#in order of their involvement with the series

[tubbytarchia]

Ngl I kinda hate it when you talk about lizzie cause you always talk about this version of her and the fandom that's so utterly foreign to me as a lizzie fan, it always feels like a damned if you do damned if you don't scenario where she isn't allowed to interact with men and ignoring all the depth of her character in order to overanalyze specific events or headcanons in a vacuum and then saying it's ignoring her character and misogyny, as well as ignoring the irl misogyny that shapes the cc's choices for their c's. Big sister and protector is a title she bestowed upon herself and it should neither be dismissed as "just that one time " (because so much of everyone else's characterization is based on things that were "that one time" and it is also something both her and jimmy choose to quite fondly call back to) nor incongruent with her character at someone who loves a good "i meant to do that" and self-agrandizing herself. It feels more like you have to ignore several years worth of both hers and jimmy's story and characterization and also the more problematic realities of the situation (such as it being lizzies second season, while it had been jimmy's 5th season of an incredbly prominent ongoing plot point, and that lizzie's external interactions of note were, outside of our power and for various reasons, primarily with men, among other things) to boil the whole situation down to its most barest of bones of "people make lizzies death about jimmy". Which I find an untrue twisting of the actual concept most of the time but acknowledge it is sometimes simplified to, and there are aspects of misogyny in lizzie's portrayal, but you frame it in a way as if the concept itself is inherently misogynistic and purely a fandom issue. The fact is that no matter who it was, the first first death that wasnt jimmy was always going to be a bit about jimmy, there is no avoiding it and no seasonal plot that was going to overcome that fact, and lizzie is a good friend whos become his sister who explicitely had a plot about wanting and failing to protect him, who had a significant interaction with him not long prior where he killed her accidentally, and died while specifically targetting a man who was both jimmys tormenter and joels rival whom she randomly selected to be her target, and died due to a tripping failure which has already been previously interpretted in the past as being tied to fate, and the in game reactions being cpnfusion, happy/shocked jimmy managed to not be out first, and swearing to avenge her death. You'd be hard pressed to believe these things wouldn't be still true and play out the same if she was a different gender, and most of them would still happen even if she was an entirely different player. Nevermind the copious different interpretations that fall within the framing of it as a seablings moment, from wanting to give an accidental death more meaning and connecting dots (because thats most of what fandom does with an ad libbed story like the life series to begin with), to simply enjoying the poetic irony of both seablings being the first out, lizzie showing her true cringfail colours now that shes returned to the series, to tying it into the fact that yes she didn't do it onl purpose, but she absolutely would tell people and even herself that she did just to retain her dignity in the same way a cat who missed a toy stops chasing it and starts grooming themselves like they never meant to go after it in the first place.

And also, like, you ARE a Jimmy person also, so I'm not surprised you primarily interacted with stuff that involved Jimmy. As a Lizzie fan I saw plenty that was to do primarily with Lizzie, and yeah there was a significant amount that involved Jimmy. I didn't see any one of the people who complained about that fact actually go on to make works without Jimmy. I did see other Lizzie fans before and after making such works, and the works that did involve Jimmy being works with deapth and love for their specific relationship, stories, and personalities. I saw plenty of people who hadn't watched Lizzie at all suddenly become interested and retroactively watch her series, and of course the works the made before doing so weren't centred on her, because they were coming from different povs and didn't know as much, and their works after became more in-depth and come out the gate swinging during wild life where she stole the spotlight for much of the season.

I don't know as much about Pearl and Gem's fandoms. But I do know that Pearl is frequently treated as a wet cat and a little crazy, but also she loves playing particular characters like postwoman and cleaning lady that specifically utilize their responsibility to enact chaos through malicious compliance. And Gem takes open pride at being smarter and less ridiculous than everyone else even while actively doing the same things as them, she loves going "youre crazy!... I'm in." And she's pulled a "stupid boys" move several times. Which is to say, whether you consider it a product of misogyny or not, it is an aspect of their characters, they don't live in a cultural vacuum and by the nature of the series where they are only partly roleplaying and each character exists within the framework of their cc's biases, you cannot just analyze their actions like its a typical narrative with a single author you can point to and say they poorly write women. And you cannot blame fandom when these aspects of their character are represented, and while some do do so to the exclusion of the rest, 5am Pearl is the only life series plushie for a reason. Nevermind the difficulties of analyzing what people an fandom think of characters based off of the popularity of certain art and umbrella narrative concepts from fanwork posted excitedly in the moment without going to each individual and asking them what their full thoughts are on a character assuming they have the ability to articulate their opinions and thoughts properly. I'm sure those people who complained about Lizzie's death being tied to Jimmy had a LOT of thoughts about Lizzie, but as I said none of them actually bore fruit in the form of fanworks. Most people do not have time or ability to convey complex ideas, what you see at any given time when searching through fanart and short text posts in particular are the most resonant, dramatic, small thoughts and moments that touched something in someone enpugh to inspire.

