#in case horikoshi doesn't

[brewstersbru]

Another bkdk after the leaks so,,, SPOILERS 🧨🥦 boys need to talk

Part of Katsuki wishes he’d stayed dead. At least, then, he wouldn’t have to watch Izuku struggle through losing a quirk he had worked so goddamn hard to master. That still had so much potential.

And, well, he’s a little tired. He’d done something good. Helpful. Kept Shigaraki’s attention away from the others for a bit. Bought some time.

He did what he could, and it wasn’t enough, and he’d made his peace with that. Dying for Izuku was infinitely easier than living like this. Weak, and injured, and liable to cry at any moment, or stray word.

Izuku needs Katsuki to be strong, and Katsuki is failing him.

There are embers. There’s a spark, a possibility, but Izuku isn’t letting himself hope. Katsuki wishes he would, that he’d stop looking so goddamned sad all the time. His eyes were meant to shine.

The hope is heavy, and it hurts a little, but Katsuki has done much worse for Izuku. To Izuku. So he holds it for him, until he’s ready to pick it up himself. He asks about the embers often, little nudges to remind him that it’s not over, yet. Not if he doesn’t let it be.

Izuku tolerates it, the first few times, but he gets snappy after a while, defensive. Katsuki recognizes himself in it, and wonders when they’d started acting so much like each other. But he keeps on because Izuku had never given up on him, not through years of his terrible attitude. He can do this, at least. At the bare fucking minimum.

His arm heals, slowly, but it still hurts when it rains; his chest, too. No one lets him participate in clean-up or relief efforts until he gets an OK from the doctor. Izuku drifts into himself, pulling back from the class, talking less. Katsuki can only watch as he isolates himself, prepares to leave because he can only believe in a sure thing, not measly embers. Katsuki gets it. Getting his hopes up for nothing would break him. But it seems like he’s already breaking, anyway.

Katsuki has quieted, too, but for medical reasons. Although, after the initial shock, he’s found he likes how his classmates treat him for it. They’re tactful, don’t try to rile him. The anger is still there, but it simmers, and most of it is for himself. Whys and what-ifs, internal beratements for not being man enough to actually talk to Izuku, when the other boy had given so much of himself to make Katsuki good. When he’d saved the fucking world.

Part of him is annoyed at Izuku’s refusal to want something for himself, too busy jumping around to help with relief efforts, clinging to the vestiges of a world he’s already counted himself out of. Makes him grind his teeth at night, ‘til his jaw’s sore.

Everything comes to a head—not on the battlefield, not standing opposite one another in a dying city—in the kitchen. Katsuki wanders in, thinking of the ingredients on his shelf, what he could make from them in bulk enough to feed the leeches, and finds Izuku staring up at a jar just slightly out of reach.

Before Katsuki can speak up, offer to grab it for him while dodging accusations of pity—God, is this what he was like?—Izuku bends his knees, once, twice, and jumps. In a fluid set of movements, the jar is snatched off the shelf and he lands, cat-like, on his feet.

Fa Jin. That had looked exactly like Fa Jin, and Katsuki swears there was something green and crackling around his ankles. He almost wants to laugh- how does Izuku not see it? Instead, he asks, “That was the embers, wasn’t it?”

Izuku startles, but nothing more than a slight flinch of his shoulders acknowledges Katsuki’s presence.

“I told you to stop with that.” He says, voice low. Katsuki shrugs and steps further into the room, shoving his hands into his pockets.

“Just telling it like I see it. That looked like Fa Jin.”

Izuku snarls and whirls on him.

“Do you like rubbing it in? Fuck, Bakugo, I thought we were past this.”

‘Bakugo’ hurts. Stings and aches somewhere shallow, close to the surface. But he deserves it. Deserves more than that, really, so he takes it on the chin and lets it roll through him. Katsuki averts his eyes.

“I’m not trying to rub anything in, Izuku. Just wish you’d stop taking this shit lying down. There’s a chance. What happened to the Izuku who only needed that much? Who’d reach out and dig his nails into any scrap of a something?” His voice cracks halfway through. Izuku smiles, but there’s no joy in the expression.

“I don’t know what you want from me. ‘That Izuku’ went to war. He couldn’t save anyone. Maybe he’s realizing he’s not cut out for this.”

Katsuki sneers.

“Cut the shit. You’re scared, I get it, but don’t you ever tell me you don’t want to be a hero. Don’t fucking lie.”

“They’re embers! Just embers!” Izuku laughs, a little hysterically. “I can’t be a hero with a dying quirk.”

He’s tugging at his hair, curling in on himself in a way Katsuki hasn’t seen in years. He hates the look of it on him. Wishes he wasn’t the one making him do it, again. It’s necessary, he tells himself, he needs to hear this. Doesn’t make doing it feel any better.

“Embers become flames if you fan them, if you coax them back. You can still be a hero, you just need to start believing that. Stop stifling yourself!” Katsuki takes a deep, watery breath, stepping forward and clutching at his chest, as if that will push the emotions bubbling up back inside. Stupid tear-ducts, it’s like they’re on a hair-trigger these days. At least with Izuku.

“Stop giving up!” He gasps, gritting his teeth to try and stop himself from crying. It’s pointless, trickles of warmth carve their way down his cheeks, thin and slow.

“Fuck.” He mutters to himself, swiping at his eyes and turning his head. Izuku needs to focus on himself right now, not another pathetic mess of tears.

“Kac-Katsuki.” Izuku stumbles, shell-shocked by the sudden shift. This is exactly what Katsuki didn’t want.

“Fuck off.” He says. “Just- just think about it.”

And without even attempting to check his shelf or start preparing dinner—it can wait an hour or two, until he’s calmed down, until Izuku’s left—he turns to leave the room. They’re not getting anywhere. He’s said what he needs to say and it’s up to Izuku whether or not he’ll listen. As much as he fucking hates it, he can’t do more than that. He’s never been good with words, anyway.

 Just as he makes it to the doorway, something tugs on his wrist. Too thin to be fingers, more like a rope, but not nearly coarse enough for that, either. It’s familiar, very familiar, but he- that can’t be right. He stops in his tracks.

“Kacchan.” Izuku’s breathless voice sounds from behind him, all previous frustration gone from it. Katsuki furrows his brows and turns his head, slightly, enough to see behind him from the corner of his eye.

Izuku is standing a few feet away, hand outstretched towards him. A thin, black ribbon protrudes from his palm, extending to where it’s wrapped tight around Katsuki’s wrist. Blackwhip. It’s the first true sign that Izuku’s quirk is not all lost. They both stare at the line connecting them, but Katsuki’s gaze quickly wanders. He already knew Izuku was capable of this. He looks into the other boy’s eyes, searching for that spark, and he is not disappointed.

A tiny, glinting shine has come back to his irises, highlighting the green ever so slightly into a bright, clear happiness.

“What’d I tell you, nerd.” Katsuki says, just the slightest bit fond. He presses his fingers to the tendril still curled around his wrist. Izuku’s gaze snaps up to him and he grins. Before Katsuki can ask what the look on his face is about, Izuku thrusts his other hand forward and another tendril unfurls, drifting towards Katsuki and wrapping around his waist.  

Izuku then pulls both hands toward himself, hurtling Katsuki towards him at speeds the blond hasn’t felt in far too long. He can’t help the smile creeping onto his lips.

“Thank you.” Izuku whispers, wrapping Katsuki in his arms as soon as he’s in range. Katsuki has to scoff.

“I didn’t do anything.”  

Izuku just squeezes tighter. “I couldn’t do this without you. I don’t know what I’d do if- if I ever had to.”

Now that’s just not at all what they were talking about. Something hot and wriggling awakens in Katsuki’s stomach.

“Fuck off.” Then, taking courage from the fact that he doesn’t have to look in Izuku’s eyes as he says this, “And- I- you did save me. Way before I. Y’know.” It’s choppy, near incomprehensible, but Izuku understands. Before he died.

Something warm and wet drips onto Katsuki’s shoulder. Fucking finally. The crybaby needs it. It’s not platitudes, and Izuku knows better than to accuse Katsuki of something like that. Katsuki only says exactly what he means. And it seemed like Izuku needed to hear it.

Can’t go around thinking every goddamn thing is his fault when it isn’t.

Finally, after a few minutes of unsettlingly quiet crying, Izuku speaks.

“Still. You died because of me. I can’t forget that. It’s the second time you’ve put your life on the line for my sake and I can’t- I don’t think I could handle a third.”

His voice is slow, careful around the words as if he’s thought through them a million times. Katsuki sighs, closing his eyes.

“I’d do it again. Will do it again, if I need to. I’m not going to apologize for that, and I’m not going to promise not to.”

Izuku pulls away, brows furrowed as he steps back to look at Katsuki.

“You can’t just throw your life away-“

“It’s not throwing it away if I’m stepping in for a purpose, shithead.”

Still, Izuku shakes his head.

“It is! I don’t care what you’ve told yourself to justify it, I don’t want you to do that anymore. It scares me.”

Emotions keep bobbing up and down in Katsuki’s chest, like buoys in a storm. He scratches at his elbow, unable to meet Izuku’s eyes. They weren’t here to talk about him. They should be celebrating Izuku’s breakthrough, not wasting time with this.

“Izuku, I told you- it’s fine. It’s my life. I choose what I do with it.”

“But that’s just it, it’s my life, too, shouldn’t I get a say in what happens?”

Katsuki grinds his teeth against each other. Now that he’s not shrouded in gloom, Izuku’s back to being just as stubborn and insufferable as ever.

“That’s not the same. Idiot. You’re going to be the next ‘symbol of peace’ or whatever. Fuckton of potential.”

Izuku tilts his head. “What, and you don’t have potential?”

Katsuki looks away.

