#is the dragon story canon or not
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kleinesmanuskript · 16 days ago
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so does this mean that he still has two cocks or
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mooreaux · 15 days ago
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Love Undying
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batbabydamian · 5 months ago
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A Quick Guide to Damian’s Furry/Feathered/Scaled Companions
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LEFT: R:SOB #1 Cover RIGHT: R:SOB #6
GOLIATH THE BAT DRAGON
Introduced in: ROBIN: SON OF BATMAN (2015) #1
DAMIAN'S BABY AND BEASTY BESTIE!! On a mission during the Year of Blood, Damian kills the family of bat dragons guarding his objective. Goliath, despite being the youngest and last of his kind, forgives Damian. Goliath goes on to become one of Damian's most loyal companions, even featuring beside him in Batman Beyond (2016) #10, #11, #43-#47!
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LEFT: B&R #13 RIGHT: B&R #4
TITUS THE DOG
Introduced in: BATMAN AND ROBIN (2011) #2
A Great Dane gifted to Damian from Bruce as an effort in fatherhood. Funny enough, Damian finds him a nuisance at first and briefly refers to him as "Dog". Titus is a good boy that follows Damian's every step, even joining Bruce on his mission to resurrect Damian!
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LEFT: Batman Inc #1 RIGHT: Batman Inc #7
BAT-COW THE COW
Introduced in: BATMAN INCORPORATED (2012) #1
Bat-Cow, branded with a star signifying which cattle were contaminated, was saved from a slaughterhouse to run some tests (which they do find of a mind control variety). Damian declares himself a vegetarian, and calls her Bat-Cow! She also sorta has a running gag of literally standing in the face of danger to save the day.
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LEFT: Batman Inc #6 RIGHT: Batman Inc #7
ALFRED THE CAT
Introduced in: BATMAN INCORPORATED (2012) #6
Considered a "hopeless case" by the animal shelter, Alfred gifts him to Damian. The cat is a bold lil guy, which Damian takes an immediate liking to, and names him Alfred (likely because tuxedo cat = butler lol). After hours of chicken, playtime, and scratches, Damian and Alfred become friends! He makes his first appearance alongside Damian’s first appearance as Batman in BATMAN (1940) #666
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LEFT: Batman: Li'l Gotham #2/#1 RIGHT: Batman: Li'l Gotham #23/#12
*JERRY THE TURKEY
Introduced in: BATMAN LI'L GOTHAM (2012) #2 (Digital) #1 (Printed)
The Penguin unleashes an army of turkeys at the Gotham Thanksgiving parade which Damian turns into his own li'l turkey march by playing the trumpet. He ends up bringing one of them back for Thanksgiving dinner (as a friend), and Jerry becomes a fairly regular appearance in the world of Li'l Gotham!
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*WIGGLES THE DRAGON
Introduced in: NIGHTWING (2016) #42
A sort of filler issue where Damian has been kidnapped for his blood by the "Crimson Kabuki" in Tokyo, and Dick goes through a series of boss battles to save him. The dragon's blood has been the group's main source of power, so it ends up teaming with the duo, and returns home with them.
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Wiggles was originally named by a fan, "Shanootnoot" on Twitter!
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*Goliath, Titus, Bat-Cow, and Alfred the cat have been Damian's main canon cast of furry companions, but SUPER-PETS SPECIAL: BITEDENTITY CRISIS (2024) may have just added Jerry and Wiggles!!
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s-aint-elmo · 1 year ago
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Falin has been nearsighted since she was little, and has a habit of squinting when she's looking at things. —Delicious in Dungeon World Guide: The Adventurer's Bible
she should have been at the optometrist's
(ID in alt text)
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ofcrowsanddragons · 1 month ago
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The entire dynamic between Illario and Lucanis is uncomfortable, and it's supposed to be. They criticize each other constantly.
The default mode for the player dealing with Illario is:
This dude is suspicious AF
This dude is trying to convince me to take his side over my party member's* [see footnote]
i.e., Illario has already been cast in the role of an antagonist, even if you believe that he's just flighty and maybe a bit sycophantic.
It's really easy at that point to listen to Lucanis vent a bit about their childhoods and not realize that the two of them share a pattern of constant criticism against the other. You're on your friend's side here, after all.
I actually found it a little upsetting how much Lucanis criticized Illario in "The Wigmaker Job" about being vain. When they needed Illario's skillset of acting as a guest at a Venatori party and seducing someone, Lucanis immediately asked Illario to do it—because Illario almost can't fail at that. Illario prodded Lucanis for that, but I got the impression that they fell right back into that dynamic afterwards.
