#in which i really really love the novel ok

[anglercrit]

I never was a fan of CherriSnake at all, mainly because the dynamic was just like the others: Fanservice.

None of these characters have the SPARK needed for me to ship them. I usually don't mind canon ships as I would with crackships. But I've recently gotten to the Demisexual Logic when it comes to shipping characters.

Like if a character has a few moments type deal. Or if it's a Dating Sim type deal where 3 integeral moments happen for me to consider "Hey, this is it. This is ENDGAME" but with Saint Repentious in Heaven (That was not an idea of mine, I wanna clarify his name was inspired by Journey of The Light and possibly others.) and Cherri in Hell. I don't think that CherriSnake is ever gonna be a thing.

It was just like Martha and Mayberry. Completely there just to go "There, you got your silly WLW relationship! Now shut up!" It feels like any remote relationships that doesn't consist of MLM or Gay is often the centerpoint of attention while the other letters of our rainbow is often sidelined for Men.

I mean, I myself is Orientated AroAce. The feeling of validation is wonderful! But the fact Viv does not give a damn other than to reuse plots from Yoai BL infuriates me.

This was not a main point of mine, as this is leading to an idea, I wanted to say my peace before introducing this.

I am working on a Hazbin Hotel Rewrite (It's commonly referred to as "Left To Rot" but the working title is Redeeming The Hotel AU or known as Hazbin: Rewritten.) currently, Sir Pentious is the main characters love interest (as with Husk) and the storyline is:

Main Character is not Charlie, as she eventually loses her "interest" in the Hotel, after being belittled, taking after her father.

This leads to the MC taking over as the actual owner/founder of the Hotel in her wake, attempting to try and help with regaining Charlie's hope.

The Hotel is called Happy Hotel, but as time went on, she refers it as Hazbin as she believes it was a space for "has beens" and not "want to bes"

So the way I had the MC know Sir Pentious was interacting as his "Guardian Angel" (Although at this rate, the MC was being created in the Angel Ethereal pool) she was his guardian angel. When she was left in Hell, and she meets with Sir Pentious he recognizes her which led to Husk getting jealous.

Poly, Husk x OC x Pentious?

ok I have a lot of thoughts here (dw all of them good) so I'll just bullet point this

I honestly REALLY like the dating sim approach- I feel like cherrisnake COULD have worked, I like the idea of pent trying to seem cool to impress her but it really did feel fanservicey. And Cherri being in Hell and Pentious in heaven has some angst potential but I doubt it'll be explored.

even as someone who admittedly enjoys some trashy gay romance novels, yea the way viv handles her gay relationships frustrates me. It's probably because she hypes up how good the gay rep will be and then just recycles Hayes code era stereotypes.

your rewrite seems neat! I like the idea of someone else trying to reignite that hope in Charlie- honestly instead of the war against heaven the season 1 finale being Charlie beginning to lose hope and the hotel gang working to convince her that a sinner COULD be redeemed would be a sweet moment. Also I'm all for poly relationships so hell yea

[pharawee]

As it turns out, I unfortunately don't have the time to both gif I Feel You Linger in the Air and write commentary (also, it kind of feels like cheating since I've read the novel and know what's going to happen. I've read some of my mutuals' theories but joining in on the conversation kind of feels like ruining people's fun 😔).

That being said, I love the novel not just as a BL novel but as a beautifully written and crafted (and translated - it comes with so many footnotes!) story in general. Definitely check out the official translation if you like IFYLITA and want to support its writer. It's well worth the money.

I've written before that I was very curious about how the series would approach the way the novel almost treats the past as its own character. Descriptions of history and culture and architecture (and language but unfortunately some of that gets lost in translation by necessity) are so vivid and colourful, and it's such a big part of why I love the novel so much.

You'd need a huge budget (and lots of cgi) to translate this attention to detail into visual form - to the point where it would probably detract from the story itself - but IFYLITA found such an amazing workaround that adds so much depth and colour to the narrative: instead of relying on the environment to tell a story about the past it concentrates on the characters itself.

And tbh at first I was a bit irritated by the large cast of secondary characters (most of which exist only at the very fringes of the story in the novel) because I thought it would take away from Jom and Yai's story. There's an episode early on where 20+ minutes pass without either of them appearing or being talked about.

Only, the story as it exists in the series would simply not have the same impact without Ming and his aging mother, or Fongkaew's tragic backstory, or Prik's family background, or Ueangphhueng and Mei's quiet love story, or the sympathy the series extends towards characters like Khamsaen and James (Robert can get f'ed in both the novel and the series though). It's the intricacy of their relationships and social standing that paints a picture that's just as vivid and vital as Jom's observations of the past in the novel - and I love that. It's such a natural, visual way of storytelling and it complements the novel incredibly well. It's like the novel offers an inside look through Jom's perspective, and the series provides an outside look through showing the characters and their lives.

