#instead of there being one Designated Wrong character

[velvetvexations]

Putting it like that I wonder how much Calamity might've directly inspired Suvi.

Rewatching through EXU Calamity and I just want to give big props to Marisha and Aabria for going so hard on the “rip to that other guy but I’m different” vibes that the Age of Arcanum was overflowing with.

The ladies find a letter written in plain and simple language that essentially says “Wizards can’t be trusted with knowledge because they’re too ambitious so I won’t tell you what the tree does” and immediately went “well maybe not those ambitious wizards but we’re totally different ambitious wizards who definitely know what we’re doing and are so much better and cooler that we’ll definitely be able to handle what we find!”

The arrogance, the drama, the self-centered hubris of it all—god I wish we had more time with these two ego-maniacs!

[crimescrimson]

The Main House in Resident Evil 7 (2017)

[hana-bobo-finch]

erm…..posting about an OC via a rushed shitpost was not on my 2025 bingo card!! 😂😂😂😂😂😂get it??? 😂😂😂because his name is bingo??(GETS SHOT)

these are all things he has done or has attempted to do so consider this the full intro post for that freak for now. he’s still too undercooked to fully introduce but damn I love him

[unproduciblesmackdown]

more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair.  More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking.  Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction. 

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are:  "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself.  They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory.   As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it.  Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

[hbmmaster]

I used to think of braille like it's a digital text encoding scheme (if you know a little bit about how braille works and a lot about how computers store text, it feels "obvious" that braille dot patters are six-bit binary encodings of characters) but the more I've learned about it the more I've understood how wrong that is.

for one, braille is not an encoding of the latin alphabet. you can transliterate between the latin alphabet and braille the same way as you can transliterate between any two writing systems, but they really are completely separate scripts that follow completely different rules. converting to and from braille is a hard problem that depends on the specific orthography of the language being used, and within individual languages still is often very context sensitive.

for example, english braille (in some standards) spells the word "a" differently from the letter "a": they both use the same character that's used when the vowel appears within longer words, but when the letter "a" is used as a letter and not as the word, it (in some standards) requires an additional character to specify that you mean the letter.

also, braille isn't digital at all. it's designed for people, not computers. the earliest version of braille is from 1824, decades before the earliest machines you could reasonably describe as computers. braille was designed for humans, and it follows conventions that are reasonable for people but make no sense for computers. it's rare for two related dot patterns to be differentiated by "flipping one of the bits" like you'd do with a binary text encoding; instead you get things like rotating flipping or moving the pattern, which certainly feels a lot more like a writing system than an encoding of a writing system.

[aurumalatus]

𝐭𝐮𝐫𝐧𝐟𝐢𝐫𝐞 [𝐩𝐫𝐨𝐥𝐨𝐠𝐮𝐞]

pairing. kinich x fem!reader

word count. 700

genre/warnings. childhood friends to lovers, slow burn, fluff and angst, drabble collection

summary.

in which kinich learns the value of all things: lives, friendship, and, of course, you. or, in which kinich realizes that you are the only priceless thing in this world.

author's note. this is just a short prologue to show how things end (yay happy endings!), but the two have a lot of trauma to go through before they reach endgame. i love kinich's character and design so i'm excited for this! interaction is highly appreciated :)

𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐧𝐞𝐱𝐭 ↣

Kinich thinks he’s loved you since forever.

He has no way of proving that, of course; those years are long gone, and even if he had the opportunity to ask, he’s not sure his younger self would have a comprehensible answer. He can only see now that he’s come so far, when the memories are too murky to make sense of but the warmth remains—when he thinks of your smile and feels something akin to the weightlessness of grappling and flying through the trees.

He says “forever” because he really has no idea when it started—the realization came far after the feeling. He’d been before school age when he met you for the first time, and it’s been over a decade since then.

“Kinich!”

Your call interrupts his thoughts, and his gaze is drawn skyward—you’re standing somewhere far above him, on one of the walkways lining the cliffs of the Scions of the Canopy. You’re waving so wildly and ridiculously that it almost makes him smile.

“Are you coming down?” he calls through cupped hands, well-acquainted with this kind of long-distance communication. Sound tends to echo well between the cliffs here, and he’s sure you heard him when you offer an enthusiastic thumbs-up in return. 

“Yup! I bought a few things, so I was hoping you could help me carry them home!”

Kinich rolls his eyes teasingly. “Somehow I doubt that you have enough Mora left to afford my services.”

You pout in reply. Ajaw decides to appear then, a malicious puff of smoke over Kinich’s shoulder. “Of course not! You better not be making fun of me, letting some mortal treat you like a servant! The Almighty Dragonlord, K’uhul Ajaw, won’t take this kind of disrespect—”

Ignoring his wordy introduction, you call down to Kinich again. “I’m coming down! Think fast!”

“—Don’t make me lau—wait, what?!”

Even Ajaw yelps in surprise as you take a running leap off the walkway, freefalling fast down the plane of the cliff. If he were any younger, Kinich might’ve had a heart attack. But you’ve been pushing your luck with him for years, and it comes as instinct when Kinich grapples up, deftly catching you in his arms with a light ‘oof’.

You’re holding a few boxes in your arms, he notices, and you smile. 

“I bought some Puff Pops for us to share later. I was thinking we can do some climbing, or there’s this cave I’ve been meaning to explore.”

His heart does a sort of flip that cannot be attributed to the way you fly through the sky. It’s all so much: the sensation of your warmth pressed against him, the scent of the wind rushing past, and the laughter of his tribe members below. Their eyes shine as they watch the two of you pass above them, chuckling at the familiar sight. 

And really, he can’t remember ever being this happy. When he thinks of how much it took to reach this point, the heartbreak and trauma aren’t the first things to come to mind. Instead, it’s you. The way you held him, the way you cried for him, the way you chased him. Always laughing, always in love.

Too lost in his thoughts, he doesn’t notice your curious stare for a moment. You poke at his cheek, and he startles, nearly dropping you both.

“Is something wrong?” you ask shyly, suddenly self-conscious of the box in your hands. “We don’t have to do any of that. Really, if you have a high-value job or something, I understand.”

Ajaw decides to butt-in again, reddened with rage. “Yes, all of that sucks! I mean, seriously, don’t you have anything better to do—”

“No, it’s great,” Kinich murmurs in reply, flicking Ajaw away with a strong hand—the Saurian’s roar dissipates with the wind. He holds you tighter against his chest. There’s nothing worth more to him than you. “That all sounds really, really amazing.”

As the two of you burst through the trees, laughing the whole way, he thinks that it doesn’t really matter when he started to love you. All that matters is that he doesn’t stop.

Kinich thinks he’ll love you forever.

[drabblesandsnippets]

Confidence, Part 1

Hot Bucky Summer 2024 - Week 2

Pairing: Sex Worker!Bucky Barnes x Plus-size female character (unnamed)

Prompt: “What should I call you?” | [Master | Alpha | Pet] @buckybarnesevents

Summary: (7k) AU Bucky is a full-service sex worker who enjoys helping women become more confident in their sexuality.

Warnings: 18+ Only. Mention of an ex-boyfriend. Mention of insecurities/body image. Pet names (sweetheart, baby). Lots of asking for consent. Teasing. Dirty talk. Praise. Issues climaxing. Oral & fingering (f receiving).

---------------------------

The end of a long-term relationship had led her here. Years of unhappiness. Years of feeling unsatisfied by her ex. Years of wishing things would change. 

After she finally found the courage to end things, the breath of relief she thought would come never did. Instead, she was left feeling lost, insecure, and unsure about what she wanted or who she even was.

That’s when a friend referred her to Bucky. 

A full-service sex worker who came highly recommended. A man who believes that there’s something inherently beautiful about everyone.

“I’ve worked with all types of women,” he assured her, “and I’ve found every single one of them attractive.”

It sounded like a line, but all the evidence pointed to the contrary. 

Bucky’s not just doing this to make money. He truly enjoys what he does. The physical part of it, sure - he wouldn’t be doing it if he didn’t - but, it’s the emotional aspect that keeps bringing him back.

There’s nothing like the rush he gets from watching a woman find her confidence and blossom under his guidance. That moment when they finally feel comfortable enough to let go of their inhibitions and learn to trust themselves.

It’s a heady feeling, knowing he’s changing their lives forever, and it’s not something he takes lightly.

Over the last few weeks of emails, texts, and phone calls, she found it easy to talk to Bucky about what she wanted out of this experience. Sex is supposed to be fun, and she wants to be able to enjoy herself without worrying about how she looks or if she’s doing the wrong thing.

Even during the more personal topics, like when they discussed what her sex life was like with her ex, Bucky never made her feel ashamed or judged. Her lack of experience and seemingly lack of enthusiasm for certain acts, due to her ex, didn’t make him blink an eye.

If anything, it made Bucky more intrigued to work with her. She was a puzzle he was going to enjoy help figuring out.

Despite his intimidating appearance - his well-defined muscles and the abundance of tattoos, his entire left arm covered in intricate designs - his charismatic personality keeps her relaxed.

His easy-going nature helps her open up as they sit on the couch in the beautifully decorated hotel room, giving her the courage to blurt out a question, a faint blush spreading across her cheeks when she does.

“What should I call you?”

During their last conversation, Bucky had asked her something similar, curious if she would enjoy being called something other than her name. She settled on a few things, but they never discussed what - if anything - she should call him.

With a tilt of his head, and a warm smile, he tells her, “You can call me whatever you’d like.” 

The hand that’s been resting on the back of the couch finally moves closer to her, his fingers just inches from her shoulder, making her breath hitch.

“Try not to overthink it,” he continues, his hand drifting closer as his smile turns playful. “Let the throes of passion guide you. I’m good with anything, really. ‘Bucky’. ‘Baby’. ‘Sir’. ‘Daddy’, if that’s your kink.”

She immediately laughs, the pink on her cheeks darkening as she shakes her head at him. She’s just starting to figure out what she might like with a partner, she’s not ready to even consider the last two options. 

Bucky’s grin grows and he nods his head in understanding, happy to see that his teasing tone is helping to relax her a bit more. It encourages him to shift a bit closer, his knee just barely brushing against her thigh. 

Their layers of clothing do nothing to dampen the rush of arousal she suddenly feels, and she waits with baited breath as his hand hovers over her shoulder, his fingertips almost close enough to touch her shirt.

“Can I touch you?”

It’s such a simple question, but it’s in this moment that she finally understands the phrase ‘consent is sexy.’

There’s something so incredibly intimate and arousing about Bucky asking for permission, despite the obvious reason he’s here. 

He accepts the slight nod of her head and the soft whisper of ‘yes’ for now. Eventually, he’ll help her find her voice and figure out how to ask for what she wants.

Until then, he needs to find a balance between her obvious desire for more and showing her that it’s okay to go slow.

She deserves to have someone take their time with her, to learn her body, to help her figure out what brings her pleasure. 

She knows what she likes when she’s by herself - that’s never been the problem - it’s allowing herself to be vulnerable with someone that’s the issue. She’s always struggled with being able to fully enjoy the moment, and she’s trusting Bucky to help her learn how to do that.

Goosebumps spread across her skin at the first brush of his thumb along the soft curve where her shoulder meets her neck. A soft exhale and a flutter of her eyelashes tells him all he needs to know, but he still asks, his voice a low murmur.

“Is this okay?”

She’s quick with her answer. A slight nod before she tilts her head, wanting him to keep going. He’s more than happy to, his eyes roaming along her body as he caresses her neck, taking in all the subtle ways her body responds to her touch.

“Does that feel good?”

It shouldn’t make her laugh, but it does. Bucky doesn’t take offense though, just watches her with a grin on his face, his hand never leaving her. 

“Why does it turn me on when you ask questions like that?” She’s surprised she manages to get the words out, but any nerves that threaten to consume her are immediately alleviated when Bucky’s smile grows.

She can practically feel how proud he is of her for asking.

He was already excited about working with her, but this just solidifies it. He can’t wait to watch her come out of her shell even more. 

