#incest ships

[klingyklaus]

Mafia AU bc I just think Dean should be able to have his little brother boy wife by his side while he orders men to be killed 🤭

[jackoshadows]

Can I just ask because every now and then I see these ‘eww incest’ posts on the tag. If fictional incest is so taboo and wrong, if it’s a line that cannot be crossed, then how can one be okay with a story set in a world where the author has described Alysanne and Jaehaerys as a  ‘great Targaryen love story’? Shouldn’t he be describing that as one of the most disgusting Targaryen love stories given their platonic love for each other as children and siblings clearly turned into romantic and sexual love at some point?

Clearly biology and science and sexual attraction works differently in GRRM’s magical fantasy world.

Why are there love songs being written about Aemon the Dragonknight and Queen Naerys in Westeros? These two are also siblings. Here is Sansa talking about her great love for Joffrey and comparing it to the love between siblings Naerys and Aemon:

I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies.” - Sansa, AGoT

This is Naerys and Aemon

Naerys loved Prince Aemon the most out of her two brothers, as he knew how to make her laugh. Aemon was also more like Naerys in character, while Prince Aegon was not.

By the way, I made a post the other day about how Jon/Arya is a foil to Joffrey/Sansa and left this one out. Here is another example of  foreshadowing, where Sansa proclaims that her love for Joffrey is the same as that of Naerys for Aemon when in reality Joffrey is an abusive sadist. Meanwhile Aemon and Naerys’ love for each other as children mirror that of Jon and Arya’s and Jon even cosplays as Aemon the dragonknight as a child.

And Arya…he missed her even more than Robb, skinny little thing that she was, all scraped knees and tangled hair and torn clothes, so fierce and willful. Arya never seemed to fit, no more than he had…yet she could always make Jon smile. He would give anything to be with her now, to muss up her hair once more and watch her make a face, to hear her finish a sentence with him. - Jon, AGoT

Now, I can understand if one is against fictional incest and do not want to engage in it. That’s totally fine. However, why criticize other readers for engaging with fictional romantic incestual ships that are prevalent in this fictional world? When the author is leading us somewhere and we as readers are only following where the author is taking us, why use real world taboos to call out readers because incest is wrong.

And by the way Arya is a skinny little 9/10 years old in ACoK/ASoS and Gendry is likely 14/15 when he meets her in ACoK.  Jon Snow keeps referring to her as small and skinny, a child he cannot imagine in Ramsay’s bed. And yet we talk about the romantic nature of Arya and Gendry’s interactions because the author has indeed written in the romantic chemistry there between a 9/10 year old and a 14/15 year old. Why is that okay but incest is the line that should not be crossed?

I repeat, pretty much every major ship in this series is problematic by real world standards. Sansa/Sandor shippers (Sansa is 11 when 27 year old Sandor falls for her) calling Rhaegar/Lyanna creepy and Rhaegar a paedophile must be the funniest thing yet in this fandom. How self-unaware does one have to be to not recognize the double standards there?

Also, note to Jonsa shippers. If your reason for taking all the book material and foreshadowing from Jon and Arya’s canonical relationship and handing it over to Sansa is because ‘Jon and Sansa are not close’  then stop using Aemon/Naerys, Alysanne/Jaehaerys etc to justify your crackship. These characters were siblings who grew up loving each other.

And besides, if one has to go for an incestual relationship where both characters are not close, there is always the superior Jon and Daenerys. Jon and Dany, who have actual canonical, textual foreshadowing for meeting and falling in love, actual parallels as leaders, are close in age and maturity, have had sexual partners, who have loved and lost, who look beyond class and gender, have the same interest to help people, are each other’s type etc.

A blue flower grew from a chink in a wall of ice, and filled the air with sweetness…

Jon and Sansa, despite growing up together, are indifferent to each other for a reason. They are polar opposites. Jon can’t spare a single thought of concern for Sansa’s status and whereabouts, Sansa admits to forgetting that Jon exists. Jon disdains girly girls like Sansa and Sansa holds bastards as being less than high born nobles. Jon didn’t give a damn about Sansa over 5 books and vice versa and that’s not going to suddenly change in the last book because Sansa’s beauty is so overpowering or whatever. He is not there to give Sansa her Disney princess endgame and that’s not the story GRRM is writing.

[author-chan06]

My Full Shiplist

These are all of my ships from the fandoms I am active in/ships I love a lot!

