#in case horikoshi doesn't

[brewstersbru]

Another bkdk after the leaks so,,, SPOILERS 🧨🥦 boys need to talk

Part of Katsuki wishes he’d stayed dead. At least, then, he wouldn’t have to watch Izuku struggle through losing a quirk he had worked so goddamn hard to master. That still had so much potential.

And, well, he’s a little tired. He’d done something good. Helpful. Kept Shigaraki’s attention away from the others for a bit. Bought some time.

He did what he could, and it wasn’t enough, and he’d made his peace with that. Dying for Izuku was infinitely easier than living like this. Weak, and injured, and liable to cry at any moment, or stray word.

Izuku needs Katsuki to be strong, and Katsuki is failing him.

There are embers. There’s a spark, a possibility, but Izuku isn’t letting himself hope. Katsuki wishes he would, that he’d stop looking so goddamned sad all the time. His eyes were meant to shine.

The hope is heavy, and it hurts a little, but Katsuki has done much worse for Izuku. To Izuku. So he holds it for him, until he’s ready to pick it up himself. He asks about the embers often, little nudges to remind him that it’s not over, yet. Not if he doesn’t let it be.

Izuku tolerates it, the first few times, but he gets snappy after a while, defensive. Katsuki recognizes himself in it, and wonders when they’d started acting so much like each other. But he keeps on because Izuku had never given up on him, not through years of his terrible attitude. He can do this, at least. At the bare fucking minimum.

His arm heals, slowly, but it still hurts when it rains; his chest, too. No one lets him participate in clean-up or relief efforts until he gets an OK from the doctor. Izuku drifts into himself, pulling back from the class, talking less. Katsuki can only watch as he isolates himself, prepares to leave because he can only believe in a sure thing, not measly embers. Katsuki gets it. Getting his hopes up for nothing would break him. But it seems like he’s already breaking, anyway.

Katsuki has quieted, too, but for medical reasons. Although, after the initial shock, he’s found he likes how his classmates treat him for it. They’re tactful, don’t try to rile him. The anger is still there, but it simmers, and most of it is for himself. Whys and what-ifs, internal beratements for not being man enough to actually talk to Izuku, when the other boy had given so much of himself to make Katsuki good. When he’d saved the fucking world.

Part of him is annoyed at Izuku’s refusal to want something for himself, too busy jumping around to help with relief efforts, clinging to the vestiges of a world he’s already counted himself out of. Makes him grind his teeth at night, ‘til his jaw’s sore.

Everything comes to a head—not on the battlefield, not standing opposite one another in a dying city—in the kitchen. Katsuki wanders in, thinking of the ingredients on his shelf, what he could make from them in bulk enough to feed the leeches, and finds Izuku staring up at a jar just slightly out of reach.

Before Katsuki can speak up, offer to grab it for him while dodging accusations of pity—God, is this what he was like?—Izuku bends his knees, once, twice, and jumps. In a fluid set of movements, the jar is snatched off the shelf and he lands, cat-like, on his feet.

Fa Jin. That had looked exactly like Fa Jin, and Katsuki swears there was something green and crackling around his ankles. He almost wants to laugh- how does Izuku not see it? Instead, he asks, “That was the embers, wasn’t it?”

Izuku startles, but nothing more than a slight flinch of his shoulders acknowledges Katsuki’s presence.

“I told you to stop with that.” He says, voice low. Katsuki shrugs and steps further into the room, shoving his hands into his pockets.

“Just telling it like I see it. That looked like Fa Jin.”

Izuku snarls and whirls on him.

“Do you like rubbing it in? Fuck, Bakugo, I thought we were past this.”

‘Bakugo’ hurts. Stings and aches somewhere shallow, close to the surface. But he deserves it. Deserves more than that, really, so he takes it on the chin and lets it roll through him. Katsuki averts his eyes.

“I’m not trying to rub anything in, Izuku. Just wish you’d stop taking this shit lying down. There’s a chance. What happened to the Izuku who only needed that much? Who’d reach out and dig his nails into any scrap of a something?” His voice cracks halfway through. Izuku smiles, but there’s no joy in the expression.

“I don’t know what you want from me. ‘That Izuku’ went to war. He couldn’t save anyone. Maybe he’s realizing he’s not cut out for this.”

Katsuki sneers.

“Cut the shit. You’re scared, I get it, but don’t you ever tell me you don’t want to be a hero. Don’t fucking lie.”

“They’re embers! Just embers!” Izuku laughs, a little hysterically. “I can’t be a hero with a dying quirk.”

He’s tugging at his hair, curling in on himself in a way Katsuki hasn’t seen in years. He hates the look of it on him. Wishes he wasn’t the one making him do it, again. It’s necessary, he tells himself, he needs to hear this. Doesn’t make doing it feel any better.

“Embers become flames if you fan them, if you coax them back. You can still be a hero, you just need to start believing that. Stop stifling yourself!” Katsuki takes a deep, watery breath, stepping forward and clutching at his chest, as if that will push the emotions bubbling up back inside. Stupid tear-ducts, it’s like they’re on a hair-trigger these days. At least with Izuku.

“Stop giving up!” He gasps, gritting his teeth to try and stop himself from crying. It’s pointless, trickles of warmth carve their way down his cheeks, thin and slow.

“Fuck.” He mutters to himself, swiping at his eyes and turning his head. Izuku needs to focus on himself right now, not another pathetic mess of tears.

“Kac-Katsuki.” Izuku stumbles, shell-shocked by the sudden shift. This is exactly what Katsuki didn’t want.

“Fuck off.” He says. “Just- just think about it.”

And without even attempting to check his shelf or start preparing dinner—it can wait an hour or two, until he’s calmed down, until Izuku’s left—he turns to leave the room. They’re not getting anywhere. He’s said what he needs to say and it’s up to Izuku whether or not he’ll listen. As much as he fucking hates it, he can’t do more than that. He’s never been good with words, anyway.

 Just as he makes it to the doorway, something tugs on his wrist. Too thin to be fingers, more like a rope, but not nearly coarse enough for that, either. It’s familiar, very familiar, but he- that can’t be right. He stops in his tracks.

“Kacchan.” Izuku’s breathless voice sounds from behind him, all previous frustration gone from it. Katsuki furrows his brows and turns his head, slightly, enough to see behind him from the corner of his eye.

Izuku is standing a few feet away, hand outstretched towards him. A thin, black ribbon protrudes from his palm, extending to where it’s wrapped tight around Katsuki’s wrist. Blackwhip. It’s the first true sign that Izuku’s quirk is not all lost. They both stare at the line connecting them, but Katsuki’s gaze quickly wanders. He already knew Izuku was capable of this. He looks into the other boy’s eyes, searching for that spark, and he is not disappointed.

A tiny, glinting shine has come back to his irises, highlighting the green ever so slightly into a bright, clear happiness.

“What’d I tell you, nerd.” Katsuki says, just the slightest bit fond. He presses his fingers to the tendril still curled around his wrist. Izuku’s gaze snaps up to him and he grins. Before Katsuki can ask what the look on his face is about, Izuku thrusts his other hand forward and another tendril unfurls, drifting towards Katsuki and wrapping around his waist.  

Izuku then pulls both hands toward himself, hurtling Katsuki towards him at speeds the blond hasn’t felt in far too long. He can’t help the smile creeping onto his lips.

“Thank you.” Izuku whispers, wrapping Katsuki in his arms as soon as he’s in range. Katsuki has to scoff.

“I didn’t do anything.”  

Izuku just squeezes tighter. “I couldn’t do this without you. I don’t know what I’d do if- if I ever had to.”

Now that’s just not at all what they were talking about. Something hot and wriggling awakens in Katsuki’s stomach.

“Fuck off.” Then, taking courage from the fact that he doesn’t have to look in Izuku’s eyes as he says this, “And- I- you did save me. Way before I. Y’know.” It’s choppy, near incomprehensible, but Izuku understands. Before he died.

Something warm and wet drips onto Katsuki’s shoulder. Fucking finally. The crybaby needs it. It’s not platitudes, and Izuku knows better than to accuse Katsuki of something like that. Katsuki only says exactly what he means. And it seemed like Izuku needed to hear it.

Can’t go around thinking every goddamn thing is his fault when it isn’t.

Finally, after a few minutes of unsettlingly quiet crying, Izuku speaks.

“Still. You died because of me. I can’t forget that. It’s the second time you’ve put your life on the line for my sake and I can’t- I don’t think I could handle a third.”

His voice is slow, careful around the words as if he’s thought through them a million times. Katsuki sighs, closing his eyes.

“I’d do it again. Will do it again, if I need to. I’m not going to apologize for that, and I’m not going to promise not to.”

Izuku pulls away, brows furrowed as he steps back to look at Katsuki.

“You can’t just throw your life away-“

“It’s not throwing it away if I’m stepping in for a purpose, shithead.”

Still, Izuku shakes his head.

“It is! I don’t care what you’ve told yourself to justify it, I don’t want you to do that anymore. It scares me.”

Emotions keep bobbing up and down in Katsuki’s chest, like buoys in a storm. He scratches at his elbow, unable to meet Izuku’s eyes. They weren’t here to talk about him. They should be celebrating Izuku’s breakthrough, not wasting time with this.

“Izuku, I told you- it’s fine. It’s my life. I choose what I do with it.”

“But that’s just it, it’s my life, too, shouldn’t I get a say in what happens?”

Katsuki grinds his teeth against each other. Now that he’s not shrouded in gloom, Izuku’s back to being just as stubborn and insufferable as ever.

“That’s not the same. Idiot. You’re going to be the next ‘symbol of peace’ or whatever. Fuckton of potential.”

Izuku tilts his head. “What, and you don’t have potential?”

Katsuki looks away.

“You’ve got to be kidding me. You’re joking. Kacchan-“

“I’m injured. It’ll only get worse with time, Izuku. And my quirk can only do so much. Shigaraki was able to kill me because I wasn’t strong enough. If I keep going like this, I won’t be able to get much stronger before I bite it. Might as well use what I’ve got to do something. Make up for the bullshit. I had a lot of time to think, after our talk in the hospital. I’ve made my peace with a life like that. I think it’s a worthwhile goal, keeping you alive.”

Izuku isn’t speaking, but a new wave of tears has started streaming down his face as he shakes his head, frantically. See, this is what Katsuki was trying to avoid. He only looks like that because Katsuki had opened his big fat mouth and ruined the moment. Fuck. He cringes at himself and is gearing up to switch the conversation to something less catastrophic when Izuku speaks.

“Shut up.” He says, voice ragged. “God, shut up. What happened to being the strongest?” When Katsuki doesn’t answer, he continues, nearly snarling. “You want to make up for your shit? Stay alive, then, asshole. Fuck.” He scrubs at his cheeks, muttering to himself. “Right after I fucking told you I couldn’t live without you?”

Katsuki doesn’t think he’s seen Izuku curse like this, well, ever. Maybe he’s rubbing off on him? All he can do is stare, dumbstruck, trying to parse through the words. It’s not like- he isn’t trying to die, it’s just that if it came down to it, and it was his life or Izuku’s, the choice would be easy, he’d make it in an instant.  

