#it also put a LOT of things into perspective for me

[everythingseasoning]

@cere-racha Giving you a lil peck on the cheek for tagging me, first of all 💗🩷 (your skin is soft /hopefully not creepy…?! If it is, clock me. Or sedate me. Your choice, really.)

And oh… there are thoughts… need to hear yours too, and ur thoughts on your result. Idk if we took away the same things, but I wanna see into ur brain. Oddly enough (or not?) we got the same result. I am also Juliet, but I don’t have my Romeo and I am twitching on the floor because of that (husband/wife, come home pls). // I feel like a lot of the questions made me reflect on how much I blame my family for the neglect & abuse inflicted upon a child/teen/young adult— and I need to reflect on if I like that perspective I held/hold, or not. At some point it becomes my responsibility (I’ve passed that point). Also remembered that Martyrdom and saving others who cannot be saved is a thing of the past! Thank god. (No one has any idea how hard I tried to save her.) Oh… to give up would be so easy… especially after how hard I tried… sigh. Alas. I will persist too :/ Gotta prove them wrong, just like my girl Maki.

Uhhhhhm also, Romeo and Juliet is an amazing tragedy! If the fucking idiot families could put their fucking idiocy aside, two innocent teenagers would still be alive. *burns in quiet rage. scalds you, should you touch me* Fuck those mfs !!! Stupid idiots I hate them I hate them I hate them I’m crashing out and I hate them and it’s hard to blame them but I still— GRRRRRRRRR— At the end of the day, I hate their actions and how it affected innocent kiddos, but I don’t hate them. I think a large part of humanity is just fucking stupid at times, but I don’t condemn them for it. It’s just sad and maddening, Ykno? Also, you wanna know what’s ironic? Over a year ago my therapist (such an educated, compassionate, wiser, totally awesome older person who loves people, learning, movies, and books & comes from a very, very smart and hardworking line of people), made a metaphor and compared my family to that of the Capulets and whatever-the-other-one-is, and went on their soapbox to explain the tragedy that Romeo and Juliet is. So I’m not crazy. Yay.

Do I have any other lingering thoughts? Hummmm. Cats. Oh. And do you believe in free will? Obviously we have some small choice and it matters that we believe that, but. Well. I would argue that we don’t have much of it at all. It’s microscopic, but it matters. I think. As of rn.

made a uquiz

[valalice]

જ⁀➴ FOR THE FAME. a violet modern musician au

punk rockstar!vi 𝑥 popstar!reader

summary. the music industry—known for its raw creativity, dazzling performances, and turning anyone into an overnight sensation. but what comes with newfound success is being able to maintain a steady stream of traction around your name (whether it's good or bad, because all press is good press. right?), for some artists it comes naturally, becoming chart climbers release after release, while for others they struggle falling down the charts and becoming known as just a one hit wonder. now when two artists under the same label are both getting sly criticism from blogs commenting on their declines, their managers have no other choice but to curate a classic pr stunt to regain their public appeal again, while creating buzz around their respective upcoming projects. what could happen when the industry's rebel and sweetheart become the unexpected pair of the year?

warnings. fluff, angst, and eventual smut. modern au. fake dating. enemies to friends to lovers. slow burn. reader's stage name is angel, you guys can honestly change it if you'd so like since it's rarely used. no use of "y/n". musicians: powder, ekko, claggor, and caitlyn. choreographer!mel. producer!jayce. homophobia and talk of internalized homophobia & comphet. addiction: alcohol & substance abuse, as well as talk of rehab. inaccurate knowledge of the music industry. social media extras & extended scene cuts. please check each individual chapter for appropriate warnings!

a/n. i'm am beyond excited to finally share this series with you all! this series started as a one off idea, and, well it turned into this. i know some have expected this, i've been throwing out teasers (more will still come) for some time. and to be honest i should not even be posting this series right now, but i cannot contain it for much longer, i'm just eager to get it out for people to enjoy! and is it hypocritical for me to be posting a series with the amount of drafts and request in my inbox? perhaps! but i promise that i will try my best to dually post between the series and other works! i'm still working on a posting schedule, so be on the look out for polls!

biggest thank you to @topimpabunny for dealing with my rants constantly, and bouncing ideas back and forth off of each other. truly, everyone thank her, because without her this series wouldn't even exist! another big big thank you to @veramores my wife, my best friend, for putting up with me yapping her ear away for like over an over. but nonetheless she is also apart of this series for giving me different perspectives on things. lots of love to the both of you <3

main masterlist ⋆ vi masterlist ⋆ read it on ao3

table of contents ◞ TRACKLIST

' 🅴 ' indicates smut

prelude ♪ popularity contest. ( releasing february 7th on all music platforms )

label mandated events. everyone dreads them, but social networking is a must; an art form managers have mastered and a sport to artists in order to thrive in the competitiveness that is the music industry. and it’s here where the two of you were closer than you had even thought.

track one ♪ sold your soul for . . . this? ( releasing february 14th on all music platforms )

with albums set to release during the summertime, meetings ensue to keep the artists on track. however, unpleasant news is shared that gives wake up calls when careers are on the line. oh, and a not-so-meet-cute happens between the bubbling popstar and spunky rocker.

track two ♪ the master plan.

uh, oh! looks like the track is still being produced!

extras ◞ DELUX EDITION

social media post

coming soon!

exposed ◞ BEHIND THE SCENES

discography ⋮ series playlist. reader's. vi's.

meet the artist ⋮ reader ꒱ vi ( tell all's coming soon! )

WANT A FEATURE?

comment on this post (and this post only) to be added to the 'for the fame' taglist!

🎥 taglist. @sawaagyapong @baylegend6 @hauntedbydreams @sevisrealwife @dameacia @tdawg2012 @usuck @foralltheprettygirls @aphrodyk3

[avichor]

many thoughts about vampires and how consuming their media with a strict, humanistic moral lens defeats the purpose

[pissybird]

Trey’s dream has shed a little bit more light on his relationship with Riddle, I think. this is unedited and unfiltered. I may take it down later and replace it with a thought out, formatted, and structured analysis. This is just off the cuff stuff for now.

TLDR: The Riddle in Trey’s head is probably still 8 years old and Trey might have trouble seeing Riddle as a 17-year-old. Riddle, on the other hand, might be a bit more objective about their friendship, but that really remains to be seen.

Riddle, who deals with his mother every day , has lots of trauma to think about and deal with. That’s not to say the tart thing wasn’t significant to Riddle (we know it definitely was), or to say that Riddle forgot about Trey and Chen’ya (3,000 crossword puzzles!), but I think Trey…fixated on it more??? Or fixated on it in a different way at the very least.

So Riddle has all these traumas from his mom, the tart thing being a drop in the bucket (albeit a very significant one!). Meanwhile, Trey has no other (plot relevant) traumas. So Trey has been kind of ruminating on this moment, remembering Riddle as he was, building him up in his head, a la the Great Gatsby, and doesn’t really know how to handle it when Riddle turns out to be different than he remembers. Meanwhile Riddle, having more or less turned his feelings “off,” approached reuniting with Trey again in a more objective way. He knew this guy for like two months, six years ago. And Dr. Rosehearts has been piling more shit on top of Riddle since then as well (so that Riddle not only has Rules Trauma, but also food trauma, appearance trauma, etc.).