Batman:

BatJokes

HarlIvy

Nygmobblepot

Jarley

BatJohnJoker

Sanders Sides:

RemRom

Roceit

Anxceit

Prinxceit

DLAMPTR

— Or Really Any Configuration Of These Guys, But These Are My Favorites

Hazbin Hotel:

Charlastor/RadioBello

RadioApple

Lucilith

HuskerDust

GuitarSpear

RadioRose

Charlentino

CherriSnake

AdamsApple

RadioStatic/RadioSilence

ValAngel

RoyalHalo

Adalilluceve

Poly Vees

Charcifer

RadioRoseBelle

Zestmilla

Helluva Boss:

Stolitz

M&M

Fizzmodeus

BlitzaRolli

Blitzoxille

Lunatic Bee

Stolitzarozzie

Owling at the Moon

Blitzker

Gravity Falls:

Stancest

BillDip

Mabifica

Pinecest

Mystery Trio

Marvel:

FrostIron

Thorki

Starker

FrostIronStrange

FrostPepperony

The Owl House:

Lumity

Raeda

Huntlow

Gustholomule

Aladarius

Huntluz

Guster

Willumity

HuntLumity

Huntmity

Hamilton:

Jamilton

Lams

Hamliza

Burrdosia

Burrgelica

Philidosia

JeffMads

KingHam

KingWash

Whamilton

Marliza

Elams

Hamgelica

Pegglizgelica

My Hero Academia:

BakuDeku

IzuOcha

KiriBaku

TodoDeku

Kacchako

BakuDekuChako

KiriBaku

DabiToga

DabiHawks

ShigaDabi

HimiShigi

ShigaTogaDabi

TogaDeku

Togachako

OchaHimiDeku

ShigaDabiHawks

EraserMic

EraserMight

EraserDeku

DekuMight

Crossover:

Roman Sanders/Kakashi Hatake

Patton Sanders/Obito Uchiha

Remy Sanders/Orochimaru

BatJokesFrostIron

FizziDust

Blox/ShowPonies

If you’re curious about any of my ships, you can totally ask about them and I’ll explain as best I can. If you ship any of these as well, then feel free to gush to me!

[fandomlovingtransgirl32]

I'm proship. And I write & read incest fanfiction. If people don't like it, don't fucking bitch about it.

By the way, pro-ship basically means anti-censorship. Which is something that the antis assholes honestly don't understand due to their lack of brain cells.

[softboar]

*Restraining myself from adding incest between Max and Al in one of my fics because I do not know if people would be okay with that*

[yellowbluemoonshine]

They are somehow more disturbed by well written incest story about a consensual relationship between two adults in fiction but not other things, lol.

I saw this and I can't stop laughing.

[klingyklaus]

Dean runs a bed and breakfast that his mom and dad owned. His little brother Sammy came into his custody after his mom was killed and his dad went off the rails about it. Sam is 15 and all long limbs, angry at the world and moody. Dean is 32 and he never understood why his parents had a kid at their big age but now he has had to move home and take custody of a child.

Dean is back in the state his parents moved to after they left Kansas when he was just starting high school. Where everyone knows him and everyone knows Sam but he barely knows Sam bc he’s been away about as long as the kid has been alive, traveling the US doing security for various musical artists.

All the women he used to hook up with are married and all the dudes are also married (to women). He’s not above homewrecking but maybe not in the place he now has to live and work.

And Sam… oh Sam is dangerous. They live in a coastal town where everyone knows everyone but also plenty of tourists come through, wanting to see the Oregon coast and the Devil’s Punchbowl. Sammy, with his perpetually scraped knees and cherry bitten-red lips, was constantly attracting the attention of the college guys that came around with their friends in the summer.

Sam gets a college bf one summer. His name is Gabriel and he’s got a brother named Castiel who looks at Sam like he’s sticky, saltwater taffy and the boy wants to get Dean’s baby brother between his teeth and pull. Dean has been battling strange feelings all year, but especially that summer. Going through women in all of the surrounding towns like a boat cutting through water. He can’t admit what he knows deep down, he needs to keep himself distracted. Remind himself how good it is with women. Adult women.

But one night he comes home to Sam being spitroasted by the two brothers and everything… changes. Suddenly there’s a tension in the air and Dean has to admit that what’s growing inside him is an ugly, green monster. Sam knows, Sam wants. And until Dean gives it to him, he will not let his big brother know a moment’s peace.

Dean can’t get away from Sam and his boyfriends fuckbuddies all around town, in positions and situations that make him see red.

