#is this going in the tag sure why not

[cupiidzbow]

guy whos thinking way to hard about monkey ball voice: okay I have another another post of what kind of primates I think some characters are even though it isn’t specified anyway in canon

Jet bares a striking resemblance to a golden snubbed nose monkey to me ( notiably blue face, golden/yellow fur, the way his nose is pronounced) also another character who has a very visible tail ☝🏽

I THINK JAM IS A BABOON ☝🏽 a yellow baboon specifically ( I like the idea of there’s just many different kinds of primate species that ppl are just apart of in the monkey ball world. as well as many other types of animals taking into account fes, val, and tee…..) but idk he has a strong brow and nose compared to the other monkeys. he also has a longer face you know and his hair tuffs resemble the ears …

I think dr badboon is another specific species of baboon particularly the hamadryas baboon just from the fanning fur shape on the head…..that was an instant giveaway. they already established what type of primate he is is but I think it’s fun to think about what species he is specifically yknow ….

I mainly think this bc of ear shape but yoko’s appearence in banana blitz is so scarce I’m scraping for anything 😭 she in herself is not rlly grounded in realism bc she’s physic but she’s already stated to be a marmoset so I think she would be a gold and white marmoset…… she’s more silvery/purple but I think I can make that idea work. putting a pin in that tho we’ll go back to that ….

anyways yeah sorry I’m crazy

[afanofmanyhats]

One of my favorite things about Tolkien's writing is that he has a very specific, recurring trope. For lack of a better term, I'm dubbing this the Tolkien Wife-Guy.

This is mainly obvious in the Silmarillion, but Tolkien loves to write couples where the man is a notable individual- nobility, commits a great deed, or both- but the wife is at least equally notable, if not more beloved or powerful. Manwe is the king of the Valar and Eru's main representative in Arda? Everyone loves Varda more, and Melkor fears her more than his own brother. Elu Thingol is the king of the Silvan Elves? His wife is Melian, whose Girdle is the magic that keeps Morgoth's forces at bay. Beren is a chief among the Edain, who befriends animals and survives one of the most nightmarish places in Beleriand? His wife is Luthien.

Even in Lord of the Rings we see this occur, though the couples are on more even footing. Tom Bombadil is... Tom Bombadil, but Goldberry is the River-daughter, and Tom adores her above everything else, and the hobbits are completely taken in with her when she's their host. Similarly, while Celeborn is a mighty lord among Elves, Galadriel is one of the only Noldor in Middle-earth who saw the Two Trees, and her hair inspired Feanor to make the Silmarils, not to mention her own accomplishments in the war against Morgoth. Aragorn is the king of Gondor and Arnor, but Arwen is the Evenstar of the Elves, the descendant of three(?) different royal Elven lines. And Faramir becomes the Steward of Gondor and is one of the noblest men alive, but Eowyn killed the Witch-king, so you know. She got the grander moment for the saga.

But with (most) of these couples, we never get the impression that the man views his wife as Less-Than, or as a junior partner. Thingol is the main exception to this in how he dismisses Melian's counsel, and that's made out to be his foolishness within the text. Otherwise, Manwe treats Varda as his co-ruler, Beren never tries to downplay Luthien's achievements, and I'm pretty sure most of Tom Bombadil's dialogue is about how gorgeous Goldberry is. It's really sweet.

All of these examples really testify to how much Tolkien loved his wife. People rightly point to Beren and Luthien as the prime example of that, but I think you can find it in these other couples too. Even though Edith is mainly known to history as Mrs. Tolkien, it's evident to me that Jirt saw her as a whole person worthy of admiration outside of being his wife.

[obsob]

the accolade ( the...the cat-olade...)

[arcanegifs]

rewatch the show yall. it gets even better if you do.

[wishfulsketching]

More

[ckret2]

The second dimension has burned up, almost(?) everyone is dead, the ones that aren't dead wish they were, and this funny little yellow triangle the Axolotl met one time is some kind of god ghost party host tyrant.

Wanna make it even worse?? I know you do. Let's make it so much worse.

Here, have a fic. Last week's Part 1 is about Bill doing some kind of cosmic horror shit to the Axolotl; part 2 here is about the Axolotl trying to process the most horrifying thing he's ever seen while a bunch of the most annoying gods you've ever seen argue about building inspections and vandalism.

####

When the Axolotl tumbled out of the bloated pocket of reality where Dimension Zero's singularity was supposed to be, for a moment he thought he'd gotten turned around and flown straight back in, because here again was the yellow triangle's nightmarish party: the geometric rainbow of corpses and undead puppeted into dancing for their "magister," the flashing strobe lights, the hissing whispery white noise like the echoes of a Big Bang had gained sentience and started passing secrets to each other, the cacophonous music that seemed to be every song playing at once.