There's so many other things I'd love to write about eventually (like how the series portraits Yai when in the book we almost always view him through Jom's eyes, or how the series visualises the mystery and horror of Jom's time travel, or how both novel and series treat karma) but giffing comes first because silly moving images is what I'm here for. 🙏

[thepersonperson]

I can’t believe we got an infodump on simple domains AGAIN over a Sukuna backstory.

More complaining under the cut.

Usually I am one to give Gege the benefit of the doubt and will read heavily into what little information we are given. But I can't defend this chapter themes or character wise.

Even if this turns out to be a fakeout, going in painstaking detail over a show-not-tell battle in a way that lacks characterization and heartfelt emotion sucks to read. Even if the new shadow style and simple domain debacle goes somewhere, having it the main focus after an extremely traumatic battle instead of characters processing their emotions sucks to read. Even if Gojo is alive and that's why they're this chipper, everyone ignoring his sacrifice and efforts along with Choso's sucks to read.

I'm happy Yuta and Higuruma are alive but why was their revival off-screened? Yuta was so defensive over Gojo and everyone treating him like an object just 8 chapters ago. What happened to that? Why is everyone treating this battle like it was no big deal? (Also why the fudge did Kusakabe tell Yuji, a 15 year old, to his face he should've been killed while disparaging Gojo for protecting the life of a child???)

After the Shibuya Incident, there was a whole segment dedicated to how this affected the average person. The Culling Games ended and there are still bloodthirsty freaks running around. What happened to them? Is Angel hunting them down and that's why Hana is missing? Infodumping on anything except the battle would've been better.

I doubt we'll get any more info on Sukuna, Kenjaku, and Tengen at this point. We'll be lucky if there's a funeral for even Geto's body. Shoko was absent this entire chapter which makes me thing she's still trying to save Gojo or she's preparing their bodies for a funeral.

Anyways. This is the worst JJK chapter for me hands down. My hopes for the final 2 are mostly dashed. Crunch and poor working conditions really do ruin art my goodness.

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[youngpettyqueen]

Julian and Odo should've had more what I like to call "my autism to your autism" moments

[sillyfudgemonkeys]

Still wild to me that the Avatar team saw a guy write a love story between a stick and a monkey and were like "This is the guy who we need to write Rangshi and Yangvik" and then he ended up making two of the best couples in all of the Avatar-verse TT0TT

[illarian-rambling]

Damn, what if I reworked Starbreaker to be exclusively in Anarac's pov instead of trying to balance 5 new povs in one book?

Thoughts?

[wolfhednn]

　𝐚 𝐬𝐜𝐚𝐫 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐝𝐞𝐩𝐚𝐫𝐭𝐞𝐝 　/　drabble ₊

growing up, he'd never been made to feel the lesser of the sons of fraldarius. often, he'd wondered if it was all in his head.

he couldn't be said to have received any less attention. though his memories of his mother are sparing, their father had been equally rigorous with them both. their education had been equally complete. their training equally emphasized. it made sense——the name fraldarius wasn't a small one, or easy to live up to. the arm that filled the king's shield, young or old, needed to be strong, peerless, unflinching.

he couldn't be said to have received any less love. as the youngest of their entourage, many would've said he'd had anything but.

maybe it had only been in his head.

maybe it was him who saw glenn's skill in both lance and sword when he just wanted to exceed him in the blade.

maybe it was him who noticed how glenn cast with their father's talent in the goddess' magic when he showed no interest in those lessons.

"you're too narrowminded, felix," his father told him. his tutors told him. his mentor told him. "what happens if you're disarmed? your sword gets taken?" they proceeded then to do just that——schwing!——sunlight glinting sharply off steel as it sailed tip over hilt to clatter to the ground, leaving him defenseless at his enemy's lancepoint. at the other end of it was any number of those who'd built him and honed his skill, made him who he was today.

. . .

like he said, his father was like that too. skilled in faith magic, that is.

they say that magic came to him before the lance did, even before riding did. that when he was a boy, he used to struggle to match his peers in steel, and would be mocked and laughed at: what kind of king's shield can't even land a javelin! but that he made up for it in the strength of the goddess' smite that would silence them.

glenn, too, harnessed the same terrifying aurora that spilled from rodrigue's deft hand: a roar of brilliant light, the memory of dark waves bloodstreaked from horseback burned into a foe's eyes, more than enough to make repentence of apostasy.

for his father, it'd been faith in the goddess. his brother, faith in his loved ones.

in turn, felix had never sought out magic, never felt or welcomed its spark. his father said nothing——even after glenn had died, he said nothing, for all that he said to him at all at the time. and with glenn's death had died the last of any desire he might've had to pursue it: to better match him maybe, or live up to some imagined expectation ; to please his father maybe, or shirk off the voices saying he was too stubborn. instead, the blade was where he found himself, the same where he had always found himself. the blade was where he found his brother, and the pieces of everything he'd once held sacred. and so there he'd stayed.

