#inner sense

[lecameleontv]

Captures de l’Ep.4 20 : Instinct Naturel / The Inner Sense 2/2 (2000) de la série Le Caméléon (V.O. : The Pretender).

Distribution : Michael Wyle, déjà vu dans l'Ep. 1.02 de la série Le Caméléon (V.O. : The Pretender)....

Saison 4 : Episodes 01 - 02 - 03 - 04 - 05 - 07 - 08 - 09 - 10  - 11 - 12 - 13 - 14 - 15 - 16 - 18 - 19 - 20.

Le Téléfilm n°2 - L'Antre du Diable poursuit ce thème de la voix intérieure, mais sans la nommer.

source : imdb

[apollos-boyfriend]

i was cuddling with my boyfriend last night when his shoulder started tensing up (like he was readjusting or gently pushing me off) and when i asked him if he was okay or needed me to move or something he went “no you’re fine, i was just imagining myself pulling a large rope. i didn’t even realize my shoulder was doing that lmao” then refused to elaborate and i have never been as attracted to him as i was in that moment.

[keferon]

I. AHAHAHAHAHAHAHAHAHAHAH. I’m okay I’m fine I’m okay I’m fine I’m oka

The fic I'm illustrating and losing my mind about 👉 Mistakes on mistakes until

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[washmchineheart]

ok but can you imagine being a CoN woman trapped in a loveless/abusive marriage and seeing that your high lord has a whole secret city with a library for victims like you and you just don’t have access to it…it would be the start of my villain arc idc 😭

[spookberry]

Their dynamic swaps everytime they transform,,, the dynamic being "overprotective mean girl and her girlfailure sidekick"

(The sword pointing one is dramatic but its actually a very silly scene)

[strawberri-draws]

Sleeping in a van

[litnerdwrites]

Suddenly, the reasoning behind Nesta's sudden institutionalisation, and forced training, after waiting over a year to help her, makes perfect sense. No, it's not because Feyre sobbed into her eggs one morning or because they care about helping her.

It's because of the trove.

rainkatzanddogs on tiktok, put together a timeline for the SJM universe, and for each events, references which chapter (including bonus content) they take place in. I'll be referencing that in this post.

Feyre learned about Nesta's 500 gold marks spending spree one day before the start of ACOSF, right before Rhysand explains his plan. The one that Cassian believed he'd made a while back, given how detailed it was. The next day is when the intervention happens, and after that, Rhysand asks Cassian to look into the Human queens.

If he's asking Cassian to look into it at this point, then we can assume that he has reasonable evidence to suggest that they're doing something shady. By this point, according to the timeline, Baron has already made a deal with them, Eris' soldiers are under the Crowns control, and have been for a month. Meaning Briallyn has had the crown for longer than a month.

16 days after the start of ACOSF, they have the meeting where they use Elain to manipulate Nesta into searching for the trove.

I think it's reasonable to assume that the IC had some idea about the trove, and if not that specifically, than that magical items were being used by a death god and a cauldron made queen to control people. It would be naive to think they were completely ignorant of what was going on. Even by the time that first meeting takes place, they clearly have a decent level of knowledge on the trove, how to find it, and who's currently looking for it.

It isn't unreasonable to think that Rhys had some idea that they'd need Nesta to scry for them or to help them later on. So, he devised a plan where she trains, and works in the library so she'd be ready to help them when they need it.

She'd be prepped for missions due to her training.

She'd have ample time to research and study while in the library, even if she only shelves books, she'd know where to find the ones she needed to research whatever they asked of her,

And since her life would be in their hands, they could make her do anything without her arguing that she's a free citizen, because at this point, she isn't.

They used the guise of it being healing as a way to pitch the idea to Feyre and Elain, even though neither of them seemed to have an issue manipulating her into doing what they wanted, since they likely discussed the using Elain to convince her to scry, because Elain didn't seem to surprised when they didn't ask her to do it later, nor did she seem bothered when Nesta ended up doing it anyway. Hell, she literally came in to say she'd do it, got under Nesta's skin, and left without listening and/or contributing to the conversation anymore than that.

