shut. Silco, with his hand resting on your hip, mismatched eyes tracking across your face.

After a beat, the mattress squeaks as his weight leaves it. You feel his hand start to leave you and, in an instant, give yourself away as you grab his wrist.

He gives a small startled sound and you turn to look up at him.

“Please don't go,” you whisper, a tear forcing its way past your defenses. “Please stay.”

He looks at you with gentle eyes and gives you a small nod before sitting back down. As he does, both your hands move, fingers lacing together.

Your throat bobs and your eyes turn down, looking at the sheets to avoid his gaze.

“I'm not ready.”

When you dare look up at him, he answers by simply shaking his head.

“It's okay.” 

He leans down and brings his scarred lips to your temple. You melt a little into the touch, eyes fluttering closed at the warm contact. When he pulls away, it's a mere inch, his breath still in your hair as he whispers.

“I'll wait as long as it takes.”

You pinch your lips together, eyes still closed tight as you nod. 

At that, Silco shifts to move behind you. He maneuvers his way under the sheets, his arm wrapping around your waist. You feel him slot himself behind you, his chest pressed into your back as his legs perfectly fit behind yours. You cling to his arm, pulling him closer. 

He buries his face in your neck, taking in a deep breath before kissing you gently there.

And as you both drift off to sleep, you feel just a little bit more hopeful.

Maybe tomorrow will be a little bit better.

How bad could it really be?

When you have Silco?

Taglist: @averagecrastinator @mazikomo @writingmysanity @insult-2-injury @ariaud @jennrosefx @ins0mniac-whack @steponmesilco  @sherwood-forests @leave-me-alone-silco @givemebeansnow @aeryntheofficial @dreamyonahill @lostbunn @whatisafandom @violet-19999 @juicboxd @sageandberries-png @sirenofzaun @blissfulip @mutedwordz @fly-like-egyptian-musk @jennithejester @mrsdelirium @witheringblooddemon

Join my taglist!

[ssahotchnerr]

SINCE WHEN COULDNT YOU LINK ANON ASKS ANYMORE ????

basically there was this post saying the bau had to cram into one car and op said they’d have to sit on aaron’s lap. it had me thinking about oblivious aaron and when reader says something like that he doesn’t catch on that she’s flirting so he says “but that’s illegal 🫤 and dangerous ☝️”

by default

wc; 1.1k cw; sexual tension, flustered aaron flustered aaron flustered aaron

leave it to morgan to get an injury. per usual.

to be fair, he had been heroic, intercepting the unsub just in the nick of time. but while doing so, he had landed obscurely on his ankle, twisting the absolute hell out of it.

as a result, derek ultimately had to take up the entire backseat to keep his foot raised- to prevent further swelling and in attempt to ease the throbbing pain.

but that meant, you were left without a seat.

the takedown had been sudden; the other half of the team were still at the precinct, as was the other suv. you paused as the realization suddenly entered your mind, your hand pausing still on the ajar door.

at the sound of aaron's familiar footsteps behind you, you turned- just enough so he was able to catch a glimpse of your face. the look on yours must've relayed a sense of troubledness, as aaron's usual stoic expression deepened, a quizzical look in his eyes.

"what is it?" his tone was balanced- calm, but a hint of urgency was merely present. as if he were ready to go from zero to one hundred at your request, whatever it may be.

you gaped at him. "i don't have a seat."

aaron's face changed immediately, displaying an internal oh as the realization of the current predicament hit him as well. "right..." aaron's voice trailed off, immediately racking through his brain for a possible solution. "um..."

"what's the issue?" dave approached the two of you, having just finished his conversation with one of the paramedics on scene.

"since hero man over here took one for the team," you tilted your head in derek's direction, who looked awfully proud at the title you've given him. "we're inevitably down a seat."

"hm. well i guess that's too bad." dave nonchalantly answered with a shrug of his shoulders. to hide his smile, he opened the driver side door and didn't waste a second getting inside, offering no further words or assistance.

aaron huffed out a breath through his nose, rolling his eyes at rossi's very apparent helpfulness.

a new idea flashed into your head- one that made you giddy and sweat at the same time. it exited your mouth before you could stop it; you chalked it up to the adrenaline still pumping through your veins from the unsub's takedown. any other time, you wouldn't be as confident or straightforward.

"i could always sit on your lap."

despite the fact he instantly froze, aaron did a good job at showing no emotion at your suggestion. just like you, the idea made him feel lightheaded in the best possible way, but would he allow that to show? absolutely not.

and so by default, aaron crossed his arms, his eyebrows drawn into a line. "that's not very safe."

"do you have any better ideas?" you arched an eyebrow, crossing your arms right back at him. "we're out of options here."

"the roof?" derek joked from inside the vehicle. at his statement, aaron didn't hesitate to push the door shut, silencing him for the meantime.

"it's only like, a twenty minute drive. it's fine, i'll be fine." you reassured him, searching his eyes with yours.

he deadpanned. "and it's illegal."

you waved off his statement, quirking an eyebrow in a teasing manner. "i'll wear my vest if it makes you feel any better."

his timid expression softened, as if he were actually considering your point, but it only took a moment for the pensiveness to return. he let out a sigh, pulling his eyes from yours. "no..."

"then...?" you pushed hesitantly.

aaron knew your suggestion was the most logical resolution. it was either that, or derive morgan from aiding to his injury.

and he also knew that you would be safe, in his arms. by no means would he ever let anything bad happen to you.

his eyes made their way back to you, only to be met with again, a raised eyebrow.

