#is a really great character

[peanuttoffee]

this movie was so much fun! had to draw ketchup and mustard guys

[lgbtlunaverse]

Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intent to accidents, try to convince everyone that this is something they did instead of something that happened to them.

[scurviesdisneyblog]

Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.

An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.

[nitw]

i've been waiting for gravity falls to become relevant again so i could share one of my favorite underrated bits from the entire show. like it's only episode 2 but this whole segment just makes me lose my shit. i think jason ritter's exasperated line delivery is what makes it

[hellspawnmotel]

whatever *tezuka-styles your deltarune cast*

[uncharted-constellations]

The Princess and Hero of the First Great Calamity

The orange snoot is very important to me….

[contactlessdrivethru]

just finished opla mood

[almondcroissantsandink]

i need that full moon episode stat to make sure this silly guy is doing well

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[aardvaark]

i like how leverage throws in random details that are never elaborated on. hardison gets himself a front row seat at the oscars each year, but we only see that in a single throwaway flashback. parker broke a guy's fingers for touching her and it wasn't even a plot point, it was just one in a series of memories of stabbings and so forth. eliot continually knows extremely specific information which implies some extremely specific scenarios he's been in. the more we find out about sophie's backstory, the more questions it raises about what the hell is wrong with her. and the more we find out about nate's backstory, the more questions it raises about what the hell is wrong with him.

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[chalkrub]

new guyyy whom i love from a design trade

he's a demigod cimera knight who was brutally defeated and then spared by a tyrant queen, with the caveat that she cut off his goat head and uses it as a hostage to keep him loyal to her. unfortunate but what are you gonna do

[themeeplord]

I saw Ultraman: Rising a few days ago and I loved it! I had to draw beloved Emi ❤️

[2hoothoots]

been chatting with a friend who's playing through PN2 again and i want it to be known i will not hear anyone say a WORD about Hollis giving Raz a hard time at the beginning of the game. if anything she is OUTSTANDINGLY accommodating to this random ten-year-old who wandered in unattended off the plane in the middle of an extremely tense situation

[marsarchy]

draw gay monkies making out /srs

Since you're serious

Lil monkey smooch