#instead of approaching him like an actual character to develop

[snickerdoodlles]

never been so glad to be picky with my fics 💀 reading your 🔥 ☕ post about kim was like peeking into a horrific alternate dimension lmao

😂 (prev)

most fics aren't! by large kp fics are good! not everything is for me, but overall there are many good fics out there to be reading. i've just also been living in the kimchay tag since the filmania trailer, so i happen to have read through a lot of its fics thanks to circumstance. largely i am trying to stick with very broad and general topics for these tea asks because it's all about personal preferences of what draws me towards a fic vs what turns me off and not get into anything too specific; but when you've been reading a tag for multiple years since the tag first got started, you tend to have seen a lot more of the obscure stuff than the average reader.

[haine-kleine]

after sitting with my thoughts about the epilogue for some time, I think the thing that broke the story had started right after Dabi's dance. said thing is LOV' utterly out of character treatment of each other and Shigaraki specifically.

them just standing there and passively observing the scene makes absolutely zero sense, if you use anything from their previously established relationships within the organisation for reference. especially with All for One's creepy comments. Spinner even points out shortly before this chapter that AFO!Shigaraki seems nothing like his normal self and this person is not the one he had chosen to follow.

and yes, Spinner does approach screaming Shigaraki and tries to help him, and his concern later leads him to seeing Shigaraki's mutated form in the cave, and on its own this development for Spinner is in line with his character and all around fine. pretty reminiscent of Toga and Twice, too.

(except Spinner is not allowed to really help Shigaraki in any way, unlike Toga was allowed to help Twice, and this entire thing between Shigaraki and Spinner only ends with Spinner's regrets and survivor's guilt instead of anything good or meaningful that isn't meaningless angst porn)

it isn't Spinner approaching Shigaraki that is the issue, it's the other's complete lack of action or even reaction besides appearing mildly disturbed. this is simply out of character for all of them, just judging by Twice's example who had similar breakdowns and wasn't plainly ignored by the others until his fit stops. this reaction makes even less sense, when you take into account the current state of the League. Twice had just been murdered by Hawks, the double agent who had infiltrated the League via Dabi, and Mister Compress had just sacrificed himself to give the League a chance for escape, and was sent to Tartarus immediately after his condition was no longer life threatening. Kurogiri is also being held captive by the heroes. there are only four of them left, with two dead and two captured. and none of them even mention the dead or the captured outside of the context of Kurogiri and his quirk.

this straight out makes no sense if you look back to the Overhaul arc and remember how far Shigaraki and the rest of them were willing to go to avenge Magne's death and Mr Compress' destroyed arm. this was important.

the event had motivated Shigaraki to be a better leader, because he had realized these people depend on him, and he won't let them be hurt under his protection. it had started the seed of self-doubt in Jin which would eventually grow to the desperation that allowed him to overcome the mental block against his quirk in the MVA arc, because he wanted to do everything he possibly could to help the League. it allowed him to make his clones despite the crippling trauma, because he saw Toga's hurt, bleeding body, and he didn't want her to die.

even fucking Giran, a broker whose very profession requires him to care about himself and his own well-being first and foremost, had sacrificed all of his fingers to prevent Redestro from getting his hands on the League. because he wants to protect them, to save them. and then we never actually see his mutilated hands or hear anything from him ever again.

and when Twice actually dies? all we get in response to that are two upset faces from Dabi and Toga's fury. that's it.

i really want to stress how out of character this barely-present reaction is, because Magne's example is right there and when Overhaul had killed her, the League knew each other for no longer than a month. this League has been together for at least half a year, had been through thick and thin together, had spent months on the run, homeless, having no one but each other to rely on, has defeated the Meta Liberation Army, quite literally, with the power of their friendship. they all cared enough about each other and Shigaraki specifically to stay with him during those months they had to fight Gigantomachia with barely any breaks for rest, still homeless, barely scraping by. it was imperative that they all survive through this together, especially for Shigaraki, who had went on this quest of getting stronger at least partly so that he would become a more reliable protector for the League. and when Twice falls victim to the hero who had murdered him in cold blood, because no one except for Dabi was there to save him, Shigaraki doesn't even get to react to Twice's death, and possibly never even learns about the fact.

on topic of Dabi, his reaction being exactly two frames of sad expressions and including the footage of Twice's murder into his broadcast, and ending immediately after that, also makes no sense. Dabi is someone who holds himself accountable and despite his declarations, cares about the League, it's the very reason he was keeping Hawks from the League and sprinted to Twice as soon as he realized Hawks' intentions with him, to protect him. Dabi's unsuccessful attempt to save Twice is another iteration of Overhaul, a combination of Shigaraki and Twice's roles in the tragedy. but unlike Shigaraki, who had steeled himself into taking care of his subordinates and becoming a responsible and strong leader, or Twice who had never forgotten about his role in the incident, Dabi just somehow forgets about the entire thing as soon as the first war is over. Toga is the one whom the narrative allows to actively react to Twice's death and express her grief. it makes sense that her reaction would be the strongest, as she was the closest with Twice, but why are two LOV members no longer allowed to care about the same incident at the same time? why aren't they allowed to protect each other anymore, when Giran, who is not even in the League, had made that sacrifice for them?

These are pretty small things, but it's these instances of Toga and Dabi preventing Machia from being injected with the sedative, protecting the League that are sorely missing in the second war.

and the biggest act of devotion and protection to the League, which was the last time we saw anything like this for them, Mister Compress' last moments with the League.

Mutilating his own body just to buy them five seconds to possibly escape. Because he loved the League, because he wanted all of them to be happy and achieve their dreams, to be free, and to live.

and in return for the favour, not only do they not come back for him like they did for Kurogiri (because his quirk is important for the plot, while Compress' isn't), but none of them mention Compress ever again. same with Twice (with the exception of Toga), same with Magne. from this point onwards, none of them are allowed by the plot to even care about the League of Villains. the interpersonal relationships between two individuals still shine through, occasionally, like Spinner's devotion to Shigaraki (and him alone), Dabi and Toga's pyromaniac trauma lane visit to her house and him giving her Twice's blood, Kurogiri reaching out to Shigaraki in the very end. but what about the League? ahd what about the dead members of the League, or Mister Compress?

somehow, at the point of the final war it boils down to the generalized conflict of heroes vs villains and the morality gymnastics involved in the concept. on its own, this would have been an okay development, if the examples the story was using to prove its point weren't people who had become very close friends and who had lost four people to this war against the heroes.

if the individual conflicts, like Toga's desperation to be acknowledged as human being deserving of affection, Dabi's familial abuse trauma and Shigaraki's lifelong manipulation by All for One not giving him any chance to be saved at all, were the finishing line of the villains' story development, why join them within the League at all? LOV is a separate concept functioning as a collective uniting all these villains, giving them a place to belong and people who give a fuck whether they live or die. except not anymore, because for some reason after the first war this concept is scratched completely.

so why not make them mere acquaintances who sometimes collaborate to bother the heroes together, if the bond between them got in the way of the story and wasn't the point of the story? why prove the depth of their bond with the Overhaul and My Villain Academia arcs? why make Shigaraki develop relationships and a sense of responsibility for these people at all, if in the very end his desire to save these people is denied by the author himself?

the previous arcs have spent a great deal of effort establishing that the villains are human too. they have human feelings, human desires and human relationships. so why is it that in the final arc their ability to experience human emotions towards each other is turned on and off manually by the author? at the very end even the author stops pretending like anything happening to the villains is evaluated on the scale of human experiences (unlike the heroes, whose injuries and deaths are talked about and mourned in great detail) and Kurogiri and Shigaraki are wiped out like plot inconveniences rather than important and well written characters.

honestly? it's ironically meta that the story ended up proving the very point it has spent 400 chapters arguing against.

[alicefromwhichplanet]

Why Optimus being a good person in upper class/ Megatron being an angry rebellious lower class is a great and meaningful plot

Recently, with TFOne coming out, I’ve learned that the new movie made changes to Optimus and Megatron’s backstories and instead of giving them different backgrounds, like coming from different classes (like in tfp or idw1), they’re put in the same class as colleagues in mines. I’ve already seen people celebrating this as “an innovation/ something new” and an uplifting of Optimus’s character, because as the lower class he gets to rebel, therefore Megatron’s character aura won’t overshadow his. But actually, I am quite disappointed at this change. I think such arrangement is a worse one, not a better one, especially to those who love character depth and realist plots.

First of all, I want to argue that Optimus and Megatron carry every different roles in all transformers shows in general. By this I mean no matter how the plots change, the foundation of their motivations are different—maybe only except for Shattered Glass, where their roles are exchanged. Megatron’s foundation of motivation is: war/chaos. No matter how much his actions are justified, Megatron is still a bad guy, because he sticks to a path of violence and destruction rather than peace and negotiations. In contrast, (I put Megatron first because Optimus’s motivation is clearer if compared with Megatron) Optimus’s underlying logic (the foundation of his character motivation) is: peace/order. No matter how brilliant the battle scenes were, no matter how much he talked about “stopping Megatron at all costs”, Optimus’s final goal is to seek peaceful solution to the conflicts he engaged in, and find a way to resume order. That is also the basic logic of every transformers show, and how the playwrights justify autobots as the good guys, decepticons the bad guys. (This can be easily understood through series that give Megatron and decepticons fully justifiable motivations, like tfp and idw. They started the war because they were angry at the unjust treatments, and became villains because they eventually became a source of ongoing chaos and destruction)

With this premise, it is not difficult to see how brilliant and intelligent it is to put Optimus and Megatron in two different classes. Because people’s thoughts vary with very different experiences. In the past successful shows like tfp, the conflict between Optimus/Megatron is perfectly explained with an idealist/realist contrast.

Being an idealist advocate of freedom and equality is a successful way most Optimus(es) are portrayed. Under this premise, Optimus is basically a good person with strong sense of morality. He is aware of the problems in his system, seeks a change, but because he is from a more “privileged” class, or to say, closer to the power holders, he tends to develop an idealistic view of solving problems with milder approaches: handing in proposals, talking with congress members, or growing his own influence and trying to persuade the congress. In any of these cases, Optimus’s ideas are in line with his background. And like any well-written character, he is limited by what he can see in the class he belongs to.

As we’ve analyzed at the very beginning, Megatron’s characterization mainly revolves around “war and chaos”, one clever way (tfp and idw) playwrights used to make him more than just an evil stage prop is to make him more of a realist, in contrast with Optimus’s idealism. This usually comes with the backstory of Megatron coming from the bottom of the society, rebels with violence against social suppression he could not endure— at the same time, he also has a natural tendency to seek radical solutions. With this disadvantaged background, Megatron’s violent behaviors and refusal of peace are not groundless actions. It is a clever way to reflect the reality and increase plot depth. In my opinion, explaining “why the villain does evil” is the key to a successful story.

Another thing I want to argue is that, I don’t think giving Megatron and decepticons a justifiable backstory is diminishing/ “overshadowing” Optimus’s character. Because as we analyzed above, Megatron and Optimus have different roles to play. One overthrows the old system, the other rebuilds the new system. One raises the question, the other spends more efforts to find a feasible solution. Optimus and Megatron are two sides of the same coin. The depth of Megatron’s motivation actually decides how brave/noble/meaningful Optimus is in the act of “defeating” Megatron. For example, If Megatron’s “evil” is flatly portrayed as a bad-tempered child throwing a tantrum, Optimus’s “act of justice” is merely an older child calming the naughtiest kid in class.

Some believe that “not being able to stand up and rebel against suppression (like idw Megatron did)” made Optimus somehow “uncool” compared to Megatron. But he’s not. In fact, Optimus’s journey is not a bit easier compared to Megatron.

Instead of “suppressed class rebelling when there’s nothing to lose”, Optimus’s growth arc follows the route of a compassionate upper class who can look beyond where he stands for, and resonate with people who’s living under him and away from his life. Compared to Megatron’s “outward rebellion”, Optimus’s rebellion is “inward”: he has to fight himself to reach the higher ground— fighting the urge to step back into his conventional ways of thinking, fighting his self-doubts and inborn modesty to step back from leadership (very well presented in TFA and TFP), and by the end of the war, in most Megop fictions, Optimus has to fight back the urge to continue the war as he is used to, and step forward to “see” and “move” Megatron— understanding him, reaching out to him, loving him. Many people take “fighting on with the villains” as a braver, manly act, but actually stopping the conflict takes more courage and wisdom. And in the long run, it’s always a superior choice.

In short, I still think writing Megatron as the rebellious lower class and Optimus a compassionate upper class is a genius idea beyond comparison. They’re bound to be different, and there’s no harm in creating separate backstories for them. Like I’ve read in an early megop novel that has become a classic: “I’m here to do things you wouldn’t, so that you can do what’s right.” (Megs to OP)

In my own impression, Megatron is a radical revolutionary, and Optimus is an idealist reformer. The two carry different aims and functions in the plots, their values contradict and supplement each other, and so when they’re finally united, sitting down and listening to each other, their unity is incomparable.