Trey, having not had the same shit piled on him, has only this one moment that affected him so profoundly to ruminate on. Whether consciously or not, it seems like all Trey can think about when he thinks of Riddle is the tart thing. It’s like Trey’s brain took a picture of little Riddle in that moment, and won’t let go of it. He’s unable to see Riddle in any light that gives Riddle some agency to maybe be a bit different then Trey remembers, even besides the militance. It kind of puts his behavior pre OB into perspective.

A little bit of an aside here, but Trey’s attitude toward Riddle really frustrated me at that point in the story, and I was relating pretty hard to Ace! it irritated me, because I saw it as Trey babying Riddle (which it kind of was) and having had a similar childhood to Riddle in a lot of ways, it annoyed me. I felt like Riddle was being condescended to a little bit. But now, knowing that Trey had hyped Riddle up to hell and back, it makes more sense.

Trey, whether he was to admit it or not, is a pretty nurturing guy (whether that comes naturally to him or not is a whole other post). So he sees Riddle as a very mature, albeit somewhat happy-go-lucky 8-year-old who gets mistreated by his mom. Trey is so stuck in this moment he is incapable of seeing Riddle as the near-grown man that he is. Dr. Rosehearts is Trey’s hero (in a twisted way) just as much as she is Riddle’s villain. The tart thing existing in Trey’s dream speaks to this! Riddle, through Trey’s trauma, serves as a kind of outlet for Trey’s fussing and mothering. Dr. Rosehearts has given Trey a child to spoil. (This, of course, is not the end all be all of Trey’s treatment of Riddle (please read on) but it’s worth noting.) Trey wants to nourish and comfort his friend, who wouldn’t need nourishing and comfort if something hadn’t happened to him (Trey subconsciously emotionally seeing the tart incident as a singular event, because it’s really all he bore witness too).

Trey’s dream wasn’t “Riddle and all of Heartslabyul happy and carefree,” it was “spoiling everyone, especially Riddle, and maybe making up for past mistakes.” (Edit: I realize I didn’t remove a sentence I was going to for clarity. Trey’s dream does indeed have to do with “letting everyone be carefree”. I meant Trey wants “happy and carefree in addition to making up for what he might feel are his past mistakes” whoopsie! 😭)Trey’s dream, Riddle eats without restraint. Riddle is tall. The only thing Riddle doesn’t get is the title of Housewarden, because that makes it much more difficult for Trey to accommodate Riddle and everyone else. The dream knows that Trey wants to dote on everyone, especially Riddle, but it also knows that Trey is tired. He can’t sustain both being Riddle’s vice housewarden (a position foisted upon him by his dorm mates, interestingly enough!) and being as indulgent toward others as he would like (or feels he must be).

It wouldn’t surprise me if Riddle’s dream had very little to do with Trey. Even if it’s “Riddle got to have a good childhood,” Trey may just serve as a face, but could really be anyone. He may have a shit ton of friends, which we know he wants, and Trey may be treated as equal among them as opposed to a bestie.

I’m not saying Riddle doesn’t care about Trey, or that they’re not close. But I think Trey really has an idea of Riddle that just…doesn’t exist anymore. Riddle is changing and growing, but he’s not 8. He’s growing into an adult, and gaining agency and forming a personality that extends beyond his mother. There may be a day when Riddle has a healthy relationship with rules, food, his mom, etc. But the Riddle that Trey remembers isn’t there anymore. He’ll always be a little bit different. And this kind of makes the “little brother” thing make sense, I think, even when we know that Riddle acted like he didn’t know Trey (which he didn’t, of course, It’d been 6 years.). Even now, Riddle and Trey have only known each other…what…2 years total?

Of course, their dynamic when it involves Cater is interesting as well, but that’s a different post I think.

[ryoskuna]

Be the Light: Dragon Age: The Veilguard's Davrin - A Character Study/Analysis & Appreciation Post

Hi, my name is Leia, and I’m a Master’s degree candidate in Children’s Literature and Library & Information Science. I’m also a Black woman who loves consuming media, which is not limited to playing video games, reading books, and watching TV shows/movies. 

To my friends who have put up with me rambling about this game for the last three(?)-ish weeks, thank you for entertaining me, putting up with all my thoughts, and pushing me to make this post.

I completed my first playthrough of Dragon Age: The Veilguard on January 6th (and cried twice), and while there is so much that can be said for the storytelling (it’s not perfect; there’s no such thing as perfection since that’s an objective notion), but in my opinion, I believe DATV makes for an excellent and conclusive end to the Dragon Age franchise in regards to lore and the world of Thedas on the best attempts of the developers and writing team. Especially considering it was a game that lingered in development purgatory for 8+ years, and there was such an intense fight to make sure it got released, I will contently take what I received (with some admitted bias as a Solavellen, and someone who does like Solas as a character though there is much to say about him as well but not here!).  When I completed the game, my immediate response was very similar to the way I reacted when I finished my first playthrough of Final Fantasy 15 (another game that I found emotionally compelling- I sobbed for approximately 30-45 minutes straight while on a voice call with a friend during the final cutscene sequences, as well as the credits playing Stand by Me by Florence + the Machine) — I wanted to make a video essay talking about the storytelling and my experience with all of the characters, content, and everything that made me absolutely enamored with the game. (Side note: DATV has the best combat gameplay in any of the DA games, and I will stand by that. Like if they remastered Inquisition and the other two games with the Character Creation from Veilguard and upgraded the combat mechanics/gameplay/UI, I would be first in line to buy the remastered versions.)

(It’s also ironic this is getting posted when it’s been announced that the entire Bioware team for DA has been let go, left, or released to industry, which is a loss of some wonderful storytellers and creatives.)

But I lack the video equipment to make video essays/vlogs talking about my interests like this, and I also don’t know if anyone would watch it. I also generally do not see a lot of Black women engaging in content that would fall into this category or dialogues with media and games, although I wish I did see more of it!

However, this is not intended to be a critique of the game; this is solely meant to be a character study and appreciation post for one of the companions, Davrin, who was the standout companion for me during my initial playthrough and continues to be in my consecutive playthroughs. Davrin is arguably a fantastic character, not only because of his companion quests (which have some of the strongest and most emotional storytelling, in my opinion, whether you romance him or not), but also because of his personality and how he is a love letter to the history and future of Thedas. 

(Additional side note: all of the companions are fantastic, especially the seven that are newly introduced within DATV. Harding is a great connection to DAI, the references to the Inquisition at large, and some additional history of the world of Thedas.)

This is also why I mention my race in my introductory statement, as my analysis of him is based on my experience and understanding as a Black woman. While I am not a Black man, I do have a brother, and my father is a Black man who comes from a military background, and this absolutely does affect my perspective and understanding of Davrin as a character.

This way of analysis in literature is called reader-response, in which the reader has a transaction with the text, i.e., the reader reads the material, and out comes their interpretation of the text (see: here, and Mingshui Cai’s “Transactional Theory and the Study of Multicultural Literature.” Language Arts, vol. 85, no. 3, 2008, pp. 212–20, if you’re looking for more intellectual writings on reader-response.). Reader-response allows for a unique interpretation based on the reader or in this case, the player’s individual experience. 