Cassian seemed hell bent on making her into a warrior from the moment they met, despite her wishes, and since he so blatantly doesn't care for her or her autonomy at all, he's obviously in, so he can get what he wants. A mate that's a warrior and his emotional punching bag to take out his insecurities on, but also has her own insecurities and traumas, so she'd never go against him and he could continue to flirt with Mor and (let's be real) Rhys without worrying about said mate having the strength to stand up to him.

It was never about helping Nesta, it was all a rouse to make her into a tool that was useful to them, with little risk. If she dies, she's no longer a problem for them, or anything to fear. If she lives, she's either contained forever, or heals into the perfect tool for them to use whenever they want. It's a win-win for Rhys and Cassian.

[lalune9x]

[SCTIR NOVEL SPOILERS chapter 797]

context: this is Yoojin's reaction when he sees Sung Hyunje for the first time after losing his memory of him... is this what love at first sight looks like?

[currymanganese]

Fak is too involved in Carmy and Claire's relationship. From giving Claire Carmy's number to showing up at her job with his equally annoying brother. He needs to mind his business and stop assuming what Carmy wants. In s3 ep9 Fak tells Claire he thinks (then later says knows) Carmy loves her. If you don't know Carmy's true feelings about her, why tf are you speaking for him?

Also sometimes it seems like Carmy doesn't even like Fak like that. They rarely have one-on-one scenes together and their conversations are mostly surface leveI. I always thought Fak and Richie were closer. In s2 ep3, when Claire and Carmy are talking on the phone, Carmy says Fak isn't his best friend (but then backtracks 5 seconds later saying he's probably my best friend). Then in s3 ep5 when they are preparing for the photoshoot, Fak said Carmy was #1 on his best friends list. The friendship is obviously unbalanced. Fak is one of those childhood friends you have outgrown but keep in your life due to history and familiarity. This is just another example of Carmy being stuck in the past and not being able to let go. He either needs to set some boundaries with Fak or end the friendship.

I love your blog btw. Your analysis on The Bear are very thorough.

*EXTREMELY HOT TAKE INCOMING*

Thanks for the kind compliments / thanks for the ask, but I'm starting to think that, if my suspicions are correct, that depending on how season 4 goes, that she and The Faks may shape up to be fantastic characters, at least from a trollish comedic parody perspective - and that this may be a huge 'star making role' for Molly Gordon and the rest of actors cast as the Faks if what is being set up is executed well post-reveal, and they demonstrate that, contrary to what we have seen thus far on the show, they definitely have acting range.....

Because I'm like 88% sure now that Claire x Carmy x Sydney's love triangle is an allegory/deconstructed (in part) version of Lilith x Adam x Eve from apocryphal / Jewish tradition. And that 'Sammy' Fak may be an archangel Samael figure

Lilith is Adam's first wife apocryphally and in Jewish mysticism that left him and became a she-demon / mother of demons / the "queen of the night" after being impregnated by / becoming a consort of the archangel Samael (whose name means Venom of God and is a seducing/destroying angel).

My thoughts are too incoherent right now to make a post about this theory in its own right, but all of the above could explain why the scenes where Claire is physically intimate with Carmy are shot in darkness and low light, compared to warm /well lit scenes when Syd and Carmy are emotionally intimate; it could explain why the songs that play during Carmy and Claire's scenes are frequently morbid or are outright about death, or lyric less ambient scores that invoke the feel of psychological horror,

and why mostly love songs are played for Carmy and Syd's.

I've made some posts /edits pointing out the parallels between Claire / Carmy / Syd and these biblical / mythological figures, and a post on why I think John Cena as Sammy Fak is a case of good casting (from a comedy perspective) if the Faks are really meant to serve the function that I think they are meant to below;

but some additional similarities between Claire and Lilith are that they were 'created' in the same way, 'formed from the same dust', as their 'Adam' (whose name can also mean red clay/earth and Claire's last name means mud or muddy fortress) - since Carmy and Claire both come from the same neighborhood/highschool and, depending on how much we see of Claire in the future, they may have both come from dysfunctional homes / be the adult children of alcoholic parents.

The posts I linked below are:

1. A webweaving on Sydcarmy + Adam x Eve parallels;

2. A fan edit that I did that was inspired by the webweaving; side note: if Carmy's words to Sydney at the end of their first convo was foreshadowing for them starting a literal nuclear family of their own, and how many kids they're gonna have, I'll scream;

"We're gonna make family, it's meat, (👀) plus three, and we'll eat around two."