until——

until. . .

a drop of ink disturbs clear water. someone tells him: magic will make you a stronger swordsman.

it's an echo of the voices from the past. "you're too narrowminded, felix" chases him forward in time like a hydra, grabbing him again in these cloistered, dust-smote halls where they'd never walked and had never seen him. his expression sours at first, and he swears, he swears. . .

but this time, he listens——because the voice that has chased him is none other than glenn's. airy and teasing, always flippant, who used to say to everyone else: "lay off him. he'll pick it up or he won't." now he says:

give it a try, felix.

give it a try, felix.

so felix finds, with enough time, that his faith is the faith that splits like lightning. born not from the goddess, nor in the belief that in memory he will never die, but something else. some third thing he doesn't know, but which howls and thrashes and bites even him, which would claim his life if he wasn't strong enough. and it feels like him. it feels like him like the blade feels like him, an extension of something he lives by and vouches for.

after all, thunder isn't too far off from faith: a flash of light, a smoldering crater, a scar for the departed.

　 FELIX has mastered:⠀ dread fighter.

[tacosaysroar]

I almost didn’t catch this one @busylivinnow!

Again, I could put SO many things on this list, but I’m going to limit myself to books that made a big impression or that I’ve continued to think about over the years.

1) Great Expectations, Charles Dickens. I’ve read it at least four times and I’ve seen most of the movie adaptations (which never measure up). There’s just something about Pip, so desperate to be loved and accepted and going about it in exactly the wrong way. (Also, come on. Miss Havisham and her super toxic influence on Estella is so compelling.)

2) The Long Walk, Stephen King (originally under Richard Bachman). This one I’ve read at least a dozen times. At least. It’s very reminiscent of Shirley Jackson’s “The Lottery,” but we get a much longer, much slower descent into the consequences of that sort of system. It’s so beautifully and horribly accomplished. I don’t think I’ve ever managed to read it without crying.

3) The Things They Carried, Tim O’Brien. This is a collection of short stories about the Vietnam War, based on his own experiences. (One of several, I think. He had lots to say on this subject.) The Vietnam War is one of those historic events I find so perplexingly awful. The fact that you could sit in front of the news at night with your family waiting to see if your birthday (or your brother’s or your boyfriend’s) was called. That we sent sweet, 18-year-old boys with no life experience to die or be traumatized against their will. That’s so dark and dystopian.

4) The Road, Cormac McCarthy. Speaking of dark and dystopian, this post-apocalyptic quest story crosses my mind often. There’s a scene where he finds a coke while scavenging and lets the boy have it. Because he’s never had one before and likely never will again. Not an uncommon idea for that genre, but the execution was very good and the language of the book is highly stylized, almost like a very long poem. That scene comes back to me sometimes.

5) City of Girls, Elizabeth Gilbert. It’s got 1940s fashion, sex, the New York theater scene, and the very smart, dry humor Elizabeth Gilbert is SO good at. I’ve read this one twice so far, but I’m sure I’ll read it again.

[todayisafridaynight]

At which point did you realise that the plot of IW is ass? I've seen people complain only about the ending or the halfway point where the teams separate, while I was already actively rolling my eyes like four-five chapters in

i think the moment i fully accepted that IW's story was. Definitely A Story was the moment ebina announced 'bleach japan'. like i think leading up to that point i was thinking to myself 'oh i hope i see X happen' or being like 'i wonder where this is going' and that sort but the proverbial bucket of ice was definitely that moment

[dinosaur-mayonnaise]

asagiri is very glad he’s not on this app bc if he was i would track him down and send him a million asks begging for a fukufuku light novel.

[namazunomegami]

“Kindly consider the question: what would your good do if evil did not exist, and what would the earth look like if shadows disappeared from it? Shadows are cast by objects and people. Here is the shadow of my sword. Trees and living beings also have shadows. Do you want to skin the whole earth, tearing all the trees and living things off it, because of your fantasy of enjoying bare light? You’re a fool.” - The Master and Margarita

[mermaidsirennikita]

gatekeeping the Lyonesse series from readers "rooting" for one "couple" over the other

[the-busy-ghost]

“Ok so the other bookshelf hasn’t arrived yet but why don’t I start organising my books, it will be a fun activity and useful!”

What nobody tells you about said fun activity is that you have to make Choices about how to organise and it’s all very confusing

[woolydemon]

my uncoordinated ass playing video games: wow my hand eye coordination is so bad for playing video games

[squintsintwink]

I love posting gallery builds bc I get to make silly descriptions about the most simple beach in the history of sims 4 beach builds