#and that spills over into the characterization of the other team black members

[wellijustfinnihedoneofthebooks]

Its honestly so funny to me when people talk about ryan condal's "team black bias" and its like yall... i dont think condal cares about the fictional waring factions of incest kingdom... i think he just thinks rhaenyra is his main character and thus warps the world to suit rhaenyra

[floralovebot]

screaming crying shidding

this is so good!!! i especially love your thoughts on musa and riven you're so right bestie

like such a huge aspect of their relationship drama is them not knowing how to communicate. and yknow i think there are a lot of reasons why (musa shutting people out after her mom died and her dad doing the same, plus not having friends when she was younger) (riven's mom leaving them, being really defensive, etcetc) but i also feel like they didn't really know how to,, fix that yknow? after some time they do try to communicate better, but they don't know how and it usually ends up biting them in the ass. it's just,,, so many people hyperfocus on the jealousy issues (which like. fair. that is very canon) but their internal issues that spill out into the relationship make them so much more interesting!!

and like,,, yknow in TRUE florelia brainrot fashion i have So Many Thoughts!! i so so so agree with helia just not fucking caring. and i don't think it's particularly malicious or him being pretentious, i think he just doesn't care unless he needs to (ie family, friends, partners, team members, etc). unless he Needs to think about someone, he just,,, doesn't. and yesyesyes to flora being extraverted!!! like so many people feel like her characterization in canon is hard to pin down or like super random/all over the place but no? the only person she gets shy with is helia aldgh and there are plenty of people like that! but it's so weird to me when people think oh flora being shy with helia goes against her previous characterization like have you never had a crush on someone (saying this specifically to allo people aldhg)

and helia not really initiating things is SO interesting to me! i agree that usually he doesn't. he tends to go with the flow and let other people decide how their relationship with him goes. but flora brings out a side of him that actually wants to actively participate and do things first (the kiss!) and it's so fun to me! i know there's a theory that it's because he knows she has a hard time deciding to do things first because she's worried he won't take it well/feel the same way, but honestly i think it's more than that. he actually wants to,, Help the relationship basically. you can even see this when he gets closer to the specialists! instead of just letting them decide what the friendship vibes are and following along, once he gets close to them he starts to initiate things! he's so splunky,,, ough,,,,

it's interesting that you see helia as more of a black and white moral thinker because i've always seen him in a slightly different way! i'd love to hear more thoughts about that if you have them!! but like,, personally, i think helia's morality meter has a lot more to do with the situation and Trust rather than a strict moral code. we've seen in canon that he's willing to do things that aren't necessarily "good" and that he's willing to defend his friends when they do something that's not necessarily "good". and this could be him having a more weird moral stance that doesn't align with the typical thoughts, but i think it has a lot more to do with how much he Knows and Trusts a person.

like the comic where he completely ignores trix and gives them the silent treatment when they're pretending to be good is SO interesting to me. like you could def argue that it's because he's decided they're Completely Evil, but i think it has more to do with him knowing they can't be trusted and that given the opportunity, they always try to hurt people.

but more than all of that, i think a lot of his actions on missions are actually partially separated from morality. like i think emotionally he agrees with flora about not hurting the possessed animals, but logically he knows that not dealing with them "properly" can be the reason one of them dies. like,, flora's fluidity with morality isn't naivety, but it definitely has undertones of her being more hopeful about the outcome of the situation. giving the trix the benefit of the doubt when they pretend to lose their memory, not wanting to hurt possessed animals/people, etc. and flora Absolutely knows the risks of this, but i think helia is a lot less willing to actually weigh that risk during missions. so it's not really about him genuinely thinking the trix can't change or that they couldn't really lose their memories, but more about him not wanting to risk the chance yknow? (i think this also goes into him having a more pessimistic view of the world compared to flora! it's not that he's Super Negative or anything, but he doesn't want to risk being hopeful and then get got because of it ajdhg)

and like,, something that's so interesting to me about helia is that he kind of always carries that mission thinking with him. he's always on guard (a lot of the main characters are tbh!) so i feel like, even in their personal life, if he genuinely feels like someone can't be trusted and flora goes "well i think they're fine", there's so much internal conflict in him after hearing that. because he wants to trust his gut but he also wants to trust flora! and there are tons of times when he decides to trust flora first, but like,, on actual missions, it's a lot harder for him to do that. again, i do think flora is perfectly aware of the risks, but i think she's also a lot more hopeful about what can happen and willing to take the risk even if it means she and or someone else will get hurt because of it (which is a Huge source of conflict between her and the winx), but helia isn't willing to do that. so like,,, i really do think it's less about morality and more about caution for him. he's,,, Really cautious and sometimes that translates into him not wanting to trust people or change his mind about them (regardless of their actual morality).

i.. will stop rambling now alhgdjlag

ACTUALLY i really love your thoughts on tecmy! i mean it's Literally canon so why wouldn't i but Still. i just,,, tecna really liking timmy but having high standards that are also super unrealistic and kind of mean </3 comparing him to others being a projection of comparing herself to others and him </3 wanting to communicate with him more and talk about their feelings for each other and not just computers </3 timmy thinking there's nothing wrong with talking about technology most of the time because that's their shared interest </3 they are just so OUGHHHHHHH

okay,, now i'll stop alhdg thank you so much for sharing your thoughts!!! i'm gonna send an ask about the platonic couples aldhg and maybe non canon romantic ones if you're chill with that 👀

please tell me about the winx and specialists dynamics 🙏 (also do you have any thoughts on the platonic pairings like bloom/timmy or tecna/riven!!)