[fatalism-and-villainy]

I’m trying to untangle The Problem of Garashir (not the least because, well, I’m writing the pairing) -

and I think honestly one of the biggest… roadblocks? bits of untapped potential in the pairing? is that we never really see their relationship put a strain on their ideological convictions.

Which is to say, “the societal institutions we’re subject to are corrupt, but our love is pure, so we’re going to abandon those institutions for each other” is, whether implicitly or explicitly, a common framing in fanfic featuring them (such as I’ve seen) - and to be fair, it’s a common romance trope in general. But I can’t say it works for me for these characters. And part of that is that imo the show doesn’t sufficiently set that up with its development of the relationship between these two characters, but another part of that is that I simply don’t see a world in which that kind of relationship dynamic/approach would fit with their characterizations.

To address the first point - there are never any situations involving these characters in which their fundamental values or institutional loyalties are challenged as a result of their relationship. At no point does Garak, for example, have to choose between Cardassia and his affection for Bashir. (I’ve seen people read The Wire that way, but I don’t think the reading works - The Wire is a fantastic showcase for Garak’s worldview and value system and the cracks and contradictions therein, but even though Bashir’s unwavering commitment to helping him despite what he’s done is certainly unprecedented and moving to him, his underlying value system hasn’t changed by the end of that episode.) And while Bashir’s faith in Starfleet and the Federation does get rocked quite a bit over the course of the show, it’s never because of his friendship with Garak.

Instead, I’d say that with some exceptions (like The Wire), their friendship in the early seasons is usually framed as a respite from their serious responsibilities or moral dilemmas. This especially true of Garak, who is likely not used to someone simply enjoying his company with no ulterior motives whatsoever, but the narrative maneuvering of the show also does a lot to shield Bashir from the reality of who Garak is. Yes, he gets a taste of that in The Wire, when Garak goes out of his way to impress upon him what the reality of his life as a spy truly was. But that’s still only verbal testimony, and only confined to what Garak has done in the past. Bashir is largely absent from all the shit that Garak pulls during the show!

And I’m not complaining that, say, the events of The Die Is Cast take place between Garak and Odo, because it makes thematic sense for it to be Odo for that arc. (And I love that friendship.) But Garak and Bashir do not get a plot like that, or like In the Pale Moonlight, where Bashir is directly exposed to or complicit in Garak’s immoral behaviour. The closest we get to an actual serious ethical clash between them is in Our Man Bashir, which is a goofy comedy episode. (And it’s worth noting that Bashir calls Garak’s bluff and shoots him in that confrontation! Yeah, he likely missed on purpose, given what we later learn about his magic hand-eye coordination, but he’s still unwilling to compromise on his heroism for Garak’s sake. It’s actually a pretty Cardassian gesture, which is probably part of why Garak loves it so much, but it does say a lot about where their priorities are re: their commitment to their values vs. each other.)

And I think the lack of more serious, plot-relevant ethical conflict between Garak and Bashir is a real loss for the show, because one thing I find really interesting about their relationship is that - in contrast to the examples of Odo and Sisko up there - Bashir is the person in the cast most able to hold Garak accountable. He’s repeatedly established as one of the most firmly moral members of the cast, and his righteous anger at seeing those morals trodden upon is one of his most defining character traits in the later seasons. His unconditional forgiveness of Garak in The Wire is lovely, and it is an important moment in the development of both their relationship and Bashir’s character. But in the long term, once we get into actual serious, consequential war and espionage plots? And if we’re imagining them in a long term committed relationship? It wouldn’t be sustainable, and it doesn’t feel in keeping with Bashir’s character that’d he have endless reservoirs of patience and understanding specifically for Garak. And it’s precisely because Bashir is uniquely able to grant Garak forgiveness that he’d also potentially be uniquely able to chastise him.

(This is why, by the way, my headcanon as to the in-universe reason why they don’t seem as close in the later seasons, paternity deathbed reveals and occasional flirty bantering notwithstanding, is that Bashir was seriously fucking pissed at the stunt Garak pulled in Broken Link, both in terms of the personal betrayal and the destructiveness towards sentient life, and that it created a significant rift between them.)

All of that is to say - my biggest regret with the show’s sidelining of their dynamic isn’t the fact that their relationship never becomes romantic (not a chance of that in the 90s, and also these writers were pretty terrible at writing romance) but that they never get to have an argument. An actual serious, non-flirtatious, two-sided, genuinely-angry-at-each-other-argument. I want to see conflict! (I honestly think that their exchange in What You Leave Behind comes the closest to the kind of conflict I’d like to pick up on in post-canon fic - where they are conciliatory in the moment but still have this really wrenching chasm between them, and unresolved frustration as a result of that chasm.)

So as an extension of these thoughts, I actually really like that we’re not given the basis for a traditional “us against the world” style romance plot. I like that these characters are clearly deeply fond of each other and significant to each others’ development, but have other important connections (Garak especially, since despite being only a recurring character introduced through Bashir, he integrates into the broader cast) and other priorities besides each other.

Furthermore, despite the significant differences in their value systems, one very fundamental thing they have in common is how passionately devoted they are to their respective causes. For Garak, it’s Cardassia. And while his idea of what it means to serve Cardassia, and what Cardassia needs, undergoes a lot of change over the course of the show, I don’t see any version of Garak in which Cardassia is not his first love. For Bashir, it’s altruism and helping people, as well as his intellectual curiosity - aims which are reflected in Starfleet and the Federation for him but ultimately higher ideals.

And I don’t think either Garak or Bashir would admire the other nearly as much if they were willing to let go of everything they hold dear for the sake of romance. They’re both far too committed to being a part of the world. Garak may have some fun with trying to shake Bashir of his optimism, but ultimately Bashir’s goodness, his fierce conviction that no one deserves to suffer, are among the most compelling aspects of his personality. And if Bashir is ever going to actually enter a serious relationship with Garak, he’s got to move beyond flirty intrigue and literary banter and see Garak as someone who’s proactively committed to goals that Bashir can respect. If they’re coming together as a couple, it’s because their aims and beliefs have come into alignment in some way.

And to be fair, a lot of post-canon Cardassia stuff is doing the latter. But I also want more… conflict within that framework, I guess? I don’t want a romantic relationship and the act of getting together to be the endpoint of whatever reconciliation of values they need to work through. And that’s part of what I’m trying to untangle in planning this fic of mine - especially regarding how fraught romantic commitment feels for them. For Bashir, there’s the problem of not only reconciling himself with what Garak has done, but also of choosing to be with someone whose impulses and entire cultural belief system places duty and institutional loyalty above personal feelings. And for Garak, there’s the fact that the most devoted and emotionally intense relationship he’s had in his life thus far has been with Tain, who embodied Cardassia for him - and as a result, I doubt he quite knows what to do with the possibility of a serious relationship with Bashir, who is very emphatically not Cardassia. He’s not used to being divided in his passions!

It’s not that I’m never capable of being moved by post-canon stuff that involves Bashir being charmed by how slippery Garak is, or them generally being quippy and fond of each other (I’m not made of stone here). But I’m never satisfied with just that, because that escapist element never feels like it translates well from the early seasons of the show to post-canon, and because it never engages with what I find the most fascinating about what’s set up with their whole dynamic. (And I especially dislike it when it feels like Bashir’s character is getting shortchanged in terms of his complexity and moral convictions being excised in order for Garak to get everything he wants.)

[cryptidghostgirl]

CHUBBY! READER X ALASTOR

I'm soooo sorry that I'm requesting something else this just came to me and I needed your storytelling expertise to bring it to life 😢

ALSO ALSO ALSO this one has a trigger warning so please read with the thought that YOURE PERFECT!!!😤(if you write it)

OTAY OTAY soooooooooooo reader has been apart of the hotel for awhile and has developed a crush on Alastor from afar and the small instances they do cross paths but hesitates to approach him on her own because well we're shy and HES THE RADIO DEMON anyway reader doesn't have to worry about distance between them because Alastor is AVOIDING HER ALL ON HIS OWN 😯 AND somehow reader gathers the courage to approach Alastor but sees his relationship with Rosie (they're besties, platonic soulmates definitely) and thinks 'wow, she's so beautiful and...thin' and proceeds to lock herself away from everyone (SOLITUDE) and skips meals (starving herself), Alastor is the first to notice shes missin and pulling away but doesn't know how to approach her without stumbling over his words (i like to think that hes a heartbreaker to other women like his fans but with someone that he likes with real feelings hes fumbling in the dark because he could get rejected instead, i will die on the hill) so so so he hesitates to ask reader whats wrong till he hears her throwing up or she says something awful about herself and Alastor gets angry on her behalf and reader goes silent, only for Alastor to take a breath and tell her that 'shes hurting herself, for a shallow reason such as looks', and reader goes 'i thought you liked to watch others downfalls' and then hes like 'not your downfall, never you' 😔 reader starts to cry and shouts "im not Rosie', confused Alastor finally starts putting the pieces together and grabs reader hands and sincerely says "good, i wouldn't rosie anyhow, or anyone else for that matter', reader continuing to cry tells him to stop lying that this joke isn't funny and Alastor kissies her hand as says "whos joking? I only want you, your perfect" then then then slowly Alastor starts to help reader look at themselves in a more positive light [[fit this in somewhere???????Alastor tells reader why hes so close to rosie (he's clueless about reciprocated love so he goes to Rosie because canon that she knows matters of the heart...right?)]]

A/N as always i am obsessed with your request. Also I 100% agree with the assessment of Alastor's ability to talk to people he actually likes. I am literally so obsessed with this request. Also I am assuming from your previous comments you wanted the same bunny demon character?? Please forgive me if I am wrong but I did it for her (because I love her dearly and she is based of meeeee and I'm egotisticalllllll). Kisses bestie <3 <3

Downfall (Alastor x Chubby!Bunny Demon!Reader)

Paring: Alastor x Reader

Word Count: 4,076 (I got a little carried away)

Warnings: BODY IMAGE ISSUES!!! EDS!!!! I think that's it but they're in all caps for a reason so if you have ED issues maybe don't read this one??? It is hurt//comfort tho so maybe do???? Idk. If you get triggered by ed descriptions, don't. If having a fictional character tell you you're perfect the way you are and beg you to stop destroying yourself because they can't bear to watch would help you, do.

Master Lists:

Master Lists 

Hazbin Hotel Master List 

Alastor Master List

Click here and leave a comment if you want to be added to any taglists or send me an ask about it.

It had taken months. Months of wondering what he was like, of stolen glances, of furtive daydreams. Months of building up courage, of backing down, months of hoping and dreaming. It had taken endless encouragement from Angel, countless pages in her diary. It had taken a million deep breaths, ten thousand trembles of her hands. Months, it had taken months.

It wasn't like Y/n had never spoken to the man before. That wasn't really the issue. She wasn't scared of him, just scared. The simple idea of being alone with him was an intoxicating mixture of terror and utter bliss. Y/n didn't know how to handle it, she didn't know how to handle him.

Alastor was untouchable, nearly semi-divine in her eyes. Sure, he was fucked up, but they all were. At the end of the day, his facade was as easy to see through as a cheap paper crown from a Christmas cracker. Beneath the wide smile, the sharp teeth, the stories, Alastor was just a man. He cared deeply for the world around him, for the people around him and those in his life. No matter how hard he tried to disguise it, it always shone through to Y/n.

It wasn't like she had never spoken to Alastor before, she had just never spoken to him alone before. Every interaction they had ever had was as a part of the larger group of Hotel residents and staff. On the rare occasion they ran into one another in the hallway or happened to each be in the kitchen at the same time, Y/n froze up. Words turned to stones in her stomach and all she could ever seem to manage was a gentle nod, a shaky smile. It frustrated her to no end.

Finally, she had worked up the courage to talk to him. It was all Angel's idea really, she would never have had the thought to do such a thing on her own but his pushing had been relentless and at last, Y/n had agreed.

And it had taken months, months! This was her third attempt to go up to him. They had even lowered the stakes, Angel saying all she had to do was have a single normal conversation with the man and he would let her off the hook, stop his pestering and teasing. It was just her luck, really just her god damn luck.

Sir Pentious had informed Y/n that Alastor had left the hotel to see a friend, Charlie had given her the address of the cafe he had said he would be at should they need him. Everyone was all smiles, all encouragement. Y/n reminded herself to yell at Angel later for spilling her secret although, she guessed she shouldn't have expected anything else from the hotel's biggest gossip.

Putting on her favorite outfit, her hair all done up and makeup perfect, Y/n had slicked her ears flat against her head in determination and stepped out onto the streets of Pentagram City. It didn't take long for her to find the place, a sweet little cafe on the outskirts of Cannibal Town with white wrought iron chairs and a cheerful pink and purple sign. It hadn't taken her long to spot the bright red of Alastor's suit through the window either, standing out against all the muted purples and dark blacks of the other cannibals enjoying their meals within.

