#is tonight the night

[pikahlua]

Today on this day when there's a real possibility of a Katsuki update in the spoilers, all I can think about is that one time I was like, "Bad shit is gonna happen to Katsuki I feel it in my heart, but like, despite all the death flags...he won't DIE right? This is MHA after all! No, surely it must be something else hahaha. He'll have a completely reversible death. OH POSSESSION! THAT MAKES SENSE! That has to be what it is!" and then he fucking died just like I feared but was too scared to entertain.

That really fucking happened??

[pangur-and-grim]

oh. I think my fears about Chiefcake passing from old age were more on point than I realized. she's acting very weak right now.

and it's late on a friday, when all the rabbit-specific vets have closed. I'll call around anyway to see if at home euthanasia is an option tonight.

[stalebagels]

Edit: muted this monstrosity but if you're looking for the blank template it's on my blog and I'll tag this and it with "the stupid fucking shorts post" so you don't have to scroll through everything 💀😂 (I did not make the template btw, I don't know who the OP is but if you do please let me know)

[devilcatdarling]

There is truly no greater love than taking your most adored fictional character and throwing them into the emotionally-devastating angst fueled trash compactor and pressing every single button on the machine just to see what will happen

[chloesimaginationthings]

FNAF 4 nightmares haunted all the Afton kids..

[userparamore]

– I'm the kid who presses all the buttons on the elevator. That's as naughty as it gets.

PEDRO PASCAL Entertainment Tonight | Gladiator 2 press

[slavhew]

hm

[mysterysnail]

it certainly is a New year. heres to 2025 🎉🎉

[gailstorm]

A couple from tonight

[suntaeshine]

IS IT KOTA TIME EVERYONE MOVE

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[berenshand]

one of my favourite little things about the murderbot diaries is how present all secunit's friends are even if they're not actually physically present. it doesn't do the annoying thing where it jumps through hoops to bring back characters that aren't really relevant to the narrative but it also doesn't do the other annoying thing where it pretends they never existed either. like secunit talks about art and mensah all the time even when art or mensah aren't in the book. it's clear how bharadwaj has impacted its personal growth even when she's literally on another planet. it complains about gurathin and pin-lee when they're not there. it's still sad about miki and don abene and it mentions tapan and maro and rami even though it only knew them for a few days (because when you're new at being a person every interaction with other people is important even if it's short). iris reminds it of mensah. iris also reminds it of ratthi. its hair is fluffy bc it let amena play hairdresser off-screen and it messages her so she knows it's okay. it doesn't have to worry about protecting volescu anymore because volescu retired thank goodness. it's still using thiago's language module. etc etc etc

it's such good writing because it's such a little thing that gives the characterization and relationships greater depth and also reinforces the running theme of friendship in the series and then also subtly gives this sense of 'the people you love are a part of you/your story' and also reinforces secunit's role as a storyteller because it's constantly telling little stories about all its friends.

[aring-king-king]

[marciabrady]

In the Latin beat rhythms one can marvel again at Hayworth's hypnotic force as a dancer. She enters through a door, drawn by the beat of male drummers, dressed in a clinging white two-piece that accentuates her body through the provocative forward thrust of her torso- a stance that is an invitation and a promise, and has become a trademark, like her hair. Where most dancers move from the hips down Hayworth moves from the knees up, her shoulders drawn back projecting her breast cage forward in the most enticing manner. To see her is to experience a sense of joy pure and simple. And all the more potent for being an invitation in the dark. -John Kobal

TONIGHT AND EVERY NIGHT (1945) dir. Victor Saville

[bluebellowl]

Many many people have asked to repair the bois so I wanted to do some quick pieces….And then I made one very big complicated piece. Oh well that just happens y‘know

In this fnaf AU Elesa is the head mechanic of the train bots. Under her supervision are Aiden and Vincent. Aiden is mainly responsible for Emmet, Vincent is mainly responsible for Ingo