#in a sense this could be a happy ending

[tiny-breadcrumbs]

Mulberry Song, A Short Story With Many Feelings

Reading Mulberry Song is like sitting in a car with no seatbelt on when the driver pull a sudden brake. Like yeahhh An Zi Wu is a piece of garbage for using her like that! Booo why don't you die in the war?! Then bam...the feeling got complicated and you cry when he actually die. Whatever shit happening between these two, it is so bittersweet and drenched in guilt.

In this life, Sang Ge being able to gain this moment of hesitation from An Zi Wu in exchange... Is enough.

You see, painful. Just painful. I think she love him. Maybe not a fully full blown passion, but something gentler, she is proud of him and there is fondness in there. Pity, he realize his own too late.

I saw some review here and there that say Sang Ge should hate this husband of her. That the story glorifies a woman's sacrifice and loyalty towards a man who did her dirty. In my point of view, this is just a story about war, sacrifice and guilt. It is very humane in some way. Human heart never works in a black or white, it has more shade than just that. To said it glorify would belittle the sacrifice she makes based on her choice, even as a character.

For all the trainwreck that happened, An Zi Wu can be seen as a righterous man. The rebellion he raised was against a tyranical reign, and for the people he fight, not for his own shady ambition. The scene at the top of the fortress is the final nail in the coffin. You can see she is not that bitter, she understand what the cost of that war, she understand perfectly her life is the last thing that stood in his way. Sang Ge at most is quite detached, but her act of sacrifice, I don't think she have resentment in her heart. And the marquis, he may plan the act long ago, but perhaps it never occur to him that he will grow fond of this wife he set up as a sacrificial lamb. It is truly too late to show his fear for her at that fortress. The classic of you never know what you have until it's gone.

From then on, we watch him drowning in guilt. Maybe he saw her eyes at that time, maybe he saw the smile and the way she always willing to die for him to help him achieve his dream. This new emperor naming his reigning era in the combination of his tittle and her name. Give her a lavish burial excedeed one for an empress. Never take another wife nor concubine. He chase her shadow everywhere because it is too late when the last time he chase her as a person. What a foolish man.

"Sang Ge being your wife in this lifetime, towards me, be it real affection, be it insincere feelings, I am still your wife. Should there be a day, you leave. I will definitely wait for you."

His eyelids hangs low, sinking into silence for a long time. "Wait for me then"

Bet he didn't know this simple promise last longer than just one war. Last longer than just one life.

Serve him right actually. An Zi Wu should learn his lesson about cherishing someone at your side before they gone in the hardest way possible. Must be painful. Quite poetic when she is the one who promised to stay at his side even in death, in the end, he is also the one who can't let her go. She is the only person he want at his side. They both have sad fate. Both deserve a meme of life is suck.

"But where is the path to retreat? The war already started, striving forth, still contains a glimmer of hope, and should I give up, not even a glimmer of hope will be left." His voice if very tightly stretched, carrying hoarseness like sorrow, like pain. "Sang Ge, yet you were too stubborn to even give me the chance to save you."

Perhaps it was for a better that Sang Ge lingering around, following him everywhere, and witnessing his misery. To see what he actually think of her and how her death bring him so much guilt it consume him thoroughly. She finally can see how he murmurs her name in his sickbed. How he begged her to take him away.

When he realise she always waiting, all that left only for him to return to her. And precisely that he will gladly do. I believe he end his life that night.

Finally returning to her side.

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[night-creeps]

I feel like a lot of mouthwashing fans forget that murder is a bad thing.

Like those who have their good end is swansea killing jimmy before daisuke and anya die. Yes that would be a good ending but none of them WANT to escalate to murder! That's WHY it gets so bad! They're stuck together, but for most of the game anya is the only one who has a valid reason to want to kill jimmy but she doesn't want to be a murderer. Even swansea only escalates to prevent daisuke from being in pain.

Anya and curly are the only ones who worry about jimmy lashing out, swansea probably does have a sense after anya confides in swansea.

We as the audience have the knowledge of how unstable jimmy is because of the dramatic irony that comes from changing pov characters.

Curly is maybe the only one who could have stopped jimmy after the crash, but he's the only one physically incapable of sharing or acting on that.