Consider how Teia is the one that considers Illario a good assassin, and makes sure to tell people that. Consider how much Teia had to push to become a Talon, since she was also known for seduction and she clawed her way up from nothing. Imagine how it feels to actually be Teia and hear people make fun of Illario for his methods, then. Or making fun of the amount of time it takes to look like you fit in somewhere specific and look appealing to a target.
Also, if Illario wasn't a good assassin, he wouldn't be a boss battle.
/*Illario actually tells Rook during the final fight that they chose to back the wrong Dellamorte. I like this detail. (This is in background banter when you get hit.)
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thorinoakenbutt · 1 month ago
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I know some people aren't considering the whole "The Viper/Ashur = Divine Aequitas II" canon cause some of it was cut from the game, but I'm considering it canon despite the poor way it was implemented for the sole reason of
"The pope moonlights as Batman" is a very funny sentence
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rookinthecrownest · 2 months ago
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Bedtime Stories For a Demon, Night 2: Swan Lake (Lucanis x Rook Fanfic)
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The next night, Lucanis finds himself arranging a few plates on the dining table ahead of Rook’s planned arrival. He arranges, then rearranges, doubts what he made, or if it was weird thing to do in general. But he remembers his conversation with Neve from earlier in the day, and that seems to hold his nerves steady for the time being.
He had walked into her office-room with a question. And Neve, unsurprisingly, knew exactly what that question was before he even got to her front door. She was a damn good detective, he had to give her that.
“Planning something special for Rook?” she asked coyly.
“You know her better than I do” He admitted, scratching the side of his beard. “She’s … helping me. I want to do something nice for her”
“Is that all?” Neve quirked a brow and leaned back in her chair. An errant wisp floated by her hair, which she quickly swatted away gently.
Lucanis frowned. “Yes. That is all. Just tell me what I should make for her”
Neve crossed her arms, “Information rarely comes free in Minrathous”
“We’re not in Minrathous” he pointed out.
“You can take the girl out of the city, but you can’t take the city out of the girl” she said wistfully, closing her eyes and grinning.
Lucanis groaned and ran a hand down his face. “Fine, what do you want”
“Fried fish for dinner tomorrow night”
“I was going to make Paella tomorrow night”
“Well, now you’re making fried fish” Neve quipped.
“Mierda, alright. But I’m also making vegetables” He pointed at her, “You people need to get better eating habits”
Neve grinned and steepled her fingers together, then leaned forward on her desk. “Make the churros again. You might not have noticed her sneaking an extra one or… five, during dinner, but I certainly did. She wouldn’t stop talking about them the day after you made them”
“Churros” He repeated thoughtfully, as he rubbed his beard. He could do that. He should still have some ingredients left over from the first time he made them last week.
Rook likes sweet things. Smells like sweet things. Spite echoed in his head. He ignored that.
“Thank you, Neve” He gave her a curt nod before he turned to leave. “There will be fresh coffee in the dining hall in a few minutes if you’ve a mind for a real cup of it.” He called over his shoulder.
Lucanis left to her chuckling behind him and closed the door to her office. He had spent the rest of the day gathering supplies, and later in the evening when he was certain the team was asleep, he began preparing. The routine of baking and cooking was as calming as sharpening his longsword on a whetstone. Slow, methodical, rhythmic. But unlike sharpening his swords and knives, the end product was something that could bring joy, rather than misery and death. He tries to hang on to that.
When he finishes the churros, he decides that’s not enough. He makes a chocolate sauce to go with the churros. But maybe she prefers caramel? He should have asked Neve. So, he makes a caramel sauce as well. Then, he wants to see if she’ll like cioccolata calda and starts preparing that. It’s fairly late in the evening when he finishes the croissants he wasn’t planning on baking.
No sign of Rook yet.
He’s not sure when he started pacing with his second cup of coffee in hand.
She had accompanied Bellara to Arlathan – something about Veil Jumpers going missing deep in the forest. He shouldn’t worry. He’s seen Rook fight, she’s more than capable. But she does have a certain recklessness to her way of fighting. No - he doesn’t need to worry. He isn’t worrying.
He continues pacing. Then, he’s once again finding flaws with his arrangement of the desserts on the table. Would she find this strange? Too much? Off-putting, and not in a charming way but an unsettling way? Was there even a way to be charmingly off-putting?
He's pacing again.
“Am I interrupting something?”
He stops in his tracks.