That is to say, as a Lizzie fan, one of the reasons I love her is the exact trits that lead to her choosing to become Jimmy's big sister in empires 1 in the way that she does. Her paper thin often facade of respectability and dignity, her failures despite it, her talent for mixing drama and comedy, her ability make up stories that often agrandize herself, her instant chemistry with most anyone, her ditziness and distractedness, her ability confidently declare facts even when theyre completely false, her ability to tie coincidences together into a coherent story. And absolutely all these things are also relevant to why I and others find framing her secret life death in a seablings light to be compelling. Personally, for me, I love that her death connects her to others when her time in secret life was so lonely. It can be bother angsty and, because these games don't end at the persons death, comforting and sweet. And I don't know anyone who was compelled by the potential character connection who wasn't also compelled and even directly spurred on by her as an individual. To boil it down to "she died for a man's story" is both untrue and removing it from its context, the especially when half the context is 2 narratives Lizzie herself crafted for herself and the result was something she herself enjoed enough to play into to craft a 3rd narrative in the next series.

Anyways... I know this won't change your mind. I don't expect it to. I'm just so tired of shallow takes and people who aren't even Lizzie fans talking about Lizzie's narrative through the context of the small snippet of what they see from other non-Lizzie fans based off immediate gut reactions that often stifle the way people talk about the women in this series to ironically complain about how people talk about women in this series. The feminist analysis in this fandom feels so... shallow. Like it begins and ends with the bechdel test as applied to more conventional works of fiction. Big sister bad, women interact primarily with men bad, people see women as responsible because misogyny. No further depth or context despite the endless paragraphs dedicated to these ideas, especially once theyre disseminated out to use against other fans to tell them theyre creating fanworks wrong.

Because of how politely this is written, it took me a few rereads and external evaluation, but I recognize that you're criticizing me for the things I criticize. All your ask really boils down to, is defending fandom practises that I criticize because I disagree with them. Like that of making Lizzie out to be a one-note character. You make good points, you speak the truth. The fandom IS like this. And that's why I criticize it. Because I don't like it. You're absolutely right that you haven't changed my mind

People are allowed to have their fun, I do not police people. I do not maintag my opinions 90% of the time. I'm allowed to voice my disagreements. You pointed out that a lot of fandom goers just don't care to dwell deeper into characters, that's fine. But I do

I think it says something when you have to make Lizzie's character about a relationship that was canon in ESMP1 and bears little to no actual presence elsewhere like the Life series. I don't care whether people headcanon her and Jimmy as siblings even in traffic, the issue is that she gets little to no characterization outside of that in SL, a series in which their only notable interaction was Jimmy killing her. Lizzie deserves an identity outside of "choosing to be Jimmy's sister". (She'd also gone out of her way to try and kill Scott because of Joel, it wasn't random.) And this type of treatment is detrimental to Jimmy too. Just as the misogyny in the fandom is always detrimental to the men also. Quoting one of my evaluation friends: "They aren't inherently wrong, you cant detach the men from the story and have it be the same but also to take an already interesting moment and story beat and just start piling unnecessary 'sibling' stuff onto it kind of ruins the drama and tragedy of the death itself"

Of course women can have meaningful connections with the men. It's not bad or misogynistic. I talk about Pearl and Scott's dynamic constantly and have never seen nor received a complaint about Pearl's character being made to be all about a man. Think about the relevance between those two vs Jimmy and Lizzie in the Life series

I talk about Lizzie frequently because I like and care about her character. I'm not saying that the people I disagree with don't. Clearly you care a lot too. The sentiment that people are just creating based on something that left a big enough impact on them to inspire, eg Lizzie's SL death, is very fair, but I can still disagree with it. I mourn that more people don't take that newfound interest to indulge in Lizzie's POV more, and that because of people's tendency to absorb characterization from the fandom to feed back into itself, that's all a lot of them know and care to learn about ("Lizzie taking a bullet for Jimmy" and all) and how so many characters (not just the women) in my opinion end up being absurdly one-note in their analysis and opinion pieces for being players in a death game (+ the practise of often shunning people who dare touch upon anything less desirable or popular in their analysis like abuse)