Swansea probably had a bad feeling about jimmy after the crash, which is why he hides the working cryopod. He knew that information could be dangerous and lead to infighting so he made sure no one else knew.

As much as all of the characters are flawed, and make bad decisions, they are still all believably human characters.

More praise needs to be given to narratives that prioritize believable characters over 'perfect' endings. Mouthwashing is one of those stories where it couldn't have gone any other way.

[myokk]

Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?

Hello angel!!!!

Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓

We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓

I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).

I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓

HAPPY ENDING:

Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.

Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.

Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶

They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺

When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.

Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)

I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓

SAD ENDING:

After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)

Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)

BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.

Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺

He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.

(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)

Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!

[calicobunnyrabbit]

whoa! it's, like, symbolic.

[sadlittleratboy]

I think Deku and Shigaraki should have had to share a body. It would be hilarious, and also like...show Deku's real dedication. He stops Shigaraki, but wait! Fuck! Shigaraki is dying! But of course Shigaraki has One for All so if he just gave it back Izuku could keep him close so THEY could be a hero for the villains.

Then you have Izuku translating for Tomura but trying to say it nicer lol. Also he would get decay so that would be cool (and then decay could level up and have the healing side like Overhaul's quirk and fix the league).

Then sometimes every now and then Shigaraki could get fed up and take over to say something spiteful and quippy, and maybe we see Deku adopt Tomura's bitch face with kisses eyes and all. That would have been fun.

Instead we got this fucking nightmare.

[olasketches]

so because we have only three chapters left, I’ve decided that I’m going to wait for the official release instead of going through the leaks as I’ve been doing for… almost the past 2 years. I don’t want the leaks and the fandom discourse to ruin my last experience with jjk as a still ongoing manga… plus I thought it would be more fun and enjoyable this way... more special ig (I’m being so sappy ik) wish me luck guys!!

[nat-20s]

I think it just keeps fucking hitting me at LEAST once an hour every day that The Doctor and Donna got a happy ending!! They get to spend the rest of their lives with their best friend!!!!! What the fuck what the FUCK part of me is sobbing part of me is near pissing myself with glee and part of me is looking at The Doctor and a companion genuinely getting enough time together and going

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[giddlygoat]

hater has disturbing reoccurring dreams about wander crawling inside his ribcage that always have him waking up in a cold sweat [they just feel too real and hater can’t place why]. wander has reoccurring dreams of hater ceremoniously destroying him with the Disaster Blaster and it’s the one dream he doesn’t eagerly blab to sylvia about because he doesn’t know how to tell her that it never feels like a nightmare. soooo is anyone else sick in the head or is it just me

[evilrwbyfan]

au idea: dolls core was retrieved from cyns body when it melted because robots cannot digest, uzi was kind enough to go back and patch her corpse up and put its core back in place

doll now has permanent scaring and damage due to the whole ribcage thing, shes disabled now but shes managing

doll can still use the solver but its faulty, i think most people in the colony still wouldnt like her but i think at least uzi would respect her

because of the way the colony generally acts and dolls past behavior, shes not exactly popular nor does she have friends. shes not friends with uzi, but they arent enemies or anything

uzi has gotten v to make amends with doll by apologizing, they are NOT friends and still dont like each other but doll is too exhausted to care much anymore

doll and lizzy dont talk anymore, doll misses her but she avoids her because of how close her and v are

doll spends a lot of her time alone, mostly outside of the colony because she cant stand always being in the room where her parents corpses are and doesnt have the emotional strength to hold a funeral for them. it would feel like shes “letting them go” which, even after all this time, shes not ready for

one day on dolls travels through the snow, she comes across j working on the broken down spaceship. both of them are a bit on edge and hesitant, theyve gone so long with being alone and neglecting company that its hard to talk to others without it being awkward.

originally, doll wasnt going to interfere with j, but seeing how j was alone just like she was, she kept finding herself visiting her every so often until it ended up being a daily thing

doll and j mostly bond by talking about their mistakes and their shared loneliness, they find solace in one another but this DOES take time, they dont immediately start liking each other

due to dolls past experience with disassembly drones, she isnt very friendly in the beginning but shes not looking for a fight either. j has always seen worker drones as incompetent so thats all she thought doll was going to be, she deemed doll a waste of her time

im not sure how their first conversation would go, but i know it would be short. theyre both trying to get out of the interaction but theres enough information shared between them to pique their interests (and the fact theyre both incredibly lonely and crave company but are too afraid to admit that) so that leads to doll visiting more rhan she wanted to… however, it was a subconscious decision AT FIRST

thoughts?