AAAA ty for letting me ramble omg. this isn't meta so i'm not sure if there is much of a basis for these in canon (i'm planning on doing a big winx rewatch + comics reading um. sometime when i have the time lol) so this is more abt how i characterize them in fic in a way that is hopefully both true(ish) to canon while also expanding on those traits. (and ignoring the canon characterizations i don't like, like too much emphasis on jealousy bc that's bo-ring 😊)

i'm going to put this all under the cut because i started rambling a Lot, just a fair warning LOL

also. YES i do have MANY thoughts about other winx/specialist dynamics because i am a slut for platonic relationships but i CANNOT make this post any longer than it already is. so. if you're still interested just send me an ask or something afadlsfj;kasf

okay, buckle up. starting with the canon couples:

musa/riven:

okay so they have one of my fave dynamics just because i think the back and forth + all the tension is so interesting dsfjakl.

i think that a lot of the initial conflict in their relationship starts from musa not really knowing exactly what she wants and only really knowing how to react to something that, like, rubs her the wrong way? and it's harder for her to express affirmation/affection when she's happy with something riven's done bc her instinct would be to act sort of cool about it.

on riven's part, i like to think that initially he isn't super emotionally available for whatever reason -- ig in canonverse it'd be him coming down from dating darcy & her manipulating him -- but musa (in her giggly crush phase) piques his interest anyway and they tentatively get together.

i figure at some point in their relationship, riven realizes oh, i'm actually really into this girl she has a lot of qualities i respect and admire and he consequently gets a lot more open and sincere, although still awkward about his affection. like, he just tries harder. musa gets flustered by this kind of attention but she'll kind of play it off.

still, riven will sometimes make thoughtless mistakes/fuck-ups that really piss musa off and she has, like, zero idea how to communicate the what and the why. like she just knows she's upset and she will make sure riven knows she's upset, but she has difficulty explaining herself. & with riven's quick temper, he lashes out when he doesn't understand why musa's acting a certain way toward him / the act of having to communicate makes his hackles rise automatically.

i think most of musa's difficulty communicating and playing at coolness comes from her not really knowing how to act within a romantic relationship and like. not knowing what level of sharing burdens and insecurities is appropriate.

i view riven as more action-oriented when it comes to showing how he feels & musa more easily expresses herself through music and isn't as good as being outward with her affection. so when they're trying to figure out how to articulate how they feel + how they feel toward each other, there's a lot of bumps in the road. but they get there!

they both have moments where they unintentionally close themselves off from each other bc they're not super used to being vulnerable/intimate with another person & in the early stages, a lot of their communication is kinda just. frustratingly beating around the bush and getting increasingly upset that they keep misunderstanding each other. i think this is the stage of their relationship where they experience the most jealousy/insecurity.

once they're in the mature/stable part of their relationship though, i feel like they'll have learned how to be direct. & they're both more blunt people who are used to having to soften themselves in their other relationships/friendships, but they realize that they can be super straightforward w/ each other about how they feel and sidestep the social niceties.

and i think the majority of their relationship would be characterized by snarky banter that's a little mean, but eventually they learn how not to cross any lines & sprinkle in some more sincerity amongst the quips.

stella/brandon

i feel like stella and brandon perfectly complement each other in that they have a lot of traits in common to truly understand each other with enough differences to balance each other out.

they're both flirty, cheerful, loyal (to each other and to their friends), and enthusiastically supportive. stella's more prone to foot-in-her-mouth syndrome though while brandon is more.. reserved? in a way? they're equally extroverted and friendly, but stella's more in-your-face about it almost to the point of crossing boundaries (depending on the person, like when she first meets helia) while brandon kinda gauges where people are at and acts as friendly as he figures they'll be comfortable with.

i think the majority of their dynamic is characterized by stella's outgoing and dramatic personality versus brandon's more laidback and observant demeanor. like stella is quick to jump to conclusions and dramatically overthink & brandon will validate her emotions but also keep her grounded.

affection comes suuuper easy to them in like the "you're my pookie wookie boo bear" kind of way like stella would definitely ask brandon if he would still love her if she was a worm. and brandon would be like "not only would i still love you if you were a worm, i'd start a garden for you to give you a happy home" and stella would be like "AWWWW SCHNOOKUMS. u suck at keeping plants alive."

brandon would take initiative to surprise stella with sweeping romantic gestures that stella goes gaga over. stella almost never stops singing brandon's praises (like over his looks and his abilities) and tries to spoil/provide for him (bc she's a princess and has the money for it and brandon's a squire. lol)

when they have conflict & stella's more mad abt it, brandon will kind of defer to her and try to act how he thinks she would want him to act (giving her space, but still trying to explain himself and apologize when he feels he has an opening). this rarely happens, but if brandon is angry with stella, the dynamic is usually something like. stella is beating herself up and trying really really hard to explain herself, but brandon kinda needs a minute to sit on it so he'll take some space. which makes stella fairly anxious. but he'll always come back to her as soon as he's ready to hear her out & take things in when he has more patience and has more clarity.

i think some initial problems they would have are like. brandon can internalize his feelings and not be as forthcoming about how he feels (and also just outright lie like with the sky/brandon switch but let's just ignore that lol). and stella might initially get anxious and worry if he likes her as much as she likes him. but stella helps him be more easily affectionate and honest (not just toward her but toward everyone) and brandon soothes her insecurities/anxieties & lets her bejeweled encourages her to be her best self.

overall brandon's just happy to be a little planet orbiting stella's shining sun, but she'll never let him forget how important he is for the galaxy/ecosystem lol.