As his thumb dips down to trace over her collarbone, he tells her, “I think it’s because it shows you that I care about what you want. That your pleasure is important to me.”

After an audible swallow, and a steadying breath, she admits, “I think I just also like hearing your voice.”

Her confession makes Bucky laugh, the smile reaching his eyes, and he nods his head, “Good to know.” He shifts just a bit closer on the couch, his leg resting against hers, his thumb slowly following a path up to her chin. “Does that mean you wanna try some dirty talk?”

She immediately blushes again, but with his thumb caressing the curve of her throat, she’s forced to keep her head held high. 

It manages to give her a boost of confidence, and she lets out a soft laugh, confessing, “Oh god, I’d be terrible at it.”

Bucky chuckles along with her but shakes his head. “Oh don’t worry, you wouldn’t have to say a thing.” His thumb brushes over her chin, almost close enough to touch her lip. “I’d enjoy just watching your reactions.”

He always seems to know just what to say to ease her worries before they can even start. The moment his eyes glance at her mouth, her lips part, and she leans in, just a fraction of an itch. 

The smile on Bucky’s face brightens, and he shifts again, mirroring her movements, but he’s not going to kiss her just yet, wanting the anticipation to build a little more. Instead, he repeats his question, softly asking her, “Do you want me to talk dirty to you?”

The slight shudder that rolls through her would make her feel embarrassed if it wasn’t for the hungry look he’s giving her. Her reactions are turning him on, and it helps her find her voice again.

“Yes.” 

With a tender touch, Bucky tucks her hair behind her ear, and all her senses are suddenly flooded by him - the smell of him, the heat of him, the sound of his voice whispering in her ear.

“Do you want me to praise you?” The question catches her off guard, but she’s suddenly aware of the way her nipples tighten, especially when he asks, “Can I tell you how good you’re doing?”

She wants his attention. She wants to be comfortable with someone complimenting her and praising her. So, with a slow nod of her head, she whispers another soft, “yes.”

But, Bucky hears the difference this time. The word just a bit louder, a bit more confident. She’s trying her hardest to allow herself to face her fears, and he wants her to know that he sees her. That he’s proud of how far she’s already come.

After getting her permission to touch more of her, he takes her hand in his, stroking his thumb across her palm, listening to the change in her breath. Without ever pulling away, he keeps talking, his mouth almost close enough to touch her ear.

“You’re doing so good for me.” 

The praise makes warmth pool in her belly and the softest noise of pleasure escapes her. 

“Oh,” he murmurs, his touch sliding higher, the pad of his thumb tracing the inside of her wrist. “I like that sound.”

She feels like she’s dreaming. Bucky’s barely started touching her, and she can already feel the wetness between her thighs, the ache for more.

“Let’s see what other kind of noises you can make for me,” he says, his soft beard brushing against her jaw. With one hand stroking up her forearm, his other hand slides into her hair to support her head, giving him better access.

She’s sure her heart is beating loud enough for him to hear, but she makes no move to pull away, not wanting to give him any reason to stop. Her head is flooded with thoughts of what he’s going to do, how he’s going to touch her, but he still takes her by surprise.

Just the softest brush of Bucky’s lips against her cheek before he’s asking, “is this okay?” and she’s a mess. 

She doesn’t even recognize the sound that comes out of her, and without thinking, she reaches for him, her fingers trailing over the front of his shirt.

Bucky rewards her confidence with another soft kiss along her jaw, and she suddenly decides to jump in with both feet, asking him, “Will you kiss me?” 

The question’s been building all evening, trying to work its way out of her, and his reaction to it makes her wonder why she was hesitant to start with.

“Absolutely.” The way he says it, like he’s just been waiting for her, makes her laugh softly, and he grins as he pulls back just enough to meet her gaze. “I would love to kiss you.” 

And the way he kisses her makes her believe him. His mouth soon coaxing hers open, his tongue seeking permission to deepen the kiss, a soft groan rumbling deep in his chest in response to the taste of her. 

It’s all so new and exciting, but somehow Bucky’s able to make it feel familiar and comfortable. And for the first time in what feels like forever, she’s not in her head about what’s happening or what she’s supposed to be doing. 

She’s just living in the moment, making out with an incredibly hot guy, welcoming his weight on top of her. 

If there was ever any doubt that he was enjoying himself, it’s erased when he settles between her thighs, letting her feel how turned on he is.

The moan she makes in return just makes him harder, and he leans up, meeting her gaze, a soft smile on his lips. As much as Bucky's enjoying kissing her, he wants to hear her, watch her as the pleasure takes over. 

She’s not sure who moves first, but with a slight tilt of her hips, the hard length of him is suddenly pressed right against her clit, eliciting a soft gasp from her. 

It shouldn’t feel as good as it does, the two of them still completely dressed, but the moment he starts to move against her, her back is already arching, her body seeking out more.

Bucky doesn’t take his eyes off of her, watching her closely. She doesn’t even realize it, but she’s the one setting the pace here. He’s just following her lead, matching her movements with his own, wanting her to show him what feels good to her.

When he can see the attention he’s giving her is starting to overwhelm her, he closes the distance, placing soft kisses along her jaw, giving her time to relax all over again. 

With a soft moan right against her ear, he tells her, “You feel so good like this.” His fingers tighten in her hair at her reaction, her tense thighs and lift of her hips causing his cock to throb between them. “Can you feel how hard I am for you?”

“Oh god,” she breathes, grinding harder against him, his words sending a burst of pleasure straight to her clit. With her hands pressed against his back, fisting his shirt, she quickly nods her head, whispering, “Yes. Please.”

That’s the word he’s been waiting for. 

Please. 

Bucky’s free hand travels down to her thigh, guiding her to lift her leg just a bit higher. The new position makes her gasp and he groans against her neck, asking her, “Please, what?” 

Her body shudders as he starts moving again, the increased pressure between her thighs making her breath catch. She doesn’t even know what she’s asking for. She just holds onto him, her hips moving a bit faster, the pleasure building inside of her.

Bucky still wants an answer, but he doesn’t pressure her for one. He follows her lead, listening to her gasps and moans get louder with each thrust of his hips against hers. He’s pretty sure this might be enough to make her come.

The same thought is running through her head, but it’s not long before the moment starts to catch up with her. 

The way she’s starting to sweat underneath her clothes, the way her heavy breathing has caused her throat to go dry, the way her foot keeps slipping off the edge of the couch as she tries to find purchase.

This time it doesn’t surprise her when his voice interrupts her thoughts, asking her, “Can you tell me what you need?” All he wants is for her to be comfortable, and if she’s not feeling this anymore, he’s more than happy to find something that works for her.

She knows what she needs. The only problem is that it’s the one thing that’s been giving her the most anxiety about this night. 

Being naked with him. Being vulnerable. Having to trust him to prove to her that she deserves to have someone bring her pleasure.

Bucky is more than up for the challenge though. His entire goal for the night is to show her how good it can be to have someone take care of her. To show her how much pleasure someone can bring her, if she just allows herself to connect with them.

Soon, he’s leading them to stand at the foot of the bed, taking his time to get her to relax against him, drawing her into a kiss that leaves them both breathless. 

And with just a bit of encouragement, she’s makes the first move, slowly lifting his shirt over his head. While her hands start exploring his newly exposed skin, tracing the lines of the tattoos that cover his shoulder and left arm, he pulls her into another kiss, groaning against her mouth. 

She doesn’t know what’s come over her. She’s never felt this confident before, refusing to overthink how she’s touching him, letting her desire for him guide her. It’s opening her up to so many possibilities, the memory of their conversations about boundaries and kinks suddenly flashing through her mind.

As she encourages him to help her out of her shirt, she softly asks him, “What if I change my mind about something we’ve already discussed?”

It’s clear to Bucky that she’s not asking about things she’s already said she wants, and he takes a moment to consider her question, appreciating the way her nipples strain against her bra.

It’s not lost on him that she makes no move to try to cover up or hide herself from him.

After he gives her another kiss, he meets her gaze, watching her as his finger traces along her bra strap, the back of his fingers brushing across the swell of her breast. 

He smiles when her lips part, her breath quickening, and he whispers, “Then you tell me. Tonight’s about learning to ask for what you want.”

She nods her head slowly, but her voice leaves her for a moment. Her entire focus is on his touch, his fingers teasing along the edge of her bra, the occasional brush of his skin against hers making her dizzy with need. She’s not sure she’s ever been this turned on before, especially not during foreplay.

“What is it you think you might want?” 

Bucky remembers everything she said no to - everything she knew she wouldn’t like, or didn’t want to try - and he can’t ignore the rush of excitement at the thought that he’s made her comfortable enough to try something she wasn’t sure about before.

It’s not until she’s helped him out of his jeans, leaving him in just his boxer briefs, that she finally figures out how to voice her desires. It helps that he chooses the same moment to kneel in front of her to undo her jeans, the soft brush of his fingers against her stomach bringing her nothing but pleasure.

“I did what you suggested,” she begins, her hand resting on his shoulder as he starts to lower her jeans, his eyes briefly looking up at her, a pleased smirk on his face as he reveals the matching panties to her bra. “The other night,” she whispers, watching as he slowly undresses her, helping her step out of her jeans. “I tasted myself.”

Bucky doesn’t know what he was expecting, but it’s not that. 

His hands immediately reach up to hold her hips, his thumbs dipping underneath the waistband of her panties as he lets out a soft groan. The image of her alone in her own bed, touching herself, tasting herself for the first time has him silently praying that this is going where he thinks it is.

He somehow manages to keep his composure and looks up at her, his eyes dark with desire, but his voice steady. “What did you think?”

She’s the one that brought this up, but her skin still grows warm and a soft laugh comes out of her. She’s trying so hard not to overthink all of this - to not let her insecurities start to overwhelm her.

Bucky helps her through this moment, like he’s done all evening. Still kneeling in front of her, he slides his hands down her thick thighs and gently asks, “Do you like the way you taste?” 

Her first reaction is to give him a slight shrug, her eyes looking past him. But he quickly gets her attention, finding a sensitive spot along the back of her thigh, the graze of his fingers causing her breath to shudder out of her. 

It has the desired effect, and she nods her head, whispering, “Yes.”

Bucky continues watching her as he caresses the back of her thighs, marveling at the way it causes obvious pleasure to ripple through her, her eyes fluttering closed.

“Do you think I’d like the way you taste?”

There’s no doubt in his mind that he will, but this isn’t really about him. Bucky needs her to get there on her own, to believe that someone wants all of her. 

She wants to shrug again. To brush off his question and keep her eyes closed, pretending that he’s not watching her right now. But, she can’t. That’s not why she’s here. That’s not why Bucky is here. 

After she forces herself to take a slow, deep breath, she finally opens her eyes and looks down at him. The confidence she wishes for isn’t there yet, but she’s able to answer him honestly. 

A soft whisper of, “I’m not sure.” And then, a barely audible utterance of, “Maybe.”

Without hesitation, his hands slide up the outside of her thighs, returning to her hips, his fingers tracing along the edge of her panties. “Do you want me to taste you?” 

She forgets how to breathe, air getting trapped in her lungs as she tries not to look away. She just needs to ask for what she wants. It should be easy by now. She’s already standing in front of him in just her bra and underwear, letting him see the bits of her that she’s uncomfortable with.

But, for a moment, the words still don’t come. Her hands remain on his shoulders, her nails lightly scratching along his tattooed skin as she tries to refocus. This time, Bucky remains quiet. He just continues to look up at her, giving her as much time as she needs to show him she’s ready for this.

This is something her ex never volunteered to do, and she was always too shy to ask, but she doesn’t want to be shy anymore. 

She wants to own her sexuality. She wants to be able to ask for what she wants in her next relationship, even new things she might not even know she wants yet.

With a slight nod of her head, and another trembling breath, she tells him, “Yes. I want… I want that.” 

Bucky doesn’t move yet. The look he gives her conveys how proud he is of her, but he wants to hear her say the actual words. Instead of just expecting her to know what to say, he asks her, “What do you want, sweetheart?”