"It's fine. It's totally not weird that you're going up to him in a cafe he's having lunch in with a friend, that you.... oh my god Y/n!! He's gonna think you were stalking him! You should just go back and- no! You promised. Y/n, you can do this."

She took a deep breath, centering herself in that little core, that rod of who she was, that shot down the center of her being. Raising a closed fist to her chest, she shut her eyes.

"You can do this, Bunny." she reaffirmed, "You can do this."

Opening her eyes, she crossed the street. Her hand was inches away from the door's handle, her heart racing but set on what she was about to do, when Y/n noticed exactly who Alastor's 'friend' was.

Across the table from him, sipping delicately on a cup of tea, was the most beautiful demon Y/n thought she had ever laid eyes on. She had long, dainty fingers, thin and spidery, and the most perfectly proportioned body. She was tall, long legs sheltered by her skirt and a tiny waist that threw her hips and chest into contrast. The woman's hair was neat, tucked up beneath a wide brimmed hat. Her clothes were classy, her smile was bright and charming, the black holes of her eyes were... were... were everything. She was everything, everything Y/n wasn't.

Suddenly, the weight of her own body against her bones became all too real. She felt the urge to never be touched again, the same strange sickness of her youth sinking its teeth into the softness of her stomach, her thighs, her arms, all of her. Her hand lowered from the handle, Alastor laughing at something the woman had said to him. He seemed relaxed, more at peace than Y/n had ever seen the man before. If that wasn't love, she didn't know what was.

It took a second for the other residents of the Hazbin Hotel to realize the change. Y/n was good at this, she'd had practice. For years, she had worked to move past it all but the threat of a relapse had always hung over her head. It was her sword of Damocles, her fated demise.

Y/n retreated in to herself, she couldn't get the image of that woman out of her head. Poised, statuesque, thin. God, Y/n had never wanted anything more than she wanted to be thin. She wanted to rip fistfuls of flesh from her body, she wanted to wither away so only something beautiful remained.

Alastor was the first to notice. He had a soft spot for the rabbit demon who always seemed to be full of that soft, discrete joy and unending kindness. She was a more toned down version of Charlie. She was genuine and completely herself, no holds bared. She had such a hope, she had such a goodness, it made him wonder why she hadn't ended up in Heaven instead.

The truth was, behind the bravado and the grin, Alastor was scared of Y/n. He was scared he would touch her and she would rot away or worse, that she would run. She was just so good, so intrinsically wondrous, and he was the opposite. She was a fresh rose and he was the person coming haplessly along with a pair of gardening shears. She was radiant, she was carved fresh from marble, he was down bad.

Women had never been a priority or a problem for Alastor. Living and dead, they flocked to him. He knew his reputation was to blame, not to mention his looks. They could be fun for a while. Alastor saw charming them as a game, a good way to pass the time. This was different, Y/n was different. Alastor didn't know what to do so, he did nothing. He avoided her like the plague and when he couldn't, he practically ignored her, barley spared her a word.

Alastor was untethered, completely in the dark and so, he did what everyone does when they feel like that: he went to talk to his best friend. When he had gotten back to the hotel after his rather illuminating little chat with Rosie, Charlie had asked him if he had seen Y/n. It felt like divine chance, a cruel joke of fate, that the demon Princess would bring up the very source of his problems so soon after having at last pushed past his pride to ask for help.

When he had revealed the truth to the gang, that no, he had not in fact seen Y/n, they seemed deflated. There had been some sighs, some shrugs, shared glances he didn't understand and then everything had gone back to normal except, it wasn't quite normal.

Where Y/n could normally be found causing trouble, making mischief with the people who had so quickly become her friends since she had started her stay at the hotel out in the open, there was now a distinct lack of her jovial presence. She began taking her plates to her room at meals, showing up to group activities less and less, claiming she was tired or had a stomach ache. Alastor noticed every time he did manage to catch a glimpse of the marvelous and strange creature who had captured his affections so, she seemed utterly exhausted. Y/n was always bundled up, even on the warmest of days.

He wanted to go talk to her, wanted to ask her if she was okay. Alastor was worried -- genuinely worried -- about her. The only thing that stopped him from knocking every time he passed her perpetually closed door, was that he knew himself too well. He knew that the minute he entered, he'd lose his courage, that the words would become mush in his mouth.

It was pure chance, right place wrong time, that he heard it. Alastor had been following his normal routine, heading up to his radio tower for a broadcast after a group activity. Today had been Operation Navigation! As Charlie had dubbed it. She and Vaggie had built an obstacle course and everyone had a partner who was blindfolded and had to be guided through. When they got to the other end, the pairs had switched. Miraculously, Y/n had shown up to this event.

Alastor had watched her carefully, noting her sluggish movements and the way it took her a second to fully register what anyone was saying in a given moment. It was out of the ordinary and his worry only grew. He knew he was going to have to do something about it eventually but just didn't know how. Maybe it would require another visit to Rosie.

As he walked past the lobby bathroom, Alastor was pulled from his thoughts. The door was slightly ajar, sending shards of light out into the darkened hallway.

"Why isn't it working!"

Came the hushed yell of defeat. It was Y/n's voice, he'd know it anywhere. Alastor stopped walking.

"Why do I have to be..."

There was a sniff, the sound of something hitting the wall. Alastor realized it had been Y/n at the sound of fabric against the wallpaper. He could see her in his minds eye as she slid down the wall, pulling her knees into her chest.

"Why can't I just be skinny."

Y/n's words were muffled, soft and shaky.

"Why can't I just be pretty. Why do I have to be... to be..." her words were briefly broken by a sob, "why can't I just be good. I can't even fucking starve myself right. I wish..."

Alastor's body reacted before his mind could catch up, he knocked gently on the door. There was a little yelp of surprise from within, a few sniffs and some rustling fabric.

"Yeah?"

Y/n's voice trembled as she tried to keep the tears at bay.

"May I come in?"

Alastor heard the sharp intake of breath. It was too late to back down now. The silence was thick between them, it felt eternal.

"Okay." Y/n agreed at last, her voice small, and Alastor stepped into the room.

It was exactly how he had imagined it. Y/n was huddled on the floor next to the door, her knees tucked up under her chin and her arms holding her shins tightly. Alastor noticed that the thick, woolen sweater she had been wearing earlier had been tossed to the side, laying haphazardly beside the sink. Y/n sniffed again, trying to smile.

"Everything okay?" she asked and Alastor fixed his eyes back on her.

Y/n's eyes were rimmed with red. Her ears lay limply around her face which was stained with tears. Her skin was covered in goosebumps, she shivered.

"No. It's not."

She seemed a bit taken aback by his answer, not having grasped the reality of the cracked door earlier.

"I don't... what's wrong?"

"You are starving yourself." Alastor replied in a matter-of-fact voice.

Y/n's eyes went wide.

"Fuck... I... fuck!" she buried her face in her knees, "You weren't supposed to hear that."

"Are you trying to die!?" Alastor asked,

He didn't mean to yell, he didn't mean to be this angry. Everything he said seemed to send shockwaves of regret through his body. No matter what he did, he couldn't seem to stop himself.

"Are you... I just... are you stupid?!"

Y/n looked up at him again, her eyes wet with fresh tears.

"I-"

"You what." Alastor scoffed, "You want to be pretty?"

"I..."

"You want to be pretty so you lock yourself away? You make your friends watch as you... as you what, as you get thin? As you destroy yourself?"

She was crying now, truly crying. Alastor looked away, a hand to his head. He took a deep breath, everything was going wrong. When he looked at her again, her cheeks were flushed from a mixture of shame and hurt.

"I just..." he took another deep breath, sinking to his knees before her, "Why would you hurt yourself so badly for something as.. as shallow as your looks?"

Y/n sniffled, frantically trying to wipe away her tears.

"What, I thought you liked to watch other people's downfalls." she tried to shoot back at him but her words came out stuttering and broken through the thickly falling tears.

Y/n refused to meet Alastor's gaze. Everything was going wrong. She was horribly embarrassed, she felt like a butterfly and Alastor was the terror who had opened her chrysalis too soon. He wasn't supposed to see her like this, he wasn't supposed to see her now. He was only supposed to get the after. It was all for him, after all, wasn't it?

Except, Y/n knew the truth of the matter. Alastor had been the trigger but, these behaviors were too well engrained. She might not have known it then, but she'd been looking for an excuse all along. It was all for her, every inch of agony.

His heart dropped at her words. Was that what Y/n truly thought of him? It would make sense, it was the face he presented to the world after all. He had just thought... he had hoped... Rosie had said....

Rosie. That was the answer. She had told him to be honest, to be vulnerable no matter how terrifying such a prospect could be. She had said it was the only way they ever had the slightest chance.

Alastor reached a hand out gently, turning Y/n to look at him. Her skin was soft to the touch, the beating of her blood thrumming against his fingertips. With the utmost care he could muster in his clawed and rotten hands, Alastor wiped her tears away. He couldn't meet Y/n's eyes but heard her sniffle, watched as the flow of sorrow slowed.

"Not your downfall." he said, his words like quiet feathers falling through the air, "Never your downfall."

At last he met her trembling gaze, fear coursing hotly through him, mingling with his blood. She took a few short, stuttering breaths before bursting into tears once again. Alastor flinched slightly as her head fell forward onto his shoulder.

"But I'm not that woman!"

"Woman... what woman?"

"The one you were with at the cafe!"

"The one... Rosie?"

Y/n nodded, sniffiling slightly as she tried to calm herself down.

"You saw me with Rosie? How?"

"I went... I'd been working up all this courage and... I just wanted to talk to you and Charlie and Pen said you'd be there and... and... and I'm not Rosie!"

Suddenly, everything clicked into place. He had been right all along, Rosie was the answer. With the air of someone who hadn't had much physical affection given to them in their life, or received any for that matter, Alastor slowly wrapped his hands around Y/n's shaking back.

"Good."

"What do you mean 'good'? She's so beautiful and she made you laugh and she's just... she's so beautiful and thin!"

"She is beautiful, and a lovely woman but, I don't want Rosie. Or anyone else for that matter."

Y/n's sobs redoubled, she began to struggle against his grip.

"Let me go! Stop lying, Alastor."

Alastor released Y/n from his grasp and she pushed herself back against the wall, utterly mortified and unable to stop. She crossed her arms over her chest, looking away.

"Stop joking, it's... it's not funny."

"Who is joking? I..." Alastor took a deep breath.

Rosie had been right, it was terrifying. He hope she was right on the second part too, that it would be worth it.

"Y/n, have you seen yourself?"

"Yes! Why the fuck do you think I want to be anything else?!"

Alastor got to his feet, holding a hand out to Y/n.

"Come with me."

"No." she mumbled, scooting further away from him if it was possible.

Under another circumstance, he would have chuckled lightly, he would have found her reaction adorable. This was neither the time nor the place and so, summoning his shadows, he transported them both into the darkness of his room.

Y/n looked around, pulling herself to her feet.

"Where... where are we?"

"My room." Alastor sat down on the edge of his bed, "Come here."

Hesitantly, Y/n took a few steps forwards. Once she was in reach, he grabbed her by the waist and pulled her into his lap. The feeling sent sparks through his body, Alastor tried his best to ignore it. There were more important things than the pleasure of the moment. Y/n struggled against his grasp, the tips of her ears dragging slightly across his arms.

"Alastor! Let me go! I'm too heavy!"

"No, you're quite perfect actually."

"I don't want to be touched! I don't want you to... you're making me want to tear my skin off, please."

"No." his voice was firm.

"Please, just please let go of my waist at least."

To this, he relented, one of his arms falling loosely onto her lap as he held the other up, snapping his fingers. Shadow's flooded into the room, bringing with them a full length mirror. He felt Y/n tense in his grasp.

They came to a stop, setting the mirror on the ground before them. Y/n turned her head away, her eyes shut tight.

"Please stop, Alastor. This really isn't funny."

"Y/n."

"No."

"Y/n."

"No!"

Y/n, please."

She had never heard him say the word before. Slowly, she opened her eyes, craning her neck to look up at Alastor.

"I want you to see what I see when I look at you."

"You promise you wont be mean?" Y/n asked suspiciously after a moment.

"I pinky promise."

He had seen her do this before, with other residents of the hotel. A simple locking of pinky's was all it ever took to make a promise, to assuage her doubts, to show she cared. Y/n's eyes widened slightly. Slowly, she reached her hand out, locking her pinky with his. They shook their hands once, the way Alastor had seen her do it a thousand times before.

"Wait." Y/n said as he made to move his hand away, looking away bashfully, her cheeks a bright pink and her voice quiet, "Don't let go."

"Okay."

Taking a deep breath, she turned to the mirror. It was terrible, she felt bile rise in her throat.