Her voice has caught him off guard two nights in a row. That is a problem.
“Rook” He says stupidly.
“Hi” She waves meekly, and limps into the dining hall with a groan. She’s dragging her left foot on the ground. “Sorry I’m late – ran into trouble in Arlathan.”
He takes a few tentative steps closer. He wants to extend his hand, but some unknown force keeps it to his side, his entire body wound tighter than Harding’s bowstring.
If his body won’t move, his mouth will have to pay the balance.
“What happened? Are you alright?”
Rook winces and draws closer to the large wooden table.
“Rage demon” she answers, pulling out a chair by the fireplace “And I’m happy to report it lived up to its name! It wasn’t very happy to see us”
He pulls out a chair beside her. She turns to him and laughs bitterly, “Have you ever been burned and stabbed on a job? Because I found out what that feels like today, and it’s kind of awful. Thankfully Bellara was able to patch me up”
Lucanis looks down at her left leg. Whatever injury she sustained is covered by her pants, but he can surmise from the way she’s shifting nearly all her weight onto the other leg it must have been bad.
“You leave your left flank wide open when you fight” he says, absent-mindedly. And immediately wishes he hadn’t.
“What?”
Mierda.
“You have a habit of leaving your left flank open.” He says quickly, then looks into the fire. Anywhere but her confused face. “Something I’ve noticed on the field.”
He feels her staring. He’s said something he shouldn’t have said. He doesn’t know how to right it other than by offering her food as a distraction. Lucanis turns to his handiwork and reaches for the bowl of churros, all but thrusting it in front of her.
“Churro?” He asks hopefully.
If Rook is taken aback by the odd exchange, she has the manners not to say anything. She blinks twice and looks down at the dessert.
“You made this for me?” She tilts her head.
Lucanis rubs the back of his neck.
“I … yes” He sets the bowl back on the table after she gingerly takes one in her hand. He wonders if they’re as soft to touch as they appear. “I thought dessert might pair well with your stories”
Rook chuckles, and leans in closer “It’s a good thought”
Smells like Blood and Ashes and Brimstone, Spite’s anger reverberates through his chest. She’s supposed to smell like sweet things.
For once he’s grateful for the demon’s interjection as it keeps him from staring at her while she eats the churro. And licks the cinnamon sugar from her lips. He shouldn’t be paying attention to this.
“Mmm” she sighs, an expression of serene delight passing over her features. His chest tightens.
Rook grins, oblivious to the effect she has on him, “These are dangerous you know- you can’t keep making them for me or it’ll be all I’ll eat”
Lucanis sighs and pushes the chocolate and caramel sauces towards her. “You and Neve are peas in a pod evidently.”
Rook squeals in delight and wastes no time dipping the dessert into the chocolate sauce.
She prefers chocolate.
“So” He starts, awkwardly shifting in his seat, “What tale will you tell tonight?”
He pretends not to notice her wiping a smear of chocolate sauce from the corner of her lip with her finger.
“Oh, right” She reaches into her side pocket and pulls out the small journal. Rook flips through its pages, humming thoughtfully. She lands on a page near the end of the journal before stopping.
“This might be a good one.” Rook snaps the journal shut and places on the table beside her. “Have you ever heard the tale of Swan Lake?”
Even if he had, he would say no. If she wants to tell him a story, he won’t sway her.
“The original story is from Nevarra, but it was adapted into an Orlesian ballet some time ago” Rook continues, not giving him a chance to answer before barreling ahead with her explanation. “Apparently it was one of Emperor Judicael’s favourites. He liked it so much he had the ballet house play it nearly every night, and producers of the other ballet’s threatened to quit en masse. It was so bad, the play was actually banned in Orlais for about fifty years because of that whole debacle. Caused quite the scandal”
“Must be a good ballet” He remarks, before getting up from his seat. “Wait here for a moment, Rook”
Rook nods and reaches for another churro, “Sure”.
Lucanis returns with two steaming cups and passes one to Rook. She takes it gratefully and lifts the warm beverage to her nose. “Mmm! What is this? Smell’s divine”
“Cioccolata Calda. An Antivan specialty”
“Is it coffee?”
“Try it”
Rook does as she’s told and takes a curious sip. Her eyes widen and her lips split into a large smile. “That is amazing. I think I have a new favourite drink”
“They make it better at Café Pietra, but this will do for tonight” Lucanis sits back down and takes a sip of his own cup. It’s a little too sweet for him, but the look on her face assures him it was a good call. “If we find ourselves in Treviso again, we can –“
“I like the way you make things” Rook says quietly, gripping her cup a bit tighter. She’s looking down at her cup, and it’s probably for the better. He is certain the tips of his ears are a furious shade of red.