He had to shake his head to clear it and make sense of what he was seeing. No corpses, no dancing: all he was seeing was all the gods who'd gathered together outside the incinerated two dimensional wall to help deal with the criss, at least triple what there had been before he'd entered what-wasn't-Dimension-Zero. The flashing lights were the cameras and broadcasting equipment of reporters, cordoned off from the Apocalyptic Threat Task Force's main center of operations but still crowding as close as possible to see what the firefighters and ATTF were doing. The whispers were the buzz of activity among the emergency response workers.

And the music was only playing in his own head.

A few gods glanced at him as he emerged from the immense roiling miasma that had replaced Dimension Zero, but they had their own business to deal with and he wasn't part of it, so he was quickly ignored. He wouldn't know what to say if anyone had spoken to him. It was hard to think of anything but the dancing.

He should tell someone what he'd seen. Numbly, he looked around for the storm cloud with the ATTF he'd spoken to earlier, but couldn't pick it out from the crowd.

There was one "face" in the crowd he distantly recognized: a harried-looking vending machine filled with planets and moons—VENDOR, the Axolotl was pretty sure. Some politician. THEY were irritably shifting THEIR worlds back and forth on THEIR spiral racks as THEY spoke to one of the ATTF's many apocalypse cops; THEY'd already vended five planets that the apoc cop had cradled in their tentacles. As the Axolotl swam past the duo in search of the cloud, he heard VENDOR snapping, "—I'll have you know elections are coming up again. The last thing I need is Municipalitron suggesting this lackluster response to a gaping hole into Dimension Zero is MY fault! By the time those rubbernecking reporters make it around your flimsy barrier, I want to be able to report you've cleaned up this mess—" Was the incinerated Dimension 2 Delta even in THEIR district?

He saw THEM on the news from time to time at cosmic crises like this, providing temporary planets for refugees until they could be moved to other worlds (or, in dire enough circumstances—other dimensions); that must be what THEY were here for now. It tended to get THEM a lot of good press. The Axolotl didn't know how much of it was deserved.

To the Axolotl's further distaste, there were also cops here now—not the apoc cops, they were fine, but cop-cops: he saw one crablike being with red and blue mushrooms growing out from where his eyes used to be, and two interlocked fiery rings with a hundred distrustful eyes. They were talking to the hapless furred serpent the Axolotl had seen before he'd gone in to investigate Dimension Zero, the one who'd called in the emergency. She didn't look at all comfortable with whatever they were asking. Why the hell did a spontaneously combusting universe call for the police? Who did they think they were going to arrest? Who did they think they could blame for the fire? The fire itself?

Unless they thought it was arson?

There was the storm cloud: it was talking to another apoc cop, a floating flock of sheep with an ATTF badge pinned in their rain-soaked wool. The Axolotl headed their direction—but paused at the sight of the triangle's sun.

Before Dimension 2 Delta had burned, the little triangle's two-dimensional home planet had been illuminated by a sun shining down on it from the third dimension—a sun no one but the triangle could see. With 2Δ gone, the third dimension was slowly falling into Dimension Zero's nauseating threshold; and in the time the Axolotl had been talking to the triangle, his sun had fallen halfway toward the threshold.

He carefully picked it up and nudged it a safe distance back, then shook the sting of heat out of his paws. 

Someone said, "Hold on, you're the one who defaced the Department of Multiversal Vehicles' office!"

The Axolotl turned to look. VENDOR had apparently ganged up with the cops against the serpent. He groaned under his breath.

Looking between the trio with panic in her eyes and clutching her spray paint can anxiously to her underbelly, the serpent was saying, "Okay, okay, maybe I was out here to do a little graffiti—"

The Axolotl winced and muttered, "Oh, don't voluntarily confess anything." The cloud could wait. He hurried in their direction.

"—but I hadn't actually started anything when the dimension caught on fire! I mean—all right maybe I'd done a couple of tags, but only in vacuum, nowhere near any stars! And the fire started way off from where I was—"

"That sounds likely," VENDOR said.

"You've already got a rap sheet for vandalism," the crablike cop said. "Decided to try out arson—?"

The tentacled apoc cop who'd been speaking to VENDOR earlier cut into the conversation. "Lay off, we've already checked her out. The combustible material in a can of spray paint would only take out a solar system at most. Do you have any idea, any idea, just how much power it takes to burn a whole dimension?"

The dual fiery rings wheeled aggressively in front of the apoc cop. "You let us do our job, calamari. Just focus on doing your own."