Katsuki scrubs a hand through his hair. “Okay. Alright, let’s drop this-“

But Izuku isn’t having it. “Promise me.”

“I’ll- fucking- do my best.” Is all Katsuki can manage. Izuku watches him for another minute, dubious, before accepting that’s the best he’s going to get.

With a disbelieving laugh, Katsuki straightens, digging the heel of his palms into his eyes.

“Shit. We weren’t supposed to get into all this at once. Just wanted you to get your spine back.”

There’s a warmth against the back of his neck as Izuku pulls him in for another hug. He can’t find it in himself to protest. It’s just the two of them, and he kind of likes it.  

“Thank you, Kacchan.”

The thanks curdles in Katsuki’s gut, unearned and unwanted.

“Don’t thank me yet, I’m enlisting you to help with dinner, now. Since you’re already here.”

Izuku laughs and it feels like fireworks against Katsuki’s ear. He’s missed that sound.

[pistachorlito]

Just stumbled across this post and noticed that Deku's thighs are THICKER THAN URARAKA'S

And to prove my point to my friend (who didn't want to accept it) I made this:

Deku's and Uraraka's thighs are the same length but the THICC-

[smallmightsupremacy]

Izuku isn't losing his arms and here's why:

Okay so I know that we're all freaking out over that one manga panel, but we really shouldn't be.

Deku isn't going to lose his arms. It's all in his head.

Just stay with me.

First and foremost, look at the reactions from the characters when they join the battlefield. Specifically Aizawa:

What about this screams 'one of my students just lost both of his arms and may not end up having a future as a hero anymore?'

You would think that if Hori were to really go through with Izuku losing his arms, he would put more emphasis on the characters' reactions to make it more impactful, right?

To further reinforce this idea, we also need to consider the significance of Izuku's hands in Katsuki's arc. Whether you view their relationship as romantic or not, you can't deny that Izuku's hands holds significance to Katsuki. It represents the time when their relationship first fell apart, and I think in order to call their relationship fully 'healed' and complete Katsuki's growth, he's going to need to accept Izuku's hand again.

I mean, look at how foreshadowed the handhold is. There's no way they're not going to be holding hands by the end of the series. It's a necessity at this point.

And yes, you can argue that they already did hold hands, but to me that handhold didn't seem like the official one. It wasn't as impactful as it could've been. Now, while I'm not saying that the handhold didn't have any emotion to it, I feel like it's impact got a little diluted by Katsuki's revival. It wasn't the main focus. I think that the proper handhold is going to come later and be in it's own moment.

And, I mean, Izuku kind of needs his hands for that to happen.

So now you may be wondering, if Izuku hasn't lost his arms, then how do you explain what's happening to him right now?

Well, like I said earlier, it's all in his head. I think it's AFO fucking around with his mind.

I think AFO is somehow manipulating the vestige world and OFA mental connection he was with Izuku to make him hallucinate that he's lost his arms. He wants Izuku to crumble, and what better way to do that than to convince him that his dream is over and that there's nothing he can do?

I feel like this has also been foreshadowed in a way too. Take a look at this picture:

This image already foreshadowed Ochako getting stabbed in the chest, so perhaps it's also foreshadowing Izuku's fate?

The knife is in his head, so perhaps it's hinting at him being affected psychologically?

Also, the idea that it's only those that are connected to the vestige realm that can see the illusions that AFO is planting would be a great way to get Katsuki to be a part of the final fight too.

We already know that's he's going to be involved somehow. Hori himself said that the ending for mha was going to be better than the ending for Hero's Rising (the one Kats and Izu share OFA), and what better way to improve that than have Katsuki come save him from the mind fuckery?

I also think that finally having Izuku and Katsuki fight side by side has been foreshadowed for a long time, and if that really were to happen, then there's no better time for that than the final fight.

Also, Katsuki's really the only one that can save Izuku right now if my theory were to be true. He's the only character that fits the very specific requirements that Izuku needs (being connected to the vestige realm, and also having a willingness to save/help Izuku).

Speaking of, Katsuki being connected to the vestige realm was a shock for us all, and it doesn't make sense for why Horikoshi would show us such ground-breaking information if he didn't plan on using it later. This has to be the later. There's no other case where I can see Katsuki's connection to the vestige realm being implemented into the story again other than this.

So here's the TL;DR:

Izuku is being mindfucked by AFO and Katsuki is going to be the one that brings him back to reality

[pikahlua]

Okay, here's my MHA criticism.

Everyone has their own personal hangups about the MHA ending, but mine is not about the ending itself. The epilogue doesn't feel rushed to me--the entire final act does, ever since the PLW ending.

But I can't say that the issue is actually rushed writing. There was a change in the writing, and it came with pros and cons. Ever since this change, a lot of people felt a lack of Izuku's introspection, but I still see his introspection all over the place. It's just not compelling introspection, and it's the natural consequence of this writing change.

The thing that changes is the way Horikoshi depicts character interaction and reflection.

To cap off the story's themes, Horikoshi chooses to focus on select emotional beats involving specific characters as short, finite set pieces. Some of them work great, like Katsuki's apology. But what is lost in this process are the other emotional beats Horikoshi doesn't spend time on, such as Izuku's quick, comical, emotionally dissonant reunion with All Might back at UA after going vigilante. The set pieces Horikoshi chooses to focus on at Tomura's end are two moments, one between All For One and Yoichi, and the other between Izuku and Tomura. But what is lost in this case is the strangely off-screened encounter between Nana's and Tomura's vestiges, and we're just given the fact that Nana preserved Tomura's sense of self as an offhand remark. This is a recurring theme where Horikoshi lands the set pieces he has likely visualized for years but that somehow don't have the same impact as the emotional scenes from earlier in the story. The details that build up to these moments are lacking, and it's because the characters don't interact as they should.

Horikoshi has overall messages he wants to focus on, such as the unity in everyone coming together inspired by Izuku at the end. But he places so much focus on his entire cast of characters at large to achieve this theme that the story becomes unbalanced. We as readers have read about his characters over the years, and we've grown especially attached to some of them. Even if there are minor characters we may enjoy, if Horikoshi is doing his job as a writer, the majority of us should be here for the main characters. If Horikoshi wants to feature every single one of his characters in the final arc, then he has to do so with balance. The main characters should be given more emotional weight than the side characters.

Hanta Sero can have his cool moment no problem, but why does it come so late into Izuku's final battle??? It makes no sense emotionally for it to be there. At this stage in the story, we would expect any other major character to fill this role. Hell, Iida is sitting right there with not much going on for his character this arc.

And the same emotional underwhelm goes for so many other moments. Why is the primary character screaming in agony over Katsuki's death Neito Monoma??? Aizawa is right there, and all we get from him is a horrified face but no reaction otherwise. He fades to the background immediately. Izuku's reaction to Katsuki's death is built up so much and yet not nearly enough time or weight is devoted to the actual moment when it happens. Compared to such iconic reactions to death in the shounen genre that came before it such as Goku's super saiyan transformation in response to the death of his best friend Krillin, Izuku's reaction to Katsuki's death is utterly forgettable.

The issue is not that Horikoshi gave Sero and Monoma these moments. It's that he either weighted or timed them and many others like them poorly. No one reading MHA wonders what wisdom Sero would have to offer at the end or what sort of reaction Monoma would have to Katsuki's death--or rather, they don't wonder these things more than they wonder about the main characters themselves. Main characters are the characters we're SUPPOSED to care about. If you give Sero and Monoma big moments like what they got, then the main characters have to have even bigger moments following in order to still be impactful. But we don't get that. We get the set pieces, but we don't get any of the logical character interaction and reflection these set pieces beg for. If I have to choose between Izuku's reaction to Katsuki's death and Monoma's, I want Horikoshi to spend all his time and effort on Izuku's every time. It's nice to see how main characters interact with side characters and to hear those side characters' perspectives but NOT at the cost of the main characters interacting and sharing their perspectives. Horikoshi makes too much space for his side characters, and so we lose the detail that could have gone into important moments between the main characters. The overall story remains coherent and complete, but it also leaves something to be desired for the characters themselves. As a result, I find myself both given closure and longing for a more robust, impactful resolution for the main characters.

tl;dr Horikoshi gave too much to his side characters and not enough to his main characters, which particularly affected the interactions between the characters we all care most about

[court-jobi]

How'd You Know (I Needed This)

((banner by me! I don't own Horikoshi's (sleepy) characters/work))

Pairing: Aizawa x reader (American!Pro Hero fem!reader, set before the events of Season 1)

Words: 4.9K

Rating: T+

Warnings: Aizawa has feelings and doesn't know what to do with them, alcohol mentions, slow burn, he fell first she fell harder, the feeling is mutual TM

Summary:

Shouta Aizawa surrenders his capture weapon for the night in favor of humoring Hizashi, and is rewarded for his follow-through at his show. He wants to know you, more than he has from teaching the brats alongside you for the last few months. Wants to know the smile that reaches your eyes more intimately.

He’s happy he gets this balcony happy hour with you -out from all their eyes inside- to be able to water this sweet, small thing he feels towards you to fullness.

A/N: I've been WAITING for this one, turn it up!!! Aizawa my beloved, I've wanted to write you for so, so long and can only hope I can do you justice. The man just has such a gentle side and I just wanted to give him something nice and self-indulgent~

For my My Hero Academia Masterlist, check it out here!

Read on Ao3

Damn it, why was he thinking like this? He’s in public for goodness’ sakes, with only two sips of drink under his belt. Not two drinks- two sips of a drink.  So if that’s the case of his sobriety, why was he off in his own little headspace as if he were drunk?  

‘Put Your Hands Up Radio’ found its home recording studio attached to this lounge: a place Shouta Aizawa never frequented unless expressly invited- or when Eraserhead was needed to scout out trouble. Far too noisy, too chatty, and filled with too many grown adults losing their sensibilities for his liking. 

Through one round of begging or another, he’d been roped into joining some of the staff of UA to an evening out, in support of Present Mic. Naturally, Aizawa would go- as his presence would all but guarantee everyone else’s. Despite begrudging the plans that pushed himself out of his preferred rest mode, he kept true to his word for Hizashi’s sake.

Promise kept, and therefore, appears to have been rewarded. 

Once the show wrapped for the night, his best friend was over the moon at how things were turning into a party that Friday night. After a day of shrill, whinging teenagers he’d wrangled all week, this level of volume was honestly the last thing he needed. Yamada’s voice doubled the decibel of the entire room- and that’s without his quirk activated. He always managed to annoy Aizawa when he started fangirling about one duet matchup or another.

But truthfully? Every sound this tired hero registered around him fell to white noise while he looked at you…

Sweet Little Miss, you are; gracing the lounge with your presence. You’re a vision tonight. Insist with your lilting dip to your words they all call you by your first name, outside of school grounds and against what’s considered custom. No hero titles either, unless an emergency called for formalities- then you’d cave.

