#is to write about women like you do any other character

[xx-reverie-xx]

can you do vi headcannons in a similar way to the sevika one?

♥️Vi HCs♥️

broken up into categories for general, romantic, and nsfw headcanons respectively.

safe for bisexual women, trans, and enby lesbians :)!

lower case is on purpose. not beta read, sorry for any typos.

men dni minors dni men dni minors dni men dni minors dni

general

her carabiner is on the left. it has the basics and a couple of cute handmade charms courtesy of her sister.

if she wasn’t an enforcer, she would be a professional boxer/pit fighter AFTER fighting becomes less of a coping mechanism for her.

i am not the first person to think of this but … she plays the guitar. she would be self taught.

she can sing pretty well too. used to sing powder lullabies their mom would sing.

LOOOOVESSSS HORROR MOVIES!!! she could probably go on a long rant about the history of horror as a genre, especially slasher films.

dog person. asks to pet almost every dog she sees on a walk.

she apologizes first after almost any argument she’s in.

it takes her 10-15 minutes TOPS to get ready, usually less than that.

smells like old spice and just her natural scent. very plain, but very comforting.

gives the best, most comforting hugs

sends streaks on snap.

romantic

and the world's best kisser award goes to…

seriously, she’s like a kissing god. gives the kind of kisses that have you weak in the knees. you get butterflies at the thought of kissing her.

every day before she leaves for work she kisses you SILLY!! like, you will be thinking about that kiss ALL day.

her giving and receiving love language is physical touch. no questions asked. she is constantly seeking your warmth.

she’s almost always touching you; an arm around your waist or shoulder, pinkies intertwined, hands brushing, holding hands.

if you aren’t keen on physical touch, don’t worry! she would be willing to set boundaries with you.

she isn’t very good at drawing but she loves to draw you in the margins of notebooks. tries her best to remember what your smile looks like and how your eyes are shaped, even for low effort doodles.

she is such a sweetheart. goes out of her way to get you flowers or chocolates, even when it isn’t valentine’s day.

will call you sooo many petnames. her favorites to use would be honey, baby, and sweetheart.

loves spooning. she looooves to be little spoon!! please let her be little spoon at least twice a week!!!

nsfw

She is almost exclusively a top, and she prefers it that way. However, for the right person, she might bottom once in a blue moon.

when it comes to dominance or submission, she mostly follows your lead. she's usually okay with either but will have moments where she prefers one over the other.

when she's feeling more dom, she lets you know immediately.

she has big hands and let’s just say she knows exactly how to use them.

sit on her face. just do it, please sit on her face or else she will die. sit on her face!!!!!

vocal!! in like, every way you can imagine! has the prettiest moans and tells you the sweetest things.

even when shes feeling controlling or dominant, she takes care to be gentle with you.

buuuut if you get her riled up enough she has no issue with a little man handling.

very experimental!!! down to try almost anything once.

hello dear anon! if you’re reading this, i hope you enjoyed. i had a lot more ideas for vi than i thought i would. i’d love to know if we have any common headcanons ^^!♥️🎠

my inbox is open for requests! i’ll write for any arcane character and have lots of other fandoms i write for too. ♥️🎠

[adieutristana]

comforting reader scenarios; arcane women x fem! reader

finally home and spending time with family for the first time in a while. i started writing this while still at my dorm though, and wanted to finish it <3 i’ll get to my requests once break is over!

summary: scenarios of arcane women comforting their girlfriend.

characters included: jinx, vi, mel, sevika, caitlyn.

tags/warnings: mentions of anxiety and panic attacks, insecurity, nightmares (mel), smoking (sevika), crying, fluff, hurt/comfort

men dni.

jinx;

hosting at the last drop during a holiday weekend was no easy task, you knew that. but still, you needed extra hours. you needed extra money. so you picked up the shifts.

which you were now regretting more than you had any decision in a while. you wished that you could rewind time, and slap your past self across the face. tell her to put her sanity over a few more hours of pay.

you had just seated your final reservation of the night, and as soon as you got back to the host stand, your hands scrambled to untie your apron and slam it down on the desk. you couldn’t even be bothered to hang it up on its hook. you were overstimulated, stressed, burnt-out. you were exhausted.

your coworker grimaced seeing you, but was evidently concerned. “you gonna be okay getting home?” they asked, a hand on their hip. “i can give you a ride.”

“no, it’s fine. i’ll find my way.” you grumbled, grabbing the last of your belongings before swinging the door open. you knew exactly where you were headed: jinx’s hideout. you turned on your heel, keeping your head down as you sped through the bumpy streets of zaun. your destination wasn’t far, but the way in which your hands were trembling and you couldn’t focus your vision, you didn’t want to face the risk of any more human interaction.

you reached jinx’s hideout after about ten minutes of walking, and stepped in quietly. you saw blue braids, your girlfriend’s back facing you as she tinkered with what was presumably a new explosive device. typical jinx. she turned around in her chair as soon as the sound of your arrival registered, and she ran to give you a tight hug.

“how was work, toots?” she asked, her dark lips curled in a smile. “i missed ya, y’know.” she chimed, her arms still holding you close to her. you sighed and released the day’s worth of tension from your body, finally feeling safe enough to do so.

“it was hell. honest.” you began, before you felt a full tirade coming on. “i mean- i got yelled at for the simplest things. not having a table for a party of thirteen, having to consult with my manager for something, anything and everything. it’s… it’s like i couldn’t do anything right today.” you spoke, your voice faltering. you felt tears welling in your eyes, and you felt jinx’s grasp around you grow tighter.

“(y/n). hey. it’s okay.” jinx replied, her voice softer than most times. one arm stayed in place, and her other hand came up to gently cradle your cheek. “customers are awful. they always are. but you’re a damn good hostess, and you were doing your best! it’s just one of those weekends. they feel like they can do or say whatever they want…” jinx trailed off with a slight scowl in her voice. you knew that jinx was never particularly the best with choosing soothing words for you, but her odd and sometimes aggressive way of reassuring you did work.

your girlfriend softly grasped your shoulders to sit you down, then opted to grab one of your hands. her slender, calloused fingers slotting themselves between your own. she offered her shoulder wordlessly for you to lay your head on, which you accepted. you let out a sharp exhale through your nose. a single tear fell.