"okay, fine." he surrendered, loosening his crossed arms and letting them drop to his sides.

you made your way over to the passenger side of the car, aaron at your footsteps. when he took the initiative and moved forward a bit, opening the door for the two of you, your confidence instantly fizzled and nerves took it's place.

this was really about to happen.

aaron climbed into the suv first, taking his seat and buckling- the seatbelt wouldn't span over both of you, so his arms would have to act as your seatbelt- before holding a hand out to you.

aaron had had less than a minute to prepare himself for this, but he was certain there wasn't a value of time that actually could.

meanwhile, you exhaled a silent breath and took his hand, settling yourself onto his lap.

at the contact aaron's breath hitched, his cheeks warming. involuntarily, all his past fantasies came to mind, as they were vaguely as close to coming true than he ever thought possible. he had lost count at how many times he had pictured you being this close, and closer. the only difference now were the articles of clothing separating the two of you, and the fact two colleagues were inches away.

to sum it up, you were both equally flustered. for months, there was an unspoken... something between the two of you. something neither of you had acted upon it, or addressed. and this, it was crossing the nonexistent barrier the two of you had put into place.

neither of you were upset about it too, quite honestly.

with a racing heart, you leaned back against his chest, aaron's arms wrapping around your waist securely and holding your body tightly to his. you weren't going fly through the windshield, even at the smallest of brakes, not on his watch.

after a very nervous swallow, he checked in with you, "this alright?"

that immediately took you by surprise, and did not help in the slightest. the closeness of aaron's low voice directly at your ear, his warm breath spreading across your neck, had every part of you silently humming.

"mhm." was all you could manage, resisting the urge to move your hips further back into his.

"aw, don't you two look comfortable." derek gushed from the backseat, a low chuckle escaping him.

you peered back to give him the stink eye, while aaron chose to ignore him. but, your movement did exactly what you hadn't intended, pushing yourself further into aaron. he let out a small noise, his grip around your waist only tightening as he resisted to squirm in his seat.

aaron composed himself the best he could, taking two long, silent breaths, he cleared his throat. "rossi-"

"drive safe, take no chances." dave interrupted him immediately, shifting the gear into drive. his tone was almost wise, clear amusement in his voice. "i know."

[velnna]

What brushes do you use in csp?? Ive been trying to find a good lineart brush thats gives me similar results to yours and im just having no luck

Imma be real with you boss I don't even know how to answer that question anymore LMAO

There's a post on my patreon (which, my bad, I thought was public but is locked for $1 apologies) called "brushes masterpost" where I list a bunch of brushes I tend to circle back to BUT that post is already outdated. I switch lineart brushes so often that ANY information about what brush I'm using becomes obsolete real quick so I hate answering this question 🫠

I can say that even if I linked the brushes I'm using, the chances of them looking the same to you are slim since my brush effects depend not just on the original brush, but on a bunch of edits to its settings, system pressure settings (the same brushes look different to me on a laptop and an iPad for instance) and resolution (a lot of the brushes I use look crispy because I work on low resolutions, but would look completely different if instead of using them at 3px size I used them at 10px like a normal person).

I can also maybe just advise that if you're struggling with finding a brush you like, don't be afraid to download a bunch of different ones (assuming you've got something like the CSP asset store) and spend some time redrawing the same things to see which one tickles your brain! And also don't be afraid to mess around with the settings to see what they do - while of course saving duplicates if you don't want to lose the original one. I find that really understanding what the main settings do is a lot better in the long run to customise your ideal brush than just trying out stuff other artists use directly.

My current lineart brush is a customised version of the brush "sketchy pen" from this pack

[arcanegifs]

On Gifmaking:

So season 2's coming soon, and I wanna reflect on making gifs ever since I came back to Tumblr. I can't believe it's been 2 years of making gifs for this show!!!!! Look at how large my folder is lmao

And those are JUST gifs lol

Anyways, over time, my style has changed, especially how I color edit Arcane gifs. I kind of strayed away from a stylized filter color into just something that looks a lot more "natural" and works with the original scene.

Initially, I thought I'd save time, but I ended up not using my old arcane preset PSDs and resulted to coloring almost every scene manually. So in the end, it takes even longer to make them HAHAHA. It takes around an hour and a half for me to make a 10 gif set, basically. It also helps that I have a photography background, so coloring/editing is a lot simpler for me.

Here's a lil before and after of a dark scene (hiiiii viiiiiii <3)

Arcane is a REALLY dark show, but it goes for most of TV shows. Many of them are darker and harder to bring up the lights to make stuff look nice as gifs. Some people don't like to color their gifs, and that's okay. I personally just like color edited gifs more.

I've started learning how to upscale scenes myself, so that I have a better resolution and leeway to make things look "HD" more.

If you're wondering why my stuff look so "crisp", it's a combination of the scene's lighting, my sharpening settings on Photoshop and knowing how to upscale everything into 4k resolution. Of course, doing this needs an extremely beefy pc, which I am very lucky to own one.

Here's another before and after of a nicely lit scene. These are much, MUCH easier to do than all the darkly lit scenes because of shadows and lighting (caitlyn kiramman truly the rizzler <3)

I've been very lucky to be able to essentially take a nice, long break for like a month doing nothing after being so damn busy for the last year and a half, so it's nice that I was able to make a ton of gifs and be chronically online for a short while LMAO.

