#is this because of my trauma? very possible but it doesn't matter

[there-will-be-a-way]

I've been thinking about my sexuality, how I might fall on the ace spectrum. In former relationships I did have sex but it was just something to get done to please my partner. I can live without it. In fact, I find sex more exhausting than anything else and when I look at a girl that I find attractive, I don't think about having sex with her. I just think about going on cute dates and treating her so damn right. Like, I might not be very attractive, but when it comes to being a decent person, I'm a 9/10. What sparked me to think about this is that a while ago my roommate talked about wanting to set me up with one of her friends who's asexual. And I was like, damn, that's such a bonus point. Like, if I could choose between being in a relationship with sex and a relationship without sex, I'd 100% choose the latter which just shows how little pleasure I get out of having sex. Like cuddling and holding hands is fine. But kissing? Hell no. And having sex to me has always just been something that "needs" to get done, like I said. I think it's time for me to really listen to what I want instead of just going with what I think is expected of me.

[buddyapologist]

sry for all the txt posts but i just remembered that line from stranger things s2 where hopper is leaving a note for eleven that says "i'm not mad, i'm just sorry" and im just. fucking essay in the tags

[crustyfloor]

blinking the gun to my forehead and then I'm gone (laughs)

Till, as a parallel to his All-in cover enters the round with a strong presences, unmistakably making his presences on stage known, he looks angry and tired, but he's not in that "catatonic" state that he was in during ROUND 6 anymore.

the moment Till lost his composure and started to stress and panic, the moment he looked back at the gun in the crowd, blatantly aware of the looming threat and openly feared it--was the moment Luka knew he had him right where he wanted him, when Till's mental instability and desperation caught up to him, his inability to contain his emotions completely consumed him, and then, there was the struggle. And Luka revels in the power he holds over Till's head, and the way Till can do nothing about it, not in this state. Till's guitar motif remains prominently in their singing, showing that they're on equal footing, but there is an obvious power dynamic at play underneath this thin veil of a "performance".

Luka does everything right to appeal to their audience, charming the audience with his allure, with perfectly exceptional skills, and constantly showing that he is superior, Luka is the model of a perfect pet-human. Till is contradictory, being naturally rebellious, he was never and would never be content being stuck in a cage to confirm like Luka can, because Luka was trained for in every aspect to fit the role of a perfect pet-human to please the Segyein in every way he acts down to the rhythm of his heart, he is truly a "one of a kind" to the Aliens--and it is all thanks to them that Luka is who he is today, it is in Luka's nature to adapt and obey, Till doesn't accept his environment and actively fights against it.

Till is talented, passionate, and incredibly skilled at his craft, but it didn't matter that all of his songs were hits, it didn't matter that he was very promising and popular. Because the aliens look for a spectacle, a toy, not a human, and Till is so overwhelmingly human. His nature comes back to bite him no matter how much he tries to deny these complexities.

Till tries to stand his ground and regain his control, but even then, he was easily agitated when taunted and provoked by Luka. Luka knew exactly which button to press, unsurprisingly, Luka had seen and analyzed everything from ROUND 6, so when he touched Till's neck and his face in such an intimate manner that could only remind Till of the trauma of ROUND 6, he faltered easily despite himself.

--"The dark crimson air. Embraces us, lifting our spirits" (Possibly in reference to Ivan, because later Till has flashbacks of round 6 with red tint)

--"And the fiery thrill. Blazes out to the sky" (A reference to meteors? then I want to connect it back to Ivan again, because on that night Ivan and he almost escaped, that was probably the happiest he'd ever looked with Ivan, the rush of freedom was thrilling, but he went back to stay with Mizi)

The taunting doesn't even end there, sickeningly. Till is forced to reminisce on the events in round 6, remembering exactly how Ivan's face looked before he fell, and at this point, Till is starting to feel the pressure.

Even suffering physical affects-- a nosebleed from the strain and stress of it all on his body, even just thinking about Round 6 causes such an immense reaction--I'm assuming that this is a result of the experiments and abuse Urak inflicts on him, even just general stress . Because one thing Urak prides himself on is pushing his Pet-Humans to the absolute limit to recognize their talents, be it any method, but without any regard to their mental health. But the sheer cruelty of this treatment doesn't lead to any of his pets living long, Till, having been the last one standing out of all of them, was meant to follow that cycle sooner or later, he had already shown signs that he was deteriorating. This along with the drugs they may or may not be making Till take to keep him compliant. The state of his conscience only seems to get worse the longer he pushes himself, and he puts a strenuous effort into not collapsing.

I'd really like to highlight Till's performance and how strong it actually was during Round 6, Luka's manipulation will intentionally make his opponents look weak, at least, to the ignorant Segyein, despite his struggling Till still managed to make a worthy opponent, if the points he gained were anything to go by--had he been given the opportunity to keep performing without Luka's intervention I think Till would have had better chances of winning (even if by a little). Despite being mentally unstable and physically drained he could still put up a fight next to the likes of Ivan in Round 6 and even Luka, but this round, brought out all of the weakness in Till.

This stage was built on the foundation of Till's despair and meant for Till's demise. And to a t, Luka has every advantage, Luka revels in the control, and feels a sort of giggly euphoria from seeing Till struggling. (It feels very obvious to me that there were some favors put in place here for that to happen.)

Wherever he turns, Ivan's face is plastered on all the big screens so that Till is unable to avoid it. It's almost dizzying the way the camera moves, the flashing lights, the overwhelming purple that symbolizes Luka's complete control. the chaos is meant to symbolize Till's feelings, Ivan looks more stifling as he looks down on Till with such a intense gaze. That pressure, symbolically and quite literally, physically weighs on Till, just close to pushing him to his breaking point. In the end, Ivan is a trauma to Till, a trauma that Till can't even begin to come to terms with or approach. Then, a tool to be used against Till. Luka uses this weakness to his advantage, forcing Till to feel the pain, the anger, the memories, like a prison of his own grief and regret that he can't escape.

--"Oh, in a blink, gone forget everything and just enjoy"

--"Oh, in a blink, gone don't miss this moment"

It's one of the more prominent call-backs to ROUND 3 when, from the perspective of the manipulated, this isn't comforting in the slightest. It isn't at all loving, even though it's gentle and familiar. Luka's type of manipulation tricks the mind into thinking about loss, love-- Luka blurs the line, love and loss, hatred or regret--because you can not feel loss without an attachment, Luka prods at the unaddressed feelings Till has about Ivan, and his subconscious attachment Ivan, it churns Till's inner turmoil, the guilt, the grief, Ivan's frozen grin and eyes staring back at him. It is horrific for Till to be confronted like this, when he puts so much effort into avoiding these feelings, it's pulled to the forefront of his mind, that Ivan died, that Ivan had feelings for him.

And that is why this type of framing is fitting for them, Till's true feelings about Ivan are hidden and misconstrued, even by Till himself as he shoves them down and replaces them with something more easier to rationalize--hatred. His avoidance of Ivan as a whole, and the events of Round 6 is exactly why Luka targeted him this way. Overall like I said before, Till's perspective of Ivan in his memories will probably never be 100% clear, because he is reserved, subtle, and he would be actively repressing them, he is actively avoiding confronting his grief, and the only time he does is when he's forced too, because just from the Round 6 flashbacks stained in red, haunted by death. And reminiscing about all those moments of hurt, annoyance, even affection for Ivan just adds to his spiraling storm of confusing emotions that he can't understand, Till replaces sorrow with anger and channels it into his song, only for it to be used against him.

It is only when Till sees Mizi that he snaps out of it. When their eyes meet, it's like Till is reawakened and immediately regained his composure, hyper focused on finding her in the crowd. Luka notices this and, for a brief second, looks concerned, confused, but he is quick to reel his expression back into something neutral, but he looks at Till in discomforted, Luka can't afford to look anything but the more dominant on stage, but he's baffled to see Till get up again and keep moving, he just wouldn't go down without a fight. Luka addresses Till subtly and aims to reaffirm his sense of control to no avail.

Till desperately staggers to reach Mizi, in that moment, Till is childish again; he looks like a little kid, blushing with wide, bright eyes, and he is genuinely so, so happy to see her. Even his light indicator is changed from red to green in such little time. Mizi's signature pink light shines bright on him as he reaches out with an outstretched hand, and in his perspective she welcomes him warmly, just like she always does.

And then, in seemingly the blink of an eye Till is abruptly shot before he can reach her. Mizi has to watch Till die. And the nature of his death is so visceral Mizi is heartbroken. You would wonder why it is so quick to happen, put yourself in Mizi's shoes, she was so close and they were so happy and just like that--it's over. It goes to show how fast the Aliens shatter humans, even when they least expect it, when they both feel so free and hopeful in the moment. Life, especially their life, is so incredibly un-fucking-fair, but that is ultimately their reality. The Segyein do not care.