“i shouldn’t have taken those shifts. holiday weekend, back to back.” you scoffed. “money be damned. i’m never interacting with the public again.”

“no problem with that.” jinx remarked, trying to lighten the mood a little. her free hand came up to run over your side, up and down, up and down, gently and repeatedly. an oddly soothing pattern. “you could just stay here with me forever, y’know.”

you gave a soft chuckle in reply. “yeah. that’d be nice. you and me, not needing anything else.”

vi;

tonight was just one of those nights. you were getting better, you thought. you had been consistently seeing a therapist and airing out every little ugly detail about your life, your past, yourself to a complete stranger. and it was helping. you had a girlfriend who adored you, body and soul. who would do absolutely anything in her power just to see a hint of a smile on your face.

but right now, with your hair clutched in your hands and hot tears streaming down your face, your heart beating in your chest at record speed, you couldn't think about any one thing.

there was no rhyme or reason, you just felt horrible. about yourself, about your life, about everything. it was as if all of that progress you had worked so hard for was completely undone. dull and noid. you swore you could feel yourself dropping deeper and deeper, your shallow breaths growing quicker, until you heard the door of your apartment swing open.

"hey, babe, sorry i'm late, i got held u-" vi stopped dead in her tracks in front of you, taking in your state for a split second before her expression turned to one of unease. "oh, my god- (y/n), what happened? come on, talk to me." she breathed out, calloused, bandaged hands coming to grasp at your shoulders.

your girlfriend’s grip did ground you slightly, but you still couldn’t get a word out. you could only focus on trying to breathe; in, out, in through your nose, out through your mouth. vi’s worried expression didn’t falter, but her hold on you did loosen as she noticed your breathing grow more steady.

vi now sat next to you and swung an arm around your shoulder, pulling you in close to your side. she brushed a stray lock of hair out of your face, and tried to soothe you in the most gentle tone possible. “hey. hey, now. it’s okay. i’m here. i’m not goin’ anywhere, ya hear?” she whispered. “tell me what’s wrong.”

you just gulped, and hastily reached up to swipe away the tears on your cheeks. “nothing… nothing happened.” you said, voice still shaky. your gaze was downcast, focusing on some odd stain on the carpet. “i just feel so hopeless.” you blurted out. you just didn’t know how else to phrase it.

“i’ve done so much, gone to so many appointments and faced myself in the mirror. faced my flaws, my past, i’ve done some rough work.” you explained. “but i feel like it’s all for nothing. if i’ve gone and done all of that, why do i feel like complete shit right now?” you muttered under your breath. your shoulders were tensing back up, and more tears pricked at your eyes, threatening to fall at the next minute.

the girl next to you took your chin with her forefinger and thumb, gently guiding your gaze to meet her own. “(y/n), look at me.” she said.

you looked at her, eyes shaky and unsure.

“you don’t feel like this every day, do ya?” she asked. “i… no. i don’t.” you replied.

“there you go, then. no amount of therapy or coping or self-analysis is gonna take away the fact that some days just fucking suck.” vi’s arm was still draped around you, holding you in close to her and now slightly rocking you.

“you’ve got problems. we all do. they’re not just gonna go away overnight, some of them probably won’t ever. but ya have to keep trying, right?” she asked, prompting you to slowly nod. you sniffled, and whispered, “it just feels so pointless.”

“i know it does, but it isn’t. you know you haven’t done all of that for nothing. one shitty moment doesn’t erase all the hard work you’ve put in.” vi affirmed. she accentuated her words with a gentle, lingering kiss to your forehead. “you’re one of the strongest people i know.”

you finally let yourself go and lay your head on her shoulder, wordlessly accepting your girlfriend’s comfort. her grip around you only tightened, and while you couldn’t see her, you knew her well enough to know by now that she was smiling at the sight of you.

mel;

mel loved sharing a bed with you. it was so peaceful, so intimate in a way. you had her in your arms facing you, her head buried in the crook of your neck taking deep, relaxed breaths.

until you shot up from your slumber with a sharp gasp after having a nightmare. enforcers. your family. you hadn’t done anything, and neither had your family, but there the enforcers were in that dream, taking them from you. ignoring your choked sobs and loud pleas to just let them go.

it was probably a side effect of growing up in the undercity, and witnessing that exact scenario more times than you could keep track of. even though it wasn’t real, it still horrified you.

you tried to steady your breathing as to not wake the woman next to you, still deep asleep. but the second you saw her begin to stir, you knew you were in trouble. mel did not take kindly to her sleep being disturbed.

she sat up slowly, looking around and one hand coming to rub at her eyes, then her eyes met yours. there’s no malice or annoyance in her gaze, only concern. “…what has you up this late?”

“just a nightmare, mel. don’t worry about it.” you sighed, voice dropping and trying to convince her to just go back to sleep. it wasn’t until you felt a familiar pair of arms wrap around you, though, and pull you close to mel’s chest that you realized she wasn’t planning on letting this go.

“no, talk to me.” mel demands, although sleep is still evident in her voice. now it’s obvious that she isn’t going to let this go, and although you feel guilty for disturbing her rest, you’re grateful that she’s not angry with you.

you let out a deep breath, and begin twiddling with your thumbs to keep your racing mind at bay. mel still has you held close to her, one hand cradling the back of your head. “it was about my family. i had a nightmare that enforcers… took them. threw them in jail without a trial. even though they’ve done nothing wrong.”

having been brought up in zaun, this was a fate that was unfortunately not uncommon. a slim possibility for you, one of the more ‘respected’ families of the undercity, but the chances were never zero. you were unsure as to why you were suddenly having nightmares about this, though.

silence hung in the air for a moment, the only sounds in the room being your girlfriend’s slow breathing and rain pattering against the windows. “…that won’t happen, love. i wish i could tell you that our enforcers are a just group of people, but they are not. but you know all i am doing to try and fix this… your family is safe. i can promise you that.”

