#is how ive interpreted him

[moon-daisie]

i think it would have been such an interesting interaction to meet someone else with seolite heritage in the game, bc kim is literally the only one, and he’s adamant about having as much distance as possible from that side of himself to the point of being openly proud of not speaking seolite. he knows about his family’s history but which implies he was raised by extended family, or maybe he did some digging when he was younger? either option is interesting bc if he was raised by extended (also of seolite heritage) family, does he still talk to them? is he so hellbent on distancing himself from anything seolite he distanced himself from them too? if he did some digging and wanted to know his family history what made him stop? what made him look in the first place?

and then interacting with another seolite person during their investigation: would he give them the same speech he gave harry? what would he do if they reacted with anger, or confusion, or sadness (“i speak seolite. am i not ‘vacholiere’ enough for even you?”)? it seems as though he’s convinced himself that he has a foolproof sort of alibi but what good is his denial when the person standing in front of him is the same as him? if harry was racist to them or stereotyped them what would kim do? he doesn’t say anything when you stereotype lizzy beaufort and he’s a blue lives matter cop through and through but yet he doesn’t like bullies. he idolizes the aerostatic pilots from the same army that brutally murdered his parents.

[somnoir]

Prodigal son beyond time - Part 1

Ra's Al Ghul had a son. No, it's not Dusan we spoke of right now. Ra's Al Ghul's first born child was a peculiar boy that was forged by the Lazarus Pits—or so what he says.

Talia has never met her brother.

Her brother, it has been years since she's found out about him yet her father never gives them a name—he thinks them unworthy of it. Even if he was not present, her brother continues to be the favorite, to be the child their father praised most. His absence is a glaring hole in her father's heart (though she is not sure if he has one).

It is no secret amongst the league that Ra's nameless son was unofficially the heir, even when Damian was born.

Talia has doubted her brother's distance many times, and yet she finds evidence of him over and over again.

Her father writes letters, strange ones that vary in language, dialect, grammar, writing styles. She did not mean to read one when she was young, but she couldn't help herself when she had seen it.

My dearest, son of mine,

It has been an age since last I beheld your presence. I find it most disquieting that you have not seen fit to visit, though I am not ignorant of how poorly time aligns itself with your affairs. Yet still, I dare to hope that you might bestow upon me a portion of your time, if but briefly.

Your siblings have inquired after you once more. Yet I am acutely aware that it would be unwise to bind you to this mortal realm for too great a span. Their hearts, tender and unfortified, lack the endurance I possess to weather the long absences your path necessitates. Nevertheless, I am not blind to the hope you carry—to one day stand before them, whether that moment lies near or far in the veiled expanse of time.

She could not finish the lengthy letter before the letter vanished from her hand, a burst of green and strange liquid slipping from her fingers. Talia had been startled, too young, assuming that this was Lazarus water that has stolen her father's letter.

And she found her father looming behind her, his expression stern get there was amusement in his eyes.

"Your brother is a curious person." Her father hummed, "He's powerful."

"We are not... Allowed to meet him?"

"Not yet. Until you steel your hearts." Ra's nodded, "Your brother does not stay in one place for long. But he is soft hearted and loyal to the family. You give him reason to stay and he will stay."

His hand, firm and guidind, pressed against her shoulder in a tight grip. "And I will not let any of you weaken him."

On that day, Talia realized that her father truly did love her brother. In his own strange way.

The next time she reads a letter, Damian was but a babe of one, cradled in her arms as a letter written on green paper rested in her father's hand. It was open, the wax seal carefully sliced from the envelope.

"Father."

"Talia." He replied nonchalantly, eyes flicking to Damian, his eyes softening momentarily as a longing look slipped to the letter.

Talia's heart tightened, resentful that her father was beginning to see his favorite child on her own son. She could not allow that...

"Your brother has written to me. It has been... Almost a year... Since the last." Ra's hummed, turning to Talia, then Damian, before flicking yet another letter to her. It startled her.

"From your brother." Ra's sighed, "I made the mistake of writing about Damian and now he wishes to meet you first. Not Nyssa, not Dusan—you."

"My brother?" Talia hesitantly accepted the letter. "I do not even know his name..."