Anyways, eventually Dean falls at the alter of his pretty baby brother and wham bam thank you ma’am they live happily little-brother-boy-wife and big-brother-husband ever after.

[yellowbluemoonshine]

Interesting.

Doormat extraordinaire: Andrew Graves is down horrendous for his own sister | Part 1

Or as I like to call it, actual literal word vomit attempting a proper character analysis!

Here's a link to the AO3 version for archive purposes: The doormat extraordinaire has a bit of a romantic streak,

Content warning: This will heavily feature spoilers from Episodes 1 & 2 of The Coffin of Andy and Leyley. Trigger warning: Abuse, cannibalism, child neglect, codependency, harassment, incest, murder, self-harm, and suicide. Disclaimer: I will occasionally reference an extremely normal essay from Sufficient Velocity commenter Leyleyfication (here). It would be a lot easier to read this essay first as Leyleyfication does a pretty good job establishing the following: - Ashley is dependent on Andrew to assure and validate her of her own insecurities, and - The game heavily implies that Andrew wants to fuck his own sister.

Anyway: The Coffin of Andy and Leyley! A game in early access where a pair of siblings are stuck through a seemingly never-ending quarantine together, desperate not to starve to death. When their cultist neighbor dies in a ritual gone wrong, they rationally resort to cannibalism. Fun!

I am definitely going to assume that you read Leyleyfication's extremely normal essay (I am on my knees, begging you to read that). Which is why this essay immediately starts with, "yeah, Andrew definitely wants to fuck his sister" as its baseline.

What I will be adding to that funny little cauldron of fucked up sibling dynamics in a horror visual novel are the following: Andrew's fixation and sexual attraction manifests as his desire to control, dominate, and possess Ashley. And it is framed as a fatalist attraction and the totality of his existence (for worse or even worse).

Because of Tumblr's limit for 30 images per post, though, I'm going to have to split this extremely normal and reasonably lengthy essay into... multiple posts! Yeah! I have no idea how long this will fucking go!

So first things first: how can we tell that Andrew is even attracted to Ashley in the first place?

Nemlei (Devlog 05). Note the hickeys above and below Ashley's choker and her left inner thigh, and Andrew's left hand creeping into her right thigh.

As Leyleyfication points out, the game primes us to believe that Andrew is a pushover and Ashley is his abuser. This occurs in the Steam page as it explicitly says Ashley is "in fact, very bad" and Andrew is a "doormat extraordinaire." Moreover, it's very easy to tell that Ashley is, on some degree, obsessed with Andrew:

She's happy to hear that Julia broke up with Andrew over the phone;

She repeatedly accuses him of finding the Lady from Room 302 attractive and he 'tried anything with her;' and

Her flashback to wanting to punish her friend Nina ("the Bitch in the Box") for crushing on Andrew.

Episode 1, dream and memory. Leyley previously said that Nina should know better than to 'steal from another woman,' referring to herself. The implication that Andy is hers is toyed with after this moment, when she says she'd put Andy back in the box.

The game does prime us to think that Ashley is Andrew's abuser. It also suggests that Ashley projects an unrequited and incestuous love onto Andrew. Before we consider Episode 2's narrative, Episode 1 gives the initial impression that if Andrew comes to reciprocate her feelings, it's more of a reaction and subsuming to her will. That it may not be something he wants for himself and independent of Ashley's manipulation.

But again, I do believe Andrew wants to fuck Ashley. And always has been. He just frequently vacillate between 'subtle' and 'really fucking obvious' tells that completely take advantage of the game's third person limited POV.

Keep in mind that both Andrew and Ashley are extremely unreliable narrators. We aren't going to get information they personally do not care about and that is on top of our own choices as the player.

(A digressive example: you will not learn that the founder and CEO of Toxisoda's company was a former surgeon unless you interact with the television in Andrew's Episode 2 dream and memory of their blood oath. Otherwise, it neatly ties into the surgeon that Mrs. Graves conveniently says she was directed to regarding the siblings' quarantine in the main story.)

When it's really fucking obvious

When you play as Andrew in Episode 2, his post-dinner argument with Ashley carefully frames them both. They are cramped in the foreground and Andrew's left arm is conveniently blocked by Ashley and the kitchen knife, as seen here.

Episode 2, common route. Prior to this, you can interact with Mrs. Graves for her to pointedly comment on the siblings being inseparable.