“You’ve got to be kidding me. You’re joking. Kacchan-“

“I’m injured. It’ll only get worse with time, Izuku. And my quirk can only do so much. Shigaraki was able to kill me because I wasn’t strong enough. If I keep going like this, I won’t be able to get much stronger before I bite it. Might as well use what I’ve got to do something. Make up for the bullshit. I had a lot of time to think, after our talk in the hospital. I’ve made my peace with a life like that. I think it’s a worthwhile goal, keeping you alive.”

Izuku isn’t speaking, but a new wave of tears has started streaming down his face as he shakes his head, frantically. See, this is what Katsuki was trying to avoid. He only looks like that because Katsuki had opened his big fat mouth and ruined the moment. Fuck. He cringes at himself and is gearing up to switch the conversation to something less catastrophic when Izuku speaks.

“Shut up.” He says, voice ragged. “God, shut up. What happened to being the strongest?” When Katsuki doesn’t answer, he continues, nearly snarling. “You want to make up for your shit? Stay alive, then, asshole. Fuck.” He scrubs at his cheeks, muttering to himself. “Right after I fucking told you I couldn’t live without you?”

Katsuki doesn’t think he’s seen Izuku curse like this, well, ever. Maybe he’s rubbing off on him? All he can do is stare, dumbstruck, trying to parse through the words. It’s not like- he isn’t trying to die, it’s just that if it came down to it, and it was his life or Izuku’s, the choice would be easy, he’d make it in an instant.  

Katsuki scrubs a hand through his hair. “Okay. Alright, let’s drop this-“

But Izuku isn’t having it. “Promise me.”

“I’ll- fucking- do my best.” Is all Katsuki can manage. Izuku watches him for another minute, dubious, before accepting that’s the best he’s going to get.

With a disbelieving laugh, Katsuki straightens, digging the heel of his palms into his eyes.

“Shit. We weren’t supposed to get into all this at once. Just wanted you to get your spine back.”

There’s a warmth against the back of his neck as Izuku pulls him in for another hug. He can’t find it in himself to protest. It’s just the two of them, and he kind of likes it.  

“Thank you, Kacchan.”

The thanks curdles in Katsuki’s gut, unearned and unwanted.

“Don’t thank me yet, I’m enlisting you to help with dinner, now. Since you’re already here.”

Izuku laughs and it feels like fireworks against Katsuki’s ear. He’s missed that sound.

[loganslefttit]

Just stumbled across this post and noticed that Deku's thighs are THICKER THAN URARAKA'S

And to prove my point to my friend (who didn't want to accept it) I made this:

Deku's and Uraraka's thighs are the same length but the THICC-

[smallmightsupremacy]

Izuku isn't losing his arms and here's why:

Okay so I know that we're all freaking out over that one manga panel, but we really shouldn't be.

Deku isn't going to lose his arms. It's all in his head.

Just stay with me.

First and foremost, look at the reactions from the characters when they join the battlefield. Specifically Aizawa:

What about this screams 'one of my students just lost both of his arms and may not end up having a future as a hero anymore?'

You would think that if Hori were to really go through with Izuku losing his arms, he would put more emphasis on the characters' reactions to make it more impactful, right?

To further reinforce this idea, we also need to consider the significance of Izuku's hands in Katsuki's arc. Whether you view their relationship as romantic or not, you can't deny that Izuku's hands holds significance to Katsuki. It represents the time when their relationship first fell apart, and I think in order to call their relationship fully 'healed' and complete Katsuki's growth, he's going to need to accept Izuku's hand again.

I mean, look at how foreshadowed the handhold is. There's no way they're not going to be holding hands by the end of the series. It's a necessity at this point.

And yes, you can argue that they already did hold hands, but to me that handhold didn't seem like the official one. It wasn't as impactful as it could've been. Now, while I'm not saying that the handhold didn't have any emotion to it, I feel like it's impact got a little diluted by Katsuki's revival. It wasn't the main focus. I think that the proper handhold is going to come later and be in it's own moment.

And, I mean, Izuku kind of needs his hands for that to happen.

So now you may be wondering, if Izuku hasn't lost his arms, then how do you explain what's happening to him right now?

Well, like I said earlier, it's all in his head. I think it's AFO fucking around with his mind.

I think AFO is somehow manipulating the vestige world and OFA mental connection he was with Izuku to make him hallucinate that he's lost his arms. He wants Izuku to crumble, and what better way to do that than to convince him that his dream is over and that there's nothing he can do?

I feel like this has also been foreshadowed in a way too. Take a look at this picture:

This image already foreshadowed Ochako getting stabbed in the chest, so perhaps it's also foreshadowing Izuku's fate?

The knife is in his head, so perhaps it's hinting at him being affected psychologically?

Also, the idea that it's only those that are connected to the vestige realm that can see the illusions that AFO is planting would be a great way to get Katsuki to be a part of the final fight too.

We already know that's he's going to be involved somehow. Hori himself said that the ending for mha was going to be better than the ending for Hero's Rising (the one Kats and Izu share OFA), and what better way to improve that than have Katsuki come save him from the mind fuckery?

I also think that finally having Izuku and Katsuki fight side by side has been foreshadowed for a long time, and if that really were to happen, then there's no better time for that than the final fight.

Also, Katsuki's really the only one that can save Izuku right now if my theory were to be true. He's the only character that fits the very specific requirements that Izuku needs (being connected to the vestige realm, and also having a willingness to save/help Izuku).

Speaking of, Katsuki being connected to the vestige realm was a shock for us all, and it doesn't make sense for why Horikoshi would show us such ground-breaking information if he didn't plan on using it later. This has to be the later. There's no other case where I can see Katsuki's connection to the vestige realm being implemented into the story again other than this.

So here's the TL;DR:

Izuku is being mindfucked by AFO and Katsuki is going to be the one that brings him back to reality

[pikahlua]

Okay, here's my MHA criticism.

Everyone has their own personal hangups about the MHA ending, but mine is not about the ending itself. The epilogue doesn't feel rushed to me--the entire final act does, ever since the PLW ending.

But I can't say that the issue is actually rushed writing. There was a change in the writing, and it came with pros and cons. Ever since this change, a lot of people felt a lack of Izuku's introspection, but I still see his introspection all over the place. It's just not compelling introspection, and it's the natural consequence of this writing change.

The thing that changes is the way Horikoshi depicts character interaction and reflection.

To cap off the story's themes, Horikoshi chooses to focus on select emotional beats involving specific characters as short, finite set pieces. Some of them work great, like Katsuki's apology. But what is lost in this process are the other emotional beats Horikoshi doesn't spend time on, such as Izuku's quick, comical, emotionally dissonant reunion with All Might back at UA after going vigilante. The set pieces Horikoshi chooses to focus on at Tomura's end are two moments, one between All For One and Yoichi, and the other between Izuku and Tomura. But what is lost in this case is the strangely off-screened encounter between Nana's and Tomura's vestiges, and we're just given the fact that Nana preserved Tomura's sense of self as an offhand remark. This is a recurring theme where Horikoshi lands the set pieces he has likely visualized for years but that somehow don't have the same impact as the emotional scenes from earlier in the story. The details that build up to these moments are lacking, and it's because the characters don't interact as they should.

Horikoshi has overall messages he wants to focus on, such as the unity in everyone coming together inspired by Izuku at the end. But he places so much focus on his entire cast of characters at large to achieve this theme that the story becomes unbalanced. We as readers have read about his characters over the years, and we've grown especially attached to some of them. Even if there are minor characters we may enjoy, if Horikoshi is doing his job as a writer, the majority of us should be here for the main characters. If Horikoshi wants to feature every single one of his characters in the final arc, then he has to do so with balance. The main characters should be given more emotional weight than the side characters.

Hanta Sero can have his cool moment no problem, but why does it come so late into Izuku's final battle??? It makes no sense emotionally for it to be there. At this stage in the story, we would expect any other major character to fill this role. Hell, Iida is sitting right there with not much going on for his character this arc.

And the same emotional underwhelm goes for so many other moments. Why is the primary character screaming in agony over Katsuki's death Neito Monoma??? Aizawa is right there, and all we get from him is a horrified face but no reaction otherwise. He fades to the background immediately. Izuku's reaction to Katsuki's death is built up so much and yet not nearly enough time or weight is devoted to the actual moment when it happens. Compared to such iconic reactions to death in the shounen genre that came before it such as Goku's super saiyan transformation in response to the death of his best friend Krillin, Izuku's reaction to Katsuki's death is utterly forgettable.

The issue is not that Horikoshi gave Sero and Monoma these moments. It's that he either weighted or timed them and many others like them poorly. No one reading MHA wonders what wisdom Sero would have to offer at the end or what sort of reaction Monoma would have to Katsuki's death--or rather, they don't wonder these things more than they wonder about the main characters themselves. Main characters are the characters we're SUPPOSED to care about. If you give Sero and Monoma big moments like what they got, then the main characters have to have even bigger moments following in order to still be impactful. But we don't get that. We get the set pieces, but we don't get any of the logical character interaction and reflection these set pieces beg for. If I have to choose between Izuku's reaction to Katsuki's death and Monoma's, I want Horikoshi to spend all his time and effort on Izuku's every time. It's nice to see how main characters interact with side characters and to hear those side characters' perspectives but NOT at the cost of the main characters interacting and sharing their perspectives. Horikoshi makes too much space for his side characters, and so we lose the detail that could have gone into important moments between the main characters. The overall story remains coherent and complete, but it also leaves something to be desired for the characters themselves. As a result, I find myself both given closure and longing for a more robust, impactful resolution for the main characters.

tl;dr Horikoshi gave too much to his side characters and not enough to his main characters, which particularly affected the interactions between the characters we all care most about

[court-jobi]

How'd You Know (I Needed This)

((banner by me! I don't own Horikoshi's (sleepy) characters/work))

Pairing: Aizawa x reader (American!Pro Hero fem!reader, set before the events of Season 1)

Words: 4.9K

Rating: T+

Warnings: Aizawa has feelings and doesn't know what to do with them, alcohol mentions, slow burn, he fell first she fell harder, the feeling is mutual TM

Summary:

Shouta Aizawa surrenders his capture weapon for the night in favor of humoring Hizashi, and is rewarded for his follow-through at his show. He wants to know you, more than he has from teaching the brats alongside you for the last few months. Wants to know the smile that reaches your eyes more intimately.