She swallows the nervous laughter that threatens to spill out and takes a moment to close her eyes, trying to compose herself. How can such a simple term of endearment cause her so much pleasure? 

That’s not what she says though. When her mouth opens, the words come before she can overthink them. “I want you to taste me.”

“Oh, good girl.” Bucky’s growl of praise almost has her collapsing into a puddle, but his hands on her hips keep her steady. Not wanting to lose the momentum she’s building, he slides his hands up her back to her bra, asking her, “Can I take this off?”

She’s already made it this far, the intensity of her insecurities starting to lessen each time she reveals more of herself to him. With a nod of her head, she gives him permission, unable to look away as he slowly unhooks her bra, his fingers immediately rubbing along the indentations left behind.

The soft moan of relief she makes has him grinning up at her, and he slowly slides the straps down her arms, giving her a moment to adjust to this new level of vulnerability.

With his gaze still on her face, he tosses her bra aside to join the rest of their clothes and softly asks her, “Can I touch you?”

“Yes, please.” The words come easily this time, despite her nerves trying to get the better of her. She’s insecure about her breasts, gravity having caught up to her before she thought it would, and she finds herself wanting his approval.

In reality, it doesn’t matter what he thinks of her body, but he’s more than happy to help her see what he sees.

Matching his pace of the entire evening, his fingers brush along the sides of her breasts, the feather-light touch causing her nipples to pebble.

“You’re gorgeous,” he tells her, unable to tear his gaze away from the way her body immediately arches towards his touch.

Bucky’s given her no reason to doubt his words, and the moment he cups her breast in his hand, her fingers slide into his hair as if to guide him closer.

He doesn’t make her ask for it this time, and she barely registers his breath on her skin before his tongue flicks out to lick her nipple.

The sound she makes causes his cock to twitch and he wastes no time trying to bring more of those noises out of her.

With his heavily-tattooed arm wrapped around her to support her, he immediately closes his lips around the erect bud, his free hand moving to her other nipple. 

It’s like he’s on a mission to see just how loud he can make her get before she demands more from him.

It doesn’t take long, her body trembling against him, both her hands in his hair, tugging at the strands.

“Bucky,” she moans, meeting his gaze as he switches sides, his fingers now playing with her saliva-slick nipple. 

All he does is grin at her in return, the gentle scrape of his teeth giving her the last push she needs. He can practically see the last of her walls starting to crumble, and as he sucks her nipple into his mouth, she manages to surprise him yet again.

“Please,” she pleads, unable to hide how breathless he’s already made her. “I want you to taste me.”

“Oh fuck,” Bucky groans against her breast. He immediately pulls back and slides his hand up to wrap his fingers around her throat, his tender touch adding to her pleasure. “Is that what you need, baby? You want me to lick your pussy?”

All it takes is a quick confirmation from her and he’s guiding her onto the bed, more than ready to show her what she’s been missing out on. 

Within just a few moments, he has her naked and writhing underneath him, his mouth starting at her neck, taking his time to kiss down her soft curves.

By the time he’s placing kisses along her inner thighs, she’s forgotten about all the reasons why she almost didn’t ask for this. All thoughts about her ex-boyfriend are gone, as are her insecurities, and she runs her fingers through his hair, whining softly, “Please.”

Bucky will never tire of hearing that word. And with one last glance up at her, he helps her push her thighs back a bit more, giving him the perfect view of her pussy. 

“Mmm.” The groan that leaves him makes her pulse, her hips shifting underneath his hold, and he lets out a soft chuckle. “Eager, are we?” he teases, taking a moment to give her thigh another soft kiss, his beard tickling her pussy.

The question should make her blush - and any other time it would - but Bucky’s good at what he does. He’s somehow made her comfortable enough that not only does she not blush, she actually laughs. With a grin on her face, she quickly nods her head and tells him, “Yes. I am.”

Bucky’s so proud of her. She’s already come so far, and he quickly praises her with a soft rumble of, “Good girl.” 

And then he’s rewarding her, the slow swipe of his tongue along her slit immediately reducing her to a low whine of, “Oh my god.” He repeats the action, licking her from her dripping entrance up to her clit, teasing the bud with just the tip of his tongue.

“Oh my god.” She’s not sure she knows how to say anything else right now. She’s barely breathing at this point anyway, her entire body tense with anticipation.

And then he has the nerve to pull away, giving her another grin to tell her, “You were right.” 

She blinks, her hands fisting the sheets, her legs already shaking. All she can think about is having his mouth back on her pussy. She has no clue what he’s talking about.

“You taste so fucking good.”

Oh.

She’s not sure she even says anything, but it doesn’t matter because he dips his head back down and gets back to work, tasting her again.

Bucky alternates between long, slow licks and sliding his tongue deep inside of her, wiggling the muscle along her walls. He’s paying attention to all the ways she reacts to what he’s doing, repeating every action that makes her moan or shudder.

She gets lost in the moment, unsure of what to do with her hands, one gripping the sheets while the other holds her ankle, keeping herself spread for him. 

She can feel her pleasure building, but the longer he’s between her thighs, the more her insecurities start to resurface. Maybe this isn’t going to happen. No one’s been able to make her come before.

She’s always been responsible for her own orgasm, and while Bucky seems confident in his abilities, her doubt is starting to creep back up. 

When he returns his attention back to her clit, Bucky dragging the flat of his tongue over the bundle of nerves, she whispers his name. She feels compelled to apologize, like she’s wasting his time, but the only thing she can get out is, “I can’t.”

He pauses, but doesn’t pull his hands away, his fingers slick with her arousal as he looks up at her. Recognizing the confusion and embarrassment on her face, he realizes one crucial mistake he’s made. 

Bucky indulges himself with one more lick before he sets her at ease, explaining, “I’m not trying to make you come yet, baby. I just wanted to taste you, see what you like first.” His thumb teases over her clit as he kisses the soft skin of her inner thigh and asks her, “Is that okay?”

Just like that, he manages to get her back into the right headspace.

After a slow nod of her head, he’s bringing her pleasure again, exploring every inch of her pussy. He's enjoying taking his time, finding all the ways she likes to be touched, learning her body so he can give her what she needs. 

He’s also teasing her. Using his knowledge to make her more desperate. He hopes to get her to the point where she can ask for everything she wants without having to get this overwhelmed.

After his mouth moves away from her clit to lick across her entrance, he hears the change in her breathing. His quick glance shows him that her hands have moved to her tits, her fingers tugging at her nipples, and it tells him everything he needs to know.

Bucky returns his tongue to her clit, slowly circling the swollen bud before closing his lips around it, the soft suction causing her back to arch and she quickly nods her head, whispering, “oh god, please.”

But he pulls away again, her soft gasping whine proving he’s on the right track. She’s almost there. Just another quick tease of his tongue sliding inside of her, then back to suckling on her clit. That’s all it takes.

Her hand comes down to his head, fingers gripping his hair, as she breathlessly begs him, “Yes. Please. Just like that.”

This time, Bucky doesn’t move or pull away. He groans against her, unable to stop his hips from grinding against the mattress, her words sending pleasure straight to his cock. 

With each flick of his tongue, her noises get louder, the coil in her belly growing tighter.

She might actually come from this. Bucky might actually be able to make her come. 

That’s all she can think about. 

One hand in his hair, the other back to white-knuckling the sheet, using it for leverage to grind herself against his mouth. She can feel the pressure building, her muscles growing taut, her legs shaking uncontrollably. 

She’s going to come.

“Oh my god,” she whispers, seemingly unable to say anything else again. But Bucky still doesn’t change anything he’s doing, staying exactly where he is, his tongue never stopping. “Oh my god,” she repeats, nodding her head, desperate for this to happen.

It’s her downfall.

Just when she thinks it’s finally going to happen for her, the feeling suddenly starts to fade. The whine that leaves her, coupled with the frustrated, “No” has her quickly covering her flushed face.

The last thing Bucky wants is for her to think she’s done anything wrong. Or, even worse, that there’s something wrong with her. Because, there isn’t.

“Shhh,” he soothes her, peppering kisses along her thighs. His thumb returns to her clit, Bucky wanting to keep her pleasure building towards that peak again, and he tells her, “It’s okay. Sometimes we can get in our head. And sometimes... it’s just because we need more.”

She’s able to lower her hands away from her face to look down at him. It’s obvious he’s still enjoying himself, and all he wants is for her to be right there with him. It still takes her a moment of slow breathing for her to finally nod her head at him.

“Can you tell me what you think you need right now?” His slick thumb glides over her clit again before dipping down between her folds, teasing across her entrance. 

Her body immediately responds, her hips seeking out more, wanting him inside of her. 

Bucky tilts his head and raises an eyebrow at her, the smile on his face growing. “Tell me what you need, sweetheart.” 

It does the trick. With another shift of her hips, and more teasing pressure from his thumb, she nods her head. She doesn’t know how, but the words spill out of her without a second thought. “Fuck me, please.”

It takes every once of his control not to immediately let his thumb sink inside of her. She’s so wet, just begging to be filled, but it’s the perfect time to get her to verbalize her needs.

Bucky sits up on his knees just a bit, circling his thumb against her entrance before sliding it back up to her clit. He interrupts her needy whine with, “How do you want me to fuck you?”

She knows what he’s doing. And she’s incredibly grateful for it. Between quick and shallow breaths, she tells him, “With your fingers. Please.”

He tests her resolve, watching her closely as he starts to rub his thumb against her again, almost pushing inside of her. She immediately shakes her head and he pauses, a grin lighting up his face.

Bucky doesn’t even have to ask, she’s more than willing to tell him exactly what she wants. Her words coming quickly. “Please. Fuck me with your fingers. Two of them.”

His growl of praise immediately floods her brain, causing pleasure to radiate from her core. “Oh good girl,” he tells her, more than ready to give her what she wants,  “I’m so proud of you.” 

The cry that comes out of her as he fills her is unlike anything she’s ever made before. Her back arches and she reaches for him, grabbing his tattooed hand as his two thick fingers immediately find the spot that always seemed to allude others.

Bucky has every intention of tasting her again, planning to make her come with his mouth on her clit while he fucks her with his fingers.

He just wants to take a moment to watch her, enjoying the way the curl of his fingers causes her to gasp. His own body throbbing with pleasure as he strokes along her front wall, drawing more noises from her.

“You are so fucking hot,” he moans, interlocking their fingers as his gaze travels along her body from her thighs to her face, his cock leaking pre-cum at the sight of her.

When she’s able to accept his compliment without looking away, he increases the pressure, listening to the sounds of her wetness fill the air. 

She’s finally at that point that he promised she’d get to. Where she feels nothing but pleasure, able to bask in the connection they’re sharing.

“I wanna come for you.” There’s nothing quiet about her request, even as she struggles to get the words out between her soft gasps and moans.

“You really are incredible,” he tells her, eagerly returning to his earlier position, his head between her thighs. 

With his fingers still deep inside of her, he presses his tattooed arm against her thigh and places his palm flat against her lower stomach, using his fingers to spread her, exposing her clit.

She welcomes his touch, not a care in the world about how exposed she feels or how his hand digs into her soft belly. In fact, she doesn’t care how she looks at all. All she cares about his how close his mouth is to her pussy again, the feel of his warm breath making her whisper, “Please.”

Bucky glances up at her, a serious look on his face, quieting her pleading for the moment. 

“There’s no rush here, do you understand?” He accepts the slight nod of her head before continuing, a smile twitching at the corner of his mouth. “If I need a break, I’ll tell you. Until then,” his raises his eyebrows in excitement, “let’s just enjoy ourselves, yeah?”

She’s quick to agree, forcing herself to relax, resting her head against the pillow. She doesn’t even try to keep her eyes open anymore, the return of his tongue to her clit practically making her forget her name. 

With the pressure of his fingers inside of her, rubbing against her g-spot, there’s suddenly not a doubt in her mind that Bucky’s going to make her come.

