#also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
#wow look at me writing actual kinda thought out meta#also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time#look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai#to rewatch the show again through this lens and see if it holds up#i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy#nonsensical thoughts to find their own happiness#bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7#but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin#the ways to work around them in order to find happiness#like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy#the game is your own mind - deal with your own existential crisis as you wish#anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned#love for love's sake
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Subscorp shorts: how to put a drunk cryomancer to bed.
I wanted to write something soft for these two and mark some of my subscorp requests off my list lmao. I have this headcanon that Kuai is a really lovey dovey drunk. This is also pre-relationship!
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Hanzo had to admit, he had a lot of patience. More than anyone really gives him credit for. But he wasn't a saint, so his patience wasnt an endless river. It was more of a well, and at the moment it was slowly beginning to run dry and the rain wasnt coming any time soon.
"You should be greatful our rivalry is something far in the past, Kuai Liang." The Shirai Ryu let out a heated huff, his breath scorching hot in the freezing winter air.
Kuai was leaning against the shorter ninja as he aided him in walking up the temple steps. One foot after the other. "I was gaining us both allies." Kuai said, the normly well put together grandmaster sluring his words as Hanzo pushed open the heavy door with a slow kick as he held one of Kuai's arms over his shoulders, keeping the man on his feet.
"We already have special forces as allies, Cage was just wanting to make a mess of you." He rolled his eyes as they made it through the quiet halls of the Lin Kuei temple, getting closer to Kuai's private quarters. "Id thought you would be one to handle your liquor." The ninja said in a mildly sour tone. He had a few drinks with Kuai before and the cryomancer came out fine. Yet that time there was no Johnny cage and the rest of their friends demanding Kuai take 'just a few more shots.'
Oh how Hanzo will have a word with Johnny next time he is at the SF base about this. And he damn well better not be letting Takeda drink himself stupid while under his watch.
But that was an itch to scratch later. At the moment he was dealing with a very drunk subzero and is going to have to put this grown man to sleep-
"You're so warm."
Hanzo stopped in his tracks, kuai taking just one extra step once he realized the other had stopped. "What?" He looked at the grandmaster. "You feel so warm." Kuai repeated as he looked at Hanzo, ghostly blue eyes glazed over in a drunken state, yet he gave the other man a grntle smirk.
Hanzo scoffed at the other, shaking his head. "You truly are drunk, Kuai." But then he felt the gentle touch of calloused fingers drawing circles and shapes on the bare skin of his upper arm, making his cheeks gain some heat.
"Your skin is so warm and golden." Kuai continued, his voice carried an air of genuine care to it as he spoke to Hanzo. His cheeks having a bit of color to them in his intoxicated state as he gave Hanzo a crooked smile.
Hanzo didnt know how to respond, and he was praying that Kuai couldn't feel how fast his heart was starting to beat. "It's hell fire. It burns within me." The older spoke in a soft tone as he stood there, Kuai's arm still around his shoulder, drawing random shapes on his upper arm, if Hanzo didnt know better he would assume Kuai was writting a letter on his flesh.
The two stood there for just a second, looking at one another before Kuai spoke. "You are so beautiful..." he said in an almost dreamy tone. Hanzo looked away as soon as he could, tugging Kuai along to begin walking again. "You and Johnny are not to drink together again." He swallowed, finally making it to the Grandmaster's quarters. Heart beating like a drum at this point.
Hanzo sat Kuai on the large bed, confident that none of his students spotted their grandmaster in such a drunken state, being practically carried by the other.
Once Kuai was no longer attached to his hip, Hanzo gave a sigh, looking down at the other man who was sitting on his bed, looking up at Hanzo with such a soft look in his eye. But Hanzo was able to pull himself away from those haunting blue eyes and their unnatural hue. "I will inform the cooks to give you a light breakfast in the morning, but for now i can bring you a glass of water."
Before Hanzo could even turn around Kuai grabbed each of his hands, holding them gently in his grasp, looking down at them. Hanzo just watched, heat gathering in his face. He was thankful for the darkness.
Kuai ran his thumbs over the palms of Hanzo's open hands as if trying to read the history behind the light scaring on his flesh and the creases of his grip.
"There is more than hell fire that warms you, Hanzo." Kuai said, eyes raising up to look at the other. Hanzo forgot to breath for a moment after that, unsure of what kind of riddle Kuai was working up. "I...did not take you for a palm reader, Kuai." Hanzo's voice was only a whisper of it's usually tone. Kuai Liang sure did know how to take down Hanzo's walls at will.