mel’s words were genuine, but in reality, there was only so much comfort she could offer. piltover as a city was corrupt; there was no denying that. but at the very least, you could rest assured that she was trying. mel cared- not just because they were your family, but because she had a heart. that’s more than you could say for some of the other council members.

you reached to intertwine your fingers with hers, and let your eyes slowly slip shut again. “you’re safe with me, darling. a nightmare is just that; a nightmare.” mel whispered, her voice like honey, sweet and smooth. “let’s get you back to sleep. i’ll be here all night.” she pressed a final lingering kiss to your temple, before you fell back into a deep slumber.

sevika;

being one of silco’s henchmen, it wasn’t uncommon for you to arrive home with an array of injuries. bruises, scrapes, cuts, sometimes even stab wounds if it was particularly bad. most of the time, you couldn’t place exactly where each injury had come from, only that it hurt like hell. but you were used to it by now, and working for silco both paid well and earned you protection. so you couldn’t exactly complain.

this time, though, you weren’t only hurt, you were exhausted. you were honestly considering marching (albeit weakly) to silco’s office and telling him you’re resigning, effective immediately. your legs felt like they were going to fall off. you undoubtedly had a few bruised ribs and had suffered more severe injuries than ever before. thankfully, nothing seemed to be broken, but there was only so much you could take.

you swung the door to your shared apartment open, seeing sevika already sat down. you slumped into the beat-up couch next to your girlfriend, letting out a loud and exasperated sigh. what to do? you had lazily patched yourself up, but you were still in considerable pain. you looked around the room, scanning all of your belongings from years of working for the eye of zaun. could it all have been for nothing? all of your hard work- was zaun, was silco going to chew you up and spit you out?

“(y/n)? took ya a while to get back. everything fine?” sevika asked. she swung one leg over the other and took out a cigar, grabbing her box of matches from a side table. you tried to muster up the most chipper tone of voice possible, and replied, “yep, i just got a bit held up on the way back. all is well.” you even tried to cement it by giving her the best smile you could manage.

sevika gave you one of her knowing side-glances, an eyebrow raised as she lit her cigar. “spit it out.”

god damn it.

if there was one thing your girlfriend was, it was observant. she knew your mannerisms, your habits and your demeanor well enough to know when something was wrong. honestly, sometimes, you thought sevika might know you better than you know yourself.

“sev, it’s nothing, really. don’t worry about me.” you tried to reassure her, a smile cemented on your face to really sell it. yet she still saw right through you. “(y/n), somethin’s up. i can tell. come on, dove, you can talk to me.”

you weighed your options for a minute. you were scared, if you were being honest with yourself. you knew that sevika was frighteningly loyal to silco, and saying that you were thinking of leaving could anger her. maybe provoke her in some way. but another thing you knew about your girlfriend was that once she started something, she wasn’t going to let go of it until it was resolved.

“i got beat up. badly, worse than i ever have… i don’t know if i have it in me to keep doing this, sevika.” you muttered. oh, god, your voice was shaking. “everything hurts. i’m exhausted. i’ve seen so much, and i don’t know if i’m strong enough.”

sevika sat in contemplation for a moment- a moment that felt like hours. she took a long drag of her cigar, exhaling as she talked. “that comes with the job, darlin’.” you felt your heart drop into your stomach. sevika was right. now you seemed like a traitor to silco and weak. “but, we all have our limits. you’ve done all you can, and you’ve done a damn good job at it. now, i’m not gonna tell you that you should leave, because i don’t want you to. i’m selfish like that.” your girlfriend chuckled.

you let her words sink in. you swung your legs around to be on top of her lap, laying your head down on the arm of your couch. sevika brought an arm up to rest her hand on one of your thighs, gently squeezing in reassurance. “do what you think will be best, okay? i’ll still be here. always will.” she smiled. “but… what about silco?” you muttered.

sevika barked out a laugh at that, which slightly startled you. your eyes blown wide and your form jumping. “silco’ll be fine. he has his other people… like me.” she said. sevika gently pulled you to sit your entire body in her lap, and pressed a soft kiss to your temple. “i’ll be here, regardless.” she looked at one of the half-assed bandages on your ankle, blood seeping through. “let’s get ya properly patched up, okay?”

caitlyn;

you sat in one of the many libraries on academy grounds, countless papers sprawled out in front of you on a desk. all of the words and countless problems needing solving had lost all meaning. your final exams were exactly a week from today, but your head was fuzzy. you couldn’t process anything. none of the study methods you were using stuck.

“shit.” you muttered to yourself, grasping your head in your hands against the desk. you lifted your head up to take in your surroundings: countless other students at tables, some in groups and some by themselves. what they all had in common was that they all seemed to be getting something done. that was a lot more than you could say for yourself.

you groaned out loud, disregarding the fact that others would absolutely hear over the loud silence of the facility. you gathered your papers, stacking them the neatest you could before shoving them in your messenger bag. you pulled out your chair, not bothering to push it back in, and turned on your heel to exit the library. god damn it.

you hastily made your way to your apartment, trying to keep your chin up as you passed other students of the district. you couldn’t let yourself crack. you couldn’t let on that anything was wrong. as you inserted your key into the lock of your apartment and turned the doorknob, the smell of dinner immediately hit you. was caitlyn… cooking?

“i’m home!” you called out, trying to search for caitlyn in the kitchen. you spotted her tall figure, her back turned to you and arms busy. you hung your bag up on a hook, and sat down on the living room couch with a dramatic huff. caitlyn turned her head to look at you for a moment, abandoning whatever she was busy stirring to come sit next to you.

when you looked over to see your girlfriend, you jumped the slightest bit. her footsteps were so quiet, it was startling at times. you never knew exactly where she learned how to do that.

“how was studying?” she asked, reaching to twirl a strand of your hair around her index finger. you sucked your breath in, and hung your head low in defeat. “well… i didn’t exactly get much done.” you murmured.