“Thank you” He whispers, after a few moments of quiet pass between the two. “That’s… very kind of you to say”
“You’re welcome” She replies, crossing her legs in her seat like she did yesterday. She looks like she wants to say something else, but a quick shake of her head and a clap of her hands brings her focus back to the reason she came here.
“Okay, umm, let’s see here” Rook’s gentle features twist in concentration.
Her hands begin glowing with that familiar blue light, and as she raises her arms and gives a flourish with her left hand.
A castle once again fills the empty space between their chairs. This one has a central dome surrounded by four gilded towers with pointed roofs – different in style and architecture from the one yesterday, but no less impressive.
“Once upon a time, in a kingdom far, far away, there lived a handsome and gentle prince by the name of Siegfried”
The castle ripples out of existence, and in its place, is the form of a young man with short, cropped hair, a broad chest, and a large bow on his back.
“Prince Siegfried was one of the most accomplished hunters in the kingdom. It was said he could hit any mark, no matter the distance. His aim would always be true. Some versions of the story mention his crossbow being enchanted, others chalk it up to pure skill. Either way, he’s a good shot” Rook grins and makes the figure of the Prince aim an arrow right at Lucanis’ chest with a crook of her finger.
Lucanis raises an eyebrow and holds his hands up in mock defense, “Tell the Prince he should stick to animals – I might be above his paygrade”
Rook bursts out into laughter and as her concentration breaks for a moment, the image of the Prince flickers in and out of existence.
“Sorry, carry on.” Lucanis smiles as she rights herself in her seat and places her hands back into position.
“Yes – where was I?” Rook flicks her wrist, and the Prince is back in view. This time, he’s joined by another figure. A tall woman, dressed in a long, flowing dress with an ornate crown on her head, comes to stand next to him.
“His mother, the Dowager Queen, comes to inform him of an upcoming ball that will be held at the royal palace. ‘At this ball, my son, you will choose a royal bride. For I am late in my years and wish to see grandchildren in these palace halls before I depart’” As before, the Queen’s mouth moves in rhythm with Rook’s words – like magical ventriloquism.
Rook waves her hand and the Queen disappears. The form of the prince cradles his head in his hands.
“The Prince is despondent at this news. He wanted to marry for love, not political power. Surely, he has a right to his own heart, at least?” The Prince sinks to his knees and stays like that for a few moments.
Another flourish from Rook, and a new figure appears. Shorter, portlier than the Prince, but with kinder features.
“His friend Benno sees how upset he is, and wonders how he can help cheer up the Prince”
Both figures disappear as Rook pauses to take a sip of her hot chocolate. He tries to ignore Spite’s impatient rippling at the edges of his consciousness.
Siegfried and Benno return soon thereafter.
“Benno looks out the window, and happens to see a flock of swans flying outside”
Rook waves the swans into existence, and they flit around Siegfried and Benno in circles before disappearing. The figure of Benno tugs on the prince’s shoulder sleeve.
“‘Your highness, a hunt!’ he exclaims, pointing out the window” The figure of the prince straightens, his interest piqued by the animals.
“Benno gathers a few other men from the castle, and along with the prince, they all ride out to the forest to hunt the swans”
The scene changes to Benno, Siegfried, and three other men riding horseback through a dense forest canopy. He will always be in awe of the imagery she’s able to bring to life with her magic. Never in a hundred years would he have thought of using magic in this way. Then again, Rook is anything but a typical mage, so he shouldn’t be surprised.
“At some point, Prince Siegfried becomes separated from the group”
One by one, Benno and the other men disappear, until only the prince remains, trotting horseback through the air on the spot.
“He comes to the lakeside clearing and finds the flock of swans.” The swans reappear, now floating on the edge of an invisible lake. The figure of the Prince draws his crossbow and pulls an arrow from the quiver. As he nocks the arrow, one of the swans transforms into a beautiful young woman. She has a long plait of hair spilling over her left shoulder. She’s wearing what Lucanis assumes, from its puffy construction, a ballet dress. The skirts are feathered, and feathers even fall from the dress, winking out of existence moments later.
He leans in closer to observe the finer details.
“You have quite the imagination, Rook” Lucanis smiles at her.
She returns it in kind and brushes a stray curl behind her ear. She looks shy, almost, and like she’s avoiding looking at him. “Some say over-active”
“I think it’s just right” He pulls back and takes a sip of his own hot chocolate.