He’s happy he gets this balcony happy hour with you -out from all their eyes inside- to be able to water this sweet, small thing he feels towards you to fullness.

A/N: I've been WAITING for this one, turn it up!!! Aizawa my beloved, I've wanted to write you for so, so long and can only hope I can do you justice. The man just has such a gentle side and I just wanted to give him something nice and self-indulgent~

For my My Hero Academia Masterlist, check it out here!

Read on Ao3

Damn it, why was he thinking like this? He’s in public for goodness’ sakes, with only two sips of drink under his belt. Not two drinks- two sips of a drink.  So if that’s the case of his sobriety, why was he off in his own little headspace as if he were drunk?  

‘Put Your Hands Up Radio’ found its home recording studio attached to this lounge: a place Shouta Aizawa never frequented unless expressly invited- or when Eraserhead was needed to scout out trouble. Far too noisy, too chatty, and filled with too many grown adults losing their sensibilities for his liking. 

Through one round of begging or another, he’d been roped into joining some of the staff of UA to an evening out, in support of Present Mic. Naturally, Aizawa would go- as his presence would all but guarantee everyone else’s. Despite begrudging the plans that pushed himself out of his preferred rest mode, he kept true to his word for Hizashi’s sake.

Promise kept, and therefore, appears to have been rewarded. 

Once the show wrapped for the night, his best friend was over the moon at how things were turning into a party that Friday night. After a day of shrill, whinging teenagers he’d wrangled all week, this level of volume was honestly the last thing he needed. Yamada’s voice doubled the decibel of the entire room- and that’s without his quirk activated. He always managed to annoy Aizawa when he started fangirling about one duet matchup or another.

But truthfully? Every sound this tired hero registered around him fell to white noise while he looked at you…

Sweet Little Miss, you are; gracing the lounge with your presence. You’re a vision tonight. Insist with your lilting dip to your words they all call you by your first name, outside of school grounds and against what’s considered custom. No hero titles either, unless an emergency called for formalities- then you’d cave.

These Americans are too casual. Even down to these outfits. What’s this–  black turtleneck, necklace she won’t leave alone- moving it around her thumb like that, short skirt.. and those damn thigh highs and tights. How is it she’s driving that moped of hers, wearing something like this…

Everything on your person, down to the way you held yourself in perfect confidence and ease adorned you like a perfectly-styled pro hero. It couldn't be a more stark contrast to his tried and true wardrobe. Even this after-hours look sat perfectly around each bend and curve of you, as you listened to the group. 

You’re smiling, too. It’s subtle, but it reaches your eyes, which makes it all the more authentic.

A smile he shouldn’t want to keep all to himself. Curves he really should have no business noticing. Features that he’s actually surprised he’s labeling as ‘attractive’ in his mind because the last time he ever felt an ounce of attraction to anyone in that way, he’d barely been able to grow facial hair. 

Desire for a safe place to land his dizzying mind is driving his tired sights to look to you for relief again and again in the conversation– without you even saying a single word. 

The barely-touched drink in his hand is only a prop; something to make him blend into the scene and not something he’s actually tasting for pleasure… meaning, these are his thoughts. Nearly completely sober. Should be illegal. Just illegal-

"Yo Sho, you still with us, sleepyhead?" 

Yamada pulled him out of his thoughts. Disguising any flare of being put on the spot, Aizawa  flitted his absent gaze back to his blond friend–

"Be nice. He’s had a rough day and is a good enough sport by being here,” you chirped up catching Yamada’s pull for Aizawa to part from the fringes of your little gathering.

Now toward you? He’ll soften his edge. After all, with you sticking up for him with blind loyalty, he nearly felt guilty for spacing out and causing you to speak up in the first place.

“- yknow, I'm inclined to take a nap myself," you leaned forward to grab a few more calamari bites to tend to your seemingly insatiable appetite. Aizawa felt warm at the sweetness and straightened up at Yamada’s prodding.

From then on, he made sure to look in your direction more often when you spoke to help him pay attention. He still didn't say much, never did. But he liked the company well enough.

These nights were truly few and far between. Life as an in-demand hero left him jumping from role to role, daytime and midnight obligations. The routine split his waking hours and stretched them paper thin.  Now more than ever,  he typically shirked as much off time as he was offered. And yet, he had to remember to prioritize levity and breaks– and in this case, indulge his treasured friend’s interests and ‘take one for the team’. Good for morale, he reasoned, just this once. 

The occasion was also a way for you to integrate with the group in an informal setting– great for the transplant from the States. You’ve taken amicably to the group of alumni-turned-faculty at UA, though much still remained a mystery about you, presently being peeled back bit by bit through stories and slips of the tongue. There was only so much a dossier could truly reveal about a person- even one curated by S.W.O.R.D. to volunteer aid their Japanese counterparts in their hero work.

It couldn’t tell what kind of teacher you’d turned out to be. Even with no experience working with students, you tread the line between instilling team-centered outlooks and pushing their quirk’s limitations to their max benefit. A crafty, inventive counterpart to complement his blunt teaching style: better together, and even the principal agreed.

It couldn’t point out where your true ambitions lie or where your drive came from. There remained much to be explained as far as your hero status here in Japan– a red-tape nightmare Aizawa was still intrigued to learn about. So far, you’d shared some limitations about “immigration statuses are being vetted with a fine toothed comb, so they’re still trekking through the paperwork”, so your wings are essentially clipped down to a student’s provisional license. This doesn’t please you too much, but you’re driven as much as his finest students with the aire of a professional he’d love to see in full action.

It couldn’t explain the stillness you could dip into, that he only caught once or twice when you believe yourself alone. There’s a past was weighing your shoulders level and compliant in the eyes of the law… but an urge to push back and ‘play this out’  brought hypotheticals to your lips whenever you chatted about what hero life is like for him, and added a sparkle to the eye that he had yet to fully source.

It couldn’t give away the gentleness you hold behind a carefully guarded smile– even in this harsh hero world. Maybe it was that indomitable spirit that those foolhardy patriots overseas carried… or rather, maybe it was the way you fought against such a loud persona. So far, Aizawa has taken only a few notes, but each little mental post-it was cluttering up his headspace. You held a quiet love of tea, a comical passion for the oxford comma, and a mind to care for the little things in life– like the lizards you rescue in an inverted cup to take outside where they belong . 

Surely life must have treated you hard to elicit such softness. Something tenderized you to achieve the peace you carry around or else you’re wearing a damn good mask. No, he determines you had to have made a choice to continue on the path that’s brought you to the present– even to this table where you’re taking your fill of maki rolls while casting little caring glances his way. 

All smiles and calm surety, as he mills through his thoughts that are damn near obsessed with you.

An employee file could never record ‘heart’, anymore than it could expose anything you didn’t want to reveal.

The night progresses while Aizawa stews on these thoughts, and plenty of others… for the ones that drift to his co-teacher offer him more mental stimulation than that he finds in the club’s lights and music.

Yamada’s night of filling his social battery was made nearly perfect by the karaoke that just started. Several of the other teachers got preoccupied in round after round of song, so it left Aizawa with a moment's peace. 

Well, peace he was going to enjoy by laying back on the couch for a little shuteye–  when his gut jumped at the feeling of a hand trailing up his forearm to the elbow with a polite, companionable touch. 

Facing its owner, Aizawa caught your little smirk and nod towards the balcony. You didn't pull hard, yet he followed like a magnet out to the patio. 

From there, rather than stay by the door to listen in on their friends ‘releasing their inhibitions and feeling the rain on their skin’,  you took him to the right, where a matching lounge set positioned itself in a blind spot between the rooftop bar and the fire escape. 

"Thought you looked like you could benefit from some soundproofing~" you brushed your hair back over one shoulder to follow the breeze’s direction, and left an open spot next to you by the railing. 

Nightlife and neon didn’t hold magic for Eraserhead given as many nights as he’s spent perched on precarious heights, but through a newcomer’s eyes, he could see the appeal. This part of the city glowed at night from dusk to dawn, and you clearly loved looking out over it; Aizawa certainly didn't mind this view either. 

Your perception skills are spot on, and incredibly thoughtful as you’ve suggested some fresh air- for his sake. If he wasn’t drawn to you any of the other times he’s paid attention to the spastic moths a more romantic person might call ‘butterflies’ before…  this cements each and every one as valid. 

He likes you. He really likes you. 

Time passed with appreciative quiet until you spoke again, 

"The only thing is, you can't really see stars in the city... there’s too much light."

"The beaches have a nice view," Aizawa replied after some thought.

"Oh yeah?"

"Enough to stargaze properly,” he offered without much sentimentality. Right by the pier was the best spot he and his former classmates would go on the weekends, before their hero work took off.

"I'll have to remember to take a drive there. Y'know, sometime when I'm not in two-and-a-half-inch heels." you chuckled as you shuffled back to the rattan settee, sitting for a bit to stretch out your legs. "I don't know how Nemuri does it."

"Feet hurt already?" Aizawa snuck his hands from his pockets and came to the seat across from yours. “Night’s young.”

"Getting there,"  your laugh greeted him over, "But you know what they say, dress to impress and all that. Yamada really pitched some hype for this afterparty, so~"

Fashion was hardly something that ever swayed Aizawa’s decision-making. Utilitarian was the way to go for his wardrobe- then, as now. 