“i didn’t get anything done, actually.” you corrected yourself, voice a bit more clear this time. “i’ve got this… this mental block right now. i don’t know what it even is. i feel like every time i look at a piece of material to study, my mind just goes blank. whoosh, like i haven’t been studying this shit for months in class.” your hands were clutching your pants, trying to find any type of temporary relief. you were so utterly disappointed in yourself.

“what now, then?” your girlfriend asked, still absentmindedly playing with your hair. the smell of what you could now identify as some kind of pasta filled the room. “what do you mean, ‘what now?’” you asked. it wasn’t a quip, but a genuine question. as much as you loved caitlyn, she could be confusing from time to time.

“i mean, what are you going to do now? sulk? rest?” she clarified, her blue eyes gazing directly at- or through you. it wasn’t meant to be intimidating, but caitlyn had that effect. you took your hands off your lap and crossed your arms over your chest, gaze still downcast. “i don’t know. i’ll try again tomorrow, but right now, i don’t know.”

caitlyn moved her hand to gently tap your jaw, signaling that she wanted you to look at her. you obliged, her eyes still piercing- but a bit softer now. “do you know how many days like that i had as a girl, sat with my instructor? completely clueless as to how to solve the problem in front of me?” she asked, her tone soft and the slightest bit playful. she scoffed as she recalled the memory.

“that’s part of the reason i decided not to attend the academy. of course, i had expectations to live up to, which played a major factor in my decision. but student life hasn’t ever been for me.” caitlyn said, settling her hands down and opting to rest her head on your shoulder. navy strands lightly tickled your neck.

“what you do is admirable, dearest. one odd day doesn’t make that less true.” she smiled. “you’re still such a hard-working, smart person.. you just need to rest.” she accentuated her statement by pressing her lips to your cheek, ever so gently. fleeting.

you gently smiled at her words and leant into the kiss. you didn’t have a clue as to how she managed, but caitlyn somehow always had the right words to say. you remembered the pasta cooking, though, and gasped. “shit- cait, should you be leaving that unattended?”

your girlfriend lightly chuckled. “the sauce needed to sit for a few moments. all is well, i promise.”

[theinfamousmaybelle]

I know, right? Like, these motherfuckers think it's cool to just 'hate' on a character. Do they realize the character is meant to be written that way? Like, guess what: the world doesn't revolve around you (the haters). Being rude too someone is not cool. It does not make you seem cool. Hating on somebody is not fucking cool, it is shitty and pathetic. It does not make you seem like the coolest person ever, it makes you sound like an asshole and a dickbag.

Harassing someone is not cool, either. If you don't have anything nice too say, don't say anything at all. That's a rule I go by. Kat poured her heart and soul into her writing and people shitted all over the female characters. What about the males?

'Oh, Ruin killing billions upon trillions of innocent people is okay because he 'stopped something bigger' from happening'? Oh yeah definitely (sarcasm) 💀. 'Oh, Bloodmoon hurting Earth is okay because he was made too kill'. Yeah, sure it is, buddy 🙄 like, are we forgetting what Moon did? He abused Sun. But nooo, everyone glazes past that. I love Moon, but goddamn, you guys are oblivious!

Oh, and don't get me STARTED on the Earth and Pollux hate. Earth being a tool and walked all over is okay because she's a 'woman'? But the moment she is even a little selfish, people shit all over her character because they are pathetic little assholes who don't care about people. At least people who apologize for hating have some HUMANITY. People are shitting on Pollux as well, because she was acting 'childish' and being a 'hypocrite'. Whilst the hypocrite thing is true, she doesn't understand basic emotions, you can't expect her too know. Women get so hated on...like, stop being sexist!

If you childish ass fuckers think that you can get away with this, you are so fucking wrong. All you children who are immature? Get mature. Or leave this community. GET A LIFE. TOUCH SOME GRASS. DO ANYTHING OTHER THAN SHIT ON CHARACTERS. If you wake up every morning and think 'wow, time too hate on anyone who doesn't share my opinion' then you can go unfollow me. 'A little sensitive too getting blocked, so maybe don't do that. But please, if you're a hater, unfollow me.

It is genuinely not fair. Kat is living in a hell you haters created. She has a right too quit. Nobody can blame her. If I see any of you miserable fucks doing that, I will personally call you out and then block you. Nobody deserves too go through that shit. You haters are the reason she quit. You are responsible for this.

Thank you for reading.

Genuinely

If you think it’s funny or cute to harass Queenkatluv or mock her for stepping away from a fandom that has gone out of its way to make her feel unwelcome

Block me. I don’t want to see you. Unfollow me immediately. You are not welcome in my community

Kat is a wonderful writer, and voice actor, and extremely sweet and kind and the VAs stuck their necks out for me when I was being harassed for months on end. None of the VAs deserve the shit this fandom puts them through, and it’s this fandom’s fault that she is leaving. She already left the discord, she abandoned her askbox. She is now being harassed in her personal DMs on Twitter.

This is bullshit.

You do not belong in this community if you think this is acceptable behavior.

[thoughfullovercreator]

Sorry not sorry. But some people need to read this.

Tw: when I am employing the word « delusional » I am not referring to the medical definition of it.

What I am going to be saying is going to be disliked by some. But I don’t care.

I am going to be talking right now about a phenomenon that I’ve been seeing ever since I started reading mangas and watching anime’s and it has always bothered me.

And guess what ? I am not the only one being bothered by that, which reassures me.

The problem is the following:

Each time there’s a genuine friendship between two male characters or even two females in a manga/anime, people dirty it by gluing on it, their own fantasies and making it somewhat romantic/sexual, by inventing a « sexual tension » between these protagonists.

Always happens in the anime/manga universe.

…and I am going to tell you why it’s a problem/bothersome situation for many :

The problem is that it renders the story less deep and genuine and more people are influenced in thinking that, a male character, by being nice to another male (same for females), is romantic or whatever.

Like some of y’all are sexualising everything. Get it together !

This is, most of the time (actually 99% of the time but okay), LITTERALY delusion because the authors have never, ever meant for their characters to be viewed as anything but genuine friends/acquaintances..