It still rushes up on her quickly, her senses completely overloaded - the obscene noises his mouth makes against her clit, the slight scratch of his beard on her pussy, the smell of sex lingering in the air.

“I’m gonna come,” she gasps, one hand on her breast, the other on his head, gripping his hair. “Please don’t stop.”

He actually has the audacity to laugh against her, but he has no intentions of stopping. The rhythm of his tongue never changes, Bucky already knowing exactly how to lick her to get her there. 

She allows herself to be consumed by the pleasure he’s giving her, and the moment her hips start to move faster against him, her thighs threatening to close, the groan he makes causes her to fall over the edge.

Bucky keeps her held down, even as her body bucks against him, using his strength to keep his mouth on her clit and his fingers buried inside of her. 

She’s so tight, barely allowing fingers to move at all, but it doesn’t matter, he just keeps stroking her g-spot, prolonging her pleasure as long as she’ll let him. 

It feels like it lasts forever, her body riding out the waves until she’s left a wrecked, trembling mess, incoherent words escaping her lips.

Once Bucky’s sure she’s had as much as she can take, he quickly kisses up her body to pull her into his arms. She wraps herself around him, clinging to him, burying her face against him as he soothes her with soft words of praise.

“You did so good for me.”

“Such a good girl.”

“I’m so proud of you.”

“Thank you for trusting me.”

As her body starts to relax, she welcomes his mouth on hers, moaning at the taste of her arousal on his lips. It makes her want more and it’s not long before her hips move underneath him, grinding herself against his covered erection.

Bucky rests his forehead against hers and lets out his own moan of pleasure, his neglected cock wanting nothing more than to fuck her and feel her come. He won’t do anything unless she asks for it though.

The look she’s giving him tells him she knows exactly what’s going through his mind. But, she doesn’t ask him to fuck her. Not yet.

First, she asks for something else - something she thought she wouldn’t want to do, her request catching Bucky off guard, causing his hips to thrust against her.

“Can I suck your cock?”

---------------------------

Next Part

Hot Bucky Summer Masterlist

Main Masterlist

[mondaymelon]

₊˚ෆ 𝐃𝐄𝐒𝐂𝐄𝐍𝐃, 𝐀𝐍𝐆𝐄𝐋 𝐅𝐑𝐎𝐌 𝐀𝐁𝐎𝐕𝐄! | sagau lyney, neuvillette, wriothesley x gn!reader

ˋ°•*⁀➷ cw: theme of obsessiveness, yandere (big surprise!!) lyney + wrio's part mentions past abuse, all the stuff that comes as a side to this au !! ngl neuvillette's part is pretty tame he's literally. just a guy (otter)

⤷ [ you, the heavenly being who created celestia itself, has descended upon teyvat in an earthly form. a god, or at least, theirs. ]

— sagau!lyney has always lived to be beheld by the eye.

Displays of extravagance, bouquets of flowers and pairs of white doves fluttering from his finger tips. Yes, that was where he belonged, standing on his place at the center of the stage, bright lights fixed on his form as he swept in his arm in a wide bow towards his beloved audience. Listening to their adoring cheers and drinking it all in - their support, the fame, their fanatic attention.

Attention was always something he had yearned for. Cold days exist in his memory, where he wandered the street aimlessly, pale skin littered with growing purple bruises, his only refuge the light tug of Lynette's soot-stained hands clinging onto what rags he wore. In those times, he remembers, a faint voice from above, angelic and holy, soft and compassionate.

A voice that was, in fact, yours. You had stared with wide eyes at your device as the cutscene began, instantly overcome with emotion. "Lyney, Lynette... was this how you had been living? Goddamn, I know every character in this game has a tragic backstory, but look at them!! They're... they're precious!! Wahhh, I want to take you in... Lyney, you better come home..." They were merely throwaway comments that you had blurted out in the shelter of your room, absolutely fixated on their pretty character designs and the dwindling number of primogems your inventory held. Not only had you lost the 50/50 to Qiqi herself, you were now nearing hard pity, and the charming magician was still nowhere in sight. You shut your eyes "Ah... Lyney, how come you-"

Light flickered before your closed eyelids, and you felt the wind tug at your body. Your stomach lurched, oh shit, were you falling..?

"-won't..."

Someone caught you with ease, swift and capable arms holding you, one supporting your back and the other hefting both your legs. Twinkling purple eyes met yours. "Ah, are you alright?" You quickly shook your head, too shaken to speak words at the moment. Surveying your surroundings only brought another wave of confusion - strange buildings, glittering blue lakes and trees, an unfamiliar landscape... Your gaze shifted, and you caught the sight of uncanny ash blond hair, and the hat that sat atop it. Lyney?

He hummed in acknowledgement. "So, you've just fallen from the sky." There was no way in mistaking his voice. "Is there an explanation behind that, or...?"

"I...I- I don't know why I'm here...!" You stuttered, and he visibly flinched at your voice, eyes widening. Shit, had you done something wrong? You trembled in his arms, attempting to stand by yourself, but he wouldn't let you move from his grasp.

"I see." His voice was quiet, now, and came in a single breath. His pupils shook as he closed his eyes in a smile. "Then, shall I bring you somewhere where you'll be safe?"

His heart was racing, pounding against his chest, and he could hardly breath, instead taking in short, desperate little gasps that did little to keep him standing. You.

It was a voice he swore he'd never let escape his recollection, and now there was a face, and touch to pair it with. He smile widened, and his eyes shined with pure ecstasy. It was you, in the flesh, his archon, his god, the highest being. Your body was holy, and he longed to praise it, his dark heart being cleansed just by bathing in your presence. Yet you seemed so fragile in his arms, how cute... it wouldn't be fair to keep you to himself, but being selfish is what allowed him to get this far. Like a songbird in a cage, he'd trap you, admire you, worship you.

Your brows furrowed in confusion, and you could feel his smile's sweet grow more sickening every beat of silence that passed. "No, What? I-"

His hand struck the back of your neck. Your voice died as your eyes fluttered shut. And in that moment Lyney pressed a kiss to both of your closed lids, a tender touch that one might describe as "loving", but what truly lie beneath it was far more twisted. His heart beat only for you, and red flushed across his cheeks.

"There's no need to worry, my eminence. I'll put on a show, just for your delight." ₊˚ෆ

— sagau!neuvillette has always yearned for warmth.

A warmth is not present in the courts of Fontaine. There, it is cold, sharp, the biting frigidness numbing the hearts of people - those who stand before him in trial, and those who watch with glee in the crowd, awaiting his final verdict with bated breaths.

Neuvillette was most renowned for his judgement. But it was his own that was a critical flaw. For what truly was judgement? Had he been justified in casting a murderer, in some eyes, but a hero in others, into the Fortress of Meropide? A mere child, who just sought for warmth, just as he had? He fears his heart has also grown cold and indifferent to the world, and he despises himself for it.

Was it not your warm hand that stroked him lovingly so back then, a quiet, soothing touch that swept away the tears and the salt that clung to his cheeks? Was it not your voice who called out to him on those ever so lonely nights, humming an otherworldly tune as your ghostly visage wiped the sorrow that flowed his downcast eyes? Yes, truly. It was your warmth that caused his eyes to glow anew, your warmth that allowed his cheeks and the tips of his pointed ears to flush with contentment.

"Oh, wise ludex! This man is a murder! He stole not only my mother's assets, but my mother's life!" The crowd gasped at the dramatic declaration, their gazes shifting back and forth, from the perpetrator to the "witness." "I will dearly miss her... this man, no, this monster, took my mother away by hitting her over the head with none other than a bludgeon!"

Neuvillette's eyes widened. "Mr... Lucas."

"Y-Yes, ludex?"

"It was never disclosed to the public of what weapon the killer used."

The crowd erupted into a series of sharp inhales, surprised noises muffled by a hand over the mouth, round eyes as large as dinner plates, and frantic head turning. Journalists scribbled frantically in their notebooks, sweat pouring from their faces as they stumbled upon their newest cash cow.

"The verdict. Mr. Lucas is found to be guilty."

And they cheered. For what? Neuvillette narrowed his eyes just a fraction, his displeasure rising. They knew nothing. They were just mindless puppets, willing themselves to follow the sway of the crowd, praising and applauding something that naught needed its praise.

A sensation came over him, like the soft caress and flutter of an angel's wings or a soft, sweet sigh escaping from pouting, half-opened lips. The man snapped his head up, hearing the glass behind him shatter and plummet downwards like crystal raindrops, but what verily sent his heart apounding was the sight of a figure, dressed in heavenly silks, bathed in golden light, and descending into the courtroom. He drank it all in with a bated breath, hearing that for once, the crowd was silence.

You landed in his arms. Beautiful. He almost didn't dare move with you in his arms, in fear of his legs giving way underneath him. Your head lulled into his chest, eyes shut, and your pure, unbridled warmth finally met him, finally doused him in its prescence.

"Your... your eminence..." His voice was a mere echo, quiet, containing little sound at all. "I..."

"To you who has granted me such the blessing of warmth, I shall repay with all of my heart." ₊˚ෆ

— sagau!wriothesley has always wanted... someone to hold him.

It's a selfish thing to long for, and a silent one. Who would pay any heed to a duke's ramblings? Love's a thought that he's never quite fully digested, almost as if he can't truly believe it exists. Of course, he's seen Fontaine's couples, strolling up and down the street, hand-in-hand, yet questions himself in what makes them able to love each other. Perhaps it wasn't his problem with them, but more so a problem with himself.

Ah, that was it.

His heart already belonged to someone, someone he had heard once and never witnessed again. Like the softest breath of the wind, or a joyful child's laughter, it brushed through his soul and soothed it, held it in its arms, and fussed over his messy hair and bruised skin. At times, Wriothesley wondered if it was all a dream, for only something that angelic, mesmerizing could not stem from reality. However, as young as he was in those years, he cannot deny the fact that in his dark days - it was your mysterious voice that carried him into the life, your presence that gave him the wings to continue living.

Yes, since that day, his every breath, every flutter of his eyes and every pump of blood that rushed anew into his veins from his heart was solely for the purpose of meeting you once more.

Another typical day at the Fortress of Meropide - paperwork strewn all over his once-organized desk, a cooled cup of tea sitting next to where his hand lie, the other furiously writing away on the said paper. He ran a hand through his hair, grumbling into his palm as he briefly shut his eyes... only to shoot them back upon in a start as he heard the sound of something crashing against the walls, and the sound of paper, flying everywhere akin to a bird.

There was someone, lying, or rather, sprawled across his desk. Dizzy-eyed and muttering something intelligible, a growing red spot on their forehead gradually becoming increasingly more visible. "How did you get in here?" He's immediately put up his defenses, readying his gloves as he steps over - with quiet remorse - the papers that now blanket the ground.

"...Wh...Where am I?"

That. That voice.

Has he stopped breathing? He can feel all the blood rush to his head, and he can hardly think a single coherent thought, only focusing on the rush in his ears, the shaking of his hands, and the sight of you before him, dressed simply in sleepware and glancing around frantically. Gorgeous. Ethereal. The mere sight of you before him had spurred his heart into an erratic, fanatic pace, beating within his body like he'd die if it slowed down.

"Is... Is something wrong?" He was taken aback at the hand waving over his eyes, before settling back into position, realizing that you had been trying to speak with him for the past half-minute in his zoned-out state. Could you see it? The sin that was clearly displayed in his every breath, in his every inch of being?

"No, nothing's wrong." You seemed to have calmed down somewhat, and while your eyes were still filled with confusion, you tilted your head at his words. How come he was smiling...?