"Don't mind if I do," the Axolotl said. He put himself between the accused criminal and the gods of punishment, gills flared and curled forward. "I believe this serpent was a witness to the fire. Is she under arrest?" (He could feel some of the mental numbness wearing off, the horror loosen its grip on his heart as he focused on doing his job.)

VENDOR took one look at him and scoffed. "Oh, you. I know who you are," THEY said. "I suppose this is one of your pro bono clients." All one hundred and two of the cops' eyes immediately snapped to the Axolotl.

Why did everyone think that today? "No," the Axolotl said exasperatedly, "she's not. But I do know her rights. Including her right not to answer any of your questions." (The serpent's jaw snapped shut.) "Do you?"

The cops both bristled. VENDOR drew THEMSELF up to THEIR full height (which was the same height THEY'd already been, a metal brick being rather inflexible like that) and prepared to retort—but THEIR internal camera caught on something just to the Axolotl's side. "Oh, no. Not her."

The Axolotl turned. Hovering in the void behind them, so small and translucent she'd be unnoticeable if not for the faint pinkish glow she gave off, was an astrally-projected mortal soul: a four-armed salamander-like woman with a robe and a string of beads wrapped around one wrist. She opened her eyes, blinking up at the Axolotl.

"Oracle," the Axolotl said, half greeting, half a surprised query. The Oracle bowed her head to him.

To the mortals she served, the Oracle was a priestess who received messages from a god: prophecies to help her people understand the divine and navigate the future. To the beings powerful enough to get called gods, the Oracle was essentially one in a long line of intern news bloggers that the Axolotl occasionally had coffee with to discuss local politics and court cases. His Oracles were almost always low-level mortal criminals who had gotten themselves involved in enough trouble to attract gods' attention, but whom he'd taken under his fin to help get out of that life before they graduated to crimes against reality. The Axolotl thought it was important to offer mortals help before they crossed a line they could never uncross, and important to keep an open conduit of information between higher and lower planes. He thought the people who had the power to shape reality owed transparency to the people living in the realities they shaped.

Not everyone agreed. 

"You smuggled your reporter past the barricade," VENDOR said accusatorially. (The cops visibly flinched at the word "reporter," the crablike one nervously clacking his claws and the ringed one's many eyes widening.)

"No, I had no idea she was coming." Which was unusual. Usually, the Axolotl visited the Oracle in her sleep to catch her up on his day's work and how it might affect mortal affairs; it wasn't often the Oracle sought him out first.

"Well, I'm not making a statement." VENDOR abruptly turned THEIR back to the Axolotl and his Oracle. "If anyone asks, no comment. I'm not commenting on the current incident." The cops also took the opportunity to quietly slink off. The Axolotl watched them go, making sure they didn't find someone new to bully as they left.

The Oracle shot VENDOR and the cops a puzzled look. The Axolotl said, "Don't worry about THEM. Why are you here?"

"Our seers have had premonitions. Could you enlighten us on their meaning?" the Oracle asked.

"Of course. What did they see?"

"They've received visions of an explosion in the... sky..." She trailed off, staring in wonder at the gap into Dimension Zero behind the incinerated wall. "Is... that the explosion?"

Before the Axolotl could answer, the storm cloud he'd been looking for swept past to loom over her. She flinched as her view of her god was suddenly blocked by a torrential thunderstorm, and flinched again as a sunbeam pierced the clouds to shine directly upon her and a serious voice boomed down from the tempestuous heavens: "Your people witnessed it?"

"There you are," the Axolotl said. "I was looking for you—"

The cloud pointed at him with a finger of lightning. "I'll get your statement second. Mortal's first. They don't last as long." (The Axolotl didn't think the Oracle was going to die of old age in the time it would take him to explain what he'd seen in Dimension Zero, but he didn't argue.) It said to the tentacled god, "Get those planets out to the flat worlders. The flock's already out there."

"On it." They tightened their tentacles around the worlds VENDOR had already passed over, and quickly scuttled off toward the line of blue light on the interdimensional horizon.

The storm asked the Oracle, "Can you describe what happened?"

"Uh..." She looked around nervously, trying to find the source of the voice, not realizing it came from the storm itself. "That's... what I came here to find out."

The Axolotl slipped his tail over her as an umbrella. (He needed the water, anyway; he'd been too close to too many fires today.) "Just tell it what your seers saw, like you were telling me. You may be able to help us."

"Help how?"

"None of us directly witnessed the 'explosion' your seers did."

Her eyes widened in alarm. "How do the gods not witness something?"