Lastly, I’d like to preface that this post will reference the game, the podcast - Vows & Vengeance, that was released prior to Veilguard’s release - and some of the books, primarily Last Flight, for additional narrative context. I’ll flag spoilers the best I can but will state that this post is not spoiler-free. 

First, for this to make sense, I feel like we have to discuss why representation in media matters.  So, why? Why does representation matter? 

Well, there is power in seeing someone who resembles yourself or your story on a screen or largely consumed content. It challenges stereotypes (or what one can be), introduces people to cultural exchange, and engages in cultivating a sense of belonging (here’s a wonderful TED talk if you’re interested, but also see this article from PBS, APA (American Psychology Association), here, and here).

Another one of my favorite TED talks about storytelling also touches on why representation matters. It matters when we engage in dialogue when we try to understand our friends and when we seek to build community with welcoming, inclusive people. It is why people seek to build accommodating spaces, and it is one of our greatest acts of resistance to systemic oppression that allows discriminatory stereotypes to flourish. Being in community is an act of resistance. This is also why it matters when people are so excited to see a character be undoubtedly and explicitly a part of a specific affinity group or identity.  There can be a whole essay or book written on why representation matters (and there are, plenty), so I do not want to get to into the weeds with why representation is a valuable contribution in a time where DEIJ (Diversity, Equity, Inclusion, and Justice) is being challenged so heavily. 

Now that we’ve covered that, let’s get to the real reason you’re probably here. This is split into two parts, the character study/analysis, and the appreciation. Not that these two things aren’t similar in nature, but I wanted to make it separate in a way in case anyone wanted to specifically comment on anything, came for a specific portion, or please feel free to use in your fanfiction writing if you’d like.  Just know if you’re going to engage with this post, please be respectful. If I am wrong on something, please feel free to DM me and let me know!

Character Study/Analysis

We meet Davrin initially in the announcement trailer for DATV, but we don’t really see a finalized formation of his character outside of visuals until Vows and Vengence, where they’ve switched from using a British accent of his voice to an American accent. I think this is a neat transition from the whole “all elves are british-accented/welsh-accented” we saw in the 2010s, but for me, this truly emphasizes a correlation to a Black American experience — however, I’ll touch upon this later. When Davrin is introduced to us in V&V, he comes off as a character with a strong sense of responsibility and duty — and he’s already involved with the Griffons as he wants to investigate the rumors of their reemergence instead of investigating the earthquakes occurring in the Anderfels. He chooses to fall into a sinkhole to rescue the protagonist of V&V, Nadia, and two additional characters. When Nadia mentions that the only reason she’s in the predicament she’s in is due to someone called “The Dread Wolf”, Davrin immediately wants to investigate as the involvement of Fen’Harel is a bad omen, and the Grey Wardens should be investigating. There is also the mention of darkspawn, which is more compulsion for Grey Wardens to investigate. 

Additionally, he has a partner at the time named Goff(?) who he later nearly has to to amputate a limb from and argues to carry the man out as he won’t leave him against Goff’s orders; when he does leave him it is reluctantly. He cannot accompany Drayden and Nadia and continues to investigate the Blight, and by extension, what the elven ruins have to do with the Blight, committed to his duty as a Grey Warden.

Which leads us somewhat into how we find him again in Veilguard, where we are referred to a monster hunter named Davrin by Evka and Antoine (they will be another important reference and guide into how the role of the Grey Wardens is changing towards the betterment or future of Thedas). 

I have to appreciate Davrin’s complexity as a character. While the game, in my opinion, is more ambiguous on his standing or practice of the elven religion, he never leaves room to deny his roots and where he comes from. In V&V, he’s familiar with reading ancient elven, and wishes Nadia and Drayden that Andruil guides them on their adventure. Davrin’s vallasin is also dual-sided, which in a reference to the sun and moon quote in V&V (“Guide me on the path that splits the land between sun and moon”) on the mirror mosaic, you can argue that his vallasin is a reference to Ghilan’nain or you can argue that it is for Andruil.  However, I raise that his vallasin is for both goddesses, as Andruil is the reason that Ghilan’nain ascended to “godhood”, and with Davrin’s title as a monster hunter, it would be fitting considering Andruil is the goddess of the hunt.  

He also names Assan after the elven word for ‘arrow’, which is referenced in two of Andruil’s three ways - Vir Assan - or the Way of the Arrow - and Vir Bor’assan - or the Way of the Bow - which the former refers to ‘fly straight and never waver’, the latter being ‘bend but never break’. It makes sense that he names Assan this, as it is almost him speaking blessings over the young Griffon, to fly straight, never waver, to bend (or endure turmoil) but never break (or fail).  To me, it is a blessing from a father to a child, but it is also a reminder to himself everytime he calls the Griffon’s name to himself. 

[Note: all the other griffons presumably have names, he mentions a few of them if you walk to their cages during the first part of his companion quest/adding him to the Veilguard, but they’re a little silly in my opinion. Assan is the only one who is known to have an elven name, and noted to be the only one Davrin himself named.]

Having a vallasin that represents Ghilan’nain is also fitting (and ironic considering Ghilan’nain’s position through Veilguard), because not only was Ghilan’nain one of the people, but as a “goddess” she was dedicated to guidance and navigation. For someone like Davrin, who struggled fitting in with his clan and wanting to go on a different path than solely staying with his clan, he could’ve been asking for all the guidance he would be fortunate enough to get. Additionally, she is called the mother of the Halla, creatures that Davrin was gentle enough to care for, hence where we get the line where we find out that he used to sing to the Halla, and he’s attentive enough to identify when they’re ill, and the best methodologies to feed them successfully.  (Halla are extremely sacred creatures, considered noble, and the Dalish ask for the Halla to accompany them instead of forcing them.  Ghilan’nain is stated to be the first Halla. )

As we go throughout the playthrough of the game, Davrin’s role transitions from being a monster hunter, to a Grey Warden, to a bodyguard for the newly hatched baby Griffons, and then, upon joining Rook, and encountering the Gloom Howler, he becomes something else. Like Ghilan’nain, Davrin has ascended to a more important position than solely being a Grey Warden or a monster hunter. He is now the keeper of the future of the last of the Griffons, hence his urgency in rescuing them, and why the decision of their path (to stay with the Wardens or to live in Arlathan Forest) weighs so heavily upon him. 

This is why I propose that his vallasin is left to be ambiguous or a combination of the two goddesses because of the duality of his nature as a character, but the two sides (or the sun & moon) of the path he’s chosen to live by.  I also think there is an irony that the blight is what corrupted the Evanuris, and he fights it now - especially noting that Ghilan'nain also has the capacity for pulling out some wicked horrors when Solas calls her the "most sensitive of us" (referring to the Ancient Elves).

I would have loved to see something where Davrin and maybe even Bellara discuss their vallasin, and their viewpoint on it, now that they are in a predicament where their myths about their gods have now changed drastically, and is reflected in their lived experience.

However, I also acknowledge that Davrin does not particularly hold any signficant reverence towards the Gods, at least not in the same way Bellara does. He states he thought of them as “myths” and now that they’re real, he has to process that. He also states that he knows the gods being blighted and trying to take over isn’t going to do the elven people any favors in terms of “popularity” with the rest of Thedas, which leads me into my next point. 