At this point in the game, their physical closeness is something we're used to by now. After all, we've already seen Ashley on his lap at least twice; Andrew slept in her bed in Episode 1; and Ashley confirmed they've shared the same motel bed multiple times in the one-week interim between Episodes 1 & 2.

But the game abruptly shifts to Mrs. Graves' POV when she enters the scene and not only do we see the two as physically close, but we notice a few more details.

Episode 2, common route. The first picture transitions from Andrew's POV to Mrs. Graves as it introduces us to her entering the scene.

The contrast of how spacious the kitchen is from Mrs. Graves' POV to Andrew's cramped POV is obvious. More importantly, Andrew's fingers loop through Ashley's belt loops when the two are huddled together. When Mrs. Graves clears her throat, the two don't really separate.

Ashley pivots on her left foot so that her body is turned to their mother, not Andrew, but she doesn't step away from him. Andrew, meanwhile, recoils from Ashley and withdraws his hand. But he isn't turning his body to face their mother like Ashley does here. His attention, at least in this moment, is still towards Ashley (and, yanno, the sink).

Episode 2, common route. Two things to consider in the second picture: Andrew hides Ashley's bite mark on his cheek with his left sleeve and he conveniently moves the pillow from behind him to his front.

The 'tell' isn't so much as the two are unusually physically close. Again, we're used to that by now. But it's how the two siblings react whenever Mrs. Graves comes into the picture. Ashley doesn't really give a fuck about whether or not people assume the worst of her or even her intentions regarding Andrew. To Ashley, their proximity is normal and anyone who sees that as a problem is not worth an explanation or reason.

But Andrew is at least subconsciously aware it's 'not normal.' As far as these moments are concerned, Andrew instinctively tries to do damage control by either putting space between them or keeping his hands occupied so they aren't visibly touching Ashley. Still, he either does not mind or actively appreciates his physical closeness with Ashley.

When it's really fucking obvious (but only in hindsight)

In Episode 1, Ashley passes out after trying to clean up after the apartment. Regardless of her passing out in the living room, the bathroom, or their parents' room, she will wake up on the couch with her head pillowed by Andrew's lap.

Episode 1, Ashley's POV. Andrew's hands often hover over Ashley's head, but more than that—

I personally didn't notice this until I replayed Episode 1, when I basically have the hindsight of Andrew's fixation with hair. But yes, his fingers idly twirl through the ends of Ashley's hair as they watch TV. It's implied that Andrew can and will do this when Ashley pillows his lap, awake or asleep. He does not recoil from it when Ashley does wake up and later on, in Episode 2, even continues to brush it from her face.

Episode 2, common route. Ashley fell asleep at the passenger seat, so Andrew had to have transferred her to the back seat to pillow her head again. Though, technically, she's more cramped at the back seat than if he'd just reclined the passenger seat.

So far, we've seen that Andrew has a natural tendency to not only be physically close to Ashley, but to hover over her personal space and be in constant and direct contact with her. Whether it's by having her head on his lap, twirling her hair through his fingers, or even constantly grabbing her by the head in various states of comfort, playfulness, or outright threat (but let's put a pin on that for now).

The weight behind this candid contact shifts when Episode 2 draws a pretty explicit parallel between Julia and Ashley. Assuming that you interacted with Julia's landline and heard Ashley's voicemails, you know (and Andrew knows) that Ashley draws that connection herself:

DO YOU THINK YOU'RE BETTER THAN ME!? Just because you can fuck him and I can't? You think that's love?! Are you fucking delusional?? Cumdumpsters like you are just that. He will never love you. Not like he loves me. I am the only one. I am everything. I am the secrets you'll never hear. When he lies in bed at night, and when he needs someone to hold on to... It's not you he seeks out. It is me.

Episode 2, common route. Andrew's dream and vision implies that Andrew's heard these voicemails before.

That connection extends to the hair contact as well, as Andrew goes in to hug Julia, cards his hand through her hair and requests she tie her hair up.

Episode 2, common route. Andrew's dream and memory of Julia when they're older. From the use of Andrew's present-age portrait, suggests is closer to the timeline of the game's events than his and Ashley's memories as Andy and Leyley.

From this moment, we can have one of two assumptions: either Andrew wants Julia's (black) hair put up like Ashley's, or Ashley caught onto Andrew's hair kink and puts her hair up to imitate it.

Regardless, we infer the following:

Andrew teases affection through touching and even pulling on one's hair.

His fixation on ponytails and pulling on them does not exclude his own sister. It still stands and without reservation, perhaps more explicitly since he can do it so candidly, as we saw before.