“Thanks…” She whispers, drawing her legs closer together. When she sees her figures flickering again, Rook’s brows bunch together and the blue light in her hands grows brighter.
“The … ah … the Prince was so transfixed by her beauty and grace, he had to know more about her”
The figure of the prince begins moving closer to the woman, but the woman begins to back away.
“But she was frightened, for she did not know this man, and feared the crossbow in his hands”
“‘Wait!’ The prince calls just before she leaves his sight” The prince holds out his hand and tosses his crossbow to the ground. Well, the air. “‘Please stay, I’ve not a mind to hurt you. Won’t you tell me who you are?’”
The young woman stops and rests her hand on her chest.
“‘My name is Odette, and I cannot leave this place’”
“Why?” Lucanis is leaning forward, practically on the edge of his seat.
Rook leans in closer. Too close. Close enough to reach out and touch. Her large, doe-like green eyes, framed under long and wispy eyelashes, feel like they’re burning themselves into his soul.
Chocolate and cinnamon. Spite shrieks gleefully, and he wants to draw back. His heart throbs loudly in his ears, almost drowning out the demon. Almost.
“The prince had the same question” She winks and returns to her previous spot before he has the chance to pull away first.
“Odette explains she’s been placed under a curse by a powerful, but wicked mage. His name was Von Rothbart, and he was obsessed with Odette.”  
The prince disappears and is replaced by a taller man with hair tied behind his back and sharp, hawk-like features. He was dressed in a finely tailored doublet, with a side-cape hanging by a large broach affixed to the right shoulder. A faint red light shines from the broach.
“He kidnapped her from her home and used her blood to bind her soul to the gem in his broach. ‘Marry me’, he asks her every night. Every night she refuses. Every morning thereafter, she turns into a swan. And every night, she is called back to Swan Lake and turns back into a human. Such had been her fate for the last five years. It’s a powerful spell, born of ancient magic – but not an invulnerable one.”
Rook arced her hand over Odette, who’s form morphed from human to swan to human again with every back-and-forth motion of her palm.
He doesn’t have the words, none that will meaningfully add to the conversation at least, to describe how he feels about the way she uses her magic. Amazing, incredible, inventive all seem inadequate.
“There was one way to break Rothbart’s spell. A man would need to profess his love for her and remain faithful to that vow forevermore”
The figure of the prince kneels down on one knee, evidently ready to profess that love immediately.
Lucanis is resting his elbow on his knee, and his chin rests in his hand. His cup of hot chocolate rests forgotten by his side, as do the churros and croissants. He is certain she doesn’t realize how captivating she – her stories, are.
But they are interrupted by Rothbart, suddenly appearing beside Odette. He grabs her roughly by the arm and holds her beside him.
The prince stands with righteous anger. He has an arrow pointed at the figure of Rothbart.
“‘I shall slay this wicked mage, and free you from his grasp’” Siegfried declared”.
As the prince was about to loose the arrow, Lucanis is surprised to see Odette step in front of Rothbart, her arms spread wide in defense. The prince lowers his bow hesitantly.
A low growl escapes his throat, his eyes flash an angry violet “Why would she do that?” Lucanis’ voice is drowned by the deep and unnatural timbres of the demon, echoing together in a discordant symphony.
“Spite” Rook says calmly, like one would address a misbehaving child. “May I have Lucanis back so we can finish the story? You’ll find out why in a moment”
Lucanis’ face contorts with frustration. His violet eyes burn bright with anger, “Want. To know”
“You will, soon. Now bring Lucanis back”
Lucanis – well, Spite, growls again. When the demon refuses to relent, Rook hesitantly touches his forearm and frowns. “Please?”
The violet in his eyes dims, and Lucanis shakes his head. It was rare for Spite to surge to the forefront so quickly.
He couldn’t understand why the princess would protect someone who hurt her.
Lucanis takes a deep breath, and exhales slowly.
“Are you alright?” Rook asks quietly. The figures are long gone now, dissipated by the distraction that was Spite.
He realizes she’s still touching his forearm. Warm, and calming. Gentle. They both look down and she quickly pulls away. He feels the withdrawal of her warmth like gust of cold settling on his skin.
“Yes, I’m fine – don’t worry” He gestures to her, “Please, continue with your story”
Rook still looks hesitant, like she doesn’t quite believe him. He wouldn’t either, he supposed. He needs her to continue the story. Needs to distract himself from the feeling of her soft fingers lingering on his skin, like a brand.
She relents and her hands glow blue again.