If it were a guy in Lizzie's shoes, characterized the same way that I disagree with - I would still disagree with it

I've explained it before but no, it's not misogynistic to credit the women for their successes, to point out when they're smart or protective. I see it as misogynistic when women exclusively are being accredited to successes that are not exclusive to them constantly to label them as the leaders of their groups, labelling them motherly or big sisterly solely because they're thought to be better than their male counterparts, viewing all the women as the best players specifically, etc

Lizzie's death was always going to be tied to Jimmy, yes, by the fandom, and I just don't like that personally. I don't want to resign myself to something because it "was going to happen anyway". I don't want to resign myself to approving of what little Lizzie gets in the way of the fandom because it's better than getting nothing. I shouldn't have to settle for more canary analogies than actual Lizzie centric content that barely exists. And I mean actual Lizzie centric content, I haven't seen any uptick of it that you speak of. That's all any of this really comes down to. You and I might both be avid fans of Lizzie's character but we're gonna have to disagree

[randomfoggytiger]

The X-Files: A Day-in-the-Life On-Set

An extract from this (very long) 1995 Chris Carter post.

CRUSHING TIMELINES AND ULTIMATE FREEDOM

…The Los Angeles office, housed in its own bungalow, is nicely appointed but relatively spare. 

The [Los Angeles] office itself is bustling this particularly morning, as writers move in and out--- occasionally invading the space of researcher/officer manager Mary Astadourian, where various drawers full of research material are kept. In there, the scribes will find literature on the paranormal, diseases, viruses, and various monsters, with folders that carry labels like “Roswell” or “Loch Ness.” 

…Part of the morning is devoted to the regularly scheduled writers’ meeting, with the entire staff… assembling to go over that week’s script, blocking out the teaser and all four acts….

The other writers question each nuance, throwing out suggestions to refine the story and make sure it’s clear…. Despite the need for exposition, Carter also stresses not letting the pace drag, wanting to spread action within the hour (or more precisely, 44 minutes or so minus commercials) allotted them. “Make sure you keep it hoppin’,” he says. 

…Eventually, it’s suggested they shift some action from the second act into the first in order to achieve the proper sense of pacing. The move requires some reconfiguration of other plot elements, but once those are blocked out the producer and other writers seem content. “That works for me,” says Carter, sending the show’s writer off to do another rewrite. 

Carter’s daily schedule, however, is just beginning. The writers’ session is followed by what’s known as a concept meeting-- a teleconference with the staff in Vancouver to grapple with various production issues before the begin filming a new episode…. 

Other issues involve the number of extras they can use….

Because money is always an issue, and time a luxury the crew usually doesn’t have, compromise and ingenuity remain key….

The producers also pride themselves on finding means of scavenging resources, then developing different ways to capitalize upon them. A prime case involves the crew getting access to a Canadian Navy destroyer that was then used in three different episodes, including “Dod Kalm”... and “End Game”.... “It’s fun,” Carter says, “to make something out of nothing.” 

Episodes must be plotted down to the most minute details-- in part because Carter is a perfectionist, and in part because the show is under a microscope now, with fans picking and nitpicking every conceivable aspect. Issues raised include what sort of garb Native Americans depicted should wear, with an emphasis on being as faithful as possible to tribal customs. (A Navajo group has complained because a character wore his hair down, something the elders in that tribe wouldn’t normally do, in the episode entitled “Anasazi.” Carter subsequently visited a Navajo reservation and attended one of their ceremonies.) 

From a more practical standpoint, the Vancouver team wants to know whether they can wardrobe the actors in blue jeans because some postproduction special effects shots use blue-screen, which essentially eliminates that color. 

The L.A. staffers are also assured that a shoot-out sequence will be top-notch, with bullet hits and ricochets plus a movie-style car explosion. Can it be done? “The answer’s yes… with disclaimers,” quips Beck good-naturedly adding, “One big disclaimer: How much money you got?” 

…The crew clearly takes enormous pride in the series, which presents them with such challenges on almost a daily basis and allows them to put their skills to the fullest possible use. Some freely admit, in fact, that they’ve been spoiled by their involvement with "The X-Files" and would have a hard time working elsewhere. “They’d have to drag me kicking and screaming off this show,” Gauthier says. 