flora/helia

okay so for my fave couples (florelia & aibu) i'm like weirdly intimidated to come up with definitive characterization for them bc i guess i'm afraid of being wrong??? so just a disclaimer LMAO

on the whole, i view flora as someone who is fairly extroverted, socially confident, and friendly -- but she's absolutely overwhelmed by any kind of romantic interaction. like she's only ever able to pine from a distance because actually being in the thick of it is just. So Much. & contrastingly, i see helia as someone who is perfectly capable of polite/friendly interactions with strangers, but he simply does not gaf and will only pour his energy into interactions with people he really cares about/respects. so basically, romance never really interested him Until It Did and suddenly the love poems -- that he would usually skip over in favor of like. poetry about nature and the human (alien?) condition -- have become super pertinent to him and his life.

just like in canon, i think their dynamic necessitates a big dramatic love confession <3 intense pining that builds and builds and builds until it has to spill over and be made known to the world.

i think for like initial issues in their relationship, flora is just so flustered by the prospect of Romance Happening To Her that she kind of acts like. not super present? because it doesn't feel real? so she still daydreams and acts as if he's out of reach and helia's kinda takes that as her being distant? like losing interest after the relationship happens. which is obviously the exact opposite of the case. so flora eventually learns how to be comfortable in a relationship and comfortable expressing all the mushy-gushy thoughts in her brain to her partner.

i don't view helia as much of an initiator tbh. i think he's fairly passive but not out of anxiety or anything. it's the idgaf quality in him, like if you don't give him a reason to care then he's not going to. and bc of that attitude that he applies generally in life, he's kind of made a habit of waiting for an inciting incident to push him into being more active. now flora is the exact opposite. she's an active friend who will meddle because she cares, and she cares a lot about a wide breadth of things. so i think that while helia is the expert at florid poetry and love letters and paintings and conventionally romantic gestures, flora's the one who sets the stage for open lines of communication and honesty. & she's the one who will ask for things that she wants out of helia/their relationship and is always checking in on him to make sure his emotional needs are being met

i feel like flora inspires helia to GAF care more/open his heart more. and helia is kind of flora's stability and shoulder to lean on to remind her that she doesn't need to stretch herself so thin when it comes to the effort she puts into caring for others. that said, helia's vastly more impulsive in high-stress situations than flora is, so flora's the one who goes. let's stop, think, and strategize. and helia will agree for two minutes before he gets impatient and starts acting on impulse. flora's like "well. i anticipated this" & takes off after him.

in terms of communication, i feel like they're both pretty high in emotional intelligence so they're fairly easily able to pinpoint why/how they're feeling certain ways and are really good at articulating those emotions to one another.

bc i love interesting tensions: i headcanon flora as more flexible in her understandings of good-vs-evil while helia is more rigid and has more black and white thinking. so i think they don't normally argue because miscommunications are minimal, BUT if they do argue it's because of clashing values. i think that flora eventually gets helia to be more openminded on this specific issue but it takes some time & wading thru conflicts. their argument style is just like -- full of passion, but not in a yelling kind of way. more like, frustrated silences and crying and silent treatment (while still maintaining physical closeness). helia shuts down in arguments while flora tries to talk through it until she's in tears.

ermm basically they're just obsessed with each other and will write icky gushy poetry about how beautiful the other person is both inside and out. they'll use a lot of dramatic metaphors that give off the energy of "i don't know how i'd live without you" and yadda yadda. i think helia is also prone to getting teased by flora bc he tends more toward seriousness and flora's more playful and it makes helia all flustered

aisha/nabu

okay tbh i don't have a very strong nabu characterization just yet so this is in development...

aisha is just a very independent person, always trying to prove herself and show that she can stand on her own two feet. she's a princess but she's sole heir and crown princess to andros and until she went to alfea, she essentially grew up in isolation in a highly politicized environment. she's simultaneously used to having a lot of pressure/responsibility on her shoulders as a leader and also having things be decided for her because of tradition, decorum, etc. she's slow to warm, but once she's in she's all in.

nabu is just. offbeat and quirky honestly. he does things that you don't necessarily expect or view as obvious solutions. he's very patient and good-humored, almost to a fault, because he sometimes really just doesn't know or understand why people might react so strongly/negatively to things he takes in stride. he's also a very independent person, does things to the beat of his own drum, but he's very very open and doesn't hold reservations about things or people for very long. (this is the characterization i'm using for justification as to why he thought a good response to getting put into an arranged marriage with a stranger is to. suspiciously follow around his fiancé with the intention of getting to know her/help her and without realizing how he's being lowkey creepy.)

anyways i think that being in a relationship with nabu gives aisha the space to just. relax. she tries so hard to be strong (and she is!) but she's also constantly trying to position herself as reliable and independent. the friend you can always go to for help but who doesn't ever need yours because she just has it all together. (obviously her friends know better but this is the image she tries to project) and nabu is just a safe person for her. so she allows herself to be more vulnerable around him, more reliant on him, just sillier and sweeter than she normally allows herself to be. she shows her weaknesses more readily and admits to when she doesn't know what to do or how to do something -- because nabu is always very nonjudgmental and kind.

i think that initial conflicts they have is that aisha feels like nabu's sweetness just. comes with strings attached? i hc that andros is one of the few patriarchal realms in the magic dimension so aisha just doesn't super trust men, or at the very least she hates how men on andros have often undermined her and questioned her authority. and for a while it takes nabu a hot minute to understand. why. aisha would think that he has ulterior motives. because having an ulterior motive, or at least a malicious one, isn't something that ever crosses his mind. (tangent but -- he's a little naive in that he generally assumes everyone he meets has the best intentions until they prove to him otherwise, in which case it's hard to win back his trust.) so even after their feelings for each other are known, aisha kinda closes herself off to him/subconsciously rejects him until she realizes how genuine he is, after which she just fully trusts him and feels safe neough to rely on him.

arguments are far and few between after the initial roughness of their relationship and i feel like if they do have some kind of conflict, it's either petty and negligible or it's a short and sweet conversation and then they move on. they're really good at direct communication because it's just an extension of the way they already express affection toward one another.

