#it becomes a common thing between them

[soup-scope]

what makes me giggled about darlin and sams relationship is that even if sam was never turned, they totally could’ve met anyways

i mean darlin is public enemy #1 when it comes to self preservation. bro probably has met every single healer dahlia has to offer

so they 1000% could’ve met and fallen for each other even if sam was never turned 💔💔

[poorly-drawn-mdzs]

While you were fighting in the war, I was falling in a pit.

[First] Prev <–-> Next

[da-janela-lateral]

Something I really like about terumob is how they're on equal terms? in a way? Both are people whose statutes as espers deprived them from a normal enjoyable life (Teruki being hunted down by Claw, Mob repressing his emotions because he feared his powers) and that as a consequence, became lonely and insecure. It may have manifested in different ways, but in the end it boiled down to a fundamental similarity: the belief that without their powers, they would be nothing. The fact that they share this struggle and can see eventually each other as an equal, as a person who understands them and that they can be their true selves around, is very appealing to me.

[slyandthefamilybook]

I think we need to have a serious re-evaluation of what "leftist" means bc there ain't no fuckin way authcoms are on the same left as me lmao

[iwonderwh0]

Question for fic writers who write in english but whose first language isn't english

[todayisafridaynight]

I think what anon meant to say is that Mine is the complete opposite of Kiryu, but they have their similarities (both being orphans who became weirdo’s when they grew up) however their paths, the people they surround themselves with, and their worldviews are different.

yeah alright thats fair 😩

[limelocked]

looking at a manhwa recommendation thing and this man was talking about the dungeon/system genre after recommending solo leveling and my man really just put orv in that camp huh

[dankovskaya]

Ugh reminds me I was thinking the other day abt that Jason post with the one quote about like. Repeatedly biting the hand that feeds every time it heals in a desperate attempt to leave his mark Metaphorically vs. Kiana’s very real literal tendency to bite when pushed into a corner. Provoking her knowing exactly what might happen because the most severe enforcement of her own solitude looks a lot like his “love language.”

[phantomrose96]

If anyone wants to know why every tech company in the world right now is clamoring for AI like drowned rats scrabbling to board a ship, I decided to make a post to explain what's happening.

(Disclaimer to start: I'm a software engineer who's been employed full time since 2018. I am not a historian nor an overconfident Youtube essayist, so this post is my working knowledge of what I see around me and the logical bridges between pieces.)

Okay anyway. The explanation starts further back than what's going on now. I'm gonna start with the year 2000. The Dot Com Bubble just spectacularly burst. The model of "we get the users first, we learn how to profit off them later" went out in a no-money-having bang (remember this, it will be relevant later). A lot of money was lost. A lot of people ended up out of a job. A lot of startup companies went under. Investors left with a sour taste in their mouth and, in general, investment in the internet stayed pretty cooled for that decade. This was, in my opinion, very good for the internet as it was an era not suffocating under the grip of mega-corporation oligarchs and was, instead, filled with Club Penguin and I Can Haz Cheezburger websites.

Then around the 2010-2012 years, a few things happened. Interest rates got low, and then lower. Facebook got huge. The iPhone took off. And suddenly there was a huge new potential market of internet users and phone-havers, and the cheap money was available to start backing new tech startup companies trying to hop on this opportunity. Companies like Uber, Netflix, and Amazon either started in this time, or hit their ramp-up in these years by shifting focus to the internet and apps.

Now, every start-up tech company dreaming of being the next big thing has one thing in common: they need to start off by getting themselves massively in debt. Because before you can turn a profit you need to first spend money on employees and spend money on equipment and spend money on data centers and spend money on advertising and spend money on scale and and and

But also, everyone wants to be on the ship for The Next Big Thing that takes off to the moon.

So there is a mutual interest between new tech companies, and venture capitalists who are willing to invest $$$ into said new tech companies. Because if the venture capitalists can identify a prize pig and get in early, that money could come back to them 100-fold or 1,000-fold. In fact it hardly matters if they invest in 10 or 20 total bust projects along the way to find that unicorn.

But also, becoming profitable takes time. And that might mean being in debt for a long long time before that rocket ship takes off to make everyone onboard a gazzilionaire.