"If aesthetics are all that determine these pros’ attention, that’s horribly vain." 

You bristled in good humor, 

"He didn't mean it like that– I just meant, he said to look nice for fun instead of for work. Call it ‘girl code’ if you want. We know that means to– just– /doll up a bit/!"

Aizawa held back a snicker at how you still ran into difficulties finding the most apt Japanese equivalents in your (pretty decently executed) second language. English slang you reverted to in moments like these fell from your mouth with an odd drawl. Still couldn’t place the regional accent you carried, but it charmed Aizawa all the same. 

“//Doll up//?” he mimicked. 

"//I like dolling up//!"

Aizawa reached and pulled his glass to his lips, meant to look aloof but not hiding his interest altogether well. 

"You don’t need to put on airs to get people to notice you…" 

"Right, because the accent gives me away."

"No, it’s your-”

Finally, a coward’s streak flared deep in his belly to shut him up. A rare hesitation. Damn this. What the hell’s happening to me–

 “–nevermind."

"My what?" you’re fully  interested, knowing a secret when it's presented.

"Nothing important."

Thankfully you not-so-subtlety dropped it with a hummed ‘ok’, but kept a watchful eye for him in your peripherals. 

The pro hero mused. Better for him to be honest, right? 

Just choose your words carefully. You’ll have to look her in the eye after this, you know. 

Aizawa widened his seated stance so his knee barely breached your space. 

Your sights lifted to him while he put his best poker face on. It’s not really any different than what he’d give to a perfect stranger– the only difference here is he has to force it.

Shit shit shit you're in deep, Shouta.

"You're plenty noticeable as you are. Anyone who meets you can see that," Aizawa shared in his usual soft-spoken tone. "Give ‘em ten minutes, and you've got them wrapped around your finger. It’s a whole impression, not just the outer package. Doesn't matter if you're in a dress that costs a month’s paycheck or a black button down. You're welcoming, sincere..." 

He’s realizing he might be trailing off, but finding you listening with full attention led him on; no liquid courage required. 

"You're stunning from the inside out. Enough to get others to notice."

Aizawa heard your appreciation before he saw it, a hum preceding the a genteel smile. With the win of his walls coming down, he had to give an honest smirk back. It was only fair; you’d earned it just by being you. By your flattered look, you were touched– but your brain was still working beneath the surface, and soon showed by a fleeting expression that spit from him.

Then, you caught your bottom lip for a second, before daring to look in Aizawa’s eyes again. It’s a sneaky look– like he’d snuck a peek at a card he’d meant to hide.

"...You remember what I wore on my first day at UA."

It was half question, half amusement. So dear, but oh-so pointed.

Aizawa froze.

"Black button down. You noticed me, then?" you countered more, "And here I thought you didn't care about appearances~" 

"In professional circles, no. Personal… that's a different thing, entirely." 

He kept your  sights locked onto his, not unlike how he used his quirk in a challenge– only far softer and he could risk the occasional blink.

Even when you took his glass from his hand and placed it away on the table alongside yours, he still looked fondly after you, in fact tilting his head to the other side, studying the way one piece of your hair was caught by your neck. What he’d give to be familiar with you enough to ever-so-carefully brush it back, letting his touch send a wave of shivers across your skin and maybe even make you hum at the gesture. But he couldn’t trust himself to do it now, settling on stretching his arm around the back of the couch. Just an open move, letting you join him on the couch as close as you’d like.

Was he really doing this? He never has before, but this felt so natural. 

You smiled still– and as you sit, you’re leaning into it.  Well then. 

“What was I wearing, Aizawa?”

With free fingers, he risked some little brushes on your near shoulder, bringing a happy little eyebrow lift from you. He just took in your features in close quarters, settled in it, as he remembered that day:

Black button down, grey skirt. Biker boots -practical choice- and these damn tights.

Aizawa’s dazed in the head, but he knows he's listed it off aloud based on how your sights widen, impressed. 

"Hmmm, tights do it for ya?” you smiled, “I'm surprised you haven't jumped the darling Ms. Nemuri then."

"I know way too much about Kayama to ever consider her that way,”  Aizawa’s tempered hand twirled a finger along a blown-away section of hair, just absently enough. “You however, tease just enough." 

"Do I tease you?” you offer with a little depth, “I don't mean to."

It’s here he’s worry he’s stepping over a line- if it weren’t for the downright delicious look in your eye. You say it like you’re sorry for acting unprofessionally– but you’re urging him on, hardly apologetic for your sweet posturing.

"You may not mean it, but it's not unnoticed," 

He took second to swallow, and steps fully over it. 

"or unwelcome."

You’re pleased with this, but deflect with your trademarked humor- 

"Well now that’s saying something. You've seen me in my pjs, too- far from glamorous.  That didn't break the allure for you?"

Aizawa had to huff though his nose at that memory.

"I caught you at arguably your most real self, that first night you patched me up," His outstretched arm rubbed full circles onto your shoulder now, with the lightest touch. 

“Still have no clue why you chose me over Recovery Girl. For the harshest grader in school, that was a pretty dumb move.”

“You were closer than going to campus. It was the practical choice.”

“You didn't even know if I knew first aid.” 

“You do,” Aizawa smirked. “You're too nurturing to not have a knack for it.”

Your legs crossed over, deflecting both your words and refreshing your body movement. In doing so, you slid even closer- a move not lost on Aizawa. 

“Well, I'm still not happy about it. You needed more attending than I was able to pull off. Whatever you get into those nights,” you flitted a look to the underside of his arm that lays outstretched –where you know he sports a scar now- “It… looked like it hurt, ‘Zawa.”

Warm. Warm and cared form. Felt it then, feel it now. That's the life in his chest he gets when he’s around you. 

"Can't change the past, and I certainly wouldn't have changed that. Wouldn’t pass up seeing that sight of you for the world."

This connection, this dance, it all feels that it must be older than what it is, more rooted in a shared history than a short few months. 

Aizawa wants to ‘get’ you. Know the thoughts behind your eyes. Get you talking, even if it means he needs to give up his silent nights and muted text alerts so he can learn you.  He’s happy he gets this balcony happy hour with you, out from other’s eyes, to be able to water this sweet, small thing he feels towards you to fullness.

His eyes narrowed playfully, "Are you embarrassed right now?"

Out of this entire teasing exchange, that note seemed to surprise you and turned you shy.  Short of clapping a hand onto your cheek, you just darted your gaze away- can you be cuter if you tried?

“h-Yeah, a little!" –though you tried to snark your way out of it, "you were hurt before, and blubbery- but now that we’re y'know– awake, and talking... Pretty faces make me nervous."

Nervous? Pretty? Aizawa doesn’t like the sound of either of those.

Aizawa raised a brow and gave a look, a touch more serious.

"Hey," He tapped your chin still with his free hand, "if you want me to lay off, you say the word."

Blindly, you hold his hand from retreating away– "No. You're good, I promise."

He’s drowning in you leaning into the cool touch offered to you–

“ Heh, I–uh… I’m pretty sure ‘friends’ don’t talk about each other like this, though.”

He couldn't be a coward now– not with you melting on the spot and giving him an insane amount of hope.

“Maybe not,” Aizawa reasoned gently, “-not if they’re content to stay that way.” 

–then all of a sudden his heart soared at her next words:

"Well… I like this."

"Yeah?"

"Yeah. I like you, like this.” With your insistence for touch, you cupped his wrist in your own chill-tipped hand.

Hell yeah. 

Aizawa huffs another win in his foolish heart, but then watches as you keep talking–  you don’t break from your softness, but look reflective off to an absent point on his chest.

“It’s funny, y'know? Most jobs, you’d be lucky to find someone you would actually wanna talk to outside of board meetings and quarterly reports… but here in our line of work, you count on each other to save your lives.”

“That’s right.” Aizawa breathes.

“I uh.. never thought I’d be workin’ with kids- trying to keep them alive too. Teach them how to do the same. But I wouldn’t feel nearly as confident to do it, rise to the challenge, if it weren’t for you, ‘Zawa. You’re just as special. Inside and out.”

And when you look to his eyes again, fully awake and still sober, he swears he’ll say yes to any night Hizashi invites him to if it means he can have you this close. Things with you just feel lived-in. Companionable. He’s drawn to you in a way unlike others before you, because he didn’t believe he’s had the right, desire, or time to even entertain it. 

But everything’s different now. It just works, in his mind. He wants to spend his respites, his missions, everything- with you at his side, having his back. For however long you’d let him.

Touching your cheek, cursing the helmet you’d have to wear on the way home that would hide this angelic face from him once again– Aizawa curls towards you, barely tipping his head which screams ‘kiss her you ass’. You notice, and follow his lead almost halfway. 

“Yeah, I like you like this…” you sighed lightly, “--and I’d like us like this, too.” 

"Hm. Good."

...the door to the patio swinging open from around the corner startles you both. Present Mic doesn’t know his strength as he projects for the block to hear, swaggering about in his search.

You looked flustered sitting back up, but Aizawa was characteristically unphased at the sight of Hizashi finally rounding with a singsong cry of his name. 

Dammit.

"Hey kids, been looking for YOU, Miss America! There's some stateside artists on the karaoke lineup with your name on iiiiit- c’mon! I hyped you already to Nemuri– she didn't believe me that you sang with me for my English midterms!!"

"What?!” you blanched, “ Who said I was doing that?"

"I did!!” Yamada thumbed at his own brilliance, “ C’mon I'll do the first one with you!"

"First one– Dude, I don't need to be touting my Southern-ass self to a bunch of pros before I even make a name for myself here."

"This is HOW you'll do it! Come n’ wow them, break the ice- you’ll do amazing!" Yamada came to your side of the settee, tugging you up to your feet with little fight. "Tch, Sho, you're rubbing off on her, aren't you? Turning our sweet teach into a wallflower as we speak, huh?"