The Axolotl hesitated. "Even gods' eyes aren't all-seeing." He decided he didn't want the first thing he told his Oracle about the situation to be that all the gods that could have directly witnessed the "explosion" had been killed by it.

As the Oracle spoke, the storm cloud took notes in a damp notepad it kept steady with a current of air, burning the information onto the pages with a thread of lightning that meandered across the page like a Tesla coil. VENDOR, who'd backed out of "interviewing" range but not out of hearing range, partially turned to listen to her statement. (And while the other gods were distracted, the furred serpent quietly slunk off, trying to hide her spray paint as she did; the Axolotl didn't call attention to her. If the storm needed anything else from her, no doubt it had already gotten her contact info. Better that she go before the cops circled back to harass her some more.)

The Oracle said that her people's seers had seen a whole patch of the sky burning bright blue and collapsing together, the edges going black and the center growing impossibly bright, until everything sank into the center—and then went dark. Only once it was dark could they see what the light had been concealing: behind the collapsed patch of sky, there was a sea of seething colors. (The assembled group tried not to stare too obviously at the multicolored miasma that used to be Dimension Zero.) One seer had gone blind staring straight into the light, trying to discover anything about its nature.

The cloud asked, "And did she see anything important?"

The Oracle said hesitantly, as though not sure whether this detail mattered: "She said the light was... triangular."

A chill settled over the Axolotl. 

The cloud stopped, perplexed. "Huh." And then it dutifully burned that information down as well.

(Maybe it was nothing; triangles were very common symbols, lots of phenomena naturally formed triangles. Or maybe what she'd seen was whatever the triangle had done to try to save his people. Or maybe, maybe....)

While the cloud was focused on taking down its notes, the Oracle dragged her eyes from the tumbling colors of Dimension Zero and turned to the Axolotl. "We're worried about what these visions mean." She switched from interviewee to interviewer, all journalistic professionalism. "What did they see? What was this explosion?"

The Axolotl focused on the question to push the triangle from his mind. His eyes began to glow, as he recited:

"The multiverse is layered planes,

Stacked to bear existence's strains.

1D pillars, 2D walls,

3D rooms in 4D halls;

On a 0D foundation:

That's reality's construction. 

One wall falls into the basement,

It can shake the whole apartment.

But other walls can still load-bear

Until the gods can make repairs."

"Okay... Thank you. And—our plane is 3D?"

"That's right."

The Oracle took notes of her own: one of her four hands spun in loose loops, like an absent-minded conductor. In her physical body, she'd be holding a marker in a trance, copying down the prophecy the Axolotl had given her. No doubt it would be in the mortal papers on her world by tomorrow. The Axolotl thought it was better that the mortals know there was something wrong but that the people who had the power to do something about it were on the job, rather than just worry without answers. (Again, he was sometimes in the minority opinion. VENDOR was managing to give him the stink eye without a face.) "Is the multiverse actually structured like an apartment complex?"

"No," the Axolotl said. "It's a helpful visual metaphor." And it had rhymed with basement.

"But... this is something you can fix?"

"It is. There are gods of space and doomsday already here working to stabilize the foundation and repair the fallen wall." (VENDOR's lights flickered a bit brighter at the positive acknowledgment to the press.)

"Gods of doomsday?" She gave him an alarmed look.

"It's a misleading title. The ones here work to prevent accidental apocalypses."

"You're underselling the severity of the issue," the storm cloud muttered, not looking up from its notes. "This isn't your run-of-the-mill cosmic repair job. A second dimension's fully collapsed into the zeroth dimension. That's a plane packed into a point. That shouldn't be possible. It's destabilized everything built on top of the zeroth dimension—which means the entire multiverse." (VENDOR tried to shush it. It didn't acknowledge THEM.) "Plus, this fire is kicking our collective butts. One- and two-dimensional gods are getting incinerated, not even afterlives and underworlds are escaping the fire, reality itself is at risk of collapsing, we still don't know what's doing it—"

VENDOR let out a beep that was as loud as a car alarm. "Is there any reason the mortals need to know that!"

"Ehh... not that I can think of." The cloud glanced up from its notes. "They're powerless to do anything about it. It'd just make them worry about something that's out of their h..." Its roving sunbeams caught on the Oracle, still diligently taking notes on this out-of-control fire. "Oh."

Quietly, the Oracle asked, "You're sure the multiverse will be fine? If this fire even kills gods..."

The Axolotl paused. "I was more sure a second ago."

"It'll stand," the storm cloud said grimly, "but if we can't stop the fires, not for long. We've called out every god we can to help, but..."

"It should stand," VENDOR said quickly. "I'm sure the other walls are fine—I've personally seen to it that we're rigorous about maintaining our dimensions' structural integrity."