But luckily, for tech startup bros and venture capitalists, being in debt in the 2010's was cheap, and it only got cheaper between 2010 and 2020. If people could secure loans for ~3% or 4% annual interest, well then a $100,000 loan only really costs $3,000 of interest a year to keep afloat. And if inflation is higher than that or at least similar, you're still beating the system.

So from 2010 through early 2022, times were good for tech companies. Startups could take off with massive growth, showing massive potential for something, and venture capitalists would throw infinite money at them in the hopes of pegging just one winner who will take off. And supporting the struggling investments or the long-haulers remained pretty cheap to keep funding.

You hear constantly about "Such and such app has 10-bazillion users gained over the last 10 years and has never once been profitable", yet the thing keeps chugging along because the investors backing it aren't stressed about the immediate future, and are still banking on that "eventually" when it learns how to really monetize its users and turn that profit.

The pandemic in 2020 took a magnifying-glass-in-the-sun effect to this, as EVERYTHING was forcibly turned online which pumped a ton of money and workers into tech investment. Simultaneously, money got really REALLY cheap, bottoming out with historic lows for interest rates.

Then the tide changed with the massive inflation that struck late 2021. Because this all-gas no-brakes state of things was also contributing to off-the-rails inflation (along with your standard-fare greedflation and price gouging, given the extremely convenient excuses of pandemic hardships and supply chain issues). The federal reserve whipped out interest rate hikes to try to curb this huge inflation, which is like a fire extinguisher dousing and suffocating your really-cool, actively-on-fire party where everyone else is burning but you're in the pool. And then they did this more, and then more. And the financial climate followed suit. And suddenly money was not cheap anymore, and new loans became expensive, because loans that used to compound at 2% a year are now compounding at 7 or 8% which, in the language of compounding, is a HUGE difference. A $100,000 loan at a 2% interest rate, if not repaid a single cent in 10 years, accrues to $121,899. A $100,000 loan at an 8% interest rate, if not repaid a single cent in 10 years, more than doubles to $215,892.

Now it is scary and risky to throw money at "could eventually be profitable" tech companies. Now investors are watching companies burn through their current funding and, when the companies come back asking for more, investors are tightening their coin purses instead. The bill is coming due. The free money is drying up and companies are under compounding pressure to produce a profit for their waiting investors who are now done waiting.

You get enshittification. You get quality going down and price going up. You get "now that you're a captive audience here, we're forcing ads or we're forcing subscriptions on you." Don't get me wrong, the plan was ALWAYS to monetize the users. It's just that it's come earlier than expected, with way more feet-to-the-fire than these companies were expecting. ESPECIALLY with Wall Street as the other factor in funding (public) companies, where Wall Street exhibits roughly the same temperament as a baby screaming crying upset that it's soiled its own diaper (maybe that's too mean a comparison to babies), and now companies are being put through the wringer for anything LESS than infinite growth that Wall Street demands of them.

Internal to the tech industry, you get MASSIVE wide-spread layoffs. You get an industry that used to be easy to land multiple job offers shriveling up and leaving recent graduates in a desperately awful situation where no company is hiring and the market is flooded with laid-off workers trying to get back on their feet.

Because those coin-purse-clutching investors DO love virtue-signaling efforts from companies that say "See! We're not being frivolous with your money! We only spend on the essentials." And this is true even for MASSIVE, PROFITABLE companies, because those companies' value is based on the Rich Person Feeling Graph (their stock) rather than the literal profit money. A company making a genuine gazillion dollars a year still tears through layoffs and freezes hiring and removes the free batteries from the printer room (totally not speaking from experience, surely) because the investors LOVE when you cut costs and take away employee perks. The "beer on tap, ping pong table in the common area" era of tech is drying up. And we're still unionless.

Never mind that last part.

And then in early 2023, AI (more specifically, Chat-GPT which is OpenAI's Large Language Model creation) tears its way into the tech scene with a meteor's amount of momentum. Here's Microsoft's prize pig, which it invested heavily in and is galivanting around the pig-show with, to the desperate jealousy and rapture of every other tech company and investor wishing it had that pig. And for the first time since the interest rate hikes, investors have dollar signs in their eyes, both venture capital and Wall Street alike. They're willing to restart the hose of money (even with the new risk) because this feels big enough for them to take the risk.