Kuai didnt reply. He simply turned Hanzo's hands over, placing a gentle kiss at his knuckles, his beard tickling his skin. "Your heart burns hotter than any fire." He breathed against his skin, before standing up.
He was a bit off balance as he stood an inch or two taller than Hanzo as he let go of Hanzo's warm hands, looking down at the ninja with such care in his sky orbs.
Hanzo wasnt able to speak nor react, he was having to remind himself to breath as he looked up at the slightly taller man. The ghostly feeling of his soft lips still on his knuckles as he searched Kuai's face for a sign of he next move as his heart beat against his ribs.
Kuai gave no sudden movements, he slowly and gently brought up a large hand to cup the back of Hanzo's neck, enjoying the touch of Hanzo's soft raven locks as he leaned over just a bit.
Hanzo closed his eyes, preparing for Kuai to kiss him, preparing for a wet mouth tasting of fire whiskey.
But it never came.
Instead a sweet and tender kiss was placed onto Hanzo's forehead. Hanzo fluttered his eyes open, feeling the heat of deep feelings for Kuai.
His grip on Hanzo's neck was gentle, it would be easy for Hanzo to slimply pull away from him, yet Hanzo stayed put. All the kisses and touches werent overshadowed by the hints of Kuai wanting Hanzo to get into bed with him. They were soft and easing, deeply rooted in purly showing affection and care.
Kuai pulled away from Hanzo, moving his hand to hold onto his upper arm, index finger once again drawing shapes onto his warm skin.
"Sleep well Hanzo." The Lin Kuei said in a hushed whisper, the alcohol obviously bidding him to sleep now as he finally pulled away. Sitting on the large frame bed before laying down on it.
Hanzo left Kuai to it. His heart was singing, his whole body felt hot and feverish as he retired to the guest room he would stay at for the night.
Hanzo took his time undressing playing the events over and over in his head. Hanzo hadnt been touched and handled with such care in...elder gods, years.
He pulled his charcoal grey sleeping pants up, tying the waist string before he sat on the bed. Kuai really was a man pure of heart. Even in such a drunken state, he still just wanted a simple kiss goodnight. Hanzo thought about the feeling of his lips on his forehead as he pulled his long hair free from his bun, letting it flow a few inches passed his shoulders as he ran his fingers through it.
It all started with those gentle touches to his shoulder. Hanzo's finger started touch that same place on his upper arm, surprised to feel a chill there, making him quickly look to his arm.
His skin was drawn over with in frost. Characters. Hanzo gave the writting a gentle trace, trying to make out what it ment, quicy remembering his Chinese was quite rough and years out of practice. Perhaps it was a sigil of some sort. Maybe a secret message that Kuai wished to tell him.
Hanzo quickly made his way to the simple desk in the corner of the room, finding an pen and a bit of parchment. His fingers almoat shaking as he copied the characters to the best of his abilities. Silently thanking his father for being so strict on him about his hand writing in his youth.
Morning came and Hanzo had awaken to breakfast with Kuai and the rest of the Lin Kuei. The ex wraith felt a bit nervous about seeing Kuai after the events of last night. But when Kuai greeted him normally, he felt a bit of disappointment sting at his heart.
Sure it may have caused a bit of awkward tension between the two. But Hanzo enjoyed the touches of last night, he may have even welcomed more if Kuai didnt pass out on him.
But at the same time he was relieved, each halfs of his heart were playing a vicious game of tuck of war with one another. One wanting to stay loyal to his long dead wife, the other wanting so desperately to be touched and loved by another.
Perhaps it was best that Kuai was drunk enough that no memory plagued him. Hanzo wouldnt want to pull him into his own misery of confusion.
Hanzo looked up at Kuai, the man drinking herbal tea to aid his head ache, when he remembered the writing, feeling the ripped peice of parchment in his pocket. "Kuai, i was wonder if perhaps you could translate something for me?" Hanzo asked in a soft tone, not wanting to add to the ach in Kuai's head.
Kuai looked up at Hanzo, curiosity in his eyes. "Perhaps." He mused. Once his answer was given he watched as Hanzo reached into his pocket, pulling out a folded sheet of paper, and gently unraveled it.