"She was doing me a favor- has an eye out for me when I needed an escape, unlike you." Aizawa droned, to your amusement.

"Yeah yeah fair enough. Now pleeeeeease, would you come inside?  It would be so much fun!"

From the way you’re freshening your jacket collar, you’re warmed from the neck up, caught between what just almost happened and the current situation Yamada is putting you in.

You look to Aizawa just like you did inside– a  glance, but it lingers longer than before. Like you are waiting to see what he thinks. If he’ll stay or go, should you leave. 

But Aizawa isn’t so selfish like before. He doesn’t feel it necessary to keep you to himself, because he sees your affection so clearly in your eyes now. He hosts butterflies in his stomach, yes, but they aren’t frantic and flitting about wondering what you may or may not think of him- chronically tired and a contrast to the breath of fresh air you are. You see him as a companion, too. Someone he might just get the chance to study, and learn, and adore in return.

No, he knows you like him as he is. Knows you’ll choose to meet him where he stands. He can share you, and will simply watch on as you stun him even more...

The Pro-Hero is desperate for some eyedrops in all this wind outside, but he would grin and bear it if you choose to deny Yamada’s pull on you. So instead, he merely leans forward to perch on his knees, with a hand on the lip of both your drinks. What Aizawa says in his non-answer left it open to what you wanted to do.  Stay or go, he’d follow suit.

Returning to the bright-eyed and bushy-tailed fellow teacher, you breathily gave in with your ‘ok’. 

"YEAAAAAUHHHH!"

"Damn peer pressure."

"You said yes," Aizawa smirked.

"Oh if she’s going, you're coming in too!" Hizashi was already whisking you away, and Aizawa rose on his own, following your knowing smile over your shoulder and matching it. 

With many forced karaoke and radio show nights, it’s Aizawa who braves the crowd and comes up behind you at one of Present Mic’s shows,  stepping in from the balcony where you wait by its door. He’s fresh off of work, sporting a new scar across his cheek courtesy of his day job, this time.. but you greet him with that familiar scrunch of the nose that he still finds adorable.

It’s rare he leaves campus nowadays, because he feels the stakes are higher than ever for him to remain vigilant. His students are his life, and as proud of them as he is, they are a constant effort of his mind and strength. Rest doesn’t come easy, and his rewards for a job (passably) done aren’t found in many places. 

One constant he has found helps, has been you. 

You, still alluring as ever, but who makes sure he doesn’t fixate on giving and giving of himself until he breaks– but to take his rests, reset, and even take a little jaunt over to these radio shows when he has staff coverage back at the dorms. Gives you two some time to get nostalgic, sentimental– or as close as he can get to those mushy spots in his heart about the club where he wrestled out his feelings for you for the first time.

He smooths a hand across your lower back now, when he joins you. He’s held onto your hands when they're cold, giving you whatever warmth he has. He knows each and every gap on your resume, partnered with you out on the streets, tag-teams in his classroom with this plucky 1-A Class he now leads, and is content to let you fill his thoughts when he wants to rest his eyes.

He doesn’t fight his affections now. Still would rather not simper in public too much because he’s quite averse to being the center of tabloids’ attentions, but stands by you all the same. 

"I'm surprised to not see you up there,” Aizawa greets, cool as ever. 

You lean on a hip, closer to him. 

"He's got his sets lined up today, didn't ask me-” You speak a little louder over the crowd, “I swear, your cockatoo still acts like I'm some gift from the heavens, just ‘cuz I can sing!"

"It's earned. You deserve every bit of it, and not just from Hizashi."

You turned over to him shyly, drawing his attention further– your tendencies to melt under his words encourages Aizawa to compliment you directly. Often. Whatever it is about his voice that you say you’re obsessed with, he still doesn’t understand– but he uses it to full advantage as he robs your drink from your hand,

"I happen to think you have a gorgeous voice," Aizawa speaks low to your ear. “You should sing at home more often.”

“Please. As if the kids would ever let me live it down.”

You refer -of course- to the twenty shared students between you, taking them all in stride since you’ve sufficiently bonded through fire alongside them. 

“That’s teaching for ya. Gotta push yourself beyond, plus ultra and all that.”

You chortle back in your throat, risking a kiss on his etched cheek to counter his snide remark, 

“You’re off the clock, ‘Zawa. No more hero talk, huh?” 

Aizawa cocks a brow, stealing a sip, “Sorry we can’t all turn it off like you, dear.”

The comment has you biting the inside of your mouth at the tease, and allows him a quick moment to press the glass’ condensation against his eye. 

“Want some air, hon?” you try again, softer than this atmosphere should allow.

Looking back at you -your hold on his elbow ready to guide him outside just like the first night- and Aizawa doesn’t need any more sips of the whiskey he holds.  

The retreat to ‘your couch’ is one he looks forward to any chance he gets. Bass boosted from the speakers inside becomes background noise that dulls his senses, doubled by the way you cozy up under his arm watching the skyline shift in light and color in comfortable silence. You trade roles with him: taking watch while he shuts his eyes for some restorative hydration. 

But before he gets too terribly relaxed by your weight settling his aching muscles to stillness, he registers a warm press to his mouth that he’s quick to chase after. That’s a satisfying thought, too: he doesn't have to imagine what it'd be like to kiss you anymore. 

[dekusheroacademia]

Small problem I had with Ochako's ending

I am writing it here because I do not want to update the big "ochako's journey" post I did before.

Okay, in the previous post I already talked about how Ochako's putting aside her feelings is when the major problems I have with her characters start. To summarize, this should lead to two outcomes (more or less): it works very well, it doesn't work. In one outcome we would see Ochako have success as a hero (and the author can add her longing/sadness for the cost of it), in the other we would see her not have success (a "lesson" in "maybe you do not need to put aside your feelings"). Instead: we have none. Because Horikoshi puts aside her, and she loses a lot of screen time.

But I talked about it before, this time I want to talk about the ending.

I truly feel like Ochako was the only character who had an incomplete arc by chapter 430.

Deku ended AFO, "saved" Shigaraki (well, his spirit or something), then lost OFA and became a mentor like AM. Then he went back to being a hero with his suit - it came full circle.

Ochako instead has smaller arcs, but one of her major ones is the one connected to Toga: in the licensing arc, Ochako put aside her feelings for Deku to be more like Deku and focus on being a hero.

This is connected with Ochako's fight with Toga, because what Ochako admires of Toga is how she can smile so openly and is able to openly live as herself and declare what she wants and love.

During chapter 429 we have Deku noticing that Uraraka hides her feelings (pain, in this case) because she prioritizes others:

So these are two parts of the "hide your feelings" arc.

In this chapter she finally expresses her feelings (pain) to Deku and the rest of the class. This could have been an okay conclusion. She was still trying to hide, but when Deku offered help it is Uraraka who openly talks about what she feels.

And even Tsuyu notices that Ochako did not open up:

As I said, this could have been the conclusion of the arc, and it would have been okay. Ochako finally expresses her feelings openly (her pain, in this case), then in the next chapter we get Deku's conclusion and we find out what Uraraka is doing with all of her feelings for Toga/her confrontation with Toga (the quirk counseling).

Now, new chapter: 431. There are two options for Ochako's arc:

Ochako's scenes about her crush for Deku and putting aside her crush was a proxy for how she puts aside her own feelings in general, so it is the same as her putting aside her pain in chapter 429. In this case, her arc is concluded with her sharing her feelings in general (pain in particular). "Hide crush = hide feelings"; "Admiration for Toga = Admiration for someone who express feelings openly"; "Express pain = express feelings, learn not to hide"

Ochako's scenes about her crush for Deku are a very important part of her general "put aside her feelings" arc. In this case we would have "Hide crush = hide feelings in general but also puts aside love"; "Admiration for Toga = Admiration for someone who expresses feelings openly and can also openly declare who she is in love with"; "Express pain = express feelings, but she needs time to be able to express her love for Deku" -> the end of the arc is still needed.

Chapter 431 starts with a kind of sad/desolate setting, with a lonely Ochako (overworked maybe?) thinking about Toga once again, to let us know that we are in the (2) option: Toga's lesson and what Ochako learnt from her is not fully completed.

This is also confirmed by Tamaki remarking that her work must be exhausting so she must get some time for herself. She seems confused, because clearly she does not. (And Ochako also confirms her personal life is put aside for work, and she does not have a lot of time for her).

Ochako says that a month ago (when Deku basically came back to work as a hero) she started to dream Toga again.

Now, this is fine, I liked it. If we are in option (2) it is clear that the story is telling us that Ochako kept aside her love for eight years until she had to see Deku daily once again. While I am not a fan of the idea of a female character holding a love/crush in silence for eight years - I am not here to talk about that, so I will skip it for now.

At this point is where I really hated the chapter (in the context of Ochako's arc).

We move to Deku.

Now:

Deku's arc was over.

Deku never had an arc about his romantic feelings or about not noticing romance.

The romance arc was Ochako's

She had an arc specifically about how she put aside her love for Deku, and then overworked-focused on work - she is still in the middle of the arc

she is also the one who had a revelation from her confrontation with Toga

And yet, Deku steals her ending.

Ochako wants to talk more with Deku, but again, she decides not to. She is walking again. She is not moving towards her goal/end of her arc.

She did not learn Toga's lesson.

It is only because Deku moves towards her that she "agrees" to talking more with him/a romance.

Toga's wish is for Ochako to live as she wants. Ochako admired that Toga could declare her love with an open smile and live as she wants. Ochako hid and is still hiding her feelings for Deku, she is not acting on her wishes and not living as she wants - and yet, she still doesn't.

Instead of having an active Ochako take a step forward and moving towards the goal and growing, we have Deku doing that.

