#is this generic enough to be true??
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ameliapodcast · 1 year ago
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One day, Matty (not to be mistaken with the Intern, because they are different even if equally powerful entities on my mind) said something about not minding receiving a lot of asks and I'm here to make you (both of you) regret it.
I love those games like "say X and will guess Y about you"
What about say "what's your favorite TAP episode and I will say why are you trying/ need to disappear?"
If you're up to it, dear Intern
My favorite episode is Mister Love, Actuary
(and if you tell yours Im sure I can discover WHY you are trying to contact the Amelia hotline yourself)
I love this, though I can not say that I will be very good at this game.
But... You love Christmas, you love the Amelia-family and you are desperately hoping for a happy reunion, nobody dying in any possible way and also, you really like Zach Valenti. Oh, and Love Actually.
I can't even decide on my favorite episode - but if it's only the ones that came out so far and not all the secrets I may or may not know - it's a tie between Zale Indigo Ravenheart and Raven.
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royaltea000 · 5 months ago
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“A thousand generations serve to praise…”
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brainrotcharacters · 2 years ago
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the man trained by the shimotsuki since childhood, the mind behind the three sword style, the demon pirate hunter, vice captain of the Strawhat Pirates,
easily stopped with a hand on his shoulder by his captain (currently in a silly hungry vibe)
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shorthaltsjester · 7 months ago
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just constantly thinking about percy telling vex that he’d like to think they’re all better than they think they are (except her brother, of course) . constantly thinking about when vex tells percy he’s a good man and he gets awkward and flustered and returns that she’s a good woman and when she gets as awkward and flustered he goes “see. it’s not very nice is it.” percy shouting to ripley that he forgives her and vex carves forgive into the wood of her bow. vex tells percy to take off his mask and percy comes across vex in tears and scrubbing at her armour. god. the campaign starts and percy is making arrows as flirting and getting kisses in return and the campaign ends and exhausted and knowing it won’t be a want that will be fulfilled percy admits he never wants to make another weapon and vex equally exhausted affirms that he’ll never Have to. and god . god . opposites attract is great or whatever but the deliciousness of dynamics where the characters hold up a mirror to one another where they get to shed the burden of self and see someone Like Them as someone good or capable of being better and Falling In Love. and that love being a pathway to them coming to grips with their own image and their own capacity to be better. and that the fact that the person they fall for being someone so Familiar means that they see through each other’s shit. that percy sees that vex has fallen into the trap of Nobility tricking people into thinking that makes them inherently better and giving her the only whitestone title someone has to earn beyond selection or marriage or birth. that vex sees percy forgive ripley and discusses the importance of that choice but reminds him that it’s just as important that he forgive himself.
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lilithofpenandbook · 6 months ago
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Sometimes Severus comes up to Minerva. Right up behind her when she's busy. He'll stand there for a good minute as she works on marking assignments and cursing the boy's youthful energy and brilliant eyes- both of which directly responsible for his finishing his work in half the time it takes her.
"What is it, Severus?" Minerva sighs. Might as well get the obligatory nonsense over and done with, she was due a dose of Severus's antics by now (Merlin forbid he go more than three days without bothering her with nonsensical questions or infuriating wit).
"Am I ugly, Minerva?" he asked. Never there was a being with such innocence in their voice.
Minerva took a moment to take in a breath and silently call on all her patience and all her strength. "Yes, very." Her tone was blunter than the knives used to decorate at Halloween- an incident with some particularly idiotic third years had them ban anything sharper than the corners of a book during the Halloween celebrations.
Severus gasped as if stabbed. "What? Minerva, I thought we were friends!"
Minerva snorted. "Any time we interact, it's completely against my will."
"Minerva! you lie so shamelessly it shocks me." Severus made as if to swoon, a hand clutching the right of his chest.
"You must be shocked; your heart isn't where it should be."
Honestly, Minerva had to admire the fact that the insolent little kitten did not falter in his dramatics with her pointing out the key flaw in his act. If anything, he seemed to be encouraged.
"Ay! The pain of the shock, it has spread throughout my chest! Ah, I cannot breathe!" Severus swayed on his feet, leaning against the chair that Minerva was sitting in. "Oh, how your lie shocks me!"
"Well, then, you had better tell me what exactly I lied about," Minerva said briskly, "before you gasp all the air out of your skinny little lungs, laddie."