The three figures of Siegfried, Odette, and Rothbart return.
“Odette explains that her life is tied to Von Rothbart. If he dies, then the spell imprisoning her can never be broken”
The figure of Rothbart retreats into a deeper part of the forest she’s conjured.
Odette and Siegfried share an embrace.
“’Come to the royal ball in three days’ time. There, I will profess my love to you in front of the entire court’ Says the Prince, resolved to defy his mother and marry her instead of a princess.”
The figure of Odette nods and disappears soon after.
“What they don’t know is that Rothbart heard the entire exchange, and he had a plan to make sure Odette could never escape him” Rook frowned.
The prince disappears next, and they are back with Rothbart and another young woman. This one slender and petite, with the same sharp features as the man next to her.
“Rothbart had a plan. He would use magic to disguise himself” Rook waved a hand and Rothbart morphed into the dress and appearance of an unassuming peasant. “And his daughter, Odile” She waved her hand again, and the young woman became an identical copy of Odette – but her dress, was glowing with an ominous black light.
“There’s no way that’ll work” Lucanis throws his arms up and leans back in his chair. “He has to know that Rothbart won’t just let her waltz into the ball”
Rook merely shrugs, “You’ll have to wait and see”
Lucanis crosses his arms over his chest and frowns. “Continue”
Rook laughs, “Alright, alright”
Odile and Rothbart disappear. They are replaced by a grand ballroom floor, with guests dressed in all sorts of finery decorating the dance floor like little spinning jewels.
At the top of a grand staircase sees Benno, Siegfried, and the Queen gathered together.
“Siegfried anxiously awaits the arrival of Odette” Rook explains, before waving her hand and bringing to life the disguised figures of Rothbart and Odile-as-Odette.
“Overcome with joy when he sees her, he immediately asks her to dance”
The two come together, and the rest of the ballroom disappears. They twirl about the ballroom in an elegant pas-de-deux.
“At the end of the dance, Odile asks him one simple question”
The pair part, and the prince drops to one knee in front of her.
“’Do you love me, and only me?’”
Lucanis watches intently as the figure of the prince bows his head in front of the pretender.
Sadness washes over Rook’s face. “The Prince, none the wiser, proclaims his love to the entire court ‘Of course I love you’ – but it wasn’t enough. Rothbart, masquerading as the girl’s father, asks him to make a binding vow in front of the Queen. Siegfried, thinking nothing of it, does so immediately”
Rook waves her hand and the figures of Rothbart and Odile return to their original forms. Suddenly, the real Odette, in her pure white dress, is inside the ballroom. She crumples to the floor as she witnesses the Prince profess his love for Odile.
“Odette, heartbroken, flees the ball and returns to the lakeside clearing. The prince follows after her, distraught at what he’s done.”
The two figures stand in front of each other on the lake.
“Odette eventually forgives him, realizing that he was under Rothbart’s spell just as much as she was. But the damage was done. His actions consigned her to live as a swan forevermore”
Lucanis frowned, unable to see a path to a happy ending. But Rook was full of surprises, maybe her stories were as well.
“Odette and the Prince resolved to leave this world together, rather than be bound by Rothbart’s magic”
The figures of Siegfried and Odette walk towards the lake, hand in hand. They slowly sink together under the willowy depths.
Well, he wasn’t expecting that.
A moment later, they both disappear under the water.
The figure of Rothbart returns into view. The red light of the broach on his shoulder flickers in and out, before dying out completely. Rothbart collapses to the ground and remains still.
“It’s true that Odette’s life was bound to Rothbart’s – but the magic worked both ways. Rothbart’s life was also tied to hers. And when she left this world of her own will, he left it against his”
A moment later, Rothbart disappears and in his place are two ghostly swans, flying in circles together.
“The spirits of Siegfried and Odette are reunited in the Fade, until they decide to pass on together”
With a final flick of her wrist, the birds disappear, and there is nothing but empty space between him and Rook again.
“The End”
Lucanis exhaled.
“Not the most cheerful ending” He remarks, taking another sip of hot chocolate.
“What was it you said about that one brew at Café Pietra? Bitter and sweet - like a kiss goodbye?” Rook nods and absent-mindedly chews on another churro. “That’s how I think about this ending. Not every story has an overtly happy one”
He’s dumbfounded she even remembers that throwaway comment.
“I still don’t understand how the prince doesn’t question Odette appearing at the ball. With a father she hasn’t seen in five years, supposedly” He wants to change the subject. Away from kisses, goodbye or otherwise.