It's been so fun! But it's time to go back to reality lmao. I closed reqs for a bit because I was just so swamped with them the last few days, and I wanted to gif scenes that I like this time. I've done like 2 weeks worth of gifs. And you will see Vi a lot bc she's on my mind a lot heehee 🥰what can I say, she's such a babe <3

Here's a lil sneak peek, just look at herrrrrrr 🥰🥰🥰 and yeah, 4k upscaled resolution really helps making these tight crops, it's why i never went back to 1080p lol. It's how I’m able to make zoomed in gifs look decent (like the kirammountains gifset lol)

Thank you so much for all the support, likes, reblogs, and the nice tags you guys give. Yes, I can see and read all of them (both the nice and nasty ones lmao). If you have nothing good to say about the characters or my editing style, or anything related to the edit, please I beg you, just write a separate text post about it <3 If you have nothing nice to say, don't say it in my edits.

Lastly, thank you to the people who share my stuff outside the site and credit the blog and link them back here. I see you and appreciate you <3 You guys don't know how much I appreciate shoutouts and link backs, because people stealing my gifs is something that I've dealt with after making them for like a decade.

Tumblr is sadly not what it used to be in the 2013-2015 era. There’s definitely less activity as time goes by, so I appreciate all the people who credit and link back to this sideblog. Unfortunately, there’s more people who just repost them and it gets wayyy much more traction in other soc med sites. Yeah, ofc I get a lil jealous, but eh what can you do 😞 can’t really stop em.

I also don’t like putting watermarks because it personally looks tacky to me, but I understand why other people do it.

Anyways, if you reached at the end of this lil rambling of mine, thank you! I sadly might be busy during November because that's usually busy season, but I'll try to make time for making gifs of Season 2! Thank you and enjoy your stay on this lil sideblog :)

[skyloftian-nutcase]

Zelda's Personality

I did a post about how Link, despite being a player insert, has different personalities through the games that appear subtly and can be inferred based on his behaviors and responses. So now it's time for the Zeldas! More recent games have given more of a shining role to the character for whom the franchise is named, and I love the variety between them all, so let's explore it a bit! (At least for the games that I've played)

Ocarina of Time Zelda - My gosh. I love her so much. This woman ain't a princess, she is a Queen. She is so determined to protect her people that even as a child she's willing to order people around and go against the adults' wishes, despite being ignored. This girl is determined. Like, BotW Zelda gets put down over and over despite her efforts and she is understandably dejected and goes along with what her father wants. This Zelda is straight up like I'M RIGHT YOU'RE WRONG and just moves on LOL. Not only is she determined, she has a plan. A very foolish childish plan because she is a child and no one is going to stop her.

And, naturally, since it's a child's plan against an adult who has all the other adults wrapped around his fingers, it doesn't work. Zelda is left with a kingdom in flames, the evil man she was trying to stop obtained the Triforce, and her father is dead. She's fleeing her home and spends the rest of her childhood in exile. Something like this could destroy a person. And maybe it did. But she picked herself back up. And not only did she pick herself back up, she trained herself to fight. She learned everything she needed to about the Hero's journey so she could guide him when he returned. She stayed in hiding to avoid Ganondorf's watch. She protected the Triforce of Wisdom. This girl is a certified badass.

This Zelda is a fighter in every sense of the word. Nothing will stop her, not even her own mistakes. But she is sensitive too, she's aware of the damage this has done to Link and is apologetic and so incredibly sad. She carries the weight of the world on her shoulders. (Granted, this is Adult Timeline Zelda, but she is just Child Timeline Zelda put through a different scenario, so... same personality for both of them, just different circumstances).

So overall, this Zelda is decisive, resolute, never gives up, empathetic, and probably a little reclusive based on how she's always left to her own devices.

Skyward Sword Zelda - This girl is chaotic and it's wonderful. She pushes her best friend off cliffs and sky islands. She bullies the bullies. She's training in a knight's academy, which more people need to remember dang it. She's protective, she's anxious, she's bossy, she's curious.

This girl is also pretty darn adaptable. Like. She gets thrown out of the sky, out of everything she's ever known, tossed into a world of danger with no one to guide her but a stranger, and has to recover memories of being a freaking goddess and endure a journey of discovering herself while also being chased by Ghirahim. And she does it. Like... Link isn't far behind her, he goes after her literally the next day, and she's already doing her part of her adventure. She was told the fate of the world depends on you and she said okay, then, better get going. Like wow.

She has to have a strong sense of self. This girl found out she was a goddess and told Link after everything, "I'm still my father's daughter. I'm still your Zelda." She was called Your Grace, she was a spirit maiden for a deity her people worshipped, and she still said, "yes. Yes, all of this is true. But I'm still me." Like... I know we see her during her journey when she's still processing and not the aftermath, but this girl has a will of iron and will not let go of who she is.

In summary, this Zelda is courageous, has a strong sense of duty, is a gremlin, excitable, assertive, and stubborn.

Breath of the Wild Zelda - Oh, this poor princess. This Zelda is so sincere and wants to help so much, but she struggles with discovering herself and her powers. She is endlessly inquisitive and absolutely crushed under the pressure her father and her kingdom places on her. She lets it out through understandable frustration, pitting it against someone who, to her, represents everything she is not, which is so interesting.