It's interesting how Till and Sua's death scenes parallel, even just visually, but more importantly, Mizi's role in both events. She is horrified by the realization that she is totally helpless after believing she can change reality, the reality that Till couldn't be saved, and the reality that Sua had lied to her. key difference, however, Mizi didn't know about death before Sua's death, with Till she knew that was a possibility but was desperate to not lose the last friend she had, so she made a foolish choice because of that childish hope she never let go of.

Immediately we go to a flashback. This scene, in particular, broke me completely, this whole scene goes to show just how close they were as friends, how affectionate and kind Mizi was with Till, even despite his more reserved nature, often keeping to himself and keeping a particular distance between them, still, Mizi and Till have a special bond. it's so important for the both of them that this is highlighted because their friendship is incredibly valued by the both of them. These little memories that Mizi looks back on are the reason why she cares for Till so much. And the innocent nature of Till's love for her is bittersweet.

Till reminisces about the comfort of Mizi's smile at that moment, the one thing Till wanted to protect. One of the many things about her that he fell in love with. Even if they live a cruel, unfair life, Mizi was always gentle and compassionate. It's a stark contrast to when it cuts back to the present and her face is full of tears, even when HyunA warned her she had gone all this way, risked her own life to save Till, despite not knowing him so much, her attachment to him as a childhood friend was more important to her than her sense of self-preservation.

--"Before this piercing, radiant moment. Fades away"

Because Mizi always valued her relationships. He was family, the only family she had left--she was desperate to save her remaining family from such a fate, she knew what was going to happen as soon as she saw him on that screen, maybe, just maybe she can do it. she has to. But they were doomed to despair from the start, they were born into it. Mizi naively thought that if she couldn't save Sua or Ivan, she could at least save Till.

Till can't even bring himself to smile back at her as she weakly tries to comfort him in his last moments, pulling hair out of his eyes and cradling his face. Again, he seeks out her comfort, and tries to comfort her when he touches her hand, but he doesn't die with a smile on his face, he can't even force one because he doesn't want this; he doesn't want to die, and ultimately, he doesn't want to leave Mizi. But he's content with staring into Mizi's eyes as he drifts off, because Mizi is here, he's at peace.

The gentle lullaby for the background music just makes this scene so much more depressing. It's too lighthearted and sweet for a scene like this. When he was a child, Till was hesitant to get close to Mizi, and a lot of people out of fear, doubt, and all kinds of feelings that he'd learned to repress after so many years of living. In his final moments, he was vulnerable, and he was a quiet, gentle melody. That's how I think this atmosphere represents Till more than the brash, loud one that he often adopts. He's a cold, hardened shell with a soft interior. When he's able to be himself, he's just a gentle child, an isolated, abused, sensitive child. His death might be the saddest yet because he had grown up a fighter, he had lived all of his life fighting against The aliens, hurt, abuse, everything, to avoid the very moment he is beaten down into something human and unimaginably vulnerable, when Till stopped fighting back and instead reached out to comfort, to hope, he died. I'm just so glad that Till had comfort and was loved during his final moments until the end.

His relationships with the two most important people in his life are framed like this, darkness and brightness. Ivan is with him in his darkest moments, and Mizi is the brightness Till finds comfort in, Where Ivan is intimidating and confusing, Mizi is safe, and he gravitates towards her like it's instinct. He would never associate her, the girl who is so pure and sweet, with trauma, to ruin her idealized image of her in his head. But even if she looked differently to him now, seeing that she came back to him, he didn't hesitate to run to her. After all, his words in ROUND 2 weren't a bluff. He'd wholeheartedly love her regardless no matter what happens, because it's Mizi. Till's last thoughts being focused on Mizi shows us just how much he looked up to her, Ivan's death was impactful on him just as much as it was traumatic, similar to the karaoke scene, Till focuses and reaches out to Mizi, to blinding warm light, to forget about every pain in the moment. Till dies using that same coping mechanism and it tells me just how hopeless he was in that moment, wishing for any better situation than this, but still. He had her.

(Now, how will this development affect the other characters? I don't think Alien stage, the show, is over yet. Now that Aliens have all their rogue pet-humans back where they want them with no easy way to escape--I think Mizi and HyunA will be used if they don't manage to escape in time, to compete against each other? to compete in the new season or against Luka? no idea, honestly. But I hope they kill Luka cause FUCK that guy.)

[couldeatthatgirlforlunch]

Just a concept, Yandere!Dimensional traveler!Batman X Gn!reader X Platonic!Batfam, also wrote a one shot about this

Synopsis: Batman becomes obsessed with a spouse and kids that he never had.

Pairing: Yandere!Dimensional traveler!Batman X Reader; Batman X Reader; Platonic Batfam X Batparent!Reader; Yandere!Batman X Platonic!Batfam; Batman X Platonic!Batfam

Tw: English is not my first language; mentions of Alfred being dead; I'm quite new on the fandom so there might be some mistakes about facts of the original comics, but this is a fanfic so whatever; this piece is more focused on Bruce and the batfam while still mentioning reader; stalker and delusional Bruce.

Word count: 1,4k

Requested? No.

General masterlist

Yandere!Batman who is very VERY, extremely, lonely, touch starved and grim. He’s also very unlucky apparently.

He never even met Dick. Sure, he heard about what happened to The Flying Graysons, investigated it even, but he's only seem him on pictures, videos or in passing, but he wasn’t there that night, he never talked to him, or maybe he did while stopping him from killing Zuko, either way, never adopted him, our boy went straight to orphanage and was adopted shortly after by a normal and loving family.

Actually this universe’s Bruce never met nor connected with ANY of his children, all he had was Alfred, and yet… Something happened and…

Safe to say it's been long, never ending harsh years.

The only thing this Bruce knows is pain, loneliness and misery. Don’t talk to him about Alfred. Maybe he can't even look at pictures. When he realized he couldn’t remember his voice anymore… He WON’T watch videos or listen to audio of him. Yes, Alfred being gone was one more trauma to the list of traumas he will carry on his tense and burdened shoulders for the rest of his helpless existence.

This Bruce is a loser, closer to madness than any version of Bruce (aside from Batman who laughs). His Gotham is nearing it’s doom. He didn't join the Justice League because of his level of emotional masochism, pride and lack of will to get back on his feet. He is so used to suffering he thinks it's possible to die if he doesn't have such bitter companion. Safe to say, he is depressed. And hyperfocused on saving a city he’s been working in for decades, too blind by his grieving to see that he is not doing the right things. There is no social projects on Wayne Enterprises or Wayne Foundation to help people, he neglected the company decades ago. He is almost becoming Michael Keaton’s Batman in The Flash.

Somehow, one day he is sent to another universe. It can be through some disaster like Crisis in Infinite Earths, or some villain who wanted different variants of heros to fight amongst themselves to death, doesn't really matter here, what’s important is that he (after years of being a hermit on his cave) interacts with people, more specifically, he interacts with himself.

Or definitely a lucky version of himself. Maybe the luckiest. He is jealous.

During the whole event they interact and imagine how he felt when he found out that this other Batman has an Alfred. And he is so successful that he is a billionaire who uses his money to help Gotham get better (or as good as we know Gotham can get). Oh, and he has a spouse. And children. Plural. So many he lost count. And pets. Two dogs, one cat, a cow (?), a turkey (a what now?) and a fREAKING DRAGON BAT (WHAT THA FUCK IS EVEN THAT????!?!?????!).

He is also more put together (looks like he showers and doesn't skip meals). And less temperamental.

Okay…

Bruce is confused. When he comes back to his universe, with a spark of hope in his heart, he does his research. He could start actually making effort on his company and thus helping Gotham, maybe even be good enough as a vigilant that he could join the Justice League and make some friends (even if the other Bruce was just as stoic, he was the only one who could see on his micro expressions while talking about them how fond he was of his colleagues, and how much he thrusts them, even with his trust issues).

He could find those damn kids and adopt them. Find the one who somehow managed to make him open up enough for a relationship.

(He could also just work on his company, philanthropism, do some therapy, make some new organic connections or whatever).

He is VERY disappointed to find out that some of those so called kids and are already adults, have lived their whole lives without him, maybe some have been arrested or even dead, they have their whole lives and families that have NOTHING to do with him. Some don't even exist (the only explanation for not a single clue in months of research). And his partner, Reader, is either living their own life that doesn't allow space for him or also dead. He lost his timing. He is old and lost his timing. He is alone. He shouldn't have hoped so much that he got blind by the improbability of the small chance. The other Batman did mention that his family started growing decades ago.

He just lost another family. This one he never got to have. He wishes he never knew about them.

He hyperfocused on them for months for nothing (hey, It was hard to find info on the ones that don't live a very civilian legal life, like Cassandra, or the ones that never even existed, like Damian, or the ones that are dead — again maybe Cassandra, or perhaps Jason. Maybe Jason joined a gang just for survival or something like that, life on the streets is harsh, and he is not very lucky. And I’m not even being specific on what could have happened to every single one of the batfam. Also Tim is probably a CEO right now). No connection and family will come from all of that. Especially because he is greedy, starved, he doesn't want bits and pieces, he wants it ALL. He wants that other Bruce's life.