Rook shrugs, “That’s a question for the author- though he’s likely about four hundred year’s dead.” A light twinkles in her eyes, “Maybe we can find him here, in the Fade, and ask his spirit!”
Lucanis laughs, “Now there’s an idea”
“I’m full of them. Some better than others” Rook grins sheepishly. She begins massaging the side of her left leg.
“What’s wrong?” He asks, following her gaze down.
“Nothing – it’s just starting to ache a bit” Rook winces. “That demon got me good”
“Let me see” Lucanis drops to his knee in front of her. “If that’s alright”
Rook removes her hand and drops her gaze to look at him.
“Oh – it’s fine, Lucanis, really. I’ll bug Bellara about it in the morn- “
“It’s better if you bug me about it now. It might get worse over the course of the night”
He gestures to her pant leg, “May I?” He asks again.
Rook bites her lip, before relenting. “Sure… go ahead” she answers softly and lifts her leg so he can support it in his right hand.
He clicks his tongue when he sees the damage under her dressing. The lateral portion of her lower leg is covered with an irritated and inflamed superficial burn. Three parallel gash marks, likely closed thanks to Bellara’s healing magic, create tracts of bright crimson skin. She hisses when he gently presses on the skin of her leg.
“I have something for this. Wait here” He carefully lowers her leg and returns a moment later with a small jar from the pantry.
“Embrium and Elfroot paste, good for burns and skin irritation. It’ll also prevent infection. Apply it twice a day” He sets the jar on the table beside her. “Let me know if that gets worse”
Rook grins, “I didn’t know I was getting a doctor and an assassin in my contract”
Lucanis chuckles, “Any Crow worth their salt knows how to close a wound just as well as they can open one. Consider it on the house”
“Is the all the cooking on the house too?” Rook slowly stands up, and they’re only a few inches away from each other now.
Lucanis nervously rubs the back of his neck, “I think it has to be, with the way you people eat”
“Hey! I’m not that bad” She places her hands on her hips and frowns. “I eat vegetables … sometimes”
“I’ve seen you pick out the eggplant in every dish”
“Okay, I don’t like one vegetable”
She shakes her head and gathers a few churros and croissants onto a plate. Rook sticks a croissant in her mouth, and speaks around it, “Just for that, I’m eating nothing but these for the next two days”
“You’re going to miss Paella night” He deadpans.
Rook swallows and places another croissant defiantly on her plate.
“Three nights”
Lucanis sighs. At least she seems to like the food.
Rook’s laughter fills the dining hall. “On that note – I should get some sleep. I hope Spite doesn’t give you too much trouble for the rest of the night”
“He won’t” Lucanis doesn’t know that but says it to give her some reassurance. “Good night, Rook”
“Madeleina”
“What?”
“My name … it’s Madeleina. You can call me that if you want” She smiles widely. “Rook is fine too, though”
“Madeleina” He repeated softly. He smiled, and for the first time all night, he feels like he can keep her gaze. Their eyes meet, and it feels like an entirely new conversation is happening between them. “It suits you”
Rook toys with an errant curl and smiles. “Thank you”
“I – umm… I should get going. Goodnight, Lucanis” she adds quickly.
She quickly rights herself and for good measure, steals one more churro from the bowl. Madeleina then turns and begins hobbling out of the dining hall, leaving Lucanis and Spite to mull the feeling of her new name over in his mind.
He would have to thank Neve for her advice.
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enigmaticagentalice · 5 months ago
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please Bioware just give me any indication in Veilguard that Varric and Cassandra are still friends and in regular contact, I am on my knees, one single crumb is all I need to sustain me
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hitwiththetmnt · 10 months ago
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Out of curiosity, what made you decide Raph needed two dragons in the spitfire au? Also, is there an easy way to tell Crash and Bash apart? Thanks!
Knew this question was eventually coming (;゙゚ω゚) warning: long post
Ok story time, I see a lot of myself in Raph as a character. For the first half of my childhood I was the eldest. I was the roll model and figure my younger siblings looked up to or came to for guidance. Then in the later years of my childhood I got an older step sibling, suddenly I became a middle child. The dynamic of my family shifted to where I had grown up the eldest but then was sort of allowed to be myself and more free once I became a middle child. So in a way, I grew up understanding the two sides of looking up to an older sibling and what it feels like to be that older sibling.
When I first watched rottmnt I instantly felt a connection to Ralph’s character. An older sibling figure that dotes on his brothers but is also a lovable goofball. I understood his position in the family on a deeper level. Someone who wears the hat of both responsible sibling but also expressive idiot. I knew he was going to be someone in my au that his power would be shaped on that perceived position in the family.