He is always mindful of his people. Whether this is the Grey Wardens, who we see him mourn and wish to honor; or the elven people, even if they’re not apart of his clan, he cares deeply for them. (By extension, he cares about the Veilguard and the Griffons, of course.)  During the fight against Elger’nan and the Venatori to rescue the Veil Jumpers, you can hear him state, “These are my people” in a protective manner (much like Bellara can say, as well as an elven Rook). He thinks about how Thedas is going to see the elven people if they find out that the elven gods are behind the Blight, the archdemons, and the issue of the Golden/Black City & the “Tevinter Gods”. 

This mindset also tends to cultivate his self-sacrificing viewpoint (he is willing to be the Warden responsible for killing Ghilan’nain’s archdemon); it’s not only what he’s trained to do, but it is about protecting his proclaimed and declared people (not to mention the innocents he morally is willing to protect). 

I propose that he was not filled with the “spirit” of the archdemon for two reasons: 1) because what they considered to be the “spirit” was the ancient elven magic seeking an out (it’s known and stated in-lore that the ancient elves were immortal because their magic was constantly engaging and adapting to the world) and 2) because Ghilan’nain was right there instead, thus performing a ‘return to sender’ (“Maybe the Gods changed things and the old rules don’t apply”).  He states he wasn’t expecting to live because he had embraced the fact that Grey Wardens have an expiration date, and that pushed him. Now that he survived (and processing survivor’s guilt, as well as the stages of grief), he now has to find a purpose outside of being a Grey Warden and a monster hunter. 

His seeking a purpose is a reminder, to me as a Black person, how we are taught that just being ourselves and contributing to what others contribute is not good enough. Giving 100 percent is not good enough - you must be outstanding. (There’s a quote from Scandal that’s applicable here - watch here; “You have to be twice as good as them to get half of what they have”). In that, being just a Grey Warden isn’t enough, nor is being just a monster hunter. 

What makes him relevant? Outstanding? 

I propose that’s his transition from bodyguard to parent and keeper of the Griffons. It’s this reasoning that also answers his question on why he gets to live. He’s got to be the one to tell the story of the Griffons, of Isseya, of the past of the Wardens he knew, and the future of the Wardens as they move forward and away from slaying darkspawn and hunting the Blights. The fall of Weisshaupt is the metaphorical fall of the old order of the Wardens, with all their secrets, lies, and damage. Davrin’s emphasized bond with the Griffons speaks to how the new order of the Grey Wardens is healing. 

Now, we absolutely should discuss Assan as he relates to Davrin, and I propose that Assan is an extension of Davrin — meaning the way Davrin cares for Assan is how Davrin learns to care for himself. It’s how he learns to hope, to recognize he is capable of being more than just the blade the Grey Wardens made him; that while he’s questioning his future and his path, that he has the freedom to choose.  Davrin states he feels like “a blade sharpened all these years to confront the worst darkness in the world” and when his blade “[strikes] true”, he asks “what now?”

Davrin’s commentary on calling himself a blade is a parellel in how he describes how Assan, as a Griffon, by nature are inclined to fight Darkspawn like a wolf hunting a deer. Davrin’s nature has been to fight, to hunt; just as Assan’s nature is to hunt Darkspawn. But like Assan, during another companion quest, their nature is also to care. To be gentle — Assan, who brings food to the sick Halla — and Davrin, whose nature of care is extended to Rook and the team, and the thoughtfulness that he uses to care for the future of the Griffons, the future of Thedas, and all the areas encountered by the Gods, the Blight, and the Archdemons. 

Davrin adapts.  He’s very rough and tumble (the guy fought a hurlock, broke four ribs and cracked his jaw, got up and then drove a blade through the thing’s skull), but he also comes from places of care, hence why he makes his whittled figures of monsters and is working on an accurate bestiary as a warrior and hunter, not a mage. 

It is also important to note another title Davrin not only earns but self-proclaims, is that of a parent. He states that “parent” is a scary word. (“I’m supposed to be his bodyguard”), but I’m inclined to go with Varric’s advice - if the decision isn’t easy, it means you’re taking it seriously.  He then later proclaims himself, with confidence, that “I’m his (Assan)’s father.”  Davrin’s proclamation as a parent, and a good one at that, strays away from the absent Black father stereotype that is prominent in media, which is rooted in system practices during enslavement where the father was removed to divide up and destroy the Black family.  

Davrin is confident in hunting the darker things in the world, but he doubts how well he can care for a Griffon. It’s the questions asked by a first-time parent, with no manual, and the only thing that a child, or in this case, a Griffon, asks for is to be loved and embraced. 

This is something that we learn that Davrin experienced through Eldrin, who taught him to appreciate nature, embraced Davrin’s desire to leave the clan to find his place in the world, and who reminded him to embrace the light as much as Davrin fights the darkness (to find balance).  In turn, Davrin is reminded by Rook and states himself that he’ll “raise Assan to create a world where the light outshines the dark”. Eldrin told this to a younger Davrin (Eldrin being his uncle figure), and now Davrin tells this to his son, Assan. 

Additionally, Davrin reminds me of my father, a Black man who has a military background, especially when Davrin states, “I can’t be soft on Assan, because the world won’t.” I cannot express how many times I have heard this from my father to my brother, even though my father, like Davrin learned over time that it is alright for them to be soft. 

(Be protective of your child, but also be a safe haven for your child — firm when required, gentle when needed.)

Davrin breaks a form of behavior (the tough father - generational curse seen in Black and POC communities) by allowing Assan to grow and learn in an environment of love and care. Davrin would die for Assan, and he makes that very clear, both in action and dialogue.  In turn, it’s clear Assan loves and is loyal to Davrin (he lays at his feet, always cuddles up to Davrin, and even attacks the Gloom Howler/Isseya to protect Davrin). Davrin even tells Rook to hug Assan for him. This, to me, is the embodiment of the notion of “turlum” - a form of unity. There is respect and love shared by Davrin and Assan, which forms their loyalty to one another and their ability to work as one. 

Davrin fights and becomes more than just the objectification/weaponzation (of the metaphorical blade - of trying to martyr himself to be useful or worth something) and evolves to embrace his personhood, to embracing the unknown, and that his path and development is solely, 100 percent, his own. He goes away from that philosophy mentioned in that one tumblr post from wonderland-mp3: “if U cannot be wanted, I will be needed and if I cannot be needed, let me be used until there’s nothing left of me”.

Appreciation

There’s a lot of reasons to enjoy Davrin, whether it is his handsomeness, his chest, or his nose (his nose is so unapologetically Black; it’s a standout and prominent feature of his, and it is absolutely beautiful) - he was certainly given plenty. However, one of my reasons that I enjoy him is because of the duality of his nature. He is both fierce warrior and gentle spirit. He whittles. That’s a skill that requires an exceptional amount of dedication, patience, and caution, as if you cut too deep, you can splinter the wood, especially for the figures that he makes of the fallen Grey Wardens and of the attention to detail he puts in the ones of the monsters he has fought because he cares about capturing their accuracy for others.  He chops wood when he’s stressed or to clear his head. But every piece of wood he uses, he creates something with. He isn’t wasteful, he makes the wood useful. He puts out his frustration and feelings into the things he creates.