Ra's clicked his tongue, "He signed it in his name. You will know from that letter." He paused, glancing back at her. "You have yet to prove yourself worthy, Talia, but... Damian's birth will surely being your brother back home."

Talia's heart palpitated in her chest.

The prospect of her baby, her son, her child—the mere thought that her baby would be the thing that successfully brings her brother home was... Outstanding.

"Read it in your own time... After that, seek me out."

Talia does not know... What to particularly do...

But she takes Damian, watches as her father leaves, and hurries along to her own quarters.

Talia tucks her son into the crib, narrowing her eyes at the nursemaids that were hired to nurture her son. She dismissed them immediately, watching as they silently leave the room. It is only when silence reigns does she takes a seat on her bed as Damian slumbers in his crib.

(Her hands tremble as the letter rested in her hands. It was light, not heavy, her her hands tremble as if she could not handle the weight.)

She takes in a deep breath, takes a dagger and carefully slices it away from envelope. It's intricately made.

The letter is written in the same green paper that her father received.

The letter read as thus:

My Dearest Talia, It would seem that I am now to be regarded as your brother, for Ra's has deemed me his son. Admittedly, this turn of events is of my own doing, as I endeared myself to him centuries past and found solace in his companionship, coming to view him as a father in truth. Yet you, his daughter by blood, remain a stranger to me, as do Nyssa and Dusan. How peculiar it is that Father should act in such a manner, withholding such introductions with his customary inscrutability.

She takes in a deep breath, awes by her brother's penmaniship... And then suddenly the writing style changes. Morphing from the olden age, the formality of a noble, to...

Anyways! Since you're my sister, I don't think I have to keep writing to you the same way Ra's does. It feels awkward to me, y'know?

She was not expecting that change but...

I've always wanted to meet you all. But my duties to my realm are hard. I can't freelt leave. It's especially worse since my world's time doesn't correlate to yours.

You might find the change of writing styles weird, but in all honesty, I'm from the 21st century. It's just that time never did agree with me. Had to comply with the old man on writing like that since he likes it. Weird, right?

But anyways! I heard you had a son! Congrats by the way. I'd like to meet him too, actually. Aside from that, I heard from Ra's you don't know my name.

Well, he's decided to call my Danyal as it's the Arabic version of my original name "Daniel". Though I often go by my nickname Danny. But it has been a delight to write to you, Talia. Hopefully, I'll be able to meet you and your son in the future.

Since you have my name now, you can write me letters too! It'll find me eventually.

Your brother,

Danny

Her brother's name was Danyal... Her brother went by Danny.

Talia blinked.

Her strange brother was a being that traversed through time, a person who was born in the 21st century... Her brother could be somewhere in the world in that moment and in another time the next.

She pressed the letter to her lips, unable to hold back her smile.

She had quite the silly brother...

And amongst her siblings, Talia was the first to know her brother's name. That bit about being able to write letters to him made her finally understand why her father was so possessive of a name.

(In the Infinite realms, High King Phantom received a letter from his estranged younger sister. He really didn't mean to find family in the Demon's head, but he found it anyways.)

Part 2 | Masterlist

[applestruda]

*redesigns my grian the night before the new hc season*

[waterghostype]

i thought this was a beautiful nonbinary lesbian but it’s just morro from ninjago

[sketchy-tour]

@johnnystruant @just-watching-dont-worry (wonder why I can't seem to tag ya sorry)

But teehee I agree, Johnny is my favorite little critter.

[mellohiizz]

melmel...your wifies...always so cute...i wanna squish his face...

honestly, me with this dumb dog coded guy...