"This." The ninja slid the paper over to Kuai, watching as the grandmaster's cheeks gained a bit of color as he eyed the familiar characters written down. "萤火虫"
"Yínghuǒchóng" Kuai said in a warm tone yet a slight taste of nervousness was on his tongue. 'It wasn't a dream then...' he thought to himself as he gave a gentle chuckle, rubbing the back of his neck. Hanzo looked over at him, his own cheeks gaining a rose hue once Kuai gave him an answer.
"Firefly."
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Big soft men in love is my jam. Also i dont speak a single sentence of chinese and i used a translator for this. So if it's wrong let me know!
Please forgive and grammar/spelling mistakes!
-Onyx♤
#mortal kombat#mk#mk11#my writing#subscorp#mk subzero#mortal kombat subzero#subzero#mk scorpion#mortal kombat scorpion#justice for subscorp#subscorp imagines#subscorp headcanons#subscorp fanfic#kuai liang/hanzo hasashi#kuai liang imagines#mk kuai liang#kuai liang headcanons#kuai liang#hanzo hasashi imagines#hanzo hasashi headcanons#hanzo hasashi#subzero/scorpion
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Hiyaaa, if you want an aftg prom still, pls consider: Neil coming home to his and andrew's apartment with one of his newest recruits, and they boy is beaten and battered and neil's first instict was to take care of him because no one ever took care of neil, and andrew's reaction to this! ❤
thanks for this!! i might have veered from the specifics a little and this is like, 70% a character study of neil and 30% Andreil Content but i hope this is okay!!
Neil Josten felt that he owed a lot to the idea of coincidences.
Coincidence was Neil taking an uncalculated risk on the Millport Dingoes the very same year that Riko Moriyama finally snapped and took the bones in Kevin Day’s hand with him. Coincidence was falling into the same orbit as the man who had watched Neil’s father slice a man like lunchmeat and coincidence was him being so single-mindedly focused on Exy that he didn’t notice Neil’s terrible dye job or the white ring around his contact lenses. Coincidence was Andrew Minyard being the single-most observant person Neil has ever met, and coincidence was Neil being forced into his field of vision.
Coincidence was also Neil here and now, stopping off at a convenience store to grab a packet of cigarettes and accidentally witnessing his potential new recruit fall victim to a heavy, parental hand.
It had only taken one video on a grainy, digital camera to show Neil that this kid had the raw potential to be one of the greatest backliners Palmetto State would ever see. Not fifteen minutes into the footage had Neil shoved aside his other folders and said to Wymack, one thumb jutted at the screen, we have to have him. Wymack had shrugged, assented with a nonchalant you’re the captain, captain and the very next week saw the two of them riding out to Georgia in Neil’s shiny new Lexus.
(“Having a Pro Athlete for a boyfriend sure does have its perks, huh kiddo?” had almost gotten Wymack elbowed bodily out of a moving vehicle.
“Above your paygrade” in a smooth, Andrew-esque tone had Coach laughing for the next ten minutes of the drive, safe and unmoving in the passenger seat.)
So they had approached the boy, Josh, after hanging back in the shadows to watch his high school team completely demolish their opponents. Wymack had loitered, no doubt trying to catch the name of the opposition’s only saving grace, a furious offensive dealer, and Neil had attempted to look cool and friendly as opposed to cold and menacing.
Naturally, the kid told Neil to fuck off four times before Neil backed him into a corner and told him to stop squandering his future by being unnecessarily abrasive. There was something in the complicated ice of this boy’s eyes that Neil connected with, an innate fear that ducked for cover behind aggression and hunched shoulders. One minute he stood every inch his five feet and ten inches and the next, body folded in on itself like he was willing it to disappear, he looked to stand no taller than Neil himself.
“I don’t know what your deal is,” Neil had said, arms tucked across his chest with all of his patchwork scars on show, “but I come from Palmetto State. I’m not here to judge, or pry, or fix. I don’t give a shit about your tragic backstory, I give a shit about the way you single-handedly held up your team’s defense line and I give a shit about putting you on an NCAA Class I Exy team. If you can get over yourself for five minutes, I suggest you sign first and cry later”
Every fibre in this kid’s body twitched like he wanted to run and Neil was hit, not for the first time, with jarring memory of himself in this position, shadows of a dark locker room curling in around his ankles, Wymack promising a future he’d never stayed still long enough to know he wanted. Sentiment was lost on Neil, most of the time. Still, if his family of Foxes had taught him anything, it was that sometimes you had to save people despite them not wanting to be saved. At this point, that may as well be the Palmetto State Motto. Neil had given the kid a few hours to think on it. Go home, talk to whoever you need to talk to, think about it. Just remember that we did not drive out here for a no.