"Y/n, you are so... every inch of you is perfect." Alastor took a deep breath, the way his voice trembled not escaping Y/n's notice, "You have... amazing legs. I know everyone's all obsessed with Angel's but, he has nothing on you walking around on those sticks. You're... you're all soft curves and lace. If you were made of anything, you would be satin. You are a nymph rising from the lakes, a wild maenad in the woods. Your eyes shine like true stars, not what we have here. Did you know rabbits were always my favorite animal?"

Y/n giggled slightly, her tearstained cheeks flushed pink.

"Well they were. They still are. Your ears are just to die for, dearest."

He felt her ears twitch slightly against his back at the comment and Y/n watched through the mirror as his smile softened at it's harsh edges.

"Your grace is what the Greeks wrote about. You... Y/n, the first time I set eyes on you, I felt like I was drowning." Alastor looked away, unable to meet her eyes even through the glass, "Like you were a siren and I was nothing more than a hapless sailor at your mercy."

"But you never talk to me."

"You never talk to me!"

Y/n laughed again, smiling a gummy smile.

"I don't have to talk to you to see who you are, Y/n." Alastor continued, his hand that was in her lap turning so his palm rested gently on her thigh, "You light up any room you're in. You are charming and clever and constantly on the look out for places you can instill your special breed of controlled chaos."

Trembling, he shifted his hand in Y/n's so he held hers, raising it to his mouth. The heat of his breath on her skin drove Y/n wild, her breath hitched.

"I am glad you're not Rosie, I don't want Rosie. I don't want anyone else except for you."

Alastor planted a soft kiss on the back of her hand and Y/n's smile only grew, her tears long forgotten now as she watched Alastor's reflection.

"You are perfect. Please, don't change yourself, don't hurt yourself, trying to be something else. I'd miss you."

Slowly, he let their still clasped hands fall into Y/n's lap.

"Do you see now?"

Y/n turned back to the mirror, her head tilted slightly to one side as she hummed in consideration.

"No." she admitted, "But I think I might be able to start."

"One step at a time." Alastor rubbed his thumb over the back of her hand in comforting circles, "I'll be with you the whole way, if you'll have me."

He held his breath, waiting for her reply. Y/n met his eyes through the mirror, her brow furrowed.

"That depends."

"On what?"

"Who is Rosie?"

Alastor could have laughed, he nearly did.

"She is a very old and dear friend. I was going to her for advice, that day."

"You? Needing advice?" Y/n paused before shaking her head, "Nah, I don't see it."

She laughed lightly at her own joke and Alastor smiled softly back at her.

"It was advice about you, actually."

Y/n turned herself in his lap, looking up at him with her legs on either side of his own.

"About me?"

"Y-yes."

He cursed himself internally. Alastor hadn't meant to stutter, she just looked too lovely sitting there and looking up at him with her pretty pink lips slightly parted, her cheeks flushed.

"Well?" she asked expectantly.

"I..." Alastor felt the heat rising in his own cheeks and looked away, "well, I didn't know how to approach you."

"Wait, you were avoiding me this whole time?" Y/n laughed and Alastor nodded, "I thought I was avoiding you!"

"Wait, you were avoiding me?"

His gaze snapped back to hers and she laughed again.

"Yes! I was terrified to speak to you! You're so cool and hot and just... I'm not good at things like this!"

"You think I'm hot?"

"Is that all you got out of what I said?"

"Maybe."

They both laughed this time. Alastor's chest felt lighter than it hand in years.

"So," he began once they had both calmed down, "is that a yes?"

"To what?"

"To letting me... be... with you."

Y/n smiled, reaching a hand up to his cheek.

"That's a 'will you be with me?' I think actually."

----

Tags:

@willowshadenox @i-love-jafar @elfyeet @reader3 @lazygirlfanfic0-0@kahlan170

A/N Y'all, there were one or two times I almost wrote my name while doing this one. I've been writing x reader fics for eight years, this never happens to me anymore. I think I related a little too hard. I am x reader fic writing too close to the sun.

[shirefantasies]

Hello! Could u do the fellowship with a shy/introverted character? Tyty

I chose to do shy!reader hope thats ok hehe~

How The Fellowship of the Ring Treat You When You’re Shy

Aragorn

✧ Aragorn has been around just about every manner of folk; from that and years in nature he has developed a keen sense of others. Thus he recognizes that you don’t particularly favor attention at once and honors that.

✧ For example, you are clearly cold one night, but the way your feet shift toward Gandalf and your eyes dart as you toss and turn suggest discomfort addressing the wizard. Thus, Aragorn approaches him for you to ask for the spare blanket, draping it over you with a kind smile. The look in your eyes of gratitude and awe brings a modest flush of joy to the ranger’s heart and expression.

✧ Aragorn, too, enjoys taking some time to himself, so you find each other sharing watches in easy silence, just watching the stars together.

✧ When he sees a particular look in your eyes, though, a certain unease or exhaustion swimming therein, Aragorn reaches over, gently taking your hand and bringing a shy smile to your lips.

✧ You are the first person he seeks after danger strikes, calling your name or asking where you are until you are accounted for, when you see his body and expression finally relax again.

Legolas

✧ His demeanor complements yours, neither of you loud contributors to conversation or even the first to speak at all. As a result he tends to stick by you and you by him, sharing looks like conversation.

✧ The others find this a bit disconcerting, sure. “Look, there they go again! They’re doing it! What secrets are you filling the poor soul’s head with now, pointy-ear?” Then you and Legolas are smiling to each other, suppressing laughter at the dwarf Gimli’s outburst; you notice Aragorn doing the same. Perhaps you do fit in with this group after all.

✧ Legolas finds himself seeking to bolster your confidence, offering compliments wherever he can. “You did not tell me you could shoot! I daresay you have some skill with my bow!” He looks at you with pride and maybe something else glowing in his eyes and his smile, especially at the way you smile down toward your feet, unsure what to say.

✧ It is actually Legolas who speaks up for you when others doubt you, telling them that just because you are shy does not mean you lack bravery.

✧ The flush of bashfulness you feel across your face only increases when Legolas adopts his habit of running a soothing hand up and down your back when you get embarrassed.

Boromir

✧ “So this is the one Lord Elrond insisted on joining the journey! What secrets might you be hiding?” The other man, not the one dubbed Isildur’s heir but the man of Gondor, Boromir, had taken to teasing you and you weren’t sure how you felt. On the one hand, you liked his looks and he was the most welcoming in a sense, but on the other you were used to avoiding attention, so what were you to say to him?

✧ Sparring is his icebreaker, the proverbial olive branch that ends up connecting you both even as it brings up his old jokes. Combat skills, after all, being the lord of Rivendell’s deciding factor in your rounding out the fellowship to ten. The first time your instincts kicked in and you had Boromir pinned to the ground with great haste, he burst into laughter, saying that he has found your secret and now there is no hiding from him!

✧ No hiding in other senses as well, for he will take a seat by your side at night, asking if you have any memories of your home you’d like to share. Some nights you do not wish to speak, asking instead to hear of Gondor, and you know Boromir is happy to oblige, though his brother seems to be the only family member he wishes to speak of.

✧ The boldest among the fellowship, if Boromir catches your downward glances he will reach over and tilt your chin up, telling you not to hide your fair gaze away.

✧ Similarly, he takes up the habit of pushing back your hair or tucking it behind your ear if it is long enough as well as lowering your hood, little gestures to grant him sight of the face you try to hide once more.

Gimli

✧ Unbeknownst to you, the fellowship’s resident dwarf has taken it upon himself to bring you cheer again, seeing your quiet and withdrawn demeanor and mistaking it for melancholy. He is at your side at once telling you funny stories and smiling proud as if he’s won a golden trophy when he makes you laugh!

✧ Misguided attempts at making you feel appreciated occur at times, like the time he told everyone to stop what they were doing and look at you, for you had something to say, causing you to shrink back and flush in surprise.

✧ Once he realizes that your troubles are nothing to do with sadness or feeling like an outsider, Gimli instead takes you under his wing to bring your confidence back up! “This game is an old dwarven favorite. I think you will do great at it- indeed, you might be the only worthy competition in this whole lot! Come on, then!”

✧ He pulls out a stone from some fold of his outfit one day. “You see this? This reminds me of you,” he says, holding up the round, dark rock, “you must think it just an ordinary piece of stone, no?” At that, you nod, for is it not? Indeed it isn’t, for the moment your head moves he throws it against the rock he stands upon and cracks it in two, revealing a hollow of beautiful glistening crystals inside. “Well, then you would be mistaken, for there is far more than meets the eye! That is what I like about you, you know. I hope you do, too.”

✧ As if that didn’t have enough heat creeping to your face, from that night in Gimli pitches his bedroll right next to yours and folds himself up right by you quite protectively.

Frodo

✧ Frodo can be shy, too, so when you are faced with each other it is all bashful smiles and stolen glances!

✧ The best companion for a companionable silence, Frodo will sit by your side without any interruptions, the sound of breathing and the warm touch of his arm brushing against yours all the sensation you need to lighten the weights upon you.

✧ Studious as he is, Frodo does find himself asking you questions fairly often though, questions about the meanings of songs he catches you singing for example. Warmth rising to your cheeks, you first reply admitting your lack of awareness anyone could hear you. “Don’t worry, it is quite nice to hear song again,” Frodo tells you with a smile.

✧ Gets annoyed with any of the others if they try to push you to speak or do things you are not comfortable with, reminding them that you are ten, are you not, and anyone else could do it. You can’t help smiling even as you hide your face because you have never seen Frodo like this.

✧ You muse aloud about the ring one day, what little it might do or say to someone who prefers to keep hidden, but Frodo shuts down such talk immediately. “I will not have your heart changed for anything,” he tells you, head falling to your shoulder, “especially not on my account.”

Sam

✧ “Are the others getting to you? Don’t be afraid to tell them to bugger off.” This comment, delivered with a cheeky smile, makes you laugh, not expecting a bit of fire in the sweet hobbit who had introduced himself right away. He doesn’t mind that you keep to yourself, though.

✧ It’s just that sometimes he doesn’t let you. It’s healthier to have the company anyway, you know, such is just difficult for you to seek for yourself. Sam makes it easy in that way, always ending up where you are with a smile and an offer of food or water.

✧ “Mr. Bilbo always told me grand stories when I couldn’t say much- would you like to hear one of them? It’s my favorite!” “Of course I would, Sam. I would like that very much.”

✧ Sam stands in front of you in every fight, sometimes even extending an arm across you as if daring your possible enemy to even try. Every single time it warms your heart to see the determination in his eyes, even if you can fight for yourself.

✧ “You’re like a sunflower. Once you turn round to face the sun, everyone can see how lovely that smile is!”

Merry

✧ "Hello," the hobbit pops up in your line of vision, having sidled over to where you sat, "I don't believe we've met. Only saw you the once. At the council. My name is Meriadoc Brandybuck. Merry for short. What's your name?" It is a marvel to you how easily conversation comes to Merry. With a small smile, you introduce yourself, nervously running a hand over your hair. "That's a nice name. Don't be so afraid, all right? Lord Elrond believed in you. Quite an honor, that. And we'll all be right here with you."

✧ Always asking for your say, if you are alright with him keeping you company or sitting at your side until the day you tell him there is no need, he is always welcome.

✧ He notices the way you tend to fidget nervously, hands wringing or twisting the end of your sleeve, so one day he presents you with a little string of beads. “In case your hands ever want company,” he explains, blue eyes earnest as ever, “they’re from the Shire.” As if the gift was not meaningful enough as it was! You forget your shyness just long enough to wrap your arms around him, and when you pull away the wide, dreamy smile on his face makes the gesture well worth it.

✧ Tells you all the best stories of Shire mischief, teasing that had you been there, one look from those eyes of yours would have gotten you out of trouble!

✧ You’re the first one Merry looks to when a song starts up, but he seems to think better of it after extending his hand, asking if you’re be alright with a dance.

Pippin

✧ Discrimination is not in Pippin's vocabulary, so when he sees you hanging back from the rest of the fellowship, he simply approaches you so you know you're included, too!

✧ From that moment on, Pippin becomes your comfort person. Always sitting by your side at the fire, no one else. The only one you’ll speak to when you are upset.

✧ Looks down at the ground too when you get really shy, thinking there’s something there before he realizes a little late.

✧ Whenever he and Merry get to singing, Pippin will offer you his hand, inviting you to dance and smiling at your reluctant but pleased face. If you are too shy to dance with others watching, then Pippin will simply take up his song only to find you later when there are no others, and no matter the terrain take you in his arms for a proper whirl...and maybe something slower, too.

✧ Feeds you first whenever it is his turn to pass out meals, sneaking you a little extra because he knows you will not be comfortable asking for more. Always dishes you up with a wink because of it!