This Zelda wants for the pieces to just fit but she can't figure it out, and instead of doing some introspection she just continues to look for alternatives. When she does do introspection, it's just to ask why she's defective. Things just need to make sense. I feel like an attitude like this implies that 1, Zelda has no instructor and therefore never learned how to learn, and 2, that implies that everything else she's good at has come naturally to her, such as technology. This girl is a scientist! Who has not learned the scientific method! Though she does try experiments, as poor Link can attest.

When Zelda is allowed to just be herself she seems very sweet and bubbly and excitable. She's so happy when she wants Link to try that frog! She's also incredibly chatty, bless her, having to put up with that silent knight all the time haha (yes, Link does eventually talk to her. Eventually.)

I would also like to note that the instant this girl gets her powers, she goes straight to the castle and holds Ganon at bay for a hundred years. The instant she's free of that burden and bondage, she wants to rebuild her kingdom. Like holy cow. This girl went from doubting herself so much to having so much hope. She is a symbol of hope for her Hyrule.

BotW Zelda is uncertain initially, but learns to have faith in herself and more importantly has all the faith in the world in her people. She is inquisitive, extremely intelligent, energetic, bubbly, and very sensitive.

Twilight Princess Zelda - One of the more mysterious and less prominent Zeldas in her series, this woman radiates quiet strength and regalness. Also, her very first scene (or maybe it's a cut scene flashback in her first interaction in the game) shows her brandishing a sword to fight alongside her soldiers. Hell yes, Queen. But she also has the wherewithal to recognize when she's outplayed. She is wise and knows when to fold to avoid needless casualties. She is willing to put herself in such a vulnerable state in order to protect others. She knew that fighting would still result in the kingdom being overcome by Twilight magic with bonus dead soldiers, so she opted for doing it without the dead soldiers. Knowing when you're beaten and taking it with grace to figure things out takes not only wisdom but humility.

This Zelda is also just... so incredibly understated. Her sadness over her kingdom's fall into disarray is poignant but subtle. Her compassion for Midna when she's dying is muted, but so clearly evident in that she gives her remaining life energy to her. Her acceptance of Link as the Hero, and her sign of respect to him and petition for his aid is just oh my goodness, the regal bow, the willingness to fight alongside him, I love her.

With as little as she features in the game and with as quiet as she can be, she honestly is hard to peg down, but overall this Zelda strikes me as someone who feels deeply and expresses little of it. She's quiet, she's reserved, but she is humble and dignified and incredibly kind.

So there you have it. Some of the ladies for you. I love them all dearly and love to compare and contrast them. <3

[dragonsandphoenix]

I feel like some of the disconnect when it comes to Meet You At The Blossom comes from BL watchers not having developed the danmei literacies to engage with it on its terms. Heck, they don't even necessarily have the BL literacies beyond what's there in live action BL. This really good post goes into more detail about it.

On a related note, I recently came across a Youtuber who insisted that it's valid for him to dislike a work of fiction on the basis that the characters are not likable even if that's the point (he was talking about RF Kuang's Yellowface btw). While I understand that sometimes a thing just doesn't vibe with you and it's fine, I wonder why he even made a video about it then. Clearly he had something to say about it, even if what he's saying is basically useless, so my only guess is the point of his video was to get validation from the people who agreed with him (which does appear to be the case judging from the comments). Art is a conversation and if you are unable or refuse to meet it where it's at, then you're better off not saying anything about it on a public platform because I guarantee you will have nothing valuable to add to the conversation.

From the post I just linked, this is my expectation of the narrative progression in MYATB, because it's the type of narrative that the author Shui Qian Cheng specialises in (as can also be seen in Beloved Enemy & the My Stand In novel):

In jado BL that focuses on characters being villains, there are no such expectations. These BL work within the confines of their own worldview which don’t necessarily match with our IRL worldview. Characters are allowed to act in ways that goes against our everyday perception of what is right and what is wrong. Neither the characters nor the audience expect the characters to right their wrong, to apologize or to get punished, through judicial procedure or otherwise. Happy endings are not after reparations and resolution of issues, it would be in spite of those. Bad endings aren’t necessarily punishments for bad actions committed throughout the narrative, that’s just the ending of that story. Unlike with the BL with sweet narrative progression, these BL are not necessarily stories of two or more guys falling in love. Neither is their love (if at all there is love) expected to be healthy and wholesome. (It can be wholesome but it is just as well if it is not.) There are expectations from such narrative progressions too and resolution to most issues aren’t among those expectations. Clearly not everyone’s cup of tea, especially if they expect BL to be didactic like fables.

[poetrysmackdown]

hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]

Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.

For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.

For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol

Autobiography of Death by Kim Hyesoon trans. Don Mee Choi

Conflict Resolution for Holy Beings by Joy Harjo

DMZ Colony by Don Mee Choi

Hardly War by Don Mee Choi

Whereas by Layli Long Soldier

Geography III by Elizabeth Bishop

Dictee by Theresa Hak Kyung Cha

Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine

Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu

The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown

The Branch Will Not Break by James Wright

This Journey by James Wright

God’s Silence by Franz Wright

Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)

DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.

If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.

I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.

Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)

[uwabbittuwabbit]

Eterna's Iceberg of Race Replays

I keep seeing people asking about how to watch MotoGP race replays in a financially responsible way, so here's my guide on where to find them!