When Ochako put aside her feelings she was acting on her new resolution, we had a monologue of her thoughts too. Now she is passively thrown at Deku by Toga, and listens while blushing - while Deku is the one who declares himself and takes a step forward. Without Deku doing that we know that Ochako would have not expressed her feelings openly.

So what was her arc conclusion? To just wait for a man to make the first step?

This is how I would have changed things a bit:

Kept everything the same until the end of the dinner. Maybe added Ochako's pov earlier, so we can see her at dinner. The problem is that Ochako's mind does not change through the chapter like we see for Deku, she does not realize that Toga's words were true, that they were right, we never see her seeing her friends living their romances/personal lives and thinking "wait..."

The scene of Toga pushing Ochako should have been just after the dinner. Ochako walks away and then she finds her resolution, she realizes she cannot keep living like this (add how many flashbacks as you need, even one of her licesing exam).

And maybe both Ochako and Deku walking towards each other's and declaring their feelings at the same time.

I just really really wanted Ochako to have some agency IN HER OWN CHARACTER ARC.

[bibibbon]

I see that you're anti Bakugou blog, can I ask something because I'm really curious? Don't worry it's not hate ask (even if I'm Bakudeku shipper).

What I want to ask is the same in this post :

"I get preferring other ships, but if you hate them (BKDK), cannot stand them... you don't love the story. How could you? The narrative is built around their relationship. How they feel about each other at any given time is how you can tell the story is progressing. In both cases, they want to compete and surpass each other, which motivates them to train harder, to be better.

This is also why I don't get people who say they love one character but hate the other. Like, you cannot love Midoriya while hating Bakugou and vice versa.

They don't need to be your favorite characters, but you have to recognize their importance to your fav and their character arc. That is simply logical, in my opinion."

Thoughts, please?

First of all thank you for the question and not sending any hate comments that's very appreciated by me!

This is an interesting perspective and interpretation of the series, even if I don't see eye to eye with you or agree with this interpretation thank you for sharing it.

To begin this of I want to say that I don't particularly agree with the statement that you provided above. While the story in itself does revolve around izuku and bakugo to an extent its not exactly that big and I would argue that it shouldn't be that big of an involvement overall.

Izuku and bakugo's rivalry or the extended version which is the Canon one harms both the characters and the plot. This is because of how their rivalry naturally is which is toxic. @sapphic-agent goes into depth about how the wonder duo fails and of the toxicity of their supposed rivalry.

From the beginning izuku and bakugo's relationship was unhealthy whether that be from izukus non stop admiration even when bakugo abused him or bakugo who thought that izuku was a nuisance in his path. I think the best route for bakugos character was for him to ditch the rivalry route towards anyone. Bakugo as a character needed to accept that there are various people who will be weaker or stronger or different than him. He also needed to accept that society proping him up as this next big hero and ultimately feeding his ego was also wrong.

In the end I still have a lot of issues with bakugo's character individually that I did talk about previously and I think that overall he should of had an arc of breaking down his harmful thoughts, beliefs and behaviours. His arc needed more focus on his character and how he treats other people not just izuku.

I also want to argue that bakugo's arc isn't that well written at all. He doesn't really change and the change we do see from his underwhelming due to a number of reasons whether that be his horrible apology or his behaviour not really changing and being played off as a gag or the way we see bakugo still uphold his old behaviour heck it's all around his arc him being the only character to follow the idea of not saving someone or him just being hyperfixated on a rivalry that doesn't have equal footing.

I think the bakugo vs izuku fight part 2 showed a lot of bakugo and izukus problems within their relationship really well. I also think that was the arc where bakugo should of been separated from izuku having people acknowledge the toxicity of their relationship as bakugo thinks izuiu owes him an explanation when he doesn't or how izuku is supposed to overcome his admiration for bakugo and realise that what bakugo did to him was wrong. @delawaredetroit made a lot of analysis based on that fight which I think is worth checking out because they point out good bakugo critiques that horikoshi doesn't address and simply let's slide for bakugo while painting his and izukus relationship as perfectly fine and a healthy rivalry that moves the story.

In the end for bakugo he becomes a character attached to izuku ultimately having no real relevance outside of izuku and that sucks for him as he isn't even able to grow an we aren't able to see that change with the way he Interacts with the world.

Now moving onto izuku's character. Izuku due to horikoshis writing decisions also suffered a lot due this supposes rivalry. Izuku doesn't ever acknowledge the abuse that bakugo committed ultimately since he doesn't ever get to either introspect or freely express emotions about this issue his whole character starts to lack introspection and hinders him from forming valuable character relationships that can help push the narrative forward as he comes to understand heroes, civillians and villains alike. Izuku also never gets a say in the relationship he ultimately becomes more passive and a shell of his former self as the series goes on to the point that we don't see him react to losing his quirk (no the moment is focused on bakugo crying instead) and we don't see izukus response to the apology that bakugo offered.

It seems that throughout their relationship izuku who once had potential and so much going for him went through one of the worst cases of character regressions and assassinations that I have ever seen . At least before the rivalry started we saw izuku express fear, awe,anger and so many more emotions towards bakugo but now he is an empty shell a clean slate that cannot feel any negative emotions towards him at all.

Going back to my original point the narrative isn't fully built around their relationship and while they do have major themes such as win to save and save to win, their relationship in itself doesn't bring much to the narrative it actually just harms their characters and makes them lack depth even more.

Izuku already has a character who is supposed to be his rival, whose supposed to challenge his views, whose supposed to understand him and be understood by him and that character is shigaraki yet horikoshi doesn't build up on their relationship and only throws parallels around when it comes to those two making the final war arc a dissatisfactionary and disappointing rollercoster filled with mountains of wasted potential.

From the beginning the story to me had a clear path that bakugo wasn't supposed to be a primary character in the series he was supposed to be something that izuku overcame, he was supposed to be a challenge that showed the damage that society caused but that wasn't the case and the direction that hori took the story ended up harming every aspect of the story whether that be the unexplored plot point of quirkless discirmation (which many speculate is unexplored to make bakugo not look bad) or the final fight between shigaraki and izuku that lacked any build up whatsoever (toga and ochako had a better one because they had time to develop)

So to sum it up while the two characters relationship is present within the series its not a well written one at all and it isn't a primary relationship that develops both izuku and bakugo but more of a relationship that develops bakugos character and hinders izukus character.

[class1akids]

I just caught up and dude I don’t think appreciating endeavor as a character makes someone a pro-abuser how could you say that. The director was wrong about the title change but why are you dragging her kinks into it? It’s separate from more concerning things like the title and missing scenes. Her primary problem was putting emphasis on the family instead of spotlighting shouto. Now I’m seeing misinformation from ppl I follow that it’s solely about her liking endeavor when that’s not the case.

Let me clear it up - I'm not a purist in any way. Appreciating Endeavor as a character or shipping him with whoever doesn't make you a pro-abuser, but manipulating or altering canon content to fit certain untrue framing can make someone's storytelling pro-abuser.

Let me sum up the issue and expand on what I mean:

Director announces her promotion to series director with a tweet with EndHawks plushies. Some fans raise eyebrows, but most don't react.

Director tweets about liking Endeavor fat ass and various other kinks from the same account she uses to communicate from as one of the official faces of the anime.

Director changes scenes that get widely interpreted as Shipping additions (Endeavor getting giant fire wings that don't exist in the manga and making sure his ass is in plain view)

Director changes the pre-agreed title of Todoroki Shouto: Rising last minute, even though the episode is Shouto's last episode and one for which he is very clearly the focus character connecting part A (his talk with All Might about becoming who he wants to be) with part B (the Todoroki climax and Shouto becoming who he wants to be).

She knows full well that it will anger fans. So instead of a title that applies to Shouto, we get a title that "might apply to Shouto" but also might apply to the family Endeavor. (We all know it wasn't about All Might who had three more episodes coming up and where they didn't even bother to adapt the famous middle schoolers panel). So now instead of a title that celebrates a beloved character's coming into his own as a hero, who did 90% of the work when it comes to Touya and the family, we have a title that apparently applies to the character who ironically was "never there" and even now is only there to do a murder-suicide. It obfuscates the fact that the family coming together meant total annihilation until Shouto showed up with a solution.

Trying to stretch All Might's "I'm here" which can apply to Iida and Shouto to Endeavor, who caused the entire tragedy in the making and frame the episode that this is "also" Endeavor's "I'm here" moment rather than his reckoning is a pro-abuser interpretation and clearly goes against Horikoshi's authorial intent of story-framing.

The Todoroki family climax is compressed into a 10-minute part B, where miraculously none of Endeavor's scenes are cut, but Natsuo's flashback is (isn't he family?), and so are the kindergarten kids rooting and smiling for Shouto despite them being prominent in the manga, not to mention Shouto's big double spread, Hawks hugging Tokoyami or Geten and Compress discussion. Yet there was time to give the TogaChako fight with the same amount of chapters 1.5 episodes.

The Director expresses a kink for Endeavor crying and as a strange coincidence the episode makes the change from the manga (where Endeavor is not crying) to the anime with Endeavor crying big tears.

On the episode MVP, even though most votes were for Shouto, Touya and Iida in this order, they changed the second place for the "Todoroki family", to include Endeavor even though in Light Fades to Rain they refused to accept votes for the UA Big 3 (and Mirio didn't even make the list). Ironically, this change in the counting meant that Endeavor won a place on the MVP, while All Might for whose "big and impactful moment" the supposed title change was, didn't make the MVP ranking.

Fans asked the official account to tell them if it was Todoroki Shouto Rising episode - it was trending for days. The official didn't respond or address those concerns in any way. I can tell you, Shouto fans were in real distress for days as Japanese fandom could not conceive that someone could cut the Rising title and it ruined the episode experience for many fans. Then the following week during the TogaChako episode, the official account tweeted "Rising this week and last week" which made the fans feel mocked and even more angry and wondering if the staff is truly this dense or downright malicious.