the way they express affection isn't as cheesy as like brella or florelia, they're just very candid with each other all the time about how much they love another and how much they mean to each other.

i think nabu learns from aisha about more realities of the world because i do assume he's fairly privileged/spoiled with his position on andros (like... a nobleman or something) so he becomes a better judge of character after her & has more sympathy for others and their thought processes even when their line of thinking is baffling to him. and i think aisha learns to trust or to have more faith in others on a baseline level from him.

tecna/timmy

i really enjoy tecmy's canon progression so this won't deviate too much from what i feel they're already established to be... (ignoring s5 and after)

so obv tecna starts off not being super in touch with her emotions. she doesn't really know how to talk to timmy (and vice-versa) and also at times she resents him for not being as traditionally brave as other specialists and eggs him on in that respect, which kind of prods at timmy's insecurities. tecna eventually does realize timmy has always been brave but this friction does also push timmy out of his comfort zone into acting more heroically.

eventually, they realize even though their relationship is not conventional, the fact that they can communicate through nerd-speak is fulfilling for both of them and it conveys their care and affection for one another more than adequately

i think that timmy has always thought the world of tecna but that just speaks to how he always tends to view things/people in good faith and with lots of optimism. hence why he never lost hope that tecna was still out there after she sacrificed herself to the omega dimension, but everyone else literally believed she was dead.

they really just understand each other on levels that no one else really does while also balancing each other out. tecna tends toward negative assumptions and cynicism while timmy tends toward hope and keeping an open mind. tecna lowkey externalizes her anxieties/insecurities by lashing out (and kind of justifying it through her logic schtick) while timmy internalizes his insecurities and lets them weigh on him more in silence.

timmy's got JOKES! and tecna isn't so good at being humorous but she thinks timmy is hilarious and they have a way of communicating both positively and negatively that is very unique to them and hard for outsiders to really comprehend

i think the way that they overcome the initial issues in their relationship is just. tecna shedding her preconceptions and really seeing timmy for who he really is and just appreciating his present qualities. and while i don't really think that timmy puts tecna on a pedestal per se, i do think he learns to stop giving her more credit than she's due and stop undermining himself and feeding into his lower self-esteem. once they really just accept themselves and each other for who they are, they're able to just co-exist very harmoniously. and they figure out how to validate and support one another!

bloom/sky

okay tbh i barely have any thoughts on skoom just because. they're my least favorite winx and specialist respectively DFLJS

i play around with their dynamic depending on my mood (so sometimes i'm like Sky Bad but other times i'm like Skoom Happy) but i guess my most consistent Thing is that i firmly believe sky has been like. raised to fulfill the Prince Charming(tm) archetype. it's a little bit of a case of chicken or the egg/nature vs nurture (is sky just Like This or is he trying to fulfill expectations of what he should be and that's just who he ended up becoming?) but in my mind sky is just Prince Charming But With Flaws.

i think sky has had a lot of pressure to be a perfect young prince all his life and so he's very used to calling the shots but also not needing to think about more mundane, lower-order concerns a lot of the time. (he doesn't figure out how to dress himself until at least a year into his relationship with bloom.) i also think he's somewhat resentful of his position in life and other people of similar stations (so people like diaspro) bc he subconsciously kind of views himself as better than/more noble than the people around him. so he finds bloom to be refreshing because she's very candid and authentic and doesn't have that etiquette training beat into her head like most of the girls he knows.

bloom is just someone who has a lot of wonder for this new magical world she's been introduced to and sky's an extension of that as her prince charming come to life. as bloom comes to understand the magical dimension for all of its dangers and its dark underbelly, bloom also uncovers sky's hypocrisies and mild elitism and avoidant tendencies and other flaws. but just as bloom wholeheartedly embraces being a fairy, she embraces sky for who he is and they ultimately help each other grow and change.

i think bloom and sky both have a strong sense of duty toward the people in their lives, bloom toward the people she loves and sky toward the his family and the kingdom he inherited. this is something that both unites them but also means their interests clash at times.

their arguments would be like. interrupting each other and assuming they already know what the other person is going to say. getting frustrated at that and dealing with the fallout. then realizing that they didn't have as clear of a picture as they thought they did, and ultimately talking through it and working things out.

mmm bloom helps sky down from his high horse and makes him into a more sympathetic and humble leader while sky supports bloom in realizing her full potential as fairy of the dragon flame and princess of domino.

aaaaand that's all the rambling i can handle for now. but i can always talk more more more!!!!! i love all of these characters and their dynamics so much. (and my shipping is hardly limited to the canon relationships ;) )

[slrlounge1]

2018 Holiday Gift Guide for Photographers | $500 & Up

It’s that time of the year when we’re on the hunt for the best deals and savings on gear for the creatives on our holiday shopping lists. The team at SLR Lounge has had a look at, tested, played with, and researched a LOT of the best (and worst) photography products out there, and we’ve filtered them down to make your search a little easier.

Be sure to bookmark this page and keep checking back as we’ll be continually updating these lists as more and better products and deals surface for the season.

Wacom Cintiq 13hd $799

While the Intuos Pen Tablets are pretty commonly found already in a photographers kit (an extra one never hurts though), the Cintiq HD Creative Pen Displays are making an impressive leap into the photographer’s “must-have” tool list. These displays are an ideal choice when it comes to color-critical work and make working on your images and illustrations/designs a breeze with incredible accuracy.

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eMotimo Spectrum 4-Axis Motion Control Kit $3499

If you’ve ever wondered what a timelapse on hyperdrive would look like, then the eMotimo Spectrum is the kit for you. This bundle not only saves you a bunch of money but will let you create complex time lapse & video sequences with incredible smooth repeatable movements across 4 axes. With the focus kit, you add precise movement, zoom, focus, & aperture control. The possibilities are only limited by your creativity.