These Americans are too casual. Even down to these outfits. What’s this–  black turtleneck, necklace she won’t leave alone- moving it around her thumb like that, short skirt.. and those damn thigh highs and tights. How is it she’s driving that moped of hers, wearing something like this…

Everything on your person, down to the way you held yourself in perfect confidence and ease adorned you like a perfectly-styled pro hero. It couldn't be a more stark contrast to his tried and true wardrobe. Even this after-hours look sat perfectly around each bend and curve of you, as you listened to the group. 

You’re smiling, too. It’s subtle, but it reaches your eyes, which makes it all the more authentic.

A smile he shouldn’t want to keep all to himself. Curves he really should have no business noticing. Features that he’s actually surprised he’s labeling as ‘attractive’ in his mind because the last time he ever felt an ounce of attraction to anyone in that way, he’d barely been able to grow facial hair. 

Desire for a safe place to land his dizzying mind is driving his tired sights to look to you for relief again and again in the conversation– without you even saying a single word. 

The barely-touched drink in his hand is only a prop; something to make him blend into the scene and not something he’s actually tasting for pleasure… meaning, these are his thoughts. Nearly completely sober. Should be illegal. Just illegal-

"Yo Sho, you still with us, sleepyhead?" 

Yamada pulled him out of his thoughts. Disguising any flare of being put on the spot, Aizawa  flitted his absent gaze back to his blond friend–

"Be nice. He’s had a rough day and is a good enough sport by being here,” you chirped up catching Yamada’s pull for Aizawa to part from the fringes of your little gathering.

Now toward you? He’ll soften his edge. After all, with you sticking up for him with blind loyalty, he nearly felt guilty for spacing out and causing you to speak up in the first place.

“- yknow, I'm inclined to take a nap myself," you leaned forward to grab a few more calamari bites to tend to your seemingly insatiable appetite. Aizawa felt warm at the sweetness and straightened up at Yamada’s prodding.

From then on, he made sure to look in your direction more often when you spoke to help him pay attention. He still didn't say much, never did. But he liked the company well enough.

These nights were truly few and far between. Life as an in-demand hero left him jumping from role to role, daytime and midnight obligations. The routine split his waking hours and stretched them paper thin.  Now more than ever,  he typically shirked as much off time as he was offered. And yet, he had to remember to prioritize levity and breaks– and in this case, indulge his treasured friend’s interests and ‘take one for the team’. Good for morale, he reasoned, just this once. 

The occasion was also a way for you to integrate with the group in an informal setting– great for the transplant from the States. You’ve taken amicably to the group of alumni-turned-faculty at UA, though much still remained a mystery about you, presently being peeled back bit by bit through stories and slips of the tongue. There was only so much a dossier could truly reveal about a person- even one curated by S.W.O.R.D. to volunteer aid their Japanese counterparts in their hero work.

It couldn’t tell what kind of teacher you’d turned out to be. Even with no experience working with students, you tread the line between instilling team-centered outlooks and pushing their quirk’s limitations to their max benefit. A crafty, inventive counterpart to complement his blunt teaching style: better together, and even the principal agreed.

It couldn’t point out where your true ambitions lie or where your drive came from. There remained much to be explained as far as your hero status here in Japan– a red-tape nightmare Aizawa was still intrigued to learn about. So far, you’d shared some limitations about “immigration statuses are being vetted with a fine toothed comb, so they’re still trekking through the paperwork”, so your wings are essentially clipped down to a student’s provisional license. This doesn’t please you too much, but you’re driven as much as his finest students with the aire of a professional he’d love to see in full action.

It couldn’t explain the stillness you could dip into, that he only caught once or twice when you believe yourself alone. There’s a past was weighing your shoulders level and compliant in the eyes of the law… but an urge to push back and ‘play this out’  brought hypotheticals to your lips whenever you chatted about what hero life is like for him, and added a sparkle to the eye that he had yet to fully source.

It couldn’t give away the gentleness you hold behind a carefully guarded smile– even in this harsh hero world. Maybe it was that indomitable spirit that those foolhardy patriots overseas carried… or rather, maybe it was the way you fought against such a loud persona. So far, Aizawa has taken only a few notes, but each little mental post-it was cluttering up his headspace. You held a quiet love of tea, a comical passion for the oxford comma, and a mind to care for the little things in life– like the lizards you rescue in an inverted cup to take outside where they belong . 

Surely life must have treated you hard to elicit such softness. Something tenderized you to achieve the peace you carry around or else you’re wearing a damn good mask. No, he determines you had to have made a choice to continue on the path that’s brought you to the present– even to this table where you’re taking your fill of maki rolls while casting little caring glances his way. 

All smiles and calm surety, as he mills through his thoughts that are damn near obsessed with you.

An employee file could never record ‘heart’, anymore than it could expose anything you didn’t want to reveal.

The night progresses while Aizawa stews on these thoughts, and plenty of others… for the ones that drift to his co-teacher offer him more mental stimulation than that he finds in the club’s lights and music.

Yamada’s night of filling his social battery was made nearly perfect by the karaoke that just started. Several of the other teachers got preoccupied in round after round of song, so it left Aizawa with a moment's peace. 

Well, peace he was going to enjoy by laying back on the couch for a little shuteye–  when his gut jumped at the feeling of a hand trailing up his forearm to the elbow with a polite, companionable touch. 

Facing its owner, Aizawa caught your little smirk and nod towards the balcony. You didn't pull hard, yet he followed like a magnet out to the patio. 

From there, rather than stay by the door to listen in on their friends ‘releasing their inhibitions and feeling the rain on their skin’,  you took him to the right, where a matching lounge set positioned itself in a blind spot between the rooftop bar and the fire escape. 

"Thought you looked like you could benefit from some soundproofing~" you brushed your hair back over one shoulder to follow the breeze’s direction, and left an open spot next to you by the railing. 

Nightlife and neon didn’t hold magic for Eraserhead given as many nights as he’s spent perched on precarious heights, but through a newcomer’s eyes, he could see the appeal. This part of the city glowed at night from dusk to dawn, and you clearly loved looking out over it; Aizawa certainly didn't mind this view either. 

Your perception skills are spot on, and incredibly thoughtful as you’ve suggested some fresh air- for his sake. If he wasn’t drawn to you any of the other times he’s paid attention to the spastic moths a more romantic person might call ‘butterflies’ before…  this cements each and every one as valid. 

He likes you. He really likes you. 

Time passed with appreciative quiet until you spoke again, 

"The only thing is, you can't really see stars in the city... there’s too much light."

"The beaches have a nice view," Aizawa replied after some thought.

"Oh yeah?"

"Enough to stargaze properly,” he offered without much sentimentality. Right by the pier was the best spot he and his former classmates would go on the weekends, before their hero work took off.

"I'll have to remember to take a drive there. Y'know, sometime when I'm not in two-and-a-half-inch heels." you chuckled as you shuffled back to the rattan settee, sitting for a bit to stretch out your legs. "I don't know how Nemuri does it."

"Feet hurt already?" Aizawa snuck his hands from his pockets and came to the seat across from yours. “Night’s young.”

"Getting there,"  your laugh greeted him over, "But you know what they say, dress to impress and all that. Yamada really pitched some hype for this afterparty, so~"

Fashion was hardly something that ever swayed Aizawa’s decision-making. Utilitarian was the way to go for his wardrobe- then, as now. 

"If aesthetics are all that determine these pros’ attention, that’s horribly vain." 

You bristled in good humor, 

"He didn't mean it like that– I just meant, he said to look nice for fun instead of for work. Call it ‘girl code’ if you want. We know that means to– just– /doll up a bit/!"

Aizawa held back a snicker at how you still ran into difficulties finding the most apt Japanese equivalents in your (pretty decently executed) second language. English slang you reverted to in moments like these fell from your mouth with an odd drawl. Still couldn’t place the regional accent you carried, but it charmed Aizawa all the same. 

“//Doll up//?” he mimicked. 

"//I like dolling up//!"

Aizawa reached and pulled his glass to his lips, meant to look aloof but not hiding his interest altogether well. 

"You don’t need to put on airs to get people to notice you…" 

"Right, because the accent gives me away."

"No, it’s your-”

Finally, a coward’s streak flared deep in his belly to shut him up. A rare hesitation. Damn this. What the hell’s happening to me–

 “–nevermind."

"My what?" you’re fully  interested, knowing a secret when it's presented.

"Nothing important."

Thankfully you not-so-subtlety dropped it with a hummed ‘ok’, but kept a watchful eye for him in your peripherals. 

The pro hero mused. Better for him to be honest, right? 

Just choose your words carefully. You’ll have to look her in the eye after this, you know. 

Aizawa widened his seated stance so his knee barely breached your space. 

Your sights lifted to him while he put his best poker face on. It’s not really any different than what he’d give to a perfect stranger– the only difference here is he has to force it.

Shit shit shit you're in deep, Shouta.

"You're plenty noticeable as you are. Anyone who meets you can see that," Aizawa shared in his usual soft-spoken tone. "Give ‘em ten minutes, and you've got them wrapped around your finger. It’s a whole impression, not just the outer package. Doesn't matter if you're in a dress that costs a month’s paycheck or a black button down. You're welcoming, sincere..." 

He’s realizing he might be trailing off, but finding you listening with full attention led him on; no liquid courage required. 

"You're stunning from the inside out. Enough to get others to notice."

Aizawa heard your appreciation before he saw it, a hum preceding the a genteel smile. With the win of his walls coming down, he had to give an honest smirk back. It was only fair; you’d earned it just by being you. By your flattered look, you were touched– but your brain was still working beneath the surface, and soon showed by a fleeting expression that spit from him.

Then, you caught your bottom lip for a second, before daring to look in Aizawa’s eyes again. It’s a sneaky look– like he’d snuck a peek at a card he’d meant to hide.

"...You remember what I wore on my first day at UA."

It was half question, half amusement. So dear, but oh-so pointed.

Aizawa froze.

"Black button down. You noticed me, then?" you countered more, "And here I thought you didn't care about appearances~" 

"In professional circles, no. Personal… that's a different thing, entirely." 

He kept your  sights locked onto his, not unlike how he used his quirk in a challenge– only far softer and he could risk the occasional blink.

Even when you took his glass from his hand and placed it away on the table alongside yours, he still looked fondly after you, in fact tilting his head to the other side, studying the way one piece of your hair was caught by your neck. What he’d give to be familiar with you enough to ever-so-carefully brush it back, letting his touch send a wave of shivers across your skin and maybe even make you hum at the gesture. But he couldn’t trust himself to do it now, settling on stretching his arm around the back of the couch. Just an open move, letting you join him on the couch as close as you’d like.

Was he really doing this? He never has before, but this felt so natural. 

You smiled still– and as you sit, you’re leaning into it.  Well then. 

“What was I wearing, Aizawa?”

With free fingers, he risked some little brushes on your near shoulder, bringing a happy little eyebrow lift from you. He just took in your features in close quarters, settled in it, as he remembered that day:

Black button down, grey skirt. Biker boots -practical choice- and these damn tights.