Now all these companies, who were in varying stages of sweating as their bill came due, or wringing their hands as their stock prices tanked, see a single glorious gold-plated rocket up out of here, the likes of which haven't been seen since the free money days. It's their ticket to buy time, and buy investors, and say "see THIS is what will wring money forth, finally, we promise, just let us show you."

To be clear, AI is NOT profitable yet. It's a money-sink. Perhaps a money-black-hole. But everyone in the space is so wowed by it that there is a wide-spread and powerful conviction that it will become profitable and earn its keep. (Let's be real, half of that profit "potential" is the promise of automating away jobs of pesky employees who peskily cost money.) It's a tech-space industrial revolution that will automate away skilled jobs, and getting in on the ground floor is the absolute best thing you can do to get your pie slice's worth.

It's the thing that will win investors back. It's the thing that will get the investment money coming in again (or, get it second-hand if the company can be the PROVIDER of something needed for AI, which other companies with venture-back will pay handsomely for). It's the thing companies are terrified of missing out on, lest it leave them utterly irrelevant in a future where not having AI-integration is like not having a mobile phone app for your company or not having a website.

So I guess to reiterate on my earlier point:

Drowned rats. Swimming to the one ship in sight.

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[nataliedecorsair]

I wanted to give you some of Pticenoga's Borderlands AU backstory, how she was raised by Shade and before starting her shenanigans with Vaughn.

Plus a bonus comic about how she decided to set up a meeting for Vaughn and Shade, but didn't tell Vaughn who is supposed to be there x) Mostly because Vaughn has met Shade before in his macabre World of Curiosities museum and thought that Shade is too weird for him. Well, that's the kind of person that would raise a feral harpy siren, gotta deal with it!

When she was very young, nothing bothered her much as she was just a wild baby exploring the world x) And Shade was a good father figure to her. However, as she grew older, she realized that she doesn't really "fit in": yeah, Pandora is a crazy planet, but not every person there is crazy. There are plenty of "regular folk" like Shade or other people from their town - and many others. And she was frequently called a monster, a mutant and many other things by the regular kids and even adults. She was wild though, could bite them or fight with them in a pretty feral manner, and, even though she protected herself, it didn't help the situation much. She wasn't crazy enough (and too small) to fit in with the psychos or bandits, was "too human" for actual monsters living on Pandora, and for a long time she had no idea she was a Siren, as even for Sirens she looked too different. Only when she hit her teens, she was able to confirm that she is one, started using her powers, and in her human form she could see the full extension of the glowing pattern she had on her skin. She still, however, didn't know why she wasn't born "normal", and there were no older Sirens around.

At some point, she decided to become independent and live on her own. Her "wild" upbringing was helping that a lot, and she felt fine being away from people. She'd still visit Shade frequently, of course, and at some point she'd even met Zer0 and could hang out with him for some time. As Zer0 is a mystery himself, they had some common ground between them (though constantly listening to his haiku were exhausting xD). Sadly, Vault Hunters attract attention, not always positive, and that was the reason why she got spotted by a big bandit gang (could be the beginning of Vallory's gang, but before she took over). And local scientists like Tannis already declared that there may be some connection between Sirens and the Vaults. And they noticed that she's a Siren, but also pretty young (and dumb). After the first Vault on Pandora was opened, there was plenty of weird and valuable stuff around, but it wasn't so easy to get it when you're just regular bandits. And when Eridians, the aliens that are guarding the Vault, are everywhere. The Sirens like Lilith were too strong for them, and hiring a Vault Hunter is expensive, so they decided to wriggle into her favor and use her to gain access to the area. She didn't know she was dealing with bandits first, she naively thought it's a rare case of nice fellows just wanting to be friends and such, plus the Vault could have answers about her origin, and the new "friends" confirmed it.