The same goes for makeup special effects supervisor Toby Lindala…. Still, Lindala has proven up to most any task, with the Flukeman-- a costume his crew created in 10 days that had to weather water and other shooting ordeals-- still his proudest accomplishment. “That was probably the most insane undertaking for a time period,” says Lindala, who worked a 28-and 28-hour day during that stretch to get the suit ready in time. Even so, Lindala grew up watching monster movies and isn’t complaining, relishing the opportunities the show has provided to fool around with such projects. “I love making ‘em,” he says. 

Goodwin, a veteran producer who has worked on such series as "Life Goes On" and "Mancuso FBI", now tries to provide more lead time to prepare such major undertakings, but in most instances Lindala and his team (four people, including Lindala, work full time in that area) have just seven days’ notice to put a makeup effect together, and his services are needed in virtually every episode. 

…Careful planning remains the main hedge against both cost and time crunches, with Goodwin pointing out that in television time essentially translates directly into money. “The quicker you have to do it, the more it costs,” he says, adding that while some in the industry are tempted to cut corners, “My motto is, ‘Quality, whether they want it or not.’” 

…Kim Manners, also one of the show’s pool of directors, lauds Carter for treating each installment like a mini-movie. The process gives the individual directors-- who in episodic television, which is dominated by executive producers, are often viewed as transient guns for hire-- the opportunity to truly ply their trade. “He insists that you go out and be a filmmaker,” Manners says. “He doesn’t want you just go out and be a traffic cop.” Because of that freedom, he adds, the show is “the zenith of my career.” 

…Unlike most television shows that shoot on location, on "The X-Files" whoever scripted that particular episode goes to Vancouver to scout out locations and do other preparatory work. “To make sure,” as story editor Frank Spotnitz puts it, “everything is in sync with what the writer had in mind,” from casting to production design. In the cryptic vernacular of the show, the process stems from commitment to “purity control.” 

…For the episode in question, that means co-executive producer Howard Gordon, the only member of the writing staff other than creator Chris Carter who has been with the show virtually since the beginning, has made the sojourn to Vancouver. “As a writer, you don’t get that experience on any other show,” says Gordon. 

…Other matters have also arisen, some remarkable in their degree of minutia. Gordon’s script for the episode being prepared, for example, contains a seemingly innocuous reference to being “in the mood for some Quarter Pounders,” and Fox’s legal department wants them to clear the wording with McDonald’s…. “That’s a great line,” says an only slightly exasperated Manners…. Hours later, it’s decided to change to a more generic term rather than hassle the legal issue. 

…A later shot involves disposing of the [dead] cow, and Gordon-- a city kid from New York-- has actually researched the matter…. …But in light of McDonald’s headache, Carter has another suggestion. “How ‘bout if we just have a truck with golden arches on the side?” he jokes, spurring laughs from everyone in the room. 

…The attention to detail, again, proves remarkable, driven by Carter’s commitment to perfection. 

The entire process involved in shooting an episode of "The X-Files", from the first day of preparation to the last day of postproduction, usually takes six to eight weeks, with the seven days of preparation key to ensuring that the eight days of production that follow go smoothly-- though even the enormous effort that goes into planning can never account for every detail that can delay filming and raise blood pressure rates all around. In the middle of the season, as time grows shorter, there’s occasionally been as little as five weeks from prep to air. 

Just two days before shooting is to begin, Manners, Gordon, Carter, and co-executive producer R.W. Goodwin cram into a small audition room, where they’re scheduled to see more than 20 actors in just over an hour….

Manners, Gordon, and about 15 crew members, including special effects ace Dave Gauthier, production designer Graeme Murray, and others from various departments, later embark on a technical survey. They pile into an air-conditioned bus to scout out all the locations that will be involved in the upcoming shoot, usually a six-to-eight hour pilgrimage. “And this is the easy part,” laughs set decorator Shirley Inget. 

Carter follows the group to the door but has too much work at the office to come along. “I’m gonna miss this one, you guys,” he tells them, which is met with a collective “Aw” from the bus. 