Aizawa’s dazed in the head, but he knows he's listed it off aloud based on how your sights widen, impressed. 

"Hmmm, tights do it for ya?” you smiled, “I'm surprised you haven't jumped the darling Ms. Nemuri then."

"I know way too much about Kayama to ever consider her that way,”  Aizawa’s tempered hand twirled a finger along a blown-away section of hair, just absently enough. “You however, tease just enough." 

"Do I tease you?” you offer with a little depth, “I don't mean to."

It’s here he’s worry he’s stepping over a line- if it weren’t for the downright delicious look in your eye. You say it like you’re sorry for acting unprofessionally– but you’re urging him on, hardly apologetic for your sweet posturing.

"You may not mean it, but it's not unnoticed," 

He took second to swallow, and steps fully over it. 

"or unwelcome."

You’re pleased with this, but deflect with your trademarked humor- 

"Well now that’s saying something. You've seen me in my pjs, too- far from glamorous.  That didn't break the allure for you?"

Aizawa had to huff though his nose at that memory.

"I caught you at arguably your most real self, that first night you patched me up," His outstretched arm rubbed full circles onto your shoulder now, with the lightest touch. 

“Still have no clue why you chose me over Recovery Girl. For the harshest grader in school, that was a pretty dumb move.”

“You were closer than going to campus. It was the practical choice.”

“You didn't even know if I knew first aid.” 

“You do,” Aizawa smirked. “You're too nurturing to not have a knack for it.”

Your legs crossed over, deflecting both your words and refreshing your body movement. In doing so, you slid even closer- a move not lost on Aizawa. 

“Well, I'm still not happy about it. You needed more attending than I was able to pull off. Whatever you get into those nights,” you flitted a look to the underside of his arm that lays outstretched –where you know he sports a scar now- “It… looked like it hurt, ‘Zawa.”

Warm. Warm and cared form. Felt it then, feel it now. That's the life in his chest he gets when he’s around you. 

"Can't change the past, and I certainly wouldn't have changed that. Wouldn’t pass up seeing that sight of you for the world."

This connection, this dance, it all feels that it must be older than what it is, more rooted in a shared history than a short few months. 

Aizawa wants to ‘get’ you. Know the thoughts behind your eyes. Get you talking, even if it means he needs to give up his silent nights and muted text alerts so he can learn you.  He’s happy he gets this balcony happy hour with you, out from other’s eyes, to be able to water this sweet, small thing he feels towards you to fullness.

His eyes narrowed playfully, "Are you embarrassed right now?"

Out of this entire teasing exchange, that note seemed to surprise you and turned you shy.  Short of clapping a hand onto your cheek, you just darted your gaze away- can you be cuter if you tried?

“h-Yeah, a little!" –though you tried to snark your way out of it, "you were hurt before, and blubbery- but now that we’re y'know– awake, and talking... Pretty faces make me nervous."

Nervous? Pretty? Aizawa doesn’t like the sound of either of those.

Aizawa raised a brow and gave a look, a touch more serious.

"Hey," He tapped your chin still with his free hand, "if you want me to lay off, you say the word."

Blindly, you hold his hand from retreating away– "No. You're good, I promise."

He’s drowning in you leaning into the cool touch offered to you–

“ Heh, I–uh… I’m pretty sure ‘friends’ don’t talk about each other like this, though.”

He couldn't be a coward now– not with you melting on the spot and giving him an insane amount of hope.

“Maybe not,” Aizawa reasoned gently, “-not if they’re content to stay that way.” 

–then all of a sudden his heart soared at her next words:

"Well… I like this."

"Yeah?"

"Yeah. I like you, like this.” With your insistence for touch, you cupped his wrist in your own chill-tipped hand.

Hell yeah. 

Aizawa huffs another win in his foolish heart, but then watches as you keep talking–  you don’t break from your softness, but look reflective off to an absent point on his chest.

“It’s funny, y'know? Most jobs, you’d be lucky to find someone you would actually wanna talk to outside of board meetings and quarterly reports… but here in our line of work, you count on each other to save your lives.”

“That’s right.” Aizawa breathes.

“I uh.. never thought I’d be workin’ with kids- trying to keep them alive too. Teach them how to do the same. But I wouldn’t feel nearly as confident to do it, rise to the challenge, if it weren’t for you, ‘Zawa. You’re just as special. Inside and out.”

And when you look to his eyes again, fully awake and still sober, he swears he’ll say yes to any night Hizashi invites him to if it means he can have you this close. Things with you just feel lived-in. Companionable. He’s drawn to you in a way unlike others before you, because he didn’t believe he’s had the right, desire, or time to even entertain it. 

But everything’s different now. It just works, in his mind. He wants to spend his respites, his missions, everything- with you at his side, having his back. For however long you’d let him.

Touching your cheek, cursing the helmet you’d have to wear on the way home that would hide this angelic face from him once again– Aizawa curls towards you, barely tipping his head which screams ‘kiss her you ass’. You notice, and follow his lead almost halfway. 

“Yeah, I like you like this…” you sighed lightly, “--and I’d like us like this, too.” 

"Hm. Good."

...the door to the patio swinging open from around the corner startles you both. Present Mic doesn’t know his strength as he projects for the block to hear, swaggering about in his search.

You looked flustered sitting back up, but Aizawa was characteristically unphased at the sight of Hizashi finally rounding with a singsong cry of his name. 

Dammit.

"Hey kids, been looking for YOU, Miss America! There's some stateside artists on the karaoke lineup with your name on iiiiit- c’mon! I hyped you already to Nemuri– she didn't believe me that you sang with me for my English midterms!!"

"What?!” you blanched, “ Who said I was doing that?"

"I did!!” Yamada thumbed at his own brilliance, “ C’mon I'll do the first one with you!"

"First one– Dude, I don't need to be touting my Southern-ass self to a bunch of pros before I even make a name for myself here."

"This is HOW you'll do it! Come n’ wow them, break the ice- you’ll do amazing!" Yamada came to your side of the settee, tugging you up to your feet with little fight. "Tch, Sho, you're rubbing off on her, aren't you? Turning our sweet teach into a wallflower as we speak, huh?"

"She was doing me a favor- has an eye out for me when I needed an escape, unlike you." Aizawa droned, to your amusement.

"Yeah yeah fair enough. Now pleeeeeease, would you come inside?  It would be so much fun!"

From the way you’re freshening your jacket collar, you’re warmed from the neck up, caught between what just almost happened and the current situation Yamada is putting you in.

You look to Aizawa just like you did inside– a  glance, but it lingers longer than before. Like you are waiting to see what he thinks. If he’ll stay or go, should you leave. 

But Aizawa isn’t so selfish like before. He doesn’t feel it necessary to keep you to himself, because he sees your affection so clearly in your eyes now. He hosts butterflies in his stomach, yes, but they aren’t frantic and flitting about wondering what you may or may not think of him- chronically tired and a contrast to the breath of fresh air you are. You see him as a companion, too. Someone he might just get the chance to study, and learn, and adore in return.

No, he knows you like him as he is. Knows you’ll choose to meet him where he stands. He can share you, and will simply watch on as you stun him even more...

The Pro-Hero is desperate for some eyedrops in all this wind outside, but he would grin and bear it if you choose to deny Yamada’s pull on you. So instead, he merely leans forward to perch on his knees, with a hand on the lip of both your drinks. What Aizawa says in his non-answer left it open to what you wanted to do.  Stay or go, he’d follow suit.

Returning to the bright-eyed and bushy-tailed fellow teacher, you breathily gave in with your ‘ok’. 

"YEAAAAAUHHHH!"

"Damn peer pressure."

"You said yes," Aizawa smirked.

"Oh if she’s going, you're coming in too!" Hizashi was already whisking you away, and Aizawa rose on his own, following your knowing smile over your shoulder and matching it. 

With many forced karaoke and radio show nights, it’s Aizawa who braves the crowd and comes up behind you at one of Present Mic’s shows,  stepping in from the balcony where you wait by its door. He’s fresh off of work, sporting a new scar across his cheek courtesy of his day job, this time.. but you greet him with that familiar scrunch of the nose that he still finds adorable.

It’s rare he leaves campus nowadays, because he feels the stakes are higher than ever for him to remain vigilant. His students are his life, and as proud of them as he is, they are a constant effort of his mind and strength. Rest doesn’t come easy, and his rewards for a job (passably) done aren’t found in many places. 

One constant he has found helps, has been you. 

You, still alluring as ever, but who makes sure he doesn’t fixate on giving and giving of himself until he breaks– but to take his rests, reset, and even take a little jaunt over to these radio shows when he has staff coverage back at the dorms. Gives you two some time to get nostalgic, sentimental– or as close as he can get to those mushy spots in his heart about the club where he wrestled out his feelings for you for the first time.

He smooths a hand across your lower back now, when he joins you. He’s held onto your hands when they're cold, giving you whatever warmth he has. He knows each and every gap on your resume, partnered with you out on the streets, tag-teams in his classroom with this plucky 1-A Class he now leads, and is content to let you fill his thoughts when he wants to rest his eyes.

He doesn’t fight his affections now. Still would rather not simper in public too much because he’s quite averse to being the center of tabloids’ attentions, but stands by you all the same. 

"I'm surprised to not see you up there,” Aizawa greets, cool as ever. 

You lean on a hip, closer to him. 

"He's got his sets lined up today, didn't ask me-” You speak a little louder over the crowd, “I swear, your cockatoo still acts like I'm some gift from the heavens, just ‘cuz I can sing!"

"It's earned. You deserve every bit of it, and not just from Hizashi."

You turned over to him shyly, drawing his attention further– your tendencies to melt under his words encourages Aizawa to compliment you directly. Often. Whatever it is about his voice that you say you’re obsessed with, he still doesn’t understand– but he uses it to full advantage as he robs your drink from your hand,

"I happen to think you have a gorgeous voice," Aizawa speaks low to your ear. “You should sing at home more often.”

“Please. As if the kids would ever let me live it down.”

You refer -of course- to the twenty shared students between you, taking them all in stride since you’ve sufficiently bonded through fire alongside them. 

“That’s teaching for ya. Gotta push yourself beyond, plus ultra and all that.”

You chortle back in your throat, risking a kiss on his etched cheek to counter his snide remark, 

“You’re off the clock, ‘Zawa. No more hero talk, huh?” 

Aizawa cocks a brow, stealing a sip, “Sorry we can’t all turn it off like you, dear.”

The comment has you biting the inside of your mouth at the tease, and allows him a quick moment to press the glass’ condensation against his eye. 

“Want some air, hon?” you try again, softer than this atmosphere should allow.

Looking back at you -your hold on his elbow ready to guide him outside just like the first night- and Aizawa doesn’t need any more sips of the whiskey he holds.  

The retreat to ‘your couch’ is one he looks forward to any chance he gets. Bass boosted from the speakers inside becomes background noise that dulls his senses, doubled by the way you cozy up under his arm watching the skyline shift in light and color in comfortable silence. You trade roles with him: taking watch while he shuts his eyes for some restorative hydration. 