Taglist: @lokilover476 @fuckyoumakeart @kilibaggins @mossthebogwitch @ibabblealot @stormchaser819 @pirate-lord-of-narnia @datglutengoblin @letmelickyoureyeballs @mossyskinn @wordbunch @tiny-and-witchy @th3-st4r-gur1 @fleurdemiel-145 | Message/Reply/Ask to join 🥰

[velvet4510]

What The Sequel(s) to X-Men: Days of Future Past Should Have Looked Like

I haven’t even seen X-Men: Apocalypse or X-Men: Dark Phoenix start to finish but thanks to this app i know practically the entire plots of both films and i’m just so utterly appalled by them. Not just with the way they mess up the timeline (Jean & Scott as teenagers and Warren as a young adult in 1983?? Excuse me?? No way Logan’s time shenanigans altered people’s birth dates, what??) But also with the way they just butcher every character arc - Charles being selfish? Erik settling down with a human instead of continuing to fight for his cause and make up for his 10 years of inactivity? Giving Erik an OC daughter JUST to kill her 2 seconds later rather than focus on his fatherhood story with Peter? Erik and Ororo siding with Apocalypse to destroy the whole world? Hank turning on Charles when he alone stood by Charles post-beach divorce all those years? Raven being ungrateful to Charles for creating a better world for mutants? Trying to convince us that Charles was somehow in love with Moira and Erik was somehow in love with Raven? The X-Men throwing Charles out of his own house?? WHAT IS THIS?????

Frankly I don’t get why the writers tried (and failed) to give us more Jean and Scott and Ororo when we got plenty of them in the other movies and we know thanks to the end of X-Men: Days of Future Past that Charles will still eventually recruit them. Jean and Scott’s very presence at the end of that film shows that the sight of Logan’s memories of Jean’s original fate prompted Charles to NOT repeat his other self’s mistakes and instead use a better approach to help Jean that enabled her to keep the Phoenix under control and not hurt Scott. That’s all we need to know about them in the new timeline. We don’t need to see Charles messing up yet again when it comes to Jean when that ruins a huge layer of the meaning and impact of DOFP’s ending.

James McAvoy himself pointed out how unnecessary it felt to recycle characters from the original trilogy when the X-Men in the comics are full of plenty of other characters that could’ve been introduced in a DOFP sequel instead. He’s absolutely right.

But here’s what I really think: if any sequels to DOFP just HAD to be made, they shouldn’t have tried to stuff in even more characters. If they HAD to include another old character we’d seen before, it should’ve been Kurt Wagner and Kurt Wagner only. Why? Because he’s Raven & Azazel’s son. And this would only add to the parenthood theme already present through Erik & Peter, and Charles & his students; add a new dimension to Raven as a character as we explore how she feels about being a mother, and what happened that caused her to be separated from her child; and add a new dimension to Hank as we explore how he feels about potentially being a parental figure to Kurt as a result of following his heart toward Raven.

The sequel(s) should’ve focused on developing the relationships that actually had been established/hinted at, and those that would naturally branch as a result:

Erik & Peter as father and son

Raven & Kurt as mother and son

Charles’ parental relationship with his young students

Charles & Erik getting back together

Hank & Raven getting back together

Hank dealing with being Kurt’s possible stepfather

Charles & Raven reconciling as siblings once again

Charles & Peter as stepfather and stepson

Charles & Kurt as uncle and nephew

Alex seeing all of this and being reminded of his bad relationship with his own parents that led him to get locked up before Charles and Erik found him, emphasizing Charles’ place in his life as his true “father,” and foreshadowing Scott by revealing he’s not in touch with his family (meaning he doesn’t know he has a much-younger brother)

Erik bonding with Kurt and making Kurt comfortable through being the only other native German speaker in the group

Erik & Hank dealing with their rocky post-DOFP relationship; Hank giving Erik a proper calling out for sending Charles into such a depression for a decade and for trying to kill Raven

Erik bonding with Charles’ other students and slowly realizing there is a place for him at the school

(Logan may or may not work as a character in such a sequel. But whether he has a big or small role, it must be acknowledged that Raven, not Stryker, saved him from the Potomac at the end of DOFP. So now he is on a different path, and is NOT Weapon X. Either he’s still at the mansion or went his own way with the open possibility of returning; I think the latter makes more sense since he’s such a loner and considering he wouldn’t remember the events of DOFP, he’d be pretty overwhelmed. Plus his explained absence would allow space for the film(s) to focus more on the other characters.)

Regardless, any villain(s) of those hypothetical sequels should’ve been the kind of antagonist(s) whose threat inevitably brought those aforementioned characters together and, in the process, fleshed out those relationships.

Also, no stupid 10-year time jumps between every movie. Keep it to 5-7 years after DOFP, at the most.

Think of the emotional impact that would bring:

Charles & Raven dealing with the fact that she chose not to come to him for help when she became pregnant

Hank & Raven discussing Raven’s history with Azazel and both of them admitting they went to great lengths to try to get over each other but nothing worked

Raven exploring motherhood and her feelings about either having abandoned Kurt as a baby or accidentally losing him, and Hank supporting her in this

Erik exploring his newfound fatherhood, and Charles supporting him in this

Peter’s feelings toward his dad for being absent from his life for so long and also for being a terrorist

Kurt’s feelings toward his mom for being absent for so long, and possibly for intentionally leaving him

Peter & Kurt becoming besties and bonding over being super-fast travelers who have spent too many years not knowing one or both parents

Hank wishing things had been different with Raven and that Kurt could’ve been his son and thinking about stepping into a stepfather role for Kurt

Erik & Peter perhaps getting stranded/separated from the rest of the group and forced to bond while trying to find their way back

Erik saving Peter’s life in battle, cementing their new bond

Hank fully embracing his Beast form (mutant and proud) in battle while protecting Raven and Kurt

Raven, Hank & Kurt as a badass blue family

Erik finally deflecting a bullet successfully to save Charles

Charles & Erik fighting side by side once again and realizing they’re better together than apart

Erik & Hank managing to find some common ground as they both have been unexpectedly thrown into fatherhood (see, no need for female fridging!)

Erik coming up with Quicksilver as Peter’s superhero name, at least getting the chance to name his son in this way

Basically the whole group becoming a big family

Perhaps closing with a flash forward a few years: Erik & Raven are now teachers at the school; young Scott arrives at the school and meets Alex for the first time; Charles & Erik hear about young Jean and head out to meet her; Hank & Raven manage to discover Logan’s location and head out to bring him back to the mansion - tying into the finale of DOFP

Those are just a few things that could’ve, and should’ve, been prioritized in a sequel to DOFP.

[once-upon-an-animation]

My Unpopular Trials of Apollo Opinion:

Apollo/Lester should have gone on his quests in the series with Will Solace instead of Meg McCaffrey.

Here’s my rationale:

At this current point in time, the biggest thing that Will Solace suffers from as a character is lack of strong characterization, and lack of strong development, something that needs to be improved by giving him more page-time. While his canon cameos in ToA and TSATS have attempted to do this, I personally feel like neither of those stories, as they are, have done the job, and Will’s level of importance in the IP continues to outmatch the quality of his characterization. The best fix for this would have been to just make him the deuteragonist of ToA, giving him the span of 5 books to be characterized, and experience meaningful development. It would have also given him a chance to establish relationships outside of Nico, and given him an identity outside of just being Nico’s boyfriend.

Will being the deuteragonist would have also made space for Solangelo to be developed properly, so that their dynamic in future installments would have felt like a natural progression instead of a complete 180, or a dynamic that requires readers to just make a lot of assumptions about what happened instead of seeing the development actually take place on page.

The most important aspect of Apollo/Lester’s arc in ToA was to learn the importance of being human. While his relationship with Meg undoubtedly served that purpose, imagine how much more meaningful Apollo’s arc would have been if he was exploring the meaning of humanity with one of his own children! Apollo would not only learn humanity, but he’d also be forced to confront his neglect of his children in a more direct and constant manner, especially if Will had been written to bear some resentment towards him. Perhaps Will could have even brought up the deaths of Lee Fletcher and Michael Yew; that conversation would have been extremely painful but also necessary. After all, the permanence and inevitability of death is what makes life so precious, so understanding loss, neglect, regret, guilt, remorse, are all important feelings that Apollo could have explored by doing the journey with one of his kids, and constantly being confronted with how much he’s failed as a father. There would also be an irony in Apollo being forced to serve one of his kids, a direct contrast to how he’s failed in servicing them before.

Since Will and Apollo of course have a lot in common, there would have been some interesting narrative opportunities to create parallels and foils between the two boys, especially in how they view and approach Apollo’s domains. That would have really strengthened the narrative and made the whole thing feel cohesive.

[the-s1lly-corner]

CRP characters crushing on the reader 2/2

Placeholder opening here, check part 1 for the other characters! i dont usually write for zalgo because my take on him is... so... yeah... and hard to write for him, but the idea of this intangible godlike entity that can warp realities falling for someone is horrifying

Characters: Jane, Jeff, Ticci Toby, Nina, Bloody Painter, Zalgo

Notes: reader is GN but post mainly focuses on the canon characters, admin uses any pronouns for nina so if you see the pronouns swapping that's why!, heavy hcs for Zalgo and his part isnt really open for "it gets better and you guys get together" no his part is just... horrifying

CWs: zalgo is zalgo; ie non human entity does not follow human morals and is kind of... toxic and horrifying

JANE

I need you guys to bare with me because this blog has always been hc/au heavy with how I write characters but between all the main crps, Jane is probably the most likely to just.. be a normal person 90% of the time, so the chances of you and her meeting during a normal day is pretty high. She's closed off so you don't even notice that there's feelings developing on her end. If there is a difference it's just her being slightly more affectionate and open to you. She becomes even more protective of you, can you blame her? You've heard of the rumors about her family... She doesn't deny her feelings if you ask her, though, so it's a clean confession when the time comes instead of it just being spilled or forced out.

JEFF

He's so full of himself that he approaches you without thinking anything through because he's so confident that you're going to just fall for him. Makes a lot of jokes with you, some darker than others. Flirts with you up front because once more, he's so confident that you're into him that he doesn't take a moment to consider that you would reject him. Probably takes rejection the worst, at least out of the characters on this list. And that's on being on the run since your mid teen years, he didn't interact with many people because of that. "Oh you dig me" as you slap his arm because he said something dumb.

TICCI TOBY

Very similar to the other proxies, watches you from afar but he decides to interact with you sooner than the other two. He's wary, because he doesn't want to humiliate himself or screw anything up but he's so so so desperate to meet someone new who's in his age range so he's doing his best to appeal to you. Sometimes slips up because he's trying too hard. He can pester you and get on your nerves, but he doesn't mean anything wrong by it... usually.. You outright ask him if he has a crush on you and you can see him internally scrambling for something to say. It's actually a little sweet. Probably the most normal out of them all asides Jane, at least by Creepypasta standards.

NINA

Oh she is so upfront about her feelings for you! Makes you small trinkets and keepsakes with random stuff she finds. Very quick to approach you as well and make a friendship. Very chill if you don't end up returning their feelings, and more than happy to keep up a friendship with you if you want that. A yapper, too, so they have a habit of keeping you by keeping a conversation up and alive longer than others would. Custom kandi for you as well, with your favorite colors and some stuff they know you like! As an aside, Nina is a "cringe fandom enjoyer", so you guys can get into the same things and be cringe and free together! Not related to this post but have it as a bonus!

BLOODY PAINTER

He finds himself drawing you more than he draws his other subjects, and honestly its a little frustrating. You start finding some of his papers laying around. He approaches you so he can try to get even more accurate with his art, having the real thing as a reference is much better than relying off of memories of you wandering around town. Once the initial tenseness dies down, you might be able to get a few words out of him while he's drawing. "Muse of an artist" trope, a lot of the things he makes are dedicated to you in one way or another. His art is the only real tip that there's something going on, because otherwise he's good about swallowing and hiding his emotions.

ZALGO

Bonus character, Zalgo would literally alter the universe if he could to ensure that you're there and his. He can manipulate media, and create creatures.. I mean in my au he's literally the reason half the creepypastas exist... I WAS going to make a joke that he makes a stand in to act for him, but he's so into you that he can't stand the idea of someone else being with you... doesnt matter if he was living vicariously through it. Genuine psychological horror elements here with him warping the world around you in an attempt to get your attention and to get you to come to him. Technical cosmic / otherworldly horror (?) because he's something that transcends just about everything in universe. Simultaneously everywhere at anytime all the time, there is no real way to get away from him. Horrifying stuff.

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[coolingrosa]

There’s a reason I don’t like the Ink and Dream fight. I don’t believe it does justice to Dream’s character and villianizes Ink too much.

Dream main arc is about coming to terms with the death of Nightmare, but also accepting that what happened wasn’t his fault and the villagers were wrong. Nightmare was killed for things out of his control. His death could’ve been prevented if he was treated with compassion and understanding. Nightmare was not evil just because he was the guardian of negativity, and his morals and values around this also did not make him evil. The judgement casted against him that caused his abuse was unfair, as Nightmare could not control the hand he was given in life and what his side of the scale entailed. Dream understands as he gets older the importance of the balance and how the judgement towards Nightmare due to what he guarded was unfair and unjust.