The last of that Julia-Ashley parallel is self-contained within Episode 2. But only if you end up in the Burial route regardless of Ashley's platonic or incestuous vision.

Episode 2, common route (first picture) and Burial route (second picture). It's worth pointing out that Andrew is actually disinterested and moody during his conversation with Julia, and only perks up when he mentions Ashley or feigns care for Julia (since he extends his care of Ashley to her as well).

The game ends up drawing parallels on how Andrew treats Ashley, for better or for worse, with his ex (which is definitely worse, poor Julia). In doing so, the game blurs the lines between romantic affection for Julia and 'platonic and familial' affection for Ashley.

Y'all, this isn't even getting into how Andrew respectfully gives his parents space and only crowds them when he threatens them with his cleaver. In his mind, Ashley and Julia are in that same space of physical and romantic displays of affection; something he reserves only for them (only without reservation for Ashley) that does not extend to anyone else. His ex-girlfriend, and his sister. Shit's wild.

When it's obvious BUT it's violent!

That isn't to say that his hair fixation (hair kink?) is completely innocuous, though, as it rears its ugly head (pun unintended) in Decay. Which is what that previous pin was for! Yay!

You end up in the Decay route if Ashley doesn't trust Andrew with keeping an eye on their parents. Here, Ashley sleeps on their parents' bed by herself and has an alarming vision: an unknown party chases after her through the in-between and when they catch up to her, it's Andrew. Ashley has nowhere to run and Andrew eventually grabs her and threatens to kill her.

Whether or not Ashley can defend herself depends on Andrew expending all of her gun's ammo when he deals with the hitman, or not. But that outcome divergence will matter much, much later (so that's another pin for us to come back to).

The sequence of events actually mirrors the way the siblings ambush the Lady from Room 302 back in Episode 1. There, Andrew closes in on her and grabs the Lady by her wrist and uses his front to pin and restrain her. With his cleaver to her throat, the Lady is completely at his mercy.

Episode 1 & 2, common route (first picture) and Decay route (second, third, and fourth pictures). Note that Andrew restrains the Lady from Room 302 by the wrist while with Ashley, by her hair.

Andrew asserts control of the person and the situation through violence. Whether it's by killing them (the wardens) or by threatening physical violence (the Lady from Room 302 and Ashley). It's always on the table for him. As Leyleyfication puts it, "He's so calculated in how he approaches his use of violence [here]."

That violence includes Ashley. It's always on the table where Ashley's concerned. The game even juxtaposes when Andrew threatens violence and physical assault 'playfully' versus when he's seriously out for blood:

When you interact with the wall of call girls' numbers and Ashley jokes about leaving her number on the wall, Andrew 'jokingly' threatens to backhand her for even thinking about it.

When you interact with their parents' latched window for a second time, Andrew 'teases' slapping Ashley if she doesn't find a way to open it. (Ashley jokingly asks if it's on her ass or at her face, and assumes it must be the face when Andrew says she'll have to find out.)

The two other times that Andrew exerts violence against Ashley are both in Episode 1 & 2. We can remember when that happens in Episode 1, when Andrew's had it with Ashley's fits and threatens to kill her:

Episode 1, common route. Y'all, Andrew was choking her hard enough for his grip to bruise.

It happens again in Decay when he confronts Ashley about repeatedly calling him Andy and therefore, breaking the promise he coerced her into from Episode 1.

Episode 2, Decay route. Another thing to keep in mind is that Andrew's outburst is preceded by Ashley prodding him about his current state and insisting that Andrew was fine with 'Andy' during their home invasion.

In Episode 1, Andrew resorts to harming Ashley because he's fucking had it with her accusing him repeatedly of trying anything with the Lady from 302 and, in her eyes, his 'infidelity.' Where she accuses Andrew of not loving her enough that if his eye catches another girl, he'd leave her behind or flip on her. In Episode 2, she's poking and prodding on his boundaries on 'Andy' and whether or not, once again, he's with her on their now-committed life of joint crime.

If I can give another example, it happens in Andrew's common route memory of Nina's death and his blood oath with Leyley.

Episode 2, common route. Prior to this, Andy expresses immense exasperation at Leyley's tantrums over him 'thinking about that bitch again.' When he goes to grab the kitchen knife, cleans it, and returns to Leyley on his bed—he's briefly considering killing her.