[ladykyriaa]

Turns out Raven of the inner palace is doomed romance right from the start, but I can't find myself to be angry bcs them not ending up together actually makes sense but damn it😭😭

[spiritsong]

OKAY time to share my two cents that nobody asked for on this scenario. yeah, I'm disappointed. ngl this is casting a pall over my replay of the series and general enthusiasm (which sucks but I know I'll bounce back very quickly, it'll take FARRR more than something like this to kill it). regardless of the impact of our choices or lack thereof, I have faith that veilguard will be a great game because I haven't been let down by a dragon age game yet. the concept of worldstates is a HUGE reason why this series is special to me, but it's not the only reason.

that being said, yeah, it's pretty fucking weird to have so... few... choices represented in the CC. especially if you think about how impactful everything that is NOT being represented is. so many things stop making sense.

we saw our choices mattering less as we moved from DA2 -> DA:I, but nothing of this caliber. its.... idk. idk what else to call it beyond weird and disappointing

we still can't say anything is for certain until we play through the entirety of veilguard itself but I'm definitely much more wary than I was before

[miraculouslbcnreactions]

What's your opinion on malewife/house husband Adrien posts? I asked this to another blog, and like I said to them, I find them a guilty pleasure: The concept is cute, but I know that would be the last thing Adrien would ever wanna be after all his dad put him through.

I don't think that it would be the last thing that Adrien would ever want. I actually think it suits his character in a lot of ways, you just have to handle the topic with care.

First let's talk about why it suits him.

Miraculous has totally failed to give Adrien any sort of career-based passion and - if we ignore the senti complication - I honestly love that for him! I want more characters with no major life ambitions to balance out the Marinettes of the world!

I think that society places way too much pressure and value on finding the perfect career that fulfills us in every way while also allowing us to put food on the table. Most people will never find that and that's okay. It doesn't mean that you've failed or that you're lesser. For most people, the goal is to find a career that pays the bills and that you enjoy enough that you don't hate doing it 40hrs/week. Along similar lines, for most people, your passion will be something that doesn't make money. It will be something like a hobby or spending time with those you love or analyzing badly written French TV shows.

This brings us back to Adrien.

Adrien seems to get a great deal of joy from being around his loved ones and making them happy, so I can absolutely picture him finding a lot of joy in running a home. This is extra true because Marinette is pretty clearly career driven and she's planning to go into a creative field, so she'll probably have a pretty crazy schedule and struggle to stay on top of it all. Having a loving husband to take things like cooking and cleaning off of her plate would be a blessing and a gift that she'd greatly appreciate, but that would feel unbalanced if Adrien was working, too. (Yes, they could hire staff, but that risks the secret identity thing, so I don't see them doing that.)

If they both have power careers, then they'd barely see each other and I hate that for them. I think that it would make Adrien incredibly sad and depressed. Plus, while Marinette thrives off of competition and staying busy, only needing occasional breaks before diving right back in, Adrien seems to hate busy schedules and heavy work loads.

Given all of that, I think that there's a lot to be said for Adrien stepping away from the working world. Especially since he's been in it for years and being a child celebrity is no joke! I think it would be nice for him to escape from strict schedules and expectations. Dinner fails? Order takeout!

While we're on the topic of food, I really like the idea of Adrien falling in love with cooking. Dude needs a creative outlet and that's honestly a great one (I hate it when people write characters as unable to figure out cooking like it's some cute quirk. While an initial struggle is believable, it's not a mystical art that takes years of practice. Between YouTube, the wider Internet, and maybe some classes if he wants to get fancy, I think that he'll be fine.) There's so much variety with what you can do in the kitchen and the end result gets to be shared and appreciated by those you love. It just seems like a perfect fit for him, but I would never make him a professional chef because the hours are insane and the pressure to be perfect is high. I only see him loving it as a hobby where he can go at his own pace, take days off, and make lazy meals when he's not feeling like being a show off.