It distorts the story for nothing and, in my opinion, it is disrespectful to the creators of the manga, to just take their characters and create a quiproquo on it. Sorry not sorry to say it.

As an example, let me take the « Dazai x Chuuya » fans.

The readers go as far as to totally disregard the fact that, Dazai, since literally the first episode, has implied that he was not attracted to guys. On top of that, he’s kinda depicted as the guy who likes women. Never ever was anything that would make him attracted to Chuuya as a male.

(It also happens for JJK and others… )

Therefore, you’re disregarding the genuine and complex aspects of a potential friendship and understanding between them, to glue on it what you would have wished it to be : a romantic or sexual attraction. It’s a projection of what YOU would have WANTED it to be.

It is actually immoral to distort a character’s sexuality like what ?! It becomes a habit and people do it also for celebrities. It’s kinda going too far.

It’s not for you to decide.

When it’s « not a big deal » for some, it could actually represent a big deal for many. And make many people uncomfortable.

Respectfully :

You wanna do your fanfics ? NO PROBLEM really ! be our guests ! but do it in the context of a fanfic, after putting on a disclaimer, as a respectful gesture for the creators behind mangas !

(On the other hand, when people write « character x reader », it doesn’t distorts the original story cuz Y/N just doesn’t exist).

BUT rubbing it down our throats without any context as if it was a general truth provided by the creators, that « these characters are in love/sexually attracted to one another » NO. Keep it for yourself or your group of friends if y’all agree on it.

Again, many many people feel as uncomfortable as me regarding this. It’s kinda also getting out of hands.

It’s getting out of hands especially when I see fandoms like the Black butler fandom where they imagine a « sexual tension » between Sebastian that is an adult and Ciel that is 13 !

Like it or not. I am not sorry for being respectful and realistic.

Some decency is needed :

Not everything is okay with what people are doing on the internet. You can have your « dirty thoughts » but don’t expose them, not everyone wishes to hear about it. Some things have to stay between you and yourself.

Kids/ teens :

And kids/teens (all those below 18) y all need to get off your phone a little and go play outside or meet your friends (for teens ig) if you don’t wanna end up in depression at an early age or with extremely poor social skills.

At least take a real book like ones at the school library and learn things. Instead of learning how to .. by reading explicit content cuz you never listen when we tell you that a certain one shot is +18.

Again, I am not sorry. I am pissed.

[asukiess]

i just wanna say thank you for filling the eminath tag. you're a blessing 😭😭😭

do you have any eminath or ml fic recs?

!!!!!!! thank you, that means so much 🩵 glad you and others have enjoyed!! it’s been really nice to see more traction in the tag.

always open to hearing more from people about eminath, or the women separately, too. 🫶💞 love talking about them 🥰

as for fic recs, let’s start with the Emilie ones…

thirteen by okayanna (anna-scribbles)

truly the quintessential thesis on the relationship between Emilie and Adrien and the ramifications of his childhood, as well as a truly thought provoking fleshing out of the ghost of a presence we know.

would that I could, I’d bookbind this fic, annotate it, and have it on my shelf. literally when am I not talking about thirteen.

Orbital Departure, Lose it in the Morning, Watership Down, all by bittersweetResilience

Three fics that play with unique concepts such as Adrien having twin telepathy and a soul bond with Félix, a trait shared once with Amélie and Emilie, and the family dynamics between these pairs of twins.

Could never say enough about the attention and detail Sunny brought to these characters at the time. I think about Orbital Departure all the time.

(just check out Sunny’s Emilie tag, is what I’m saying.)

What Real Human Beings Do by nemali

Amélie is the main character here, but boy 👏 do 👏 we 👏 see 👏 the beautiful scars Emilie has left on her sister. and how better to understand a character than their twin?

and for the eminath section…

in the mouth of the sun by telmes (archekoeln)

I remember reading this and being in awe. it was like reaching into the past (2020!) and finding someone who saw the same beauty in the ship and feeling so understood. love love LOVE their writing style (just READ that summary!! UGH!!!), and I need to do a dive into their other nathalie-centric fics.

On the same note, I just found their fic “you push me down” in my bookmarks too and literally teared up remembering it.

she doesn't need me, not like I need her by azalera

i love a good, sentimental story. it may seem simple, but there’s something about it that I just think about often.

I’ve been meaning to read their fic, “hello, emilie” as well!

bread and oranges by peachcitt

need to do a proper reread of this because I feel like I read it in a trance. 🫶 getting emotional all over again. AUGH

As for me—I have a Nathalie character analysis fic that I’m proud of, and quite like the eminath poetry I did. Maybe you’ll like “for the hope of it all”, too 🥰

[disgruntledkittenface]

Hi Maggie! I have a question (or few lol) on your personal opinion/experience, if you're willing to share. I have been reading fic for...a very long time lol but I have never read any abo. Based on some self-reflection I think it's that I just don't know how it works so I think I won't understand the fic or will miss important nuances. But I just read the description of your accidental courting fic and it sounds super cute! And I'm reminded of all the times I've read a fic description and was interested, then realized it was abo so I didn't read it (which feels so embarrassing to say!). I know my apprehension is likely keeping me from experiencing something I might really enjoy. And so my question is, what about abo fics do you think you cannot find in other fics? Or put another way, what do you like about abo fics in general? Also how did you get into writing them?

hiii anon! First, thank you for saying that the accidental courting au sounds cute! (I think it is, but I wrote it lol) And it's fun to get an opportunity to talk about this trope, which I'm going to refer to as omegaverse, I'm glad you asked <3

I'm going to link a primer that @allwaswell16 wrote because it covers the basics really well and includes links for further reading. That said, the trope can get very subjective and there are still things I don't understand fully. Like it gets a little hazy when I think about scenting glands, and I hope @crinkle-eyed-boo won't mind me saying so, but neither of can actually visually a nest. So I get your apprehension, but I don't think you need to know all the details to enjoy the trope.

The thing about omegaverse is that sometimes it can feel like a way to make a gay couple straight. When I get that vibe from a fic, I just close the tab. But I was talking about this with @lululawrence years ago, and she was explaining that there are writers who use omegaverse to explore dynamics similar to men/women because that lets them do it at a little bit of a distance. And I understand that – as a writer, sometimes I want to explore something with a female character because I identify as female, and sometimes I don't. Sometimes I want that distance.