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[moonstruckdraws]

Aphrodite & Antheia

yep, going down this rabbit whole on my blog (updated)

Aphrodite is, I would say, the goddess I know the most about (even though I'm still learning new things). I literally did all my mythology projects on her when younger lmao

Stars it's been so long since I've drawn people-

Anyway time to yap

The way I first learned (and preferred) of Aphrodite's birth was emerging from seafoam. I thought it was the coolest thing ever, and was so so SO happy to see people incorporate the ocean in their designs of her. I felt it only appropriate to do the same (I am worried I made her too ocean based- so it's the reason she's got those wings lol)

however, sticking with her origins, I gave her stretchmarks (that I'll likely edit later to detail better) that look loosely like waves. I thought they were cute. Her hair is based on jellyfish frills, and made the underside yellow to be kinda-not-really like scallop shells. The ends of her lashes have little pearls because they are also a symbol of hers

Her animal is the dove, sometimes swan though I see that more with Eros, so I put these utterly useless wings in the back of her head like a hair ornament. They are folded to be in the shape of a heart.

The other lady is Antheia, one of the Graces or Charites, Aphrodite's attendant and the Goddess of flowers (& gardens & other stuff). Her and Aphrodite have a close relationship, and as a kid when first learning about her I thought she was another lover of Aphrodite. She's not, but I consider her Aphrodite's best friend. Her only symbols are flowers, usually roses & blossoms. And for fun, I have her hair loop back into the snake on her head. She's not associated with snakes, but I thought it'd be fun to give her a Garden Snake (though again I'll have to edit that for its patterns).

[iconicname]

Me: just trying to read jason todd centric angst fic in peace

Tim drake 95% of the time: what if I made everything about meeeee I'm such a uwu abused neglected baby genius boy 🥺🥺who could do no wrong! See how I flinch and panic when Jason looks in my way!! Even though I'm supposed to be such a smart and tough badass robin worthy of my title unlike that stupid idiot 2nd robin who got himself killed and everything that ever happened to him was his fault because he beat me up one time and he disagreess with the almighty batman! :((((( I'm so terrified of him, but I'll forgive him, im so brave to face my "abuser." I'm such a good person who puts the mission first and emotion second, and B-b-b-because jason was my robin!! How could my inspiration betray me like this? im so insecure about my position as robin! I keep invading Jason's boundaries because I'm soooo smart! And that stupid idiot jason doesn't know. This is just how Bruce and I show love aren't such a good person with no flaws whatsoever? I may be born rich, but I'm the perfect philanthropist who has no internal biases against poor people and know the ins and outs of how to handle crime alley! I may even teach Jason something! Any good that ever happens to Jason is because of my interference , he should be forever grateful for having a brother like me and also forever guilty for beating me up one timeee, let's ignore the fact I fought back just as much and was conically still standing by the end. Jason should feel sooo guilty for existing in my presence that he feels obligated to cater to my emotional needs like a parent even though he's only three years older..I'll even guilt trip jason into taking care of Bruce's emotional needs because he's soooo sad and repressed his emotions! Even though Bruce and I never had a day in our lives where our needs were unable to be met and we never had a lack of support systems and jason spent spent his who childhood taking care of adults who should have been taking care of him. But I'm just so small and frail! I need taking care of and Bruce neglects me for that evil 9 year old, look at these brittle thin bones I'm so unhealthy and don't know how to take care of myself I need jason to do it even though I'm medically fit enough to be a vigilante and had enough support growing up to have access to good medical care and consistent nutrition. Oh, but i just don't know how to care for myself. I'm such a genius, but i can't figure out basic math like getting no sleep, and relying on coffee will lead to burnouts. I just want to keep going because I'm so loyal and noble. I can't waste a moment of time to save people! :))) look at all of these cutesy quirks I have no character development needed in fact all of my perceived character "flaws" are positive flaws or flaws that only negatively affect my uwu sad boy self rather than other characters or the plot!

[the-pea-and-the-sun]

its so funny how fan redesigns of chilchuck and snufkin are so similar. not funny exactly its pretty awesome i jus dk how it happened. but fuck yea give those guys tails an more hair !!! shade the bridge of their noses !!! those dudes r creatures !!

[koszmarnybudyn]

Little (mostly) Cecil doodle page, cause brain images are wierd.

[willyhoos]

you know for someone who loves metamy so much. i gotta say having it be fully unrequited is honestly fitting with metal's whole arc (or rather his LACK of arc)

he wants what he can't have. he's not anything or anyone, he doesn't deserve it. what would he even do with it?