"Ah, then about that question-"

"Home. You're home. And this is where you'll be staying, forever." ₊˚ෆ

(a/n) ugh i swear to god i hate every single thing ive ever written for wriothesley he seems so yucky and out of character WJODJKFLJDSMF>

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[gorgeys]

uptown girl ★ jackie taylor x 90sbaddie!fem!reader

the uptown girl has her eye on you, the backstreet boy girl

word count: 3200 warnings: smoking, jackie and reader being cute asf a/n: here's the shitty mood board i made for the 90sbaddie!fem!reader to give you an idea of what i was picturing. i love this pairing sm so expect more blurbs/fics! also lmk if you have any thoughts about them bc i'm foaming at the mouth (to the anon that sent one in my inbox: i love you sm i'm gonna write a lil blurb abt that soon!)

jackie taylor, jeff sadecki, and their cult of friends were characters stolen from a cheesy high school movie.  the clean cut jocks gelled their hair back and drove shiny red cars, while the girls dawned designer outfits and flashed million dollar smiles.  as the children of wiskayok's elite, the luxuries of life were handed to them on a silver platter.  one of those luxuries was the pre-signed checks they used to buy all the liquor and beer kegs imaginable for a bonfire party like this one.

while they gathered on one side of the wooded space, their rich laughter rising in the warm air, their antithesis huddled together on the other side.

that was you and your friends of course.  sitting on the hood of your friend's ford mustang—the car he said he found and totally didn't hotwire—anyone could see why.  with beat-up leather jackets instead of lettermans and breath that constantly smelled of smoke, you and your friends were the furthest from wiskayok's polished royalty.

your group's reputation for ditching school and stealing from liquor stores made you the "wrong crowd" that parents warned their children about.  some even went as far to call you guys a "gang," but that was mostly the classism talking.

it was obvious that none of you were drowning in the same cash that the taylors and sadeckis of the world were.  in fact, those families would have preferred it if you and your friends didn't live in such close proximity to them and their perfect children.

not that any of it mattered to you.  you only lived for a good time.

you sat beside two of your girl friends on the trunk of the car, legs dangling as you passed a cigarette between the three of you.  more of your friends stood around, sipping on beers and telling loud jokes while ignoring the sideways glances and upturned faces of those around you.

your best friend nudges your shoulder and brings the cigarette between her fingers to your lips.

"don't look now, but jackie taylor keeps looking over here," she says eyes flitting behind your head to where you had spotted jackie earlier, tangled in jeff's arms.  "what did you do this time?"

you never would have mingled with jackie taylor if it wasn't for soccer.  the two of you had been on the team since you were freshmen, and you'd somewhat become friends despite your differences as jackie taylor was never one to care for stereotypes. though, as the team captain, she wasn't afraid of getting on your case when you showed up to practice with cigarette between your teeth or when she heard of your latest adventures through the grapevine.

"y/n, you have to stay focused on nationals," she'd scold you in the locker room, only evoking an eye roll out of you.  it was hard to take that stern look on her face seriously when it was so darn cute.

"yeah, yeah, whatever," you'd say, her eyes lingering on you as you brushed past her and walked away.

you shared those stories with your friends, so your best friend could only assume you'd done something new to upset her.  what you hadn't told them was that you and jackie had started spending time together outside of soccer.

it was unusual when she approached you after practice, asking if you wanted to see a new movie with her, since your friendship had been strictly limited to soccer and school.  but you had already been looking forward to seeing that movie, why not with jackie?

it turned out that you enjoyed hanging out with jackie more than you thought you would.  her light was infectious and your cheeks hurt from smiling by the end of the night.  you were surprisingly glad that you had blown off your friends for her.

since then, you'd hung out with her once at her house and another time at the retro diner you frequented.  you guys weren't best friends by any means, but you slowly found yourself growing more comfortable around jackie.

"i didn't do anything this time," you say, pulling the cigarette from your lips.  almost everyone gives you a suspicious look.  "i swear, guys!"

"then what's her deal?  she's been looking over at you all night," your friend says, stealing the cigarette back.

"for real?" you ask. you're aware of everyone's eyes on you, wondering what the hell jackie taylor wants with you.

your friend nods her head, cueing you to finally look over your left shoulder toward jackie.  you find her already looking back at you from a distance.

she's leaning against jeff's car, facing you with her arms crossed over her chest and a cup of something in her hand.  jeff and her other friends are in the middle of a conversation, but she seems removed from it.

when she catches your gaze, she picks her hand up and gives you a wave.  her effortless smile reaches her eyes, and you almost can't believe how happy she looks to see you.

you raise your hand in a casual wave and a weak smile, ignoring the strange feeling in your chest.  you quickly turn back toward your friends.

you're not sure if it's jackie's disarming smile or knowing she's been staring at you that makes your chest tighten.  or if it's the feeling of your friends' eyes watching you share a moment with her, little miss perfect, that makes you uncomfortable.

either way, it's something you don't want to think about.  it's not like you and jackie would ever be more than what you were right now.  you tried not to worry yourself with what could be, rather you chose to focus on what was.

but the looks your friends throw your way are hard to ignore.  one of the guys breaks the silence with a cat call whistle.

"so, jackie taylor, huh?" he asks, an irritating smirk tugging at his lips.  you look back at him with a deadpan expression.

"what about her?"

he just looks at you for a moment, wondering if you're being serious or not, before he decides that you are.

"are you kidding?  did you see her?" he asks, stunned by your blindness.

"what?" you ask with furrowed brows, still not catching on.

he doesn't answer, but shows you instead.  he puts on a stupid, exaggerated smile and waves enthusiastically in an overdramatic impersonation of jackie.  the excitement in his eyes mimics jackie's, and laughter echoes around you.

"come on, she did not look like that," you say, crossing your arms over your chest.

"oh yes she did," he says before taking a puff of his cigarette.  "she practically had heart eyes when you looked at her."

"no, jackie's just like that with everyone," you insist, though you're not sure how much you believe your own words.  you can't help but second-guess yourself: was she really that happy to see you?

"no, she is definitely not," one of the other guys says.

"see, i told you!

"yeah, girls only look at you like that when they want to hit."

you smack your friend's shoulder and shoot him a look, though he's more amused than hurt.  you're not too surprised by his instigating.

"honestly, i second that," your best friend says from beside you.  you nearly get whiplash from how fast you turn towards her, in disbelief that she would join in on this stupid joke.  "what?  she was kinda giving you a look."

"what look?" you ask too eagerly.

"like...the look," she says, a smile forming after she notices the awe on your face.  "what?  is it that crazy?"

"there's no way," you say, shaking your head.  you look around and suddenly realize the only person you can convince is yourself.  "oh my god, is everyone seeing this?"

the chorus of nods and agreement hits you like a ton of bricks.

"jesus," you say, running a hand through your hair.  "is that why she wanted to hang out?" you mumble, more so to yourself.

"hang out?" one of the girls suddenly exclaims, outraged by this revelation.  "you didn't tell us you guys were hanging out!"

"yeah, cause it wasn't that-"

"well, it's confirmed then," one of the guys says.  "jackie taylor wants you," he says in a teasing, sing-songy voice.

in a matter of seconds, it seems that everyone joins in to tease you into oblivion.

"don't know why she'd go for a backstreet fucker like you, though," your best friend says with a laugh, smacking the back of your head.

you try to laugh along, but you're still not convinced that jackie taylor wants you.  you're trying to put the pieces together in your head, but they're not fitting.

"yeah, she's your uptown girl!" one of the louder guys shouts.

not even a second later he's jumping to the middle of the group and breaking out into song.

"uptown girl!  she's been livin' in her uptown world!" he sings horribly.  he pulls up the collar of his leather jacket while dancing flamboyantly.  without missing a beat, another guy joins in, matching his energy.  "i bet she's never had a backstreet guy!  i bet her momma never told her why!"

you and your friends are left in stitches watching the scene.  you clutch your stomach in a belly laugh as nearly all of the group joins in singing, not caring if anyone else notices.

"i'm gonna try for an uptown girl!"

everyone in a fifty foot radius catches sight of your friends causing an unnecessary scene, most of them scoffing and shaking their heads at you.  but not jackie taylor, who finds you keeled over in laughter and smiles in her starry-eyed way.

you're so free, she thinks.  so happy and lively and unapologetic.  you're so you.  and you're so unbothered by others' opinions and detached from their expectations, a breath of fresh air from the world she lives in.  it's what drew her to you in the first place and what pushed her to this new level of adoration.

she wants what you have.  she wants you.

watching you laugh and joke so unashamedly with your friends, she imagines herself beside you.  she imagines being tucked into your side and leaning her head on your shoulder.  she imagines hearing your infectious laughter right in her ear.

instead she's stuck listening to jeff and his friends talk about the game for the tenth fucking time.  she forces a smile every once in a while, but you're consuming her thoughts.  especially when you look so damn good from across the bonfire.  she couldn't stop staring if she tried.

it gets to the point where she can't settle for watching anymore.  she feels too far away from you.  she needs you up close.  she needs to feel your eyes on her.  she needs to see that smile reserved only for her.

after your laughter has died down, jackie catches your eyes straying back over to her, and she strikes.

you notice her mouth something from across the bonfire.  you think you know what she's saying, but you need confirmation.

'what?' you mouth back, eyebrows knitting together.

jackie pushes herself off of jeff's car and takes a few confident steps toward you.

'come here,' she mouths again.  this time her two fingers making a clear come hither motion.

without another thought, you slide off the trunk of the car.  you don't even care what she wants from you; if she's telling you to come over there, you're going over there, no questions asked.  you snatch the cigarette from your friend's hand before you leave.

"hey!  i was-"  her eyes follow yours.  "oh."

everyone catches on and suddenly you're hearing cat calls and "oohs" from every direction. 

"go get 'em, tiger!" your best friend says, punctuating her words with a smack on your ass.

you bite your lip to hide your smile as you walk away from your obnoxious friends and towards jackie.

she fluffs up her bouncy curls with her hand as she walks toward you, a confident, vibrant smile fixed on her lips.  you think she looks the closest to perfect a human being could achieve, especially in that black dress with the pink floral print.  you remember seeing it in her closet when you were at her house last week.

"that dress is goregous, jackie.  you'd look so good in it," you said, leaning back on your elbows on her bed.  she turned away from you so you wouldn't see the blood rushing to her cheeks.

it seems like she took your words to heart.

"hey," she says when she meets you halfway, her smile growing impossibly larger.  it's contagious.

"hey," you say, leaning back and placing your free hand in your back pocket.  as you do, the hem of your skin-tight crop top rises.  jackie's eyes are instinctively attracted the growing sliver of skin between your top and the low waistband of your baggy jeans.

she swallows before her eyes rise back to your face.

"you look really pretty," she says.  "you always do."

"stop it, jackie," you say, trying to hide your growing smile by bringing the cigarette to your lips.  she doesn't miss it.

"stop what?" she asks, grinning and leaning closer to you.  there's nothing she loves more than playfighting with you.

"flattering me," you say, following her lead and stepping closer.  you take a drag of the cigarette then turn your head to exhale the smoke.  jackie's eyes are trained on your lips as they from a perfect 'o'.

"i'm not," she says, fingers catching on the chain of one of the necklaces layered over your chest.  "because i mean it."

she sounds so genuine that your heart aches beneath her fingers.  she tugs on the pendant of one of your necklaces, bringing you even closer.

"well, that means something coming from you.  you look perfect, as usual" you say.

she can't hide her reddening cheeks this time, nor her stupid smile.  she hums sweetly.

"good answer," she says, sharing a chuckle with you.  "can i get a drag?" she asks, nodding toward your hand.

you wordlessly lift the cigarette up, offering it to her.  instead of taking it from your ring-clad hand, she grabs your wrist.  with your hand still holding the cigarette, she pushes it between her lips and inhales, keeping her eyes locked on yours the entire time.

you've known jackie taylor to be touchy and warm with all of her friends, but this felt different.  maybe it was your friends getting in your head, but whatever jackie was doing felt reserved only for you.  as much as you wanted to deny it, you liked it that way.

"wow, jackie taylor smokes?" you tease before she drops your hand.  "don't you know it's bad for you, your highness?"

she intentionally blows the smoke in your face, causing you to wince and frantically wave it away with your free hand.

"oops, didn't see you there," she says with a self-satisfied grin.