At some point, she realized she was being used, and got into a fight with the bandits - and lost, as there were too many of them, and she had too little experience, and they knew about Shade. She got kidnapped and told that she'd do everything they told her to do, or they'd kill Shade, so she had to obey. She helped them to fight the way to the Vault and get some of the riches, and during the process she felt that she really does have a connection with Eridians - they boosted her powers and helped her to get free, and kill every presenting member of the gang. She was worried about Shade though, so she left immediately to find him before the remaining members found out what happened and could harm him. But she was too late - the water source in their town of Oasis was poisoned, and every single person there died. Except Shade though - he lasted longer, but dehydration made him insane, and he turned corpses into the stuffed dummies he could talk to (though she didn't have much of a problem with this part). As she was gone for at least several months, he didn't believe she's real, and she had to adapt to the new reality.

She never got back to the Vault after that as she felt it was a source of more trouble than anything good (in her view, the price was too much for a bunch of physical stuff).

That lasted for years, and became a bit easier as her powers, enhanced by the Eridians, wasn't only serving the destruction,  but could eventually "heal" some part of Shade's mind, so the moments of clarity became more frequent (she didn't know it's the reason, though). And you still need money, whether you like it or not, so, when Shade decided to use his World of Curiosities as a spot of illegal deals and smuggling, she didn't resist, but would watch over him in the shadows in case something goes wrong.

Eventually, she calmed down and just embraced herself. And, after some time, she met Vaughn, whose personal struggles she could sense right away, as she had to experience "being different" herself.

[arolesbianism]

they make a Jackie duplicant and her stress reaction is all of them at once and her overjoyed reaction is also every stress reaction at once because I think if this women felt an ounce of legitimate happiness again shed immediately self destruct herself into the ground

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[joelsgoldrush]

“give me all of that ultraviolence” | 2k

logan howlett x f!reader

SUMMARY: You give Logan head for the first time.

WARNINGS/TAGS: mdni - smut 18+ implied age gap. dirty talk. kind of inexperienced reader. oral sex (m receiving). face fucking. dom!logan. a tiny bit of degradation. he guides you through the whole experience (shocking!!! i know)

AUTHOR’S NOTE: HI PALS!!! yes i'm alive and kicking. yes university is killing me. so recently i’ve been OBSESSED with this man and i needed to write something for him. english is not my first language and i may have made some mistakes (if you encounter any you can tell me, i won't mind it). comments/likes/reblogs would be highly appreciated. i've got sooooo many ideas to write and i'm finally getting my hands on them. i missed you all so fucking much. hope you enjoy this!!!

It’s common knowledge that all humans have needs. Try as you may, there’s a primitive side that you can’t spare yourself from. You, as everybody else, have urges.

“Logan,” you basically mewl his name, five letters that roll off your tongue with little effort. He doesn’t seem to acknowledge you, his kisses growing harsher on the delicate skin of your neck. Threading your fingers through his hair, you decide to try again, speaking a bit louder this time. “Logan, please.”

“What is it, honey?” he says, bitten lips still pressed to your pulse point. As you remain silent, he looks up at you, those big, brown eyes that you love so dearly almost completely dark now. “Do you want to call it a day?”

His question catches you off-guard. You cup his face, thumbs caressing his cheekbones, suddenly afraid that he might pull away from you. “No! Not at all. That’s- that’s not what I want at all, actually.”

“What do you want, then? You can tell me,” he kisses you on the lips, softly at first. What starts as nothing more than a sweet kiss turns into a needier one, his hard on poking you through your shorts. “Come on. Tell me, baby. What does my sweet girl want?”

“I want to suck you off, Logan,” you whisper as you latch your mouth onto his, and you can feel how he visibly tenses beneath you. His breath hitches in his throat when you grind your hips. “I really need it.”

From the very beginning of your relationship, you had made things crystal clear: you didn’t have much experience on this territory. For a man his age, he was totally understanding. He knew you had your own times, that for him to take you to bed would take longer. Truth be told, Logan was willing to go to the ends of the world for you. There was no use in forcing anything.

At present, the bulge amid his legs becomes even more noticeable as you get off his lap, playing with his belt. “Can I?” you ask him, amazed at how straightforward you’re being.

Logan stares at you, so far panting, lust glowing in his eyes. “Shit, you’re gonna be the death of me,” he mutters as he helps you undress him. His worn out jeans end up pooling around his ankles, and you locate yourself in between his legs. 