The cloud's sunbeam aimed ruefully at the missing wall. "Good work," it muttered.

VENDOR rounded angrily on it, "Well all the preventative cosmic inspections in the multiverse are useless if the inspectors didn't do their job right! Which they clearly didn't!"

The cloud raised a wall of fog defensively.

VENDOR paced in an angry figure 8 as THEY fumed, "It's incompetence all around! I'll bet anything it was electricians who miswired the laws of electromagnetism and shorted them out, or—or something! A properly constructed load-bearing wall imploding, much less dumping into the center of reality, just doesn't happen! And nobody noticed the danger?"

"We can't rule out the possibility of terrorism yet," the cloud said. 

 VENDOR rounded on the cloud to demand, "What terrorist would risk destroying the multiverse?!"

Angry lightning danced around its tornado. "How should I freaking know! A stupid one?!"

"Hah! That's all you've got?! The dimensions might have been burned by a stupid terrorist?" THEY turned on the Oracle. "Do not print that!"

Her hand froze mid-loop.

Thunder rumbled in the storm cloud. "Look, apocalypse Origin & Cause is still investigating, and the cosmic engineering inspector isn't here yet. If you'd give us five nanoseconds to do our jobs—!"

"What do you mean, isn't here yet! What's taking them so long?"

"I just put in the call—"

"That's no excuse, they ought to have been here before you called! Do engineers have time tapes or not!" VENDOR let out several irritated beeps as THEIR internal motors ground in irritation. "Probably dragging their heels because they didn't do their job properly before the dimension fell! Oh, I'm going to give them a piece of my mind." THEY charged off, still muttering, "I'll have the heads of the last inspector and the lazy subcontractors who didn't build this dimension up to code! If this does anything to jeopardize my reelection— You there, police!" (The crab cop, who'd attempted to make himself useful by eyeing the reporters still outside the cordon menacingly, started at being directly addressed again.) "I need your assistance! I need someone to hold up a phone for me."

The Axolotl gave THEM a wide berth as THEY passed. Even as a god who almost exclusively dealt with the dead, this level of devastation left the Axolotl stunned with horror. But VENDOR's biggest concern wasn't the loss of life? Nor the threat to public safety posed by the exposed and mutated Dimension Zero? It was a stupid election?

He made a mental note to look into Municipalitron's policies before the next election.

Quietly, the Oracle asked, "Are you safe here? If there's a fire that can even kill gods..."

When the storm had told the Axolotl about 2Δ's fire, it had said not even gods and ghosts made it out— The Axolotl's frills perked up. "Right, I came back here to tell it— Er, yes, I think I'm safe—but I need to tell—" He turned to the storm cloud, "I haven't told you what I saw yet!"

"Oh, right—I meant to congratulate you on coming back alive." It flipped to a new page in its notepad. "Congrats."

"You said that everyone in 2Δ died," the Axolotl said.

"They did. I can guarantee it." It grew its tornado to pantomime an expanding ring: "The readings Origin & Cause have gotten so far indicate that an enormous gravitational wave from the spontaneous combustion event's epicenter tore the universe apart. Imagine gluing a bunch of corn chips to a tablecloth, pulling the tablecloth tight from both sides, and dragging the tablecloth straight down off one end of the table. It'd shatter all the chips as they passed over the table's edge. Destroyed everyone and everything in that universe, on every plane. Landscape, mindscape, dreamscape..."

"Well," the Axolotl said, with the edge of triumph he got whenever he figured out how to rip a prosecutor's witness in half, "I found survivors. So how's that possible?"

He expected surprise. Instead, the cloud bobbed up and down in recognition, as though the Axolotl were confirming something it already knew. 

On the other hand, from half a solar system away, VENDOR shouted indignantly, "I beg your pardon?!" THEY leaned away from the phone the cop was holding for THEM. "How many?" THEY began rotating through THEIR internal selection of planets.

"Two or three million," the Axolotl called back.

VENDOR huffed irritably and switched to looking through their collection of much smaller, rockier astronomical bodies. "Hardly worth a moon, much less a planet," THEY muttered. "From Dimension 2 Delta, I assume."

"No," the storm cloud said. "Everyone in 2Δ is dead. He must've found the poor suckers getting dragged down from the other dimensions."

The Axolotl stared at it. "Dragged down from what?"

Before the cloud could answer, the flock of sheep it had been speaking to earlier called, "Boss?" They had clearly just come from the direction of the bright blue line on the horizon—and their fleeces was now stained with soot. "We're losing refugees even faster in Dimension 2 Epsilon, what's the new plan?" Dimension 2 Epsilon?