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Sunbounce Sun Swatter Starter Kit $699

Not all reflectors or scrims or diffusers are made equal, and California Sunbounce arguably makes some of the best, which is why you’ll see them in the BTS shots being used in Sports Illustrated Swimsuit Edition shoots, Vicotria’s Secret sessions, and other major shoots akin. This Sunbounce system consists of a collapsible aluminum frame that can be easily assembled and combined with different reflecting, light-reducing, or light-absorbing screens to take full advantage of any kind of light–hard or soft, natural or artificial.

This Sun-Bounce Big Super Saver Starter Kit (6×8′) includes the lightweight, stable, anodized aluminum frame, a reversible silver/white screen, a grip head for attaching the reflector to a stand (not included), tuning clips for modifying the reflector by attaching custom fabrics or other material (not included), and a shoulder bag to hold the kit. The silver reflector is for reflecting strong contrasty light; the white reflector reflects a softer, diffused light. The frame is designed with an integrated crossbar and clamp so that it can be comfortably held in many different ways–by hand or by attaching it to a tripod, for instance. A great piece of kit for any photographer to keep and use forever.

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Lastolite HiLite Illuminated Background (7’x8′) $755

Having owned one of these now for just over a year, I can honestly say it’s one of my favorite modifiers that I’ve ever used. It’s an incredibly unique device as you can use this as a backdrop to create hi-key photographs. You can place your strobes inside the background, filling the whole box with white light, leaving you worry-free of any light spills or uneven spots. Alternatively, you can use this device as a gigantic freestanding softbox and practically recreate daylight for your scene. The best part is they collapse down to the size of a large reflector bag for easy storage and transport.

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Sony A&R III Body & Audio Kit $2798

Sony’s A7RIII is a versatile, high-performance camera characterized not only by its resolution but also by its multimedia versatility. Revolving around a full-frame 42.4MP Exmor R BSI CMOS sensor and updated BIONZ X image processor, the A7R III affords an impressive 10 fps continuous shooting rate along with improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for faster focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. Then, of course, it has a battery that will get hundreds of shots per charge, a better OLED EVF, and will do and will do FF 4K. It essentially is the best all-around camera on the market today. Save extra with this bundle paired this with a Rode Mic, spare battery and shoulder bag.

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Broncolor SiRos L $2347

Broncolor knows how to make a sexy light. The quality and consistency of the light produced by the Siros L without having to purchase a color-correcting dome alone is unmatched in its class and will reduce precious editing time in post-production that could be better spent elsewhere.

The freedom that exists with being able to use a truly portable monolight is incredible, and if proper care is taken, the Siros L should last a very long time. The Siros L is innovative, freeing, and a lot of fun to work with. After photographing with a light of this caliber, it is difficult to consider going back to ‘normal’ equipment. The Siros L definitely lives up to the reputation that has become synonymous with everything Broncolor stands for.

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Canon EOS R Mirrorless Digital Camera $2299

Canon has a new member in its mirrorless family. The EOS R is a full frame system with a 30.3 Megapixel body and four native RF lenses currently available, (35mm 50mm, 24-70mm and 24-105mm). Optional adapters will allow previous canon owners to use their EF lenses on the system and get straight to creating! Boasting the aforementioned 30.3 MP CMOS sensor, 4k Video, dual pixel AF, built-in OLED viewfinder, and a 3.15 vari-angle touchscreen LCD are just a few of the awesome and new features available.

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LaCie 6Big Thunderbolt 3 RAID Array $1,899+

If you’re looking for a storage/security and speed solution with, essentially, no rival on the commercial market, this is it. It’s absurdly fast, reliable, and strangely beautiful. The performance of the 6Big is like a drug, it’s so addictive, and the kind of unit that will see studios, videographers, and individuals with large amounts of data elevate their operating levels, and the USB-C and Thunderbolt 3 connectivity makes it a daisy-chain and power solution that creatives can grow with. Like the Porsche slogan, “There is no substitute.”

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LaCie has equipped this RAID array with Thunderbolt 3 technology that transfers data at a rate of up to 40 Gb/s and offers a reversible USB-C connection. For data performance and redundancy, an onboard hardware RAID controller lets you set the 3.5″ hard drives in 0, 1, 5, 6, 10, or 50 RAID configuration. With LaCie RAID Manager, RAID setup is straightforward by offering an intuitive interface to administer the LaCie 6big. Leveraging RAID 0 and Thunderbolt 3, the 6big is able to deliver up to 1400 MB/s read and write speeds.

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Nikon Z7 Mirrorless Digital Camera Kit $4,147

Nikon has taken the next step in their imaging journey with the Z7 Mirrorless System, affectionately dubbed “The Perfectionist.” The 45.7Megapixel FX Format camera brings the Z Mount to the market with a boom. This is a large diameter design with short 16mm flange distance that allows Nikon to create compact, but powerful cameras and develop more advanced optics. It has a BSI CMOS sensor with the EXPEED 6 Image Processing Engine delivering outstanding image quality & speed with a native ISO sensitivity range of 64-25600!

It also features a UHD 4k video recording system at up to 30p and can use the N-log gamma profile along with the camera’s 10-bit HDMI output to create cinema-quality video. Even an 8k Time-Lapse mode.

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B&H GIFT CARD $500 & UP

There are few things more practical for a photographer than a B&H Gift Card.  With free shipping to many of the U.S States, friendly return policies, and free shipping with orders over $500, this is an easy stocking stuffer.