He also is open and unabashed about his feelings. His ability to communicate his feelings is powerful, and deters from the emotionally constipated black man stereotype.  Even when you flirt with him once or twice, he immediately gets the heart and Thrill of the Chase. In my opinion, you earn this status with him faster than the other companions. He makes it very clear that he can be romantically invested in Rook. Even if you don’t choose to pursue him romantically, he is still a devoted and caring friend towards Rook. The walks he takes Rook on are moments in which he pulls them away from the Lighthouse or from some intense moment to reconnect to nature. He may use Assan as an “excuse” but he and Rook need those walks just as much.  

He trusts and befriends his team. He comforts Bellara and her grief (on top of the fact that Davrin and Bellara (and an elven Rook) are trying to process this whole revamped narrative of their “gods”, their myths, and place in the world when the entire society has historically mistreated elves) - and their relationship to me, becomes akin to siblings, or close friends.  He bonds with Taash and takes their advice on making sure Assan is getting the nutrients he needs.  Emmrich and Davrin exchange parenting advice. Lucanis and Davrin become drinking buddies. 

Davrin makes people feel seen. 

Now, when you romance him, he is even more transparent about his feelings. He affirms that there’s more than passing glances between him and Rook, that they spend time together at an increasing rate, and he admits that he’s been thinking of a future with them.  He expresses fear and worry - even a bit of anger of all the difficult decisions that Rook has had to do (his anger is not with them, I believe, but with the fact they have the burden) - over Rook. 

He’s good with children - he offers Mila payment in the form of Griffon Kisses post-Weisshaupt.  He’s also funny and silly (this man tells that the Gingerwort Truffle tea made Rook pee for the rest of the day).

He’s also mindful, tactical and intentional. While hunting the Gloom Howler, during the second part of the quest, aka The Cauldron, Rook may suggest they go after the Gloom Howler/or that she got away. However, you see Davrin state that it is okay, they’re not in a position to hunt her as they don’t truly know what she is, and it is dangerous to hunt something whose nature is not known.  He then solicits help in finding out what or who the Gloom Howler is after allowing Emmrich to discern the nature of the cloth that Assan managed to tear from the Gloom Howler. 

[Spoilers will continue in the next paragraph.] 

(Spoilers: they find out that it is an elf, a former Grey Warden.) 

In his pursuit of knowledge,  Davrin discovers that the Gloom Howler is actually a former elven Grey Warden named Isseya who, during the 4th Blight, was ordered to blight the griffons so that they could not be useful to anyone else after going rabid on the Wardens who were using them to fight in the 4th Blight. (If you want to know more about Isseya, please read Dragon Age: Last Flight).  

Even when he’s mad at the Gloom Howler for kidnapping the Griffons, he takes time to find out who or what she is— and then reminds her of her own humanity as an appeal to try and get her to stop before he puts her out of her misery because she’s basically been blighted and immortal for 500 years and living with that horror of her orders which has driven her mad. 

[SPOILERS OVER.]

He is socially and emotionally intelligent. If you take him on Harding’s companion quest to Kal-Sharok, he is able to greet Stalgard in dwarven, after Stalgard greets him as well. I also consider his ability to place his personal feelings aside in how he reviews Solas’s memories during the quest Regrets of the Dread Wolf, and to empathize where Solas was coming from in some of his decision making as a sign of emotional intelligence.  He states that if he had an opportunity to forever end the blight like Solas did, or even though he did - he would take it, just as Solas had. (This is a paraphrasing, please don’t eat me alive.) Then, reviewing Solas’s regrets, 

Davrin also can acknowledge when he’s wrong. He grows. He has strong opinions on Lucanis, granted, these are emphasized by the incident at Weisshaupt when he is in mourning, processing, and going through the stages of grief of arguably one of the only places he’s considered home since he’s left his clan. However, if you check on him after the argument - he states that Rook should check on Lucanis, and that the shot Lucanis took at Ghilan’nain was “incredible”. He then later tells Lucanis that no one can do what Lucanis can do in regards to taking down Ghilan’nain. 

He’s a man of action. If you romance him, during the romance scene, he reassures Rook through physical touch - they’ve been stuck in a place alone for 2-3 weeks - and then follows up his physical reassurances with verbal affirmations.   He says “I love you” first to Rook, and while this is probably intentional by the programming - for him to continue being transparent enough to admit I love you in a high tension situation speaks volumes. 

Davrin, in the way that he is written is such a dynamic character and his character growth and arc is arguably one of the more long-lasting ones that I think about from DATV. While I’m not sure the ethnicity of his writer(s), they did a fantastic job embodying this man as an unapologetically and explicitly Black man, with all the nuance and roundness that avoided stereotypical behavior and tropes associated with Black men. 

Final Notes

Davrin was my first romance in DATV, and arguably, if I could romance him every time, I absolutely would (however, I’m curious about the other romances, but I am planning another playthrough with my original Rook, Zen, and she will be romancing that man again).  The way he loves is so big. He is the embodiment of to be loved is to be seen (and romancing him and then choosing him for that ending (which in my opinion, shouldn’t have been an option) is absolutely emotionally devastating. But, it confirms what I say: “You saw me, and I saw you”). His devotion (because that man is locked in) is phrased in “wherever you are, there I am”. 

The AMA erasing him and saying that it is Assan that makes the ending so devastating on a level that equates to Harding is a very bad take. Not because it erases his personhood (which is the purpose of his entire companion quest), but also because Assan is a part of him, but he is what you are offered first, Assan is the added bonus.  Additionally, reducing his character to “just the jock” is also in poor taste because a) the jock character is obviously Taash (they literally have weight-lifting equipment in their room) and b) he is so much more than just that, and he is a very gentle character. 

[ MORE SPOILERS BTW ]

(Also, arguably, his scene as a result of leading the second team is so much more worse than Harding’s, in my opinion, because he didn’t even get a fighting chance, and Harding’s status is different than his (MIA vs. Fallen Hero with the disclosure they couldn’t find his remains)

[ SPOILERS OVER ] 

I loved my experience romancing him and playing as a Veil Jumper Rook because he gives banter like “Not bad for a Veil Jumper” even without romancing him. It’s funny, it’s comradery, it is warmth. He jokes with Neve about her assessment on Rook.  

He doesn’t forget his roots and where he comes from, and this is why I propose that Davrin, the Grey Warden, but also the man that he is, is the proclimaiton of the future and change of Thedas at large. He knows he’s an elf (but he states, I’m not a spirit (like the ancient elves), he grows to represent the change of the Grey Wardens. We see this in the flowers found by Rook, Evka, and Antoine under all the Blight that begin to grow in the Wetlands. We see this in how Flynn, the healer from Lavendel, uses the Blight to sense it in their patients; we see it in the changes of the Calling and how for some Wardens in the midst of their hearing the call - it stopped. We see it in the narrative end of the Blight (“the Blight to End all Blights” because no more archdemons = no more gods = no more elven god related blight); we hear it from Antoine who says the song of the Blight is changing and healing. 

This man is built up to be a narrative parallel of the light and hope that comes with the changes in the Grey Wardens, the Elves, and the world of Thedas at large (without the Blight), and I stand by that. Not only do the Griffons represent change, and the Grey Wardens changing their purpose, but Davrin is the light that leads the way for a greater and more positive future for Thedas, in all of his parts that make him whole, connecting Thedas’s past and flaws, to the prospects of a better future.  And for that, DATV told an incredibly powerful story through him (and his beautiful brown eyes).