"You said," the boy said, a sudden glint in his eye and none of the apparent weakness, standing to face her and one of those long, delicate fingers pointed straight at her, "you said, that our interactions are without your will."
"That is no lie, what part of this looks like it's my will?" Minerva replied, knowing full well she wasn't going to appreciate the cheeky answer Severus had prepared for her.
"Why, the part where you remain for my company, mother," Severus replied, his voice light. "Surely, if you didn't want this, you would have, in your infinite wisdom, simply have employed your great power and assumed your famous feline form and just walked away from me."
Minerva fought her smile. His cheek was infuriating while his logic impeccable. "Perhaps I am simply conversing my energy, you arrogant wee rascal."
"You? Too lazy to avoid a nuisance?" Severus scoffed. "Minerva, you wound me. Don't you know how I know you? You've done much more to avoid the mildest of annoyances, do you truly think I believe that you are here against your will merely to converse your energy?"
Minerva let him see the flicker of a smile disgusted as a smirk, letting the bothersome raven have a little treat for his cleverness, hinting to him that he had essentially won this particular argument. "At my age you no longer have the patience to waste on annoyances. You learn to value your peace. You will understand that some day, I hope, little one."
"And if I die, my hair still black and my skin still smooth?"
Merlin, did the child have a turn towards the morbid. Minerva ignored the voice in her that told her that this would have been a retort of her own had she been in a similar conversation.
"Then you'll die a fool."
"A fool, perhaps, but my funeral will be the biggest," he replied, moving to sit on her desk and grabbing the biscuit jar. Minerva intercepted, lifting it from his grip and replacing it with a towel. His protests died in his confusion at the towel, and Minerva huffed and began to wipe his hands as if he was a child. She did not trust him to correctly clean his hands after handling goodness knows what when experimenting with his potions and she didn't care if he knew it.
"Aye, and how did you figure that?" she asked.
"Surely if I die young, I shall be the first. Therefore you all will be part of the funeral-"
"What makes you think I would want to attend your funeral, you little rascal?" She let go of his hands, almost satisfied that they weren't contaminated.
Severus ignored her and instead took a biscuit from the jar. "You will all be there, therefore I will have the biggest funeral. If I die old, you all shall be gone, so my funeral will be the smallest."
Minerva tried not to think of how depressing that sounded, how lonely it seemed. For a brief moment she felt guilty for being so old and he so young. She involuntarily could see him in her mind's eye, going through their funerals until he stood alone. She and the others- Rolanda, Pomona, Poppy, even Fillus and Hagrid- they were all of an age, weren't they? They could expect their lives to reach the end around the same time, surely? Severus was but a child next to them, he'd stand alone one day.
Minerva tried to ignore the ache in her chest at the thought of him standing alone. Merlin, no. He was far too young. No.
"You truly are besotted with the morbid and the miserable, you melanchonic masochist," she said, her tone just a trifle too sharp to be a simple retort.
Severus paused, swallowing the biscuit. Then he answered. "Ah, but the morbid is much more fascinating, the forbidden has a certain thrill, dear mother." His voice was a little softer, and his fingers, slightly coated in crumbs, were gentle when he tapped her forehead. He was sorry he upset her.
"You and your thrills," Minerva scolded, "yet you cannot even eat a biscuit without making a mess of yourself." Yet even as she spoke, the hand that she used to swipe the crumbs away, was gentle, almost tender, in its movement. She had quite forgiven him.
How could she remain angry? At this boy who looked at her with a scowl of indignation yet whose deep, dark eyes twinkled with mischief and cleverness and brilliance, who stood taller than her, yes, yet was far more delicate in his build than she had ever been, whose hair was as dark as hers had been in her youth, carelessly falling across his forehead. No, she could not remain angry.
If only he had been in Gryffindor, perhaps then she would have noticed him sooner. Or rather, if only her eyes didn't only open for her Gryffindors. How this boy could ever look at her without resentment and anger, she didn't know. Then again, he had been so incredibly isolated and lonely, was it any wonder he let go of his rightful grudges and instead accepted her friendship?
Minerva blinked as if soot from the fireplace got in her eyes. She didn't want him to notice the tears that almost inevitably formed whenever she thought about him. Who would have thought that she'd cry so much for the little devil?