Btw, she was also behind the OP storyboard in S6 where Ochako was made to seem single-handedly save Deku while the entire Class A was erased almost completely. BK/DK fans were furious at the time too and she was widely criticized for that choice, but at least it was "just an OP" and not actual source material adaptation. So it's not just Shouto fans who feel that she's not the most impartial when it comes to the anime adaptation or understanding the manga.

I'm sorry, but the evidence is pretty overwhelming that certain changes are being made to fit Nakayama's personal ships, kinks and character preferences. I don't care normally who she ships or what fetishes she is into. I don't care if people like Endeavor, as long as they don't try to alter the canon content to deny his wrongdoings.

However, she was the one using her work account to tweet about Endeavor's ass - people didn't go digging into some obscure side account. The Japanese fandom was talking about it for days. I find that truly unprofessional.

I don't want someone in charge of adaptation of the manga who thinks that it is ok to flaunt her ships and kinks on the same platform she uses to tweet about her work. Plus her thirst tweets taint the work of her colleagues - many of whom worked hard on amazing sequences that were faithful to the source material and showed deep understanding of the content. It's disrespectful to them. They made the episode shine in spite her intents.

And it is clear that she is unable to stop herself from filtering her preferences into the adaptation. She is not writing fan fiction or making a fan video. She is adapting the manga into the one and only official anime for the entire fandom and she needs to be able to take off her Endeavor-fan hat, her EndHawks shipper hat or her Ochako fan hat and stop alienating and disenfranchising fans of other characters. Shouto fans, in this case whose Rising from now on will only exist in the manga. (Or you know the two people who were looking forward to for years seeing Geten and Compress one last time in the anime).

It's also good business not to alienate fans whose viewership generates ad money and who spend money on merch which eventually finance her job.

And with these very questionable things, I do think people questioning her real motives is both normal and fair.

Not to mention, Shouto fans are demonized for complaining, but 90% of the comments were simply asking to add the "Rising" subtitle to part B for the home DVD release which is honestly a no brainer if they want to boost the otherwise pitiful sales of the BlueRay / DVD.

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[itzmee-07]

Hey gang 😞 Things have not been very grunkle stunkle lately cuz it doesn't feel like I'm winning the funkle bunkle :c

I'm posting last week's drawing a bit late because I had a bunch of exams! Despite how rushed it may look, I did enjoy drawing my pookies :')

In case anyone doesn't see it, I drew Togachako as Bubbline. I dunno the vibes were vibing so the ideas idea'd U-U

MHA and all its characters belong to Horikoshi Kohei

Art belongs to me :)

[rewrittenmha]

I'm gonna be completely real... I feel like BNHA should've been more about the LOV fighting to change a corrupt system instead of what we got.

They're way more interesting than the cardboard heroes and that they actually had a point in how things were and wanted to change that.

And that the ending would've been something similar to the ending in the DLC We All Fall Down from We Happy Few. Where now the people hate them, with time others will start to realize that they really did the right thing.

I like the idea of them meeting somewhere in the middle.

Because when you think about it, the heroes suffer a lot of the same things the villains do. Hawks and Nagant were exploited children raised to be assassins and used to do the HPSC's dirty work. Izuku, Shoji, and Monoma faced discrimination. Shoto was abused.

Someone, forgot the name, made a good point a few weeks back. That MHA is the only series that pits victims against each other instead of the abusers. And in a lot of ways, that's right. Because other series do that, but in a way that it's obvious and supposed to be something that's called out and amended.

A great example of this being The Hunger Games. The Districts are pit against each other to keep them separated and foster animosity so that they won't rise up against The Capitol. That's why some Districts are kept in poverty while others prosper. The only way to resolve this is to unify the Districts by making them realize that the true enemy here is the corrupt system.

I was waiting for the LOV to start to actually be the ones to teach Tomura this because let's be real, he's sheltered. What he knows about heroes was a bad experience one night and everything AFO told him. The other members actually lived through and faced corruption firsthand. Tomura didn't actually have a plan in the beginning; he wanted to destroy heroes but he didn't actually know why. Not until he formed the LOV. But the majority of the LOV's goals didn't align with Tomura's in the beginning, they aligned with Stain's.

Spinner, Dabi, and Toga even explicitly state that they were only joining the League because of its (fake) connection to Stain. Spinner because he wanted a world with justice and equality. Dabi because of his detestation for false heroes. Toga because she felt a kinship with Stain due to their quirks and wanted to find people like her after being outcast and shunned for so long.

And if we take these goals/motivations for what they are, they aren't bad at all. In fact, I would even say that they're reasonable. I barely counted Spinner as a villain until the Final War because he believed in true heroes and wanted equality for people like him, he even saved Izuku from Magne. Out of all of the LOV, he would have been the easiest to redeem.

(Yes I'm still mad that Horikoshi ruined him leave me alone)

The problem is, those goals were undermined by their actions later. They were either completely disregarded (Dabi), simplified (Toga), or contradicted (Spinner). Horikoshi basically said screw their established characters, they're one dimensional mustache twirlers with no substance. Every character who points out the flaws of society is demonized to justify the status quo.

And this is actually why I take issue with the whole every character having a villain thing. Because this shouldn't be a case of Hero vs Villain. We shouldn't be looking at the LOV like obstacles to defeat, or even to save. We should be listening to them. The goal here should have been to make a better world where what happened to them doesn't happen to anyone else.

My Hero Academia should have been a story of change, not war. And I think that's going to be the heart of this rewrite

[harukamitsuki]

I need Bakugou stans to realise that it's not that I hate him as a person. It's that I hate him as a character.

A lot of my favourite characters are unrepentant assholes, or assholes who are set to or have already been redeemed. Vegeta from DBZ, Ouma Kokichi from DGR: V3, Dio from JoJo, Laxus from Fairy Tail, Greed from FMA: B, Bill from Gravity Falls, and the list that goes on.

If a character is a terrible person, that's fine by me. But if the author tries and fails to redeem them, yet still acts as though they are suddenly this amazing person, that's when I have an issue with it.

Bakugou was originally written to be a minor antagonist, and that would have been fine, if Horikoshi didn't suddenly go "I drew him crying so imma fix him".

Redemption is such a complex yet simple thing to do. So when you try to do it and fail spectacularly, um, yeah, I do not enjoy that character or your writing.

That is my main issue with Bakugou. I do not think he deserved any redemption, not because he's a bad person, but because there is nothing to convince me that he could change.

He gets one scene where he goes, "boohoo I lost and everyone is stronger than me" then cries, and that's supposed to be enough for him to become a better person? That is nowhere near enough.

There was no moment that made me believe he genuinely regretted and took accountability for the abuse he put Izuku through in middle school.

"He changed!" That's not my issue. I don't care that he's changed. I care that I don't believe in it. If there was a plausible reason as to why he changed, then I would be fine with it. Maybe I'd even enjoy him!

The fact that he's changed doesn't mean shit if it's not believable.

"That was in middle school!" Okay. This one pisses me off the most. That was a year pre-canon? Oh, wow, I guess that's completely fine! It's not as if characters are the way they are based on their past. Oh, Itachi killed the Uchiha clan before canon! Okay, maybe comparing a massacre to bullying is a bit unfair. Still, just because it happened a year ago, it doesn't mean it never happened. It doesn't mean that he's changed considerably.

"Izuku doesn't have any lasting damage and forgave him!" And? Just because your friend forgives their bully, it doesn't mean you have to forgive them. And, again, I do not believe Bakugou's apology was good in anyway. He was trash-talking Izuku, blaming All Might for Izuku's behaviour, and didn't accept any culpability for what he did to him. He didn't tell anyone else what he did to Izuku. Also, if Izuku really didn't have any lasting damage from the bullying, then why did Bakugou's apology make him calm down? If he didn't care about the bullying, then why is he so relieved by the apology? BECAUSE HE WAS AFFECTED.

"Bakugou was being abused!" ... NO HE WASN'T!! Mitsuki is not abusive. Yes, she hit him round the back of his head. After he threatened her. Anyone with Asian parents can tell you that her hit does not hurt. Not only is it somewhat normal in Asian families, but it also doesn't hurt. We have no evidence that she is abusive. Horikoshi knows how to set up abusive families, as seen with the Todorokis. This not that. Either way, even if she was, being abused doesn't mean it's okay to abuse others. You can hurt without hurting others.

"It's the school and teacher's fault!" No, it's not. Part of the fault lies with them enabling him, but Bakugou is already fifteen when the series starts. His mother clearly doesn't agree with his attitude. The school is only partially to blame. Bakugou should have learned by himself what is right and what is not. In fact, he clearly does know considering he doesn't want any of that stuff on his records in case U.A. rejects him.

Again. I don't care if he's a terrible person. I care that he's a terrible character.

So the next time someone says that I'm stuck in Season One, take a moment and think about what you're saying. Bad people in fiction are entertaining. Bad characters are not.

[codenamesazanka]

Story has this tendency to add more suffering after the initial horror backstory, as a way to delve deeper into Hero Society/the world:

Shigaraki didn't just have a deadly quirk and was never saved by Heroes - his dad abused him and his family enabled this and then he killed his entire family and was ignored by dozens of bystanders before being picked up by a Villain who gives him his family's severed hands to fuck with him. Then it turns out even his birth was plotted by AFO.

Twice wasn't just a criminal who suffered a traumatic break. He was an orphaned 16-year-old who was kicked out onto the streets and turned to using his quirk for comfort, before falling into crime.

Spinner wasn't just called some names and got bullied and became a hikikomori. He got sprayed with pesticides for daring to walk outside, and admits that he was ready to completely give up.