Wymack had, of course, grumbled about having to spend a few hours sweating my damn ass off in the pleasure of your company but had mellowed somewhat when Neil had taken him for a suitably greasy dinner and showed him how to use his new phone to FaceTime Dan. He had allowed himself a few moments to enjoy the scene; Wymack, his face far too close to the screen, cursing Dan out for not texting him all week because saying I miss you is too overrated. Dan, a pixelated blur of joy and exuberance, showing her father every single corner of her new apartment and zooming in on one Matt Boyd, tangled helplessly in the middle of an Ikea side table.
With Wymack occupied, Neil had called Andrew, who answered on the very last ring because he was a certified asshole at the best of times. “Am I to assume you will be elsewhere when I get to the dorms?”
Andrew always makes him feel so known. “I managed to pick another stubborn one”
“Yes,” Andrew says, his voice a slow rumble over the familiar, quiet growl of the Maserati, “because you were so quick to acquiesce”
“I might have been running to grab a pen,” Neil replies. Andrew doesn’t laugh, but there’s a puff of air that Neil recognises as amusement, and his own mouth curls. “I think I sold him, though. A few hours and I might finally have secured a backliner”
“You should hope so,” and then there’s a beat of silence and the tell-tale flick of a lighter, “because I refuse to listen to you whine about it all weekend”
“So you admit that you do listen, when I talk?”
“Absolutely not” and when the silence stretches for a beat too long, Neil lifts the phone from his ear and realises Andrew has disconnected the call. Typical Andrew, but now Neil’s fingers twitch to hold a cigarette and he distinctly remembers leaving them behind at the behest of Wymack’s disapproving frown. Beneath his thighs the sticky vinyl booth creaks in protest when he shifts his weight and he waves a round-about hand at Wymack before ducking out of the diner, knowing that Wymack will see him cross the road toward the convenience store and put two and two together.
It says a lot for how far he has allowed himself to sink into safety and familiarity and family that he doesn’t immediately notice the shouting. He’s caught up in realising his ID is somewhere in the glove compartment of his car and wondering if his sharp scars and sharper expression will dissuade the cashier from asking questions. Behind the front counter is a door, all peeling red paint and a half-hearted Staff Only sign, and the slight space between the door and the frame is the source of the noise. Neil has no interest in interfering. Neil has no interest in even listening to some inane disagreement between cashier and colleague, and is considering returning to the diner empty handed when he hears a sharp crack, followed by a sharper, you are never leaving me, Joshua, not ever and the unmistakeable sound of hands pummelling flesh. Something in Neil twitches to intervene but he isn’t stupid enough to walk into a small room with flying fists so, in a bid of panic, he thumps the bell by the cash drawer once, twice, three times.
A man appears from the back, face flushed the red of barely-swallowed anger, eyes a little wild and searching. Neil smiles something icy and the man is stupid enough to misread it. “Sorry ‘bout that, had’ta catch up on some paperwork in the back. What can I do ya for?”
There’s a moment where everything slows down and Neil files away details like his life depends on it. Blood, smeared across the knuckles of one large, meaty hand. A row of scratches, three raised and red, sit tucked against his chunky neck in an indication that someone had raised a hand to defend themselves. A gold ring, thick and faded, shaped to spell out DAD. Neil doesn’t know what makes him say it, but he opens his mouth to ask for a packet of Camel Blue and what comes out is “someone round the back is casing the place, you might want to check that out”
A self-righteous rage takes over the man’s expression, clouding his eyes and the twist of his mouth and he claps Neil on the shoulder as he passes on his way to the door. Men like him, Neil thinks, are far too predictable for their own good. Something like a memory tugs at his subconscious; Neil at age sixteen, dropping a similar line, waiting for the all clear to stuff his pockets full of food and hightail it out of there before anyone noticed. That, Neil thinks, was a far more sensible plan than whatever this was. He rounds the corner of the cashier desk, nudges the back door open with the flat of his hand and comes face to face with the cowering, crumpled body of his newest recruit.
The kid, Josh, is folded in on himself in the far corner of this office, schoolbag tossed a few paces away, face hidden in his hands. At Neil’s entrance he starts so hard Neil almost feels it like a physical thing and then his face does something complicated when he realises it isn’t his father; relief warring with shame warring with anger warring with hope. One of his eyes is beginning to blacken and there’s blood pouring from a cut in his eyebrow – the ring, the fucking ring – and from one side of a crooked nose. His wrist doesn’t look particularly healthy and the way he holds himself tells Neil that this is not a one off occurrence.