TIER 1: MotoGP YouTube Channel Playlist MotoGP is probably one of the better racing series in that there are race replays readily accessible on their YouTube channel. They also do have some replays on their Facebook if you have the time to do an archaeological excavation, which I forgot to put on the iceberg (for example the 2014 Qatar GP). Since it's on their official accounts, it's at the top.

TIER 2: Motomundo Many a motoheads' trusted source for replays! Motomundo also has various documentaries, as well as practice, qualifying and testing replays. Motomundo also has a VKVideo account that which you can use if you are so inclined. Unfortunately, it has been reported of late that many of the videos have stopped working, with most of the older races not accessible at all. On the second tier since it is widely recommended and an open secret.

TIER 3: BiliBili (1) (2) This one is kind of unusual! Some endeavoring fans have done a great work of philanthropy by uploading entire seasons of MotoGP replays onto BiliBili, which is basically the Chinese equivalent of YouTube...but more. It can be overwhelming (they have a function where users can write comments which then are displayed on the screen while the video plays, for example) and maybe when I have more time, I could write a guide. Another circumstance of these replays being Chinese reuploads is that the commentary is also in Chinese, and there are some really very ugly watermarks from the broadcast itself that cannot be readily edited out. However, the archive is VERY extensive, although it only comprises of races. On the third tier since BiliBili is very popular in China, but more obscure in the West, and I only found this because I am Chinese and already had knowledge of the platform. The first link leads to a collection in which all the races from 1979-2019 have been uploaded. The second is from the same user, however it is just footage of 2020 testing. Unfortunately it seems that their uploads have paused there, at least for now.

TIER 4: This suspicious ass looking website If you've ventured this far down into the iceberg, I'm assuming that suspicious looking websites that have the potential to give you a virus don't phase you. But nevertheless, as a disclaimer, this website is a little hard to navigate. However, not only does it provide MotoGP coverage (in English), it also covers the feeder series as well and includes them in their race weekend compilations. There are options to view the race in varying resolutions, as well as links to various other uploads on Meta (not THAT Meta) and the like. Unfortunately around 2018 are where the uploads become a bit spotty, with many of the videos being unplayable and the links also leading nowhere. A very warranted tier four rating.

TIER 5: ArchivoGP (1) (2) (3) The reason I placed this one so low is not necessarily because it's better than the rest of the sources (in fact, at time of writing this post a good portion of their videos have been taken offline) but because the story in finding it was actually pretty funny. For context, I was on the hunt for a clip of Marc Marquez giving reigning world champion Pecco Bagnaia the thumbs up at the end of Mugello Q2 (thank you tumblr user suzuki-ecstar for replying to me about this...) and none of the sources I was using (so, any of the above already listed) had that clip. I was gnashing and gnawing my teeth in pain. So where else does one go to find something that is presumably lost? Internet Archive! I really thought this was the end of the road and I would have to clip that moment from a shitty vertical YouTube Short or something. Pain. But then I happen upon a full MotoGP replay. It wasn't of the session I wanted, but when I looked into the user a little further, I saw that they had uploaded various other full race replays. In their bio it was stated that they had a Telegram channel under the same name (ArchivoGP), so I did a Google search and found that they indeed did. Happily, their uploads (which are DAZN broadcasts consisting of pre-GP, practice, qualifying, sprint, feature race, post-GP and also cover the feeder classes) DID have that moment and that is the story of how I finished a fancam with the help of Internet Archive, which once again has saved my life. The three different links above lead to their old site, their new(?) one, and their video archive in question which is hosted on TokyVideo. Unfortunately their archive only dates back to 2020, and as I have stated previously some of them have been taken down.

MISCELLANEOUS: (1) (2) These are some assorted Internet Archive sources which I found while trying to backtrack how I found the previous source. I haven't had the time to actually sort through and vet the videos except for one, the original ArchivoGP user uploads (which is the first link, though I'm not entirely sure because they have since changed the name of the channel).

I hope with this masterpost I have saved you guys a lot of time that you (and me, to be honest) do not have. If you want to know where to watch races LIVE, user kingofthering has a very handy dandy masterpost here which you can go check out.

Psst: in general, if you want to very legally watch something, this is a good resource that I recommend. Cheers! ;)

[emblazons]

Note: I am finally posting this (something that has been in my drafts for actual months) because @pinkeoni hurt my feelings talking about Will and Alan Turing). So...you can inavertently thank Robin for this LMAO

I don’t delve much into Stranger Things analysis anymore, but having just watched The Imitation Game, the biopic they made about Alan Turning in 2014—I’m thinking that maybe Will doing his presentation on the man might have an delightful (secondary) parallel to this film’s exploration of him, given Will’s burgeoning queerness + ongoing relationship with normalcy.

Throughout the film, the ongoing theme of "differences bringing about greatness/change" permeates every character, but Turing especially—something that the conversation he has with a character named Joan near the end of the film showcases well:

In this conversation, Joan is trying to encourage Turing to come out of depression and rely on her, given he is struggling immensely with physical effects of chemical castration—which he obviously resents, but feels is better than giving up the life he has and being “entirely alone” because of his sexuality / desires (sound familiar)?

This ongoing exploration of queerness as tied to greatness and/or otherness is something that is very often explored in Stranger Things as well, primarily with Will—to the point where Will has nearly the exact conversation Alan has with Joan with Jonathan in S2:

—in addition to us exploring the relationship between a lack of normalcy, queerness and even nerdiness through/by other characters like Robin, Mike & Lucas.