I think what appeals to me about omegaverse is that it's kind of primal. Sometimes I'm in the mood for instincts to just take over! It's kind of like a soulmate au in that way, almost like an external force guiding two characters if that makes sense.

I hope this isn't obnoxious but since we're talking, I decided to just go through each omegaverse fic I've written (only 6!)

For a long time, I didn't plan on writing omegaverse. But then I saw a few prompts for a fest that were clearly submitted by the same person, and it was just so sweet because they all ended with "please." The one I picked said "A soft Narry where Harry is alpha and Niall is omega, please." so I got to anything I wanted with it. I thought about doing something with Niall modeling Omega watches because I thought that was hilarious, but there was something at the back of my head telling me this Harry would be ace. So I decided to explore that a bit and I centered it around touch deprivation because sometimes I feel a little touch deprived. a little tenderness

Then for some reason, I got really into the idea of an alpha building a nest for their omega. And I had this little snippet of a scene in my head with one partner saying "you've been so sad lately" and the other one not wanting to admit why, but they already know. So those two ideas kind of morphed, and then I wrote a couple of other scenes that just like INTRIGUED me so I could get them out of my head. with love on the line

I saw a prompt about accidental courting, and then decided to actually try writing it after a friend encouraged me. I struggled to get going because originally I wanted Harry not to realize he even had a crush on Louis, and the characters simply would not cooperate. So he could only be oblivious about the courting rituals, not the crush. I want to say this is the most, like, stereotypical omegaverse that I've written? But it still starts with alpha Harry baking. baby, you're the end of june

I do not remember why, but at some point I got really interested in how girl direction omegaverse would work. I went looking on tumblr and online, and found a couple of references. So originally I wanted to explore the mechanics. But it became really, really personal while I was writing! I did not mean for that to happen! But I love how this one turned out. enough to make a girl blush

THEN I was like... but what about two female alphas? I don't know if the scents in this one quite work, they did in my head. But after this one, I felt like I kind of got f/f omegaverse out of my head because I had figured it out. when we're finished saying nothing

Although then I decided to do a cute followup on a side pairing from enough to make a girl blush for a fest. count me in

WAIT OKAY I'M SEEING A PATTERN. TWO PATTERNS.

CARETAKING – I think that I like seeing one partner taking care of the other in omegaverse (although I probably like that in all tropes)

And honestly, I just like trying new things.

So for me, I do like the unique aspect of the instincts and primal nature in omegaverse, but it's also just kind of a fun playground because you can do so many things.

I hope this wasn't too long! And listen, I know people who love omegaverse and people who won't read or write it, so there's no wrong way to fandom <3

[tiagems]

So I'm not gonna mince words: the book is not good. That's not necessarily a bad thing though imo, Twilight is awful and it still got people to read, and once they started reading they found better books to enjoy.

There is a significant amount of people who hate the book just because it's easy to hate. It's easy to sling around words like "immature" and "vapid" and "convoluted", because Lightlark is all of these things, but there's a group of people who like to go out and shame the people who do like it. They are just bullies who likely haven't even read the books but just read a review or two and decided to make it a moral thing. It's not.

I'm glad you enjoyed the book. I did not.

I think that Lightlark is what you get when someone who only consumes media and never engages with it intellectually tries to write a series.

I have a lot of issues with it, enough to make my own video essay on the matter. My largest issue is that it's marketed as a Young Adult book when the plot is clearly better suited for New Adult or just plain adult fiction, but it's easier to market YA to tiktok users because the demographic there is around 13-19. There's other issues including:

- The lack of characterization in any of the characters. Alex Aster treats characters like plot devices, and has them do things just because that's what they need to do to move the plot exactly in the way she wants it to move. To avoid them doing things out of character, then, they simply don't have any character and are all cardboard cutouts. Can you describe anybody beyond their physical appearance and use in the story? Who was Aurora's sister? What's Azul's late husband's name? Why did Grim fall in love with Isla? How old is Isla?

- The twists. Having twists in your book isn't a bad thing, the problem is that there's no narrative difference between Aster's twists and Aster's exposition dumps. It feels less like putting a puzzle together and more like taking notes from a poorly edited textbook. Also the sheer amount of them are exhausting.

- The dialogue. This is just a personal preference of mine but I can't stand dialogue that doesn't sound natural and realistic. If you can't imagine hearing this conversation in real life, I am immediately yanked out of the story.

- The themes, or lack thereof. This could've been a story about so many things, about societal expectations, about what it means to sacrifice your own desires for the greater good, about violence against women and the harm it perpetuates. We get none of those things.

There's more but I don't want to lose you. I think I already have, I'm in too deep now though.

I want to reiterate, there's nothing wrong with liking Lightlark. I'm glad you enjoyed it, and I hope you keep reading more books and continue to expand your tastes. Maybe one day you'll look back on Lightlark and cringe the way I do when I think about the books I used to like(Maximum Ride, the Immortal Instruments, Harry Potter).

I was very excited to look for fanart and see what other people thought of a book I was reading to see if other people enjoyed it as much as I did.....only to find....that everyone...hates it.

I'm a little bit sad because I really enjoyed it. Did I read the same book as ya'll?

[tachiguin]

Adventures in de-girlbossifying female BSD characters, pt. Gin Akutagawa. I've already talked a bit about how I think people tend to write Gin fairly simplistically: as the supportive and sometimes protective younger sister of Ryuunosuke, who is also a badass assassin who rarely speaks.

I think what people tend to gloss over is the implication of Gin being situationally nonverbal. Please correct me if I'm wrong (I've done what research I can as someone who doesn't experience this), but selective mutism tends to correlate with social anxiety, which generally is a trait that I rarely see Gin portrayed with, despite the high likelihood that she has some degree of anxiety surrounding social situations. It even makes sense why she couldn't speak in the beginning of the series, but was able to hold a conversation with Tachihara later on. Gin is the younger sister of one of the Port Mafia's elite, and it can be inferred that Gin only joined the organization because Ryuunosuke was recruited by Dazai. Even someone without a pre-existing disability would probably feel nervous about how they're perceived by their coworkers (accusations of nepotism, general misogyny, etc).