But before he gets too terribly relaxed by your weight settling his aching muscles to stillness, he registers a warm press to his mouth that he’s quick to chase after. That’s a satisfying thought, too: he doesn't have to imagine what it'd be like to kiss you anymore. 

[whetstonefires]

Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?

I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.

So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.

What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.

Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!

But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.

There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.

The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.

Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.

Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.

The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.

Incels, basically.

It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?

So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.

He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.

So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.

But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.

And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.

[bicheetopuff]

I just saw the worst takes about bnha’s ending on Instagram (three days ago now, as of posting this). So, today we’re gonna talk about Izuocha, shonen homoeroticism, and fandom… not in that order though…

I: Fandom

Fandom culture for all media has basically always been a war zone that you have to actively avoid, usually with two defining sides: people who try to enjoy media the way they want to enjoy it, and the people who say that everyone is wrong and attack others who they don’t agree with. There are shades of gray on both sides, but in general this is usually the case. It’s never been “‘alphabet mafia’ vs ‘normal’” or “fanon vs canon” or “right vs wrong”… I almost always see people having fun being attacked unwarranted (I am not saying that people being legitimately problematic shouldn’t be called out, pls don’t get me wrong. I’m talking about innocent fun!). And I’m not just talking about dudebros attacking shippers, I’ve seen a lot of shippers attack non-shippers/other shippers of a different ship, and it’s almost always people just saying “you’re wrong, I’m right, and your take ruins this media piece of media for everyone else.” That being said, I wanna talk about the highlighted parts of these comments, okay? But first I need to explain the video that these comments were on.

It was a video by @/d_rich7 on Instagram, a big anime creator, talking about this tweet:

To summarize the video, he went on to say that he’s not surprised because bnha has the worst shipping community since Naruto and how Horikoshi probably felt forced into not confirming any ships because of “threats and hate mail” that he got from his fandom. I’ll come back to that but first I’ll talk about some of the comments:

“At least, they can say they weren’t the reason for the downfall of their anime.”

I've seen this take from different parts of the fandom, whether it was in regard to ships, todofam, or the villains. Just because the narrative of a story ends up matching the theories of people you disagree with, doesn't mean the story is going through a downfall. Just accept that you were wrong and move on. It is okay to not like certain aspects of the story and it's okay to discuss and criticize it, but pinning the blame on people who just happened to be right, no matter how much you hate it, is not okay.

“People need to stop demanding the literal CREATOR of a series to do things how they want it done…They to learn it’s not their story to tell…”

“…like I don’t get how people who have no impact on the writing of a story get mad because the CREATORS don’t wanna use their personal ideas.”

“…from now on imma blame the fandom for fucking up the anime/manga, we could’ve had a better ending if it wasn’t for them…”

Outside of the context, I actually agree with the sentiment that fans shouldn't feel so entitled that they think they have any control over the media they're consuming. But, the commenters don't realize that they're doing the exact thing that they’re talking about. They're convinced that the queer shipping community is the reason the creator decided not to confirm any relationship and are pissed off that the ship they were rooting for, didn't happen. Why are they exempt from this rule? Because straight ships are supposed to happen and queer ships aren't? Because the boy is supposed to win the girl at the end in order to develop a good shonen? I'll go into the misogynistic implications of that later.

Other than that, I have seen a lot of people on tumblr get mad about other things, like before, regarding to the villains and todofam drama to the point that they started insulting Hori. Like I said, it's okay to be mad. Being mad about something doesn't make you a bad person but it was never our story to tell. Criticism and hate, are two different things and come off very differently.

“MHA’s fandom is filled to the brim with toxic, no shower taking, furry loving, lgbtq idiots…”

Honestly I added this one because he's right. We're here, we're queer, and we're idiots in the best way possible. However, I think this also says the quiet part out loud when it comes to the hatred towards bnha and it's fandom.

Shipping communities in other fandoms don't get anywhere near as harassed as often as the shipping communities in the bnha fandom despite not being much different. The difference is, a lot of us identify as and are recognized as queer and Hori himself even recognized that the LGBT community especially took a liking to his manga. But, in other fandoms, it's only okay to consider queer ships if they're recognized by the cishet audience.

Most people in the aot fandom don't have an issue with eremin because it was something recognized and memed by straight men, even if it was mostly as a joke. The kny fandom doesn't care about inotan because it was also recognized and memed by straight men. Narusasu doesn't get much hate anymore because the straight men of their fandom also started to recognize the characters weird obsession with each other and it became more difficult to ignore the ship since there was literally multiple accidental kiss scenes--one of the few times where the source material actively encourages shipping. I can keep going too.

On the opposite end of the spectrum, non-shonen animes with majority cishet women as their audience, no one bats an eye at their ships either, because there's not enough men in their communities to tell them they should feel ashamed for their fanon content and their words hold no weight… and there’s a lot less queer people in those fandoms. You see the trend, right? It's almost like queer shipping is perfectly okay and mostly accepted as long as the community is either majority cishet men, or those men grant permission/approval for the specific ships or the piece of media wasn’t “meant for men.” Otherwise, it's seen as gross and cringe.

There was one other community that was kind of similar to bnha in a sense that it was mostly consumed by queer people and cishet men, where there was a lot of discourse on whether the two main characters were queer or not… which is the Buddy Daddies fandom. When the show was airing, those two sides that I talked about earlier were pretty apparent, with people having heated arguments about whether there were queer undertones or not. The cishet men of the fandom didn't give their approval to ship Rei and Kazuki, so it became an issue. Same with JJK now, more so with itafushi though. SatoSugu was given a somewhat stamp of approval but itafushi is still seen as taboo.

However, for some reason, every queer ship and character (even if it's canon) in bnha is seen as something shameful to recognize which I think is very telling considering how large the queer and disabled part of the fandom is. Minorities are being punished for relating to a manga with discrimination as one of it's core themes. Do what you want with that...

“…hate-mail just pushed him over the edge so he just scrapped everything just as punishment to spite them…”

This kind of references rumors from a few years ago about the shipping community sending hate mail and death threats towards Horikoshi and everyone just running with it without doing their research.

Horikoshi did receive death threats but it was about Dr.Garaki's original name which you can read about here. It was mostly the eastern side of the fandom being aggressive, even going as far as posting videos of them burning the volume where Garaki's name was revealed which isn't okay. However, everyone blamed it on the western shipping community... for whatever reason...

There was another instance where people in the western fandom started sending Horikoshi death threats on his twitter because of a chapter about Endeavor getting attacked by Dabi and an Nomu and the Todo family being worried about him, people claiming that Hori "deserved to die" for romanticizing and glorifying abuse (when that wasn't at all the case, I'm genuinely confused on how they interpreted that...). This came out six years ago but somehow is still narrowed down to the queer community and women being toxic... like what? Do you see my point now of it feeling like we need to be granted permission to do certain things in fandom if we don't want to be punished?

Also who was Hori punishing by not confirming any ships? If anything, I’ve seen most shippers appreciative than not…

II: Ochako Uraraka and her relationship with Izuku Midoriya

Back to that point about misogyny that I mentioned earlier...

"...I would have lowkey wish we got to see deku and ochaco end up together since their relationship was hinted from the beginning..."

Quick warning... this is gonna be a long point.

Yes, they were attracted to each other at the beginning, no one is denying that. No one is denying Ochako’s crush either. Izuku’s nervous around her for the first like 50-ish chapters because he's still used to having friends (especially a girl. If you think about it, if his childhood friends were the only friends he had ever had before getting shunned by his community, then he had never had a girl as a friend before... ever) but their relationship eventually mellows out into a normal friendship. Given Ochako and Toga's arc, I don't think Izuocha was ever destined to end romantically.

Toga was desperate to be loved by someone who accepted her for who she was while Ochako was desperate to be able to show love to someone who she truly admired. Ochako wanted to be like Deku and tried for a while until she realized that she couldn’t and shouldn’t want to be like Deku. She thinks he’s amazing but she realizes that she can’t strive to be like him because she’s already like him but wants to change.

(this is kind of off topic but I just want to point out what Ochako said about Toga being sad about not being able to totally become Jin. Correct me if I'm remembering wrong but, Toga was only able to ever transform into Ochako completely, quirk and all. I think there's an analogy there, where her being able to be just like someone possibly means she's in love with them but she convinces herself that she loves everyone equally. I think it's supposed to be saying that "even though you can't be him completely, doesn't mean you don't love him, you just don't love him in the way you thought you did" and I think Ochako realizes that because she possibly had the same realization with Izuku. Becoming him didn't work out for her because she didn't love him the way others told her she did... I guess it wasn't off topic... oh well.)

The highlighted parts can apply to Ochako too if you replace “bloodlust” with “envy”. She suffered the same issue that Toga did with other people telling her how and who to love which made her feel like she was supposed to be jealous.

She didn't like these feelings of jealousy, so she began to unintentionally be like Deku and hide them. I don't think she ever had an issue with loving Deku but she had an issue with the way she convinced herself of how she loved Deku made her feel. It made her feel like she was hiding something because I think she felt conflicted for not loving him the way everyone expected her to. All the way up to her final fight with Toga, we were only getting intel about her crush from other characters. Not her.

There's a lot of Mina just telling her what her feelings are despite Mina canonically not knowing much about love. Her crush has always been projected onto her which is why she's able to relate to Toga so well and wants to be more like her since Toga is able to live as herself so comfortably and broke away from conformity and what's expected of her.

Ochako's crush is only there because it's expected to be and her arc is meant to prove that she can be more than just the MCs love interest. Ochako's projected crush is Horikoshi trying to prove a point about basic shonen tropes which he's done time and time again throughout the story. SHE WANTS TO LIVE AND LOVE HOW SHE PLEASES WITHOUT SOCIETY TELLING HER HOW TO JUST LIKE TOGA WAS ABLE TO DO! I WILL KEEP SAYING IT UNTIL MY THROAT IS RAW AND DUDEBROS BEGIN TO FINALLY UNDERSTAND AND NOT VIEW FEMALE CHARACTERS AS NOTHING MORE THAN EYE CANDY FOR THE MALE CHARACTERS!!!

In the epilogue. she hides her feelings with a smile because she doesn't want to worry anyone (sound familiar?) so it only makes sense that it was Deku who pushed her to let out her feelings despite not practicing what he preaches. So, she embraced her inner Himiko and let out her feelings with her whole face. Those feeling just weren't for Deku... and they shouldn't have to be.

I genuinely feel like (especially with the way dudebros hate queer ships in this fandom) if Ochako was a boy, her arc wouldn't have been so widely misinterpreted. Because if he had talked about how amazing Izuku was and Mina came in and still said "It's love!" most fans would've taken it as a joke and/or even going as far as pointing out that the crush wasn't real because he didn't actually admit to it and it was projected onto him by other characters. But, the world ain't ready for that conversation.

"...I saw it as the fandom tryn to force their ships into the story 100% ruining key moments..."