"I'll leave you to your work, dear mother," Severus said cheerfully, hopping off her desk.
"Aye, after you've cleared out my biscuit jar, you villain" Minerva grumbled, looking into the empty jar. Severus shrugged.
"You ought to see it as a compliment towards your taste, really," Severus said. "But I see I have taken the last of your patience"- for indeed, Minerva looked ready to strangle him- "so I shall take my leave. Good night, my good Headmistress, and may you have peace in the silver embrace of the moon!"
And with a laughing twinkle in his eye and a boyish bow, Severus Snape left the room.
Minerva sighed. She wasn't sure if it was out of relief, or because she may have felt some sorrow at his departure.
The door opened again, and a rather meek Severus poked his head in.
"Er, Minerva?" he asked.
"Yes, Severus?"
"Er." Severus stepped in, looking away from her, walking with the awkward gait of a newborn foal, and the nervousness of a deer. "Er, Minerva?"
"Yes, Severus?"
"Am I really ugly, mother?" His voice was a whisper. His raven hair curtained his face, hiding his shame at asking such a pathetic question, and his fingers picked at one of the cuticles of a nail.
Minerva smiled, and walked to him. Softly she brushed the boy's hair out of his face and gently tucked it behind his ear.
"Only as long as you let yourself believe it, dear heart."
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theaxolotlkween · 11 months ago
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Silly little comic I made.
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aroaceleovaldez · 11 months ago
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i think a lot about how early-series, demigods are referred to pretty equally as "demigods," "half-bloods," and "godlings," - the last used particularly by gods at demigods - but after that "godlings" is almost exclusively used to refer to minor gods.
something something i am literally always chewing on the concept of the line between immortals/demigods/monsters/etc being thinner than it appears
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thestarsarecool · 6 months ago
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"Coming out of The Beatles, I'd kind of got burned by being told I was too overbearing. So I really backed off too far in the early days of Wings. Having to be diplomatic and say 'Um, perhaps we should do this' doesn't work either. You have chaos and confusion. Eventually somebody says: 'Why don't you tell us what you want?' and I'd think, 'I just got a bollocking for doing that!' There was a bit of that in early Wings which caused difficulties."
— Paul McCartney, The Word, October 2005
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daisywords · 4 months ago
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thinking about this post but also it's more than that. do you ever think about how stories starring men are allowed to be about humanity but stories starring women have to be about Womanhood
#it's just the same discourse from like the 2010s about how girls will read about boys but boys won't read about girls#and we haven't gotten anywhere#even when it's like in a feminist way!!! there's room for stories about Womanhood obviously#but believe it or not ''women'' is not the only significant trait or experience that that half of the population has#and frankly I think it's counterproductive to focus every woman-centric narrative on the Woman aspect in some kind of feminism way#especially I feel like in adaptations that get a more hashtag feminism focus! like that story was about a person that was a woman#and you made it into a story about Women. which. ok#but was it not enough for her to just be a human being#experiencing human experiences that perhaps men could relate to#but a story with a male main character is allowed to exist on its own terms#no one's like. okay the main theme of this is obviously something to do with masculinity#(unless that's actually true)#a man is still the default character to explore your ideas and adding the ''girl'' trait is seen as like this extra distortion#that you would add only if you wanted to explore Womenness#like everyone's putting a guy in situations but hey maybe your guy could be a woman#even if the specific situation doesn't call for it#did you ever think of that?#and a lot of it I think is because men are conditioned not to relate to female characters#so making a male character would work to expand your audience because female readers are still willing to invest in him but not vice versa#but that doesn't mean we should just keep perpetuating the cycle#and only making stories about women specifically for women about Womanhood#that's just cementing the problem even further#obviously this is all a generalization and there are exceptions#this also applies to things like race#like in the US if you're making a story with a nonwhite main character suddenly it has to be like About Race or something
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rukafais · 10 months ago
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Underrated part of the newer Drizzt books is introducing a bunch of new drow groups and going "yeah everyone mass migrated and went underground because Something Really Horrible Happened!" and a trilogy before that it was like "we all went underground originally because Something Really Horrible Happened!" and they dont like super elaborate on it
but if you know like, anything about the Crown Wars youre just kinda like. Oh yeah, that time like all the elves started beating the piss out of each other and caused a concerning amount of destruction and a massive rift that never healed and it's vaguely talked around as this GIGANTIC cultural shame. Yeah I can see why you guys were all like GOODBYE WE ARE GOING DEEPER IN AND WILL NEVER COME OUT AGAIN
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riddlemearose · 3 days ago
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okay but Muse's comic appearance being a mask/'costume' in Born Again is such a good design choice, and perfectly reflects not only the duality of real-world serial killers, but is also a really good play off of his comic-version's powers.