This is just my oc-ification of Gin based on limited canon portrayals of her, but I think Gin would struggle with a fear of receiving criticism or contempt a lot. She's comfortable with speaking within the Black Lizards, and maybe a little bit with the ADA, because she's grown to understand and expect what their responses to her will be. It's not that she doesn't speak because she's shy or reticent (though she can be these things as well), but that she can't speak, because there's the sense that whatever she has to say won't be received well.

Personally, I also agree that Gin isn't innately timid or meek by any means, but I also think that people, once again, oversimplify her because she's a female character into a girlboss caricature that is infinitely capable and strong, when she's portrayed in the series as someone with multiple layers, personas even, in a literal sense.

[wellijustfinnihedoneofthebooks]

Its honestly so funny to me when people talk about ryan condal's "team black bias" and its like yall... i dont think condal cares about the fictional waring factions of incest kingdom... i think he just thinks rhaenyra is his main character and thus warps the world to suit rhaenyra

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[gwensy]

gonna be annoying in the tags

[lloydfrontera]

i think it fucks immensely that bk moon went out of his way to 1) establish rakiel wished to live a long life and eventually pass away of old age, 2) have him very briefly envy an immortal being only to be told very clearly to be careful what he wishes for by that very same person because living forever isn't all it's cracked up to be, 3) make the main antagonist be another immortal being who is so desperate to die he's willing to destroy the universe just to finally rest and 4) have said antagonist psychologically torture rakiel with the threat of making him live for a thousand years as everyone he loves and knows eventually grows old and dies and becomes nothing but forgotten memories.

only to then end the novel by making rakiel also immortal

like. god. it's so fucking good i love it. i'm not being sarcastic i genuinely think it fucks and it's one of the best ways bk moon could've wrapped up the plot.

it's a happy ending by all means but it has consequences and through the entire novel we've been shown and told over and over again just how heavy the consequences are and/or will be on rakiel.

he got his happy ending but it was at a price and by the last time we see him he's only just starting to pay for it.

it's great i love it

[o-uncle-newt]

I read Possession by AS Byatt after people told me "if you liked Gaudy Night you'll like this" and WELL.

Warning- spoilers for both books abound below!

So it sounded great- as a lapsed academic (though not in the field of literature by any means) there's a part of me that loves reading about academia because it's full of such obsessive people, and this book seemed to be exactly that and so I was excited.

Then I read it, and on the one hand, my first thought was "all these people are dull as heck, the only sane modern-day one is Val, and at the end of the day the historical stuff is just two people having an affair, who cares." My second thought was "there's just enough stuff here that makes me think that maybe the author knows that all of this is stupid, like the fact that Val is obviously one of the few sane ones here." But the ending made me doubt even that. Essentially, and I say this even as that lapsed academic, the author could not convince me to care about the important things at stake here, and as a result couldn't get me to care about the people who only seemed to care about those things.

I didn't care about Ash and LaMotte- they came across as two people high on their own supply who had a tawdry affair. (And each of them is the less interesting person, as a person, than their official partner!) As a result of not caring about them, I couldn't POSSIBLY care about Roland, Maud, and the rest of their crew, because their only functions were to be possessed by, and weirdly possessive of, these two entirely unworthy individuals, whose in-universe historical and literary significance Byatt couldn't convince me of, and to use that possession as a mirror for their own very lame romance. Beyond that they're utterly uninteresting, and there isn't even meant to BE much beyond that so it's not that surprising.

Anyway, I didn't like this book much, but it still made me think a lot. And there's a way in which a certain kind of person might say "well if it made you think then that's surely a sign of some positive quality" and... maybe? I don't know. I didn't hate all of it, and some parts were interesting, and I do have a whole separate list of things about the book that bug me including a breakdown of some of the book's (perceived by me) themes that I particularly disliked lol. Perhaps I'll post it another time. So I guess you can say it spurred me to thought, but loads of things that I don't like do that, and the only positive thing that that draws from me is that they're not downright dull.

The thing is, after finishing the book I was immediately struck by that "if you like Gaudy Night..." element, because it has a situation that felt weirdly similar (if for totally different reasons)- a young scholar stealing a letter from a library/archive. The circumstances are different- in Gaudy Night, the scholar does it to hide its existence so as not to contradict his thesis, and in Possession, the scholar does it so as to explore the document further, though still secretly- but there are still some interesting parallels vis a vis class. Possession goes into the class thing more than Gaudy Night does, but neither book goes much into it- the scholar is lower-class and someone who has scraped their way to their position, and is encumbered by a female partner of lower social and academic standing, and in the end they are juxtaposed against scholars who come from an elevated class and who have more money and opportunity. In Gaudy Night, Arthur Robinson is judged by the likes of Lord Peter Wimsey and a college full of women who don't have to do anything but think, teach, write, and grade papers; in Possession, Roland has to convince a bunch of academics of standing and resources to take a chance on him (and while this is more about money than class, he's the main one who's like "maybe it's good if Lady Bailey gets her wheelchair"). Byatt elides over this at the end by having him magically become in demand and on his way to achieving his academic goals, but I think in both books, the class element really could have taken on more significance in the text.

(I'd add as well that Byatt pits the upper-class and moneyed Maud, who of course is doing things for "the right reasons," vs the evil American businessman who clearly... doesn't care about Ash enough? Despite how much he clearly and obviously cares about Ash? The book was way more interesting when he seemed like a valid rival to the British team, who only thought that they deserved the letters more because of their obsession, rather than how it turned out at the end where the American dude is an actual cartoon villain. What made him genuinely less worthy besides having money without class, and of course having the bad taste to be American? What makes one scholar's possession more justified? Sayers was never this unsubtle.)