And yet, when confronted with Ink, who has a moral compass and a job with expectations out of his control, Dream does the very thing the villagers do and condemns him. Rather than understand Ink’s position and acknowledge that what his brother went through is similar to the morality that Ink juggles, Dream pushes him away and villainizes him. Ink sees people as concepts and lets them sit in misery in AUS because he ISN’T ALLOWED TO INTERFERE REGARDLESS. He does not ever want to disobey the creator’s and his job as an overseer, so he never would. He partners with Dream to protect them from getting destroyed and respects Dream for this. But he is allowed to not get more involved and to have his own standing with things. Dream doesn’t have to agree, but if Dream was still reeling from the conclusions he faced from Nightmare, he should understand or at least approach this with a lot more grace.

Instead, it’s written as if Ink is a villain for his views and that Dream is a sweet soul incapable of harm. Ink is painted to be a toxic friend who manipulated Dream and poor little Dream fell right for his trap. If Dream was written to be a hypocrite in this case, that would be an interesting dynamic and character flaw. But he’s written to be correct in this argument, and it stomps all over his character development towards Nightmare’s death. Neither should be correct, because both have their own motivations. If it was accurate to Dream’s characterization presented, the fight shouldn’t have even happened. If it was before his arc, then yes, it would make more sense. But the lack of apology or conclusion post-acceptance-arc shows that it isn’t about Dream’s lack of awareness. It’s just about making him the angel of the multiverse while Ink is villainized once again for things out of his control.

And before people say Ink has a choice in the matter- no he does NOT. If he angers the creators, he loses his vials which are his temporary soul. He will turn into a husk and basically die. If he does not appease them and abide by the minimum rules in place, he will lose everything. Though he doesn’t listen to ALL the rules, that’s more fanon than anything. In his canon, he abides by them (mostly) and only interacts with outcodes- which is why he’s close with Top. Even if he doesn’t, he doesn’t push his luck too much to upset them or fail at his job, and stays hidden most of the time to keep the AUS from interacting with him. I can’t see him keeping that from Dream either- especially since Ink isn’t one to form connections and if he committed to a team-up, he had to actually care about Dream enough to trust him with those secrets. If Dream still shunned him and Ink was written to STILL be in the wrong, it’s a direct injustice to Ink and what’s on the line for him, and it paints Dream as selfish with a god complex. Which is fine! You can have a character with flaws! I would be so fine if it WAS about Dream’s flaws. But it isn’t. Because Canon Dream is a Mary sue of a character who can’t do anything wrong.

And don’t get it twisted, I LOVE Dream, which is why this fight angers me. If you want the fight, have Dream apologize to Ink and Vice versa in the future and come to an understanding. Allow Dream to admit his wrongdoings and have Ink do the same. Or if you don’t want that and want Dream to have more complex flaws toward Ink, THATS FINE!! THAT IS LITERALLY FINE TO MAKE DREAM A JERK IN CERTAIN SITUATIONS BC HE SHOULDN’T BE PERFECT. NOBODY IS. Make characters with history complex instead of tools to make your character more of an angel. Or don’t have the friendship breakup at all and have it be a fight that they work through together. You don’t even need to keep them working together. Like god just give Dream more complexity besides a little smol bean angel who is manipulated by everyone he meets.

My older sister and RoseVerse Co-writer saying it best: “i think this is the thing that arcane fumbled on when it came to cait

because they thought they wrote her has a beacon of virtue that when pointed in the wrong direction is catostrophic

but the narrative spent so much time trying to make the audience understand her instead of put in the work to teach her that yes, although she was manipulated, her drive to punish the undercity over one grief made her a hypocrite her mother wouldnt have recognized

dream in the same vein is supposed to be clear and cut archetype of goodness, and by that logic, nothing he does can be wrong

oh God killed all those people in the flood? he's good, and god is kindness and therefore the death was not only justified by merciful. but dream *cant* be an archtype of goodness if you also want them to have a character arc, they need to have flaws, be multi dimensional. you cant have your cake and eat it too. dream betrays ink and himself when he's met with the same situation and enacts the very violence he swore to protect his brother from. to frame that as good because dream is written to be good is crazy”

This is why I literally chose to ignore the fight exists because Ink and Dream are way too compatible as friends to be dumbed down in a stupidly written fight for Dream to get goody points.

[tossawary]

Okay, we finished "Kung Fu Panda 4" and I didn't like it. It was, at best, "okay" to me. It felt visually underwhelming, emotionally shallow, and the world it presented felt underwritten. There are bones of character arcs there that are... fine... but the actual execution felt hasty and unearned, with little sense of real danger or stakes, and they kept stomping on potential emotional depth by defaulting to jokes all the time instead of balancing that with quiet contemplation or real angst sometimes. It felt like a series of disconnected, television-quality, jokey romps.

Like, a lot of the fights in KFP1 were great because they were 1) visually stunning, 2) with real stakes and danger, and 3) serious emotional relevance. Tai Lung's escape sequence from his underground prison shows off how deadly and clever he is, building dread over the fact that he's coming for Shifu and Po. Tai Lung versus the Furious Five is Shifu's old student versus the new ones, on a precarious rope bridge, showing off how deadly and clever both sides are. (BOTH Tigress and Tai Lung are not happy Po has been chosen as the Dragon Warrior instead of them.) Tai Lung versus Shifu is rife with personal history and pain on both sides, as they tear into the Jade Palace during a thunderstorm. Tai Lung versus Po is more humorous, but it feels like relief after all that previous stress, and Po gets to show off everything he's learned physically and how he's grown emotionally.

In KFP4, the most visually interesting fight to me was when Po had fallen through the floor after the first Chameleon confirmation, so he was fighting the lizard guards in a dust cloud of inky silhouettes. It was visually different and could have presented a creative challenge with decreased visuals for Po, but it barely lasted a minute.

And none of the fights felt particularly emotionally compelling to me; a lot of them were very jokey and didn't have interesting stakes. The Chameleon is so painfully underdeveloped as a character and has no interesting emotional connection to Po. She DOES have an emotional connection to Zhen the fox, who I also felt was not well-developed, but that relationship also felt underdeveloped and without compelling emotional stakes to me, so their final confrontation didn't feel particularly satisfying. It didn't dig into the pain the same way confrontations with villains like Tai Lung and Lord Shen did.

It didn't feel like Po grew as a person at all. He didn't want to choose a replacement and then he changed his mind, but... I felt like we didn't dig into his resistance. I liked how emotionally vulnerable and also emotionally enduring Po has been in previous films, and I don't feel like we really got to see him open up and connect to Zhen properly.

Also, Po and Zhen felt like they were the same age, so... why is she a good replacement? Po didn't feel like the teacher between them. If there's a theme of "having achieved your goals, it is time to cultivate the next generation", I don't think the movie did it well. I think it would have been improved by the small change of making Zhen a child, obvious in both appearance and personality, very skilled in her own way but prone to making bad decisions and stuck in a bad situation. More vulnerable. More in need of guidance and support via Po's hard-won experiences. (Awkwafina does not make me think "child" or "youth"; her voice makes me think: "That is a grown ass woman.")

I think the movie would have been much more interesting if it had been about Po taking on his own students and struggling to be a teacher, with the different approaches needed for different children. (Movie Trailer Voice: "The Dragon Warrior takes on his greatest challenge yet..." Switch to Po's shocked face as he says: "Teaching?!") Frankly, it's a little weird that the Jade Palace doesn't have any younger disciples at this point anyway. I have vague memories of Po teaching the other pandas to fight in KFP3, but they were motivated by protecting themselves from an active threat, so it would be different.

Like, the first KFP movie came out in 2008. It has been a WHILE. Po is getting older. He's completed the arc of becoming the Dragon Warrior and Master of the Valley of Peace in the initial trilogy, sooooo... he SHOULD be looking forward.

We could open the movie with Po in some fight or another. It's cool. It's badass. Po is having a good time. Po saves the day and the local villagers, defeats the bad guy, and then at the very end... he gets a crick in his back from a relatively innocuous movement. Ow. He signs autographs for the crowd while holding himself at an awkward angle and trying to hide his injury.

Po then goes to the restaurant opening as he does in the movie. He helps open it while trying to hide the crick in his back. Both of his dads are there and concerned for him. One of them could whip out some funky "traditional" remedy for comedy purposes and Po is like, "Ugh, Dad, not again!" (This is a problem Po has dealt with before.)

Both of Po's dads should be visually older. Panda dad could have a cane now. Goose dad is still running around for his restaurant, but he's slower than he used to be and his eyes aren't so good anymore.

Goose dad has perhaps even hired a couple new cooks and servers for his newly renovated, larger restaurant. Things are changing. He needs the help. Po is too busy with martial arts. Goose dad is obviously struggling trying to teach and manage his new employees; one of the young cooks doesn't get Goose dad's explanations and Goose dad is frequently telling one of the young servers to stop playing with [object that is not a phone but is definitely standing in for a phone to the modern audience].

Po isn't surprised by this (he's obviously discussed it with his dad beforehand), but it's obvious that he feels both fondly for his Goose dad and a little sad that he's kind of been replaced. His face has a conflicted smile. He can even confide in Panda dad about this.

Or, perhaps Master Shifu is here! Master Shifu has come to the restaurant opening because he is friendly-ish with both of Po's fathers and enjoys the food. Perhaps it is implied that Shifu has come here with Po before. Shifu is by this point very used to Po's antics as the Dragon Warrior, and while he disapproves of the autographs for adoring fans on principle, he thinks such arrogance and fawning is dangerous, he by now trusts that Po's heart is in the right place and knows that Po will always put the Valley of Peace first.

Po is jump-scared by Master Shifu sitting beside him casually eating noodles. Shifu is relaxing a LITTLE into semi-retirement and also enjoys scaring Po like that. "I was here when you sat down," Shifu says calmly, and it is clear he's messing with Po. (Shifu is also visually a little older.)

Lines are exchanged which indicate their affection for each other (they've come so far!) and some of Shifu's opinions listed above. Shifu calls Po out for badly hiding an injury. Po whines about how this didn't used to happen so often. Shifu says some wise proverb about aging that Po doesn't process immediately, then Shifu translates bluntly, "You're getting older, Po, it happens."

Po whines a little bit. He gets dramatic and has some miniature crisis because he still feels young and childish at heart. There's a joke sequence where we zoom into Po's mind, perhaps with a different style of animation, as Po imagines fighting battles against bandits as an elderly panda with a long beard and a walker. Perhaps it could even be a diverging reimagining of his opening dream sequence from KFP1. He's still kicking ass somehow, there's just a bunch of jokes about the annoying parts of getting older. (The elderly Furious Five didn't show up because they fell asleep in the middle of the day or something.)

Po is snapped out of his daydream by something. Maybe one of the new servers dropped a stack of bowls, there's a loud CRASH. Shifu could be just sitting there calmly, eating, patiently waiting for Po to get back from his dramatic crisis daydream. Shifu is used to that by now.

Po is like, "Master Shifu, you're super old, right?" Shifu, unimpressed, says nothing. Po begs him for the secrets of kicking ass while being old and fragile. Shifu has some blunt, old-school badass response about pushing through the pain. And maybe Po is like, "Yeah, that's what a real warrior would do!" And then he reached for his chopsticks and somehow pulls at the crick again. Ow.

Shifu softens and says that Po has been the Dragon Warrior and a Master for some time now, he has learned a great many things, done a great many impressive deeds, and it is time that Po take the next step towards true mastery. He must take students.

Po reacts with incredulous surprise.

Cut forward. On the way back to the Jade Palace, Po is complaining to Shifu about how he still feels like a student most of the time. Shifu counters that Po taught the other pandas how to protect themselves. Po says that that was a special case.

And maybe Po is a little nervous about change, but the thing is...? I feel like Po would be REALLY excited to have his own students once he settled into the idea a little. Po is a kung fu nerd. Po should know a lot about famous master-student pairs. Po is also maybe a little lonely with the Furious Five gone. (Allegedly, the studio was not keen about the cost of hiring Angelina Jolie back for even a few lines as Tigress.) Po loves learning about kung fu and sharing his love for kung fu!!! I would love to see a character honestly THRILLED for this next stage in their life.

Po should be EXCITED to train his own "Furious Five"! He loves them! He loves that stuff! He wants his own team!

Po and Shifu get back to the Jade Palace and it turns out that Shifu (being the all-knowing control freak that he is) has apparently already selected three new children to be Po's first students. Shifu has chilled a bit but still loves planning his students' lives for them.

(The other benefit to this is that we don't have to waste valuable screen time finding these students. We can learn about the backstories as the movie goes on, but we can for now go straight into Po bonding with these new characters and struggling with meeting their individual needs.)

(I know that Universal allegedly set a strict limit on the length of the movie, because they felt like kids wouldn't be able to pay attention to a long one, and also shorter movies allow for more screenings in a day and also more money.)