Yandere!Batman is born. He drowns and gets drunk on the pit of his own madness and he can’t get out of it. Doesn't want to.

He could… He could get rid of the people on their lives, brainwash them and make them a happy family. They aren’t vigilantes, they don't have his abilities, they don't have his intellect, it won't be hard.

Of course, Batman doesn't kill, but this Batman is looking for a change.

But they aren't what lucky-billionaire-put-together Bruce had.

Don't get me wrong. He is not just petty and jealous, nor resents Bruce for his privileges and better decisions, or whatever.

Okay, maybe a little. Why? Just why ones life was perfect (hello? Didn't you hear the part where he told you his own problems? Not even about the DEAD RESURRECTED CRIME LORD SON?) while the others had to draw the short stick?

But majorly he is just desperate, foaming at the mouth for a happy ending, and projected all of that on that poor random bat.

Now, enough brooding, back to solutions.

He could clone them.

Could work. Not exactly easy but he could just hack onto Luthor archives until he found how he cloned Superman and made that Superboy, Superman, or whatever he goes by now.

Again, not the same as the original ones. The ones he craves. The ones he wants.

Alfred is screaming in his grave about how Bruce, please, needs to realize that no one will fill the expectations he puts on them, not even the “original ones”.

Another hard, but better fitted solution is to… Simply… Find a way to go to that other universe, or one similar enough, stalk and study their whole lives until he can perfectly replicate “lucky” Bruce’s persona, and just… Get rid of him and take his place. Hello Alfred, hello honey, hello kids, daddy’s home.

Looks like he finally got luck on his side, maybe the sun will rise tomorrow.

Yandere!Bruce won't just brush aside that he is rusty and definitely not a better Batman then the other one, but he's got time. He will developt patience. But can he learn enough to trick his perfect vigilant kids though? Is he seriously thinking straight? I mean, the batkids are dope though. They learned from the best. As a proud (wannabe) father he knows they will be better than him one day, perhaps already are.

How much of watching their lives, everything that he craves, can he take until he snaps? How much of watching Bruce's interactions with them can he take? He swears he won't take them for granted when he has them, he will take care of them, protect them, be a family, be happy.

Can he really keep his distance?

Looks like another supervillain just arrived in Gotham for the batfamily to battle against, he is quite persistent though.

Like, comment and reblog 🥰

[somewhereincairparavel]

my favourite character exchange of all time between the hoo gang will always be this particular line from jason to nico in house of hades.

“Nico, you do choose how to live your life. You want to trust somebody? Maybe take a risk that I'm really your friend and I'll accept you. It's better than hiding”

jason doesn't say something like 'i'll make sure to prove myself to you' or 'i'll do everything I can to make sure I earn your trust' because they are empty words. especially considering that this was before jason knew about nico's past, he can't exactly do anything to make nico trust him, apart from offering support, because in the end, it was nico's choice whether to trust him or not.

yeah, some people might think jason was being 'cold' and 'shallow' for saying this, but jason genuinely MEANT well. he told nico that he's WILLING to be his friend even before he knew nico's past. this was before jason knew an OUNCE of nico's backstory. he gave some slightly harsh but brotherly advice to him.

jason didn't deliver any false promise to nico that everyone will love him no matter what and that everyone will always be kind to him in camp half blood (this strangely parallels w percy deliberately choosing to NOT promise nico that he'll keep bianca safe because percy knew that death is a possibility and didn't want to make any fake promises just because nico is a kid, percy tried his hardest to be honest with nico, that certainly caused problems of course, but we can see the pattern between how percy and jason both hated fake promises.)

also, in boo, will says “Oh, please. Nobody at Camp Half-Blood ever pushed you away. You have friends or at least, people who would like to be your friend. You pushed yourself away. If you'd get your head out of that brooding cloud of yours for once”

i know I've seen alot of people use this excerpt as consensus of saying that will is super 'tone deaf' and 'insensitive'. but can you guys see the pattern here? will came off a lot more agressive bc of his romantic feelings, but we can see how will, jason and percy were sort of 'reality checks' that nico NEEDED. he had an inferiority and victim complex (which is very justifiable and valid considering how much trauma he faced, on the contrary i thought nico was being considerably calm with everything he's been through and deserved to yell way more. I quite related to nico a lot when it comes to the personality sometimes so jason's words definitely struck a nerve for me) but nico was always drawn to honesty.

nico had some of his earlier memories washed away by the river lethe to 'protect' him from more trauma, and nico was so attached to bianca that the thought of her leaving for the hunters of artemis felt like a personal betrayal. he was made to beleive that he and his sister were safe in camp half blood, and combining that w the whole lethe thing and hades generally trying to protect the di angelo family from the gods, you can see how much nico needed honesty and not coddling. because coddling and sheltering ruined his life and took away his light.

jason saying that nico needed to take risks as it comes with the package of love and friendship, and overall giving him authenticity, telling him that heartbreak and family can coexist, causes nico to be drawn to him and genuinely have him an eye opener.

jason knew what it was like to be held with fake promises his whole life, and even mentions it as a reason as to why he made sure he kept the promises he made. because he would never turn out to be like his two faces mother beryl.

I'll always believe that jason played a huge part in nico's overall character, and his death even more so.

[bellsmess]

Whenever someone calls Charles Rowland straight, an angel dies.

What straight guy tells his best friend who just confessed to him that there's no one else – no one – he would go to Hell for. And that they have forever to figure out what that means. You don’t get his repressed bisexuality like I do!

Even modern bisexuals (I may or may not be speaking from personal experience) are oblivious to the fact they're bi because heteronormative roles are so engraved in our minds. When you're attracted to other genders, it's easy to miss a same-sex crush, only then to realise that oh, it wasn’t just admiration, it was attraction.

Charles, having grown up at the height of the AIDS crisis, with an abusive and probably homophobic father, killed by racist bullies? That would make anyone repress any gay feelings. Especially if you experience crushes on people with a different sex to you.

Charles sees Crystal and takes his chance. He's enamoured with this smart, strong-willed, pretty girl who can see him not only in a physical sense, but pays attention to him. He longs to be loved. Then he says the infamous "That sounds alot like you, doesn't it? Maybe that's why I like her so much" line. What an icon. And he compares himself and his best friend to the greatest love story of all time, Orpheus and Euridyce's.

When Edwin confesses to him, he doesn't rule out the possibility of returning these feelings. He knows they're already devoted to each other. They've already had 30 years of companionship and solving cases together.

"As long as I have my best mate and a case to solve, I'm good."

Being with Edwin is simple. They solve cases, help others, run away from Death. It's a simple existance. Charles gave up eternity to be with Edwin, because he was kind to him when he was dying. Charles finds him fun, wants to protect him, knows that Edwin is a kind and good person. One that Charles wants to be.

"Bad guys don't worry about being bad guys. And you, Charles Rowland, are the best person I know."

Crystal's role is very important in changing the dynamic between Edwin and Charles. Not only because Charles falls for her, but because she opens them up. She digs out their repressed feelings and trauma. Charles finally deals with his dad's abuse, his happy-go-lucky mask falls. She points it out to Edwin. Charles kept it up so well because Edwin didn't press it, but Crystal does. And Charles finally lets himself process what happened to him, and how that affects his relationships.

Charles never saw genuine love between his parents, and that affects how he views relationships. It impacts how he forms them, too. But he's a loverboy, he longs to be loved, he falls easily. Why wouldn’t he fall for someone who stuck to his side for 30 years?

Crystal and Monty's roles mirror each other – they help the boys figure out their feelings and desires. Crystal makes Edwin jealous that there's someone else Charles cares about in the same sense he cares for Edwin. The Cat King helps Edwin discover desire, Monty – genuine love. As Charles' and Crystal's relationship kickstarts (albeit ends as quickly) and Monty persues Edwin, he discovers the depth of his feelings.

"These complicated feelings that you have? They're for Charles."

I would love to see their wants explored more in the future season(s, hopefully multiple). Charles giving into desire with Desire of the Endless' guidance? Yes please.

I simply cannot believe that anyone would doubt Painland/Payneland endgame. They're everything to each other. They're a constant presence, reassurance, and love. Platonic, romantic, it doesn't matter. Their bond is so deep and genuine that immortal beings see it and leave them be, in the afterlife they chose for each other. Their love is so deep it transcends planes: from mortal plane to Hell, it leads Charles to Edwin. Charles is not Orpheus, when he turns around to hear Edwin out on the staircase from Hell, he manages to get him out. And they have literally forever for each other.