If you managed to read all of this, I appreciate you. <3 If you liked this, I yap a lot on twitter, bluesky, and elsewhere, and draw doodles and things of my ocs (including my rook zen, davrin, and my solavellen) plus gladio from FFXV (and my oc, persephone). Please feel free to drop into my DMs or inbox!!

[bl-inded]

Unpopular Opinion Time!

Jun is right.

Okay! Okay! Put the pitchforks down! I'm not saying what he did was right, but I still think he has a point.

Thame is a 100% green flag. He's absolutely sweet, extremely adorable, and he always makes it a point to make Po feel important. And i fosho believe that for they are good for each other and deserve the best! They are endgame in my heart too!

Buuuut! I think Jun sees things in Po that he isn't even ready to see in himself yet. Idk if Jun likes Po romantically or not, and I'm not gonna speculate (though the delicious angst of that! Oof). I also think it doesn't matter because what we all should be focusing on is that he cares a lot about everyone, and he definitely cares about Po and Thame.

And for some reason, he has this screwed-up logic that making himself the bad guy is the best way to resolve the situation. He did it when he wanted Thame to escape the slave contract and go to Korea, and he's doing it now by making Thame and Po confront their feelings (I bet he probably did that when Dylan and Thame were getting close too 🤷🏽‍♀️ coz let's be honest Dylan- also very rough around the edges).

Now, I will always be a Jun defender. But, we as the audience know what happened to Po in his previous relationship that neither Jun nor Thame know (I don't think, correct me if I'm wrong). And Thame is perfect! But Jun puts in the effort to make Po feel like he's smart, talented and capable- Granted it's by scolding and teasing him- but it's still true.

I love love looovveeee the air hockey scene. Like so many things about it hit!! But I love it when Jun switches sides from being the red flag villain, back to Thame and Po's friend. Oooooooof.

Like, yeah. He's done playing the bad guy because the situation is resolved. Thame might think they both have an equal chance, but Jun knows that that's simply not true. And now he knows the right thing to do, so he does it. He concedes.

I know ThamePo is endgame. I accept it! So tell me WHYYYY!?

Tell me why this scene makes me hurt?!?!

I'm not going to speculate if Jun liked Po romantically. But I'd be damned if I let people go around calling Jun "annoying" and "unnecessary" without saying something about it. Because I think he is doing the best he can for those he loves the way he knows how. It's screwed up, but his heart is in the right place! And the minute he gets told there is a better way to help, he does.

Remember that scene in ep2, the whole perspective switch we got about him being Thame's number 1 hater? He's that kinda guy and I love him!

[littlestsnicket]

random armand focused iwtv thoughts and headcanons with absolutely no fandom wank this time:

i think armand is actually probably a really good teacher. he was certainly successful at teaching louis to use the fire gift, and i think it dovetails nicely with his desire to provide service and his capacity for levelheaded severity and dominance. (which he does have--the evil trauma gremlin is a separate trait and doesn't usually get triggered when teaching)

fucking obsessed with the park bench scene. louis sitting there in the rain with an umbrella in his lap, looking at armand, looking at the umbrella, and being like "i'm a bit wet". he's feeling that out, seeing how armand responds to this power dynamic before they have the rest of that conversation. like... this is calculated, louis knows and is telegraphing what he wants from armand, and armand is so eager to give it. it makes me insane. obsessed with their dynamic. truly obsessed.

and the scene before louis is going to give madeleine the gift... i actually don't think armand takes poorly to having his boundaries respected. i don't think armand is quite that fucked up (or more accurately, he is that fucked up, but has a good understanding in at least some parts of his brain about exactly how fucked up he is even if he has some weird cognitive dissonance about it, and is able to rationally interpret that as a good thing in that moment, even if it puts him off balance). what armand takes poorly is louis being wrong. louis took responsibility for something and couldn't actually handle it and that totally undermined armand's sense of safety in their relationship. which is obviously not reasonable or healthy, but i think makes a lot of sense for armand and his decision making process.

i'm also really attached to the idea that armand has a good working knowledge of modern risk aware BDSM practices. he has the internet. and as much as louis and armand don't have many (hardly any) actual peers and are therefore wildly codependent, i think they both have a ton more casual contact with people than they appear to in the dubai interview. i think louis is coming out of a particularly bad depressive funk so temporarily doesn't have much contact with the outside world, and showing himself to have outside contact doesn't serve armand's narrative. anyway, i think armand has been to his fair share of kink clubs.

i think a large part of why lestat lets louis go with armand in the tower is because he believes (correctly, at least in this case; that is literally the least convincing yes i have ever heard when louis asks armand if he saved him) that armand is not a very good liar so if louis doesn't believe lestat saved him, it's primarily because louis doesn't want to. armand is great at controlling a narrative, significantly less great at flat out lies.

armand functions, structurally, as a femme fatale in a detective story. he's exactly as simultaneously shady, secretive, tragic, and alluring as he seems to be--the reveal is just that he's done something worse, but still totally in character, than we thought.

loumand from louis' perspective: i loved you in paris, i'm not sure if i love you now or am just scared of being alone. sometimes i can work with that and things are good, other times i think i'm betraying claudia's memory by being this close to you and am going to punish both of us for it. a lot of the time i'm clinically depressed in a way that actually has very little to do with you, but you're such a martyr you can't see that and sometimes i crave the resulting attention and subservience and other times it makes me sick with both of us.

[tododeku-or-bust]

Hey I heard that you've been having issues with some friends lately about politics lately and was wondering how you're.... dealing, I guess? I'm not American, but my 3 best friends of seven years are. I've considered these people my platonic soulmates and boxes of gifts are still sitting in my closet addressed to them.

But ever since the US. Elections this year, I've felt really sick thinking about people voting for the Dems after they livestreamed a genocide. And none of my friends particularly *like* the Dems at all and think they're complicit and need to do better, but they also did still vote for them in the hopes of not losing insulin/hormones/welfare money they need to live.

And I don't want my friends to suffer or die, but I also feel really gross thinking about my friends doing that. I've tried explaining to them that the Dems aren't any good for us, but they always retort that they need to try in order to live and I never know what to say.

I'm pretty new to any serious leftist movements and don't think I'd really be ready to meet people in a group like that so like,,,, should I keep trying to get through to them since they agree the Dems aren't good? Is that what you've been doing?

I've tried explaining my feelings to people IRL from my country and they all basically agree that "Americans just want to avoid Trump hurting them" and I feel really isolated and scared. This whole debacle has kind of crushed my belief in love and soulmates (platonic or otherwise) and now I don't see much point in continuing to be alive if I have to just cut off every person I've ever known or loved and be alone until I die.

I really hope you aren't experiencing the same feelings I'm going through and that something that makes you really really happy happens this week. And that your wedding goes well! Don't let anybody say you don't deserve to be happy!

Well I can't really speak on soulmates fr, but you wouldn't have to "be alone until you die" if you found community that thought more like you 😅 and I'm not saying that to be snarky, I am completely genuine. For all the peers whose respect I don't have for my beliefs, I have found people that did, that helped me feel reinforced. You said you're not ready to get serious, but when you are, just know that that's what these movements and groups are for! Maybe you'll find different soulmates there! Maybe it's time to let go of the old ones that served a different time for you.