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Fujifilm X-E3 $799

A svelte, versatile camera, the black Fujifilm X-E3 is a progression in their rangefinder-style mirrorless series, and it features an updated sensor and processor along with familiar classic design. Revolving around the 24.3MP APS-C X-Trans CMOS III sensor and X-Processor Pro image processor, high-resolution stills can be recorded with notable sharpness and clarity due to the sensor’s organic layout and omission of an optical low-pass filter. The sensor and processor combination also avails quick continuous shooting up to 14 fps, an extended sensitivity range to ISO 51200, and the ability to record UHD 4K/30 video or Full HD 1080p/60 video.

Benefitting the imaging capabilities, the X-E3 retains its retro-inspired physical design complete with a high-resolution 2.36m-dot electronic viewfinder, 3.0″ 1.04m-dot rear touchscreen LCD, and physical shutter speed and exposure compensation dials. Also, its wireless capabilities have been expanded to include Bluetooth connectivity for low-power image transferring and remote camera control from a linked mobile device.

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Profoto B10 OCF Flash Head $1595

Profoto continues to affirm their commitment to full-featured flash systems with onboard TTL capability with the introduction of the impressive, battery-powered B10 OCF Flash Head. Part of the OCF family (which began with the reduced-size B2 power pack, continued with the full-sized B1X monolight, and most recently featured the A1 shoe-mount Studio Light), the B10 combines the best characteristics of the monolight with those of auto-exposure, on-camera flashes. In a move that’s consistent with their ongoing “techno-logic,” Profoto packs all the features of the previous OCF lights into the 7″ B10.

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Also Available as a 2 Light Kit with Bag Here

Deals $1000 And Up

Need more gift ideas? B&H has a full list of holiday recommendations for $1000 and up!

See more Info Here

Again, be sure to bookmark this page and keep checking back as we’ll be continually updating these lists as more and better products and deals surface for the season.

  from SLR Lounge https://www.slrlounge.com/2018-holiday-gift-guide-for-photographers-500-up/ via IFTTT

[albanlakepublishing-blog]

February Alban Lake Spotlight

Mike Morgan, Author

For our very first interview, we have Mr. Mike Morgan, a prolific and excellent author. He was kind enough to take time to answer our questions; but first, a quick bio for Mike:

 Mike Morgan lives in Iowa with his wife, two children, and increasingly infirm cat. After careers in the UK, Japan, and Texas involving accountancy, freelance illustration, non-fiction writing, and teaching, Mike now does improbably complex things on computers for a living. When he's not worrying about the cat or tidying up his kids' toys, Mike gets overwrought about politics and attempts to write short stories. It's possible his two hobbies get muddled up from time to time. He has written for several publishers in the UK and the USA, with pieces in anthologies, comics, and magazines. Follow him on Twitter as @CultTVMike, where he posts about all things sci-fi. Oh, OK, it's mostly Doctor Who.

 My website is: https://perpetualstateofmildpanic.wordpress.com/

 My latest project is this month's Outposts of Beyond.

  And on to the interview . . .

 Q: When did you first realize you wanted to be a writer?

 A: I've wanted to be a writer for as long as I can remember. I looked at book covers as a young child, maybe five or six, and thought, "I want my name on a book." When I got into comics with 2000AD and then Star Wars Weekly, this would be when I was 7, that desire spread to wanting to be in the credits boxes in comic books, too. Unfortunately, as I got older, it became apparent that selling work wasn't going to be as easy as I'd initially thought.

 I tried for a sustained period in my twenties to break into comics, but never got anywhere. At one comics convention in Bristol, while hauling my portfolio around, I got chatting with Matt Brooker, who was brutally honest with me. "Look," he said, "There's nothing particularly wrong with the way you draw, but there just aren't any openings. We hire on maybe one or two new freelancers a year and they have some quirk. You draw well, but there's nothing unique. To develop that style, you need to put in thousands of hours of practice, and you're not going to get paid for that. You don't strike me as independently wealthy, so I doubt you can afford to do it for free. So..."

 He was right. I was dirt poor. I got a job in accountancy, which I hated. But at least I could go back to affording food.

 Later, after years of doing things I loathed, and then teaching for several years in Japan, I immigrated here to the U.S. Starting a new career in Texas, I worked for seven years as a technical writer and editor, which helped me fine-tune my knowledge of English grammar and punctuation and gave me first-hand insight into how hard it is to express complex ideas in plain, no-nonsense sentences. I got enough feedback to sink a fleet of Titanics and developed a tough skin to criticism. I also learned how important it was not to treat my fellow writers the way I was treated, and I became a mentor to some of the newer team members. Although the working environment was hostile, I did love the act of writing and I found joy in helping others improve their written work.

 While all that was going on, I was continuing to put out one or two pieces of my own writing. Teaching in Japan gives you a lot of spare time, so I'd started floating a few things past publishers. Moving to Texas, I was determined to keep that up, but stuck in a car for three or four hours a day on a hellish commute, working tons of extra, unpaid hours, and starting a family didn't leave a lot of spare time. It was only with our move to Iowa, where I still am now, that I found a better work-life balance and was able to kick the writing into high gear. To my inordinate surprise, I discovered that publishers wanted to print my short stories. Not only that, but readers showed every sign of liking them. I was flabbergasted.

 I look back now and I see my name on a book cover and my name in a comic book credits box and I'm glad I never completely gave in. One of my best friends, Kath, said this to me years ago and it stuck with me: "What I like about you, Mike, is that you keep on trying." I'm sure she's forgotten ever saying that to me, but I remembered, and I've tried to stay that way.

  Q: What would you say is your interesting writing quirk?

 A: Oh, a 'quirk'! I have yet to develop one with my drawing, but with my writing...? Editors have often told me, in withering tones, that I over-write. You only have to glance at the length of this interview...