The Axolotl felt a chill wind blow off the storm cloud; but its voice was just as hard as ever as it said, "I'll check it out myself." Its sunbeam pointed toward the Axolotl. "Maybe you oughta come along, I can explain it on the way." it said. "Just you." And the beam drifted down to highlight the Oracle.

"Yes, I understand."

Its bright gaze turned toward the apoc flock. "Hold down the fort until we get back."

"Got it, boss."

The Axolotl turned to the Oracle and said quietly, "You should wake up. I'll contact you with more when I can."

As strongly as he believed the mortals ought to be privy to whatever knowledge the gods had about the crisis, he didn't think traumatizing his Oracle wold benefit anyone.

####

Apparently, the Axolotl had only been told about half the situation. As they traveled along where Dimension 2 Delta used to be, the storm cloud caught him up on the rest. It had been telling the truth about everything in 2Δ being destroyed. It had simply burned too fast and too thoroughly, and it wasn't until the flames reached the edges of the universe and looped back to eat themselves that the inferno began to slow down.

Slow down... but not stop.

Why hadn't the Axolotl realized sooner? Why would there be so many firefighters on the scene, if the fire had gone out before the first ever arrived? What was the distant blue line of light he'd followed until he found the ATTF's center of operations, if not the light of still-burning stars? Why would VENDOR have come to provide new worlds for refugees, if everyone had been so sure 2Δ didn't have any refugees?

When the flames had reached the edge of 2Δ, they'd effortlessly incinerated the first dimensions bordering its edges, like a flame consuming a flash string in a magic trick, and moved straight across to the next second dimensions.

"Dimensions 2 Delta, 1 Gamma-Delta, and 1 Delta-Epsilon were completely incinerated before anyone arrived on the scene," the cloud said. "We lost 1 Alpha-Delta and 1 Delta-Zeta after we got here—it's a miracle the fire didn't cross from 2 Delta over 1 Alpha-Delta into 2 Alpha. 2 Gamma's over ninety percent gone; at this point we're trying to detach it from the closest first dimensions and hoping the flames will stop at its borders. And we're just trying to rescue who we can from 2 Epsilon and 2 Zeta, because every time we start to get the fire under control, it restarts itself."

The Axolotl felt sick. Five dimensions had been destroyed? Three more dimensions were still burning—one on the verge of being lost?

"Some of your survivors must've been dragged down into Dimension Zero," it went on. "Or into the miasma around it. I guess you must not have run into Zero itself in there, or else you wouldn't be here to tell us about it."

"I don't think Dimension Zero is in that miasma; I think the miasma is Dimension Zero. It had some properties of a spaciotemporal singularity... except it's... big. Big but—all in one place. And there's time happening, but all in one moment." He was in no fit state to try to explain this. He wasn't sure he even understood himself.

"Huh," the storm said. "Never seen anything like that before. I guess that explains where the rubble from 2Δ went, but—I have no idea how the physics in there must be working."

"I didn't see any rubble. Would there be any? If everything was destroyed—gods, souls, afterlives, dreams..."

"Subatomic ashes. The dimension's matter still oughta be somewhere."

He tried to remember if he'd seen anything that might be subatomic ashes. All he could remember was the three dimensional stars and stardust that had fallen in—and the party, and the bleeding. "If it was there, I wouldn't know how to sense it."

By the time they reached the edge of Dimension 2 Epsilon, and a 2D plane once more safely covered up the shifting border of Dimension Zero, the distant line of light had grown into a sea of pallid blue flame: the hydrogen of countless two dimensional stars burning as their universe crumbled and crunched up. In the distance, beyond the fire's perimeter, the Axolotl could see the still-unburned flat constellations and nebulas—and the divine firefighters chopping and hacking the universe in twain ahead of the fire edge. He realized that fire crews he'd seen nervously milling about earlier were just a skeleton crew: the real firefighting force was out here.

The flames seemed reluctant to lick up into the third dimension; they clung hard to the second dimensions, barely even radiating heat into the neighboring universe. There was an eerie focused calm to the gods trying to stop the fires below—all the devastation beneath them, close enough to touch, and yet not touching them. Yet. 

Even as many firefighters as were out here trying to get the fire under control, they couldn't cover the entire perimeter; and so the storm cloud lead the Axolotl right up to the fire edge along a span that the stretched-thin firefighting force didn't currently have covered. They were close enough that a few of the storm's raindrops fell on the fire, making it sizzle out in some small spots, only for the inferno to roar back to life a moment later.