The canon show doesn’t really dive into the origin of the mystic weapons or the “rules” around mystic magic with the boys. I think I’ve mentioned it somewhere else but the way I see their mystic abilities is that it’s an extension of themselves, a reflection of their power and character. So seeing how I view Raph as someone who holds himself responsible for his brothers but is also still running around doing stupid things with them, I wanted to reflect that duo mindset in his ninpo.
Sorry for the long post, hope this makes sense! (Here’s some Crash & Bash helpful pointers)
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tidetower · 11 days ago
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Nautilus: Seahorse Love Works in Mysterious Ways by Till Hein // Fire and Blood, George R.R. Martin // Ocean Conservancy: 7 Wild Facts You May Not Know About Seahorses by Katie Hogge // Mating Pair on SeahorseResearch - unknown // Project Seahorse: Reproduction // @/superorganism // Bones - MS MR // Seasmoke vs Tessarion by pedrohenryq // This Is How You Lose the Time War, Amal El-Mohtar and Max Gladstone // Project Seahorse: Pair Bonding // Not A Blog: Here There Be Dragons by George R.R. Martin // SeahorseResearch: Mates // Eclectic Array: A Sea Horse Kind of Love // Without You - Ursine Vulpine & Annaca // unknown
THE DANCE OF THE DRAGONS, otherwise known as the mating dance between Tessarion and Seasmoke
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justlyric24 · 11 months ago
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My favorite trope rn:
✨besties✨ who are actually dating but just don’t know it yet
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thebellekeys · 5 months ago
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“in the book this” “in the book that” shut the fuck up it’s a different medium and a different story what’s not clicking
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drakaripykiros130ac · 5 months ago
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I just want to take this moment to applaud the confirmation that we still have rational people in the Asoiaf fandom.
The last shit show episode was marked down as the worst ever.
A big round of applause to common sense!
👏
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flashhwing · 2 years ago
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y’know I don’t really subscribe to the theory that Anders doesn’t truly have anything to fear from Templars in dragon age 2. the argument usually goes something along the lines of “oh well Justice makes Anders invincible” but like. it’s not like we don’t see Templars killing abominations, which is, terminology and sensitivity aside, exactly what Anders is. like that’s kind of their job. there’s nothing in the game to support the idea that Anders can’t be killed — he literally can die in the course of the game. you as the player character can actually physically kill him. very easily.
does Justice make Anders stronger and harder to kill than your average mage? yeah, for sure. would he absolutely come out any time Anders is in danger from Templars? also yes. does that mean that Anders has nothing to fear from them? of course not. he can be overwhelmed and overpowered same as any other abomination
there’s also the tranquility argument which. yeah, we the players know from information given in a later installment that Anders cannot be made tranquil. Anders doesn’t know this. nobody in da2 knows this. there’s no reason for Anders NOT to fear being made tranquil
anyway thank you for coming to my TED talk. next time you see someone talk about how Anders is whiny for no reason or that he can’t be a Templar victim just remember that textually that’s bullshit
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silver-horse · 2 months ago
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bioware really said "let's release it on halloween... it's so terrible... it's gonna scare the shit out of everyone...the perfect halloween"
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mostly-delusional · 6 months ago
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i feel like people will start pelting me with rocks as soon as i say it but i did not like what the writers did with rhaenyra and mysaria this episode. i have nothing against sapphic representation in stories. i just think it would have way more meaning if the relationship wasn't a half-assed idea thrown in at the last minute for the sake of getting brownie points.
the decision to have them kiss makes no sense to me because a) rhaenyra did not like this woman (you know, the ex-mistress of her husband??) and only barely tolerated her because of daemon, and b) rhaenyra idolised daemon all her life and loved him way too much to cheat on him. the entire scene just feels like another attempt by the writers to appease the fans instead of wanting to stay true to the story martin wrote. there are other canonically queer characters you could bring more attention to instead of doing the bare minimum for the sake of representation.
i feel like whatever narrative choices the writers are making are either for shock value or to appease the fans. house of the dragon is just a poorly written fanfiction of fire and blood at this point. because they're not adapting the characters and the story martin wrote but creating their own headcanons. and it's frustrating to see such a good story be disrespected like that again.
pls do not hate me for this because i know a lot of you are happy and feel represented because of that scene. I'm just frustrated with the show and the writing and wanted to express it. i swear i don't hate queer people 😭.
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