…The bunch straggles back to the studio around 7:30 P.M., almost eight hours after their departure. On a near-by soundstage, meanwhile, Bowman is directing stars David Duchovny and Gillian Anderson, trying to keep the level of enthusiasm up with another long night of work to do. Shooting is frequently a tedious process, with long lapses between the action as shots are set up. The two stars carry out an emotional scene in front of an elevator that isn’t really an elevator, with a crew member behind the soundstage wall sliding a wooden door closed to approximate the effect. “I love it!” Bowman proclaims as the scene ends, watching the shot through a monitor and lauding his star as “One-take Duchovny.” 

Outside, Anderson’s baby, Piper… plays with various staff members as well as her father, assistant art director Clyde Klotz, who’s just returned from the technical survey. Piper shows off her mother’s piercing eyes and frolics later with Duchovny’s dog, Blue (his constant companion on the set), both seemingly fascinated with and a bit perplexed by the other. "The X-Files" is, indeed, a family affair, underscored when Goodwin brings his 10-year-old son and a friend into the production office the next morning, the latter collecting autographs from everyone on that week’s script. 

A short time later Duchovny and Anderson arrive, enjoying a few quiet moments while Piper plays nearby in a small red tub, watched carefully by her nanny. …Though he isn’t shooting that day, actor Mitch Pileggi (who seems to create quite a stir among the female office staff) also pops by to look over dailies, or raw footage, of a fight sequence featuring him shot earlier in the week.  

…Bowman has to deal with five actors (Anderson, Duchovny, and Gunmen Dean Haglund, Bruce Harwood, and Braidwood) in a relatively confined space, so the staging will be critical. After Bowman aligns them one way, Duchovny suggests an alternative in handling the shot, and various configurations are tried. As they begin rehearsing, everyone still seems a bit punchy, and the mood is light. Haglund keeps wanting to call a Nazi scientist “Kempler” instead of “Klemper”, and Duchovny has a hard time not laughing each time Braidwood (who comes up roughly to the actor’s chin) approaches him, with Frohike supposed to act relieved to see Mulder alive after the events that closed the second season. “Did you ever see the Star Trek where Spock thought that Kirk died?” Duchovny tells him with his trademark deadpan delivery. ‘That’s what you want to be doing.” 

Production ultimately won’t conclude until near 2 A.M. that morning…. 

[tremendouskoalachild]

happy pride month to queer high republic authors!!

Cavan Scott (he/him/they/them) - author of The Rising Storm, Path of Vengeance, The High Republic comic, The Monster of Temple Peak, Saber for Hire, Tempest Runner

Justina Ireland (she/they) - author of A Test of Courage, Out of the Shadows, Mission to Disaster, co-author of The Edge of Balance Vol. 1, Path of Deceit and Defy the Storm

Tessa Gratton (she/he/they) - author of Quest for Planet X, Temptation of the Force, co-author of Path of Deceit and Defy the Storm

Alyssa Wong (they/them) - co-author of Escape from Valo, author of short story Rogue Element

Vita Ayala (they/them) - co-author of Galactic Bake-Off Spectacular

[ty-bayonet-betteridge]

i just HAD to say "worm life series au" and now my brain is spinning

this is gonna distract me from current ongoing fics i just KNOW IT

[secriden]

Dear THK viewers who understand Thai:

I was wondering if anyone has/would be willing to translate the bits we can see of the page that was attached to the pictures of Fadel and Bison's parents? Does it give us any added insight?

[randomnameless]

tbh, I stopped caring about houses that much when I found out that it's an otome/dating sim game with srpg gameplay sprinkled on top. In other FE games, you either gather supports by pair ups or by having units standing against one another. And mechanics like cooking in Fates were done to get some more stat boosts. And even if the avatarization of the game started with New Mystery, Robin and Corrin feel more like customizable characters than an avatar for the player.

In houses, Byleth is like every typical dating sim protag, that does not speak and the few times they do is by having the player choose options that may raise heart points with a character or lower them, you have to find lost items and when you give them back you gain heart points, you have to give them gifts to gain heart points and cooking now doesn't give you any beneficts in battle and only works for, you've guessed it, getting heart points. And let's not kid ourselves, tea time is like the "dates" in otome games, in which you can spam gifts till you raise the affection to the max. The only thing that distincts those points from the otome ones, is that those are necessary for proficency and for unit classes.

Heck, we even have a ring to give to the chosen blorbo in order to get a special custom made cutscene, when in pasts games getting an S support gave you a broken unit to deploy and a little blurb of text during the credits. And of course, calendar/day systems are also common in these tipes of games too.

People complained about awakening and fates for turning the franchise into a dating sim, but 3Houses is literally one in and of itself, and yet is praised as peack FE experience and as peack srpg.