 Also, as part of over-egging a box full of puddings in every story, I tend toward the proliferation of pleonasms. And uncalled-for alliteration.

 If you catch me doing it, slap me.

  Q: What do you like to do when you're not writing?

 A: I watch lots of science fiction and read comics. I really enjoy reading stories to my two kids at bedtime, too. Honestly, with two young kids in the house, I spend a lot of time taking endless delight in everything they say and do. I try to carve out a few moments every day to remind my wife how much I appreciate her.

  Q: How many books have you written? Which is your favorite?

 A: I've had 10 short stories published professionally, with two more coming out in the next couple of months. A couple of those were my Titanville stories, which were published together in an e-book by Nomadic Delirium Press, getting me my first solo front-cover credit. I have a dozen more stories in slush piles as we speak, so one or two more will probably work their ways through to acceptance this year – that seems to be the typical ratio of stories sent to stories accepted.

 I've also had a few stories in charity anthologies, and a couple of poems (one was about Star Trek and was printed by Iron Press in a collection sold throughout a major high-street chain of bookshops in the UK), a few non-fiction articles about the long-running BBC TV series Doctor Who in various tomes, and a comic strip script in the British small press comic Futurequake. Another comic script is being drawn now, as it happens, for Futurequake. We're hoping it'll be included in the Spring issue, but we'll see how that goes.

 Oh, and I worked for a short while at an online word mill, putting out articles about sci-fi. You can find them at WhatCulture.com. They accumulated about three million page-views, I think.

  Q: What inspires you to write?

 A: I am drawn to the act of wrenching something into existence through the blunt application of imagination and willpower. I am compelled to create. For better or worse, you guys are on the receiving end of that compulsion.

 When it comes down to deciding what I'm going to write about, I think there are some themes I keep returning to: the beauty in the world, the triumph of love and kindness over indifference and cruelty, the eternal fight against injustice, how any attempt to simplify the complexity of the real world down into stark black-and-white concepts will lead to hate and death...

Also, I love writing characters who are flat-out wrong. There's nothing more fun and more human than someone who is utterly convinced about the rightness of a cause, and that cause is based on an utter misunderstanding. Really, that type of thinking characterizes most of our species' history. People who are wrong deserve our sympathy, our help, our love, not our derision. Anyway, that's some entertaining stuff to write about.

One final thought – I don't want to be a downer but I do feel time pressing on me. Nothing like worrying I'll be dead in a few years to spur me to get some writing done.

 Q: Do you set a plot or prefer going wherever an idea takes you?

 A: I try to have a clear idea of what the story's about before I get too far down the rabbit hole of writing. Preferably, I have an end worked out as well, even if that ending changes by the time I get to it. Sometimes, I'll start the story with the end and work my way backward to the beginning. But there should always be a purpose to a story, even if that purpose is to have fun.

 Every time I carve a tale out of the disorganized mess of my thoughts, the process seems different. One time, the whole story will spill out of me in a rush. Other times, I have to sit down and think through what I'm trying to express.

 Every now and then, a neat idea will occur to me, but I can't find a way to get a coherent plot out of it. Then, a second, entirely different idea will come to me, and I find mashing the two disparate strands together into the same reality brings the whole thing into focus.

 For example, someone having giant spiders in her home and not being bothered by them because they're not in any way dangerous is a neat mental image, but it's not a story in itself. But, add a second strand: imagine there's a neighbor whose job is to twist facts to meet political dogma and that neighbor comes into contact with those spiders... what happens? Does she believe the objective truth that they're completely safe to be around, or does she react with emotion and twist reality to meet that baseless viewpoint? After all, that's her job.

 Boom – you have conflict. The wrong-headed, fact-denying neighbor suddenly at war with nice, harmless giant-sized arachnids. For no other reason than she can't see the truth in front of her face, which is a very common and very plausible failing. What's more, the story takes on a greater message: we shouldn't twist facts to meet our prejudices, no matter how tempted we'd be to do that if we were in the neighbor's shoes.

 That's where A Spider Queen in Every Home came from, the mingling of two ideas that, on the face of it, can't coexist in a single narrative; but, they can, and that story was picked up and published in More Alternative Truths by B-Cubed Press.

 Lastly, some publishers require that you pitch ideas. There, you have to submit a complete plot, along with character notes, up front. If a pitch is accepted, there's no scope for changing details along the way as you write the actual story. For all you know, by altering the agreed-upon tale without consultation, you might be encroaching upon territory occupied by another story in the same collection.

 When fleshing out a pitch, it can feel like you're working while wearing a straightjacket. But it's an opportunity to find ways of making the piece as entertaining as possible without venturing beyond the plan you gave your word on. I've written a couple of stories based on pitches. Unto His Final Breath in Uffda Press's King of Ages: A King Arthur Anthology was created that way, and it garnered some nice reviews. I really like the world building I got to do in that short story.

  Q: What types and forms of writing do you do? If you're also an editor, what is your niche?

 A: I mostly write short stories these days, but I toy with novels. I do have a novel I'm working on (doesn't every writer?) - but, it's the short stories that sell. I am sneakily putting together various stories that work as elements within a greater whole, so that by the time they're all published you'll find they're a novel-length narrative printed in discrete parts across multiple publishers, books, and media. That's the idea, anyway.

 For example, the Titanville stories stand alone as individual tales, but the intent is to have themes and sub-plots that build as time goes on, without requiring the reader to be familiar with every installment. The Age of Asmodeus stories have a similar approach; there's a history to that world, and each story explores a different sliver of it. As those stories go on, readers will see various characters moving in and out of segments of the series or they'll be referred to. Again, the readers won't need to read every story, but there'll be a sense of events moving forward for those who do.