You’re on your knees, hands folded in front of you. Suddenly, it hits you, the shame of it all. How badly you want him, how desperate you are to feel the weight of his cock on your tongue. How many nights you’ve dreamt of this moment, unable to stop that unbearable need of touching yourself every time you thought about pleasuring him.

That’s what you truly want. For him to use you.

“What’s wrong, princess? We’ve talked about this a lot of times. You know what to do,” you can’t help but stare at his crotch as you listen to him, and then he raises your chin with his finger, your lips parting unconsciously. You blink slowly at him, eyelashes fluttering together. At last, he seems to understand what you’re trying to tell him, and he raises his eyebrows, that cocky grin of his taking place where it belongs. “You want me to guide you, don’t you? Want me to tell you what to do? Know you like it when I go a bit off the rails.”

You moan at his words, squeezing your eyes shut and nuzzling your cheek up against his palm. Slick gathers in your panties as you push your thighs together. “Please. Tell me what to do.”

“Take it out,” he instructs you, and you do as you’re told. Grabbing him by the base, you pull his cock out of his briefs. He twitches in your hand, and he’s so, so incredibly big. 

You stroke him once, testing the feeling. This you know how to do. You’ve given him hand jobs millions of times, although this one feels particularly different from the others.

He takes hold of your fist, applying a bit of pressure. “I’m sorry, baby. I think you got it all wrong. I’m the one who makes the calls here, okay?” he grunts, his brows knitted, and you only nod, salivating at the sight of his cock already leaking precum at the tip. Logan licks his lips, curling his hand around yours. “You do as I say. Now, stroke me. Nice. And. Slow,” he punctuates each of his words by moving both your hand and his in unison around his length. “That’s it, darling. You just need someone to boss you around from time to time, ain’t I right?”

One thing to know about Logan: he’s so full of himself on a daily basis, but he just gets worse in bed.

“My mouth,” you hover your lips over the head of his cock, all shiny and soft. He has let you go, both of his arms now flexed behind his head, as if he were appreciating how pathetic you must look on your knees, begging for him to allow you to taste him. “Let me.”

“Not yet,” his hips follow your tormenting pace, seeking the warmth that your skin radiates. He grits his teeth, biting his lower lip. You’ve no idea how a man so strong can become putty in your hands like this. “Greedy girl. I’m beginning to think you’ve set me up. Only a slut would get so worked up about having a cock in her mouth. What happened to my innocent girl? Gone with the wind, huh?”

“Please, Lo. I need it so bad,” you are whining, peppering his thighs with kisses. You inhale his musky scent, getting dizzy. “Give it to me. I’ll be good.”

Out of nowhere, Logan grabs a handful of your hair, forcing you to arch your back. He scrutinizes your face, studying your blissed out demeanor. “I don’t doubt that. I’m sure you’ll be good. Otherwise, we’ll keep on trying. We have all night, and you have a good memory, just need to put it to use,” as he taps your lower lip with his tip, you catch him smirking. He repeats that same motion until he has you shivering from the excitement of being stuffed. ”Show me how much you need it. Go easy on it at first, okay? Don’t want you choking beforehand.”

You’re more than happy to comply.

Your tongue darts out to lick at his head, enveloping it between your lips. The salty taste of his precum invades your tastebuds, and you moan as you trace the veins of his cock with the pad of your thumb. “Tastes so good, Lo,” your voice sounds distant, almost unrecognizable to your own ears.

“I know, bub. Such a nice fucking mouth, can’t believe you’ve never done this before. I guess you’re a natural,” shaky fingers place a strand of hair behind your ears, patting your head as if you were a dog in heat. “Do you feel like bobbing your head a little?” he asks you, and you prepare yourself, attaching your mouth to his head once again. “Good. That’s good.”

With that being said, Logan fists your hair once again and shoves your face down, his hard cock tickling your throat. Your whines and his rapid breaths are the only sounds to be heard in your bedroom. He grins as he takes in the sight of you. “Oh, sweetheart. You look so beautiful with your mouth stretched around me,” his index finger taps your cheek and he feels the outline of his own cock. “You know I can smell you, right? You’re fucking soaked, baby. Think you’ll leave a stain on the carpet? You’d clean it off with your tongue, wouldn’t you?”