[johannesviii]

Nearly every time I've rewatched Infinity Train Book 3 since I first saw it in February, I saw more parallels and narrative echos, and infodumping my friends about them isn't enough anymore

I figured I should do a post about this one because I don't think I've seen a post about that specific thing yet, and I love this show's writing, and. idk. I just need to praise it I guess

So, the most obvious part first:

Grace became everything she hated about her parents

When Grace mentions her mother in the Debutante Ball Car, it's made pretty clear she's trying to distance herself from her mother as much as possible, and at this point, we realise retrospectively that Grace's room in the Mall Car in episode one was full of sports clothes - it seems she tries to avoid things reminding her of her life before the train. And of her mother. And yet-

She tries to control everyone and everything around her, and makes people do what she doesn't want to do

And she decides what's cool and what isn't

She makes people kneel in her presence, like her mother towers over her in her mind's eye

Obviously she constantly lies to get what she wants, and her dad does that in her tape

When her younger self looks up, she looks right through adult Grace, and it's actually her parents she's looking at! Her younger self is metaphorically seeing her parents where her adult self is standing!! I still can't get over this shot

Also I feel the need to mention her mother has the same voice actor as her in her tape and even if it might be to cut corners in the budget, that feels significant (and to be fair, sometimes you can cut corners while making meaningful choices at the same time)

Now you might think I'd have nothing to say about Simon on that matter, since we don't see any flashback of his life before the Train, and we know next to nothing about his parents. But I think it's very telling that the only actual backstory we get for him is his backstory with The Cat.

Because-

Simon became everything he hated about The Cat

Ok I never see anyone mentioning this, but hear me out

First, we have no idea if Simon knew The Cat was routinely invading people's privacy through their memory tapes, but he sure has no issue doing the exact same thing

But that doesn't stop there. He also collects things obsessively

And makes kids collect things for him as well, by the way

He thinks he's above others, but he immediately switches to victim mode when it comes back to bite him

HE. ABANDONS. A CHILD. WHO WAS UNDER HIS CARE!!

And. Uh. They both dig their heels instead of trying to change, too

Don't get me wrong, on some level I would have liked to know what Simon's parents were like too. I would have liked that a lot. But there's a good chance it wouldn't change anything, because everything we need to know about his background to understand why he's Like That™ is already in the show

But yeah, Grace and Simon both pretend they found freedom on the Train, and both distance themselves from parental figures who are at the source of their trauma, claiming they're different and better than them - and yet they are both subconsciously repeating patterns that caused at least part of their problems and/or trauma in the first place

And since they decided that making numbers go up was good, as long as they stick to that idea, they are bound to never escape from that self-perpetuating loop of harm and trauma

And I love it

And I hate it

[lxkeee]

TWO SIDES OF THE SAME COIN

-PART NINE

Pairing: Lucifer Morningstar x Seraphim Angel! Fem! Reader

Fandom: Hazbin Hotel

Genre: Angst (for now)

Warnings: family trauma/lore

Notes: TSOTSC finally reached 20k words, yippee!

PART ONE | PART EIGHT | PART TEN | NAVIGATION

Azrael looked at the female angel beside him, noticing the lovestruck expression on the girl's face. He looked at her with a deadpanned expression, lips pressed together in a thin line.

Azrael's deep black eyes followed her line of sight, landing on a light blond haired short male angel with rosy spots on his cheeks, Lucifer. Azrael grimaced, watching as Lucifer talked with Michael, Lucifer's twin brother.

Azrael can hear a satisfied sigh left [Y/n]'s lips, Azrael still doesn't know why the girl is so lovestruck with the guy. Lucifer's curiosity is a looming threat, everyone in the high council of angels can feel it but they can't do anything about it as the said angel hasn't done anything yet.

Azrael sighs, grabbing the cloud pillow off the couch so he could sit beside her, the cushioned seat sinking as he sat down. He nudges her, catching her attention.

“I still don't understand what you see on that guy.” he deadpans at her and [Y/n] rolls her eyes at the taller male.

“Do you want me to take out my 50 slide presentation again on why I like him so much?” [Y/n] asked with a raised eyebrow and Azrael flinched, raising his hands in defeat.

“No, thank you.” He mumbled, shuddering as he remembers the time she presented those slides to him, which he still didn't understand why she liked the boy so much. He was zoned out during all of the presentation.

Azrael sighs, chest heavy and tight. He doesn't understand why. The thought of his best friend getting married to someone else hurt for some reason.

“Make sure you won't regret it, you're getting married to him soon.” He deadpans and [Y/n] just laughed, “I won't. He won't do anything to hurt me.” she said confidently.

Azrael rolls his eyes playfully, “You seem confident with that statement.”

[Y/n] scoffs playfully, “Because I know him.”

“Do you really know him?” Azrael retorts back, raising an eyebrow at her. [Y/n] flinches slightly, Azrael is right. She's still 25 years old and so is Lucifer, they're both very young. They still have lots to learn about each other.

It doesn't matter, Lucifer loves her and she loves him back. They have an entire eternity to know each other.

With a long exhale, she turned to look at Azrael, “Maybe I may not know him entirely but I will be able to.”

Azrael just sighs, shaking his head, “Whatever you say [n/n], but if he does something... Don't tell me I didn't tell you so.” he chuckled and [Y/n] rolls her eyes playfully at him, nudging Azrael playfully.

“Hey, I know him. He's my best friend and we've known each other the moment we existed.”

Azrael scoffs playfully at her words, “Who knows? People change.” he says, crossing his arms over his chest. [Y/n] avoided his gaze and turned to look back at Lucifer who seems to notice her.

Lucifer gave her a wink and a charming smile, sending her a kiss to her way causing for her to blush and giggle.

Azrael rolled his eyes at the scene.

“They do and I hope he changes to become a better version of himself.”

After getting married to Lucifer, life felt good. Lucifer treated her so well, bringing her flowers everyday, giving her affections in every chance he gets.

Everything was fine until God created the first ever humans, [Y/n] knows how much of a curious man Lucifer is, naturally, he went out to observe them.

It created cracks in their relationship.

Lucifer began to go home later than usual, occasionally forgetting to give her affections.

And their topics—his topics have now shifted to God's newly created creature, a woman named Lilith.

[Y/n] had to endure the pain and heartache as she listens to her husband talk so fondly about the woman, complimenting Lilith in every possible chance he gets.

But nevertheless, [Y/n] remained to have confidence in him. Choosing to trust him, he is her husband after all. They've been together for many eons, she knows him.

Does she?

No, she doesn't.

Especially on what she's currently witnessing, [Y/n] hid between a large tree in the garden of Eden. She had the urge to check up on Lucifer, her instinct was screaming for her to do so.

Her nails are buried in the bark of the tree, ichor flows out of her fingertips as she tries to prevent a sob from escaping her lips. The wooden sensation of the wood against her fingertips, the stinging pain of the scratched skin of the tips of her fingers is what she felt.

With the additional sensation of the aching feeling that came from where her heart lies.

Warmth slid down her cheeks, bringing her gold covered fingertips to feel her skin.

Tears, the tears never seem to stop running down her beautiful yet sorrowful face.

Her eyes locked on to her husband, Lucifer—who looked at Lilith with so much affection in his eyes as he held the woman's hand.

‘Why... Why is he looking at her like how he used to look at me...?’

[Y/n] asked herself repeatedly in her mind. Each word got louder and louder on her mind, and each time she did, pain became more apparent to her internal voice as she asked herself in anguish.

‘Move... I need to leave... Move [Y/n]!’ she cried to herself, her mind screaming for her to leave. To save herself from even more heartbreak.

Yet, she remained still. Eyes fixed on the two.

Her hands slapped over her mouth to prevent sobs from escaping her plump and soft lips, eyelashes fluttering and glistening with tears. Warm sunlight filtering through the strands of her eyelashes, making the redness around her eyes more prominent.

Dull [e/c] eyes blankly staring at the two—her husband and a different woman.

Despite its dullness, her eyes were filled with anguish.

Tired, dull, and swollen.

No longer bright, hopeful, and happy. It's now filled with sorrow, and unimaginable heartache. Something an angel like her shouldn't feel. Yet, Lucifer Morningstar made that possible.

[Y/n] watches as her husband caresses Lilith's face, so affectionately.

Something she didn't experience from him lately.

“You're so beautiful.”

She heard him mutter to Lilith with a voice that carried so much emotion, it was enough to shatter her heart to tiny million pieces.

Finally gathering enough strength, she finally released herself from where she stood. Finally allowing herself to move, flying away swiftly and discreetly.

A single feather was what was left of where she once stood.

She arrived at her shared home with Lucifer, quickly locking herself inside their bedroom.

Her body slouches against the door as she slowly slides down to the floor.

Painful sobs left her lips, shoulders shaking as she buried her face into her hands.

‘No, no, no, no, no... I must be seeing things... Lucifer can't just fall in love with someone that easy...’ she laughs to herself, voice cracking and trembling as she did so.

Shaking her head as she desperately tries to make herself believe her own words.

“This must be a misunderstanding, that's right... I'll ask him when... When he comes back...”

She says to herself, voice lowering to almost a whisper.

‘That is... If he comes home...’

She thought sadly, supporting her shoulder on to her knees, burying her face into her arms. Strands of her hair falling off to the side of her face,  framing the heartbreaking picture of the face that belongs to a heartbroken angel.

‘He can't just... Leave me like that... He can't just break our vows.’

She thought to herself, her hands rubbing her sides for comfort.