"hmm, right."

with smoke still clouding your vision, jackie takes the opportunity to glance back down at the bare skin of your stomach.  she feels the urge to hook her fingers in the loops of your belt and pull you impossibly closer.  she holds back for now.

"so what were you and your friends singing about?"

"oh, um..."

we were singing about you jackie!

"just, y'know, being stupid as usual," you shrug.  you couldn't scare her with the truth.

"well, it looked like fun," she says, almost longingly.

you were aware of how jackie resented her own friends sometimes and you truly felt for her.  you remember her twirling her straw around in her milkshake while she confessed that everything felt so fake and forced with them, and especially jeff.

that's why she was so attracted to the raw, unfiltered essence of you and your group.  maybe it was just her privileged curiosity talking, but you could tell she was fascinated with how different your life was from hers.

"y'know, you could...hang with us sometime?  i mean, i could introduce you to everyone, if you want," you say casually.

"really?" she asks, eyes instantly lighting up. 

she wants to be immersed in your world.  she wants to be immersed in you. 

"i mean, it wouldn't be weird?"

"no, everyone's pretty cool.  it doesn't have to be a big deal or anything...or we could just hang out if you'd like that," you say, trying to play it cool but feeling unusually excited.

"yeah," she says, grinning beautifully.  "we should totally hang out first.  like, whenever you're free, you should come over." 

she pauses for a second, biting her lip.  her eyes scan your face for a sign of disinterest, but she can't find any.  so, she steps closer to you, her fingers creeping toward your belt.

"or, if you wanna go right n-"

the sound of screaming scares both of you and jackie jumps back, her hand nervously falling to her thigh.  you look over jackie's shoulder and she turns, only to find your teammates all shouting over each other while trying to separate shauna and taissa.  it seems they've attracted everyone's attention as randy only adds to the chaos by shouting "cat fight."

jackie audibly groans, partly because she hates to see her team fighting, but mostly because they've infringed on her time with you.  she stomps toward them and, though you don't want to get involved in whatever is going on, you feel the need to follow her.

"enough!" she yells in her captain voice, so different from the way she had been speaking to you.  she immediately silences everyone.

she sighs and looks back at you for a second, almost as an apology for their behavior and how they've derailed your night.

"yellowjackets, with me, now!" she shouts, stomping away from the bonfire and toward the darker part of the woods.

while the others follow her reluctantly, you don't move, hoping you might be able to sneak away from this trainwreck while you still can.  but, as if she could feel the absence of your presence, jackie turns and finds you standing too far away from her.

she walks back over to you and grabs the same wrist she had held just moments ago.

"sorry," she murmurs, eyes softening for you.  "but you too," she says, before dragging you along with her as if she had separation anxiety.

you look over your shoulder back at your friends, who are all too amused by you and jackie.  most of them are making lewd gestures like scissoring their fingers together or thrusting their hips just to tease the two of you.  you can only send them a strong middle finger before jackie whisks you away entirely, though you can hear the remnants of their obnoxious laughter.

you look down at your wrist and the tight grip jackie has on it.  she doesn't need to be guiding you like this anymore, but you don't mind.  if you're being honest, you like it.

you slide your wrist out of her grip for only a second before you place your hand fully in hers.  she looks back at you, anger dissipating from her face, and you give her hand a gentle squeeze.  a smile creeps onto her lips, and she momentarily forgets the situation at hand.

if anyone was proof that opposites attract, it was definitely you two.

[rimatsu]

Ok convince me to reject caution and embrace delusion. Why are you so hopeful? 

the safe bet is definitely caution. but regardless of initial intentions, nothing is ever set in stone in the 911 writing room and that’s reason enough to remain hopeful. still, when people say the chances of a reconciliation are non-zero, i think that’s low-balling it. at the very least, we’re at 10% chance, 90% faith.

granted the interviews i (unwillingly) absorbed via osmosis don't exactly inspire confidence but again: 1) tim is fickle as the wind and writers can change their minds at the drop of a hat, 2) nothing that was directly stated by actors or showrunner contradicts the idea of a makeup arc, 3) if the breakup was intentionally designed as a temporary hurdle they’d imply otherwise anyway (oh god i sound like Them don't i.... this is a cry for help)

the reasons why 8x06 could qualify as a temporary split have been extensively discussed so i’ll try to be brief (spoiler: i failed) before tackling what i’d like to see in 8b. buckle up buttercup, i’m a yapper:

1) the breakup wasn’t written as definitive or unfixable. buck and tommy didn’t part because of irreconcilable differences or because passion/attraction fizzled out. if they wanted that door closed, tommy could’ve simply said he was uninterested in pursuing long term commitment with buck, that they’re not compatible in the long run — there: a clean, uncomplicated break. instead, we’re told that tommy desperately wants to be the person buck settles down with, but he’s convinced buck is propelled by the excitement of novelty, that he suspects buck is latching onto him for the wrong reasons, that he can’t allow himself to merge their home life together in fear he’ll never recover once buck wants out. the implications here being tommy is in love with buck already. for his part, buck came to the realization that he wants a future with tommy and immediately decided to pursue it because that's just the type of man he is: never one to do things by half-measures, seeing no value in waiting once his mind is made up. so there’s no conflicting desire there. they want the same thing: permanence with each other. the next two episodes also paint a strange picture if the goal is a definitive separation. buck bakes excessively in an attempt to cope when he never needed a coping mechanism following a breakup before, and we’re told several times that he wants to reach out — in fact buck was about to reach out until he was physically stopped. in total, 3 tommy mentions so far. usually we get the one and then buck moves on to greener pastures (abby notwithstanding, but she's an exception and not the rule, main character privilege and all). we were even deliberately shown that tommy considered contacting buck on his own. that's establishing regret and a desire for reconnection on both sides of the equation. again, that’s a never seen before: tommy is an outlier. completely unnecessary if the breakup is a done deal. whether they follow it through or not, the aftermath was written in such a way that there’s ground for a reconciliation if needs be

2) this is the first buck break up to happen during the first act of the season, something that’s normally reserved for the finale for maximum impact. why this distinction? strange placement for the end of a romantic storyline if you ask me.

3) they're never going to replicate a LI that checks out as many boxes as tommy does, or recapture the romcom magic that was 7x04-7x06. and it's fine if they don't, not all endgame romances need to be the most memorable of the bunch, but it'd be stupid to let the remaining potential go to waste. it's undeniable, the show is nearing its end, i don't imagine they get renewed past s10. if they go the natalia route again and introduce a LI at the last moment, it's going to pale in comparison to the other viable option, one that has pre-established history and connection to buck/the 118. inadvertently or not, they set up an epic love story of intertwined fate. tommy has literally haunted the narrative since the pilot: one of the very first thing abby reveals is that she’s not over tommy breaking off their (retconned) engagement. as such, tommy has played a pivotal role in shaping buck into the man he is today: if tommy hadn’t transferred out to harbor station, buck wouldn’t have found his family and his life purpose. if tommy hadn’t left abby, buck wouldn’t have realized that emotional intimacy and romantic connection is what he seeks. if tommy hadn’t kissed him, a huge part of buck’s identity would’ve remained buried and unexplored. how are they possibly going to top a red string theory dating back 8 seasons? they can’t. i’m sure they’re aware of that.

4) why bring our attention to tommy’s admiration and envy for a tight-knit unit like the 118, on three separate occasions, if the ultimate goal isn’t to reward him and integrate him into the makeshift family?

5) idk what it's worth, if it's worth anything at all, but there’s been a substantial amount of displeasure voiced over their breakup. tommy is buck’s most well-received LI to date. they took a risk with the Big Bisexual Reveal and it paid off with increased engagement and viewership. if they were still debating a reconciliation, surely they've heard that at least some people will eagerly welcome a makeup arc with open arms.

i'm a broken record so i'm probably repeating myself but here goes my ideal timeline for the rest of the season (not a speculation, not wishful thinking, but a secret third thing):

i'm gonna operate under the assumption that the breakup happened solely so buck could be at his lowest for the kidnapping plot line with a minimal/reduced support system (no boyfriend AND no best friend around when his pregnant sister is abducted). in other words, i don't think buck will be in a place to venture back into the dating world by 8x09-8x10 quite yet (i don’t actually buy the buck-dates-the-serial-killer theory). he's handled the breakup fairly well but now with the kidnapping & eddie gone/in the process of moving, i assume that's when he really starts to spiral.

(if we get a fourth tommy mention here, i'd say it's a promising sign. it’d be a purposeful way to keep him in viewers’ radar after the 4-month break)

i think getting maddie back after a few days of fear and uncertainty will be a breakthrough for buck and he’ll make a conscious decision to move on from his funk by the end of 8x10.

ideally “jumping back into the pond” would take place in 8x11 to 8x13, starting with a comedic montage of buck in a string of various failed dates. this is the part of the season where i expect him to utter the word bisexual, probably when the topic of exes comes into play. every other queer identity in the show gets labeled and stated in no uncertain terms, but bisexuality is ever only vaguely implied (nancy in ls) or shown but not explicitly spoken (buck and eva). it’s frustrating. personally i choose to believe buck’s lackluster reaction to maddie’s questionable “how many men did she turn gay?” joke was intentional on the writers’ part. it was the perfect opportunity to reaffirm his sexuality but buck didn’t bc he's not fully in tune with his queerness yet. yeah he speedran through his coming out but recalibrating your entire identity after 3 decades of presumed heterosexuality is a complex process rifled with ups and downs. i hope it gets explored with more care and depth in future episodes.

supposedly we know two things: the fling is another form of coping mechanism, and it's short-lived. chances are it's going to be a woman, and i'd love for it to be a bi girl bc 1) yay bi4bi m/f representation, 2) he's dating someone who can intimately relate to his experience and can maybe offer some additional clarity where clarity is still needed.

my other preferred scenario is that he meets a guy who immediately clocks that buck is still hung up on his ex and not emotionally available for anything more than casual fun. basically give buck a sex friend who can expose him to the LA gay scene. if my memory serves me right, OS said he'd like to see buck in queer spaces. i would like to see it too (we could’ve had that exploration with tommy but i digress….)

long story short, he eventually meets someone he has chemistry with, but it's still not as easy or companionable or butterfly-inducing as it was with tommy. buck gets back home from the seemingly successful date and he just... starts baking — wordlessly communicating to the audience that he’s still plagued by Tommy Thoughts.

now if i put on my clown shoes, i’d say the bts pictures of the 217 engines suggest an upcoming bucktommy reunion on a call (surely they were made for a reason. right. RIGHT????), ideally in 8x14. i’ve babbled about it here, but the sparknotes version is:

- there's a 5 alarm high-rise fire requiring ground and aerial ops. tommy is tasked with delivering firefighters to the roof, including the 118. the chopper ride to destination is understandably awkward but professional enough

- tommy joins ground ops once he’s completed his maximum hours of flight. he ends up trapped in a pocket of rubbles with buck after a partial structural collapse. that’s when they hash it out. it’s not pretty: they’re on edge and exhausted and full of adrenaline and words aren’t sugarcoated or minced. but they’re honest, and afterward they understand each other’s perspective.

it has been said before, but i don't think buck registered the underlying message of the breakup. we know he doesn't handle rejection well, and it's likely he was so hyperfocused on being told no that he didn’t compute the “no matter how much i want to be (your last)�� part. that’d explain the 118’s strange response to the split. if i was told “my boyfriend broke up with me because he thinks i'll eventually break his heart once i figure out he's not who i truly want” i’d strongly advise communication before calling it quit prematurely. but if my friend told me “my boyfriend broke up with me when i asked him to move in bc he doesn't think we'll last bc i don’t know what i want” i would trust that they relayed the correct story and i too would discourage contact.

anyway buck has stated that he doesn’t want to chase after someone who doesn’t want him before, but now he knows that wanting was never the issue with tommy, that the breakup was fueled by insecurities and fears and trauma rather than disinterest. at first, it’s presented as reaching a necessary closure: once the fire is contained, buck and tommy part way with another “see you around, buck. i truly hope you find what you’re looking for” and a bittersweet smile. except now buck has had another breakthrough, he’s full of renewed resolved and clarity, and he’s ready to fight for this relationship, so he shows up at tommy’s doorstep the next night and pleads his case.

in 8x15-8x16, we see them readjust to being a couple except this time, it's with the knowledge that they both want serious in the long run. maybe they discover facets of each other previously kept under wraps for the sake of 'keeping it light and breezy'. also they fuck/fade to black on screen (this is imperative)

the last two episodes are focused on the closing disaster, whatever that might be. in this hypothetical timeline, we get a few more glimpses of domesticity. maybe even establish the setup for a move-in next season when bucktommy discuss buck’s lease.

you can have the helicopter crash as a treat for s9. once they're truly settled with each other and it's bound to be more devastating.

voilà <3 apologies and congratulations for your perseverance if you made it this far. the answer was never supposed to be this lengthy or tangencial oops can you tell i’m obsessed. terminally ill even

[o-sachi]

Fell First & Fell Harder Pt. 1 ‧₊˚ ⋅ Blue Lock Chars. (Request)

ଳ you fell first, but they definitely fell harder ଳ characters; isagi yoichi, barou shoei, reo mikage, rin itoshi ଳ tags; fluff, gn reader, no y/n

ᯓ Isagi Yoichi

"Hm? You wanna go get dinner? Of course. Let's go."