If Muse is meant to be an uncontrolled void that negates any sensory information about him, making him difficult to perceive, then the choice of him donning a mask is a great interpretation of that.
You're not meant to see Muse. You're not meant to hear him or feel him. He is not meant to exist in any physical way than his 'art'.
But serial killers still exist outside of their murders and their victims. They have regular lives where ordinary people don't know about the blood on their hands.
So, when Muse takes that mask off, he fades into the background. He becomes part of the everyday minutiae; unperceived to be important or relevant by anyone around him.
It's a very good design choice.
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tanabeth · 20 days ago
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I’ve decided I’m going to avoid looking at serious interpretations of or theories for severance unless post or reblogged by an account I follow. Some are really smart, but some unleash absolute carnage upon my brain cells. Getting into severance was to my neurons what the bubonic plague was to humanity.
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flying-cat · 5 months ago
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Someone explain to me why people are so disappointed about Deku being quirkless at the end bc I genuinely don't get it
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birdmenmanga · 3 months ago
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💢FUCK THE WORLD (and maybe my mom in particular)💢
1. ミザン/バルーン & ぬゆり ft. flower & 歌愛ユキ
2. 嫌われ者の詩/164 ft. GUMI
3. メーベル/バルーン ft. Eve
4. CUT/神山羊
5. 怪電話 /r-906 ft. ROSE & POPY
Tanabemas gift for @wojtekaneko!! This is an Eishi-and-his-mom playlist!! It sort of tracks how their relationship sort of changes throughout the series, starting from the controlling relationship they had even before prologue, and culminating in Eishi's flight away in Flight 42: Open Your Eyes.
Most of these songs are on here because I think the lyrics are a really good match, but I think the video for Miseen (1) and Mabel (3) are worth watching. The album cover image is actually from the Mabel video, I just drew in the Eishi and Kiriko.
The opening and closing songs I see as duets between them, while the three songs in the middle are purely from Eishi's perspective. But of course you can interpret it however you want! I think all these songs are fun and I'd be very happy if everyone listened <3
LYRICS TRANSLATED
Miseen/balloon & Nuyuri ft. flower & Kaai Yuki
hated person song/164 ft. GUMI
Mabel/balloon ft. E ve
CUT/Yoh Kamiyama
A Mysterious Phone Call/r-906 ft. ROSE & POPY
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sephospaganplace · 2 years ago
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There are so so so many ways to experience the gods.
There is no right or wrong way. There is no blunt way. Its all feeling and ephemeral.
If you've felt warmth, if you've had a dream, if you've seen a crow that stares at you for too long, if something inexplicable happens and you're lucky suddenly, if you've caught eyes with a stranger and felt like you knew each other, if the candle flickers a certain way, if one time when you're singing your voice sounds gorgeous in a way you weren't expecting, these are all the presence of a god.
God phoning is popular on witchtok but half the time what they're saying is bullshit. I've very very rarely heard a voice and every single time it was my own voice, just suffused with something, saying something I normally wouldn’t say. Or maybe I would. I've never heard a clear, distinct, audible voice. Its an invisible world we're connecting with, its a different plane. We cannot experience it the same way we experience every day life.
We'll never sit down at a coffee table across from the physical manifestation of our god, and know that its them, not until after. And even then we can never be sure. That’s the nature of it. There are no absolutes, there cannot be. That’s what makes it beautiful. That’s where belief comes in. It isn't about being good enough or worthy enough or devout enough, that doesn't exist. That isn’t what its about at all. You are worthy even if the divine doesn’t manifest in a way we've been told is the only real way, and you are connecting even if you cant see it now. My most intense spiritual experiences are never something I realize are happening in the moment, its always only after that I can see it clearly.
The gods are all around us.
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mr-nauseam · 1 month ago
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Yall think over the fact Sejanus witness Coriolanus murder a kid?
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