#it depends a lot

[kryptonbabe]

Yeah, Transformers are cool and all, there's no way I won't enjoy reading about post-biological alien creatures in a perpetual conflict over their system of beliefs, but I'm sorry Hasbro nothing will make me read or watch G.I. Joe, that's where I draw the line, nothing more joyless to me than the military

[anonymousdandelion]

A general tip for students who are sending those dreaded Religious Absence Emails to your professors: Rather than asking permission to take the day(s) off, politely let them know that you will be taking the day(s) off.

In other words, consider not saying this:

"May I miss class on [date] so I can observe [holiday]?"

It's not that there's anything wrong with the above, per se. But because it's phrased as a request, it risks coming across as optional — a favor you hope to be granted. Problem is, favors are not owed, and so unfortunately asking permission opens the door for the professor to respond "Thanks for asking. No, you may not. :)"

Instead, try something along the lines of:

"I will need to miss class on [date] because I will be observing [holiday]. I wanted to let you know of this conflict now, and to ask your assistance in making arrangements for making up whatever material I may miss as a result of this absence."

This is pretty formal language (naturally, you can and should tweak it to sound more like your voice). But the important piece is that, while still being respectful, it shifts the focus of the discussion so that the question becomes not "Is it okay for me to observe my religion?", but rather, "How can we best accommodate my observance?"

Because the first question should not be up for debate: freedom of religion is a right, not a favor. And the second question is the subject you need to discuss.

(Ideally, do this after you've looked up your school's policy on religious absences, so you know what you're working within and that religious discrimination is illegal. Just in case your professor forgot.)

[zorangezest]

Shockwave somewhere off in the corner with starscream watching this personality swap unfold that he caused somehow

HOLD ON. YOU’RE RIGJT. SHOCKWAVE DEFINITELY CAUSED ALL OF THIS

you inspired me to make this comic why is this becoming an actual au why does this stupid blucking au have lore I’m going to cry

[fraternum-momentum]

the student at the far end of the classroom

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[vigilskeep]

as a big fan of you Viago Posting I gotta ask, how do you think Viago feels/reacts to the news of Rook de Riva romancing each of the various companions? I feel like the guy would absolutely have Opinions on all of them lol

i keep receiving asks addressed like this as though i am some kind of Viago Whisperer, which i find both funny and an intimidating task. nevertheless i shall do my best.

i don’t think he would react well to any of the options here, but that’s not necessarily damning, because viago does not react well to basically anything. roughly in order from Least Viago Stress to Most Viago Stress:

1) emmrich seems, in banters with lucanis, to have been emboldened by lucanis’ confirmation that viago posssesses a rosseletto painting and gone on to actually discuss art with viago himself. (lucanis later lets emmrich know from viago that a painting he ordered for vorgoth’s benefit has come in.) emmrich is a man of culture with a very respectable necrotic damage specialisation. he comes from a politically powerful organisation that can defend itself, yet is not personally ambitious in a way likely to drag house de riva into trouble or use rook for his own ends. sure i think viago would make a little fuss about the age gap because he’s judgemental like that but i don’t think there would be much passion behind it

2) bellara’s bubbling questions and excitable nature would be personally a bit startling and maybe slightly grating to viago but i’m keeping her pretty high up because i think lucanis is right and that viago would eat up her knowledge about taste profiles for his usual Nefarious Purposes. once he realises she genuinely is asking questions about house de riva proprietary poisoning tactics for writing research, of all things, i think we can get these fantasy scientists chatting and then she’d charm him against his will.

3) taash’s general bluntness would startle viago even more. their interactions would be pretty hysterical, because taash is so straightforward and viago is so paranoid, and i think viago would leave all of them confused and slightly intimidated. if you send taash with the crows in the final battle, they and teia have a cute interaction about taash getting honorary crow rights, as a conclusion to lucanis and taash’s banters. so this has Teia Approval, which causes viago grumbling but does have a positive viago effect overall. the lords of fortune are friendly with the crows so i don’t think there are major occupational objections here

4) harding is an inquisition agent, which i think viago probably has both condescending and paranoid opinions about. i.e., the inquisition are a small band of fading influence but they also have a history of insane power grabs out of nowhere. neither of which are exactly what you want your protege to marry into. her inability to cook suggests very little skillset bonding. she’s an ordinary farm girl from ferelden and viago’s an antivan elitist so no discussion of their relative backgrounds is going to go very well. HOWEVER, there are saving graces here. she’s a rogue, which is the viago equivalent of dating someone who’s made good career choices. they briefly worked together in the comics with no issues and happily shook hands at the end. he would find her powers conceptually interesting. she’s the type of person to make an effort with in-laws. (hysterical image of her somehow getting viago to her ma’s house for a family gathering. his spindly legs not fitting under the dwarven table. him testing the world’s most earnest fereldan soup for poison. endless potential here.)