"i don't think i have anything. i don't think i can have anything. i don't know how to have something." (src: 17776)

whether or not you subscribe to the roboticized metal theory, it doesn't change that metal's goals are not aligned with reality. ironically it's the robot that is unable to logically analyze his situation. he wants to be sonic but it doesn't change the fact that he isn't. he wants to win but it doesn't change the fact that he won't. his desires are narratively and morally unfulfillable because what he wants is wrong (factually and ethically.)

and so if he, in theory, wanted amy rose how could he ever actually have her?

the most she would give him is "you're more like him than i thought."

because he's Not sonic. all he can be is sufficiently Like him (sometimes). whatever metal claims he is (and honestly whatever he ACTUALLY is) is irrelevant because he can't MAKE himself sonic. he can't make himself the version of sonic that amy loves. amy loves sonic for WHAT he is (good) not what he's named. the most she could ever do is passively appreciate the traits of sonic that metal is able to imitate. emulate. simulate. fabricate.

sonic's role (in the meta story and in-universe) is so unique and treasured and irreplaceable. the only way to kick him out would be to, idk, replace him with an identical copy and put the old sonic in a lose-lose situation where he could not possibly be believed or sympathized with. or something.

say he gets "rehabilitated," rebels against eggman... you know those metamy fics. what is he then?

-> another job well done. another good deed for team sonic (y'know, the real one).

because it's not just that he's Not Sonic. (and he isn't. even if you believe he once was, he's not anymore in any way that is relevant to the narrative. the narrative, as you know, is the real sonic's pov.) it's that he's not even really a person anymore.

he's been forcibly depersonalized, dethroned, removed from his role (+ promptly replaced with something canonically better!) and isolated from any semblance of humanization. he doesn't even have a mouth. either it was taken from him or he was never given one. and we are not given any glimpse into his thoughts. (they're not important.)

like. this is a dead end. he is a dead end. there's nowhere to run.

he won't "get the girl" (pardon the term) not because he's evil not because he's not sonic but because he is not a "person" in any sense. not literally not socially not narratively not practically not really

idk. whether metal falls in love with amy genuinely, or if it's just out of jealousy/desire to want what the real sonic has/instinct to emulate the real sonic's emotions... it's doomed. he's just a ghost from a doomed timeline and everything he will ever do is destined to fail. he can't kill sonic. he can't hold amy's hand. he can't do anything but lose.

in that sense, metal "losing" amy to the real sonic (as if metal was ever even a contender, as if he was ever real enough) is just another failure in a long, long string of mostly unpleasant memories of a character who doesn't even get to go by his real name. because someone more important took it already has it.

[falmerbrook]

I love seeing people's characterizations of Nerevar because the fella is so important, but he also functionally isn't a character. He has almost no characterization to speak of. You can pull some tidbits out about how he might of been, but he's basically a plot device--a backstory for all the important people. The only accounts we hear about him are from the most biased and untrustworthy sources in the whole game. So it's so fun to see what people do with those scraps. At this point he's Morrowind fans' collectively owned OC

[kindaorangey]

recently i've been thinking about rowan omondi in terms of the "supportive black best friend" trope. i've had this idea for a while that it would be interesting to see a story that deals specifically with the psychological effects of being the designated "support friend", especially in cases where that character addressing/expressing their own emotions and advocating for themself would be stigmatised because of their race... and obviously, rowan fits into this neatly, actively repressing and refusing to talk about his feelings because he isn't usually given this sort of support by his friends, it's usually him who's supporting them. and i guess on a metatextual level, once he begins to address his own emotional repression and step down from that support role, you could view it as him becoming cognisant of his own role as the "supportive black best friend".

[arthur-lesters-spinal-cord]

Episode 48-49 characters i drew while listening to malev 49

Langward and Gerard not pictured since i had started crying by the time i got onto them

Bonus Everard inital design from before 49 came out. And my tiny doodles from my writing down random reactions as a way of keeping my brain focused. Its like live blogging but im just writing insane shit on a piece of paper and drawing weird cats

[a-shade-of-green]

yeah so that scene where mike kicks down the fort in his basement in s1 is definitely supposed to be paralleled by will taking down castle byers in s3. just if anyone cares about when mike turned his back on being a kid.