The storm spoke for the first time in several minutes: "I can't begin to tell you how, but it's like the fire's fighting back against us. Every time the fire crews get even a little bit under control, it erupts again. We've had to start breaking off the burning portions of reality to keep the fires from spreading to the rest of the dimension," it gestured at the gods at work cracking off an enormous slab of existence from the rest of the dimension to create a chasm half a galaxy wide between the fire and the as yet still safe portion of the universe. The separated portion buckled and bubbled in the fire like a melting piece of plastic. "And... even that's not enough. Cosmic fires aren't my speciality—but I'm told breaking a dimension is guaranteed to stop a fire. But this one just keeps finding a way to... jump across."

"What do you mean, 'jump across'?"

On the safe side of the chasm, at least a lightyear away, a perfectly well-behaved solar system randomly burst into a geyser of flames.

"Oh."

Firefighters rushed to the newly burning star. Several planets had already blackened, curled up, and crumbled to ashes. The ashes rained down into Dimension Zero.

The storm cloud turned their path toward the new fire, the Axolotl following close behind. "They don't even always pop up near the fire edge like this." (As though a flame jumping an entire lightyear away could be called "near.") "Half a dozen popped up at random throughout Dimension 2 Gamma before we even realized how this fire moved. And as if that isn't bad enough, if the fire isn't targeting mortals, I'll eat my fedora."

This time, the Axolotl decided not to tempt fate by asking how a fire could target anything.

The firefighters struggled to contain the new fire with a line of 3D flame-retardant foam. They weren't even trying to put the fire out, he realized; they'd given up the solar system for lost. They were only trying to keep the fire back from one planet: a disc-shaped world, already cracked from the way the heat had warped and bent this dimension's surface, surrounded by billions of glittery flecks. People. His frills flicked forward in alarm.

Rescuers were using planet-sized planes to scoop the bewildered two-dimensional people off their endangered dimension, like spatulas trying to rescue a pancake from a skillet in the fires of hell, and handing them off to other rescuers to relocate to one of the refugee planets VENDOR had supplied. But as the storm and Axolotl caught up the fire somehow found a way past the solid wall of 3D foam to ignite the moon orbiting the hapless planet.

And as if that wasn't enough, it sprung up on the people, too. The screaming populations of entire towns spontaneously caught fire. To his horror, the Axolotl understood now what the storm had meant by the fires targeting mortals. Reality warped and bent beneath them, twisting, melting; burning people were crushed together by the distortions in reality and fused together into dozen-mouthed wailing bodies. The overburdened plane of reality ripped and disintegrated like threadbare fabric over a candle, and people fell screaming into Dimension Zero before they could be caught.

The storm cloud flinched back with a flash of lightning. "Shoot—it is getting faster."

The Axolotl automatically lunged forward to help them. A split-second wall of shrieking lightning blocked his path and a gust of wind pushed him back. "Don't," the storm snapped. "Leave it to the professionals."

"Sorry." The Axolotl backed up a safe distance with the storm cloud, stomach twisting. "Is there any way I can help—?"

"No," the storm cloud said quickly. "This fire can pop up anywhere—it's already caught four firefighters, and they're trained to deal with this stuff. We can't risk it spreading to the third dimension."

He hated not helping—but unfortunately, he understood. "How did you put out the fires on the firefighters?"

"We didn't. We threw them into Dimension Zero."

The storm was right; there was nothing natural about a fire that could kill gods.

"I've gotta go find out the latest," it said. "Can you stay out of trouble for a few minutes?"

"Yes. I promise." Although it might be the hardest thing he'd ever done.

The storm cloud left the Axolotl; and the Axolotl watched the fire.

####

It went against every instinct in his body not to reach out to scoop up the falling dead.

He'd worked for eons as a psychopomp before switching to a career that gave him more of a voice in what happened to the souls he escorted. He'd met billions of species with billions of different ways of dying; he wasn't squeamish around corpses, injuries, rot, disease. He was comfortable around death. Heck, he and death had each other's phone numbers for emergencies—they regularly crossed paths at professional networking events. 

But there were some deaths worse than others, and there were fates worse than death. As he watched, an oval with thin little arms plummeted into a direction it couldn't even see, its body burning up; and then its ghost burned up, too. It would never join the eternal dance party, and the Axolotl wasn't sure whether it was the lucky one.

As he watched, the Axolotl noticed something strange. Like any populated world, there were probably millions to trillions of different species around this one, although at a glance the Axolotl could only spy a handful. But although all of them were eventually caught by the flames, there was only one species that seemed to be victim of spontaneous combustion—and that seemed to be falling into Dimension Zero: the people that looked like living geometric shapes.

When the storm returned, it was quieter; even its tornado spun more slowly. The Axolotl got the sense it hadn't received good news.