I mainly added this quote because I thought it was so absurd. How do you see class-a coming to support Ochako as "omg it's the fandom forcing their agenda and controlling Hori through mind control to force their ships into the story and ruin this key moment,"??? Like, is it really so unthinkable that Horikoshi can have creative freedom outside the norm of treating girl characters as a trophy for the MC? You expected Izuku to marry her on the spot while she's having a mental breakdown? It's just... anyways...

III: Old-Gen Shonen Homoeroticism and it's Relation with Internalized Misogyny and how New-Gen is Changing That

The Shonen genre - especially old gen - is notorious for it's accidental misogyny, queerphobia, and racism. It got to the point where it's just kind of expected at this point.

The main one is usually misogyny. A lot of shonen mangaka like to write women as nothing more than eye candy and when they are actually given a personality and power, their character arcs are suddenly ignored/neglected and turned back into eye candy. Take Tsunade and Nezuko for example. We're told that they're important and powerful and yet they rarely do anything and almost never get important speaking lines and when we get to see them in action, the author makes sure to highlight certain parts of their bodies. Nezuko I think is an especially obvious one, being literally muzzled for most of the story, and when she powers up, she grows up and is suddenly given huge boobs...

Almost every shonen girls' character arcs revolves around a man and if not, then their existence is for the sake of a male character. I will say, I havent watched much shonen because of this aspect that's always apparent, but almost every older shonen I've watched, read, or seen other people talk about, it rears its ugly head at least once.

Because of that, most love interests weren’t given enough personality to actually form a meaningful relationship with the MC that the audience - especially female and queer audiences - can connect to. More often than not, it’s “I like her cuz she’s pretty” or “I like her cuz she likes me” and it’s irritating. And since these relationships are so shallow, authors are forced to create an interesting bond between the MC and a different character which usually ends up being the deuteragonist who is usually another boy more often than not. And boys in media written “for boys” are almost never neglected the way a girl would be, which is a sad truth.

These relationships almost always end up feeling like they’re passed the point of friendship and because of that, a lot of women and queer people end up shipping them instead of the canon love interest. Because their relationship being romantic actually makes sense most of the time.

BakuDeku, Eremin, KilluaGon, NaruSasu, ItaFushi, SatoSugu, IsaBachi, HideKan, GenoSai, LawLight, the list can go on for fucking ever.

However, in bnha and BakuDeku’s case, especially when the “canon” relationship with the “canon” love interest wasn’t really developed at all, and we never got a hint from Deku that he liked her, I don’t think this homoeroticism wasn’t intentional. Like with a lot of new-gen, there wasn’t really blatant misogyny towards the “love interest” present to explain away the closeness between the two male leads.

All of the roles a love interest would usually have, were given to Katsuki. He was damseled for Deku to save, he was Deku’s biggest cheerleader, he risked his life to save Deku, he died in Izuku’s honor, he showed up for Izuku when no one else thought to, he showed up to his hospital room and cried over the condition he was in, and then he devoted nearly a decade of his life trying to bring Izuku’s dream back into fruition… He cares so fucking much and Izuku cares right back. And no one can convince me that it was accidentally gay, because Horikoshi literally felt the need to tell AND remind us that Katsuki doesn’t like girls. Plus, like I said before, all of that was done without neglecting Uraraka’s character arc.

But even though all of that is in text, I think shonen bros just expect it while also expecting the main girl and boy to be together… because that’s how it always used to be. It wasn’t until new-gen - starting with mha - started to purposely parody dated shonen tropes and twisting them into their own stories that shonen bros began to feel threatened by queer ships. Because they know that there’s actually a chance of them happening now, and I feel like IzuOcha not being canonized is the beginning of a new trend. And misogynistic anime fans already hate it.

Conclusion - TLDR

uh idk what to say here.

In conclusion, fandom culture kinda sucks because of unexpected reasons, Ochako’s character arc is ignored for the sake of men wanting her to be Izuku’s prize and it’s irritating as fuck, and I think previously accidental homoeroticism in old-gen shonen is becoming purposeful in new-gen shonen as new-gen slowly becomes more progressive and less misogynistic. Oh and bkdk canon ig (I don’t think I’ve ever said that before, strangely enough…)

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[rewrittenmha]

I'm gonna be completely real... I feel like BNHA should've been more about the LOV fighting to change a corrupt system instead of what we got.

They're way more interesting than the cardboard heroes and that they actually had a point in how things were and wanted to change that.

And that the ending would've been something similar to the ending in the DLC We All Fall Down from We Happy Few. Where now the people hate them, with time others will start to realize that they really did the right thing.

I like the idea of them meeting somewhere in the middle.

Because when you think about it, the heroes suffer a lot of the same things the villains do. Hawks and Nagant were exploited children raised to be assassins and used to do the HPSC's dirty work. Izuku, Shoji, and Monoma faced discrimination. Shoto was abused.

Someone, forgot the name, made a good point a few weeks back. That MHA is the only series that pits victims against each other instead of the abusers. And in a lot of ways, that's right. Because other series do that, but in a way that it's obvious and supposed to be something that's called out and amended.

A great example of this being The Hunger Games. The Districts are pit against each other to keep them separated and foster animosity so that they won't rise up against The Capitol. That's why some Districts are kept in poverty while others prosper. The only way to resolve this is to unify the Districts by making them realize that the true enemy here is the corrupt system.

I was waiting for the LOV to start to actually be the ones to teach Tomura this because let's be real, he's sheltered. What he knows about heroes was a bad experience one night and everything AFO told him. The other members actually lived through and faced corruption firsthand. Tomura didn't actually have a plan in the beginning; he wanted to destroy heroes but he didn't actually know why. Not until he formed the LOV. But the majority of the LOV's goals didn't align with Tomura's in the beginning, they aligned with Stain's.

Spinner, Dabi, and Toga even explicitly state that they were only joining the League because of its (fake) connection to Stain. Spinner because he wanted a world with justice and equality. Dabi because of his detestation for false heroes. Toga because she felt a kinship with Stain due to their quirks and wanted to find people like her after being outcast and shunned for so long.

And if we take these goals/motivations for what they are, they aren't bad at all. In fact, I would even say that they're reasonable. I barely counted Spinner as a villain until the Final War because he believed in true heroes and wanted equality for people like him, he even saved Izuku from Magne. Out of all of the LOV, he would have been the easiest to redeem.

(Yes I'm still mad that Horikoshi ruined him leave me alone)

The problem is, those goals were undermined by their actions later. They were either completely disregarded (Dabi), simplified (Toga), or contradicted (Spinner). Horikoshi basically said screw their established characters, they're one dimensional mustache twirlers with no substance. Every character who points out the flaws of society is demonized to justify the status quo.

And this is actually why I take issue with the whole every character having a villain thing. Because this shouldn't be a case of Hero vs Villain. We shouldn't be looking at the LOV like obstacles to defeat, or even to save. We should be listening to them. The goal here should have been to make a better world where what happened to them doesn't happen to anyone else.

My Hero Academia should have been a story of change, not war. And I think that's going to be the heart of this rewrite

[bibibbon]

Todoroki Rei doesn't feel like an actual character.

Her children do, Shoto does, Dabi does, Natsuo and Fuyumi do.

However, Rei just doesn't. We learn about how Endeavor DROVE her insane with his abuse, caused what she believed was the death of one of her children, made her grievously injure another, and locked her away from all of her children for a decade.

She should HATE the guy.

Yet when Endeavor sends those stupid manipulative flowers - she sings his praises and defends him to Natsuo. Tell me how that makes sense.

People have suggested Stockholm syndrome or manipulative psychiatry as reasoning for her inane Endeavor simping despite everything. Yet if this is the case, it should be portrayed tragically, like Harley Quinn is - not portrayed "admirably" and like she is "so kind" like some members of the fandom have called her.

There's also everything to do with Dabi, and I thought surely this revelation should stir up Rei's hatred. Yet it doesn't.

She gives Endeavor a stern telling off with the rest of her children in tow (which we were all cheering at because this is the bare fucking minimum. ) The Touya backstory hits (in part from Endeavor's POV because he's so reliable as the abuser and the cause of this mess 😒. Why didn't you let Touya tell his own story, Hori!?) It scapegoats her and Touya largely to take a lot of the heat off of Endeavor. And then... she tells Shoto as the hero of the family to save Touya.

Umm...no. Just no.

Endeavor is the hero parent. This should be his responsibility - but it should never be on Shoto to save the brother who wants him dead.

Then, in the epilogue, we find her being Endeavor's carer, staring up at her dying son, Dabi.

Do we see her talk with her son, Dabi? Do we see her cry at his state here? - Nope, it is all focused on Endeavor and his guilt/ self pity.

All she is allowed to do is pose with a solemn expression behind Endeavor's wheelchair and smile cutely at her abuser when the story demands it.

The injustice at the abuse victim - incarcerated mental patient - carer of her abuser pipeline Rei's story has taken is so disgusting.

I am horrified and appalled under Hori, Rei will never be free of her abuser and neither will the rest of the Todofam (Endeavor paid for thier new house after all - he still has the power over it and them as an extension of that. Abusive bastard.)

All I can think of is how horrible it is to handle an abuse narrative in such a way - uncaring of what real people this hurts.

THIS 👆👆👆

Yes, Rei doesn't truly feel like a real character at all because of the way she is depicted.

Even though all of the todoroki backstories come from either shoto, Touya or enji we still can see and notice the horror of rei's abuse. Even with there being almost litte to no focus on rei we can still how she suffered and get a general view to how she was driven to insanity.

So just imagine if horikoshi actually allowed rei to have her own proper perspective and we see HER STORY FROM HER VIEW! @thr0wnawayy (puts some of it into deeper perspective) imagine how gut wrenching it would of been and tell me that she would somehow be okay with being enji's caretaker in the end like he isn't at fault for what happend to Touya (touya's death is literally stated to be her final straw and that she fully broke down after that). Imagine rei a young women who tried to do everything for her children and failed, she ended up hurting them even though she wanted and tried to do what she can to protect them.

Rei should ultimately despise enji completely heck there is no reason for her to like him or tolerate his existence at all. I wholeheartedly doubt that her relationship with enji can even be good in the slightest and her having Stockholm syndrome or manipulative psychiatry also to me doesn't make sense at all after the guy put her and her children through straight hell. Why is her opinion of enji somehow swayed after flowers? He doesn't do anything except send flowers (and I don't even think he has always done that) it's like she has no one. It's like the narrative is blatantly ignoring fuyumi and natsou who stay with their mother and keep her company. Heck fuyumi and natsou brought their mother clothes but somehow only enji's flowers hold any significance. What about shoto who after everything also started a relationship with his mum?!?!?

Why the actual hell does the narrative frame enji giving rei flowers as somehow more meaningful and symbolic than her children doing the exact same thing and more for her!!!!

How about we talk about how horrible rei's condition must of been if she and the doctor said that she shouldn't see enji even though she hasn't seen the man for a decade?!?!? How about we talk about how Rei literally said that she was scared of seeing enji even though its been 10 years?!?! Why does the narrative seem to ignore this moment and its exactly when this moment is ignored that her making an appearance face to face with enji holding the flowers he gave her in chapter 300 is such an underwhelming scene. I personally felt such mixed emotions with that scene.