“What do you want?” asks Josh, and Neil has no fucking idea. There are scars on his skin from the hands of his father and the hands of his mother and there were long years of his life where he was so accustomed to being beaten within an inch of his life that he never stopped to think that maybe, he didn’t deserve it and maybe, it wasn’t normal and maybe, someone should have helped him. How many teachers saw his black eyes, his split lips, his bruised arms, and how many of them said nothing. How many strangers saw his mother grip his wrist so tightly that it popped, pulling him into a car or a hotel or an alley, how many men saw his father pummel him like a punch bag?
Without thinking about it too much, Neil holds out a hand. “I want to help you. I want you to come with me”
Josh scoffs, gesturing loosely to his face. “This is nothing compared to what he’ll do if he comes in here and I’m gone”
Neil frowns. “Look at me,” and he points to his own scarred face with equally scarred hands, “look at my face and tell me you don’t think I’ve survived worse than your piece of shit father. Come with me, now, and don’t ever come back. Let us help you”
And there it is again, the flurry of anger-fear-shame-hope. “Why?”
“You’re a damn good backliner,” Neil tells him simply, “and if you let that pathetic excuse of a man beat you any harder you won’t be, anymore”
Hesitation twists his features into something ugly. Neil knows that he has minutes, maybe seconds until the man outside realises he’s been set up. If Neil has to pick saving himself over saving this kid, he’ll probably save himself, but Josh drags himself to his feet and looks Neil squarely in the face. “If I do this…he will come looking for me”
“And he will find an entire team of angry, troubled Exy players who know their way around a racquet” Neil replies. “I can protect you, but we have to leave. Right now”
His jaw goes tight but he nods, once. Neil nods back and together they make their way toward the front of the store, Neil pushing ahead, body strung-tight with focus. Outside he nudges Josh ahead of him, watches him adjust his gait around a lopsided limp, reels in his anger for another day.
They reach the Lexus across the street and a voice from behind calls “Joshua, get back here this goddamn instant.”
Three things happen.
Josh, in a bout of incredible bravery, flips his father the middle finger and falls over himself to clamber into the back seat of Neil’s car. The father, in a bout of incredible anger, starts for Neil like he means to snap his head from his body. Wymack, in a bout of incredible exhaustion at the familiarity of a situation such as this, appears at Neil’s right shoulder and swings a right hook up and under the man’s jaw.
It sends the man on his ass and in a split-second shared glance, Neil and Wymack make the mutual decision to get the fuck out of there.
Over the course of their drive back to Palmetto, Neil explains the situation with their new backliner, Wymack assures Josh that he will be resolutely protected, and Josh leaks blood all in the fancy seats of Neil’s car. When it doesn’t seem like it will stop, Neil shucks off his hoodie and throws it at the kid, telling him to hold it fast to the wound – after a brief, whispered argument, Neil pulls over and hands Wymack the keys and throws himself into the backseat to try and assess the damage. The ring hadn’t cut his eyebrow so much as it had gouged out a chunk of skin and his nose and lip are bust but mostly dried up. There’s a patch of blood at his side, seeping through his white t-shirt, and he waves that away as split stitches. From what, Neil doesn’t ask. He tries to staunch the bleeding but succeeds only in covering his own fingers in the blood, and in the end Wymack has to drive them straight to Abby’s house.
“Abby is our team nurse,” Neil explains, while Wymack tries to parallel park a Lexus under a blanket of colourful curses, “she patches up sprained ankles but she also patched up every wound visible on my skin, so you can trust her. I can stay, if you want, or I can leave you in her capable hands while I go back to campus and make preparations for you. There’s a spare bed in one of the freshman dorm rooms, or you can stay with Abby, or you can sleep on my sofa. Whatever you need”
Josh tucks his arms around himself, bravado stripped for the day. Neil assumes it will come back, that things will be difficult, that the kid’s attitude will fling itself all over the place, but for now he’s looking at Neil like Neil just saved his life and Neil thinks he just might have.