Now (as we all know), Will’s homosexuality has been forever and inherently linked to his otherness/lack of normalcy—whether with how he was bullied in S1-S2, his struggle to be open with his feelings for Mike in S4, or the million literal / metaphorical things in between, Will has always been encouraged not to conform, but still struggles to self-actualize enough to embrace himself fully…which most of us expect for him come S5.

Basically: the underlying theme of this film for Turning (much like the underlying themes at the heart of ST) revolves around how most people strive for normalcy, despite normalcy being undesirable if you expect to do anything great/interesting. While Turing was a homosexual man, he was also one who struggled greatly with fitting in overall—much like Will, which I think perfectly reflects how the Duffers have set up their S5 resolution + solving Will’s ongoing internal struggle with his romantic feelings for Mike + ongoing dissonance with normalcy.

(sidebar: there are articles exploring the idea of "embracing difference" in this movie that parallel Will's "Being Different." See: Embracing Difference - The Imitation Game)

Both TIG!Turing and Will exist in on the fringes on their respective worlds due to their differences and homosexuality—just as both of them are both most inspired by their (romantic) love for their male best friends....to the point that those relationships define their contributions to the story: Turing with the machine that helped the Allied powers break the Nazi Enigma code, and Will in ways I'm sure we'll be talking about in 2025.

TL;DR: While Will still has another season to sort through what his love for his best friend means for both his rejection of normalcy and his greatness, it's fairly apparent that (much like Turing) it is the embracing of both difference and homosexuality that leads to greatness—no matter how the world feels about that overall.

(We love it when the gays learn life lessons (and when they win)).

[ctrl-alt-vibeshift]

in defense of the brat album art

my feed stopped when charli xcx dropped the album art for her upcoming sixth studio album "brat" a few weeks ago. like many angels, i was confused at first, as the image staggered out of the code on her merch site unannounced through a vinyl preorder link that originally had no image to go with it (and yes i ordered one before seeing any visuals...). even after she tweeted it, and the creative team posted about their contributions to it, questions were left unanswered. was it real? was it just a placeholder? was it an alternative cover for the brat_360 exclusive vinyl? this is not the album cover right? one angel dared ask our god in her twitter replies.

even before i got official confirmation that this was indeed the official cover, which i think came from charli's interview with vogue after the release of lead single von dutch, i was obsessed. the green: neon, but not tacky like the overdone highlighter trend already claimed by k-pop boy group nct, rather a muted, dull lime, catching your eye but not blinding you. the font: a simple sans serif, slightly condensed and elongated, nothing over-the-top or borderline illegible like the custom fonts artists usually commission. and the blur, the pixelization, the resolution, the quality (or lack thereof)—this is what really does it for me.

they're barely there, the rough, blurred edges of each letter, but once you see them you can't unsee them. the design evokes the feeling of waiting for an image to load in full quality on instagram, a youtube video playing in less than 1080p while buffering, a hi-res photo downloading from the cloud, a show or movie lagging its way into clarity on streaming services. or as oomf (@_alienmelissa) using a fan edit of von dutch lyrics put it:

(trans: lyric videos around 2008 all had fonts and backgrounds like this..........)

while thinking about the many implications of the low quality text on the cover, i read the essay "in defense of the poor image" written by hito steyerl in e-flux journal back in 2009, which perfectly put into words what i had been ruminating on:

[The poor image] mocks the promises of digital technology. Not only is it often degraded to the point of being just a hurried blur, one even doubts whether it could be called an image at all. Only digital technology could produce such a dilapidated image in the first place.

"one even doubts whether it could be called an image album cover at all," as many have due to the "poorness" of the brat art. better yet, steyerl goes on to proclaim "resolution was fetishized as if its lack amounted to castration of the author," also predicting the mass ridicule of charli for choosing and releasing such a "hurried blur" of an album art design.

regardless of what you compare it to, the low-res, early internet digital aesthetic it speaks to is something i haven't seen spoken much about. many twitter gays are up in arms about the lack of an image of charli on it, breaking her faceful cover streak (although she does hide it a bit on pop 2), and not giving them a new image to set their profile pictures to. charli has acknowledged this in the vogue interview: “I mean, as a female pop artist, what’s more bratty than not being on your album cover? Especially when there is so much pressure for women within the pop sphere to do exactly that," as well as in a tweet posted right before i started writing this:

which grimes replied to while i was writing this:

grimes scratches at what i'm getting at, but is more focused on the shock value that comes with its loud simplicity. this sentiment of breaking the feed, cutting through the visual muck and endless faces with a bold monotone color and by refusing to show face, is something i also admire. yet i think why i feel so passionately about the aesthetic value of this cover is that it offers me a respite from the overflow of high-res images mediated through the internet and onto my phone screen.

i'm so sick of the flood of iphone/digital photography, its quality increasing with each new device release. these images try too hard to replicate what they're representing, and create a false reality that many (myself included) get trapped in. we've sunken into the uncanny valley, and it's about time we claw ourselves out. i don't want to experience the physical through the digital anymore. i'd rather see all your pores when you're inches from my face than through the insane number of pixels resting in my palm. i want the images on the internet to be so obviously contained within it that there's no mistaking them for something material. i think this is why i'm such a fan of camcorder style photography and videos: like the chunky pixels surrounding "brat," they whisper i'm not real, i'm flawed technology, i will never replace the resolution of your retinas.