Toga didn't just had to go to quirk counseling and repress herself. Her parents emotionally abused her and quirk counseling truly was to stuff her into a neat, 'normal' box and even when she was unconsciously biting her wrist hard enough to bleed in her sleep, no one did anything.

Touya wasn't just neglected by his dad and went villains for revenge. He was cornered to the point of a mental breakdown, before being alone when he nearly burned to death, was in a coma for three years, escaped from a shady AFO-ran orphanages, came home to see Enji still beating up Shouto, then became a street kid for the next 8 years.

AFO and OFA wasn't just two siblings with quirks living through a time of chaos where people quirks were considered subhuman. They were born to a homeless woman who died, and so they becoming orphaned trash river rat babies who lived on the streets their whole lives.

Scissors-kun wasn't just tied up and locked away in his own home by his parents. His family and multiple relatives were all involved in the abuse and cover-up, in which he was locked in a basement for years and they even sew his mouth shut (implied because he cried too much), before being purposefully abandoned when the town was evacuated due to it turning into a war zone.

From his latest interview, Horikoshi apparently writes things because he wants his story to be interesting and evoke strong emotions in readers. Fair enough. I think he chooses these absolutely awful backstories as a way to make his villains understandable and sympathetic - so we can clearly understand their anger and pain and know why they would seek out destruction even if those crimes are inexcusable. Also fair. Or maybe it's just the logic of the darker the backstory, the more heartwarming the lukewarm save will feel - if they've suffered so much, they should be grateful they're even getting a bit of relief.

But the thing is. Because these horrors are so atrocious and clearly the results of how corrupted and dysfunctional and cruel Hero/quirk society is, I really have no choice but to loathe Hero society and basically all who upkeep it, and wish for its complete upheaval.

Scissors-kun revealed to be the victim of one of those years-long confinement cases, undergoing years of neglect and social isolation, and then even mutilation, all because his family can't accept his quirk, and no Hero even knowing of his existence to save him from his own family - him being saved by Old Lady holding his hand doesn't bring me joy. I don't see change. I see an injustice that occurred long before the League ever started their terrorism and continued even after they were defeated, and only recently alleviated partly because the League lashed out and forced some reckoning, and even this help Scissors-kun received is the lowest of bars.

It makes me want the society that allowed something like this to happen to him to be utterly destroyed.

[pikahlua]

I hope this will be short.

I guess this line is the fandom drama of the chapter?

I understand a lot of you are really passionate about the accuracy of the English translation. I just want to encourage you to try to engage with the official translation in good faith.

Ojama shimasu literally means "I am disturbing you/I will get in your way." It's often spoken as a greeting where the "apology" is implied (hence the brackets in my translation), but as usual context is everything in Japanese. Izuku is saying this line in defiance of Tomura's wishes. It basically comes across as Izuku plugging his fingers in his ears.

Me personally? If I were the official translator, I'd have strongly considered translating the line as "I'm coming in whether you like it or not."

The purpose in my pointing out the "common greeting" nature of this line was to demonstrate Izuku's sassiness. This is Izuku doing his "meddling where you don't technically have to" thing. The level of formality in Izuku's speech doesn't necessarily translate to actual politeness (check out @bakuhatsufallinlove's excellent post on that here).

Does "You will let me in," mean the exact same thing? Technically no, but it's the sentiment that counts. From an official translator's point of view, "You will let me in," is shorter, punchier, fits in the speech bubble a lot easier, and still conveys the general idea of what's happening in the scene.

I don't know. I wanted to talk about this because I guess a lot of people are concerned about Izuku's characterization and how it reflects on Japanese culture and how the official translation may be misrepresenting Japanese culture to the English-reading audience, and I just...can I ask that everyone take a step back a minute? Horikoshi isn't writing his story for an English-reading audience. He's not considering at all how any of this sounds to English speakers. That's the translator's job, not just to translate what is said but to translate that into the context of who is reading it. Localization is not a dirty word--it's an important aspect of translation. And the notion that Izuku is being polite and respectful here as a Japanese person is just such a...take. Izuku is being hella rude here lol. Japan itself, not just the MHA Japan but REAL WORLD Japan, notoriously has a bystander problem where people will ignore others who are being harassed because they don't wanna get involved. They won't step in to help nor will they even testify as a witness against others for fear of what it means to speak out and break from the pack. Izuku is quite obviously Horikoshi's direct answer to that phenomenon. He's meant to be an example of the morally correct thing to do, which is to be "rude" in these cases.

So I mean, sure, we can talk about what is lost in translation by the line, "You will let me in." But to me what's lost may just be grammatical and pedantic (like the passive voice that switches the onus of action onto Tomura instead of Izuku and what that may do to the focus on Izuku's rise to action here). In any case, it's not a BAD translation that changes Izuku's perceived politeness, just one that may prompt new discussion--and I don't think that's a bad thing.

[lilybecca1]

Ayo wtf??!

I thought this was fake or some fan made game but I'm actually just finding out this is somewhat legit??

How on EARTH-

And "Don't forget the straight man" 😭😭😭 lmao which one??!

Okay I'm not even gonna question it at this point 😂 when it comes to them, anything is possible

I swear Horikoshi is about to turn into Scott Cawthon or some sh*t cause there ain't no way these are not hint bombs that they're dropping on us.

Cause you guys remember what Scott did with FNAF? It just started out as a game, but as the story got bigger and bigger and not exactly kid-friendly he instead started dropping hints in other games, books, novels, literally everywhere. And even though technically he "retired" and doesn't really control the content anymore, he still very much has an influence on everything that comes out and everything is still canon to the story even though it's technically not created by Scott Cawthon anymore.

So may I ask...wtf are you doing Horikoshi???

Because most mangas just end when the mangas end right? That's the story. The end. Nothing else to discuss. But like I guess MHA is a special case in every aspect. Maybe Hori is going towards the dropping hints style story, because there were a lot of things left unsolved right? Take Midoriya's Dad as an example. Or the fact that no one became canon, or more like Bkdk didn't become canon. So if we think about it in the Scott Cawthon sense, Scott started dropping hints partly because the content was really not on the PG-13 side anymore. So what if Hori decided not to make Bkdk canon because of the public backlash the manga would get? Cause let's admit it, there would be a LOT of haters if that happened. What if, instead of making them canon, he's just dropping hints now everywhere for us fans to figure it out?

That would be insane, but he wouldn't be the first person to do it. And yes, hints aren't exactly canon, these are all just theories...but they very much might be intentional, and that means something, right?

Anyway, here are some more stuff from the new update:

De..Izuku

Man I love that they added that in there

Mhmmmmmm Suuure

The Hey..Izuku reference 😭😭😭 stop, you're hurting my heart

WE'RE A TEAM I CAN'T-

Man I love how they're both so utterly hopeless when it comes to being romantic

This feels like that scene from that one Memories episode..

Also I have a feeling if these two ever went on a date they'd just be training together 😭 and that would be the most romantic sh*t we'd ever see from them

[epickiya722]

"How is Horikoshi going to wrap up everything on five chapters?"

I don't know, you don't know. We just know Horikoshi and his team have a plan and they know how MHA is going to be wrapped up in five chapters.

They got it, they'll handle this. At the end of the day, this is Kohei Horikoshi's story.

Regardless, I feel like this is the case with some of you.

You're afraid of being disappointed. You're afraid of being disappointed because you have these expectations set so high. With that kind of standard, you're never going to be satisfied with anything.

So stuck on "this must satisfy me and only me" that you forget that that story not written by you is a story that is just being shared with you. Not given to you because you're special and you're not.

On top of that, some of you just crave for more, more, more. And more. And more. Even more.

You want nonstop content being pushed out while being impatient about it (looking at you, 'how dare we not get a new chapter this week' folks).

Just because one manga had been going on for longer than another, maybe even came out before that one, doesn't mean every manga is meant to last for a long time. Manga, anime, TV show, comic book, novel series, etc.

Fun fact, Horikoshi's previous works didn't last for ten years. His last one, Oumagadoki Zoo, lasted little less than a year. From July 2010 to April 2011.

Three years it ended before My Hero Academia came into the picture. And I'll be honest, I doubt Horikoshi even planned for MHA to last this long because he didn't have the experience before.

Once it got to a certain point, I doubt he even wants for MHA to go even longer.

Hell, that's something I know all too well as someone who writes. And from what I remember, stories have a beginning, a middle and an end.

Stories aren't meant to keep going on forever. They're meant to be read, to be told, to be understood, to be enjoyed.

Not be graded like some college report and not ongoing like the people who create those stories are damn machines.

Something that it's very clear to me that some of you forgotten that. Or even care, let's be real.

Some of you want perfection so bad and yet can't even write your own damn story.

Who even wants a perfect story anyways? I don't know about the rest of you, but a story with flaws is a story that could be learned from. Stories can guide you, too, in more ways than one.

Horikoshi's writing to me, at least, isn't perfect. It's entertaining. I got into MHA because I was entertained by the concept. I got interested into it because of a meme I saw. You think I wouldn't want to seek it out and see if it will entertain me?

Yes, there are some points of the story where I wanted to pull my hair out and I don't doubt that a future part may make that feeling return.

But at the same time, what if... that's the point? Maybe you were meant to feel that emotion? Maybe that's what the writer was going for?

Are you understanding me?

Maybe, example, with the end we got for Tomura was meant to upset you? Sadden you, anger you even? Stories work like that sometimes!

But I doubt the writer should be condemned for it because at the end of the day, it is just a piece of fiction. My Hero Academia is the same story where a woman can grow to the size of a building and a kid has a speech bubble for a head.

Now does that sound like a story that you should be acting like a complete fool over? Wishing harm towards and arguing with others over? Huh? Does it?

Honestly, after MHA ends, if you choose to move onto the next manga, anime, whatever how about stop expecting so much?

How about stop having this entitlement that the story must go your way and your way only?

How about remembering that eventually that story will end?