You have no idea how he’s coming up with these things, but you’re far from annoyed. In fact, you’ve never been this wet. Your underwear must be ruined at this point, and you wish Logan would tell you to touch yourself.

After some minutes of bobbing your head up and down, he pulls you off his cock and you breathe through your mouth for the first time in a while. As you gasp for air, Logan kisses you, tasting himself. He massages the back of your neck, his cock throbbing between the two of you. “You tired?”

Your glossy eyes widen. Shaking your head, you go for his balls this time, sucking one of them while toying with the other. Logan buries his hands in your hair for what must be the hundredth time in the night, unable to stop himself. “F-fuck, that’s it. A pretty girl like you just gets what she needs,” he praises you, and you return to his length, taking as many inches as you can without hurting yourself. Tears shimmer in your eyes, yet you can’t bring yourself to care about that detail. You’re far too focused on Logan’s grunts and growls. “Keep that up and I’ll come. You heard me? You’re gonna make me fucking come, bub.”

His words ignite a fire inside you. You use your hands, your mouth, everything that you have to pleasure him. He’s getting closer and closer, thighs shaking when you pay special attention to his tip. Logan responds to each of your movements, and as you feel every coherent thought fly out the window, you try to take him all the way down your throat, breathing through your nose and swallowing around him. He cants his hips up, brutally fucking your mouth. Like a dog without a leash, Logan seems to get lost in the warmth that envelopes his cock, chasing his own release. “You’re such a good girl. My good girl. Nobody will fuck this mouth ever again. I’ll ruin you for any pathetic guy that tries to get in your pants. You’re fucking mine, darling. Oh, f-fuck. Fuckfuckfuckfuck-”

You’re met with his happy trail once he spills his hot load inside your mouth. He keeps you trapped there, his cock twitching and spamming through the aftershocks of his orgasm. You don’t think twice and swallow what he’s giving you. Some of his cum slips from your lips, falling directly onto the carpet. Even Logan seems surprised when he doesn’t stop coming.

He helps you stand up after a moment, kissing you as soon as he gets the chance. He licks into your mouth, squeezing the flesh of your hips. Logan lifts his eyebrows, relishing how cock-drunk you must look. “I think you nearly killed me. And that’s a lot to say coming from someone who cannot fucking die.”

You plaster a smile on your face, hugging his wide frame. “So, was I okay?”

His jaw goes slack, and he lowers his head to capture your lips in another kiss. “You were fantastic. I could easily get hard again just from thinking about it,” his fingers trace the buttons of your shirt, tugging at the fabric of it. “What if you let me focus on yourself for a while? You’ve already done enough, baby. Let me take care of you,” he rubs his hands on your thighs, reaching for your drenched panties. “Perhaps we could try something else today. That pussy’s begging to be fucked.” 

dividers by: @/cafekitsune thank you!!! :)

[angorwhosebabyisthis]

i feel like i should add: all of these are good and important points to discuss, but in both this case and in general, i keep seeing people say variations of 'NTA for ending the friendship, but.....'

scorching hot take here, but if you would abandon a rape survivor for engaging in bog-standard therapy that in no way involves you you are a piece of fucking shit and should be censured for it. end of.

like on the one hand it's awful to do to anyone, and i don't want to give ground to the idea that trauma therapy is The Only Valid Reason Someone Would Like Dark Fiction. but that's what it comes down to. if you'd YTA someone into the sun for the bizarre, petty cruelty of doing this to a so-called friend who does breathing exercises to cope with flashbacks to their rape, rip people a new fucking asshole for doing this.

I (26, NB) dropped a long-term friend (23, not disclosing gender, I'll call them X) for being a proshipper, and now they're trying to get in the way of my other friendships.

A little more than a month ago, an old friend from when I was an itty bitty teen on the internet (we met when they were 12 and I was 15 or so) messaged me on twitter asking if we could share discord since they're more active on that platform, and they missed hanging out. Ok, no prob!! I missed talking to X and life was going kinda icky for me at the time. We exchanged discords and started talking more frequently, before we would talk through twitter dms maybe one day every few months, and we went from almost no contact to talking every single day. It was like being a teenager again; we still shared similar interests and we really fast clicked over old and new fandoms we were in. We talked about college and how they're starting to get the hang of their new job but needed support, talked about our family lives, etc., and in general I felt really comfortable and happy to be chatting again with someone I've known for so long. We were inseparable for weeks.