5) neve is a detective. viago is a poisoner and rook is his assassin. these are not particularly compatible life paths and i believe viago would point this out with increasing volume as nobody else seems to take issue with it. her canonical willingness to work with the crows would mollify him a bit. every other aspect of her life would not. maybe avoid her mentioning that she lives in a dock town apartment and makes no money because she’s too busy picking fights against impossible odds out of the goodness of her heart? like just don’t bring that up over dinner.

6) davrin made life choices against his own clan’s wishes, greatly approves when you knock his boss out cold, and has zero respect for the crows. davrin does not want viago’s approval. davrin cannot even pretend to want viago’s approval. viago thinks he has the right to be insulted. let alone the insult of his protege ending up with someone with the zero lifetime prospects of a grey warden monster hunter. does rook even know what happened the last time a crow lost their head over a warden? perhaps rook would like the crows to bury as many fifth talons as they did eighth talons! <- said in increasingly hysterical tones, as teia pats him on the back comfortingly while giving rook a thumbs up for picking out a handsome one

7) viago’s fairly sure you’re publicly dating the first talon because you want him personally in an early grave

[weepingfireflies]

Anyway, my opinion on the current trans infighting is that any portrayal of intracommunity discourse as transfem vs. transmasc inherently obfuscates the shared fight against transmisogynists and transandrophobes. It simplifies a complex and varied community to two opposing sides instead of as a fight against transphobia in all its forms. Every trans person is systematically oppressed due to being trans, sometimes in noticably similar ways and sometimes in different ways depending on various factors; Any trans person can be victimized by any other person, trans or cis, and the overarching transphobia and bigotry can be used to excuse it. One's own oppression cannot and should not be as a weapon to silence another's, no matter how well-intentioned it may seem.

PLEASE listen to other trans people in good faith and understand that we're all in the same boat, regardless of our specific trans identities.

[soulless-bex]

i love the headcanon that Dick and Jason are stupidly more stealthy than the other bat kids because they spent their Robin years running around with a bright yellow cape

[luckthebard]

I’m going to say something I’ve been thinking for a long time. Travis/Chetney always bringing up Molaesmyr gets laughs but I think it is the largest factor which is making Matt’s attempt to have the Predathos question be a real debate, and the cast treating it as one not only fall flat for me, but have me ready to be incredibly disappointed in the storytelling of C3 depending on what happens.

Molaesmyr is the most pure example we have of Ludinus’s sins and what happens if he gets what he wants. He contacted Predathos and destroyed a civilization. Not only destroyed it, but twisted the animals, plant life, and people of the city and for hundreds of miles around into horrible, tortured and suffering mockeries of themselves, still haunting a perpetually dying space. That is what Matt presented when we visited Molaesmyr in episode 57 and, because Matt is good at horror and especially body horror, it really landed.

We’ve heard the cast say several times now that the characters definitely want to stop Ludinus from getting any power but after that “we’ll see.” We’ll see what? How is doing any version of what Ludinus wants a victory, even if he’s not involved? How are we considering that it might be fine to let Predathos out to chase/eat the gods or to control after seeing what it did to Molaesmyr? Do the people we saw as twisted and suffering mockeries of their former selves in that dead city not matter to the story at all? Are they just set dressing we’re supposed to forget?

Trying to present any version of what Ludinus ultimately wants, releasing Predathos, as a possible and even potentially correct or admirable endgame was, imo, a huge mistake after seeing Molaesmyr. As an audience of this story, it turns who we’ve been told are protagonists into villains. And while some stories can do that well, I don’t have confidence this one could, in large part because D&D is designed to be heroic fantasy. And seeing the heroes turn to villains at the last second will be even harder to swallow if the story tries to tell us they had a point.

[tesscourtes]

drawing the cheesiest billford kisses this town has ever seen

[queeringclassiclit]

Which adaptation of Sherlock Holmes is the most queer?

*not including House M.D. because it's not really an adaptation, or any overtly queer pastiches like My Dearest Holmes or The Adventure of the Furtive Festivity because that's not really a fair contest

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[batfam-stuff-posts-0]

How Damian looks to the others when he's trying to be threatening:

[aestheticallynotdeerlightful]

Style swap- Invader Zim and Psychonauts

Cause I thought it would be fun and practice

.

(Please do not use or repost my works anywhere without explicit permission from me first thank you <3)

[endlesslytired]

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)