Po is excited to share kung fu with these new disciples, but he gets tripped up by the fact that each of these three kids has their own personality quirks and learning styles. They have their own skills. They have their own flaws and vulnerabilities. (One of them could even be connected to the main villain of this movie somehow. A "traitor" stuck in a bad situation.) They don't always get along with each other; they're each vying for Po's attention. (Maybe one of them actually wanted to be taught by Tigress and is grumpy about getting Po.)

Po tries to cook a great meal for them to share together and he can't even get that right on the first try; the kids all have conflicting likes and dislikes. One of them doesn't like dumplings at all! The horror!

Po: "What's wrong, buddy? You're not eating your food..."

10-year-old Student (whose family was killed by the movie's villain): "The only thing that I'm hungry for... is VENGEANCE."

*lightning flashes in the background outside the window and everything*

Po: "...Okay, I love the energy, but that's not on the menu right now. We have tofu."

Student: "...I don't like tofu."

Teaching presents the opportunity for Po to mishandle various situations. He might accidentally upset all three of the kids in different ways. He might feel a little resentful that Shifu shoved him into this without warning and is barely helping. He starts to get stressed when a new mysterious villain shows up in the Valley of Peace and he has to handle that AND three struggling children at the same time. Maybe he gets a little snappish when the kids don't listen to him in a dangerous situation.

And I think Po would feel especially badly about this because of how he has been occasionally failed by each of his father figures. His goose dad discouraged him from following his dreams and has been jealous regarding Po's birth family. Shifu was an ASSHOLE to Po at first. His panda dad was tragically absent and their relationship is sometimes a little awkward. Po thought that his bad experiences would have made him automatically good at this, because he knew how to be better, but it feels like he's doing even worse.

Po and Shifu could have a great heart-to-heart over this, where Shifu ends up (indirectly perhaps) apologizing for springing this on Po, but insists that Po is already doing better than him and that he did it because he knew Po would be a great teacher. Shifu could also pledge to help a little more, Po need only ask. He doesn't have to do it alone.

(I thought that Po's dads in KFP4 didn't have a good storyline. They were overly comedic in a film that already had enough comedy on Po's side of things, and I didn't think that the attempts at emotion near the end landed. They didn't have a compelling role in the film. And Shifu was basically absent from the movie. It's possible to just hire different actors if the originals are too expensive, isn't it?)

Vulnerable students would bring serious stakes back into the fights. Po in KFP4 was essentially unbeatable, with little to fear in almost any situation he entered, because he can handle himself even against dozens of enemies by this point. But his students cannot do that! He would have to protect them! And if there's two or three of them, then he can't easily protect all of them at once. One of them could get injured in some fight to up the stakes for Po.

I don't have anything more concrete from here, because that would involve creating proper student OCs for Po and working out how their arcs would mesh with the Chameleon or another villain. I like the idea of one student secretly working with the Chameleon as per the actual movie. Perhaps another student could have actually lost their family or their home because of the Chameleon, which later puts this student in greater emotional conflict with the "traitor" student.

It's just... if the idea was to challenge Po and have him grow as a person, I don't think they achieved that effectively. He felt a little flat to me. Overly naive and condescending. I was not compelled by his relationship with Zhen, which felt a little shallow, without good chemistry, and like it was happening more between equals than someone Po could really teach. A trio of new students or something like that would have breathed even greater new life back into the franchise.

Hmmm... anything else to say... The people I was watching it with and I picked a bunch of nitpicky holes into the plotting and world building. Nothing super duper egregious. Just a lot of things that didn't add up well or could have been tweaked. (Why were the names "Steve" and "Scott" used in this movie??? It's a joke, but it's not a very funny joke, and it feels representative of a larger lack of attention to detail. It's a shallow joke at the expense of the cohesion of the world and now I'm distractedly confused as to when Western elements were established in this film franchise. Surely there was a Chinese pun to be made there that didn't have to appeal to anglophone audiences???)

I was not impressed by the "and then everyone clapped" ending where all the spirit villains told Po that he was cool. It felt like it was undermining previous storylines to have all of them find their inner peace and not try something. Like, uh, the 3rd movie starts with Kai having been imprisoned in the spirit realm for a long time and busting out because he's still a jerk, so even if Kai has magically chilled now, why are ALL of them in peaceful agreement? I would have thought Tai Lung and Shen and Kai would all fucking hate each other. This is taking off their nasty edges without having earned that development.

I feel like I just watched someone miss the obvious turn because they decided that going another direction would be "more fun" or "better" somehow, but it was not. Just take the obvious turn and give Po his own "Furious Three" kid students! (They're workshopping the name.)

[max-nico]

Another installment of random Sonic Headcanons

Sonic doesn't like buttercream frosting, Tails doesn't like whipped frosting, and Knuckles always wipes 90% of the frosting off his cake

When Tails is doing something, whether it's working in his lab or just making dinner, Sonic will shadow box the air behind him. He stops when Tails turns around to look at him, but the fox very much knows that Sonic is throwing fake punches at him lol

Tails, Cream, and Charmy play animal crossing (or the Sonic equivalent lol) together

Matter of fact, I think like all the characters play video games together. I'm sure they have different types of video games they like (I can see Sonic playing animal crossing but Jet? Not so much) but it's not odd for them to enter an online lobby

Tails loves crunchy foods

Espio once asked Vector to death roll him to "see if his body could take it".... Vector obviously said no

I don't think any of the cast really feel famous, except for maybe the Babylon Rogues bc they're (probably) sports stars

No matter how often they get asked for an autograph or approached in public they're all like "???? Yeah ??? I guess I can take a picture with you ???"

I think hedgehogs are one of the most common races (species??) of Mobian

If the Robotniks were Mobian they would be robins (<- pretty sure I've said that before) and possibly various other red and black birds

Barry and Tails keep in contact, but they don't get a lot of chances to hang out

I don't have anything for Blaze and Silver rn but just know that I love them dearly and I'm always thinking of them

Cream is determined to befriend Shadow. She will stop at nothing until he admits that they are friends

Sonic hates being on talkshows, and talkshows hate having him on, so it's mutual lol

The Rookie (whose name i cannot remember rn it's on the tip of my tongue omg) keeps the most contact with Knuckles, but everyone still stops to chat when they get the chance

Shadow suffers from memory loss after... Falling out of a spaceship and... Losing his memory...

I think for a while he was too prideful to write things down or set reminders because heaven forbid the ultimate lifeform needs help. This led to Shadow forgetting where his own place was and refusing to ask how to get there

Maybe this is my new explanation for why Shadow is always in caves and is never shown in a house of his own, instead of the actual explanation lol

Sonic often talks to Gaia/Chip when he's alone, Tails caught him a few times and has also picked up the habit, though he does talk to him less than Sonic does

Charmy doesn't like bananas

I've said this before in this post about shadows development, but I think he sheds a lot. Hedgehogs aren't actually supposed to lose quills unless they're super stressed, but because Shadow's DNA is only partially Mobian Hedgehog, a few things are off

Okay, that's all for now. I feel like this one's kinda short, but it's whatevs !! Feel free to talk to me about your own hcs I LOVE hearing about them. Happy year of Shadow everyone !!!!!!

I am a Tails centric blog but feel free to hit up my DMs or askbox about any of these characters !!!

[saintsenara]

Trick or treat!

thank you very much for hammering on my door, anon. i didn't love the costume, though, so you're getting the scariest thing i can think of...

in defence of won-won and lav-lav

the inspiration for which came from the following anon:

obviously, ron and lavender are not, in the eyes of the text, a ship we are supposed to root for.

the doylist text treats the relationship as a semi-punishment for ron - something intended to chastise him [notice, for example, how he and lavender are frequently described in the narrative as being laughed at by other students] for the crime of being so rude to hermione [and dismissive of her desire for him] in the opening half of the book.

and, specifically, to chastise him for being immature - and for being unable to express his feelings for hermione in any sort of sophisticated way. his relationship with lavender is the final stage of the arc which begins in goblet of fire when he fails to ask hermione to the yule ball - in which his approach towards his attraction to her is petulant and childish and he doesn't "deserve" to be with her until he's resolved it.

ron being poisoned - and calling out for hermione on his sickbed - begins a different narrative arc which continues throughout deathly hallows, in which ron is shown to be attentive, compassionate, chivalrous, and so on, until he proves himself worthy of hermione by remembering that slaves exist and gets his girl.

lavender serves - then - as the anti-hermione. she's the final boss of ron's flop era, stopping him from moving on to his true love. and he knows it - hence him getting the ick when lavender does such unreasonable things as "call snape a cunt" - and longs to extract himself from her clutches, but she's such a powerful force of teenage cringe that he can't.

until harry adds a little liquid luck to the mix, that is.

the watsonian text lacks the overt sense that ron and lavender's relationship is a punishment, but its view on the two of them as a couple is broadly aligned with the doylist narrative.

harry is aware that ron and hermione fancy each other, and he doesn't deviate from this opinion even after ron and lavender start going out - his view [which ron does nothing to disabuse him of] is that ron's attraction to lavender is purely physical, that they have nothing in common and don't really talk to each other, and that ron wants to break up with lavender but doesn't know how. he also makes no effort to include lavender in his friendship group [instead, he regards her as something which prevents him from enjoying hanging out with ron] or to get to know anything about her beyond "likes divination" and "parvati's friend".

ron and lavender's relationship also serves the secondary purpose - in both the doylist and watsonian texts - of laying the groundwork for harry and ginny getting together in the latter stages of half-blood prince.

[which some readers might otherwise feel had come out of nowhere... although i do actually disagree with that assessment.]

the emphatic presentation of ron and lavender as embarrassing, superficial, horny teenagers is a narrative device which enables both harry and the text to insist that his attraction to ginny is the complete opposite: not just a flash-in-the-pan teenage romance, but a mature, profound, passionate, sophisticated, end-game love story. the text has locked in on ginny as mrs potter the second she's rude about ron and lavender's kissing technique.

and so the fact that lavender brings something very important - and very positive - to ron's character development is often overlooked.

ron's defining character trait is that he's someone who feels a great need to prove himself. this contributes both to his positive and negative characteristics - it's why he's daring, loyal, and brave, but it's also why he's disinclined to take initiative, prone to sulking, and a bit of a show-off.

and it's also why he feels jealousy very profoundly.

ron's jealousy - like most people's - is rooted in a sense of insecurity. he's jealous of the attention harry gets because he's worried that nobody will ever think he's so impressive [which also connects to him being worried that he's the least-loved of his siblings]. he's jealous of hermione's relationship with viktor krum because he's worried that he could never command hermione's attention in such a way. he's so easy for the locket-horcrux to manipulate because he thinks it's self-evident that - as the apparition of hermione says - nobody would ever prefer him over the boy-who-lived.

this narrative arc concludes with ron learning to move beyond his insecurity - something the epilogue lampshades by having him quip that the crowds gawking at harry are really there for him. he stabs the locket, banishing the physical manifestation of his insecurities, becomes proactive about communicating his feelings for hermione, and acknowledges that his belief that harry's life is cool and swashbuckling is a fantasy, and that true heroism is often hard and boring.

harry and hermione are - unsurprisingly - key figures in this journey of self-discovery.

but so is lavender.

there seems to be a common view in this fandom that hermione is the most emotionally literate and most mature of the trio. this former view is plainly nonsensical [if any of them have the emotional range of a teaspoon, it's little miss "why are you upset your rabbit's dead?"...] and the latter always seems, to me, to be based in essentialist stereotypes about girls being more sensible and maturing faster than boys, instead of the idea that hermione - specifically - has a more diligent and rule-oriented personality than harry and ron.