However... of course, as adults, and having known each other for YEARS, we started talking about fandom ships and fics we enjoyed. We didn't have the same taste in pairings, but that was okay. Until it wasn't anymore.

I shared my NSFW twitter with them, and they followed me. A few minutes later X told me, "I see you have "proship DNI in your bio, I just want to let you know that I am a pro-ship and enjoy some things in fandom that you might think is gross. I hope that's okay."

I was kind of weirded out, and told them that as long as they didn't like anything that would be criminal in real life, that's fine. They told me they *did* enjoy things in fiction that they "wouldn't condone in reality" and even though they "don't talk about it publicly" they still wanted me to know. For some reason. ?? Even though they KNOW that I have an irl history of abuse as a kid, they still told me this.

I was so fucking uncomfortable and really, really sad, and honestly I felt betrayed? I stepped away from my account for like, an hour before messaging them back and saying I didn't want to continue talking to them anymore. That I didn't know they were that kind of person and I'm not comfortable being their friend. I didn't read their response to me because I soft-blocked them.

While I was getting over that and trying to move on, a few days later I was talking to another mutual friend of ours when they asked if I was still friends with X. I got chills remembering how I broke off with them, and said no, we weren't talking anymore. That they were the kind of person that made me really uneasy and uncomfortable to be around. The mutual friend, I'll call R, said that X was "feeling kind of down about losing a friend recently" and talked about it in a discord server they share. X didn't mention my name but R wondered if it was me who dropped them since I was really touchy about boundaries online. I freaked out a little thinking about them talking about me, and asked what else they said, and R told me "not much, just that they felt sad but it was your choice in the end because you two were different" and I don't know why but it left a bad taste in my mouth. Were they trying to make people seem like I was the bad guy or something?? Idk.

I told R the reason why I stopped talking to X, and that X is a proshipper who likes things like inc*st and rape, and R wasn't as supportive as I thought he would be, saying that he understood how I felt but if X was being honest and open about their interests, it probably meant they trusted me and didn't want to "lie" to me. I don't understand how that's even relevant if X is a fucking proshipper. I don't want their trust in the first place if that's who they really are, and I felt betrayed that someone I knew for so long was hiding that for me until we were bonding again. R basically dropped it there and said "idk then" and I told him I was going to shut off my notifs for a bit. I really don't want to talk with him again right now especially since he didn't seem THAT bothered by X being a proshipper who's into really criminal shit.

Since then, friends of mine who are also friends with R (because he's a friend of X still, for some reason), haven't been replying to me as much anymore and I'm super sensitive to noticing these things, at first I told myself it was nothing, but there's an obvious decrease in our interactions. I can't help but think that X actually said bad stuff about me, and R didn't want me to know, or maybe X convinced R that I was a terrible person or something. I still haven't read X's reply to me because I genuinely do not want to interact with them ever again, but for the past few days I've been so angry and hurt by my other friend's actions that I can't help but want to blame them, since this all started when I left them.

AITA for dropping a friend because their interests made me SEVERELY uncomfortable? I don't know what to do.

What are these acronyms?

[ratatattouille]

Why The Arcane S2 Finale Fumbled, Part I

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

Vi and Vander:

Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).

Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.

Vi and Caitlyn:

Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).

The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.

Vi and Jinx:

This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.

Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.

The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.

Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.

Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!

(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Summary of Fumbles:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.

-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

Viktor and Heimerdinger:

Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

Viktor and Singed:

Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).

Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).

Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.

Viktor and Jayce:

Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.

Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.

Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!

Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.

Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!

Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

The Glorious Fumblings (A Summary):

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

Jinx and Isha:

Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.

Jinx and Ekko:

Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).

Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.

Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

Jinx and Silco:

This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.

Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

I Wonder Who Put All Those Holes In You (Fumbling Summary):

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.

-Isha and Vander misery porn

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

Conclusion

If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!