This scene and what comes after it all feels weird to me and it fails on so many notes. Rei comes in holding the flowers enji has given her and we are supposed to interpret this as her finally overcoming her fear of enji and stepping up both as a character and parent but it falls apart because

We aren't that emotionally connected to rei (she should of had her individual arc that tied her to the family and allowed us to see her prespective)

We haven't seen the steps that led her to becoming like this

After she doesn't even properly beat or scold enji at all. It all ends up being a pathetic speech where the narrative seems to shun from putting almost majority of the blame on enji and instead she continually says its her fault (the narrative tries to paint it like it's all of her fault when It isn't she is part of the problem but enji never seems to get that much criticism)

All of these reasons are there to show that Rei doesn't feel like an actual character. She starts and ends the same and even when her son, Dabi ends up in the same position as she starts from she doesn't even speak to him in chapter 426. Actually she tries and all she says is that she has a lot to talk to him about but then enji hogs all the screentime and she stands back separated from the conversation.

Rei, unlike her family is also not written in a way to fit the families dynamic. Her character isn't logical in a way where she is supposed to hate enji after all he did. Rei also doesn't have role unlike the other members of the todoroki family.

We clearly see that fuyumi wanted a happy family and tried her best to keep up appearances.

Dabi absolutely despised his family after he learnt about his creation but ultimately even as he tried to run away he still has memories of playing with natsou and even when on the verge of death in the 2nd war arc he instinctively calls out to them.

Natsou is like dabi in hating enji and wanting to run away except he follows and accomplishes this in a different path.

Shoto is completely trapped and is supposed to be the saviour child whether that be for enji wanting him to be his masterpiece or for rei putting the title of family hero onto shoto (which she shouldn't of done at all)

Enji neglected dabi and he is the reason why dabi was made. Rei acknowledges this multiple times that what touya wanted was his father's love and attention and she even goes to blame herself saying that she should of tried harder into convincing enji to talk and spend time with his son (which she already did before but he flat out refused and ignored her)

After this rei also claims that shoto is the families hero and this puts pressure on shoto to save dabi, his brother who wanted to kill him for being enjis favourite ever though he never asked for it and actually ended up suffering for being enjis favourite.

Yes, shoto reaching out to rei was important for both shoto and her. It symbolised shoto starting to heal and reconnect with his mother whom he cared about so much and for rei it was a new hope for her and a new goal to be a good mum to reconnect with her child. However, shoto isn't the families hero. He doesn't need all of the families problems on him and he for sure doesn't need to solve them all especially when enji was the one to cause them specifically the ones to do with dabi.

Ultimately I stand by the choice that enji should of died in the first war arc giving more focus to shoto and the rest of the family members.

Enji would die in the line of duty so you would probably have a lot of people try and excuse his behaviour and this would be a good way to explore how this negatively effects the todoroki family and dabi who grows to have even more resentment and has to learn that shoto's life was full of suffering under being enji's favourite.

Rei should of had an arc that tied her into the jaku hospital arc where she learns about touya and stands up to enji at the same time while coming face to face with a lot of the new information and maybe even learning about genten himura her distant cousin. There is so much that could be done with rei and all we got in Canon was a horrible non existent arc where she is used to prop up her abuser!

In the end enji doesn't face consequences for his actions (being disabled isn't a consequence) and his whole dance in hell with dabi ain't even effective because enji hasn't experienced true hell (not to the extent of dabi). In the end enji still has people and he still has money his hell can be paradise for some people like the villains.

[harukamitsuki]

I need Bakugou stans to realise that it's not that I hate him as a person. It's that I hate him as a character.

A lot of my favourite characters are unrepentant assholes, or assholes who are set to or have already been redeemed. Vegeta from DBZ, Ouma Kokichi from DGR: V3, Dio from JoJo, Laxus from Fairy Tail, Greed from FMA: B, Bill from Gravity Falls, and the list that goes on.

If a character is a terrible person, that's fine by me. But if the author tries and fails to redeem them, yet still acts as though they are suddenly this amazing person, that's when I have an issue with it.

Bakugou was originally written to be a minor antagonist, and that would have been fine, if Horikoshi didn't suddenly go "I drew him crying so imma fix him".

Redemption is such a complex yet simple thing to do. So when you try to do it and fail spectacularly, um, yeah, I do not enjoy that character or your writing.

That is my main issue with Bakugou. I do not think he deserved any redemption, not because he's a bad person, but because there is nothing to convince me that he could change.

He gets one scene where he goes, "boohoo I lost and everyone is stronger than me" then cries, and that's supposed to be enough for him to become a better person? That is nowhere near enough.

There was no moment that made me believe he genuinely regretted and took accountability for the abuse he put Izuku through in middle school.

"He changed!" That's not my issue. I don't care that he's changed. I care that I don't believe in it. If there was a plausible reason as to why he changed, then I would be fine with it. Maybe I'd even enjoy him!

The fact that he's changed doesn't mean shit if it's not believable.

"That was in middle school!" Okay. This one pisses me off the most. That was a year pre-canon? Oh, wow, I guess that's completely fine! It's not as if characters are the way they are based on their past. Oh, Itachi killed the Uchiha clan before canon! Okay, maybe comparing a massacre to bullying is a bit unfair. Still, just because it happened a year ago, it doesn't mean it never happened. It doesn't mean that he's changed considerably.

"Izuku doesn't have any lasting damage and forgave him!" And? Just because your friend forgives their bully, it doesn't mean you have to forgive them. And, again, I do not believe Bakugou's apology was good in anyway. He was trash-talking Izuku, blaming All Might for Izuku's behaviour, and didn't accept any culpability for what he did to him. He didn't tell anyone else what he did to Izuku. Also, if Izuku really didn't have any lasting damage from the bullying, then why did Bakugou's apology make him calm down? If he didn't care about the bullying, then why is he so relieved by the apology? BECAUSE HE WAS AFFECTED.

"Bakugou was being abused!" ... NO HE WASN'T!! Mitsuki is not abusive. Yes, she hit him round the back of his head. After he threatened her. Anyone with Asian parents can tell you that her hit does not hurt. Not only is it somewhat normal in Asian families, but it also doesn't hurt. We have no evidence that she is abusive. Horikoshi knows how to set up abusive families, as seen with the Todorokis. This not that. Either way, even if she was, being abused doesn't mean it's okay to abuse others. You can hurt without hurting others.

"It's the school and teacher's fault!" No, it's not. Part of the fault lies with them enabling him, but Bakugou is already fifteen when the series starts. His mother clearly doesn't agree with his attitude. The school is only partially to blame. Bakugou should have learned by himself what is right and what is not. In fact, he clearly does know considering he doesn't want any of that stuff on his records in case U.A. rejects him.

Again. I don't care if he's a terrible person. I care that he's a terrible character.

So the next time someone says that I'm stuck in Season One, take a moment and think about what you're saying. Bad people in fiction are entertaining. Bad characters are not.

[codenamesazanka]

Story has this tendency to add more suffering after the initial horror backstory, as a way to delve deeper into Hero Society/the world:

Shigaraki didn't just have a deadly quirk and was never saved by Heroes - his dad abused him and his family enabled this and then he killed his entire family and was ignored by dozens of bystanders before being picked up by a Villain who gives him his family's severed hands to fuck with him. Then it turns out even his birth was plotted by AFO.

Twice wasn't just a criminal who suffered a traumatic break. He was an orphaned 16-year-old who was kicked out onto the streets and turned to using his quirk for comfort, before falling into crime.

Spinner wasn't just called some names and got bullied and became a hikikomori. He got sprayed with pesticides for daring to walk outside, and admits that he was ready to completely give up.

Toga didn't just had to go to quirk counseling and repress herself. Her parents emotionally abused her and quirk counseling truly was to stuff her into a neat, 'normal' box and even when she was unconsciously biting her wrist hard enough to bleed in her sleep, no one did anything.

Touya wasn't just neglected by his dad and went villains for revenge. He was cornered to the point of a mental breakdown, before being alone when he nearly burned to death, was in a coma for three years, escaped from a shady AFO-ran orphanages, came home to see Enji still beating up Shouto, then became a street kid for the next 8 years.

AFO and OFA wasn't just two siblings with quirks living through a time of chaos where people quirks were considered subhuman. They were born to a homeless woman who died, and so they becoming orphaned trash river rat babies who lived on the streets their whole lives.

Scissors-kun wasn't just tied up and locked away in his own home by his parents. His family and multiple relatives were all involved in the abuse and cover-up, in which he was locked in a basement for years and they even sew his mouth shut (implied because he cried too much), before being purposefully abandoned when the town was evacuated due to it turning into a war zone.

From his latest interview, Horikoshi apparently writes things because he wants his story to be interesting and evoke strong emotions in readers. Fair enough. I think he chooses these absolutely awful backstories as a way to make his villains understandable and sympathetic - so we can clearly understand their anger and pain and know why they would seek out destruction even if those crimes are inexcusable. Also fair. Or maybe it's just the logic of the darker the backstory, the more heartwarming the lukewarm save will feel - if they've suffered so much, they should be grateful they're even getting a bit of relief.

But the thing is. Because these horrors are so atrocious and clearly the results of how corrupted and dysfunctional and cruel Hero/quirk society is, I really have no choice but to loathe Hero society and basically all who upkeep it, and wish for its complete upheaval.

Scissors-kun revealed to be the victim of one of those years-long confinement cases, undergoing years of neglect and social isolation, and then even mutilation, all because his family can't accept his quirk, and no Hero even knowing of his existence to save him from his own family - him being saved by Old Lady holding his hand doesn't bring me joy. I don't see change. I see an injustice that occurred long before the League ever started their terrorism and continued even after they were defeated, and only recently alleviated partly because the League lashed out and forced some reckoning, and even this help Scissors-kun received is the lowest of bars.

It makes me want the society that allowed something like this to happen to him to be utterly destroyed.

[pikahlua]

I hope this will be short.

I guess this line is the fandom drama of the chapter?

I understand a lot of you are really passionate about the accuracy of the English translation. I just want to encourage you to try to engage with the official translation in good faith.

Ojama shimasu literally means "I am disturbing you/I will get in your way." It's often spoken as a greeting where the "apology" is implied (hence the brackets in my translation), but as usual context is everything in Japanese. Izuku is saying this line in defiance of Tomura's wishes. It basically comes across as Izuku plugging his fingers in his ears.

Me personally? If I were the official translator, I'd have strongly considered translating the line as "I'm coming in whether you like it or not."

The purpose in my pointing out the "common greeting" nature of this line was to demonstrate Izuku's sassiness. This is Izuku doing his "meddling where you don't technically have to" thing. The level of formality in Izuku's speech doesn't necessarily translate to actual politeness (check out @bakuhatsufallinlove's excellent post on that here).