The big concerns that come with making him a homemaker are a lack of financial independence and a lack of socialization. I don't see the first thing as an issue for Adrien since he comes from a wealthy family, so that one doesn't phase me.

The isolation could very easily be an issue, but it could just as easily be a problem if he started working, too. It's not as if a job is a sure way to have friends or even just consistent positive social interactions, which is another reason why I don't really see a need to give him a traditional job. You can get a vibrant social life in lots of other ways.

Here are the two big things that I keep in mind when writing an Adrien-as-a-homemaker or similar setup as it is where I tend to have Adrien land for all of the above reasons:

Adrien needs to be active in some organization or project. Volunteer work is a good fit as is being an active stay-at-home parent or some combination of the two. Voice acting is also on my radar, but my default is to have him act as the head of team miraculous' out-of-battle activities. Scheduling meet and greets. Going to see sick kids. Jetting around the world for humanitarian aid missions. Basically let Chat Noir be his "career" which gives him a lot of much needed flexibility for making his own schedule, especially if he's a stay-at-home parent to any eventual kids. I also like the poetic nature of Adrien finally being proud to be the face of a "brand" via his hero side while his civilian side becomes just some guy that people kind of remember from old ads.

Consider having a non-traditional living arrangement. I am a big fan of hero teams living together, so my default is to take the Agreste mansion and remodel it into a secret HQ for the team. Adrien and Marinette would have their own apartment/wing/whatever, but they'd still be surrounded by their found family on a near-daily basis, so that social isolation is the last thing on Adrien's mind. There's almost always someone to hang out with! You could also just have Alya and Nino or other friends live in the same apartment building so that they're over a lot/Adrien has a place to hang when Marinette is working late because you know that she'd do that.

Basically, Adrien's rich, so he doesn't need to make money and he doesn't seem to have any interest in a normal job, so I really like letting him having a unique life where he doesn't have a traditional job. He is a superhero, after all. Unique career paths are pretty par for the course. You just have to be careful to make sure that all of this feels like his fully informed and carefully considered choice and not like you forced it on him to make Marinette's life perfect (I only brought her up earlier because this is a story and it makes sense to design characters around each other). I usually do this by sending Adrien to therapy in his late teens or by giving him some other parth of self discovery.

Do note that all of the above is inspired by my read of Adrien which may be totally different from your read of him and that's fine! I just can't picture him as someone who thrives in a traditional career path based on knowing people who strike me as similar to him and from whom I draw my understanding of how to write that part of Adrien's character. I think that he'd be perfectly able to have a traditional career path, but I also think that he'd be pretty miserable for a lot of reasons.

I'll also note that I'm not sure what posts spawned this ask, so there may be elements of those that I'd have criticisms of. This post was about the general concept of Adrien being a homemaker. I tend to avoid the broader fandom for my own sanity and the use of the term "malewife" has me concerned that I'm implying support of something I wouldn't actually support because that's a new one for me and it sounds incredibly sexist.

I'm not a fan of implying that the default definition of "wife" is "submissive homemaker" so a man taking on a homemaking role is clearly submissive and acting like a woman does while his aggressive, domineering wife is acting like a man, which is the definition of this word that I'm finding online and yikes! Wife and husband are legal/social status in my book. They are not clearly defined jobs/roles/personality types, so I'm not a fan of using gendered terms to refer to stuff like this especially since I do actively try to use gender neutral words in my own writing whenever I can, though I'm certainly far from perfect on that front.

I also don't see homemaking as a submissive act. It certainly can be, but that's not how I picture Adrien at all! I picture him as relaxed and plesent, but 100% in charge of the home and all choices about how it's run. I also see him being in charge of their finances like homemakers often were in the "old days" since they were the ones in charge of things like scheduling cleaners, buying food, and other things that needed strong budgeting skills while the person who worked wasn't actually spending money or managing the home since they were at work. I like to think that Nathalie would prep Adrien to be a wealthy man and so he'd have strong skills in finance management.