But it didn't share what it had received. It said, "I've seen my fair share of apocalypses, but I've never seen anything like this before. Whatever this fire is, it's not natural." The eye of the storm watched one of the melting people falling like cinders into the center of the multiverse, until even its sunbeam couldn't pierce the miasma. "Ten to one, I'd bet you something intelligent is doing that."

"Your stupid terrorist?"

The cloud laughed ruefully. "Yeah." It watched a moment longer; then sighed out a long gust of wind and tried to rally some of its earlier stoicism. "So. Those people you saw in Dimension Zero must be the mortals from the dimensions around 2Δ getting dragged in by the fire. You can see how they've been peeling off their planes when the flames get 'em. I'm amazed they survived the fall into Dimension Zero."

"Survived" maybe wasn't the word the Axolotl would choose; but he didn't know how to begin to explain the horrors he'd seen down there.

He tore his eyes from the terrible rain of corpses. "Not all of them," he said. "I know for a fact at least one of the survivors is from 2Δ. I know him. I've met him before."

"You have." The storm managed to look dubious at this. "You're sure it wasn't an alternate of the same guy from a neighboring dimension?"

"I talked to him in Dimension 2 Delta. He remembered meeting me. It's him."

"Huh." The storm processed that silently. "Nope. I've got no explanation for that."

####

(Thanks for reading!! If the art lured you in and this is the first chapter you read, this is part 2 of a 5-or-6 part fic about the Axolotl in the immediate aftermath of the Euclidean Massacre. Here's part one if you missed it. I'm posting one chapter a week, Fridays 5pm CST, so stick around if you wanna watch the Axolotl slowly discover just how much of a monster that silly triangle he likes really is.

It's ALSO chapter 61 PART TWO of an ongoing post-canon post-TBOB very-reluctantly-human Bill fic. I'm gonna fix the chapter numbering once I know how many chapters this plot is. If you're not sold on the idea of a human Bill fic, I've also got a oneshot about normal triangle Bill escaping the Theraprism if you wanna read that.

If this is NOT your first time here and you already knew all of the above: nobody commented on the fact that I was calling Bill's dimension "Dimension 2 Delta" rather than just "the second dimension"—but I hope that, somewhere in your hearts, some of you were wondering what I had to differentiate his dimension from that necessitated labeling it Delta. :)

I think this is probably the least horrifying out of all the chapters. Because of that, I'm worried it's kinda boring, but that might just be because I'm comparing it to the undead corpse party. And also Bill isn't here.

It's also the least edited chapter because I may or may not have spent the last three days drawing the second dimension burning instead of writing and ran 30 minutes past posting time doing last minute rewrites lmao. So uh, lemme know if there are any typos, sentences that don't make sense because I changed how I wanted to phrase them halfway through and didn't notice, weird internal contradictions, whatever.

But more importantly let me know what y'all think!!)

[rubikor]

would you hold my face softly and tell me it will be alright?

[pinetreespants]

I looted some closets! Original idea goes to @jollierot!!

They put their lamb in different outfits and haddddd to jump on that! It was so fun (Y'all... Excuse me if I misspelled anything I'm dyslexic af)

outfits are as follows: @runningwithscizzorz , (I forgot the bell and actually turned my computer back on. You deserve better king.) @unwri-ten , @aychama , and @xmajordumps. Yall have some BEAUTIFUL OUTFITS !

uhhhh pics with out my unnecessary ass comments under the cut LMAOOO

(its 430am)

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[weaselmcdiesel]

#1 rule of homestuck. if there are stairs, someone will fall down them

[khaotunq]

First Kanaphan as Kant (The Heart Killers, 2024-2025)

[edorazzi]

Due to scheduling conflicts we're celebrating Tintin Day early this month! 🥳

Someone said in tags that they could totally see Tintin needing International Rescuing at some point. What better way for the Hood to put iR's integrity on the line than revealing all to a world-famous reporter? Would the Tracys jeopardise their whole operation to save just one life?!

(Un)fortunately Tintin hasn't shown up at work since 1929, so the only sacrifice here will be an old man's dignity. Again. 🪦

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorization just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with the least intensely different appearance than other demihumans—they seem to be technically categorized as human to people not from the eastern archipelago?— but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight, and kept as a low ranking servant ever since. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standards? Like the elves, if you look at the portraits pages which include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with the usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic or arctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru will also influence them it isn’t just tallmen as a whole, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it especially if they have no real community left of their own), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to adorn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a little bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[cobaltfluff]

a few more heartsteel crossover doodles.. this time of the Oh They're Boyfriends variety :3c

[thevalleyoftriumph]

[reupload] copycat

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.