So that made me think more about Possession vs Gaudy Night, and the thing is, there are actual living people in Gaudy Night! Say what you will about the unworldliness of the academics at Shrewsbury, but you get a very keen view of their personalities by the end, even as they are (by necessity given the rules of their world) subsumed by academia, or subsume themselves in it. And the people who do fall in love are REALLY in love, and you understand why...

And somehow a book from 1935 feels far more interrogative of the possession (or lack thereof) found in love and romance, and just about the place of women in academia and relationships overall, than one from the late 80s. In Gaudy Night, Harriet accepts Peter once she has determined that despite their power differential (brought on by class, money, history, and to a degree gender) he will not threaten her personhood, because he has proven himself to her. In Possession, Maud accepts Roland because she has the power (money, class, position, even height) and so Roland actually cannot threaten her- and yet still that final scene is about her being taken by him, basically to prove some kind of a point. In contrast, in Busman's Honeymoon, the euphemistic sex scenes are about Peter trying to please Harriet.

When I say it's to prove a point, I'm paraphrasing Byatt, incidentally- who said: "And in the case of Maud I had made it very inhibiting. She was a woman inhibited both by beauty (which actually isn't very good for very beautiful women because they feel it isn't really them people love) and she was also inhibited by Feminism, because she had all sorts of theories that perhaps she would be a more noble kind of woman if she was a lesbian. And so she was a bit stuck. And Roland was timid because I am naturally good at timid men. It's the kind of men I happen to like. He's a timid thinking man, so of course it took him the whole book." I mean... yikes, but also that explains a lot. Maud can only bring herself to be with a man who is weak/effeminate (?) enough to justify whatever weird psyche Byatt has imagined up for her, but still she needs to get over her inhibitions and under him because... reasons. I don't know.

(Height is also interesting here as a point of contrast- Byatt makes Maud taller than Roland to make a point about how on the one hand she retains the power but on the other hand there is now even more of her that has to surrender. Peter and Harriet are the same medium height and wear the same size gown.)

I think the thing that most stuns me is how regressive Possession feels when it comes to gender politics on relationships than Gaudy Night does. I'd need a whole other post to talk about this, but the theme of Possession seems to me to be "relationships that produce things (whether art or children) are worth more than ones that don't." Roland is better with Maud than with Val because Val is a second rate scholar who drags him down (while supporting him financially) and Ash is better with LaMotte than with Ellen because LaMotte didn't only inspire his writing (Ellen's contributions are described only in the negative "didn't impede"), she gave him the child that Ellen refused to. Incidentally, in both cases it's the man pursuing a relationship that will give HIM something... But, to paraphrase Peter in Busman's Honeymoon, one wouldn't want to regard relationships in that agricultural light. Gaudy Night is about how two people can produce great things without each other but choose to be with each other for their own, and each other's, happiness. They aren't each less apart, and as I noted in a prior post, they don't need to solve cases together or conjoin their work in order for their relationship to be worth something. It is worth it for them to be together because it encourages some kind of inner balance within them and between them, as people. They enjoy collaborating but that is by no means the basis of their love (and, incidentally, I think that a lot of, if not most, detective series romances fail this basic test of "would they have fallen in love if they were accountants who met on a dating app." Peter and Harriet definitely would have- would, say, Albert Campion and Amanda Fitton have? I do NOT think so).

And here's the thing- another reason why Byatt's quote above is so off-putting is that it makes it clear that not only in the text but on a meta level, the purpose of the relationships is to prove a Point. I found Roland and Maud to have zero chemistry, and honestly I was expecting them to get together 3/4 of the way through and split up at the end when it turned out they had nothing in common- it seemed like that kind of book. I was kind of stunned when they only got together at the end in an "it's meant to be" way because nothing about it seemed meant to be. They were stuck together by that one thing and they each apparently needed the relationship for some kind of self-actualization or historical rhyming or other. (Whatever I say about Ash and LaMotte... at least they seemed to like each other!)

Peter and Harriet... they get together because they love each other. Do they change over the course of Gaudy Night, and over the course of the other books they share together? Of course they do. But if it makes sense, I'll put it this way- Harriet doesn't accept Peter's proposal as proof that she got over her hangups, Harriet gets over her hangups so that she can accept Peter's proposal. Her hangups only matter because they were keeping her from this particular kind of happiness- she was a fully actualized person even with them. She is a person who does things for human reasons so that she can build a mutually happy life with the person she loves, not a little plot mannequin being moved around in order to tell the author's desired Message. People can say what they want about Gaudy Night and its flaws, but despite the intricacies of its construction, nobody can call the characters' actions and motivations anything but brutally human.

Whether within their universes or on a meta level, the books have SUCH different things to say about the value and nature of love, the place of and purpose of sex, the place of art and intellectual accomplishment in relationships, all of the above in the context of femininity… and I can't help but feel that each time, Gaudy Night wins the contest. It's possible I'm missing something major about Possession, and maybe sometime I'll post the rest of my notes about the things I disliked and people can tell me what I'm wrong about- but if nothing else it made me appreciate Gaudy Night even more, so for that I'm grateful.

[gammija]

.

[bmpmp3]

lemme tell you im starting to get a little sick of when im complaining about when a show or movie is writing a major female character with not as much depth as her male cohorts or she's written oddly plot device-like for a main character and people always tell me "oh but it's intentional, we're seeing her through the eyes of the male main character and he has a crush on her so he doesnt see her flaws" because like

FIRST of all yeah i get it but its hard to write that trope interestingly to me at this point without a lot of work put into subversion so intentionality doesnt make it any less boring

SECONDLY half the time people say this about ensemble cast stuff and like why is the random dude suddenly designated as the most perspective of all perspective characters when it comes to this specific woman. why dont we get to see the other characters perspectives on her too?

AND THIRDLY do people view women they have crushes on as bland plot devices without lives of their own enough irl that this is so universal in writing? isnt the point of having a crush wanting to hang out and know more about your crush, know about their likes and dislikes and all that. am i missing something here

[henry-fox-biggest-stan]

“Omg Edward and Bella are so Odysseus and Penelope coded” that’s how it sounds to me each time anyone compares a mlm ship to achilles and patroklos