Getting your feelings reciprocated wasn't all that hard. You liked each other and it was all good then. But it was obvious that you took the relationship seriously early on. For a lack of a better term, it was quite one-sided for a while.

He'd be thinking about that fact a lot. Should he be happy? Should he be guilty? So so many thoughts racked his brain.

Eventually—after thinking about it so much—it's like his brain reprogrammed him. A switch was flipped and one day he was lovesick with you. He realized that life wouldn't be the same if you weren't there for him.

Everything you did for him—piled up—and his heart caved. Isagi thought he was the biggest fool for not taking you seriously as well when you first started off.

The whippest of whipped men—I tell ya. He'll indulge you in every little wish and desire you had. Absolute princess treatment from him. But he does unironically call you "queen."

ᯓ Barou Shoei

"What are you talking about? I've always been serious about you!"

The only reason he didn't pour in as much effort at first was because he was too focused on football and improving himself. You fully supported him and his dreams though. Instant brownie points!

He realizes how determined you are to stand behind him no matter what. Slowly, but surely, he builds up so much gratitude for your efforts that he softens over time.

He also realizes that you don't deserve to just cheer him from behind. As a matter of fact, you should be right beside him instead—celebrating his wins as if it were your own.

Barou tries to do the same and support you in the things you love. He'll even learn a thing or two about your hobbies so that you can bond over that as well. He tries so hard to make the relationship so equal and fair. His attempts give you the butterflies.

He will deny at all costs that he didn't love you as much as he did now. Barou will insist that he had loved you soooo much ever since. You knew he was sugarcoating to save your feelings, but it was endearing how he tried nonetheless.

ᯓ Reo Mikage

"New shoes? What about some jewelry? C'mon, let me spoil you a bit."

He was a bit reserved about your relationship at first. You were lovely and every positive adjective out there—but he had his reasons to be iffy. He's stinking rich and people have definitely taken advantage of that before.

However, you weren't like his previous lovers. You could care less about his wealth; you loved him simply for him. Painstaking as it was—you made sure that he'd realize that somehow.

And he does notice this. It was subtle, but he'd slowly ease up on you—becoming more open, spending more time with you, and being more affectionate overall.

You know he's wrapped around your little finger because he just introduced you to his parents. That's when you know it's getting SERIOUS.

When he does fall deeply in love with you, he does a whole 360 and starts spoiling you like crazy. He'll treat you out to 5-star restaurants, buy you designer brand clothing, and bring you to places all over the world. As much as you try to refuse and settle for something more lowkey, he will never back down.

ᯓ Rin Itoshi

"You're so annoying... yeah, yeah... I love you too."

He was hesitant at first because he has major abandonment issues (poor baby). He liked you, sure, but that was as far as he'd allow himself to fall for you. "Love" seemed too serious and dangerous for him to get into.

His doubts bled into your relationship and made it difficult. Truthfully, there were times when you questioned if it was worth it. But you persevered; you wanted to prove him wrong.

After a major fight, he was sure that you were going to leave without another thought. He anticipated this moment yet, he felt like he wasn't ready at all for your departure in his life.

Rin was about to go into an existential crisis when... you somehow came back to him. You smiled at him as if nothing had happened. You told him that you still loved him for all his faults. It felt like he was slapped across the face (in a good way).

Once you had helped him overcome his issues, he felt a bit more comfortable with the idea of "loving" you. So much so that he'd do everything in his power to keep you happy at all times. He was sure that he will never come across someone like you again in his life.

o-sachi © 2024 pls do not translate/copy/reupload my work on other platforms.

[bug-slappy]

sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release

lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance

⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)

AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that

every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)

it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.

i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)

at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below

I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.

The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.

these ^^^ compared to..

erm.. this.. ⬇

just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!

the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..

I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )

or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )

i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you

[zeichannnnn]

⚠️ In regards to the natlan controversy (and Sumeru by proxy)

Do NOT accuse people of being racist just because your skin colour cannot be found in a game. Learn to know that people don't live in the same situation as you.

Please read this fully for the reality of things I'm sorry for getting political, skip if you don't want to interact

I’m kinda sad at the fact that a lot of people are quick to hate, judge, and scrutinise Hoyo without understanding the situation.

With recent teaser of Natlan characters, people are rightfully upset at the fact that the characters shown to hail from Natlan… don’t exactly look the part. With characters lighter than my own skin tone (I’m a Chinese Southeast Asian by the way, heya) people are calling hoyo bullshit and accusing them of being a racist for failing time and time again at giving us characters with POC shades of skin. Now I’m not here to defend Mihoyo for their actions, or to tell you to stop being mad at the situation being the way they are. No, I’m here to shed you some light of how life is as a game company under the rule of the Chinese Communist Party (CCP) and Xin Jin Ping (XJP cause I won’t be bothered to type his whole ass name)

I've highlighted points of each section

Any pages that requires translations, I recommend using DeepL instead of google translate because you can check the meanings of specific words and it's translation are better (imo)

Skip to the last part if you just want a summarised version

Before we get into the nitty gritty that is Genshin drama, I'll give you a run-down on what and how China works.

check the part "In relation to Genshin's design choices and how China's beauty standard influences it" if you want to go straight on to the point

People’s Republic of China

is a Unitary Marxist–Leninist one-party socialist republic. This means that China is under a one-party (Chinese Communist Party) rule with communism ideology on how they rule and govern the country and socialist standards for how they manage their economy and everything else. [.]

The CCP holds a very nationalistic view

[.] which is commonly used as propaganda [.] for them to garner either sympathy or control over the people of China. These nationalistic view, in its raw and most rudest form, simply states that Chinese people are pure by upholding traditional Chinese culture (that's not even traditionally Chinese, more or less more catered towards communism and the CCP's ideologies which are that they're great and everyone else is wrong) and not mixing themselves or tainting themselves with things that are not pure (i.e. anything that isn't Chinese, from China, belongs to China) This nationalistic views, which glorifies China and detests anything foreign (i.e. culture, language, people, etc.) have led to a lot of xenophobia being built and nurtured inside of China's society [1] [2] [3]

Aside from the CCP's nationalistic views,

China's society is very censored and monitored by the CCP

[.] Google, YouTube, or more specifically, the internet itself is heavily banned by the government, electing the people to use the CCP's private internet that allows them to be monitored 24/7 through IP location and private information. [1] [2] [3] [4] Aside from heavily monitored and controlled internet access, people in the real world are also actively being watched and monitored through CCTV with facial recognition features and an AI that can predict people's action (yes, exactly like the akasha, and yes, Sumeru arc is based on reality, I won't talk about it here but feel free to read between the lines and compare it with the sources and news articles I'm about to drop on you) [1] [2. Behind paywall] [3] [4] [5]

With its censorship in mind, let us talk about what brings us all here:

the gaming censorship in China.

In order for a game to be published in China, whether it's made by an indie or a multi-billion dollar company, the game has to go through a complicated preliminary test made and assigned by the CCP to play, test, and go through your game before publishing it anywhere in Chinese media [.] This test includes you company's paperwork, your game's paperwork, the things you're displaying in your game, and the story it's trying to tell. There are not that many rules on what should and should not appear inside of your game, such as: polyamory, the undead (in both graphic and non-graphic manner), etc. That should be considered tame and should cause no problem, however, we do have a problem with one of the rule given which is: Emphasizing Cultural Sensitivity.

Emphasizing Cultural Sensitivity

in the article I've mentioned before, describes it as "Games should impart “correct” information on politics, law, and history, as interpreted by the authorizing agency." Now what does "correct" information entail? Who fucking knows because truth is relative. Facts, when in the eyes of the CCP, are relative to what they believe is to be right and what they want us to believe is right.

Now with that out of the way, let us get into the main deal.

MiHoYo

(not to be confused with Hoyoverse/Cognosphere which is their international branch) is a is a Chinese video game development and publishing company, founded by three classmates from university Cai Haoyu, Liu Wei, and Luo Yuhao [.] That means that Genshin Impact's development, ever since it was at its infancy, first-established days, and updates until the near future, are all subjected onto that game censorship law that I mentioned earlier. Now you might all be wondering, what does all of those rules have to do with genshin characters having dark skins? To that I point you towards the fact that MiHoYo and the CCP are and have been actively working together ever since around September 2021. [1] [2]

Cooperation between MiHoYo and the CCP

Ever since Genshin Impact's massive hit both nationally and internationally, its massive fanbase has hit the internet no one has ever seen before. It is the first ever Chinese game that has gotten world wide acclaim and with that, new eyes begin to look upon China. It is no surprise to anyone that Genshin is very particular about showing and promoting Chinese culture to the outside world. Genshin has somehow become the face to Chinese culture in just a year, with limited events such as Lantern Rite and Moonchase festival to showcase China's cultural beauty. With world-wide acclaim comes a price, wherein the CCP no longer treats Genshin as "another game" but a tool that they can use to promote and advertise themselves into the global population.

Begin the censorship and micro-manipulation of things in Genshin

New gaming censorship dropped after the Genshin Impact became a hit in the industry, with even Venti and Gorou as examples of characters that should not appear in media published in China (effeminate man) [.] In additional to the list I've linked in the "the gaming censorship in China" section, a lot more additional rules have been added to that list, such as: queer representation, morally grey character, but I what I want you to look at more is the section where "historical elements, including characters, maps and clothing, should conform with mainstream accounts." in addition to that, a self-regulation pact was made between game companies and the CCP that bans any and all content that is deemed "politically harmful" and "historically nihilistic." Now focus more onto that "historically nihilistic" point, what does that mean?

Historical nihilism

is a term used by the CCP and many Chinese scholars to describe research or discussions deemed to contradict an official state version of history in a manner perceived to question or challenge the legitimacy of the CCP [.] TLDR; it's a term used for when what you're saying clashes or goes against what the CCP said. Why is this important you may ask? It's because that now, at this point, if anything Genshin does something—whether that'd be plotline, design etc.—that the CCP thinks shouldn't exist or be represented, they have the lawful right to block or stop it from reaching the final product. Now this, this is what happened to Genshin's Sumeru and Natlan cast.

In relation to Genshin's design choices and how China's beauty standard influences it

white has always been a predominant part of modern Chinese beauty culture, for some reason (I don't know and I'm not going to go that deep into it, research it on your own if you're curious) In fact, it's not only China but also Asian culture in general. White skin has always been hailed as pure and beautiful here in Asia, where the line "as pale as the moon" is a common compliment to give to someone. Skin colour that are tan or even darker are connected to being dirty or stinky. Despite the younger generation not really adhering to that view, the older generation (calling out the CCP here) upholds that standard till this day. Pin straight hair, round eyes, pale white skin, and a thin figure are the standards put upon those born as female. Their male counterpart are not that different, with lean and fit being the preferred body type rather than big muscles or bulky forms.