3. A reblog add-on to @espumado et. al's @thoughtfulchaos773 @vacationship @kdbleu 's etc. thread on the theme of haunting / religious / mythological imagery and parallels in the show in season 3.

4. Another thread on religious symbolism in Season 3 and Claire and Syd / Carmy's relationship kicked off by @vacationship.

5. Another reblog add on I made in response to @glitterslag about the episode Review in Season one possibly representing/parodying the biblical "Fall of man".

6. A fan edit that I made for clairecarmy with the intent of being humourous at first, but unexpectedly turned out pretty nightmarish / psychological horror-esque without much work because the material/ dark imagery is there; including an eye opening parallel between Claire and Donna.

7. A post on the Bear being a super deconstructed Shakespearean pastoral comedy e.g. like As You Like It.

8. The religious symbolism of Carmy's red string of fate dish for Syd possibly being a visual allusion to the sacred heart of jesus, which is an emblem of God's long suffering and passionate love, an add-on to @twokisses post

Tagging @ambeauty @angelica4equity @imliterallyjustablackgirl @devisrina @ripley-stark @bootlegramdomneess @gingerylangylang1979 @outmakingmoonshine @pureseasalt @augustmonsooning @brokenwinebox @whenmemorydies @mod-doodles @bioloyg @caiusmarciuscoriolanus @post-woke @myloveismineallmine @turbulenthandholding @anxietycroissant

@moodyeucalyptus @ago0112 @unbeweavvveable @blackjack-15 in case anyone wants to chime in.😭

[umthisistheonlyusernamenottaken]

Keir: Hey, so do you remember when you were locked inside of a spacious manor with every luxury you could ever have imagined with literally hundreds of people to talk to and things to do to keep you sane for like 10 seconds?

Feyre: OMFG YES IT WAS THE WORST THING I EVER EXPERIENCED TAMLIN IS A FUCKING VILLAIN AND I HATE HIM FOREVER

Keir: Cool cool, so... could the people of the Hewn city idk, LEAVE the Hewn city once in a while so we can see what daylight and the night sky looks like? Cause pretty much everyone was born here and have never seen the light of day so-

Feyre: JFC WHY CAN'T YOU JUST BE GRATEFUL???? YOU HAVE EVERY LUXURY??? AND YET YOU WANT MORE??? OH OH, GO AHEAD AND IGNORE ME, JUST LIKE YOU IGNORE EVERY OTHER FEMALE IN UR LIFE!!

[thedickgraysons]

okay look. i KNOW the moment we get more time and content with him, it’s going to be revealed that eris is wearing a mask, and he’s doing all of these things for his mother and his people, and hey he isn’t really a BAD guy, he’s just been given a bad hand! i know this.

but at the same time i’m going to be so angry if he goes to the rhysand school of “actually im the best person ever YOU’RE wrong for ever doubting me.”

i want him to have a sharp tongue, and say some shitty things. i want him to make bad choices and not hand wave them away as good. we’ve spent far too much time with the inner circle who portray themselves as cruel, just to get genuinely offended when people then take them at their own word (and actions) treat them accordingly. i need eris to be a bitch and i need him to OWN it!! as a reward.

[yaralulu]

I think i’d enjoy rhysands character a lot more if sjm just embraced the fact that’s he’s a little evil.Like this man has questionable morals and he’s a little fucked in the head and that’s interesting or it could’ve been if sjm didn’t try to paint him like this angel who could do no wrong all the time.

This is why book 1 rhys remains superior because he did what he had to do and didn’t sit there trying to explain how he’s actually a hero and a good person who didn’t do anything wrong.He had good intentions while still being unapologetically awful and that made him interesting 🗣️!!This is a morally grey man who sjm so desperately wants us to believe is a good person.She should’ve leaned into his morally grey-ness instead of backtracking and trying to rewrite what happened in book 1.

Sjm has the same screwed perception on the IC and rhys that feyre has and that means we’re never gonna see any real character development from any of them because they’re already perfect in her eyes 👎.

[cuntela]

bill cipher

[urloveangel]

You are only free when you realize you belong no place - you belong every place.

Maya Angelou