She only has herself to comfort herself, her husband isn't here after all.

“When he comes back, the two of us will have a proper and mature conversation... I hope.” she says to herself weakly, picking herself up from the floor. Knees tremble from the weight of her emotions, chest filled with pain and heartache. She can barely breathe, she wonders if she was still breathing.

She felt like a walking corpse.

Wiping her eyes with the sleeves of her dress, the soft material of her dress providing comfort to her swollen and aching eyes.

She dragged herself across the room, finally approaching the full length mirror just by their closet.

She can see how much of a mess she is. Eye bags underneath her eyes, tear streaks evident on her cheeks, her hair a mess. Pale skin and chapped lips from severe dehydration from how much she cried.

‘Is that me...?’ She asked herself, finally processing what she's seeing, finally coming to the realization that the figure in the mirror is her own reflection.

She can barely recognize herself, she doesn't look like that. She doesn't remember looking so tired and so... Sad and pathetic.

‘This wouldn't do, I don't want Lucifer to see me like this..’ she thought to herself sadly, the face of Lilith flashing in her mind.

Lilith, the first ever human woman. Of course, someone as beautiful as her would be someone Lucifer would fancy.

[Y/n] couldn't help but compare herself to the woman. Lilith has bright and blemish pale skin, hers were a sickly kind of pale.

Lilith has bright and hopeful eyes, hers are dull and sad.

Lilith has a beautiful and blemish free face, hers are tired and dark bags are underneath her eyes.

[Y/n] shakes her head, getting rid of the negative thoughts that filled her mind.

“Stop that, Lucifer loved you just the way you are.” she says to herself, yet doubt was evident in her voice.

‘Loved. That's right, he probably doesn't love me anymore.’

She shakes her head once more, ‘Stop that, he hasn't told us that yet... So I shouldn't say something like that...’

‘I'll just clean myself first, make myself presentable. In case he ever comes home.’

She says to herself, dragging herself to the bathroom to freshen up.

He never came home that day.

She lies on their shared bed, coming to that realization as the clock finally hit one in the morning. The bed was cold and lonely, the warmth that was usually beside her isn't present.

Closing her eyes, allowing the tears to glide down her pale cheeks, the tears staining the pillowcase of her pillow.

Past memories flash on her mind, memories of where Lucifer and her were still happy and in love.

“You are my best friend, the love of my life... I am so lucky to be called yours.” Lucifer says to her, kissing her forehead.

They were still teens in love, young and stupid but in love.

“You are so cheesy, stop saying cheesy things you're making me flustered.” she giggles as he twirls her around, bits of the clouds around them fluttering due to their movements.

Lucifer giggles, dipping her effortlessly and presses his forehead against his, “But it's my job to make you flustered, darling.”

She giggles, pink dusting her cheeks, “I love you, Lucifer.”

“I love you too, darling.”

She cried herself to sleep that night.

She sat on the couch of their living room, the early sunlight filtering through the large windows of their home, giving their home some warmth. The warmth makes her forget the coldness of her skin and the numbness of her heart.

Her head whipped to the sound of the door being opened, lo and behold, her husband finally came home.

Her eyebrows furrowed, eye twitching. She was aching to snap at him but she took a deep breath and calmed herself down.

“Lucifer, where have you been?” she asked softly, voice cracking and trembling in each syllable.

Lucifer flinches, jumping slightly from surprise. He was surprised to hear his wife's voice. He didn't expect her to be awake so early in the morning.

He gave her a nervous smile, “Darling, why are you awake so early?” he asked, [Y/n] just continuously tapped her feet against the marble tiles.

“Enough of that, I know you have been spending time with that human.” she says softly and Lucifer's eyes widened, avoiding his wife's eyes because of guilt.

“It's part of my job, love—”

“Stop lying to me, Lucifer Morningstar.” she snaps, eyes glaring at him, “I didn't know telling her that she's beautiful is part of the job? Might I also include... Caressing her face? Was that part of the job? Tell me, Lucifer...”

“Are you tired of me...?” she asked softly, and Lucifer's eyes saddened.

“No, no, no... I can never be tired of you...” he says softly, he's unsure if he's lying to himself or not. But he desperately tries to believe that he's not tired of her. Yes, he still loves her... Right?

He doesn't know the answer to that.

“Then why...?! Why are you spending the majority of your time with her?!” she screamed, her voice filled with anguish as she grips her hair. She swore she ripped some strands but she's too much in pain to care.

Lucifer's eyes widened, surprised by her outburst.

“Because I'm trying to make her feel better because Adam hasn't been good to her and I hope you can find it in your heart to care for her just a little.” he says softly, remembering the things Lilith told him, how Adam was mean to her.

[Y/n]'s eye twitch, the nerve. Why would she care about her?

“Why would I care about her?!” she asked angrily, and Lucifer frowned, “Because I care about her.” he says honestly, annoyance evident in his voice.

“Morning, noon, and night I care about her, yet you cannot spare a single sympathy for her.”

[Y/n] was taken aback, the first time sensing such hostility from him. Her husband defending another woman when all she ever asked from him is his time, some time for her.

“I'm just asking why you're spending so much time with her! I am your wife, Lucifer... I need you too!” She exclaimed, her voice cracking in anguish, “You're barely home anymore and it's getting unbearably lonely in our house, I missed you so, so much... Please.. I need you.”

“For heaven's sake, [Y/n]... Lilith just existed and she's scared and confused and Adam is also not treating her right! She needs someone.” He sighs, blue eyes looking at tired [e/c] ones, he would've asked for her forgiveness for his tone, but he was blind with the sense of duty towards Lilith. He couldn't think straight. Neither of them can.

“So stop being selfish, I'll come back when you have cleared your head, okay...?” he says softly yet a tinge of sharpness in his voice, turning around to leave, his heels clicking against the marbled tiles in each step he took.

The sound of the door clicking as he closed it brought her back to reality.

Her legs gave out as she fell into the cold hard marble floor, kneeling like heaven's first ever sinner. Her sin? Falling in love with heaven's most beautiful angel.

Blinking, she tries to process what just happened.

She and Lucifer just had their very first fight, and she doesn't know how to process it.

‘Azrael was right, I really don't know him at all.’

She thought to herself sadly, wiping her tears with her wrist before a broken sob escaped her lips once more.

She was left alone crying to herself in an empty, cold, and lonely house.

Days passed by, both Lucifer and [Y/n] were ignoring each other, unsure how to approach the other.

[Y/n] remained unmoving in their bed, all alone and cold. It's been so long since she last took care of herself.

“I feel so tired and weak... Heaven's... I feel like I'm about to pass out.” she murmured weakly, turning around to look at the empty spot of her shared bed with Lucifer, to see the said man to be nowhere in sight. He hasn't been home for a few days now.

‘I am so tired... Maybe I should rest for a bit...’ she thought, her eyesight blurring from the lack of sleep, she kept waiting for Lucifer's return but the man was nowhere in sight.

She sighs sadly, her eyes drooping without notice.

She passed out.

She doesn't know how long she was asleep but the moment she woke up she was in Azrael's house, the man told her that she was asleep for days.

And also told her about the fall of both Lucifer and Lilith.

She still couldn't wrap her head around it, refusing to believe it.

Azrael sighs, taking a seat at the edge of the bed of where she was lying down.

“It's true, he and Lilith gave the apple to Eve... I'm afraid work is going to get much harder now that evil exists.” he spoke softly, eyes saddened as he looked at the downcast female.

He's wondering if this is the right time to tell her...

“And another thing... [Y/n]...?” he calls out softly to her, she looks at him with not a single light on her eyes.

“What is it...?”

“You're pregnant.” he says softly, [y/n]'s eyes widened.

“What...?”

[Y/n] gasped loudly as she sat up on the bed, her head whipping around to look at her surroundings.

She's back in her room, weren't she in hell before?

Her breathing was uneven, placing a hand over her chest to calm her fast beating heart.

‘Why now...? Why did the memory have to come back now...?’

Tears were cascading down her cheeks, pitiful sobs leaving her lips.

“Mom...?” a soft male voice calls out, the door to the room opening, the head of Xavier peeking through the small opening.

The boy's eyes widened when he saw his mother crying on her bed.

“MOM...?! ARE YOU ALRIGHT?! ARE YOU HURT SOMEWHERE?!” he asked, immediately rushing to his mother's side, kneeling beside the bed.

[Y/n] shakes her head slowly, “I'm alright, I just got a bad dream...” she admitted softly, small hiccups leaving her lips.

Xavier's [e/c] eyes softened, grabbing a clean handkerchief from his breast pocket that he hasn't used yet, using it to wipe his mother's tears away.

“Do you wanna talk about it...?” he asked softly, his hands gently dabbing the soft cloth on [y/n]'s face, making sure to dry her tear stricken face.

“A little bit...” she says softly, smiling gently towards her son. Her eyes saddened even more, Xavier really looked like Lucifer.

“That's alright, don't pressure yourself mom.” Xavier spoke softly, standing up so he could sit at the side of the bed, leaning down to give a kiss on his mother's forehead.