[i'm always struck by how hermione is - in many ways - the most child-like of the trio. deathly hallows begins with harry clearing his trunk of the ephemera of childhood so he can pack for his mission. hermione's packing involves taking her schoolbooks along as comfort items...]

as a result, the fact that hermione and ron behave equally as petulantly towards each other before their end-game arc begins is often overlooked. he tends to cope with feeling insecure by lashing out at other people's insecurities [i.e. when he does the impression of her bouncing up and down in her chair and makes her cry because she laughs at him] and so does she [i.e. her zeroing in on ron's lack of confidence in his quidditch abilities when she says she's attracted to "really good quidditch players"]. he acquits himself badly when it comes to krum, she reacts in exactly the same way [scoffing, sulking, giving the silent treatment, casting aspersions on the object of his affection's character etc.] to his crush on fleur.

lavender - in contrast - just likes ron. there's nothing deeper going on. she just thinks he's hot and funny and she wants to be around him. harry may see her attraction to ron as ridiculous and embarrassing, but she doesn't. she wants to snog him in the middle of the dining hall - fuck what anyone else thinks!

and this experience - of being uncomplicatedly adored, of being thought wonderful without "wonderful for the average person, of course, not wonderful by the standards of harry potter/international quidditch superstar viktor krum/the slug club" being tacked on the end - is good for ron. it improves his self-esteem [harry takes the piss out of him looking pleased with himself when lavender laughs at his jokes etc., but part of why harry is so gagged is that these moments don't conform to the standard of harry being the person people notice first - or, indeed, exclusively] and allows him to begin to see himself as someone who's worthy of being desired as he is.

and this helps him move beyond expressing his jealousy through sulking and cruelty - at bill and fleur's wedding, for example, he is still jealous of the idea that krum is attracted to hermione, but he responds to this proactively by asking her to dance with him, instead of [as he does at the yule ball] doing nothing to express that he wants to spend time with her and then blaming her for not reading his mind - which then leads into his arc across deathly hallows of moving beyond jealousy entirely.

i don't - though - see ron and lavender lasting if the canon end-game pairings are deviated from. harry's observation that ron and lavender don't have anything in common beyond physical attraction is demonstrably correct. harry's view that lavender wouldn't mesh well with the trio [or with him and ginny as a couple] is harsher, but also true.

but nor do i think we should want them to last.

this is something i say a lot, but fandoms in general are really bad at thinking about romantic relationships which aren't epic love stories - which is unsurprising, since the media from which fandoms spring is exactly the same.

we're bad at recognising that one night stands which don't turn into anything, or second love, or friends-to-lovers-to-friends-again, or "this lasted six weeks and neither of us were sad when it ended", or "i'm sixteen and i want to kiss this fit boy, i'm not going to marry him!" still trigger character growth. a high-school relationship which makes everyone in a ten-foot radius cringe might not last - and nor should it! - but it can still be transformative.

lavender transforms ron's life. there is no romione without her.

[and nor is there any of the locket getting stabbed, so take note, ronmort nation.]

and she deserves our respect.

[lynnuvo]

𝑀𝓎 𝒮𝓌𝑒𝑒𝓉-𝑀𝒶𝓎𝒷𝑒-𝒯𝑜𝑜-𝒮𝓌𝑒𝑒𝓉 𝒢𝒾𝓇𝓁

Characters: Toga Himiko x Female (Y/N)

You and Toga Himiko were not only friends but classmates back in middle school. She had a fair amount of companions, but you were her best friend--the one person she felt she could go to about everything. After all, you were the first person she invited for a sleepover and her last.

One day, she gathered the courage to share her family troubles with you. She shared her quirk and thus, her strange interest in harming animals, including the one where her parents caught her sucking the life out of bird when she was a child. Although it unsettled you at first, you collected yourself and thanked her for entrusting you with her history. You sympathized with her wish to be "normal." Your response to her confessions opened a door. With others around, she was her usual, well-behaved, cheery Toga. But when you two were alone, her cheeriness doubled, and the topics you two would discuss sometimes turned from everyday things to "would-you-rathers?", "wouldn't it be better if?", and deep desires. She asked you a LOT of questions. You were worried that if she kept going, you might have to spill every single thought about you. Thankfully, her questioning spurts would only last for a short while.

It wasn't long before your friend group noticed how much closer the two of you had gotten over the past three months. You were dubbed "Toga's Best Friend," and you didn't mind it. In fact, you loved it. You loved Toga. Just not enough to sweep her off her feet and kiss her.

Luckily, this allowed you to encourage Toga to confess to the boy she developed a crush on. It was sudden, and you were sure there had to be more to the boy than just him taking the time to talk to her about birds in the library during study hall (she forgot to do her homework and met him there). But there wasn't.

You picked at the rice you packed for lunch. The echoes of chatter in the cafeteria felt like white noise to the headache forming in your head. Not an actual headache, of course. But your situation sure felt like you needed one. "What's so special about him?"

"He's cute. Adorable. I'm in lovee~" Toga Himiko said as she stared dreamily at his figure three tables across. Her pupils may as well have been hearts. "I like him a lot."

"Then why don't you just tell him?"

"I don't know. He probably won't like me. He barely knows me."

You scoffed. "And you barely know him. What if he's actually a bad person?"

Toga leaned closer. "Do you know something about him?"

"No, but..." Your lips pursed before you shoved a spoonful of food in your mouth. "We don't even know his name."

"We'll find out."

"Come on, Toga. You can find someone else--someone you actually know."

Toga leaned even closer with a cheeky smile spread across her face. "Are you insinuating I should be with you instead?"

"Wha-No! You know that's not what I meant!" Some gradient of pink and red spread across your face. "Just--Forgot about it!"

"You're so cute, (Y/N)-chan!"

Conversation similar to this would continue for days, then weeks. It wasn't a lot, but no matter how many times you both talked about it, Toga never approached him for a conversation, and the few times he approached her to converse, they didn't get to a point where they exchanged numbers. You honestly felt sorry for her, but no amount of advice would be convincing enough T for something to actually happen. She would even invite you over to her house to conjure up a plan (and have fun), but it was all for naught. You didn't think she'd confess anytime soon.

--

But then she did confess.

In the worst way possible.

The news that Toga Himiko, your best friend, attacked her crush at graduation spread like wildfire. At this time, it was a week after graduation, and you holed yourself in your room beating yourself up for ever letting Toga leave your side. After the actual ceremony, you left to join your parents but couldn't find Toga for some reason. Even after you messaged her repeatedly to meet up before you went to have a celebratory dinner, she didn't appear. Even to this day, you sent her messages, but she didn't reply.

"(Y/N)," your mother called from the doorway. Her worrisome gaze fell on you fidgeting with your phone. "You should probably stop messaging her if she's not answering now."

You turned to her. You knew how tempted she was to wash your face and chide you on your dark circles like she had the first day you broke down crying, but she knew better with the way you lashed out. "Why? She might answer."

"Honey." Your mother walked inside and sat down on the floor beside you. She brushed a hair from your face and took your phone away gently. You didn't feel like fighting back. "I spoke with her parents. They gave her phone to the police a while ago."

"What?!" Your eyes began to well. "How could...this is so...."

The following week was miserable. You barely ate and slept for most of the day. Some of you and Toga's mutual friends messaged you throughout the week to check up on you--and on the case. They were all encouraging but also skeptical about Toga's true nature. They couldn't believe this behavior would come from her. But you did. You didn't predict her to act this irrationally, but you did expect the pressure to be "normal" to get the best of her at some point.

When the next week began, your mother urged you to buy groceries from the store. It was her way of saying you needed a breath of fresh air. Luckily, you were more willing to accept help. You retrieved the grocery list from her hand and set on your way, mind still on the girl. You were halfway there when you heard your name.

"(Y/N)..."

Your body freeze. You spun around to see a girl in a black hoodie and black pants. She wore a white mask. Despite the clothing, you instantly recognized the girl from her glowing yellow eyes.

You ran into her arms; she embraced you right back. "Toga! It's really you! Where have you--mmph?!"

Your breath left you as Toga threw your body into the alley beside you. Your exposed shoulder scraped the sidewalk, making you yelp in pain. Toga hurried over to hush you. Out of the corner of your eye, you barely made out the silhouette of a tall figure before your vision went completely dark. Someone must've put something over your head--and body. Like a potato sack. You felt a prick at your ankle; adrenaline surged through your body. You just started to scream when an arm forced its way into your mouth from outside of the bag. You bit down as hard as you can, and the person groaned—a male. You tried to bite down more but pull away real quick. The texture and taste of the potato sack was awful, and you felt things in your mouth. You spat them out. Hopefully, they weren't splinters.

"Be gentle with her!" Toga chided as you were thrown onto someone's shoulder.

A low, masculine voice sounded real close to your head. "Why do I have to do this little side-quest for you? We haven't even made it to the base yet, and we're gonna be introduced with this random hostage. We're not gonna get in like this."

"Yes we will! She promised she'd be with me no matter what!"

A promise? Oh. That must have been something you made while you two talked about her family issues. You don't remember making this promise, but it must be because your head is so clouded from how despondent you've been recently.

"You realize that's before you became a murderer, right?"

"Yeah, but (Y/N)-chan is my favorite girl. I can't leave her behind~!"

"Her family is going to suspect you had something to do with this."

"Either that or she ran away to find me. I'll make it worth her while!"

Your heart fell. You loved Toga, but you loved your family as well. Even if you wanted to be by Toga's side, you didn't want to leave everything behind.

And Toga? A murderer? She hasn't even graduated high school yet and she's already a villain?!

Tears streamed down your face. You knew you should fight back--kick the man who held you--but if Toga could kill people and still be so cheery, what would she do to you? Her sharing this information must mean the man with her is some kind of villain or accomplice or someone who doesn't care about such things, which is still pretty scary.

When you couldn't hold back a hiccup, you heard Toga's footsteps fall. Her soft voice sounded to your right. "Don't worry, (Y/N)-chan. You'll be able to rest once the dose sets in. We can talk about everything once you wake up in our new home."

You cried for a good moment. The man muttered something about getting his shirt wet. Sometime after your eyes ran dry of tears, weariness began to kick in. You closed your eyes. The last thing you could remember thinking about before you knocked out was the hypothetic situation if you had just made her fall in love with you instead.

[tokyo-daaaamn-ji-gang]

What do you think would have happened if Izana hadn't died during the Tenjiku arc? Like he still got shot but survived instead of dying?

(OK just a warning before anyone starts reading this, this turned into basically a whole au and got a bit long)

Well this would heavily depend on two things, first how badly he injured he is and his recovery time and second is if everyone knows he's alive or if they think he's dead. But let's say he recovers a month after Kakucho (he did have extra wounds) and it's known he's alive. Once recovered I think he actually spends some time on his own instead of going straight to Kakucho. Izana just took some massive losses and basically had a lot of his ambitions turned upside down in that last fight, so I could see him having a bit of a depressive episode. Dealing with the grief of losing Emma, tenjiku his dream losing, his own physical injuries and possibly even guilt over having Kisaki in the gang and how he eventually shot Kakucho. So I think he has some time where he decides to retire and kinda just does nothing but survive.

And then South happens, after realising Kakucho got beat up and forced to join this random gang he's so mad. Kakucho is his! But it get's even worse when he learns the S62 have joined this random guy too (they did try to find Izana after they got out but he was too good at disappearing). He's also started hearing lots of rumours about Mikey too, how he has this new gang and he's changed. He's been conflicted about Mikey this whole time but until now he didn't realise how bad things had become for him. So he makes a clear plan to go get Kakucho back, knock some sense into his S62 and maybe talk to Mikey after. But that all changes when he's approached by brahman of all people.

Them having so many underground links (especially Takeomi's) allowed them to track Izana down and headhunt him for their gang. Of course Izana immediately says no though, he actually thinks their whole "save Mikey" plan is stupid. But they're persistent, basically popping up everywhere he is to try and recruit him, especially the leader. He ends up fighting Senju (he's actually curious about her skills and it's been awhile since he had a fight anyway) then eventually agrees to partner with them. He's not actually sure why he pattnered with them, maybe because he hadn't been around others in awhile or maybe because something about Senju reminded him of how Shinichiro used to describe Mikey, maybe because he has a fondness for little sisters or maybe he just wanted a fight. He didn't join though, he refuses to join a gang under anyone else. He also likely goes through some character development here. (Side note but because he probably wouldn't wear it but he'd look great in the uniform).

Time skip and the battle of three deities approaches, Izana's there and immediately targets South, changing the battle. Kakucho however, still goes straight to Mikey, he considers himself to be on Izana's side though. Kakucho gets thrown between the South and Izana fight. Now this really makes Izana mad and he charges at Mikey but get's taken out by Mikey who is fully consumed by the dark impulses, Mikey then kills South.

Izana wakes up in the hospital but he isn't sad this time, no instead he's furious. Mikey beat him that easily? How? (Tbf Izana was out of practice and Mikey had dark impulses) But it still makes him angry and he decides he wants a rematch. Kakucho, who didn't join kmg waits for him to recover then the two of them set off to do some training together. Until Takemichi finds Kakucho and asks him to join toman 2.0 (he wants Izana too but Kakucho is more approachable). Izana, who's been itching to fight Mikey again agrees to join. The fight goes kinda the same with the main difference being Hanma fights Kakucho, Takemichi fights to get to Mikey and ends up taking out a bunch of kmg and Izana does the same. For Izana especially though I think it would be cool if he ended up interfering in Senju's fight and was the one to take Sanzu out before the final blow he dealt Senju. Just because I love the idea of him going from being ok with his sisters death to saving someone else's sister/ maybe even saving Sanzu from making a mistake he made, seems like a good parallel. Anyway Sanzu get's knocked out but manages to regain consciousness and heads for the train. But this time Kakucho isn't with Takemichi when he has the vision, instead it's Izana who's with him since they're both trying to get to Mikey. Izana has a quick choice to make but decides to give up his revenge on Mikey to instead follow and help Takemichi save everyone, completing his character arc. He's the one to die saving everyone instead, this pushes Mikey even further over the edge and the dark impulses come out earlier then before but the fight still ends the same way.