I'm sorry that your friends are not on the same page as you, though. Me personally, when it comes to these things, I am absolutely a black sheep. But I don't try to convince people in my life anymore. I loudly let it be known where I stand so that they cannot deny there is another reality than what they see, that I will not be moving, and that's it. Convincing people who are more concerned with themselves than they are anything else has not served me. I don't talk to people who aren't trying to listen to me 🤷🏾‍♀️ When they're ready to actually listen, then get ready to talk! But the same way you can't persuade them (as of right now), you don't have to let them pressure you, either. I might just be jaded, though. I've allowed a lot of bridges to slowly burn. If they rebuild it, or stop the fire, then that's how it'll be.

Educating yourself is also a great way to reinforce your perspective; part of the reason I'm so confident is because I take the time to read. The things I can't put into words, a LOT of other people across many cultures have! So I'm not blind! I personally value my integrity above social standing, bc at the end of the day you're gonna die with you, and I'll be damned if I never stood for shit bc "clout" by people who only liked me for conforming lmao. I gotta like ME by the end of my life. And ik that's easier said than done, and it does disappoint very often but... I try to do it.

I wish I had better advice for you; I'm sure that was not the soft answer you needed 😅 I appreciate you reaching out to me, and I hope you find the strength within you to continue. 🙏🏾

[theambitiouswoman]

I’ve been struggling with feelings of loneliness for years. I’ve met many people and tried to make friends, but I’ve never found someone who truly feels like a good match for me. Most of the time, I noticed that people enjoy gossiping, that I couldn’t trust them, or that their kindness felt insincere. Because of this, I slowly distanced myself from them since we never really connected. Since I work from home, I haven’t had many opportunities to be in social environments, which has always made it difficult for me to make friends. Right now, I only have 2 friends, but even with them, we barely talk anymore. Over time, I feel like our bond has weakened as well. This has always made me see myself as weird or even pathetic because I can’t go out and have fun with friends like others do. I’m 23, and I feel like my youth is slipping away. Since I can’t seem to change this mindset, I’ve lost my confidence, and I no longer feel motivated to do anything. The only person I truly feel close to is my boyfriend. Do you have any advice or suggestions on how I can change my perspective on this? I’d really appreciate it. Thank you so much💗

A lot of people struggle with loneliness, especially in adulthood when deep connections are harder to make.

Instead of focusing on the number of friends, shift your focus to quality over quantity. Some with big friend groups still feel lonely. It’s about finding one or two people who align with you, and that takes time.

People with large friend groups often seem to have it all together, but these groups can lack depth. Having many people around doesn’t always mean healthy connections. Some may enjoy the energy of a crowd but still feel disconnected.

The key difference is that those with deep, quality friendships feel genuinely supported. Having a few close friends is more rewarding than trying to keep up with a big group.

Since you work from home, try putting yourself in environments where like minded people get together—meetups, co working spaces, or online communities. Friendships take time but consistency and shared experiences build connection.

Confidence comes from feeling secure in who you are, even when alone. Instead of focusing on "fixing" this, focus on nurturing yourself. Do things you love, even solo—explore, visit a café, or take a class. The more you embrace your own company, the more you’ll attract the right people.

Don’t underestimate the friendships you already have. Even if you don’t talk often, a simple “Hey, I miss you” could help rekindle the bond. Remember that you also have to be there for people and make time for them when they need you. They also want to feel cared about and appreciated too. Real friends don’t always talk daily, but they’re still there.

The right people will come. Stay open to them.

[astly]

I am absolutely convinced that Biter is:

a. Taktikus and

b. the ork on Falx's ship.

Their two very similar longer names I would chalk up to a translation issue. In reality they are both the exact same name in orkish but things got lost when putting it down in Gothic. Ork language has few words but every one of them has a load of different meanings all in the same general ballpark. That's why you can translate one orkish sentense in a couple different ways and still be more or less correct. It applies to all translations everywhere, really.

"Eats-Face-Of-Face-Eater" is the name Nestor knew them by before they met face to face. The name the general knew must have come from a human translator and I doubt that Nestor's men would be much preoccupied with translating ork speak as faithfully as possible for respect of their "kultur".

Whereas "Bites-Face-Of-The-Face-Biter-Before-It-Can-Bite" was the name Falx knew them by and who else but Biter themself could be the source of the name? It stands to reason that they would give a more detailed translation of their own name, especially since they appeared to be very proud of their human vocabulary and language skills.

Also my headcannon on their name history is that as a regular boy their name was "Bites-Face-Of-The-Face-Biter-Before-It-Can-Bite" and they changed it to Taktikus when they became warboss. Still, it's a known fact among orks (especially older ones like, say, Grotsnik) and they still use their old name sometimes, particularly to distinguish between activities they undertake more officially as warboss and things they do privately and/or undercover.

Hence why, while already being Taktikus, they introduced themself to Falx as Biter. And why Grotsnik still referred to them as Biter, even tough they were already a warboss, cause they don't give a shit xD.

Yes, I have thought about it a lot, can you tell? The difference in the names bothered me and I wanted to explain it. But that's the Watsonian perspective, the Doylist explanation is way easier - Enemy of my Enemy was published in 2018; and Prophet of the Waaagh and Mad Dok are from 2021. Nate Crowley could have just made their name longer to make it cooler/more fun and didn't have the full idea for it in 2018 xD

The idea that Biter in Prophet of the Waaagh and Taktikus are the same ork is honestly so funny and intresting.

My man just showed up with Makari saying his name is Biter (absolutely not a warboss of Ghazghkull's council) , then hyped himself up when talking about "Taktikus", most likely hyped up fucking "Nestor Pyrrhus" saying he was a "Brilliant adversary" (it's also funny this fight also gets kind of mentioned in Mad Dok, Taktikus really liked Nestor/their war lmao)

And in Mad Dok its said "But Biter – or Taktikus, as they’d called themself back then" which means Taktikus was named "Eats-Face-Of-Face-Eater" then changed name to "Taktikus" and then changed names again to "Bites-Face-Of-The-Face-Biter-Before-It-Can-Bite".

[mars-ipan]

interesting to me how when i turned 19 i was kinda terrified bc i was like “oh shit this is my last year as a teenager….. i won’t be a teenager after that… i wanted to be a teenager for all of my childhood and now that part’s almost Over. aaaaugh” and now approx. 9 months later i cannot fucking WAIT to stop being a teenager oh my god i am ready to move on. 20s please i would like to be in them. i am done being 19 thank you !!!

[o-sunny-day]

Please Reset Your Save File :)

idk what came over me but here take this forgettable au wingdings undertale ARG ass image

speaking of being a mystery image with secrets to be unlocked, i’m gonna refrain from yapping. do the sleuthing yourself I believe in you

ok…. fine….I cant resist…. BUT DO THE TRANSLATING YOURSELF IM NOT DOING EVERYTHING FOR YOU

Ill start by explaining my proccess cause it was quite eventful!