She nodded and took a deep breath, “I dreamt... About your father.” she says softly and avoids her son's eyes.

Xavier's eyes widened, his shoulders dropping but decided not to speak and allowed his mother to talk.

“I dreamt of the past, how happy me and him were used to and now... I don't even know anymore.” she laughs bitterly.

Xavier's hand clenched slightly before relaxing, “It's not your fault mom...”

“I know.”

Xavier sighs softly, “Mom...?” he calls out softly to her, [Y/n] hummed.

“I think we need to talk about him now, it's a long overdue topic.” he says softly to her and she flinches but sighs.

He's right, she's been avoiding this topic for so many eons. It's time to talk about it.

She sighs softly, “You're right... I think we should.” and Xavier smiled, proud of her. He always has been.

[Y/n] remained seated on her bed, thumbs playing with each other. Xavier has already left to do his usual routine around the house.

Their conversation about Lucifer has already ended, she told him everything about what happened. Told him why she loves him so much and what he did to hurt her.

She told him how she and Lucifer were together for how many years before marrying each other, she told him the things that he did that made her love him.

And she just can't let go of her feelings for someone that she loved for so many eons. It's not that easy.

Even after all these years, she can't forget.

[Y/n] sighs softly, her hair cascading down to her face, framing the shape of her face perfectly. She turned her head to the side to look at the window, she could see the large backyard forest-like garden.

Knock, knock, knock.

Her head whipped in the direction of the knock, she turned to look at the door to see Michael standing and leaning against the door frame lazily.

Her eyes widened ever so slightly, “Michael... What are you doing here??” she asked softly and Michael sighed as he entered the room and closed the door behind him.

“I came as I heard what happened, are you alright?” he asked worriedly, taking a seat at the edge of the bed. [Y/n] smiled and nodded, “Yes,I feel slightly a lot better now.”

Michael smiled though, his eyes still held a tinge of worry in them. He sighs, “[Y/n]... Do you want to stop this mission and let someone else do it?” he asked her softly and [Y/n]'s eyes widened.

“I am perfectly capable of doing this, Michael... Don't worry too much about me.” she says softly and Michael sighs once more.

“I'm just worried for you, everyone is.” he says sternly and [Y/n] frowns, “I know but I can assure you that I'm fine with doing this...”

Michael sighs once more, clearly already used to her stubbornness.

“If you say so,” he says softly before looking back at her once more, “—but if it's suddenly too much for you, don't hesitate to tell me okay?” he says sternly to her.

[Y/n] giggles softly, a small smile on her face, “Yes,I'll keep that in mind.”

Michael smiled and gave her a single nod, “You better.”

Michael's eyes widened, snapping his fingers as he seems to remember something, [Y/n] tilted her head at him, confused.

“I just remembered, Gabriel said she was gonna visit later.” he says deadpanning and [Y/n]'s lips tightened into a flat line, she gave Michael a deadpan, “Yay... I can't wait.” she says unenthusiastically.

Michael laughed softly and ruffled her hair, “I'm sure it wouldn't be too bad.”

“She's gonna lecture me again about how men are shit.” she says deadpanning at him as she remembers the times Gabriel kept on lecturing her about how Lucifer was just a man.

“That is so real, love that for her.” Michael says, nodding.

“Michael, you're a man.” [Y/n] says with a small smile while shaking her head with her eyes closed.

“Am I?”

[Y/n] turned to look at Michael... Who's now a woman now. She deadpanned at him, “Really?” She asked sarcastically with a small smile, Michael laughed out loud. His laughs reverberated around the room.

“I think I look gorgeous as one.” he says sassily, flipping his long blond hair behind his back.

[Y/n] giggled and Michael smiled, proud to make her happy.

“You're so silly, try wearing a maid dress next time.” she suggested playfully at him, giving him a wink.

“Don't push your luck.” he says deadpanning at her and she just laughs, holding her hands up in defeat, “Okay, okay... I won't.” she says in-between giggles.

He smiled and ruffled her hair, “Alright, alright... You seem to be feeling much better now,” he says standing up, giving her a small smile, “—I'll head out first, I still have some work that are needed to be finished.” he says with a long sigh.

[Y/n] giggles, “Alright then... Don't push yourself too much okay?” she says softly, her eyes looking at Michael with worry.

“I won't.” he says and she deadpans at him, “I know you're lying.”

“Shush.”

“I'll see you later, [N/n].” he says with a smile, [Y/n] smiled at him, “I'll see you later, Michael.”

“It's Michelle.” he says sassily once more, flipping his long blond hair dramatically making [Y/n] cackle, “Right... Michelle.. lmao.. I'll see you later, Michelle.” she says in-between snickers.

“Laterz girlfriend~” Michael says sassily as he left, transforming back to his male form as he did so.

[Y/n] was left alone in her room, but this time... She was laughing thanks to Michael.

© LXKE 2024; please do not steal, translate, or repost my works as your own.

TAGLIST I:

@valerie-36 @blackbleedingrose @adaizel @xx-all-purpose-nerd-xx @thedarkkitten @selvyyr @froggybich @brithedemonspawn @kottenox @totallymitya @many-fandoms-lover @dou-dou @mezzyb0nb0n @n1chxyaaenthusiast @cherry-4200 @koirb @galaxyj3lly @crystalplays28 @luleck @zc000ter @rory-cakes @mixplara @crescent-z @bitchyzombienacho @kalisha2004 @altervex @nehy019 @napbatata @kouyoumarryme @sxgacxbe @kooidoom @ok-boke @random-3455 @izzieg3987 @snoozewritezz @dreamzaremyreality @hcneyiced @witchbunny1210 @ghostdoodlen @aikobakugou @just-here-reading @dzhanett-blog @des-deswain5621 @cocomollo @haleypearce @onyxstarhigh06 @nirvana5874 @shaebutter-baby

[yet-another-heathen]

I saw ur really informative post on conditioning and said with whumpers uts about using pain again and again

Any advice about caretakers deconditioning?

[ Referring to this post. ]

The first and most important thing is that the caretaker cannot decondition the whumpee. It's not possible. That progress is entirely internal, and requires a massive amount of introspection, self-motivation, and practice from the whumpee themself. No one else can do it for them.

But what the caretaker can do is be there for them while the whumpee fights toward their own recovery. They can be the stability that whumpee needs in order to work through these massive problems on their own.

Deconditioning is awful. It involves repeated failure, over and over and over, working toward lessening the response. And it is incredibly frustrating, painful, heartbreaking, and at times it feels completely hopeless.

Progress is so non-linear that they can spend months improving and then backslide nearly back to the beginning if they get caught off guard. At times it'll feel like they're stuck at the same point and can't get any further. Like a future where they will be free of it may simply not exist.

At many points, your whumpee is going to feel heartbroken. They're going to spiral into, "Why can't I do this? Why can't I make it stop?" and, "I thought I was past this." and, "Will I ever be able to undo what whumper made me?"

A good caretaker can be there to comfort them when things go wrong. They can hold them while they cry. They can listen to them when they go into a sobbing, breathless rant about how much this hurts. They can make sure that whumpee knows they have someone who doesn't think of them as broken or lesser because of what they've gone through.

Depending on if whumpee feels it would help, they might help them brainstorm a reward system. If there's a situation where they're around other people and the caretaker spots the trigger coming, they can try to redirect conversation away from it before it hits. Preferably without anyone realizing they're doing it for whumpee's sake. When whumpee has just been triggered and wants nothing more than to be alone, the caretaker can make sure their boundaries are respected. To make sure they have somewhere safe to go.

Even more importantly, they can also help by highlighting the moments of whumpee's progress. Pointing out their successes, no matter how small. Pointing out how far they've come. Reminding them that the ups and downs are supposed to happen. That trauma recovery is a rollercoaster, not a straight line.

As a whumpee in that state, it's very easy to feel like they're making no progress. That even when they succeed, the tiny bits of success are hollow, because 'they shouldn't be like this in the first place'. Have your caretaker help them see their own victories. Help them actually see the healing as it grows.

A realistically conditioned whumpee does not need someone to fix them. They need someone to be there for them while they save themselves.

---

This was such a good ask, thank you for sending it my way!

[lastoneout]

Honestly, I don't say it often bcs I know how this site is but I really do think for a lot of survivors of abuse, especially abuse that went on for years and years, sometimes the message "it's not your fault, you didn't do anything wrong/to deserve this" while ABSOLUTELY TRUE* isn't actually super helpful. For a lot of us there's a LOT of guilt tied into it, and even if things were truly out of our hands we will not be able to accept that we are truly blameless, at least not at first, and maybe for some of us not ever. So being told "no dw you didn't do anything wrong <3 <3 you're innocent" feels...idk like some toxic positivity style lies. It doesn't make me feel better, because I still do feel like there were things that happened that were my fault, that were in my control, even an ethicist or god or whoever could look me dead in the eyes, weigh all the facts, and assure me of my complete innocence, and I still wouldn't believe it. (Tbh, you have to be ready to forgive yourself and trying to force it early does more harm than good.)