Does "You will let me in," mean the exact same thing? Technically no, but it's the sentiment that counts. From an official translator's point of view, "You will let me in," is shorter, punchier, fits in the speech bubble a lot easier, and still conveys the general idea of what's happening in the scene.

I don't know. I wanted to talk about this because I guess a lot of people are concerned about Izuku's characterization and how it reflects on Japanese culture and how the official translation may be misrepresenting Japanese culture to the English-reading audience, and I just...can I ask that everyone take a step back a minute? Horikoshi isn't writing his story for an English-reading audience. He's not considering at all how any of this sounds to English speakers. That's the translator's job, not just to translate what is said but to translate that into the context of who is reading it. Localization is not a dirty word--it's an important aspect of translation. And the notion that Izuku is being polite and respectful here as a Japanese person is just such a...take. Izuku is being hella rude here lol. Japan itself, not just the MHA Japan but REAL WORLD Japan, notoriously has a bystander problem where people will ignore others who are being harassed because they don't wanna get involved. They won't step in to help nor will they even testify as a witness against others for fear of what it means to speak out and break from the pack. Izuku is quite obviously Horikoshi's direct answer to that phenomenon. He's meant to be an example of the morally correct thing to do, which is to be "rude" in these cases.

So I mean, sure, we can talk about what is lost in translation by the line, "You will let me in." But to me what's lost may just be grammatical and pedantic (like the passive voice that switches the onus of action onto Tomura instead of Izuku and what that may do to the focus on Izuku's rise to action here). In any case, it's not a BAD translation that changes Izuku's perceived politeness, just one that may prompt new discussion--and I don't think that's a bad thing.

[lilybecca1]

Ayo wtf??!

I thought this was fake or some fan made game but I'm actually just finding out this is somewhat legit??

How on EARTH-

And "Don't forget the straight man" 😭😭😭 lmao which one??!

Okay I'm not even gonna question it at this point 😂 when it comes to them, anything is possible

I swear Horikoshi is about to turn into Scott Cawthon or some sh*t cause there ain't no way these are not hint bombs that they're dropping on us.

Cause you guys remember what Scott did with FNAF? It just started out as a game, but as the story got bigger and bigger and not exactly kid-friendly he instead started dropping hints in other games, books, novels, literally everywhere. And even though technically he "retired" and doesn't really control the content anymore, he still very much has an influence on everything that comes out and everything is still canon to the story even though it's technically not created by Scott Cawthon anymore.

So may I ask...wtf are you doing Horikoshi???

Because most mangas just end when the mangas end right? That's the story. The end. Nothing else to discuss. But like I guess MHA is a special case in every aspect. Maybe Hori is going towards the dropping hints style story, because there were a lot of things left unsolved right? Take Midoriya's Dad as an example. Or the fact that no one became canon, or more like Bkdk didn't become canon. So if we think about it in the Scott Cawthon sense, Scott started dropping hints partly because the content was really not on the PG-13 side anymore. So what if Hori decided not to make Bkdk canon because of the public backlash the manga would get? Cause let's admit it, there would be a LOT of haters if that happened. What if, instead of making them canon, he's just dropping hints now everywhere for us fans to figure it out?

That would be insane, but he wouldn't be the first person to do it. And yes, hints aren't exactly canon, these are all just theories...but they very much might be intentional, and that means something, right?

Anyway, here are some more stuff from the new update:

De..Izuku

Man I love that they added that in there

Mhmmmmmm Suuure

The Hey..Izuku reference 😭😭😭 stop, you're hurting my heart

WE'RE A TEAM I CAN'T-

Man I love how they're both so utterly hopeless when it comes to being romantic

This feels like that scene from that one Memories episode..

Also I have a feeling if these two ever went on a date they'd just be training together 😭 and that would be the most romantic sh*t we'd ever see from them

[epickiya722]

"How is Horikoshi going to wrap up everything on five chapters?"

I don't know, you don't know. We just know Horikoshi and his team have a plan and they know how MHA is going to be wrapped up in five chapters.

They got it, they'll handle this. At the end of the day, this is Kohei Horikoshi's story.

Regardless, I feel like this is the case with some of you.

You're afraid of being disappointed. You're afraid of being disappointed because you have these expectations set so high. With that kind of standard, you're never going to be satisfied with anything.

So stuck on "this must satisfy me and only me" that you forget that that story not written by you is a story that is just being shared with you. Not given to you because you're special and you're not.

On top of that, some of you just crave for more, more, more. And more. And more. Even more.

You want nonstop content being pushed out while being impatient about it (looking at you, 'how dare we not get a new chapter this week' folks).

Just because one manga had been going on for longer than another, maybe even came out before that one, doesn't mean every manga is meant to last for a long time. Manga, anime, TV show, comic book, novel series, etc.

Fun fact, Horikoshi's previous works didn't last for ten years. His last one, Oumagadoki Zoo, lasted little less than a year. From July 2010 to April 2011.

Three years it ended before My Hero Academia came into the picture. And I'll be honest, I doubt Horikoshi even planned for MHA to last this long because he didn't have the experience before.

Once it got to a certain point, I doubt he even wants for MHA to go even longer.

Hell, that's something I know all too well as someone who writes. And from what I remember, stories have a beginning, a middle and an end.

Stories aren't meant to keep going on forever. They're meant to be read, to be told, to be understood, to be enjoyed.

Not be graded like some college report and not ongoing like the people who create those stories are damn machines.

Something that it's very clear to me that some of you forgotten that. Or even care, let's be real.

Some of you want perfection so bad and yet can't even write your own damn story.

Who even wants a perfect story anyways? I don't know about the rest of you, but a story with flaws is a story that could be learned from. Stories can guide you, too, in more ways than one.

Horikoshi's writing to me, at least, isn't perfect. It's entertaining. I got into MHA because I was entertained by the concept. I got interested into it because of a meme I saw. You think I wouldn't want to seek it out and see if it will entertain me?

Yes, there are some points of the story where I wanted to pull my hair out and I don't doubt that a future part may make that feeling return.

But at the same time, what if... that's the point? Maybe you were meant to feel that emotion? Maybe that's what the writer was going for?

Are you understanding me?

Maybe, example, with the end we got for Tomura was meant to upset you? Sadden you, anger you even? Stories work like that sometimes!

But I doubt the writer should be condemned for it because at the end of the day, it is just a piece of fiction. My Hero Academia is the same story where a woman can grow to the size of a building and a kid has a speech bubble for a head.

Now does that sound like a story that you should be acting like a complete fool over? Wishing harm towards and arguing with others over? Huh? Does it?

Honestly, after MHA ends, if you choose to move onto the next manga, anime, whatever how about stop expecting so much?

How about stop having this entitlement that the story must go your way and your way only?

How about remembering that eventually that story will end?

[autumnmobile12]

I've seen more than a few posts by now asking why Horikoshi doesn't just kill Dabi off by now, and frankly I agree with that question. Let's be honest, killing him would be a mercy at this point and in spite of everything he's done, I don't thinking another prolonged coma with sporadic moments of consciousness is a punishment that fits the crime. He killed 30+ people, caused mass destruction, and tried to overturn an entire society.

Giving some crossover insight, Light Yagami probably killed millions with the Death Note, and I don't think even he would deserve the fate Dabi got. His poetic justice was he was an arrogant psychopath who died a pathetic death in a warehouse. The vampires of Castlevania Netflix have killed and tortured millions of people over the centuries they've been alive and out of all of them, I think only Erzsébet Báthory might deserve that fate, and that's only because she's ascended to goddess status and may be unkillable at this point and eternal imprisonment might be the only option.

So why doesn't Horikoshi kill Dabi off already?

Well....Horikoshi does have a problem with killing off characters unless its for shock value. There's no reason Nighteye, Magne, or Midnight had to die other than shock value. Most other characters that are killed off are barely in the series long enough to consider them a noteworthy death.

You could argue that Magne's death was to show that Overhaul was a new villain that meant business, but given the fact Overhaul doesn't kill or maim any other character the same way unless it's one of his nameless henchmen, his power doesn't prove to be that much of a threat to the main cast.

When Midnight reacted to Majestic's death, I legitimately asked, "Who?"

Endeavor confronts Dabi about killing Snatch and even Dabi asks, "Who?" (Also, why? Did Endeavor even know Snatch? Why bring that up?)

Why did Star have to die? To showcase how strong an opponent AFO/Shigaraki was? Uh, we already knew that...? To show why no other nations were getting involved in the fighting in Japan? A simple doomsday message from multiple nations that says, 'You're on your own,' would have sufficed. AFO could have been blackmailing world leaders into staying out of it. There could have been an international conspiracy of corrupt leaders who were in on it. They could have been having the same issue with mass prison breaks and couldn't help out. There was no need to invent a whole new character for any of that, so her death was a waste.

Arguably, Twice is the only character I can think of at the moment whose death was plot relevant. Realistically, how else was that fight going to go down? He and Hawks spend the entire battle in a weird standoff?

So either Dabi's current state is the result of creator cruelty or:

In the last couple chapters we have left, we're going to find out Eri's Quirk is not as damaged as everyone thought it was and she comes in clutch to save everyone. It's a cop-out ending, but I tentatively think this one might actually happen yet, mostly because it would neatly fix Bakugou's destroyed hand and some of the other characters who were maimed in Final War to the point their Quirks are barely usable.

Dr. Garaki cuts a deal where he biologically engineers a solution that saves everyone in exchange for a reduced sentence. Also a legit possibility. Would not be shocked if President Hawks visits the guy in prison and says, "Listen, a lot of people got really messed up in that last fight, so we've got a proposition for you." Saving both heroes and ensuring the villains actually live out a life sentence.

That unknown figure wandering around the wasteland does prove to be Shigaraki and he's got some unknown Quirk from AFO that could potentially save his comrades and we're headed for a Harry Potter Musical 'It's Not Over Yet' twist ending.

If the rumors about My Hero getting a sequel series are true, Horikoshi may be keeping Dabi around in case he has a use for him there. I don't know how that would even be possible, but I do admit the possibility of this conversation does make me laugh a little:

Pro Shouto: The plan couldn't have gone more wrong. Deku was in the wrong place. Bakugou was being Bakugou. Yaoyorozu had a relapse in nervousness and just created those weird dolls of hers instead of the materials we actually needed. The whole thing made the civilians laugh though. Not mean laughter, they were entertained and that's important, but if we were still in school, Aizawa would have expelled us all for sure.

Dabi: ...as much I just love our bi-weekly challenge of how long we can keep a conversation going before that heart monitor goes off and they put me back to sleep, do I have to listen to you bitch about work?

Pro Shouto: You said you wanted to hear about the outside world.

Dabi: Yeah, the fucking weather and shit.

Pro Shouto: You want a full forecast or--

Dabi: Don't make me come down there.

...

Realistically, none of those four scenarios are gonna happen, but the sequel rumors are preventing me from discounting them outright.

I would say there's no point in having that last minute 'everyone is saved' because that's it, that's the end, but then I remember Zuko's last line in Avatar is, "Where is my mother?" and opened up that whole subplot for the graphic novels.

So I don't know anymore.