The jumping off a cliff towards something was inspired off of this tiktok :D

Thought it worked GREAT for a character who was so dead-set on his goal he destroyed himself in the process of achieving it… And thats all I had in mind, Wingdings reaching twords his goal (a star/the player) and the rest I just went along with as I drew

I didn’t intend on the background being black, was just a placeholder, so once I finished the line art I fiddled with the color. thought some sort of “blue screen of death” would go well with the themes of what happens to him since he is IN a game. so the universe literally restarts (resets :3) itself to get rid of a glitch (him)

My theory currently is that his goal was to become some sort of player/gain the ability to reset, and once he did that, the game saw him as an error/glitch, so got rid of that- bro IS Turbo from wreck it ralph

After that whole idea- I was looking at some references to replicate the text and it made me go “OOOHOOO” when I saw the QR code like “oooo I could make my own and have some fun with that…” and so I did- and decided to link my original idea for that!

Reference:

I had fun making some differences in the wording to fit the situation

In the end, 2 silly illustrations that are fun to flicker between!

talking about the actual drawing though:

The cliff Dings is running off of has echo flowers because I SWEAR those are important. trust.

Him not wearing gloves is meant to depict how little he cares for his own safety in his last days. I did the same thing in my IM SANE amv!

The “star” having an eye is meant to show how its both the player, and seeing the stars/surface that Wingdings is reaching for.

The wingdings font covering Dings’ face/eye socket is meant to symbolize that perhaps he feels defined by his inability to communicate like other people naturally can.

“Ths Stars, They Cry Out Your Name” is my favorite thing in this… from Wingdings’ perspective, the only thing that matters, that understands him, that TRULY values him…is THE STARS. its like this goal that he has that will make him feel valued. Getting to the surface = being “worth it” But truly, the stars are the PEOPLE that care about him. Asgore, Alphys, Sans, people that are genuinely concerned over his obviously deteriorating mental health- they CRY out his name, not “call” like I had originally planned.

“66%” hehehehhe funy gaster numbr

ok and last thing- Im gonna cry remembering this dialogue from the official Clock App

its so important for this AU, PLEASE

[jinxed-sinner]

Look I know Lucifer isn't the best dad ever but I feel like people who say he's a bad dad are purposely ignoring the context of the show. It is very much implied that he thought Charlie wanted nothing to do with him, and Charlie thought he wanted nothing to do with her. Lucifer’s still dealing with trauma from Heaven and his fall and probably will for the rest of time plus he's dealing with what would probably qualify as clinical depression, and simultaneously dealing with trauma, clinical depression, and autistic traits (which Lucifer absolutely has; I do not say, as an autistic person, that Lucifer is a massive autistic mood for no reason) is a fucking NIGHTMARE.

I'm not saying Lucifer shouldn't take responsibility. He should. But he's already doing better than my dad frankly. Lucifer hits me in the daddy issues, I wish my dad made an effort to be more active in my life. Lucifer is fucking trying, and that's better than a lot of people can say about their dads.

[cathrhea]

Okay this ship is a tad tough to propaganda for given that it's not completely headcanon but also not completely canon. Some of this stuff is just kinda inferred because these two don't ever really interact? Catherine just talks about Rhea a lot and Rhea doesn't really talk about or interact with Catherine much. I've shipped with less though!

Let's start with basics. They're both arguably bisexual. Rhea can enter a marriage with either gender of byleth, and Catherine has multiple romantic endings with men while simultaneously being in love with Rhea.

Multiple of Catherine's endings, even when she's married to someone else, have her leaving the church and retiring to Zanado with Rhea. She has one ending where she stays at the church, at that's with Byleth who has avatar privilege. Without Rhea, she pretty much always starts traveling the world. Rhea is the only reason she stays at the church.

In her S support with Byleth that she's a servant of Rhea, not the church. Whether Rhea is alive or not, she admits she's lost. Rhea means the world to her to say the least. This is because when Catherine was a student, her life was saved by Rhea. She was nearly killed by monsters, and Rhea took her "muddied, bloodied body into her arms (Byleth A support, 2019)…" She saved her life again after Rhea took her in once she had to flee Faerghus, thanks to a false regicide accusation. It's pretty clear why Catherine loves Rhea.

Her death quote asks Byleth to save her. She has an advice box where she mentions she's getting used to her absence, and hates it. She's assumes that Rhea doesn't feel nearly as strongly, as shown in her explore dialogue where she sadly says "Lady Rhea's not waiting for me, I know, no matter how much I might wish she were. She's waiting for you (Byleth) (Explore Chapter 21 AM, 2019)." Despite this for better or worse, she's still devoted to her. The only thing she refuses to do for her is die, which I'm not sure if she ever elaborates on. I assume it's because if she did, she couldn't serve her anymore.

Let's talk from Rhea's perspective. Rhea is said to be very lonely despite being surrounded by her followers. She also says she has no friends she can fully trust. Thanks to her past, she keeps everyone at arm's length. That doesn't mean she doesn't care about them. She also says she'd love to have lunch with the students, but is scared of being a bother. She's a lot more socially awkward than she seems.

So to have someone who has so much undying faith in her most likely means a lot. Rhea is probably aware of Catherine's crush, but she may be unaware of how deep it goes. Or she believes that if Catherine knew the truth, she'd abandon her considering that Rhea does have issues with that. It's a shame that the route that truly shows Catherine's loyalty, Crimson Flower, Rhea is beyond the point of really caring about what others think of her.

When Catherine finds out about the Immaculate one, she isn't horrified. She isn't upset. Her only concern is ending her love's suffering. Rhea needs someone who really and truly has her back, who won't judge her, and Catherine does.

Rhea's kindness and patience is something that Catherine needs in a partner. Catherine doesn't seem to think too highly of herself, she just puts her faith in Rhea. Rhea clearly trusts Catherine given that she lets her use a relic, aka one of her dead people, despite that Catherine doesn't really believe in the seiros faith. I feel Rhea does think highly of Catherine, but again she keeps everyone at arm's length. When they retreat to Zanado, Rhea can let her hair down and truly show how much she means to her.

Again much of this is headcanon, but most fe ships are. I think these two have a lot more potential than they're given credit for to have a fluffy relationship. It doesn't have to be toxic or one sided. Rhea clearly appreciates Catherine, it's just how far it goes that is up for debate. I do wish we got to hear more of how Rhea feels about Catherine, but that's what fanon is for. These two are super sweet in my opinion, and if we ever return to Fodlan I hope we can see more interactions between them. Also butch x femme dynamic slaps.

rhea x catherine

FE: Should they kiss?

Rhea x Catherine

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[ebonytails]

Hey everyone! this is where the zebra is currently with the design.

It has knee braces!! I will most probably be drawing the zebra usually with them on, but it’s no requirement, for example if anyone else wants to draw the zebra :-]. I always like to make sure an animal design has official colors underneath any clothing and accessory anyway. I think this will be final! thank you everyone for your feedback!

As a reminder, aside from why the zebra was requested for this flag, this is also just a zebra with the disability pride flag on it. It’s just a deisgn to fit the flag, with input from other disabled people in our community. It doesn’t mean other animals can’t have designs with these colors, too! I don’t mean this design to be the only mascot for all disabled people. It’s just a silly series i do of pride animals, and at the time, during disability pride month, I wanted to see what everyone wanted me to start off with for this flag!

the goal with my pride animals is to take requests and make people feel happy and seen.. that’s all <:-)