And I occasionally see movies and shows and stuff get roasted all to hell for having the audacity to go with a different message, to offer abused characters not a platitude about how they are innocent and should forgive themselves asap, but instead say "so what if it was your fault? so what if you fucked up? you're still alive, you still have time, your mistakes(or perceived mistakes) don't make you irredeemable scum who deserves to suffer, it's okay that you fucked up, what matters is what you do next, and even if the horrible thing was your fault in one way or another or you did actually hurt people, you still did NOT deserve to be hurt in turn" because people think that is like, admitting that the person in question is at fault when they almost always aren't....but as an actual survior, I'm sorry, you can tell me I'm innocent till the cows come home and I won't believe it. What I need to hear is that even if it was my fault I didn't deserve to be treated that way. I still deserve help. I deserve to keep going. I am not forever stained by my mistakes. I deserve a future free from this pain.

I think before we look at things in this like...grand moral way where we try to make sure we're sending the most Correct and Healthy Message Possible, sometimes it's worth asking if that message is actually the one the people it's about need to hear. I'm sure for some people it is very freeing to be told it's not their fault, but that kind of message does not resonate with me. And I, as well as people like me, deserve to expirience stories about us that are cathartic, that resonate, that make us feel seen, and to not have to see everyone and their mom throw a fit because what helps us is "problematic".

Anyway this has been mulling around in my head for a while and I def have a lot more to say about the way guilt manifests in trauma born of abuse, but yeah I just feel like this is something that should be talked about when we bring up abuse narratives and how well written they are and if they send the Correct Message, because the "Correct Message" is never going to be the same for everyone. And that's true of ANY demographic you could choose to represent!

Like some disabled people might enjoy the "magically healed" trope while others find it offensive. Some trans people like stories where transitioning is easy as drinking a potion or getting a fancy futuristic surgery and some find that that trivializes their struggles. Some queer people want stories where there's just no homophobia at all, others find that a world without it feels fake and patronizing. Some women do want to read stories about how keeping hearth and home is noble and empowering and others want read about women who have other jobs and never have kids or get married. For some of us "you're beautiful no matter what" is lovely and some of us just want to be told being fat and hairy and having acne and scars and shit is normal and fine. Or, like the last post I reblogged says, sometimes "you're not a burden" doesn't hit as well as "being a burden isn't a bad thing". No one type of representation is ever going to work for everyone, and that doesn't mean one type of rep is objectively wrong and the other is objectively right.

So yeah, the next time you find yourself angry because you think a story is sending the wrong message about a marginalized or harmed group, maybe stop for a second to ask yourself if it's actually harmful...or if you're not the person who the story is speaking to, and if there's someone it is talking to who desperately needs to hear what it has to say.

(*Getting ahead of this now: Do not put words in my mouth. I am not saying that any abused person in any way deserved their abuse or was at fault for it happening, that is not up for debate. The fault is always in the hands of the person who chose to hurt them. I'm just saying it's nuanced and complicated and guilt is a huge fucking issue that survivors have to deal with all the time and it's not wrong to acknowledge that some of us are always going to feel like we did something wrong and not be eased by being told otherwise even if the person saying it is 100% correct and/or means well. I do not have time for people who are going to willfully misinterpret me. You will be blocked.)

[cursedtransby]

Ryoshu and Grief

Ryoshu as a sinner is defined by her lust for blood, art, and the beauty that comes with both. However I think a large chunk of people realize that this is not her only trait, and this is something that has slowly been fed out across the Cantos and Egos we’ve gotten for her.

Spoilers for basically all of Limbus.

Since her reveal, we’ve had some plenty of reads that PMoon is not taking her inspiration, Hell Screen, as mere setup for an insane artist. Her constant connection with Spider-Bud and family shows that she is at the bare minimum connected to the lore of the family torn apart by lust for a perfect painting of Hell itself.

Ryoshu’s identity in relation to Hell Screen and a traditional family setup is something that honestly deserves more attention in a separate post, but it’s clear something massive happened between her family and it’s caused her a massive trauma response that triggers grief quite often...even if it doesn't seem like that.

Most of Ryoshu’s behavior is opposite to how people usually think of grieving, but it’s still a form of grieving nonetheless. She tries to repress her emotions through increasing forms of ecstasy. As someone who has depression and has gone through losses of my own, one of the possible responses you can have is to try to chase some emotion, regardless of what it is and how unhealthy it is for yourself and those around you. You’ll do anything for that warm feeling of positivity about yourself.

Regardless of this though, that sadness still exists in Ryoshu. We know this thanks to her mood during Canto 7 being rather quiet aside from the betrayal of Hugo, where she immediately decides to cut off his arms due to it being “unoriginal and played out”. Otherwise she’s being bristly towards the concept of family, but not actively aggressive or particularly violent. In fact, the one time I'd say she has a strong reaction in this Canto is to Sinclair's interpretation of her usual acronym stuff.

Ryoshu and Sinclair honestly ALSO deserve their own post because there is a lot to go into, but to put a cap on it I'll simply state that Ryoshu has a lot of emotions regarding Sinclair. It's the only thing that can rouse her aside from the art of betrayal she sees from Hugo, because the concept of family triggers her that much. There's a reason that the ONLY Ryoshu ID to have Gloom in their kit is Spider Eyes, because she's having to directly confront the very concept of family and protecting others, and it's reflected in her giving out more support than most of her other kits and in story by helping calm Yi Sang.

This sadness and desire to care exists across the Mirror Worlds as well, she just does a far better job of hiding it under her usual veneer of "insane artist only pursuing ecstasy". Edgar Family Butler is all about taking the role of caretaker of things, and she normally helps take care of her fellow butlers, only changing her attitude when they are about to be raided by the Wild Hunt and die. Even in something like her W Corp or 7 Association identities, she still has her kit showing off some support by giving out fragility for the team or even giving out barrier in W Corp.

No matter what she does, it's inescapable for her, and something she is desperately hiding away in order to keep things moving. The very same way Yosihide continued his painting, Ryoshu keeps spreading violence to hide away her grief. But it will always be there, underneath the surface, if you look closely enough.

Overall, it's a fascinating take on grief and how one can cope with it, and PMoon has always done a wonderful job on not taking the typical route with things. They did it before with Roland's grief, and it's clear that they're doing similar things with Hell Screen's adaptation. Also thanks to @lu-is-not-ok for inspiring me to write up more about one of my favorite sinners, since their posts analyzing The Red Chamber and Hong Lu fascinate me to no end. Additionally thanks to @ryoshudoodles for making beautiful art themselves and showing off the duality of Ryoshu's lust and gloom beautifully.

[expominds]

i love you so // s.g.r

based off of this ask. soft simon :)

whenever simon comes back from missions, he is the most lovey guy out there. In front of his team, he has this strong façade, a mental and physical mask, the mental one creating a barrier from connecting too deeply to his teammates, but he loves them all equally.

but when he gets back and gets home to you, all masks are down and off. it took him awhile to get to this point with you due his past trauma, but he will take his balaclava off immediately when he gets home to you.

it’s typically in the middle of the night in manchester when he finally gets home, you being asleep and riley cuddled up next to you on the bed, the hairy shepherd alerting when simon starts marching through the house quietly. it doesn't matter how tired simon is, but that man will NOT climb into bed with you being covered in dried blood and dirt from war and traveling, so he forces himself to take a shower before climbing into bed at last.

you had woken up at sometime because although simon has been trained to be as quiet as possible, when you live in a creaky, old house, it’s nearly impossible to be quiet because of the floorboards creaking under his weight when he walks. you’re also a light sleeper so that doesn't help much either. you lie awake, waiting for simon to finish up and when he finally climbs into bed you, he will lay his head on your chest, his arms wrapping around your waist as he pulls you closer

‘m’love, i missed you,’ he’ll whisper into your chest as he holds you impossibly close to him as you tiredly wrap you arms around his neck, your fingers entangling through his hair. ‘I missed you, too, si, so much’ you’ll murmur. He was so tired however, he fell asleep, lulled by the sound of your heartbeat.

you’d wake up in the morning being the little spoon, your face hidden in the crook of his neck as he cradled you closely, your legs entwined together, his soft breaths fanning across your head. he was so sensitive to any changes that he woke up almost immediately after you wake up, and you two just lie there in the peace and calm of your room, ignoring the raging aggressiveness that awaits you two in everyday life.

simon isnt used to civilian life after a mission so it takes him a few days to adjust normally, but ever since he found his peace in you, it was a much calmer process.

he was, however, very clingy. can’t stand to leave you alone for more the few minutes, will whine when you take too long in the shower or going to the store, peppers kisses all over your face, ‘lovie. I missed you s’much, y’know that right?’ he’ll squeeze himself into your arms, hugging you from behind, the side, the front, wherever he can get his hands on you, he will not be letting go. 

so many nicknames for you. ‘doll, honey, sweetheart, sweet girl, lovie, my love,’ you will melt into a puddle on the spot when he calls you one. <3

he’s a big teddy bear, although most people don't think that. Hes scary for sure, but when you get behind that tough exterior and hard to crack mental wall he has built up, he is the most loving guy and partner you will ever have. he wont let you go, he just loves you so much :(<3

[danieyells]

idk if this has been brought up before, sorry if it has, and maybe I'm just thinking too hard on this but I keep looking at the official tokyo debunkers Twitter banner and like seeing taiga with that smirk, but then the broken piece has him with a wide eye + the theories of him seeing the future and such got me thinking.. or maybe it's just a cool banner, what do I know LOL

lol i waited until i got home because i had it saved in HQ for reasons that probably won't come to pass off the twitter page on my laptop

I LOVE THIS BANNER it's such a good image and it shows off Taiga's crazy. Taiga is kind of the game mascot atm, interestingly enough. He's the first character you meet, he's the game icon and twitter header, he has some important knowledge of a major plot point. . .you'd think it'd be Kaito since he's kind of your sidekick and the one who teaches you everything at first, but Taiga's got all the impact.