 With the tales featuring Professor Lazarus, the cumulative narrative will unfold using text-based stories and comic strips. Again, that's the hope. Futurequake, a British comic, has printed one story so far and has another one being drawn at the moment. With the short stories, I've had some luck; Flame Tree Publishing printed Fishing Expedition a while ago. I've written a couple more Lazarus stories since then that I'm waiting to hear back on, so we'll see how that goes.

 But you were asking about types of writing. Occasionally, I have a poem published. More often, I'll get non-fiction pieces accepted. I contribute on a semi-regular basis to the range on media and culture put out by Watching Books. This year, they're printing a volume called You on Target about the Target series of Doctor Who novelizations, and I have two essays in that.

 With editing, I offer my services to small presses who print my stories, with regards to proofreading or checking formatting. I'm always willing to help put out the best publication possible.

  Q: What is your area(s) of subject matter expertise? How did you discover this niche? What intrigues you about it?

 A: With living in Japan for several years, I found writing stories set there pretty easy. Not much research required! There's a story of mine being printed soon by you fine people at Alban Lake Press set in Japan. Kuro no Ken (The Back Sword) is slated for the next issue of Outposts of Beyond. The scenes in Ise City take place twenty minutes down the road from where I lived for three years, and the part in the vast cemetery—I've visited that cemetery and it really is that creepy. I love Japan. Those were some of the happiest years of my life.

 Having said that, I lived for longer in Stoke-on-Trent in the UK, and that was the setting for Reverse Horror Story. Your fine company published that piece in Bloodbond just last year. I had way too much fun putting Stoke-themed jokes into that monster-mash-up. I guess, to answer your question, I'm an expert at shoe-horning places I've lived into my stories. I find having a deep knowledge of the settings makes them feel more authentic.

 But, to be clear, I've never lived on the enormous asteroid Ceres, the setting of The Library of Ice in this month's Outposts of Beyond. I'd be willing to give it a try, though.

 Being serious for a moment, I keep writing about people who are struggling because I've been through that. Want to be an expert on the poor? Try being unemployed for years on end, not having enough to eat and worrying about losing the room you're renting. That'll give you an understanding of what that life is like. Newsflash – it's really stressful and depressing.

  Q: How do you balance your creative and work time?

 A: I have yet to find any balance, but live in hope. I get the kids to bed in the evening and then try to write. Sometimes, I even succeed.

  Q: Where have you been published? Upcoming publications? Awards and other accolades?

 A: Other than the things I've already talked about, I'd like to mention Nomadic Delirium's Divided States series, which explores a post-USA North America. My contribution to this excellent range was The Wall Is Beautiful. I hope to finish a second story in this shared universe. I was also fortunate enough to have submissions accepted in their Martian Wave and Disharmony of the Spheres collections.

 One other project I'm very proud to have participated in was Metasaga's Futuristica anthology. I had Something to Watch Over Us included in that amazing collection. I can't heap enough praise on that spectacular book; if you like science fiction, you need to own it.

 As far as upcoming releases go, that I haven't already called attention to, I have a story called Buddy System accepted in Myriad Paradigm's upcoming Mind Candy anthology. The intent is for that book to be released in the next few months. I also have something in the editing pile with Red Ted Books, which should be advancing toward publication this year.

 And, yes, it's a fanzine, but I like fanzines, I'm working with the wonderful people who put out the Doctor Who-themed Fannuals to see what they might want from me for their next volume. I'm so in love with the Fannual project; it's incredible fun. It's actually what I'm starting work on after finishing this interview.

  Q: What are you working on now?

 A: Well, Alban Lake announced they were going to do something with ghost stories, so, you know, I thought I'd try to submit to that. *Grins*

 In the pipeline are more Age of Asmodeus tales, more Titanville, more Lazarus, more space opera antics, more of everything I'm obsessed with.

  Q: Who are your favorite characters to write? How did they come into being, and what do you love - or loathe - about them?

 A: I love writing about Professor Lazarus. She gives her life in every story, usually to save the world from some terrible fate. Then, next story, she's alive again, in a world that's transformed. It forces me to reinvent her and her milieu every time. And there's a point to all her deaths; it's leading to something.

 She came into being because I thought, "Hah – killing the lead character every time would be funny." Then I thought, "What if it's the same lead character every time, and there's a reason she keeps coming back?" How does knowledge of her deaths affect her? Where, at a character level, does that propel the over-arching storyline?

 Another fun character was Silas Smith in The Man Who Killed Computers (published in Disharmony of the Spheres). He's able to lie to computers and have them believe what he's saying. Once you realize how he's doing that, it's less amusing, because you also realize that he can manipulate the humans in the story. I love the ambiguity of his character. He tries so hard to convince everyone he's a hero—the story revolves around how others respond to his claims.

  Q: Any advice you would like to give to aspiring writers?

 A: If someone says you need to improve, he or she is probably right. Every writer needs to improve, every day. It's a process that never ends.

 Don't take rejection personally. It's the work that sucks, not you.

 Keep trying. Stories are only published if they're written and then submitted.

 Realize that even after you've had a pile of stories published there will still be more defeats than victories. And that it's OK.

 Anything else you’d like to add that I haven’t asked? For example, what would you like to see more of in your specific genre? In the publishing field?

 We all like to get things for free. But—! Readers: try to pay for that fiction you're consuming. The more the publishers earn, the more they can pay the writers. The more the writers earn, the more they can write. It's a virtuous feedback loop. If you can't find good fiction out there, it's because you won't pay for it.

 Or, you know, you haven't been to Alban Lake's store. There's lots of good writing there.

  Once again, we’d like to thank Mr. Mike Morgan for his time and to thank all of you for supporting Alban Lake and all of these awesome authors and artists.