(I could also argue that is because of this otome nature why the characters are "tell don't show" with their given trauma, unlike in pasts games when it was "show don't tell" (Nino, Reison, Camilla, Leif, Soren...))

Well,

When you put it like that, it becomes obvious that the other games (FEH, Engage) mentionning Fodlan are stuck on the uwu monastery part of the part 1 and not the, y'know, events happening that will lead to part 2 because as you said, the SRPG aspect is just "sprinkled on top" lol

However, the "pair up your units and build their relationships!" has been a non gameplay mechanics for decades now (FE4's was a gameplay mechanic, it had no support convos - FE6 added the support convos and gave a small gameplay boost but it didn't commit and we had no endings, FE7/8 had endings, FE9 had convos but FE10 removed them and yet had endings depending on the pairs, etc etc) even without avatars.

Then we entered the avatar era and if it added the "my waifu and my bae" shenanigans, FE13/14 were still more centered on the story aspect that on the "dating sim" aspect, as in, even if you could raise affinity with a character by doing X or Y, it wasn't really coded in a minigame - came FE16 which you analysed perfectly : tea time, gifts, eating, S-support CG, etc etc.

That being said, FE is a RPG, meaning it has characters : you play FE for the solid gameplay but you also build characters, and imo the best way to develop and write characters is to interconnect them with other characters, and/or with the plot/lore.

Sure, Arden functions as a wall/tank. But through the 5 lines he has, you learn that he is part of a group of knights, has friends who often tease him but is relied upon by those people and takes pride in that, he'd also like to find a wife someday and has self-esteem issues.

Is he as developped as, say, Xillia's Alvin? Hell no! But they're characters from two different genres, Arden has those 5 lines that puts him above any "generic" armor.

(I find it interesting how UO and in a way, FE11, gives you the opportunity to play with generics instead of playing with named characters, in UO generics will turn out to be better since you can change their growths, but they're generics. Do you want the RPG of the Tactics/Strategy aspect?)

So, I'd say that support conversations are important, I love Saias and Ralf to bits, but I'm sure I'd love them more if they had more lines. And since support through battle can be a chore (hello FE GBA and trying to get Bartre and Karla's supports when she joins 2 chapters before the end!), I initially welcome any way to grind those supports faster lol.

However, it can quickly spiral in, well, the otome mechanics we have in FE16 - if you want to build support then why not have an entire mini-game for that, and meals and chorals and whatever else?

It's all about finding balance between developping your characters without turning your game in a dating sim or what I'd call "playing the sims and pairing those dolls with those other dolls you like".

Still, let's not kid ourselves, nowadays the "dating sim" aspect of the series is, while decried by some, very popular - and FE is first and foremost, a series that has to sell.

3H is not peak SRPG not peak gaming experience or even in FE gameplay that'd be FE5 but I can't ignore the fact that its dating sim aspects might be part of the reason why it's still very popular.

[mumblesplash]

season 9 has been amazing but i’m kinda excited to be around for the beginning of a hermitcraft season, they were well into the empires crossover arc when i started watching double life (which was pretty much my introduction to mcyt in general) so this is gonna be my first time actually being around for the early game

[bluevelvt]

when people think anakin wouldnt have turned to the dark side if qui-gon trained him im just ?????

YOU THINK THAT WOULD HAVE STOPPED PALPATINE???

i mean qui-gon took anakin to be trained cause he thinks anakin is the chosen one or this is at least a major reason why and like??? PALPATINE WOULD HAVE JUST PIVOTED LIKE

"it's such a shame my boy that the council and even your master only see you as the chosen one and not your own person"

"i hope that they trust you as a jedi and not just part of a prophecy"

"i fear that qui gon only wants you as the chosen one and if you weren't, you would never have left tatooine"

LIKE PALPATINE WOULD HAVE DONE THAT! HE ENGINEERED A WHOLE WAR JUST TO TAKE POWER AND QUI-GON BECOMING ANAKIN'S MASTER WOULD HAVE DESTROYED PALPATINE'S PLANS???

idk just gets on my nerves and feels like a slight against obi-wan who yeah wasn't perfect and the circumstances for becoming anakin's master weren't ideal but i think he was a great master and this idea also makes palpatine seem far less manipulative, cunning, and evil

the man once said he would gladly make vader again given the chance, even knowing how it would eventually end, so he's not stopping just because anakin has a different master