lucky for me, brat isn't the first artwork to do so, as there seems to be a shift back towards the materiality of the offline and the rougher edges of early internet interfaces within the broader art and design world as well. kat kitay describes this as "technoromanticism" in her essay "what's after post-internet art?" for spike magazine:

Exposed circuitry departs from the post-internet gloss typified by DIS Magazine, which shined up or hid away the ugly parts of technology. Hardware is made visible, laying bare the flow of power and information, at the same time transfiguring electronics into sacred objects. 

replace DIS magazine with PC music (its audio equivalent imo) and you'll get an analogy more relevant to charli's own aesthetic journey here. the super slick black lamborghini on the cover of the vroom vroom ep has driven off, her impossibly iridescent skin on the cover of pop 2 has shed its shine, and the skyscraper she's perched on for the cover of xcx world (RIP) has long been toppled, leaving nicki minaj's gag city in its ashes. the brat cover is the antithesis to these eras.

while ecco2k croons all i wanna see is 1080p / but reality keep me on 240 on "hold me down like gravity," maybe it's time to embody the "240" of reality again. with charli teasing this record as her clubbiest to date, tapping back into her party girl roots attending uk raves in her tweens, brat offers us a chance, both visually and sonically, to embrace the blur, the sweat, the adrenaline, the tears, and of course, the poppers fumes, of a low-res life.

[vikintor]

Calling all Gaythyanki! How participate:

[☺ CONTEXT ☺]

What is this about ?

"Githmap" is a small one-map Githyanki fan-project being made using Doom2. I'm working on it as a way to learn Doom mapping while using a theme I'm passionate about.

You play as Jez'rathki, a Githyanki cleric who woke on a stronghold after a near-death experience. You should talk to other Githyanki and explore the place.

who is working on the map ?

I'm Vikintor (made the games Teocida, Estigma and Tamashii), I'm mostly working with surreal and psychedelic horror oriented games, but the Githmap is a small fan project I'm making in my free time as I'm learning GZDoom and because I only got interested in D&D thanks to the Githyanki.

What you're looking for?

I'm looking for Githyanki/Githzerai fans out there and asking if you want to add your Githyanki OC character as a guest appearance. They will be an static Doom NPC the player can only talk to.

They aren't many rules about how participate besides one point: You Githyanki/Githzerai must have Gith noses and ears (Im adding a few exceptions for other races appearances, but I'm not adding Githyanki with human noses, I talked about why on a previous post.)

Where my OC character will be?

Your character will be placed anywhere in the stronghold, This stronghold is a hidden place that serves as a sanctuary for the Githyanki and Githzerai alike. Most of the Giths you will find here are considered traitors, some just need a place to plot political assassinations (including the Queen's assassination), and others are refugees who escaped from Tu'narath.

This is how your OC will look in the game:

[☺ PARTICIPATION☺]

First step [graphics] :

I need 5 frames of your Githyanki character in each direction as the images below:

The sprites will lose details, as I'm converting it to doom. I recommend sending me the 5 sprites as a transparent PNG with 540x540 resolution (like the images above, you can copy them as base).

As a console player I get my character directions by printing this screen and cutting the images on PC.

Don't know how to prepare these sprites? I made a short guide on this link HERE:

Second step [dialogue] :

Now the fun part.

Jez'rathki is a Githyanki cleric who will be asking some questions to your Githyanki OC / TAV (she likes to meet more of her kin, but sometimes she's way too curious). Your character can answer Jez'rathki the way you want, they can be friendly, evasive, rude or just refusing to answer some of the questions, maybe you decide that Jez'rathki doesn't deserve to be trusted, so be free to give your character their voice.

Below are the questions, you don't need to answer every question if you don't need. If a question has a blank response I will just add the others questions/answers instead. Just remember that these questions must be answered by your Character in first person.

QUESTIONS:

— Greeting message

The first one is not even a question, just write your character's greeting message, or better, how they answer by being called by Jez'rathki to start a conversation.

— Identify yourself.

Make your OC introduce themself, they can answer their name/nickname, their occupation, class/ranking, and a bit of their backstory.

— Tell me about your Creche.

(you can change it to Tell me about your home if needed)

Where your OC was raised and how they feel about their home

— I need to know how you fight.

Your Oc can explain how they fight, their class and tactics, example: here they can explain details of being a warlock, a gish, githwarrior, knight, mlar, Hr'a'cknir, etc. Or maybe they don't fight at all.

— Can I ask a more personal question?

Write what your OC would say if Jez'rathki tried to get personal.

— What is your relationship with the divinity?

What your Gith thinks about the divinity. It can be their relationship with Vlaakith or another one of the deities or religion in general. Commonly, Githyanki don't like that topic, as they can be killed if they follow other deities.

— What do you usually do in your free time?

Let your OC Tell their hobbies or whatever they like to do in their free time.

— What is your life goal?

Make your OC explain their life goal, it can be their campaign objective, quest etc.

— How is your relationship with your allies?

How your OC treat their allies? the formal way? As a resource? As friends?

— Do you have someone special in your life?

Your character can talk about someone they consider as family, a friend, or a lover, just try to avoid canon BG3 character references if your character lore is BG3 based, as more Githyanki OC on the map can start telling similar stories that may contradict your character. If this is the case, you can avoid using the names of canonical characters and just generically mention their occupations. example: Lae'zel can become just a "Fierce Gith warrior" and Karlach a "Tiefling with an almost incurable illness".

— Say something you would never do, and why?