“You can go,” Josh says, “I have more shit under here I don’t wanna flash to anyone but a nurse, right now. Uh, I don’t…maybe I can stay on your sofa? For a bit. I don’t…”
“Hey,” Neil interrupts, “you don’t have to explain. Sofa it is. Though, I should tell you, my…my boyfriend is visiting right now, and he isn’t the friendliest person you’ll ever meet-”
“Understatement,” Wymack interrupts, “fucking understatement”
“-but,” and Neil flips off Wymack, “as long as you don’t give him any reason to distrust you, you’ll be safe”
He watches the kid for a minute, waiting for something. Protest, anger, homophobia, acceptance. Instead he shrugs, tired, overwhelmed, and climbs out of the car. Wymack follows him out, with a parting jab about Neil’s use of the term boyfriend, and then Neil is left to drive back to campus alone.
Maybe it should be embarrassing that the sight of the Maserati fills Neil with a fuzzy sort of warmth but this past half-a-year has begrudgingly taught him that distance makes the heart grow fonder, or whatever, and that he should allow himself to recognise that he misses Andrew and likes it when he comes home.
Or maybe Bee had taught him that, but he wasn’t about to admit it to Andrew.
The man in question is leaning up against the hood of his car, sleek and sharp in his black jeans and leather jacket, one booted-foot propped against the license plate, a cigarette between his lips. He’s gotten broader, since Neil last saw him, bulkier in the arms and shoulders and if Andrew is feeling up to it, Neil wants to relearn the shape of him with his fingers, maybe even his mouth.
Andrew doesn’t look up when the Lexus pulls in, feigning a nonchalance the set of his jaw doesn’t quite convey, but he does look up when Neil steps out of the car and his face transitions from smooth to thunder so fast it gives Neil whiplash.
“What happened?”
Neil blinks and Andrew’s hands are on him, fingers tilting his jaw this way and that, skimming down the sides of his body, eyes roaming for injury. Neil belatedly realises that he has Josh’s blood on his hands, a little on his shirt and he curves his own fingers around Andrew’s wrists, meets his eye with a calm stare. “It isn’t mine”
“That,” Andrew says, shoulders settling away from tension, “is not as reassuring as you seem to think it is”
Neil rolls his eyes. “Had some trouble with the new recruit. He’ll be staying with us”
Andrew arches a pale eyebrow, studying the blood on Neil’s fingers with a calculated disinterest. Neil huffs. “His father was beating the shit out of him”
“Where is he now?”
“Abby’s”
Andrew studies him for a long moment. Then, “I thought taking in strays was my thing”
“Well,” and Neil smooths his thumbs down over the fine bones of Andrew’s wrists, “someone had to pick up the slack. I couldn’t leave him there. So many people must have seen my mother backhand me and no one ever stepped in. How could I-”
“Stop it,” Andrew says, and Neil stops. “You cannot take responsibility for every single person in the world. It will never make your mother un-hit you”
Neil flinches, but he knows Andrew is right. Still, “I can help him. I can help this one. I want to”
“Alright”
“Yeah?”
Andrew gives him a look. “What, were you asking my permission? Are we adopting this child together?”
Neil laughs, a new thing, tipping his head back, teeth slipping past his lips. “You don’t think we’d make good parents?”
Andrew steps close enough that one of his boots rests between Neil’s two sneakers, their hands still clasped between them becoming squashed between their chests. “I would be a textbook parent. You would be a nightmare”
“I resent that,” Neil tells him “We’re never having kids”
“Obviously”
“Cats, maybe”
Andrew blinks. “Cats? You’ve thought about cats?”
Neil shrugs, once, but can’t fight the smile spilling back onto his face. “We’re getting cats. You said yourself that you like taking in strays”
“No,” Andrew says, firm. “I do not like it. The last one I took in continues to test my patience, so I will not have another”
“I’ve been testing your patience for four years and you’ve yet to get rid of me” Neil reminds him, “I think you’re getting soft”
“I think I am getting back in my car and leaving you here” Andrew replies, allowing it when Neil’s hands wiggle up between their bodies to frame his face.
“I think you’re going to help me make use of my empty dorm room before a freshman backliner moves in onto my sofa”
Andrew doesn’t respond to this either way but he allows it when Neil stretches to press a small kiss to the corner of his mouth and he allows it when Neil takes him by the fingers and leads him into Fox Tower, and he certainly allows it when Neil peels him out of his leather jacket before the door is even closed behind them.
(Later, when Josh announces his presence with a tentative knock at the door, Andrew answers it. Neil watches them size one another up and then Andrew reaches up into his armband for a knife. “Use this on anyone other than your father,” he says, “and I will use it to remove your hands”
If the expression on his face is anything to go by, Josh has no idea what he’s agreeing to in taking that knife, but he does it anyway. Neil has to hide his smile in the collar of his newly-acquired leather jacket.)
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