The reason behind why this is the case is because of Asia's strict social code in rules and appearances. We must appear prim and clean, that means no dyed hair, no tattoos, no piercings, and minimal make-up. Anyone that goes against those rules are regarded as delinquents or deviants that usually break the rules and do criminal activities (despite it not being the case) Having a bulky stature also applies to that list, regardless of what gender you are, and especially for men. You're regarded as dangerous, criminal, bad influence if you look like that in public (this is why we don't have that much bulky characters gang and why we were robbed of heavy muscles Itto orz) (he deffo was very bulky in the original design, probably similar to the Nobushi but it got nerfed in final product)

Given all of that in mind, it's no wonder that Sumeru's and and Natlan's casts are mostly white... but were they always that way?

The original skin colour design for Natlan cast might've been darker than what we have in the final product.

As a lot of people have mentioned (especially with the many beautiful edits I'm very fond of) the character designs for Natlan's new up-coming rosters looks better with darker skin tone. Take for examples this edit right here:

taken from @ rarepairz on twitter [source]

Their designs (with darker skin tones) seem to pop more, giving highlights onto their clothes and accessories in comparison to the original design. Here are more examples of this happening:

taken from @ Wabs_nabs on twitter [source]

It is especially clear to anyone with basic colour theory that the colour used for designing the clothes and accessories and highlights in the hair look better with darker skin colour. There is *intent* on making it this way in comparison to woeful ignorance of making them look white as hell. If they were to intentionally to make the characters look white, they would've chosen a better colour for the clothes, less bolder ones and eye-popping ones to contrast with the already luminescent light that's emitting from the skin.

And this is not the case for only Natlan, by the way! The same thing happened when the Sumeru cast was first leaked. Case in point this:

taken from @ animuswonder on twitter [source]

and my personal art of Cyno and Nari:

Look at how much contrast there is between their colour palette or how much resonance there is, with Cyno his more cold-colour attire and hair, in comparison to his deep dark warm skin or Tighnari that's the epitome of a "spring girl" like come on man. There's INTENT in those designs, to have more darker shades than they are in the game. Sadly, they just can't do it due to censorships. Why? Because, as I have mentioned before, darker shades of skin are represented as dirt here in Asia as we glorify pale skin more.

The representation of uniqueness and differences in Chinese game is not common due the fact that most Asian countries are homogenous, which means they prefer everyone and everything to be the same, to look the same, and follow and do the same things. They do not advocate for uniqueness, they do not advocate for individuality, they advocate for us to conform and to follow like a sheep in a herd. Because of that, most people spend their whole life trying to whiten up their skin, keeping them light, and those who are darker than most are shown prejudiced and scrutinised.

Mentioning again the fact that MiHoYo and the CCP are working closely together, Genshin Impact is currently being used as a cultural weapon by the government. With MiHoYo showing numerous time that they've donate and support Chinese cultural heritage, the CCP is using that fact and holding control over Genshin as a way to promote and advertise sympathy towards Chinese culture and the Communist regime by proxy. It's like how your parents are getting you to eat broccoli brownies in hopes that you'd eat normal broccolis and other vegetables by proxy. Everything and anything that Genshin shows in its game are now under close inspections of the CCP and colourism especially will not fly-by their radar.

In conclusion

Your anger and hatred towards the new characters’ designs are justified, however the person you aim those anger and hatred should not be towards Mihoyo, or Liu Wei, or any of the staff members but towards the situation and the laws and the local government MiHoYo has to adhere to.

We're already lucky to have MiHoYo even wanting to represent and shpw different cultures from different parts of the world, telling us engaging stories, and incentivising us to think more and to be be more of us instead of following the crowd and to judge those in power (if you are literate and have the ability of a 6th grader, you know the theme Genshin Impact is showing in its story). In a world where they aren't able to live as freely as people outside of mainland do, they shouldn't have to put their life at risk by creating a game that goes against the CCP's laws that will lead to a deduction to their social points (yes, those actually exist, WAKE UP). Yet they do, they update every month, telling stories, creating characters with many characteristics that goes against Chinese gaming laws, just for us to enjoy.

Do NOT accuse people of being racist just because your skin colour cannot be found in a game. Learn to know that people don't live in the same situation as you.

You are right to be mad, you are right to be upset, but do not condemn them for something they hold no power to. It's between their lives and your fantasies and if you choose to value your delusion over their livelihood then that just shows what kind of a person you are.

Where's this conviction towards other game companies aside from MiHoYo? Where's the rightful air when it comes to companies that breathe much fresher air? Do they not have the same responsibility? Or is it because you actually do not care and merely want to point your unbridled emotions towards something or someone? If so, you're pointing at the wrong person.

[endearing-dalliance]

She-Ra PoP vs Arcane S2

Physically disabled character considered inferior by his society, abandoned instead of being helped

Technological genius who benefits from having a partner

Uses technology to improve his health and quality of life

Becomes fundamentally altered by a force outside his control (with Christian and cult references)

And now here's where She-Ra and Arcane's messages diverge: Hordak is consistently supported and loved by his partner throughout his journey. She doesn't let up when he tries to hide his pain from her.

She does NOT tell him that he is wrong to try to "fix" himself and actively helps him do so. She recognizes the validity of how he choses to deal with his condition, which was caused by genetic "imperfections" during the cloning process. But she impresses upon him that he does not deserve the physical pain or mental torment of being a "failure".

Her message was that his imperfections do not limit him or define him. They are a part of life, part of the world, and a part of him, and he is not a failure for having them.

Meanwhile in Arcane, Jayce criticizes Viktor for "wanting to cure what he thought were weaknesses" and specifically mentions his leg and disease. The two things that brought him chronic pain, progressively deteriorating quality of life, and one would ultimately kill him. Also, Viktor never actually expressed that he was ashamed of them. We as the audience are left to assume that's how he feels, because why wouldn't he? What else would a disabled person feel? Not that he is perfectly aware that Piltover's oppression and exploitation of his people likely directly contributed to both those issues. Not that he values himself for his intellect and contributions to Hextech even though society constantly prioritized Jayce. Nope, obviously he feels so bad about it that he tries to turn all of humanity into robots. On top of that, Christian Linke has explicitly said the Hexcore corrupted him and Sky was a manifestation of it manipulating him. So even if he did feel that way before, he's still not at fault for what's been going on.

And I think a key part of this is the mindset of the team who created this show. Was this simply a poorly executed but positive sentiment, or a symptom of ableist bias from a team of 3 able-bodied people? We can harp on Jayce all we want, but ultimately someone designed him this way, and THIS is what I take issue with. Christian also says in the art book explicitly that Viktor fixing his leg and spine make him lose part of his humanity. If this is the logic behind Jayce's monologue, it is NOT positivity. It is a direct shaming of a disabled person's right to choose how they take care of themselves, said by a character who has already violated Viktor's autonomy and wishes, written by a team that equates self-improvement with inferior humanity.

Amanda Overton has repeatedly mentioned she was inspired by She-Ra, which is pretty obvious here. Unfortunately, this isn't the unequivocally positive message she thinks it is, and she missed all the nuance of Entrapta and Hordak's conversations about it. A huge component of why it works in She-Ra is because Entrapta's wisdom comes from her understanding of her own "failures" and "imperfections" due to her autism, and Hordak reciprocates support throughout the show. One of the key members of her development team is an autistic person who provided a realistic view of what an autistic person can be like.

This is two people who understand each other's pain uplifting each other, NOT Entrapta being Hordak's miraculous savior at the 11th hour. Having Jayce need a leg brace for like 5 minutes does not give him ability to understand Viktor's lifelong struggles that were also killing him.

For future seasons, I hope they bring on staff who actually have any idea what they are fucking talking about.

[p0orbaby]

Could you write something about reader having surgery? Leah worrying about her & getting super stressed out x

-

Leah’s pacing. Of course she is. She’s wearing the trainers that squeak on the hospital floor, the ones you begged her to throw away three months ago. “They’ve got character,” she said then, like that was a reasonable argument for keeping footwear that sounded like an off-brand comedy gag every time she took a step. Now, the sound feels like a metronome for her anxiety.

She’s also muttering under her breath, something about waiting rooms being designed to drive people mad. “Why is there always a random fish tank?” she asks no one in particular, gesturing at the gurgling monstrosity in the corner. “Like, is that meant to be calming? Watching a clownfish swim into a plastic castle?”

Kim, who you bullied into babysitting Leah while you’re in surgery, hums noncommittally and sips her tea. It’s the worst thing she could’ve done because it prompts Leah to snap, “You’re too calm. Why are you so calm?”

“Because it’s a routine procedure,” Kim replies, her tone so even it borders on condescending. “She’ll be fine, Leah”

But Leah doesn’t look convinced. She crosses her arms, leans against the wall, then decides against it and resumes pacing. “Routine doesn’t mean risk-free,” she mutters. “What if they mix up her file with someone else’s? What if they give her a kidney transplant instead of fixing her knee?”

“Are you hearing yourself right now?” Kim asks, barely suppressing a laugh.

Leah whirls around. “Anything’s possible, Kim. Hospitals are chaos. I’ve read articles”

Kim just shakes her head and goes back to scrolling her phone, clearly regretting agreeing to this.

Leah’s still fidgeting when the surgeon finally appears. The man is smiling, calm and professional, but she doesn’t let her guard down. Not even when he says, “The operation went smoothly. She’s in recovery now”

“Define smoothly,” Leah demands, squinting at him like he’s lying. “No complications? No close calls? You didn’t drop anything inside her, did you?”

“Leah!” Kim hisses, mortified.

The surgeon, to his credit, only blinks. “She’s fine,” he repeats, clearly accustomed to this brand of hysteria. “You can see her shortly”

Leah doesn’t wait. She marches down the hall like she’s storming the pitch, the squeaking of her trainers echoing behind her.

When she reaches your room, you’re half-conscious, propped up in bed with a silly-looking hospital gown that does nothing for your dignity. Your eyes flutter open at the sound of her trainers, and you manage a groggy smile.

“You’re here,” you mumble, your voice sluggish from the anaesthetic.

“Of course I’m here,” Leah says, pulling a chair up to your bedside. “How do you feel? Do you need water? Ice? A lawyer in case something went wrong?”

You blink at her, too out of it to process her rambling. “I think they gave me morphine. I feel amazing”

Leah exhales sharply, her hands twitching like she wants to touch you but isn’t sure where. “Good. That’s good. You look… fine. A bit pale. But fine”

“Thanks,” you slur. “You look sexy”

She finally smiles, though it’s small and a little wobbly. “You scared the hell out of me, you know”

You try to reach for her hand but miss by a mile. “Sorry. Love you”

Her expression softens, and she takes your hand, squeezing it gently. “Love you too. Just… don’t ever make me do this again, yeah?”

“No promises,” you mumble, already drifting back to sleep.

Leah stays by your side the entire time, even when the nurse comes in and politely asks her to stop squeaking her trainers against the floor.

[wimpywompythethird]

I can’t be the only one who feels iffy about Vivziepop’s approach to ‘representation.’ To me, it feels like they’re checking off boxes instead of actually putting effort into a character, especially when you look at how almost all the gay characters in the show are portrayed as feminine, overly sexualized, extremely skinny or a mix of all three. There’s nothing wrong with any of those traits and if they make you happy, that’s great. However, when every gay character fits that same mold, it stops being true representation. Instead, it starts to feel like a stereotype rather than diversity. Sure, there are gay people who embody these traits in real life, but when a series labels itself as a “queer show,” it should aim for a broader, more nuanced portrayal.

The show has already demonstrated its ability to create a range of body types with characters like Satan, Mammon and even some background characters. If the show can represent diverse body types why not extend that same diversity to the gay characters? I’ll give Fizzarolli a bit of a pass here, though. with his robotic body he literally can’t gain weight anywhere except his stomach.

Sidenote: here’s some background character designs I love