[pabsterrr]

made these alignment charts a while ago on a whim now im posting them to open three cans of worms that are three fandoms ive never interacted with on tumblr before. its an Experiment

whatever. go my sherlocks

[dottores]

crying hysterically i have such a good fic idea for post-cataclysm teyvat but i just dont have enough time for another series rn

[hanzajesthanza]

it's both a really good feeling and a really bad feeling to have the next three videos planned out and drafted, and the next four to six videos planned for after that...

like i'm glad to have a vision and all, but i'm staring down the barrel of a lot of work, and a path which i can't necessarily diverge from now

[the-girl-with-too-many-ideas]

I started getting into Heaven Official's Blessing, and the similarities between Xie Lian and Guda have me sobbing.

Both were seventeen when their lives were irrevocably changed forever. Kind and naive teens, with hope in their hearts of saving the world. Only to have it all thrown in their faces in the worst ways possible. Forced to become hardened and cruel when all they want to be is kind. Sacrificing so much, even parts of themselves, only for it to mean nothing to ungrateful masses.

Two people who have taught themselves to be overwhelmingly optimistic or be crushed with the absolute horror and trauma of all that they've endured.

All I can imagine is Xie Lian being summoned as a servant towards the beginning of Guda's journey. Seeing this poor kid put in this horrific situation in which they have to save the world or risk extinction, and them accepting it with absolutely resolve and unwavering determination. Looking at them and being reminded so much of himself and the words he once uttered so long ago.

"I wish to save the common people"

Remembering leaves a bitter taste in his mouth and thinks, 'Not this child. I won't let their journey turn out like mine'.

When the singularities are resolved and humanity restored, Xie Lian is desummoned back to his own world. He is left feeling sad having to leave Guda (who he has come to see as his own child), but proud about how it all ended without them losing it all. He is happy that Guda's journey ends in an optimistic note.

Until he is resummoned during the lostbelts, and is met with the broken down shell of who Guda used to be. He is beyond horrified and devastated at the realization that not only did Guda's journey continue, but had gone down a much more horrific path than his own did.

Nothing is worse than thinking you've saved someone, only to realize that you didn't and that their fate was far darker than yours ever was.

[calypsolemon]

consistently torn between "nanami and saionji should just never speak to touga again" and "touga finally recognizing he wants genuine connections and putting in the effort to fix what he's broken and the three of them reaching some sort of catharsis with each other Despite It All"

[6ebe]

does anybody remember when I accurately predicted how game of thrones tv show would end bc I had a basic understanding of how the Tudor dynasty ended. lol.

[intuitive-revelations]

Revisiting The Witch's Familiar and I just realised... it's the same filming location!

Now is it the same location in-universe? Did the Doctor enter the Governors' / Angels' realm before, or has Clara been inside M017 at Coal Hill before and is therefore imagining Twelve as being there?

I guess the new Barbara Wright building might be built at this point, so I suppose the latter is possible... I would question why Clara hadn't noticed something, but perhaps the Governors wanted to interview her and wipe her mind Black Archive style?

On the other hand, Missy does say the Doctor was being chased by "android" assassins, doesn't she?

[minart-was-taken]

Short explanation of what the hell the Luffy tab on top of the dashboard is:

- For some reason the tumblr marketing team decided to make a deal with Netflix to promote the new live action One Piece movie with a site wide tab, instead of like... An ad.

- The Tab started with the name Luffy, the protagonist of the series. It has now changed to Zoro. There's not explanation given but I suspect it's in the order of the One Piece rap

- The tab seems to be very broken, only showing 5-7 posts that were posted months ago. The users who's art and posts have been included were not asked permission to be used in an ad campaign.

- The disclosing of this being an ad has also been suspect, with many only finding out through word of mouth rather than the tab telling it. I'm not a lawyer but I think that's at least skirting a crime.

- The popular reccomendation is to not engage with the tab, because it'll encourage tumblr to pull more stunts like this. Their sponsors will be delighted the more you click, no matter if its out of confusion or not.

This whole thing is a mess and I hate how marketing teams are trying to bypass adblockers by making alternative ads that get people talking. The act of me posting this is what they want and I'm enraged.... Still, uh, I want to spread the info we've gathered as a community. Let me know if you find more or something is incorrect.

Ps. dont attack one piece fans, they didn't know this was gonna happen either. Please dont leave weird comments to the posts in the tab, the OPs are not involved.