But yeah, either he's losing his mind back there, or he's Seeing Some Shit. The broken gap in the image showing him with wide eyes is very much a little suggestion of 'there is more going on here than you see on the surface' which, admittedly, is kind of the setting of the game('there's more to the world than meets the eye and you're thrown into the world of anomalies common sense would tell you aren't real') but. . .yeah, if you think about Taiga possibly being able to see the future, which is similarly a hidden aspect of him, then the image is even cooler.

I'm honestly getting more and more attached to that theory as time goes on. Because I remembered today at work. . .Taiga doesn't wear gloves with his uniform, unlike with his house outfit.

When the pc is in the torture chair and his hunger is triggered by their blood, he touches them, bare hand to bare skin.

and then suddenly he snaps out of it, suddenly aware that Romeo was coming.

to which I suspect. . .touching the pc caused them to enhance his stigma by accident. This happened to activate it automatically. And he saw the future without meaning to--perhaps in more detail than usual. That's also how he knew exactly where to shoot to hit the like dove--because he saw it fly in in his stigma's vision.

That's also why he said Ritsu could close the casino and he didn't need it.

The whole future he saw was so fucked(again?) and the casino wasn't helping to alleviate or avoid whatever he had made it for, or perhaps was causing more of a problem--it had, after all, spawned a dangerous anomaly. He just sort of lost steam and gave up all of a sudden. Yeah, take it away, we're fucked no matter what we do. (He got better, though. I too overcome my trauma and depression by forgetting things.)

. . .BUT UH YEAH. IT'S A SUPER GOOD BANNER IMAGE THAT SAYS A LOT. I really love it. Taiga is seeing into the code. It is traumatic but when he forgets in 15 minutes he'll be fine.

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[justporo]

My new bestie, I honestly would love to see you write Father!Astarion 🤤🤤

How would he react to the news? Would he want a little girl or boy? How would he react when they are born, and they look just like him, but pre vamp eyes?

(Vampires can sire babies, with the highest chance after they are fully well fed)

Hello my tadpole bestie and thanks for the request! Astarion as a father really seems to be on people's minds, hm?

I get it, I like it too, but let me put this out there (yeah yeah, I know it's all fictional, but let's be real for a second): I would much rather imagine this when Astarion has done some much needed healing. This man hasn't had autonomy in two centuries and really needs to find himself again and work through trauma - with Tav on his side of course. And children are a huge responsibility - mentally, physically, emotionally, financially - I imagine (I wouldn't know, I'm not a parent...). I'd really wish for him to be ready for something like that.

But the thought is incredibly sweet, so let's go:

Headcanons about Astarion being a father

When Tav tells him she's expecting, he's truly speechless for perhaps the first time in his life; and then he can't sit still: swinging from delusionally happy to overthinking and being worried; but Tav takes his hand and reassures him that they'll be in it together

Has he thought about having kids? Yeah sure, but he'd never thought of it being possible until it happened, although when Cazador forced him and the other spawn to behave like a family he'd sometimes thought about what could've been

He's absolutely overprotective when Tav's pregnant: "Oh no, no, darling, you are not carrying that around, think of the baby!" "Astarion, it's A MUG OF WATER!"

Also he adores her body that is creating such a miracle: "You're glowing, my heart. You are truly a goddess!"

If he was handsy before there are now no moments where his hands aren't on Tav's body and on her belly

When he feels the first movements, he cries, and then Tav cries and then there's just a fountain of happy tears and lots of "I love you"s

He's taking such good care of Tav; especially when she doesn't feel well or when she's exhausted - she'll get all the herbal teas and massages

Birth though is scary - for both of them; but I'm sure he'll have some friends by his side (because think about the adventure troupe waiting with him while he's pacing the room like a panther: Karlach's biting her nails off, Gale's just blabbering to distract himself, Shadowheart is praying for everything to go well, Wyll tries to calm Astarion down (unsuccessfully), Lae'zel is unusually silent with crossed arms hoping everything will be okay, Halsin's keeping the group fed and all because "Nature will make it all right")

Boy or girl? Doesn't matter at all, all that's important is that Tav and the baby are healthy and ready to receive all his love

First time holding his child - he can't even cry because it's such a miracle; "This... this is the best thing I've ever had and created!"

The tears come later when you're alone - just the three of you

He's absolutely a very loving father, caring so much about his kid - and also equally taking on responsibilities and care with Tav

When the kid's eyes become their real colour and it sparks a memory Astarion had long forgotten, he's too stunned to acknowledge what he's seeing: the kid has his eyes - the way they were before he was turned

Later, when the child's already a little bigger he loves to show them stuff, teach them, read to them; also inciting them to go and annoy Mom - which makes Tav want to push him off a cliff but also hug him to death - because who'd have thought it would ever be possible?

Alright alright - I've gotten almost off the rails with this one. Because honestly, there's a lot to imagine there. Also maybe I wasn't prepared for the things that would make me feel (and I don't mean baby fever).

Alright, hope you enjoyed this headcanons, time for me to go to bed!

[sleepimali]

Available as a print and sticker set this month only (November 2023) on my Patreon for Professional Napper patrons and above :)<3

As a warning, this month’s lore deals pretty heavily with death and trauma, and has mentions of war (in the past).

Shadowlings and No Magic Zones lore:

If you find yourself in a place where traces of humans are slowly being reclaimed by nature, marked by a glaringly red and yellow coloured sign that says “NO MAGIC” on it, odds are you’re standing at the site of an old battleground from the Long War.

No matter where you go, if there are humans around, you can likely find a no magic zone there too. And the reason magic is disallowed in such places is because they are the dwellings of the Shadowlings, who are said to be soldiers that fell to a curse in the war, and hence harbour very negative emotions towards those who use it. Fear, anger, grief… And all explosive feelings at that. They aren’t exactly capable of rational thinking anymore, so it’s best not to upset them, especially since they tragically harbour a lot of the Wild Magic they resent so much, and can be incredibly dangerous while emotional.

Because of their experiences that live on inside them, it doesn't matter that magic has now become a good and necessary force in human society, or that magic folks and humans have both done equal amounts of good and bad.

Using magic in their presence truly can only be done at the risk of your life for most people, and the exceptions to that rule can be counted on the fingers of just one hand.

However if you do not provoke them, they are completely harmless and very gentle - loving even.

Being a Shadowling is leading an existence that hovers between life and death, unable to participate in life, but also unable to move on from it. And yet a Shadowling is not quite a ghost either.

As newly turned, most Shadowlings retain an almost human shape, but they slowly begin lose their shape and memories with the passage of time, except for a few exceptions who hold onto them as much as possible for the sake of their loved ones.

Still, they know instinctively that they were once humans and therefore tend to seek them and their warmth out as much as possible. In the absence of humans though, they feel the safest around human-made objects that have been left behind in the zone, and with each other. Shadowling are rarely alone, instead they tend to huddle together in big groups where they do their best to comfort each other and help each other hold onto their memories, and dream of the day they’ll be able to return to humanity.

For quite some time after the end of the war, those who lived on would take care of the Shadowlings and the areas in which magic was forbidden. After all, no matter how unrecognisable they had become, they were still people’s beloved family members, lovers, and friends. And if you look into their eyes, regardless of how much they have lost, you can still see and know who they were in life.

But time is ruthless to us all, and the last living generation who survived the horrors of the war has grown old and started to disappear. For some time, their descendants would take care of the no magic zones instead, but the vast majority of these places would slowly become completely abandoned with the introduction of magic in human society.

And so, the Shadowlings kept getting more and more shapeless and wispy, clinging to the traces of humanity they can find in items that were left behind and the occasional visitor.

Few people visit these days. And even fewer still are visitors who still do not have traces of magic on them or aren’t afraid of the Shadowlings.

But maybe one day, as long as there is hope, maybe one day their curse can be lifted.

And until then, the Shadowlings will find ways to keep existing and experience joy and love even with all that they have lost.