Andrew threatens Ashley violently whenever he intends to confront her on her perceived brattiness, for lack of a better word. And keep Leyleyfication's essay segment on Ashley's insecurities and need for Andrew's validation in mind here—when Ashley does this, she wants and even needs Andrew to comfort her. But her aggression treads Andrew's patience and really, his tolerance of her behavior.

When Ashley's anger, clinging behavior, insecurities, and possessiveness of Andrew slips his control and tolerance, he resorts to violence to coerce or even dominate her.

I think (or hope, if it's clear enough) it reinforces what Leyleyfication points out:

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don't mean in the sense that I'm saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this.

It also reflects on another aspect of why Andrew resorts to violence: in all three situations, Andrew remarks on Ashley's behavior and her sake. If she acts up again once they're out of the apartment, it'll cause trouble for him while they're evading authorities. If she's going to call him Andy from hereon out, what's the point of running away with her. If she expects him to leverage keeping 'her secret,' he won't because it's for her sake.

Andrew rationalizes his attempt to control of Ashley's behavior as being for her sake. But really, isn't it him confining her behavior to something he can tolerate and personally handle?

I'd also like to point out that Andrew admits that he noticed Ashley push for calling him 'Andy' during the home invasion, and he did not argue with her on it while they held their parents hostage and readied to sacrifice them. We can infer that when Andrew calculates his use of violence, that can also factor when, where, and how he exerts it.

--

Well, that's where I can reasonably end this half of my word vomit! Now, onwards, to part 2!

[am-i-the-asshole-official]

AITA for 'outing' someone for writing inc*st?

I (20F) am in a moderately large fandom that got popular during the pandemic. Most of the fic for this fandom is gen and platonic pairings, which is a rarity and fantastic. One of the most popular creators in the fandom puts out a ton of gen fics that I really loved. Unfortunately, I learned after that they write fics on a different account, and not just any fics, but inc*st. I'm not talking about found family. These characters are literal brothers in canon. I can't believe anyone would ship them together, much less this person. I unfollowed them and now, whenever I see anyone talking about how much they love this creator, I inform them about the alt account and their ships. Ignorance may be bliss, but I felt awful when I found out and realized I'd been supporting them for so long and I don't want anyone else to feel that way. But someone replied to one of my comments calling me the asshole, telling me I was outing the creator, and to mind my own business. AITA?

What are these acronyms?

[fandomlovingtransgirl32]

Elsanna my beloved ship. For me I got into incest bc of pinecest like 10 years ago.

That's cool. Everyone has a different incest ship/ships that got them into shipping incest ships.

[izzyliker]

i’m not like an incest shipper (although like yeah me and 10k other people shipped wincest in 2013) but the more i see people absolutely losing their minds over the concept of fictional incest the more i laugh like come the fuck on now like this trope is quite literally hundreds of years old and we’re acting like it was invented by fanfiction writers. “richard siken condones incest” “ethel cain condones incest” you mean the artists who write about the rotten and the wretched and the unhealthy and the abusive enjoy digging into fictional relationships that are just that. have you lost your goddamned minds. do you ever read anything except for steven universe fanfiction. like could you handle a 12th grade english lit module on the god of small things.

[sweaters-and-vertigo]

when i see fanart of characters, who are family members, drawn That Way

[klingyklaus]

📢 📢 Somebody ask me abt my SamDean thoughts 📢 📢

[sexy-sapphic-sorcerer]

[author-chan06]

Top to Bottom, Left to Right:

Stancest: Stan Pines x Ford Pines (Gravity Falls)

Morningstarcest: Charlie Morningstar x Lucifer Morningstar (Hazbin Hotel)

Remrom: Remus Sanders x Roman Sanders (Sanders Sides)

Machan: Lochan x Maya (Forbidden by Tabitha Suzume)

Schuylercest: Eliza Schuyler x Angelica Schuyler x Peggy Schuyler (Hamilton the Musical)

Wincest: Sam Winchester x Dean Winchester (Supernatural)

Thorki: Loki Liesmith x Thor Odinson

Todocest: Dabi x Shoto Todoroki

NaruKushi: Naruto Uzumaki x Kushina Uzumaki

C137cest: Rick Sanchez x Morty Smith

I created a little shipcest meme that we were doing in the shipcest community (to join the community, write @litcest)

So if someone wants to fill in, go on, I'd love to see your ships ^^ Leaving blanks is allowed, if you can't think of a ship or choose between them

Avunculicest here used as any uncle or aunt/nibling ship