Maybe they would never betray a friend, or they would never give up something they achieved. Explaining why could go deeper into their motivations.

— What is a perfect day to you?

Let your OC describe how a perfect day would be. the routine, the weather, etc.

— How do you celebrate a victory?

Do your OC celebrate their victories? how? giving a party? Drinking a lot? Getting laid? Sleeping? Or they don't like celebrating? Maybe your OC has a recommendation for Jez'rathki, yeah, they can give her an idea of how to celebrate a victory.

— How do you deal with defeat and losses?

What your OC feels about losses, can be about losing literal and nonliteral fights. Maybe they have some wisdom to share on the subject, or maybe they don't. Perhaps some do not accept losing in any circumstance.

— How do you think you will be remembered after death?

Do they care about this? How do they feel about the idea of being worshiped as an icon after death or they're afraid of being forgotten? Remember, every answer should be in first person, it's the voice of your OC.

Third step [LETS GOOO] :

Feel free to ask me your questions, I will be fixing some typos in this post and changing some aspects as necessary.

I'm open to suggestions, lets have fun.

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Copy everything below to a new Tumblr post with all the information needed. Change the descriptions with your OC Information, feel free to change the questions if needed:

If you want: You can also share this post and change the information needed (don't forget to add the 5 sprites).

You can use the Hashtags #githmap #githmapoc to make it easy for me and other people to find (you can add your hashtags as well)

and put my @ in the end so I get notified

SUBMISSION EXAMPLE ON THIS LINK

Sorry if I can't add each OC fast, I'm making the map on my free time.

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[☺ YOUR GITH OC NAME HERE☺]

(you can add an photo/draw of you OC here to make the post more interesting for the viewers)

1. [CHARACTER INFO]

OC NAME: The name of you Gith OC as you want it to appear in the dialogue.

OC PRONOUS: The pronouns of you Gith OC so they can be referenced properly by NPC and the game.

AUTHOR: Your artist name as it will appear in the game credits as the creator and writer of your OC. It can be your @, it will appear alongside your OC NAME in the game.

2. [DIALOGUE]

1. Greeting message:

[answer]

2. Identify yourself:

[answer]

3. Tell me about your Creche:

[answer]

4. I need to know how you fight::

[answer]

5. Can I ask a more personal question?

[answer]

6. What is your relationship with the divinity?

[answer]

7. What do you usually do in your free time?

[answer]

8. What is your life goal?

[answer]

9. How is your relationship with your allies?

[answer]

10. Do you have someone special in your life?

[answer]

11. Say something you would never do, and why?

[answer]

12. What is a perfect day to you?

[answer]

13. How do you celebrate a victory?

[answer]

14. How do you deal with defeat and losses?

[answer]

15. How do you think you will be remembered after death?

[answer]

3. [GRAPHICS]

Post your 5 (FIVE) full body OC sprites, each one facing a direction as shown in the original post, they will be used as the NPC graphics.

(recommended 540x540 transparent png)

4. [BONUS RESOURCES]

If you're ok with it, here you can post as many additional images of your Githyanki/Githzerai OC as you want, which can be portraits, drawings, or paintings, Maybe I will use some of them in the game, credited as the Author name you wrote above.

If you record voice lines in ogg format you can put a link here so it can play when the player interact with your character.

And put my @ in the end so I get notified.

@vikintor

[the-badger-mole]

If you could fix aang as a character and make him a better well rounded character and hero of the story how would you do it? I love aang, but I perfectly understand why you don't like him. And the writing that was done for him in the show is so messed up. I wish he was written way better. Because for me Aang does have moments. But over all he has a lot of moments where he is toxic and it just drives me crazy.

I'd allow people to be angry at him. That moment in Bato of the Water Tribe, where he makes snide asides about the SWT culture and artifacts? Yeah, Katara and Sokka heard him. The village that had an anti-Avatar Day? That doesn't get resolved even after Kyoshi's grand appearance, because centuries of ill will doesn't just go away like that. Same with the two tribes in The Great Divide. Their interaction with Aang leaves a sour taste in their mouths, and Aang doesn't just get to lie his way out of conflict resolution.

I'm not saying this to be mean, but Aang's whole schtick is that everyone either loves him or is a villain, but if he's going to be an effective Avatar, he's got to learn to live with not being universally adored. He's got to learn that other cultures have value, even if their customs come in direct conflict with his own, because how is an Avatar who is a supremacist for their own native culture going to be an effective bridge for the different countries of the world? How does he illustrate the show theme of "the illusion of separation" if he can't even appreciate other peoples' points of view? How is he going to be effective at conflict resolution when he hasn't even experienced resolving his own conflicts?

Aang should also be forced to consider the war head on. I'm not talking about fighting lil' skirmishes and being chased by people. I'm talking about being forced to confront the war happening around him, and how it has affected the people he loves, and his role in it. I made a post here about how I wish it had been handled, but the tl;dr version is Aang should have been considering how to end the war and defeat Ozai WELL before the second to last episode.

Obviously, I Aang shouldn't have gotten with Katara, but I'm fine with his crush. Unrequited crushes are a part of growing up, and learning how to handle that disappointment is important. It think it would have been such a powerful moment for Katara and Aang to discuss their relationship and end with them still being friends even though Katara doesn't feel the same way about Aang.

If you're interested, scroll through my blog a bit. I've touched on how I'd improve Aang a few times. I would link more, but Tumblr is a garbage barge of a site, and their archiving feature reflects that. `